Changing Lanes Quotes

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Nothing's ever the same," she said. "Be it a second later or a hundred years. It's always churning and roiling. And people change as much as oceans.
Neil Gaiman (The Ocean at the End of the Lane)
A story only matters, I suspect, to the extent that the people in the story change.
Neil Gaiman (The Ocean at the End of the Lane)
When the shimmer of the past is melting into the presence, spreading a scent of attentiveness and inquiringness, our mind may ask for a new reading of the story of our life. An innocuous flicker from a hazy sequence in our memory lane can affect our current awareness, making us raise questions, throwing new light on our expectations; crafting an airy vision of the future. ("A change of vision" )
Erik Pevernagie
I hope they change my drugs soon. Whatever I'm on isn't working.
Karen Marie Moning (Shadowfever (Fever, #5))
My child, I know you're not a child But I still see you running wild Between those flowering trees. Your sparkling dreams, your silver laugh Your wishes to the stars above Are just my memories. And in your eyes the ocean And in your eyes the sea The waters frozen over With your longing to be free. Yesterday you'd awoken To a world incredibly old. This is the age you are broken Or turned into gold. You had to kill this child, I know. To break the arrows and the bow To shed your skin and change. The trees are flowering no more There's blood upon the tiles floor This place is dark and strange. I see you standing in the storm Holding the curse of youth Each of you with your story Each of you with your truth. Some words will never be spoken Some stories will never be told. This is the age you are broken Or turned into gold. I didn't say the world was good. I hoped by now you understood Why I could never lie. I didn't promise you a thing. Don't ask my wintervoice for spring Just spread your wings and fly. Though in the hidden garden Down by the green green lane The plant of love grows next to The tree of hate and pain. So take my tears as a token. They'll keep you warm in the cold. This is the age you are broken Or turned into gold. You've lived too long among us To leave without a trace You've lived too short to understand A thing about this place. Some of you just sit there smoking And some are already sold. This is the age you are broken Or turned into gold. This is the age you are broken or turned into gold.
Antonia Michaelis (The Storyteller)
Sometimes you simply made the wrong choice and you had to live with it. You could only change the future.
Kristin Hannah (Fly Away (Firefly Lane, #2))
Mary, please strike me deaf until the state line,’ Declan said, checking his mirrors, changing lanes, driving safely. He felt Matthew was taking all this a bit far. Declan had put his identity crises on hold multiple times for the greater good. Matthew had only been asked to do it once.
Maggie Stiefvater (Mister Impossible (Dreamer Trilogy, #2))
It's never good to sit around and wait for someone of something to change your life.
Kristin Hannah (Firefly Lane (Firefly Lane, #1))
Nothing’s ever the same,” she said. “Be it a second later or a hundred years. It’s always churning and roiling. And people change as much as oceans.
Neil Gaiman (The Ocean at the End of the Lane)
Meg turned and gazed out the rear windshield, probably checking for any shiny blobs pursuing us. “At least we’re not being—” “Don’t say it,” Percy warned. Meg huffed. “You don’t know what I was going to—” “You were going to say, ‘At least we’re not being followed,’” Percy said. “That’ll jinx us. Immediately we’ll notice that we are being followed. Then we’ll end up in a big battle that totals my family car and probably destroys the whole freeway. Then we’ll have to run all the way to camp.” Meg’s eyes widened. “You can tell the future?” "Don’t need to.” Percy changed lanes to one that was crawling slightly less slowly. “I’ve just done this a lot.
Rick Riordan (The Hidden Oracle (The Trials of Apollo, #1))
I thought change started from within." "Sometimes. Sometimes it's forced upon you.
Kristin Hannah (Firefly Lane (Firefly Lane, #1))
Harshness vanished. A sudden softness has replaced the meadows' wintry grey. Little rivulets of water changed their singing accents. Tendernesses, hesitantly, reach toward the earth from space, and country lanes are showing these unexpected subtle risings that find expression in the empty trees.
Rainer Maria Rilke (The Selected Poetry of Rainer Maria Rilke)
One mistake can change the course of your life. You can never return to your original path or go back to the person you were.
Lisa See (The Tea Girl of Hummingbird Lane)
You jeopardize all if move slowly on a fast lane.
Toba Beta (My Ancestor Was an Ancient Astronaut)
It’s interesting-most people think about therapy as something that involves going in and undoing what’s happened. But whatever your past experiences created in your brain, the associations exist and you can’t just delete them. You can’t get rid of the past. Therapy is more about building new associations, making new, healthier default pathways. It is almost as if therapy is taking your two-lane dirt road and building a four-lane freeway alongside it. The old road stays, but you don’t use it much anymore. Therapy is building a better alternative, a new default. And that takes repetition, and time, honestly, it works best if someone understands how the brain changes. This is why understanding how trauma impacts our health is essential for everyone.
Bruce D. Perry (What Happened To You?: Conversations on Trauma, Resilience, and Healing)
My roommate’s not suicidal But it sounds sexier than saying that she closes her eyes sometimes when she’s changing lanes.
Chad Anderson
The highway of life was littered with the roadkill of those who didn't know when to change lanes.
Karen White (After the Rain)
Life changes us second by second.
Samantha Young (Before Jamaica Lane (On Dublin Street, #3))
When you're cruising down the road in the fast lane and you lazily sail past a few hard-driving cars and are feeling pretty pleased with yourself and then accidently change down from fourth to first instead of third thus making your engine leap out of your hood in a rather ugly mess, it tends to throw you off stride in much the same way that this remark threw Ford Prefect off his.
Douglas Adams
It’s never good to sit around and wait for someone or something to change your life.
Kristin Hannah (Firefly Lane (Firefly Lane #1))
One day—and it only takes one moment to change your life forever—
Lisa See (The Tea Girl of Hummingbird Lane)
I like radio personalities, and I like to change lanes. And losing yourself on the freeway is like living at the beach--you're not aware of lapsed time, and suddenly you're there, where it was you were going.
Amy Hempel (The Collected Stories)
She described to us six lanes' worth of unadulterated fear, populated exclusively by motorists whose driving education had been paid for by the blood of pedestrians.
Jeff Deck (The Great Typo Hunt: Two Friends Changing the World, One Correction at a Time)
With regard to navigating relationship's highways and bi-ways - avoid changing lanes without first giving a signal.
T.F. Hodge (From Within I Rise: Spiritual Triumph over Death and Conscious Encounters With the Divine Presence)
A story only matters, I suspect, to the extent that people in the story change.But I was seven when all these things happened, and I was the same person at the end of it that I was at the beginning, wasn't I? So was everyone else. People don't change
Neil Gaiman (The Ocean at the End of the Lane)
We all have our scars, Laura,” he said softly. “Some of them are on the outside. Some are on the inside. But we can’t change them. All we can do is accept them as part of who we are and go on living. - Caleb McCurdy (hero)
Elizabeth Lane (The Stranger)
How lucky country children are in these natural delights that lie ready to their hand! Every season and every plant offers changing joys. As they meander along the lane that leads to our school all kinds of natural toys present themselves for their diversion. The seedpods of stitchwort hang ready for delightful popping between thumb and finger, and later the bladder campion offers a larger, if less crisp, globe to burst. In the autumn, acorns, beechnuts, and conkers bedizen their path, with all their manifold possibilities of fun. In the summer, there is an assortment of honeys to be sucked from bindweed flowers, held fragile and fragrant to hungry lips, and the tiny funnels of honeysuckle and clover blossoms to taste.
Miss Read (Village Diary (Chronicles of Fairacre, #2))
Worrying doesn’t change anything, just causes unnecessary stress.
Luann McLane (Whisper's Edge (Cricket Creek #4))
The change most needed in our lives isn't change in our situations and relationships but in us. The thing God is most intent on rescuing us from is ourselves.
Timothy D. Lane (How People Change: How Christ Changes Us by His Grace, Leader's Guide)
Nothing’s ever the same,’ she said. ‘Be it a second later or a hundred years. It’s always churning and roiling. And people change as much as oceans.
