Change For Change Sake Quotes

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Lie still, lie still, my breaking heart; My silent heart, lie still and break: Life, and the world, and mine own self, are changed For a dream's sake.
Christina Rossetti
Resentment always hurts you more than it does the person you resent. While your offender has probably forgotten the offense and gone on with life, you continue to stew in your pain, perpetuating the past. Listen: those who hurt you in the past cannot continue to hurt you now unless you hold on to the pain through resentment. Your past is past! Nothing will change it. You are only hurting yourself with your bitterness. For your own sake, learn from it, and then let it go.
Rick Warren (The Purpose Driven Life: What on Earth Am I Here for?)
Because I trust in the ever-changing climate of the heart. (At least, today I feel that way.) I think it is necessary to have many experiences for the sake of feeling something; for the sake of being challenged, and for the sake of being expressive, to offer something to someone else, to learn what we are capable of.
Jason Mraz
Now, more than ever, the world needs transformational leaders not to cultivate change for its own sake, but to lead through the inevitable evolutions in business and human society.
Hendrith Vanlon Smith Jr. (Board Room Blitz: Mastering the Art of Corporate Governance)
You can't go back home to your family, back home to your childhood, back home to romantic love, back home to a young man's dreams of glory and of fame, back home to exile, to escape to Europe and some foreign land, back home to lyricism, to singing just for singing's sake, back home to aestheticism, to one's youthful idea of 'the artist' and the all-sufficiency of 'art' and 'beauty' and 'love,' back home to the ivory tower, back home to places in the country, to the cottage in Bermude, away from all the strife and conflict of the world, back home to the father you have lost and have been looking for, back home to someone who can help you, save you, ease the burden for you, back home to the old forms and systems of things which once seemed everlasting but which are changing all the time--back home to the escapes of Time and Memory.
Thomas Wolfe
You shall not, for the sake of one individual, change the meaning of principle and integrity, nor endeavour to persuade yourself or me, that selfishness is prudence, and insensibility of danger security for happiness.
Jane Austen (Pride and Prejudice)
Chaos is impatient. It's random. And above all it's selfish. It tears down everything just for the sake of change, feeding on itself in constant hunger. But Chaos can also be appealing. It tempts you to believe that nothing matters except what you want.
Rick Riordan (The Throne of Fire (The Kane Chronicles, #2))
Until death," Jem replied gently. "Those are the words of the oath. 'Until aught but death part thee and me.' Someday, Will, I will go where none can follow me, and I think it will be sooner rather than later. Have you ever asked yourself why I agreed to be your parabatai?" "No better offers forthcoming?" Will tried for humor, but his voice cracked like glass. "I thought you needed me," Jem said. "There is a wall you have built about yourself, Will, and I have never asked you why. But no one should shoulder every burden alone. I thought you would let me inside if I became your parabatai, and then you would have at least someone to lean upon. I did wonder what my death would mean for you. I used to fear it, for your sake. I feared you would be left alone inside that wall. But now... something has changed. I do not know why. But I know that it is true." "That what is true?" Will's fingers were still digging into Jem's wrist. "That the wall is coming down.
Cassandra Clare (Clockwork Prince (The Infernal Devices, #2))
Change for your own sake, if you must, not for what you imagine another will ask of you.
Emma Donoghue (Kissing the Witch: Old Tales in New Skins)
In Life’s name and for Life’s sake, I say that I will use the Art for nothing but the service of that Life. I will guard growth and ease pain. I will fight to preserve what grows and lives well in its own way; and I will change no object or creature unless its growth and life, or that of the system of which it is part, are threatened. To these ends, in the practice of my Art, I will put aside fear for courage, and death for life, when it is right to do so—till Universe’s end. I will look always toward the Heart of Time, where all times are one, where all our sundered worlds lie whole, as they were meant to be.
Diane Duane (So You Want to Be a Wizard (Young Wizards, #1))
If thou must love me, let it be for naught Except for love's sake only. Do not say, 'I love her for her smile—her look—her way Of speaking gently,—for a trick of thought That falls in well with mine, and certes brought A sense of pleasant ease on such a day'— For these things in themselves, Belovèd, may Be changed, or change for thee—and love, so wrought, May be unwrought so. Neither love me for Thine own dear pity's wiping my cheeks dry: A creature might forget to weep, who bore Thy comfort long, and lose thy love thereby! But love me for love's sake, that evermore Thou mayst love on, through love's eternity. If Thou Must Love Me
Elizabeth Barrett Browning (Sonnets from the Portuguese)
I thought you needed me," Jem said. "There is a wall you have built about yourself, Will, and I have never asked you why. But no one should shoulder every burden alone. I thought you would let me inside if I became your parabatai, and then you would have at least someone to lean upon. I did wonder what my death would mean for you. I used to fear it, for your sake. I feared you would be left alone inside that wall. But now ... something has changed. I do not know why. But I know that it is true." "That what is true?" Will's fingers were still digging into Jem's wrist. "That the wall is coming down.
Cassandra Clare (Clockwork Prince (The Infernal Devices, #2))
Never change your originality for the sake of others because no one can play your role better than you.
Lyn
The Christian life is not about pleasing God the finger-shaker and judge. It is not about believing now or being good now for the sake of heaven later. It is about entering a relationship in the present that begins to change everything now. Spirituality is about this process: the opening of the heart to the God who is already here.
Marcus J. Borg (The God We Never Knew: Beyond Dogmatic Religion to a More Authentic Contemporary Faith)
Accepting necessary conflicts for the sake of improving the lives of children is the only fundamental moral crusade that matters.
Stefan Molyneux
Oh hours of childhood, when behind each shape more than the past appeared and what streamed out before us was not the future. We felt our bodies growing and were at times impatient to be grown up, half for the sake of those with nothing left but their grownupness.
Rainer Maria Rilke (The Selected Poetry of Rainer Maria Rilke)
How much change can a person absorb before everything loses meaning Living for its own sake isn't life. People need meaning as much as they need air.
Daniel H. Wilson (Robopocalypse (Robopocalypse, #1))
Some men change their party for the sake of their principles; others their principles for the sake of their party.
Winston Churchill
I love people as I meet them one by one. People are just wonderful as individuals. You see the whole universe in their eyes if you look carefully. But as soon as they begin to group, as soon as they begin to clot, when there are five of them or ten or even groups of smallest two, they begin to change, they sacrifice the beauty of the individual for the sake of the group.
George Carlin
Father, I declare that my decisions today will change the trajectory of my future and bring it into alignment with Your plans for me. Wherever I place my feet, I walk in Your authority and expand my territory for Your name’s sake. Increase my productivity and efficiency and give me the anointing of Solomon to wisely manage my resources today. In Jesus's name, amen.
Cindy Trimm (Commanding Your Morning Daily Devotional: Unleash God's Power in Your Life--Every Day of the Year)
And you've screwed me up, Lib, because now I'm thinking in lyrics instead of original thoughts. I'm look at you and trying to find the words to convince you to be with me, and do you know what comes into you head? You showed me colors you know I can't see with anyone else. They aren't my words, I don't even know what song of album they're from, for God's sake, but it's exactly how I feel. And you taught me a secret language I can't speak with anyone else-like, I can't remember who wrote that, but I feel it down to the marrow in my bones. Being with you has changed the threads of my existence, I swear to God, so now being without you makes everything quieter, dimmer and duller. So. Much. Smaller.
Lynn Painter (Nothing Like the Movies (Better Than the Movies, #2))
I don’t know. What I can say for certain is that I’m not yet ready to abandon the possibility of America—not just for the sake of future generations of Americans but for all of humankind. For I’m convinced that the pandemic we’re currently living through is both a manifestation of and a mere interruption in the relentless march toward an interconnected world, one in which peoples and cultures can’t help but collide. In that world—of global supply chains, instantaneous capital transfers, social media, transnational terrorist networks, climate change, mass migration, and ever-increasing complexity—we will learn to live together, cooperate with one another, and recognize the dignity of others, or we will perish. And so the world watches America—the only great power in history made up of people from every corner of the planet, comprising every race and faith and cultural practice—to see if our experiment in democracy can work. To see if we can do what no other nation has ever done. To see if we can actually live up to the meaning of our creed.
Barack Obama (A Promised Land)
Then you know that Sam was the true hero of the tale,' Sayna said. 'That he faced far greater and more terrible foes than he ever should have had to face, and did so with courage. That he went alone into a black and terrible land, stormed a dark fortress, and resisted the most terrible temptation of his world for the sake of the friend he loved. That in the end, it was his actions and his actions alone that made it possible for light to overcome darkness.
Jim Butcher (Changes (The Dresden Files, #12))
The supposition was that the difference in energy when n (or v) changes by one is therefore equal to hv, the product of the Planck constant and the vibration frequency was always derived using these pre-revolution mechanics. This was, of course, dependent on gravity having an effect on an atomic level, while acknowledging that it does not. Absurd right? But for a transition from level n to level n+ one due to absorption of a photon, the frequency of the photon has nothing to do with Planck…” “Atom, for god’s sake, stop it!” Hannah interrupts. “Stop? Stop what?” “Why do you do this to people?” Hannah says, causing Lylitte to laugh, and the older woman to look at Hannah curiously. “What he was going to eventually say is that we’re teaching the stem cells to sing their songs louder so that they harmonize and teach their melody to the host, once it’s introduced,” Billy explains.
Joseph A. Anderson (Eden 2:b (The Star Dreamers #1))
What was she thinking?” muttered Alexander, closing his eyes and imagining his Tania. “She was determined. It was like some kind of a personal crusade with her,” Ina said. “She gave the doctor a liter of blood for you—” “Where did she get it from?” “Herself, of course.” Ina smiled. “Lucky for you, Major, our Nurse Metanova is a universal donor.” Of course she is, thought Alexander, keeping his eyes tightly shut. Ina continued. “The doctor told her she couldn’t give any more, and she said a liter wasn’t enough, and he said, ‘Yes, but you don’t have more to give,’ and she said, ‘I’ll make more,’ and he said, ‘No,’ and she said, ‘Yes,’ and in four hours, she gave him another half-liter of blood.” Alexander lay on his stomach and listened intently while Ina wrapped fresh gauze on his wound. He was barely breathing. “The doctor told her, ‘Tania, you’re wasting your time. Look at his burn. It’s going to get infected.’ There wasn’t enough penicillin to give to you, especially since your blood count was so low.” Alexander heard Ina chuckle in disbelief. “So I’m making my rounds late that night, and who do I find next to your bed? Tatiana. She’s sitting with a syringe in her arm, hooked up to a catheter, and I watch her, and I swear to God, you won’t believe it when I tell you, Major, but I see that the catheter is attached to the entry drip in your IV.” Ina’s eyes bulged. “I watch her draining blood from the radial artery in her arm into your IV. I ran in and said, ‘Are you crazy? Are you out of your mind? You’re siphoning blood from yourself into him?’ She said to me in her calm, I-won’t-stand-for-any-argument voice, ‘Ina, if I don’t, he will die.’ I yelled at her. I said, ‘There are thirty soldiers in the critical wing who need sutures and bandages and their wounds cleaned. Why don’t you take care of them and let God take care of the dead?’ And she said, ‘He’s not dead. He is still alive, and while he is alive, he is mine.’ Can you believe it, Major? But that’s what she said. ‘Oh, for God’s sake,’ I said to her. ‘Fine, die yourself. I don’t care.’ But the next morning I went to complain to Dr. Sayers that she wasn’t following procedure, told him what she had done, and he ran to yell at her.” Ina lowered her voice to a sibilant, incredulous whisper. “We found her unconscious on the floor by your bed. She was in a dead faint, but you had taken a turn for the better. All your vital signs were up. And Tatiana got up from the floor, white as death itself, and said to the doctor coldly, ‘Maybe now you can give him the penicillin he needs?’ I could see the doctor was stunned. But he did. Gave you penicillin and more plasma and extra morphine. Then he operated on you, to get bits of the shell fragment out of you, and saved your kidney. And stitched you. And all that time she never left his side, or yours. He told her your bandages needed to be changed every three hours to help with drainage, to prevent infection. We had only two nurses in the terminal wing, me and her. I had to take care of all the other patients, while all she did was take care of you. For fifteen days and nights she unwrapped you and cleaned you and changed your dressings. Every three hours. She was a ghost by the end. But you made it. That’s when we moved you to critical care. I said to her, ‘Tania, this man ought to marry you for what you did for him,’ and she said, ‘You think so?’ ” Ina tutted again. Paused. “Are you all right, Major? Why are you crying?
Paullina Simons (The Bronze Horseman (The Bronze Horseman, #1))
A philosopher is a lover of wisdom, not of knowledge, which for all its great uses ultimately suffers from the crippling effect of ephemerality. All knowledge is transient linked to the world around it and subject to change as the world changes, whereas wisdom, true wisdom is eternal immutable. To be philosophical one must love wisdom for its own sake, accept its permanent validity and yet its perpetual irrelevance. It is the fate of the wise to understand the process of history and yet never to shape it.
Shashi Tharoor
Listen: Those who have hurt you in the past cannot continue to hurt you now unless you hold on to the pain through resentment. Your past is past! Nothing will change it. You are only hurting yourself with your bitterness. For your own sake, learn from it, and then let it go.