Neil Gaiman (The Ocean at the End of the Lane)
Look, I’m not going to apologise anymore … Yes, I want to protect you. You’re my wife. I’d fucking kill for you, Liv, and if that makes me a possessive bastard of a husband, then fine. That’s what I am. I’m not going to change either. I love you too goddamned much.
Nina Lane (Awaken (Spiral of Bliss, #3))
Life is full of choices. Sometimes we make the right ones. Sometimes we make the wrong ones. Sometimes a choice that seems so trivial ends up changing the direction of our life forever. And sometimes a choice that seems monumental doesn’t mean shit. So
Prescott Lane (The Reason for Me)
Never change for the mainstream—stay in your lane, and if you’re talented and resilient enough the mainstream will come to you.
Russell Simmons (Do You)
When you mix with the wrong energy, there's bound to be an explosion. Pay attention and switch lanes when the signal changes. What's really real, is ultimately revealed.
T.F. Hodge (From Within I Rise: Spiritual Triumph over Death and Conscious Encounters With the Divine Presence)
Sometimes you simply made the wrong choice and you had to live with it. You could only change the future.
Kristin Hannah (Fly Away (Firefly Lane #2))
No one could possibly understand what it meant to watch a person alter so drastically in front of them, to see them change and deteriorate until eventually there was just a hollow shell that no longer remotely resembled the person
Victoria Jenkins (The First One To Die (Detectives King and Lane, #2))
My work with teenagers has convinced me that one of the main reasons teenagers are not excited by the gospel is that they do not think they need it. Many parents have successfully raised self-righteous little Pharisees. When they look at themselves, they do not see a sinner in desperate need, so they are not grateful for a Savior. Sadly, the same is true of many of their parents.
Timothy D. Lane (How People Change: How Christ Changes Us by His Grace, Leader's Guide)
If I were Satan and wanted to destroy a society, I think I would stage a full blown blitz on its women. I would keep them so distraught and distracted that they would never find the calming strength and serenity for which their sex has always been known. He has effectively done that, catching us in the crunch of trying to be superhuman instead of realistically striving to reach our indiviual purpose and unique God-given potential within such diversity. He tauntingly teases us that if we don't have it all- fame, fortune, families, and fun- and have it every minute all the time, we have been short changed; we are second class citizens in the race of life. You'd have to be deaf, dumb and blind not to get these messages in today's world, and as a sex we are struggling, and our society struggles. Drugs, teenage pregnancies, divorce, family violence, and suicide are some of the every-increasing side effecs of our collective life in the express lane.
Patricia T. Holland (A Quiet Heart)
There is a sense of danger in leaving what you know, even if what you know isn’t much. These mill towns with their narrow lanes and often narrow minds were all I really knew and I feared that if I left it behind, I would lose it and not find anything to replace it. The other reason I didn’t want to go was because I wanted to be the kind of person who stays, who builds a stable and predictable life. But I wasn’t one of the people, nor would I ever be. I had a vision for my life. It wasn’t clear, but it was beautiful and involved leaving my history and my poverty behind me. I wasn’t happy about who I was or where I was, but I didn’t worry about it. It didn’t define me. We’re always in the making. God always has us on his anvil, melting, bending and shaping us for another purpose. It was time to change, to find a new purpose.
John William Tuohy
The man was a bully. A bully who'd elevated himself to a high-level position, but a bully just the same. No amount of flattery would change how I saw him.
Gwenda Bond (Triple Threat (Lois Lane, #3))
None of us ever gets to be in relationship with a finished person. God’s redemptive work of change is ongoing in all our lives.
Timothy S. Lane (Relationships: A Mess Worth Making)
[W]e are not merely tempered and schooled by failure but compelled, in however subtle a fashion, to become something other than we were.
Anthony Lane
One lesson I've learned--worry doesn't change tomorrow, it only robs today of its joy."-Charley
Irene Hannon (Sea Rose Lane (Hope Harbor, #2))
Let me briefly affirm that you choose your labels. You choose those you show them to. You choose when the labels change, if they change. None of us is just one of anything.
Lane Moore (How to Be Alone: If You Want To, and Even If You Don't)
You and I will only be able to understand what is valuable when we examine things from the perspective of eternity.
Timothy S. Lane (How People Change)
Accept that there were some things you could not change and some things that you should.
Amy Lane (Making Promises (Promises, #2))
Since I spend my working days studying trends, many of which are downright disgusting, I feel it’s my duty after work to encourage the trends I’d like to see catch on, like signaling before you change lanes, and chocolate cheesecake. And reading. Also,
Connie Willis (Bellwether: A Novel)
In that moment Apollo resolved that no matter how ridiculous their mating might be, he wasn’t going to let her change her mind. She was his now—and if he had any say in the matter, she’d be his always.
Elizabeth Hoyt (Darling Beast (Maiden Lane, #7))
Find a better balloon. One that's real. Life is messy, complicated, and difficult. Relish it as it is. Quit expecting it to change. You might find you feel, well, normal then," he mocks. "And realize life never was normal. You were just happy. Be it again. Your choice.
Karen Marie Moning (Kingdom of Shadow and Light (Fever, #11))
The peach gown she'd chosen was the color of the sunrise, the rippling watered silk seeming to subtly change from rose to pink to nearly orange in different lights. She'd fallen in love with it at once.
Elizabeth Hoyt (Duke of Desire (Maiden Lane, #12))
Scripture makes it clear that these responses are not forced upon us by the pressures of the situation. What I do comes from inside me. The things that happen to me will influence my responses but never determine them. Rather, these responses flow out of the thoughts and motives of my heart.
Timothy S. Lane (How People Change)
I'm thinking the only way to show I've really changed is for that guy to be Justin." My foot hits the brake, and I swerve to avoid hitting the curb. Waving a hand at the pissed-off driver behind me, I shake my head and clutch the wheel with both fists. "Aly, you can do a hell of a lot better than Justin." Her voice pitches in confusion. "But I thought Justin was your friend." "He is." I take a breath and change lanes. "Which is how I know you can do a lot better.
Rachel Harris (The Fine Art of Pretending (The Fine Art of Pretending, #1))
Approaching the Williamsburg Bridge - not really certain of how he had managed to find himself there - he experienced an extraordinary moment of buoyancy, of grace. There was a lot more traffic now, but his shifting was smooth and the sturdy little car was adroit at changing lanes. He launched himself out over the East River. He could feel the bridge humming underneath his wheels and all around him could sense the engineering of it, the forces and tensions and rivets that were all conspiring to keep him aloft. To the south, he glimpsed the Manhattan Bridge, with its Parisian air, refined, elegant, its skirts hiked to reveal tapered steel legs, and, beyond, the Brooklyn Bridge, like a great ropy strand of muscle. In the other direction lay the Queensboro Bridge, like two great iron tsarinas linking hands to dance. And before him, the city that had sheltered him and swallowed him and made him a modest fortune loomed, gray and brown, festooned with swags and boas of some misty gray stuff, a compound of harbor fog and spring dew and its own steamy exhalations. Hope had been his enemy, a frailty that he must at all costs master, for so long now that it was a moment before he was willing to concede that he had let it back into his heart.
Michael Chabon (The Amazing Adventures of Kavalier & Clay)
I know again why I favor it so much here, how I esteem the hush of this suburban foliage in every season, the surprising naturalness of its studied, human plan, how the privying hills and vales and dead-end lanes make one feel this indeed is the good and decent living, a cloister for those of us who are modest and unspecial. [p. 130}
Chang-rae Lee (A Gesture Life)
And each of us has tried to be the Holy Spirit in another person’s life, trying to work spiritual changes that only God can accomplish.
Timothy S. Lane (Relationships: A Mess Worth Making)
Sometimes you simply made the wrong choice and you had to live with it. You could only change the future. She
Kristin Hannah (Fly Away (Firefly Lane #2))
Trust your journey, stay in your lane, and change your attitude when times get tough.
Itayi Garande (Reconditioning: Change your life in one minute)
i want you to know you’re beautiful. yes you, the person reading this. your beauty goes beyond what other people can see. i know it’s unfair. i understand how lonely it feels. the absence of their acceptance doesn’t change how wonderful you are. maybe society labels you as broken or tells you to change. it doesn’t mean a thing. you have the most precious soul. you’re worth more than they’ll ever know.
Alaska Lane (the words i'll never say)
I walked down the memory lane this afternoon, The streets have changed now after the storm; the ruins and the residues are cleared... But the madness in the air still remains; Every path I took had the same old smell, Everything once again seemed like those early youth days under the mellow sun, with you.
Preetilata kumari
We are often at odds with our wise and loving Lord because the change he is working on is not the change we have dreamt about. We dream about change in it, while God is working in the midst of it to change us.
Timothy D. Lane (How People Change: How Christ Changes Us by His Grace, Leader's Guide)
Some days you will wake up in a bad mood, look over at him, and think, ‘I don’t need this shit today’, but then he’ll do something sweet and you’ll remember that your life together is so much better than life apart.
Katie Graykowski (Changing Lanes (The Lone Stars, #3))
Lazarus had never thought of himself as lovable. Therefore it should come as no shock at all that Temperance did not, in fact, love him. No, not a shock... but it would have been nice had she had some small feeling for him. Lazarus pondered his own sickening craving as he guided his black gelding through the London morning throng the day after he'd walked out on Temperance. It appeared that his own nascent emotions had provoked a new desire as well: the urge to be loved. How banal. And yet, banal or not, he could not change the way his heart felt. A corner of his mouth quirked up humorlessly. It seemed he must be like other men after all.
Elizabeth Hoyt (Wicked Intentions (Maiden Lane, #1))
You could roll the same side over and over again, the laws of the universe intact and unchanging with each turn. It's only when you consider the past that the odds change. That things become less and less likely." -Lane-
Robyn Schneider (Extraordinary Means)
Instead of turning our heads from pain, we merge with it, neither holding on to it nor pushing it away, becoming instead an instrument of transformation. Recently, on my early morning drive to a health club, I saw a deer in the middle lane, trying to get up, but obviously crippled. Her eyes looked confused and frightened. As I drove by, I breathed in her pain and breathed out a blessing. I could feel a dark cloud swirling inside of me, but I also had an image of a deer running freely in the woods. I can never know if it helped her, but something loosened inside of me. Instead of turning away from her pain, I joined her. It was then I realized more deeply the power of Tonglin... When you feel hurt, confused, lonely, or sad, breathe into your pain, feel it, be with it, then breathe out an image of clarity, light, and a blessing. This alone will start to change your life.
Charlotte Kasl (If the Buddha Dated: A Handbook for Finding Love on a Spiritual Path)
Attentiveness is hard to sustain, however. That’s why backpacking remains an essential practice for me. It requires a consistent mindfulness and self-presence. It demands my keeping an eye on the trail, attending to variations in the terrain and weather patterns, noticing changes in my body as weariness rises or blisters start to form. It necessitates a reading of the entire landscape, learning to dance and flow with the interconnectedness of its details.
Belden C. Lane (Backpacking with the Saints: Wilderness Hiking as Spiritual Practice)
There may not be a hell, but those who judge may create one. I think people are over-taught. They are over-taught everything. You have to find out by what happens to you, how you will react. I’ll have to use a strange term here… “good.” I don’t know where it comes from, but I feel that there’s an ultimate strain of goodness born in each of us. I don’t believe in God, but I believe in this “goodness” like a tube running through our bodies. It can be nurtured. It’s always magic, when on a freeway packed with traffic, a stranger makes room for you to change lanes… it gives you hope.
Charles Bukowski
drive through hell the people are weary, unhappy and frustrated, the people are bitter and vengeful, the people are deluded and fearful, the people are angry and uninventive and I drive among them on the freeway and they project what is left of themselves in their manner of driving— some more hateful, more thwarted than others— some don’t like to be passed, some attempt to keep others from passing —some attempt to block lane changes —some hate cars of a newer, more expensive model —others in these cars hate the older cars. the freeway is a circus of cheap and petty emotions, it’s humanity on the move, most of them coming from some place they hated and going to another they hate just as much or more. the freeways are a lesson in what we have become and most of the crashes and deaths are the collision of incomplete beings, of pitiful and demented lives. when I drive the freeways I see the soul of humanity of my city and it’s ugly, ugly, ugly: the living have choked the heart away.
Charles Bukowski (You Get So Alone At Times That It Just Makes Sense)
Will she be the same?” The old woman guffawed, as if I had said the funniest thing in the universe. “Nothing’s ever the same,” she said. “Be it a second later or a hundred years. It’s always churning and roiling. And people change as much as oceans.
Neil Gaiman (The Ocean at the End of the Lane)
She hadn't realized how much she'd needed a dream, but it had transformed her, changed her from poor motherless and abandoned Tully to a girl poised to take on the world. The goal made her life story unimportant, gave her something to reach for, to hang on to
Kristin Hannah (Firefly Lane (Firefly Lane, #1))
So you take physical affection when you can get it, almost feeling guilty when you do. You might sleep with someone just to get to the cuddling part, knowing full well that if cuddling had been on the table, you might not have even slept with them to begin with. You might get super happy when your yoga teachers do adjustments because having someone touch you in a safe, gentle way⁠—even for two seconds⁠—feels like it changes your whole world. I know I do. Partly because human beings are designed to be physically comforted by one another.
Lane Moore (How to Be Alone: If You Want To, and Even If You Don't)
Tara looks up at the blanket of stars. She wonders, if one exploded, would all the other stars wobble in their orbit? … That’s how death is. It turns your world up side down. It makes what was real seem unreal. It pulls you out of normal. Makes you do things you’ve never done before. Like sit outside in the middle of the night with a bag full of your dad’s ashes. When someone dies, your whole orbit changes.
Lindsey Lane (Evidence of Things Not Seen)
Doing things for others can make the 'giver' happy, but trying to change or control another will drive you crazy, because it cannot be sustained. One must give without expectation(s) and allow others, even your offspring, the opportunity of self-determination -- even when you "perceive" danger on the road ahead; each spiritual journey has a right to its own fulfillment. We must learn how to stay in our lane.
T.F. Hodge (From Within I Rise: Spiritual Triumph over Death and Conscious Encounters With the Divine Presence)
On Radcliffe's headstone, in smaller text beneath his name, was written, Here lieth one who sought truth and light and saw beauty in all things, 1842-1882. Leonard [Gilbert] found himself staring as he often did at the dash between the dates. Within that lichen-laced mark there lay the entire life of a man: his childhood, his loves, his losses and fears, all reduced to a single chiseled line on a piece of stone in a quiet churchyard at the end of a country lane. Leonard wasn't sure whether the thought was comforting or distressing; his opinion changed, depending on the day.
Kate Morton (The Clockmaker's Daughter)
A plane change in space is not unlike trying to hit the offramp of a freeway covered in black ice. Brakes do nothing. Accelerating spins the wheels. Regardless of what we do, the car’s going to continue sliding on down the lane, but with the steering turned hard and a whole lot of gas, we’ll gain a little sideways motion.
Peter Cawdron (Losing Mars (First Contact))
He bent to lay his mouth on hers, thrusting his tongue lazily past her lips until she sucked on the thick length. “Are they any different?” he whispered against her mouth, “my kisses? Have they changed so much with my name?” She cracked her eyelids to look at him and murmur into the humid heat between them, “I can’t tell. Perhaps you should demonstrate again.” He licked at the corner of her mouth. “A scientific study, you mean?” His mouth trailed up her cheek, soft as a moth. “Quite,” she breathed. “As you wish.
Elizabeth Hoyt (Darling Beast (Maiden Lane, #7))
One day at a time. Maybe it wasn't such bad advice. Despite what she'd learned in childhood, change could be good, right? If she could just let loose and let it happen. The thought sent a tremor of fear through her. She'd learned early to hold on tightly, to control her surroundings, her feelings. But control didn't buy safety. She couldn't even control her feelings, much less anything else. Control was a false foundation that crumbled and left her vulnerable. She didn't need to control. She needed to let go and trust God, and that was hard. But he was her new foundation. She pictured it beneath her, solid and unwavering. It would be okay.