Rick Warren (The Purpose Driven Life: What on Earth Am I Here For?)
Any attempt to solve the ecological crisis within a bourgeois framework must be dismissed as chimerical. Capitalism is inherently anti-ecological. Competition and accumulation constitute its very law of life, a law … summarised in the phrase, ‘production for the sake of production.’ Anything, however hallowed or rare, ‘has its price’ and is fair game for the marketplace. In a society of this kind, nature is necessarily treated as a mere resource to be plundered and exploited. The destruction of the natural world, far being the result of mere hubristic blunders, follows inexorably from the very logic of capitalist production.
Murray Bookchin
Now naturally, like many of us, I have a reluctance to change too much of the old ways. But there is no virtue at all in clinging as some do to tradition merely for its own sake.
Kazuo Ishiguro (The Remains of the Day)
Lord, behold our family here assembled. We thank You for this place in which we dwell, for the love accorded us this day, for the hope with which we expect the morrow; for the health, the work, the food and the bright skies that make our lives delightful; for our friends in all parts of the earth. Give us courage and gaiety and the quiet mind. Spare us to our friends, soften us to our enemies. Bless us, if it may be, in all our innocent endeavors; if it may not, give us strength to endure that which is to come that we may be brave in peril, constant in tribulation, temperate in wrath and in all changes of fortune and down to the gates of death, loyal and loving to one another. We beseech of you this help and mercy for Christ's sake.
Robert Louis Stevenson
That our sanctification did not depend upon changing our works, but in doing that for GOD’s sake, which we commonly do for our own. That it was lamentable to see how many people mistook the means for the end, addicting themselves to certain works, which they performed very imperfectly, by reason of their human or selfish regards.
Brother Lawrence (The Practice of the Presence of God)
People say to you, ‘you’ve changed’, or something like that, well, I hope, for the sake of God that you have changed, because I don’t want to be the same person all my life. I want to be growing, I want to be expanding. I want to be changing. Because animate things change, inanimate things don’t change. Dead things don’t change. And the heart should be alive, it should be changing, it should be moving, it should be growing, its knowledge should be expanding.
Hamza Yusuf
When the challenges of mortality come, and they come for all of us, it may seem hard to have faith and hard to believe. At these times only faith in the Lord Jesus Christ and His Atonement can bring us peace, hope, and understanding. Only faith that He suffered for our sakes will give us the strength to endure to the end. When we gain this faith, we experience a mighty change of heart, and like Enos, we become stronger and begin to feel a desire for the welfare of our brothers and sisters. We pray for them, that they too will be lifted and strengthened through faith on the Atonement of our Savior Jesus Christ.
Robert Beverly Hale
The more we take refuge in distraction, the more habituated we become to mere stimulation and the more desensitized to delight. We lose our capacity to stop and ponder something deeply, to admire something beautiful for its own sake, to lose ourselves in the passion for a game, a story, or a person.
Tony Reinke (12 Ways Your Phone Is Changing You)
No one doubts that an ordinary man can get on with this world: but we demand not strength enough to get on with it, but strength enough to get it on. Can he hate it enough to change it, and yet love it enough to think it worth changing? Can he look up at its colossal good without once feeling acquiescence? Can he look up at its colossal evil without once feeling despair? Can he, in short, be at once not only a pessimist and an optimist, but a fanatical pessimist and a fanatical optimist? Is he enough of a pagan to die for the world, and enough of a Christian to die to it? In this combination, I maintain, it is the rational optimist who fails, the irrational optimist who succeeds. He is ready to smash the whole universe for the sake of itself.
G.K. Chesterton (Orthodoxy)
So the conservative who resists change is as valuable as the radical who proposes it -- perhaps as much more as the roots are more vital than grafts. It is good that new ideas should be heard, for the sake of the few that can be used; but it is also good that new ideas should be compelled to go through the mill of objection, opposition, and contumely; this is the trial heat which innovations must survive before being allowed to enter the human race. It is good that the old should resist the young, and that the young should prod the old; out of this tension, as out of the strife of the sexes and the classes, comes a creative tensile strength, a stimulated development, a secret and basic unity and movement of the whole.
Will Durant
Jesus used paradoxes to help us see the kingdom of God. His paradoxical statements turned the secular world upside down. As we have already noted, He said that 'whoever wants to become great among you must be your servant, and whoever wants to be first must be your slave.' He said that 'the last shall be first, and the first shall be last.' He said: 'I tell you the truth, unless you change and become like little children, you will never enter the kingdom of heaven.' He said that 'Whoever finds his life will lose it, and whoever loses his life for My sake will find it.
Kent M. Keith (Jesus Did It Anyway: The Paradoxical Commandments for Christians)
The Pill was introduced in the early 1960s and modern woman was born. Women were no longer going to be tied to the cycle of endless babies; they were going to be themselves. With the Pill came what we now call the sexual revolution. Women could, for the first time in history, be like men, and enjoy sex for its own sake. In the late 1950s we had eighty to a hundred deliveries a month on our books. In 1963 the number had dropped to four or five a month. Now that is some social change!
Jennifer Worth (Call the Midwife: A Memoir of Birth, Joy, and Hard Times (The Midwife Trilogy #1))
I thought it was for your sake that I came alone, so obviously alone, so vulnerable, that I could in myself pose no threat, change no balance: not an invasion, but a mere messenger-boy. But there's more to it than that. Alone, I cannot change your world. But I can be changed by it. Alone, I must listen, as well as speak. Alone, the relationship I finally make, if I make one, is not impersonal and not only political: it is individual, it is personal, it is both more and less than political. Not We and They; not I and It; but I and Thou. Not political, not pragmatic, but mystical. In a certain sense the Ekumen is not a body politic, but a body mystic. It considers beginnings to be extremely important. Beginnings, and means. Its doctrine is just the reverse of the doctrine that the end justifies the means. It proceeds, therefore, by subtle ways, and slow ones, and queer, risky ones; rather as evolution does, which is in certain senses its model... So I was sent alone, for your sake? Or for my own? I don't know. Yes, it has made things difficult.
Ursula K. Le Guin (The Left Hand of Darkness)
Change You can draw a path for your life and have all of your goals set. You can change yourself as much as possible and change things around you just to reach those goals. Here’s the catch. Never underestimate the power of fate. It can knock down the highest of goals that seem guaranteed in your life. Plan, yes, and decide, yes, but be prepared for plans not to work. If they don’t work despite your hardest efforts, there must be a reason. You may not be able to see the reason at the time, but you will one day, maybe even years later. Did your efforts go to waste? If you don’t learn from them, then yes, they did go to waste. Even after changing yourself and your surroundings for the sake of reaching that one goal, you may realize that it was waiting for you at the place where you started, when you were the true you who did not need to change or be changed. Change for yourself, not just for a goal.