Denise Hunter (Driftwood Lane (Nantucket, #4))
Whenever you believe that the evil outside you is greater than the evil inside you, a heartfelt pursuit of Christ will be replaced by a zealous fighting of the “evil” around you. A celebration of the grace that rescues you from your own sin will be replaced by a crusade to rescue the church from the ills of the surrounding culture. Christian maturity becomes defined as a willingness to defend right from wrong. The gospel is reduced to participation in Christian causes.
Timothy S. Lane (How People Change)
The morning drive in Karachi was nothing like coasting on Storrow, but it hadn't taken Asad long to get used to it and it rarely bothered him now. Dreadful road manners were part of the traffic landscape in Karachi. Vehicles changed lanes without warning, motorcyclists zigzagged in and out, camel and donkey carts fought for road space, rickshaws spewed carbon and sulfur fumes, jaywalkers kept popping up from nowhere, and beggars, beggars and more beggars congregated at every traffic light.
Saad Shafqat (Breath of Death)
December 1931 was drawing to a close and Hollywood was aglow with Christmas spirit, undaunted by sizzling sunshine, palm trees, and the dry encircling hills that would never feel the kiss of snow. But the “Know-how” that would transform the Chaplin studio in the frozen Chilkoot Pass could easily achieve a white Christmas. In Wilson’s Rolls-Royce convertible, we drove past Christmas trees heavy with fake snow. An entire estate on Fairfax Avenue had been draped in cotton batting; carolers straight out of Dickens were at its gate, perspiring under mufflers and greatcoats. The street signs on Hollywood Boulevard had been changed to Santa Claus Lane. They drooped with heavy glass icicles. A parade was led by a band blaring out “Santa Claus is Coming to Town,” followed by Santa driving a sleigh. But Hollywood granted Santa the extra dimension of a Sweetheart and seated beside him was Clara Bow (or was it Mabel Normand?)
Anita Loos (Kiss Hollywood Good-By)
One Sunday evening when it was very hot and breathlessly still we sere sitting here in this room in the dusk. He switched on the record player. Liszt. We sat. As I say, here. In this very room. We listened to the piece. Neither of us said a word. That's when he took my hand and we went out into the garden. In a quiet voice he said that I wasn't like any other person in the world and that some people wouldn't understand that. They wouldn't want me to be the way I was. They'd want to change me. They'd try to order me about and make me into the kind of person they wanted me to be. Since I was still a child there would be little I could do except stay alone, stay out of trouble, and make myself very small in the world.
Laird Koenig (The Little Girl Who Lives Down the Lane)
Bring Cecily home,” he said curtly. “I won’t have her at risk, even in the slightest way.” “I’ll take care of Cecily,” came the terse reply. “She’s better off without you in her life.” Tate’s eyes widened. “I beg your pardon?” he asked, affronted. “You know what I mean,” Holden said. “Let her heal. She’s too young to consign herself to spinsterhood over a man who doesn’t even see her.” “Infatuation dies,” Tate said. Holden nodded. “Yes, it does. Goodbye.” “So does hero worship,” he continued, laboring the point. “And that’s why after eight years, Cecily has had one raging affair after the other,” he said facetiously. The words had power. They wounded. “You fool,” Holden said in a soft tone. “Do you really think she’d let any man touch her except you?” He went to his office door and gestured toward the desk. “Don’t forget your gadget,” he added quietly. “Wait!” Holden paused with his hand on the doorknob and turned. “What?” Tate held the device in his hands, watching the lights flicker on it. “Mixing two cultures when one of them is all but extinct is a selfish thing,” he said after a minute. “It has nothing to do with personal feelings. It’s a matter of necessity.” Holden let go of the doorknob and moved to stand directly in front of Tate. “If I had a son,” he said, almost choking on the word, “I’d tell him that there are things even more important than lofty principles. I’d tell him…that love is a rare and precious thing, and that substitutes are notoriously unfulfilling.” Tate searched the older man’s eyes. “You’re a fine one to talk.” Holden’s face fell. “Yes, that’s true.” He turned away. Why should he feel guilty? But he did. “I didn’t mean to say that,” Tate said, irritated by his remorse and the other man’s defeated posture. “I can’t help the way I feel about my culture.” “If it weren’t for the cultural difference, how would you feel about Cecily?” Tate hesitated. “It wouldn’t change anything. She’s been my responsibility. I’ve taken care of her. It would be gratitude on her part, even a little hero worship, nothing more. I couldn’t take advantage of that. Besides, she’s involved with Colby.” “And you couldn’t live with being the second man.” Tate’s face hardened. His eyes flashed. Holden shook his head. “You’re just brimming over with excuses, aren’t you? It isn’t the race thing, it isn’t the culture thing, it isn’t even the guardian-ward thing. You’re afraid.” Tate’s mouth made a thin line. He didn’t reply. “When you love someone, you give up control of yourself,” he continued quietly. “You have to consider the other person’s needs, wants, fears. What you do affects the other person. There’s a certain loss of freedom as well.” He moved a step closer. “The point I’m making is that Cecily already fills that place in your life. You’re still protecting her, and it doesn’t matter that there’s another man. Because you can’t stop looking out for her. Everything you said in this office proves that.” He searched Tate’s turbulent eyes. “You don’t like Colby Lane, and it isn’t because you think Cecily’s involved with him. It’s because he’s been tied to one woman so tight that he can’t struggle free of his love for her, even after years of divorce. That’s how you feel, isn’t it, Tate? You can’t get free of Cecily, either. But Colby’s always around and she indulges him. She might marry him in an act of desperation. And then what will you do? Will your noble excuses matter a damn then?
Diana Palmer (Paper Rose (Hutton & Co. #2))
LOIS: The personal stuff you've been dealing with, did you feel like you needed someone to catch you? Were we not there for you? DIANA: (pauses) You know how when people talk of depression, they talk of it both coming in storms and coming stealthily? So that, for many, it is the status quo, before they realize... that we lose our self-awareness in that. So I can't... I can't fault the people who love and care for me for not seeing what I did not myself see. I think, again, when we have our moments of clarity, it is very easy to brush past them, to let the status quo continue. It can be very difficult and sometimes painful to turn and confront them. The only analogy I can think of is chronic pain. When that pain has been with you for so very long, it is background noise. And one is not aware of it until something happens that places it into relief. LOIS: But you're not talking about physical pain? DIANA: No. And I am not certain I am talking about emotional pain either. It has been difficult for me to untangle. I think there is a psychological element to it. I think it is important--and I think as a reporter that you would be inclined to agree--that we question those basic assumptions that we often decide are true. I have found myself in a position where a great deal of what I took as true no longer seems accurate. That may be because I have changed. That may be because the world has changed. Or it may be because I was mistaken. And it is that last that is the most concerning. I put great stock in truth--I think that's one of the reasons why we get along.
Greg Rucka
Puffin is over seventy years old. Sounds ancient, doesn’t it? But Puffin has never been so lively. We’re always on the lookout for the next big idea, which is how it began all those years ago. Penguin Books was a big idea from the mind of a man called Allen Lane, who in 1935 invented the quality paperback and changed the world. And from great Penguins, great Puffins grew, changing the face of children’s books forever. The first four Puffin Picture Books were hatched in 1940 and the first Puffin story book featured a man with broomstick arms called Worzel Gummidge. In 1967 Kaye Webb, Puffin Editor, started the Puffin Club, promising to ‘make children into readers’. She kept that promise and over 200,000 children became devoted Puffineers through their quarterly instalments of Puffin Post.
Rick Riordan (The Staff of Serapis (Demigods & Magicians, #2))
from her purse. “We have to follow that car!” “But not too close,” Nancy replied. “We’d make them suspicious.” The girls waited three minutes before backing out into the main highway and then turning into the adjacent road. Though the automobile ahead had disappeared, tire prints were plainly visible. The road twisted through a stretch of wood-land. When finally the tire prints turned off into a heavily wooded narrow lane, Nancy was sure they were not far from the cabin. She parked among some trees and they went forward on foot. “There it is!” whispered Nancy, recognizing the chimney. “Bess, I want you to take my car, drive to River Heights, and look up the name of the owner of the car we just saw. Here’s the license number. “After you’ve been to the Motor Vehicle Bureau, please phone Mrs. Putney’s house. If she answers, we’ll know it wasn’t she we saw in the car. Then get hold of Dad or Ned, and bring one of them here as fast as you can. We may need help. Got it straight?” “I—I—g-guess so,” Bess answered. “Hurry back! No telling what may happen while you’re away.” The two watched as Nancy’s car rounded a bend and was lost to view. Then Nancy and George walked swiftly through the woods toward the cabin. Approaching the building, Nancy and George were amazed to find that no car was parked on the road in front. “How do you figure it?” George whispered as the girls crouched behind bushes. “We certainly saw tire marks leading into this road!” “Yes, but the car that passed may have gone on without stopping. Possibly the driver saw us and changed her plans. Wait here, and watch the cabin while I check the tire marks out at the
Carolyn Keene (The Ghost of Blackwood Hall (Nancy Drew, #25))
Every single parent is doing the best he or she can. Never judge an angry parent who screams at their child, or judge any parent for any behavior. You don’t know them, you don’t know their story, you don’t know about their silent struggles or childhood traumas, you don’t know how hard it is for them, you don’t know anything about anyone. you don’t know what you would do if you were in their shoes. Viktor Frankl said, “No man should judge unless he asks himself in absolute honesty whether, in a similar situation, he might not have done the same.” We all do the best we can. It is hands down the hardest never-ending but fulfilling job on this planet. It isn’t easy to create, shape, and raise another human being when most of us aren’t raised, shaped, or grown up. So, one of the biggest lessons I also learned is to stay in my lane, don’t judge any parent, to never say never, and be compassionate toward myself and others. Of course, if you see a parent spanking a child, you have to stop them, if you know a child is in an unsafe environment, you have to change it and help any child in need, but try as hard as you can not to judge them and just let go of your thoughts when they arise. At the end of the day, we all do the best we can with the tools we have.
Ani Rich (A Missing Drop: Free Your Mind From Conditioning And Reconnect To Your Truest Self)
And then he saw her burning eyes. They gazed at him calmly and he saw in them benediction. He fell to his knees before her, pressing his face to her purple-velvet-clad-belly. "Séraphine, Séraphine, Séraphine. O most beloved of women, most fiery of saints, never leave me, please. I'll erect columns of white marble to you, build gardens of delight for you, cause ships to sail and warriors to rise for you, if you'll only remain by my side." She smiled down at him and cupped his cheeks. "Valentine, do you love me?" Ah, God, it was like a shot to the gut. He squeezed tight his eyes. To come so close and lose her because of this. "If I were able I would love you as no man has ever loved a woman since the beginning of time." She knelt then to face him and whispered, "But you are able." He clutched her. He wouldn't let her go, no, not even when she realized... "Séraphine, my darling, burning one, do you not remember? I told you, so long ago now, that I lacked that part. I cannot-" "But you can, Valentine." She touched a finger to his cheek and then showed it to him. He blinked. Her finger was wet. His eyes were wet. She smiled at him, his burning Séraphine, and it was as if the night sky were ablaze. "You love me." "I love you," he said in wonder, and felt his chest fill with warmth. "I love you." "And I love you," she whispered, her hands cupping his face. So he kissed her until she was limp and pliable and so very hot against him, and then he purred into her ear, "Does that mean you'll become my duchess, darling Bridget Crumb?" And when she sighed back, "Oh, yes, Val," he picked her up and carried her off to have his wicked, wicked way with her. Because he might have a heart now but some things weren't ever going to change.
Elizabeth Hoyt (Duke of Sin (Maiden Lane, #10))
The whole point here is you have to do what’s right for you. Just as they are doing what is right for them. Everyone’s allowed to change and grow, absolutely. In the same vein, you’re allowed to say, or simply feel, “What you can give me is less than what I need from you right now, so let’s change how we interact, and here’s how I need to do that in a way that feels right to me.” Being a good friend doesn’t mean simply going along for the ride while the other person guides the friendship wherever they want to take it. You are allowed to say that you’d like this person to be X type of friend, and if they see it differently, they are allowed to say so as well. And then it is absolutely within your rights, and theirs, to either be OK with that difference or to part ways, no harm, no foul. The most important thing to remember is that you were not made to endure your friendships. You were made to enjoy them. Adjust the levels as necessary.
Lane Moore (You Will Find Your People: How to Make Meaningful Friendships as an Adult)
In the campaign of 1876, Robert G. Ingersoll came to Madison to speak. I had heard of him for years; when I was a boy on the farm a relative of ours had testified in a case in which Ingersoll had appeared as an attorney and he had told the glowing stories of the plea that Ingersoll had made. Then, in the spring of 1876, Ingersoll delivered the Memorial Day address at Indianapolis. It was widely published shortly after it was delivered and it startled and enthralled the whole country. I remember that it was printed on a poster as large as a door and hung in the post-office at Madison. I can scarcely convey now, or even understand, the emotional effect the reading of it produced upon me. Oblivious of my surroundings, I read it with tears streaming down my face. It began, I remember: "The past rises before me like a dream. Again we are in the great struggle for national life.We hear the sounds of preparation--the music of boisterous drums--the silver voices of heroic bugles. We see the pale cheeks of women and the flushed faces of men; and in those assemblages we see all the dead whose dust we have covered with flowers..." I was fairly entranced. he pictured the recruiting of the troops, the husbands and fathers with their families on the last evening, the lover under the trees and the stars; then the beat of drums, the waving flags, the marching away; the wife at the turn of the lane holds her baby aloft in her arms--a wave of the hand and he has gone; then you see him again in the heat of the charge. It was wonderful how it seized upon my youthful imagination. When he came to Madison I crowded myself into the assembly chamber to hear him: I would not have missed it for every worldly thing I possessed. And he did not disappoint me. A large handsome man of perfect build, with a face as round as a child's and a compelling smile--all the arts of the old-time oratory were his in high degree. He was witty, he was droll, he was eloquent: he was as full of sentiment as an old violin. Often, while speaking, he would pause, break into a smile, and the audience, in anticipation of what was to come, would follow him in irresistible peals of laughter. I cannot remember much that he said, but the impression he made upon me was indelible. After that I got Ingersoll's books and never afterward lost an opportunity to hear him speak. He was the greatest orater, I think, that I have ever heard; and the greatest of his lectures, I have always thought, was the one on Shakespeare. Ingersoll had a tremendous influence upon me, as indeed he had upon many young men of that time. It was not that he changed my beliefs, but that he liberated my mind. Freedom was what he preached: he wanted the shackles off everywhere. He wanted men to think boldly about all things: he demanded intellectual and moral courage. He wanted men to follow wherever truth might lead them. He was a rare, bold, heroic figure.
Robert Marion La Follette (La Follette's Autobiography: A Personal Narrative of Political Experiences)
The Radaune pounded along against the muddy tide that knew but one direction, deftly avoiding sandbanks with the aid of constantly changing pilots. To right and left, beyond the dikes, the same flat landscape with occasional hills, already harvested. Hedges, sunken lanes, a hollow basin with broom, a level plain between the scattered farms, just made for cavalry attacks, for a division of uhlans to wheel in from the left onto the sand table, for hedge-vaulting hussars, for the dreams of young cavalry officers, for battles long past and battles yet to come, for an oil painting: tartars leaning forward, dragoons rearing up, Brethren of the Sword falling, grandmasters staining their noble robes, not a button missing from their cuirasses, save for one, struck down by the Duke of Mazowsze, and horses, no circus has horses so white, nervous, covered with tassels, sinews rendered with precision, nostrils flaring, crimson, snorting small clouds impaled by lowered lances decked with pennants, and parting the heavens, the sunset’s red glow, the sabers, and there, in the background—for every painting has a background—clinging tightly to the horizon, with smoke rising peacefully, a small village between the hind legs of the black stallion, crouching cottages, moss-covered, thatched, and inside the cottages, held in readiness, the pretty tanks, dreaming of days to come when they too would be allowed to enter the picture, to come out onto the plain beyond the Vistula’s dikes, like slender colts among the heavy cavalry.