Najwa Zebian (Mind Platter)
For Hood's sake,' the foreigner muttered. 'What's wrong with words?' 'With words,' said Redmask, turning away, 'meanings change.' 'Well,' Anaster Toc said, following as Redmask made his way back to his army's camp,.. 'that is precisely the point. That's their value - their ability to adapt -' 'Grow corrupt, you mean. The Letheri are masters at corrupting words, their meanings. They call war peace, they call tyranny liberty. On which side of the shadow you stand decides a word's meaning. Words are the weapons used by those who see others with contempt. A contempt which only deepens when they how those others are deceived and made into fools because they choose to believe. Because in their naivety they thought the meaning of a word was fixed, immune to abuse.
Steven Erikson
People say to you, 'you've changed', or something like that. Well, I hope, for the sake of God, that I have changed, because I don't want to be the same person all my life. I want to be growing, I want to be expanding. I want to be changing. Because animate things change, inanimate things don't change. Dead things don't change. And the heart should be alive, it should be changing, it should be moving, it should be growing and its knowledge should be expanding.
Hamza Yusuf
And this is not the happiness of a magazine writer who sends in his gay little philosophy of life to the editor for the one paragraph spread in front of the magazine: This is a serious happiness full of doubts and strengths. I wonder if happiness is possible. It is a state of mind, but I'd hate to be a bore all my life, if only because of those I love around me. Happiness can change into unhappiness just for the sake of change.
Jack Kerouac (Windblown World: The Journals of Jack Kerouac 1947-1954)
I do think you have to change with the times in a way that renews your core essence, not abandons it. To change for the sake of change—without an anchor—that is mere faddishness. It will only lead you further astray.
Richard C. Morais (The Hundred-Foot Journey)
…oaths bind, but you…can change…free yourself…. I…know. I did.” Alín looked at him with anguish. “How?” He did not want to say, but he had no other resort but the deepest reservoir of truth. “…for the sake…of another.
Christopher Paolini (Murtagh (The Inheritance Cycle #5))
The GDP rises whenever money changes hands....The whole thing is reminiscent of Edward Abbey's reflection that "growth for the sake of growth is the philosophy of the cancer cell.
John Robbins (The New Good Life: Living Better Than Ever in an Age of Less)
If none of that was a thing," she interrupted. "If you could go back right and, like, stop me from ever getting involved, knowing what lay ahead of me, would you do it?" Skulduggery focused on the road ahead for a few seconds. "For my sake, I wouldn't change a thing," he said. "For your sake? I'd change everything.
Derek Landy (Until the End (Skulduggery Pleasant, #15))
So where does Stan fit in this equation?... We are told to meditate on scripture, even the hald that details the consequences of evil, the consequent of Jericho and all. Not to pretend out God has somehow changed since the time of Christ. Obviously, Paul's idea of admirable and noble is quite different from ours. God forgives us, Bill. We have mocked His victory by whitewashing the enemy for the sake of our neighbirs approval." No Greater Love has any man...
Ted Dekker (When Heaven Weeps (Martyr's Song, #2))
Being at the forefront of progress has always come with a certain amount of fear—you’re asking people to abandon comfort for the sake of growth. It’s like asking people to follow you into the wilderness for the promise of a better tomorrow. Some people would rather stay where they are, because home is comfortable. Home is safe. Change is scary.
Sharon McMahon (The Small and the Mighty: Twelve Unsung Americans Who Changed the Course of History)
KAUFMAN Sir, what if a writer is attempting to create a story where nothing much happens, where people don't change, they don't have any epiphanies. They struggle and are frustrated and nothing is resolved. More a reflection of the real world — MCKEE The real world? KAUFMAN Yes, sir. MCKEE The real fucking world? First of all, you write a screenplay without Conflict or Crisis, you'll bore your audience to tears. Secondly: nothing happens in the world? Are you out of your fucking mind? People are murdered every day! There's genocide, war, corruption! Every fucking day somewhere in the world somebody sacrifices his life to save someone else! Every fucking day someone somewhere makes a conscious decision to destroy someone else! People find love! People lose it! For Christ's sake! A child watches her mother beaten to death on the steps of a church! Someone goes hungry! Somebody else betrays his best friend for a woman! If you can't find that stuff in life, then you, my friend, don't know CRAP about life! And WHY THE FUCK are you wasting my two precious hours with your movie? I don't have any use for it! I don't have any bloody use for it! KAUFMAN Okay, thanks.
Charlie Kaufman (Adaptation.: The Shooting Script)
We read, we wrote, we prayed, we cried, we listened,we screamed, we spoke out, we marched, we helped others in need. But how much do we change for good? It’s sake and forever? For those of us who survived, when and how we see the benefits of what we went through during those turbulent times is relative. But if we work individually to make justified changes for more value driven and righteous tomorrow, the redlight year that 2020 was will one day in the rear view mirror of life inevitably turn green. And perhaps be seen as one of our finest hours.
Matthew McConaughey (Greenlights)
Rhett, do you really--is it to protect me that you--" "Yes, my dear, it is my much advertised chivalry that makes me protect you." The mocking light began to dance in his black eyes and all signs of earnestness fled from his face. "And why? Because of my deep love for you, Mrs. Kennedy. Yes, I have silently hungered and thirsted for you and worshipped you from afar; but being an honorable man, like Mr. Ashley Wilkes, I have concealed it from you. You are, alas, Frank's wife and honor has forbidden my telling this to you. But even as Mr. Wilkes' honor cracks occasionally, so mine is cracking now and I reveal my secret passion and my--" "Oh, for God's sake, hush!" interrupted Scarlett, annoyed as usual when he made her look like a conceited fool, and not caring to have Ashley and his honor become the subject of further conversation. "What was the other thing you wanted to tell me?" "What! You change the subject when I am baring a loving but lacerated heart?
Margaret Mitchell (Gone with the Wind)
Even with our immense wealth and technology, we continue to abuse the planet and each other for the sake of easy packaging and a cheap, disposable lifestyle. Unchecked population continues to outstrip the availability of housing, water, food, education, and jobs, while we squabble over politics, religion, gender, race, and nationality. Factor in the unrelenting advance of climate change, ocean acidification, the sixth extinction, the nuclear waste time bomb, ground water depletion, the social cancer of wealth inequality, dystopian surveillance, and the unstoppable US deficit growth and that’s a really bad news day for most of the planet during any age.