Günter Grass (The Tin Drum)
Leta walked to the door and opened it with a ready smile for Colby Lane. And found herself looking straight into the eye of a man she hadn’t seen face-to-face in thirty-six years. Matt Holden matched her face against his memories of a young, slight, beautiful woman whose eyes loved him every time they looked at him. His heart spun like a cartwheel in his chest. “Cecily said it was Colby,” Leta said unsteadily. “Strange. She phoned me and asked if I was free this evening.” His broad shoulders shrugged and he smiled faintly. “I’m free every evening.” “That doesn’t sound like the life of a playboy widower,” Leta said caustically. “My wife was a vampire,” he said. “She sucked me dry of life and hope. Her drinking wore me down. Her death was a relief for both of us. Do I get to come in?” he added, glancing down the hall. “I’m going to collect dust if I stand out here much longer, and I’m hungry. A sack of McDonald’s hamburgers and fries doesn’t do a lot for me.” “I hear it’s a presidential favorite,” Cecily mused, joining them. “Come in, Senator Holden.” “It was Matt before,” he pointed out. “Or are you trying to butter me up for a bigger donation to the museum?” She shrugged. “Pick a reason.” He looked at Leta, who was uncomfortable. “Well, at least you can’t hang up on me here. You’ll be glad to know that our son isn’t speaking to me. He isn’t speaking to you, either, or so he said,” he added. “I suppose he won’t talk to you?” he added to Cecily. “He said goodbye very finally, after telling me that I was an idiot to think he’d change his mind and want to marry me just because he turned out to have mixed blood,” she said, not relating the shocking intimacy that had prefaced his remarks. “I’ll punch him for that,” Matt said darkly. “Ex-special forces,” Leta spoke up with a faint attempt at humor, nodding toward Matt. “He was in uniform when we went on our first date.” “You wore a white cotton dress with a tiered skirt,” he recalled, “and let your hair down. Hair…” He turned back to Cecily and grimaced. “Good God, what did you do that for?” “Tate likes long hair, that’s what I did it for,” she said, venom in her whole look. “I can’t wait for him to see it, even if I have to settle for sending him a photo!” “I hope you never get mad at me,” Matt said. “Fat chance.
Diana Palmer (Paper Rose (Hutton & Co. #2))
I was a cottage maiden Hardened by sun and air, Contented with my cottage mates, Not mindful I was fair. Why did a great lord find me out, And praise my flaxen hair? Why did a great lord find me out To fill my heart with care? He lured me to his palace home— Woe's me for joy thereof— 10 To lead a shameless shameful life, His plaything and his love. He wore me like a silken knot, He changed me like a glove; So now I moan, an unclean thing, Who might have been a dove. O Lady Kate, my cousin Kate, You grew more fair than I: He saw you at your father's gate, Chose you, and cast me by. 20 He watched your steps along the lane, Your work among the rye; He lifted you from mean estate To sit with him on high. Because you were so good and pure He bound you with his ring: The neighbours call you good and pure, Call me an outcast thing. Even so I sit and howl in dust, You sit in gold and sing: 30 Now which of us has tenderer heart? You had the stronger wing. O cousin Kate, my love was true, Your love was writ in sand: If he had fooled not me but you, If you stood where I stand, He'd not have won me with his love Nor bought me with his land; I would have spit into his face And not have taken his hand. 40 Yet I've a gift you have not got, And seem not like to get: For all your clothes and wedding-ring I've little doubt you fret. My fair-haired son, my shame, my pride, Cling closer, closer yet: Your father would give lands for one To wear his coronet.
Christina Rossetti (Goblin Market and Other Poems (Dover Thrift Editions: Poetry))
Shockers take six months of training and still occasionally kill their users. Why did you implant them in the first place?” “Because you kidnapped me.” “That’s the stupidest thing I’ve ever heard.” “Mr. Rogan.” My voice frosted over. “What I put into my body is my business.” Okay, that didn’t sound right. I gave up and marched out the doors into the sunlight. That was so dumb. Sure, try your magic sex touch on me, what could happen? My whole body was still keyed up, wrapped up in want and anticipation. I had completely embarrassed myself. If I could fall through the floor, I would. “Nevada,” he said behind me. His voice rolled over me, tinted with command and enticing, promising things I really wanted. You’re a professional. Act like one. I gathered all of my will and made myself sound calm. “Yes?” He caught up with me. “We need to talk about this.” “There is nothing to discuss,” I told him. “My body had an involuntary response to your magic.” I nodded at the poster for Crash and Burn II on the wall of the mall, with Leif Magnusson flexing with two guns while wrapped in flames. “If Leif showed up in the middle of this parking lot, my body would have an involuntary response to his presence as well. It doesn’t mean I would act on it.” Mad Rogan gave Leif a dismissive glance and turned back to me. “They say admitting that you have a problem is the first step toward recovery.” He was changing his tactics. Not going to work. “You know what my problem is? My problem is a homicidal pyrokinetic Prime whom I have to bring back to his narcissistic family.” We crossed the road to the long parking lot. Grassy dividers punctuated by small trees sectioned the lot into lanes, and Mad Rogan had parked toward the end of the lane, by the exit ramp. “One school of thought says the best way to handle an issue like this is exposure therapy,” Mad Rogan said. “For example, if you’re terrified of snakes, repeated handling of them will cure it.” Aha. “I’m not handling your snake.” He grinned. “Baby, you couldn’t handle my snake.” It finally sank in. Mad Rogan, the Huracan, had just made a pass at me. After he casually almost strangled a woman in public. I texted to Bern, “Need pickup at Galeria IV.” Getting into Rogan’s car was out of the question.
Ilona Andrews (Burn for Me (Hidden Legacy, #1))
Pierce Hutton gave him a highly amused smile as they went over updated security information from the oil rig in the Caspian Sea. “So you’ve finally decided to do something about Cecily,” Peirce murmured. “It’s about time. I was beginning to get used to that permanent scowl.” Tate glanced at him wryly. “I thought I was doing a great job of keeping her at arm’s length. She’s pregnant, now, of course,” he volunteered. The older man chuckled helplessly. “So much for keeping her at arm’s length. When’s the wedding?” Tate’s smile faded. “That’s premature. She ran. I finally tracked her down, but now I have to convince her that I want to get married without having her think it’s only because of the baby.” “I don’t envy you the job,” Pierce replied, his black eyes twinkling. “I had my own rocky road to marriage, if you recall.” “How’s the baby these days?” he asked. Pierce laughed with wholehearted delight. “We watch him instead of television. I never expected fatherhood to make such changes in me, in my life.” He shook his head, with a faraway look claiming his eyes. “Sometimes I’m afraid it’s all a dream and I’ll wake up alone.” He shifted, embarrassed. “You can have the time off. But who’s going to handle your job while you’re gone?” “I thought I’d get you to put Colby Lane on the payroll.” He held up his hand when Pierce looked thunderous. “He’s stopped drinking,” he hold him. “Cecily got him into therapy. He’s not the man he was.” “You’re sure of that?” Pierce wanted to know. Tate smiled. “I’m sure. “Okay. But if he ever throws a punch at me again, he’ll be smiling on the inside of his mouth!” Tate chuckled. “Fair enough. I’ll give him a call before I leave town.