Guy Morris (Swarm)
You shall not, for the sake of one individual, change the meaning of principle and integrity
Jane Austen (Pride & Prejudice)
You shall not, for the sake of one individual, change the meaning of principle and integrity,
Jane Austen (Pride and Prejudice)
Life is same for everyone. The difference is only that some are living by heart and some for only sake of living
Abhysheq Shukla (KISS Life "Life is what you make it")
Cabot Searcy began to care about learning not for the sake of making good grades, but because he still wanted to change the world.
John Corey Whaley (Where Things Come Back)
Creation will happen for its own sake. Things happen, regardless of our intent, and all we can do is judge the result. We were helpless to change it in the process.
Elise Kova (A Duel with the Vampire Lord (Married to Magic, #3))
While there is wisdom in refraining from implementing change merely for the sake of change, clinging to old ways solely for the sake of their antiquity is obviously equally futile.
Aung San Suu Kyi (Freedom from Fear)
Jackson," he mused. "Not a name either one of you was born to." Lizzie answered, "No. But beyond a certain point, names become accessories. We swap them out as needed, for the sake of peace. You understand?" "I understand. Though I disagree. Names aren't hats to change a look, or a suit to be swapped at a whim. Words mean things." "Then we must agree to disagree.
Cherie Priest (Maplecroft (The Borden Dispatches, #1))
This bride will give up the selfish riches of this world to inherit the earth. She will be so ruined and wrecked by love that she will run full force into the darkness. This will cause His light through her to explode into the world—all for love’s sake.
Heidi Baker (Compelled by Love: How to Change the World Through the Simple Power of Love in Action)
Creation exists first of all for its own good sake; second to show forth God’s goodness, diversity, and beneficence; and then for humans’ appropriate use. Our small, scarcity-based worldview is the real aberration here, and I believe it has largely contributed to the rise of atheism and the “practical atheism” that is the actual operative religion of most Western countries today. The God we’ve been presenting people with is just too small and too stingy for a big-hearted person to trust or to love back.
Richard Rohr (The Universal Christ: How a Forgotten Reality Can Change Everything We See, Hope For and Believe)
We reign with the heart of a servant and serve with the heart of a king, all for the benefit of the people around us. Rulers in God’s Kingdom never rule for their own sake. It is always for the sake of others.
Bill Johnson (The Power That Changes the World: Creating Eternal Impact in the Here and Now)
No sex?" He looked at me in disbelief. "Well if you can't have ze sex, what can you do?" For the sake of simplicity I took my left arm and lined it up just under my collarbones. "Nothing below here," I said. I took my right arm and lined it up to my knees. "Nothing above here." "What about your armpit?" he asked. "Can your boyfriend do anything he wants to your armpit?" I thought about it. Armpits seemed pretty harmless. "Yeah," I said optimistically. "My boyfriend can do anything he wants to my armpit." "This is good," the Frenchman said. "He can stick his penis in and out of your armpit, and if you grow hair there it is almost like vagine." Is it too late to change my answer? I wondered, pulling a cardigan over my bare shoulders and covering any hint of an invitation.
Elna Baker (The New York Regional Mormon Singles Halloween Dance: A Memoir)
But let’s consider this more carefully. Most of these gifts remain unopened or have been used only once. Admit it. They simply don’t suit your taste. The true purpose of a present is to be received. Presents are not “things” but a means for conveying someone’s feelings. When viewed from this perspective, you don’t need to feel guilty for parting with a gift. Just thank it for the joy it gave you when you first received it. Of course, it would be ideal if you could use it with joy. But surely the person who gave it to you doesn’t want you to use it out of a sense of obligation, or to put it away without using it, only to feel guilty every time you see it. When you discard or donate it, you do so for the sake of the giver, too.
Marie Kondō (The Life-Changing Magic of Tidying Up: The Japanese Art of Decluttering and Organizing (Magic Cleaning #1))
As is perhaps obvious, Morris Zapp had no great esteem for his fellow-labourers in the vineyards of literature. They seemed to him vague, fickle, irresponsible creatures, who wallowed in relativism like hippopotami in mud, with their nostrils barely protruding into the air of common-sense. They happily tolerated the existence of opinions contrary to their own — they even, for God’s sake, sometimes changed their minds. Their pathetic attempts at profundity were qualified out of existence and largely interrogative in mode. They liked to begin a paper with some formula like, ‘I want to raise some questions about so-and-so’, and seemed to think they had done their intellectual duty by merely raising them. This manoeuvre drove Morris Zapp insane. Any damn fool, he maintained, could think of questions; it was answers that separated the men from the boys.
David Lodge
Within each of us there is a silence —a silence as vast as a universe. We are afraid of it…and we long for it. When we experience that silence, we remember who we are: creatures of the stars, created from the cooling of this planet, created from dust and gas, created from the elements, created from time and space…created from silence. In our present culture, silence is something like an endangered species… an endangered fundamental. The experience of silence is now so rare that we must cultivate it and treasure it. This is especially true for shared silence. Sharing silence is, in fact, a political act. When we can stand aside from the usual and perceive the fundamental, change begins to happen. Our lives align with deeper values and the lives of others are touched and influenced. Silence brings us back to basics, to our senses, to our selves. It locates us. Without that return we can go so far away from our true natures that we end up, quite literally, beside ourselves. We live blindly and act thoughtlessly. We endanger the delicate balance which sustains our lives, our communities, and our planet. Each of us can make a difference. Politicians and visionaries will not return us to the sacredness of life. That will be done by ordinary men and women who together or alone can say, "Remember to breathe, remember to feel, remember to care, let us do this for our children and ourselves and our children's children. Let us practice for life's sake.
Gunilla Norris
Mirage" The hope I dreamed of was a dream, Was but a dream; and now I wake, Exceeding comfortless, and worn, and old, For a dream's sake. I hang my harp upon a tree, A weeping willow in a lake; I hang my silent harp there, wrung and snapped For a dream's sake. Lie still, lie still, my breaking heart; My silent heart, lie still and break: Life, and the world, and mine own self, are changed For a dream's sake.
Christina Rossetti (Goblin Market: A Tale of Two Sisters)
R6 is explicitly built around the idea that the purpose of a business is to create value for customers. The framework is designed to enhance this value creation. We change not for the sake of change, but so that we may continue to be of value and be of even greater value to the people we serve. We don’t change because we’re forced to change. We don’t change for the sake of change. We change so that we can add more value and be of greater service.
Hendrith Vanlon Smith Jr. (GAME CHANGR6: An Executives Guide to Dominating Change, by applying the R6 Resilience Change Management Framework)
Sometimes, the risks we take are so extreme that if things didn’t work in our favor, we could lose EVERYTHING for the sake of our faith.
D. Nicole Williams (Change Your Posture! Change Your LIFE!: The Passion Fruit of Purposed Pursuit)
For the sake of your health and happiness, replace the loss that causes sadness with the thanks that yields gratitude.
Charles F. Glassman (Brain Drain - The Breakthrough That Will Change Your Life)
Change for the sake of change is of no value to anyone. Change for the sake of God is of the greatest value to us all.
McMillian Moody (The Old Man and the Tea (Elmo Jenkins, #3))
Did you ever get fed up?" I said. "I mean did you ever get scared that everything was going to go lousy unless you did something? I mean do you like school and all that stuff?" "It's a terrific bore." "I mean do you hate it? I know it's a terrific bore, but do you hate it, is what I mean." "Well, I don't exactly hate it. You always have to--" "Well, I hate it. Boy, do I hate it," I said. "But it isn't just that. It's everything. I hate living in New York and all. Taxicabs, and Madison Avenue buses, with the drivers and all always yelling at you to get out at the rear door, and being introduced to phony guys that call the Lunts angels, and going up and down in elevators when you just want to go outside, and guys fitting your pants all the time at Brooks, and people always--" "Don't shout, please," old Sally said. Which was very funny, because I wasn't even shouting. "Take cars," I said. I said it in this very quiet voice. "Take most people, they're crazy about cars. They worry if they get a little scratch on them, and they're always talking about how many miles they get to a gallon, and if they get a brand-new car already they start thinking about trading it in for one that's even newer. I don't even like old cars. I mean they don't even interest me. I'd rather have a goddam horse. A horse is at least human, for God's sake. A horse you can at least--" "I don't know what you're even talking about," old Sally said. "You jump from one--" "You know something?" I said. You're probably the only reason I'm in New York right now, or anywhere. If you weren't around, I'd probably be someplace way the hell off. In the woods or some goddam place. You're the only reason I'm around, practically." "You're sweet," she said. But you could tell she wanted me to change the damn subject. "You ought to go to a boys' school sometime. Try it sometime," I said. "It's full of phonies, and all you do is study so that you can learn enough to be smart enough to be able to buy a goddam Cadillac some day, and you have to keep making believe you give a damn if the football team loses, and all you do is talk about girls and liquor and sex all day, and everybody sticks together in these dirty little goddam cliques. The guys that are on the basketball team stuck together, the Catholics stick together, the guys that play bridge stick together. Even the guys that belong to the goddam Book-of-the-Month Club stick together. If you try to have a little intelligent--" "Now, listen," old Sally said. "Lots of boys get more out of school that that." "I agree! I agree they do, some of them! But that's all I get out of it. See? That's my point. That's exactly my goddamn point," I said. "I don't get hardly anything out of anything. I'm in bad shape. I'm in lousy shape." "You certainly are.
J.D. Salinger (The Catcher in the Rye)
Now, more than ever, the world needs transformational leaders — not to cultivate change for it’s own sake, but to lead through the inevitable evolutions in business and human society.
Hendrith Vanlon Smith Jr.
The cross is not a picture of payment; the cross is a picture of forgiveness. Good Friday is not about divine wrath; Good Friday is about divine love. Calvary is not where we see how violent God is; Calvary is where we see how violent our civilization is. The justice of God is not retributive; the justice of God is restorative. Justice that is purely retributive changes nothing. The cross is not where God finds a whipping boy to vent his rage upon; the cross is where God saves the world through self-sacrificing love. The only thing God will call justice is setting the world right, not punishing an innocent substitute for the petty sake of appeasement.
Brian Zahnd (Sinners in the Hands of a Loving God: The Scandalous Truth of the Very Good News)
And besides, in the matter of friendship, I have observed that the disappointment here arises chiefly, not from liking our friends too well, or thinking of them too highly, but rather from an over-estimate of their liking for and opinion of us; and that if we guard ourselves with sufficient scrupulousness of care from error in this direction, and can be content, and even happy to give more affection than we receive -- can make just comparison of circumstances, and be severely accurate in drawing inferences thence, and never let self-love blind our eyes -- I think we may manage to get through life with consistency and constancy, unembittered by that misanthropy which springs from revulsions of feeling. All this sounds a little metaphysical, but it is good sense of if you consider it. The moral of it is, that if we would build on a sure foundation in friendship, we must love our friends for their sakes rather than for our own; we must look at their truth to themselves, full as much as their truth to us. In the latter case, every wound to self-love would be a cause of coldness; in the former, only some painful change in the friend's character and disposition -- some fearful breach in his allegiance to his better self -- could alienate the heart.
Elizabeth Gaskell (The Life of Charlotte Brontë)
Yes, I still believe in God. That hasn't changed. I just needed some time away.” “Ah.” Inspector Carrola clicked his tongue. “For your sake, I hope that God does not need some time away from you.
Richard Devin (The Third Hour)
No one could simply overturn the tide. Thanks to that, even if someone had their misgivings, they wouldn’t do anything about it. You can’t overturn popular opinion. There are times when you have no choice but to act against your true feelings. Because “everyone” said so, “everyone” was doing it, so if you didn’t do it too, you wouldn’t be one of “everyone” anymore. But no one person is “everyone”. They don’t speak and they don’t beat you up. They don’t get angry and they don’t laugh. “Everyone” is an illusion created by the magic of group-think. It is an apparition born without anyone’s knowledge. It is a ghostly spirit created for the sake of shrouding the individual’s miniscule evils. Through a monstrous transformation, it would devour anyone outside their circle of friends and even scatter curses on its own friends. Former members would also become obstacles to it. That’s why I despise it. I despise a world that emphasizes “everyone”. I despise the vulgar peace built upon the backs of scapegoats. I despise the empty ideas created solely through lies, blotting away even kindness and justice, making them out to be mere opportunism, a thorn in your side with the passing of time. You cannot change the past nor the world. You cannot change what has happened, nor can you change “everyone”. But like I said before, it’s not as if you are obligated to enslave yourself to the system.
Wataru Watari (やはり俺の青春ラブコメはまちがっている。4)
At every new torment which is too hard to bear we feel yet another vein protrude, to unroll its sinuous and deadly length along our temples or beneath our eyes. And thus gradually are formed those terrible ravaged faces, of the old Rembrandt, the old Beethoven, at whom the whole world mocked. And the pockets under the eyes and the wrinkled forehead would not matter much were there not also the suffering of the heart. But since strength of one kind can change into a strength of another kind, since heat which is stored up can become light and the electricity in a flash of lightning can cause a photograph to be taken, since the dull pain in our heart can hoist above itself like a banner the visible permanence of an image for every new grief, let us accept the physical injury which is done to us for the sake of the spiritual knowledge which grief brings; let us submit to the disintegration of our body, since each new fragment which breaks away from it returns in a luminous and significant form to add itself to our work, to complete it at the price of sufferings of which others more richly endowed have no need, to make our work at least more solid as our life crumbles away beneath the corrosive action of our emotions.