Diana Palmer (Paper Rose (Hutton & Co. #2))
I'd take her to the top of the widow's tower at Ainsdale Castle, late at night, and we'd watch the moon rise. The widow's tower was very high but she wasn't afraid. Sometimes I'd steal a pie from the kitchens and we'd picnic up there. I brought up a blanket, too, so she wouldn't have to sit on the bare stone floor." Mrs. Crumb made an aborted movement, as if she'd meant to turn to face him and then changed her mind. He let the wineglass dangle by his side. "I told her a rabbit lived on the moon and she believed me. She believed everything I told her then." "What rabbit?" "There." He roused himself, straightening. He drew back, fitting her against his chest and setting his chin on her shoulder. She smelled of tea and housekeeperly things, and she was warm, so warm. He caught up her right hand in his and traced the moon with it. "D'you see? There are the long ears, there the tail, there the forepaws, there the back." "I see," she whispered. "I told her the rabbit had lavender fur and ate pink moon clover up there." His mouth twisted, as he remembered. "She'd watch me with big blue eyes, her mouth half-open, a bit of piecrust on her dress. She hung on every word." He could hear her breath, could feel the tremble of her limbs. Did she fear him? "D'you believe me?" he asked against her ear, his lips wet with wine. She was a housekeeper and housekeepers didn't matter in the grand schemes of kings and dukes and little girls who wished upon rabbit moons. But she was silent, damnable housekeeper. They breathed together for a moment, there in the night air, London twinkling before them, overhung by a pagan moon. At last she stirred and asked, "What happened to the girl?" He broke away from her, draining his glass of wine. "She grew up and knew me for a liar.
Elizabeth Hoyt (Duke of Sin (Maiden Lane, #10))
In conjunction with his colleagues, Frantisek Baluska from the Institute of Cellular and Molecular Botany at the University of Bonn is of the opinion that brain-like structures can be found at root tips. In addition to signaling pathways, there are also numerous systems and molecules similar to those found in animals. When a root feels its way forward in the ground, it is aware of stimuli. The researchers measured electrical signals that led to changes in behavior after they were processed in a "transition zone." If the root encounters toxic substances, impenetrable stones, or saturated soil, it analyzes the situation and transmits the necessary adjustments to the growing tip. The root tip changes direction as a result of this communication and steers the growing root around the critical areas. Right now, the majority of plant researchers are skeptical about whether such behavior points to a repository for intelligence, the faculty of memory, and emotions. Among other things, they get worked up about carrying over findings in similar situations with animals and, at the end of the day, about how this threatens to blur the boundary between plants and animals. And so what? What would be so awful about that? The distinction between plant and animal is, after all, arbitrary and depends on the way an organism feeds itself: the former photosynthesizes and the latter eats other living beings. Finally, the only other big difference is in the amount of time it takes to process information and translate it into action. Does that mean that beings that live life in the slow lane are automatically worth less than ones on the fast track? Sometimes I suspect we would pay more attention to trees and other vegetation if we could establish beyond a doubt just how similar they are in many ways to animals.
Peter Wohlleben (The Hidden Life of Trees: What They Feel, How They Communicate: Discoveries from a Secret World)
Look at me, woman,” Lor growled. I turned my head and met his gaze coolly. “If he tells you anything about us, we’ll kill you. Do you understand that? One word, you die. So if you’re walking around feeling cocky and protected because Barrons likes to fuck you, think again. The more he likes to do you, the more likely it is that one of us will kill you.” I looked up at Ryodan. The owner of Chester’s nodded. “Nobody killed Fiona.” “She was a doormat.” I pushed the arm away from my neck. “Get out of my way.” “I would suggest you cure him of his little problem if you want to survive,” Lor said. “Oh, I’ll survive.” “The farther away from him you get, the safer you are.” “Do you want me to find the Book or not?” Ryodan answered. “We don’t give a fuck if the Book is out there. Or that the walls are down. Times change, we go on.” “Then why are you helping with the ritual? V’lane said Barrons asked you and Lor to handle the other stones.” “For Barrons. But if he breathes one word about himself, you’re dead.” “I thought he was the boss of you guys.” “He is. He made the rules we live by. We’ll still take you from him.” Take you from him. Sometimes I was so dense. “And he knows that.” “We’ve had to do it before,” Lor said. “Kasteo hasn’t said a word to us since. I say get over it already. It’s been a thousand fucking years. What’s a woman worth?” I inhaled slow and deep as the full ramifications of what they’d just told me sunk in. This was why Barrons never answered any of my questions and never would. He knew what they would do to me if he told me—whatever they’d done to Kasteo’s woman a thousand years ago. “You don’t need to worry about it. He hasn’t told me anything.” “Yet,” Lor said. “But more importantly,” I said, looking at Ryodan. “I won’t ask. I don’t need to know.” I realized it was true. I was no longer obsessed with having a name and an explanation for Jericho Barrons. He was what he was. No name, no reasons, would alter anything about him. Or how I felt.
Karen Marie Moning (Shadowfever (Fever, #5))
My husband and I have been a part of the same small group for the past five years.... Like many small groups, we regularly share a meal together, love one another practically, and serve together to meet needs outside our small group. We worship, study God’s Word, and pray. It has been a rich time to grow in our understanding of God, what Jesus has accomplished for us, God’s purposes for us as a part of his kingdom, his power and desire to change us, and many other precious truths. We have grown in our love for God and others, and have been challenged to repent of our sin and trust God in every area of our lives. It was a new and refreshing experience for us to be in a group where people were willing to share their struggles with temptation and sin and ask for prayer....We have been welcomed by others, challenged to become more vulnerable, held up in prayer, encouraged in specific ongoing struggles, and have developed sweet friendships. I have seen one woman who had one foot in the world and one foot in the church openly share her struggles with us. We prayed that God would show her the way of escape from temptation many times and have seen God’s work in delivering her. Her openness has given us a front row seat to see the power of God intersect with her weakness. Her continued vulnerability and growth in godliness encourage us to be humble with one another, and to believe that God is able to change us too. Because years have now passed in close community, God’s work can be seen more clearly than on a week-by-week basis. One man who had some deep struggles and a lot of anger has grown through repenting of sin and being vulnerable one on one and in the group. He has been willing to hear the encouragement and challenges of others, and to stay in community throughout his struggle.... He has become an example in serving others, a better listener, and more gentle with his wife. As a group, we have confronted anxiety, interpersonal strife, the need to forgive, lust, family troubles, unbelief, the fear of man, hypocrisy, unemployment, sickness, lack of love, idolatry, and marital strife. We have been helped, held accountable, and lifted up by one another. We have also grieved together, celebrated together, laughed together, offended one another, reconciled with one another, put up with one another,...and sought to love God and one another. As a group we were saddened in the spring when a man who had recently joined us felt that we let him down by not being sensitive to his loneliness. He chose to leave. I say this because, with all the benefits of being in a small group, it is still just a group of sinners. It is Jesus who makes it worth getting together. Apart from our relationship with him...,we have nothing to offer. But because our focus is on Jesus, the group has the potential to make a significant and life-changing difference in all our lives. ...When 7 o’clock on Monday night comes around, I eagerly look forward to the sound of my brothers and sisters coming in our front door. I never know how the evening will go, what burdens people will be carrying, how I will be challenged, or what laughter or tears we will share. But I always know that the great Shepherd will meet us and that our lives will be richer and fuller because we have been together. ...I hope that by hearing my story you will be encouraged to make a commitment to become a part of a small group and experience the blessing of Christian community within the smaller, more intimate setting that it makes possible. 6
Timothy S. Lane (How People Change)