Marcel Proust (Time Regained)
After changing shape several times, the ball eventually turned into a huge face. It floated alongside the air-car. This time, time instead of sending him a mental message, the face spoke out aloud and the whole air-car vibrated with its intensity. “If you are foolish enough to renege on your contract, you will be severely punished. For your sake, I hope you wouldn’t do such a thing.” When Tarmy made no attempt to respond, the face turned and pressed itself against the millipede-free window. A moment later, Tarmy felt the fat slug entering his mind, the sign that the face was attempting to use its powers to obtain his response by other means. But as the slug dug deeper, Samantha’s cover stories began springing out of the corners of his mind. Instead of obtaining Tarmy’s agreement, all that the face saw was a burning army transporter surrounded by bodies. Undeterred, the face continued its assault. Samantha had anticipated that Tarmy might come up against an adept, so the mental images of death and destruction flowed unchecked. After failing to break Tarmy’s defences, the face removed the slug and tried reason. “You can’t win, Mr Tarleton, so why don’t you do yourself a favour and cooperate? It will be better for you in the long run. Now, where is the miniature pulse drive engine?” Tarmy realised why the millipedes hadn’t been allowed to attack. It was obvious that the Great Ones were hoping to retrieve the engine. When Tarmy didn’t respond, the face said, “I am prepared to overlook your desertion if you agree to tell us where the engine is and also honour your contract by showing us how to convert the engine into a bomb.
Andrew R. Williams (Samantha's Revenge (Arcadia's Children, #1))
And you’ve screwed me up, Lib, because now I’m thinking in lyrics instead of original thoughts. I’m looking at you and trying to find the words to convince you to be with me, and do you know what comes into my head? You showed me colors you know I can’t see with anyone else. They aren’t my words, I don’t even know what song or album they’re from, for God’s sake, but it’s exactly how I feel. And you taught me a secret language I can’t speak with anyone else—like, I can’t remember who wrote that, but I feel it down to the marrow in my bones. Being with you has changed the threads of my existence, I swear to God, so now being without you makes everything quieter, dimmer, and duller. So. Much. Smaller. And I fucking hate it.
Lynn Painter (Nothing Better Than You (Better than the Movies, #1.6))
What would I give, to be seen? To be carefully studied and perfectly understood? Would I let someone carve me up, if it meant feeling like I was loved? I knew the answer was yes, because it had always been yes. I had let others bleed me dry for the sake of feeling wanted, even before Dracula came into my life. I wasn’t any different from the Lover. Staring into a face I adored and finding only pathetic need and madness, my questions shifted. I no longer cared why Dracula had killed and changed me. I wondered why I had let it happen.
Kiersten White (Lucy Undying)
It's such a hopeful, almost utopian word, that word "phase." As if any minute, "we" would suffer some sort of Joad overload, come to "our" senses, and for heaven's sake, do something about our godforsaken shoes. But the book phase never ended. The book phase would bloom and grow into a whole series of seasonal affiliations including our communist phase, our beatnik phase, our vegetarian phase, and the three-year period known as Please Don't Talk to Me. Now that we are finishing up the third decade of the book phase, we ask ourselves if we have changed. Sure, we still dress in the bruise palette of gray, black, and blue, and we still haven't gotten around to piercing our ears. But we wear lipstick now, we own high-heeled shoes. Concessions have been made.
Sarah Vowell (Take the Cannoli)
You can't go back home to your family, back home to your childhood, back home to romantic love, back home to a young man's dreams of glory and of fame, back home to exile, to escape to Europe and some foreign land, back home to lyricism, to singing just for singing's sake, back home to aestheticism, to one's youthful idea of "the artist" and the all-sufficiency of "art" and "beauty" and "love," back home to the ivory tower, back home to places in the country, to the cottage in Bermuda, away from all the strife and conflict of the world, back home to the father you have lost and have been looking for, back home to someone who can help you, save you, ease the burden for you, back home to the old forms and systems of things which once seemed everlasting but which are changing all the time--back home to the escapes of Time and Memory. In a way, the phrase summed up everything he had ever learned.
Thomas Wolfe
The big mistake of modern media has been this notion of balance for balance's sake. That the left is just as violent and cruel as the right, that unions are just powerful as corporations, that reverse racism is just as damaging as racism.... Governments led by liberal democrats passed laws which changed the air I breathe for the better. Okay I'm for them and not for the party that is as we speak plotting to abolish the E.P.A. And I don't need to pretend that both sides have a point here, and I don't care what left or right commentators say about it. I only care what climate scientists say about it. Two opposing sides don't necessarily have two compelling arguments. Martin Luther King speaks on that wall in the capital and he didn't say "Remember folks, those southern sheriffs with the fire hoses and the German shepherds, they have a point too." No, he said, "I had a dream and they had a nightmare." This isn't Team Edward & Team Jacob. Liberals like the ones on that field must stand up and be counted and not pretend that we're as mean or greedy or shortsighted or plain batched as they are. And if that is too polarizing for you and you still want to reach across the aisle and hold hands and sing with someone on the right ... Try Church.
Bill Maher
It seems improbable to Tom that such endless space could exist in the same lifetime as the ground that was fought over a foot at a time only a handful of years ago, where men lost their lives for the sake of labeling a few muddy yards as “ours” instead of “theirs,” only to have them snatched back a day later. Perhaps the same labeling obsession caused cartographers to split this body of water into two oceans, even though it is impossible to touch an exact point at which their currents begin to differ. Splitting. Labeling. Seeking out otherness. Some things don’t change.