Colby was quietly shocked to find Tate not only at his door the next morning, but smiling. He was expecting an armed assault following their recent telephone conversation. “I’m here with a job offer.” Colby’s dark eyes narrowed. “Does it come with a cyanide capsule?” he asked warily. Tate clapped the other man on the shoulder. “I’m sorry about the way I’ve treated you. I haven’t been thinking straight. I’m obliged to you for telling me the truth about Cecily.” “You know the baby’s yours, I gather?” Tate nodded. “I’m on my way to Tennessee to bring her home,” he replied. Colby’s eyes twinkled. “Does she know this?” “Not yet. I’m saving it for a surprise.” “I imagine you’re the one who’s going to get the surprise,” Colby informed him. “She’s changed a lot in the past few weeks.” “I noticed.” Tate leaned against the wall near the door. “I’ve got a job for you.” “You want me to go to Tennessee?” Colby murmured dryly. “In your dreams, Lane,” Tate returned. “No, not that. I want you to head up my security force for Pierce Hutton while I’m away.” Colby looked around the room. “Maybe I’m hallucinating.” “You and my father,” Tate muttered, shaking his head. “Listen, I’ve changed.” “Into what?” “Pay attention. It’s a good job. You’ll have regular hours. You can learn to sleep without a gun under your pillow. You won’t lose any more arms.” He added thoughtfully, “I’ve been a bad friend. I was jealous of you.” “But why?” Colby wanted to know. “Cecily is special. I look out for her, period. There’s never been a day since I met her when she wasn’t in love with you, or a time when I didn’t know it.” Tate felt warmth spread through his body at the remark. “I’ve given her hell. She may not feel that way, now.” “You can’t kill love,” Colby said heavily. “I know. I’ve tried.” Tate felt sorry for the man. He didn’t know how to put it into words. Colby shrugged. “Anyway, I’ve learned to live with my ghosts, thanks to that psychologist Cecily pushed me into seeing.” He scowled. “She keeps snakes, can you imagine? I used to see mine crawling out of whiskey bottles, but hers are real.” “Maybe she’s allergic to fur,” Tate pointed out. Colby chuckled. “Who knows. When do I start?” he added. “Today.” He produced a mobile phone and dialed a number. “I’m sending Colby Lane over. He’s my relief while I’m away. If you have any problems, report them to him.” He nodded as the person on the other end of the line replied in the affirmative. He closed up the phone. “Okay, here’s what you need to do…
Diana Palmer (Paper Rose (Hutton & Co. #2))
As I became older, I was given many masks to wear. I could be a laborer laying railroad tracks across the continent, with long hair in a queue to be pulled by pranksters; a gardener trimming the shrubs while secretly planting a bomb; a saboteur before the day of infamy at Pearl Harbor, signaling the Imperial Fleet; a kamikaze pilot donning his headband somberly, screaming 'Banzai' on my way to my death; a peasant with a broad-brimmed straw hat in a rice paddy on the other side of the world, stooped over to toil in the water; an obedient servant in the parlor, a houseboy too dignified for my own good; a washerman in the basement laundry, removing stains using an ancient secret; a tyrant intent on imposing my despotism on the democratic world, opposed by the free and the brave; a party cadre alongside many others, all of us clad in coordinated Mao jackets; a sniper camouflaged in the trees of the jungle, training my gunsights on G.I. Joe; a child running with a body burning from napalm, captured in an unforgettable photo; an enemy shot in the head or slaughtered by the villageful; one of the grooms in a mass wedding of couples, having met my mate the day before through our cult leader; an orphan in the last airlift out of a collapsed capital, ready to be adopted into the good life; a black belt martial artist breaking cinderblocks with his head, in an advertisement for Ginsu brand knives with the slogan 'but wait--there's more' as the commercial segued to show another free gift; a chef serving up dog stew, a trick on the unsuspecting diner; a bad driver swerving into the next lane, exactly as could be expected; a horny exchange student here for a year, eager to date the blonde cheerleader; a tourist visiting, clicking away with his camera, posing my family in front of the monuments and statues; a ping pong champion, wearing white tube socks pulled up too high and batting the ball with a wicked spin; a violin prodigy impressing the audience at Carnegie Hall, before taking a polite bow; a teen computer scientist, ready to make millions on an initial public offering before the company stock crashes; a gangster in sunglasses and a tight suit, embroiled in a turf war with the Sicilian mob; an urban greengrocer selling lunch by the pound, rudely returning change over the counter to the black patrons; a businessman with a briefcase of cash bribing a congressman, a corrupting influence on the electoral process; a salaryman on my way to work, crammed into the commuter train and loyal to the company; a shady doctor, trained in a foreign tradition with anatomical diagrams of the human body mapping the flow of life energy through a multitude of colored points; a calculus graduate student with thick glasses and a bad haircut, serving as a teaching assistant with an incomprehensible accent, scribbling on the chalkboard; an automobile enthusiast who customizes an imported car with a supercharged engine and Japanese decals in the rear window, cruising the boulevard looking for a drag race; a illegal alien crowded into the cargo hold of a smuggler's ship, defying death only to crowd into a New York City tenement and work as a slave in a sweatshop. My mother and my girl cousins were Madame Butterfly from the mail order bride catalog, dying in their service to the masculinity of the West, and the dragon lady in a kimono, taking vengeance for her sisters. They became the television newscaster, look-alikes with their flawlessly permed hair. Through these indelible images, I grew up. But when I looked in the mirror, I could not believe my own reflection because it was not like what I saw around me. Over the years, the world opened up. It has become a dizzying kaleidoscope of cultural fragments, arranged and rearranged without plan or order.
Frank H. Wu (Yellow)
Straightening reluctantly, she strolled about the room with forced nonchalance, her hands clasped behind her back, looking blindly at the cobwebs in the corner of the ceiling, trying to think what to say. And then inspiration struck. The solution was demeaning but practical, and properly presented, it could appear she was graciously doing him a favor. She paused a moment to arrange her features into what she hoped was the right expression of enthusiasm and compassion, then she wheeled around abruptly. “Mr. Thornton!” Her voice seemed to explode in the room at the same time his startled amber gaze riveted on her face, then drifted down her bodice, roving boldly over her ripened curves. Unnerved but determined, Elizabeth forged shakily ahead: “It appears as if no one has occupied this house in quite some time.” “I commend you on that astute observation, lady Cameron,” Ian mocked lazily, watching the tension and emotion play across her expressive face. For the life of him he could not understand what she was doing here or why she seemed to be trying to ingratiate herself this morning. Last night the explanation he’d given Jake had made sense; now, looking at her, he couldn’t quite believe any of it. Then he remembered that Elizabeth Cameron had always robbed him of the ability to think rationally. “Houses do have a way of succumbing to dirt when no one looks after them,” she stated with a bright look. “Another creditable observation. You’ve certainly a quick mind.” “Must you make this so very difficult!” Elizabeth exclaimed. “I apologize,” he said with mocking gravity. “Do go on. You were saying?” “Well, I was thinking, since we’re quite stranded here-Lucinda and I, I mean-with absolutely nothing but time on our hands, that this house could certainly use a woman’s touch.” “Capital idea!” burst out Jake, returning from his mission to locate the butter and casting a highly hopeful look at Lucinda. He was rewarded with a glare from her that could have pulverized rock. “It could use an army of servants carrying shovels and wearing masks on their faces,” the duenna countered ruthlessly. “You needn’t help, Lucinda,” Elizabeth explained, aghast. “I never meant to imply you should. But I could! I-“ She whirled around as Ian Thornton surged to his feet and took her elbow in a none-too-gentle grasp. “Lady Cameron,” he said. “I think you and I have something to discuss that may be better spoken in private. Shall we?” He gestured to the open door and then practically dragged her along in his wake. Outdoors in the sunlight he marched her forward several paces, then dropped her arm. “Let’s hear it,” he said. “Hear what?” Elizabeth said nervously. “An explanation-the truth, if you’re capable of it. Last night you drew a gun on me, and this morning you’re awash with excitement over the prospect over the prospect of cleaning my house. I want to know why.” “Well,” Elizabeth burst out in defense of her actions with the gun, “you were extremely disagreeable!” “I am still disagreeable,” he pointed out shortly, ignoring Elizabeth’s raised brows. “I haven’t changed. I am not the one who’s suddenly oozing goodwill this morning.” Elizabeth turned her head to the lane, trying desperately to think of an explanation that wouldn’t reveal to him her humiliating circumstances. “The silence is deafening, Lady Cameron, and somewhat surprising. As I recall, the last time we met you could scarcely contain all the edifying information you were trying to impart to me.” Elizabeth knew he was referring to her monologue on the history of hyacinths in the greenhouse. “I just don’t know where to begin,” she admitted. “Let’s stick to the salient points. What are you doing here?
Judith McNaught (Almost Heaven (Sequels, #3))