M.L. Stedman (The Light Between Oceans)
FAUSTUS. Ah, Faustus, Now hast thou but one bare hour to live, And then thou must be damn'd perpetually! Stand still, you ever-moving spheres of heaven, That time may cease, and midnight never come; Fair Nature's eye, rise, rise again, and make Perpetual day; or let this hour be but A year, a month, a week, a natural day, That Faustus may repent and save his soul! O lente,172 lente currite, noctis equi! The stars move still, time runs, the clock will strike, The devil will come, and Faustus must be damn'd. O, I'll leap up to my God!—Who pulls me down?— See, see, where Christ's blood streams in the firmament! One drop would save my soul, half a drop: ah, my Christ!— Ah, rend not my heart for naming of my Christ! Yet will I call on him: O, spare me, Lucifer!— Where is it now? 'tis gone: and see, where God Stretcheth out his arm, and bends his ireful brows! Mountains and hills, come, come, and fall on me, And hide me from the heavy wrath of God! No, no! Then will I headlong run into the earth: Earth, gape! O, no, it will not harbour me! You stars that reign'd at my nativity, Whose influence hath allotted death and hell, Now draw up Faustus, like a foggy mist. Into the entrails of yon labouring cloud[s], That, when you173 vomit forth into the air, My limbs may issue from your smoky mouths, So that my soul may but ascend to heaven! [The clock strikes the half-hour.] Ah, half the hour is past! 'twill all be past anon O God, If thou wilt not have mercy on my soul, Yet for Christ's sake, whose blood hath ransom'd me, Impose some end to my incessant pain; Let Faustus live in hell a thousand years, A hundred thousand, and at last be sav'd! O, no end is limited to damned souls! Why wert thou not a creature wanting soul? Or why is this immortal that thou hast? Ah, Pythagoras' metempsychosis, were that true, This soul should fly from me, and I be chang'd Unto some brutish beast!174 all beasts are happy, For, when they die, Their souls are soon dissolv'd in elements; But mine must live still to be plagu'd in hell. Curs'd be the parents that engender'd me! No, Faustus, curse thyself, curse Lucifer That hath depriv'd thee of the joys of heaven. [The clock strikes twelve.] O, it strikes, it strikes! Now, body, turn to air, Or Lucifer will bear thee quick to hell! [Thunder and lightning.] O soul, be chang'd into little water-drops, And fall into the ocean, ne'er be found! Enter DEVILS. My God, my god, look not so fierce on me! Adders and serpents, let me breathe a while! Ugly hell, gape not! come not, Lucifer! I'll burn my books!—Ah, Mephistophilis! [Exeunt DEVILS with FAUSTUS.]
Christopher Marlowe (Dr. Faustus)
The ideology of change for its own sake is a recipe for disaster in the wrong hands. Fortune magazine named Enron the most innovative company in America from 1996 to 2001, before the energy giant’s shady accounting practices came to light.
Lee Vinsel (The Innovation Delusion: How Our Obsession with the New Has Disrupted the Work That Matters Most)
Why is he so altered? From what can it proceed? It cannot be for me—it cannot be for my sake that his manners are thus softened. My reproofs at Hunsford could not work such a change as this. It is impossible that he should still love me." After
Jane Austen (Pride and Prejudice)
The critic said that once a year he read Kim; and he read Kim, it was plain, at whim: not to teach, not to criticize, just for love—he read it, as Kipling wrote it, just because he liked to, wanted to, couldn’t help himself. To him it wasn’t a means to a lecture or article, it was an end; he read it not for anything he could get out of it, but for itself. And isn’t this what the work of art demands of us? The work of art, Rilke said, says to us always: You must change your life. It demands of us that we too see things as ends, not as means—that we too know them and love them for their own sake. This change is beyond us, perhaps, during the active, greedy, and powerful hours of our lives; but duringthe contemplative and sympathetic hours of our reading, our listening, our looking, it is surely within our power, if we choose to make it so, if we choose to let one part of our nature follow its natural desires. So I say to you, for a closing sentence, Read at whim! read at whim!
Randall Jarrell
To live for others as a definite self-conscious aim was not his creed. It was not the basis of his creed. When he says, 'Forgive your enemies,' it is not for the sake of the enemy, but for one's own sake that he says so, and because love is more beautiful than hate. In his own entreaty to the young man, 'Sell all that thou hast and give to the poor,' it is not of the state of the poor that he is thinking but of the soul of the young man, the soul that wealth was marring. In his view of life he is one with the artist who knows that by the inevitable law of self-perfection, the poet must sing, and the sculptor think in bronze, and the painter make the world a mirror for his moods, as surely and as certainly as the hawthorn must blossom in spring, and the corn turn to gold at harvest-time, and the moon in her ordered wanderings change from shield to sickle, and from sickle to shield.
Oscar Wilde (De Profundis)
So the conservative who resists change is as valuable as the radical who proposes it—perhaps as much more valuable as roots are more vital than grafts. It is good that new ideas should be heard, for the sake of the few that can be used; but it is also good that new ideas should be compelled to go through the mill of objection, opposition, and contumely; this is the trial heat which innovations must survive before being allowed to enter the human race.
Will Durant (The Lessons of History)
The words "everyone get along" were the main culprit in and of itself. It was an accursed phrase. Those words emphasized the problem. They were Geass. It was an evil law imposed by teachers in a narrow­-minded world. For the sake of complying with that law, they forcefully established the tactic known as “turning a blind eye” to the friction that inevitably ensued. It showed in how they handled personality types that didn’t adhere to the mainstream. There were cases when you have to deal with those you hated, too. In those situations, if you spelled out “I hate you” or “I don’t want to put up with you” to them, things could possibly change. There was also a chance things could improve or open up to negotiation. But that became impossible when you stifled your problems and only smoothed over the surface issues. It was tacit approval of the lazy deceit known as ‘tone policing’. That’s why I shot down Hayama’s words.
Wataru Watari (やはり俺の青春ラブコメはまちがっている。4)
When we strike a balance between the challenge of an activity and our skill at performing it, when the rhythm of the work itself feels in sync with our pulse, when we know that what we're doing matters, we can get totally absorbed in our task. That is happiness. The life coach Martha Beck asks new potential clients, "Is there anything you do regularly that makes you forget what time it is?" That forgetting -- that pure absorption -- is what the psychologist Mihaly Csikzentmihalyi calls "flow" or optimal experience. In an interview with Wired magazine, he described flow as "being completely involved in an activity for its own sake. The ego falls away. Time flies. Every action, movement and thought follows inevitably from the previous one, like playing jazz. Your whole being is involved, and you're using your skills to the utmost." In a typical day that teeters between anxiety and boredom, flow experiences are those flashes of intense living -- bright against the dull. These optimal experiences can happen when we're engaged in work paid and unpaid, in sports, in music, in art. The researchers Maria Allison and Margaret Duncan have studied the role of flow in women's lives and looked at factors that contributed to what they call "antiflow." Antiflow was associated with repetitive household tasks, repetitive tasks at work, unchallenging tasks, and work we see as meaningless. But there's an element of chaos when it comes to flow. Even if we're doing meaningful and challenging work, that sense of total absoprtion can elude us. We might get completely and beautifully lost in something today, and, try as we might to re-create the same conditions tomorrow, our task might jsut feel like, well, work. In A Life of One's Own, Marion Milner described her effort to re-create teh conditions of her own recorded moments of happiness, saying, "Often when I felt certain that I had discovered the little mental act which produced the change I walked on air, exulting that I had found the key to my garden of delight and could slip through the door whenever I wished. But most often when I came again the place seemed different, the door overgrown with thorns and my key stuck in the lock. It was as if the first time I had said 'abracadabra' the door had opened, but the next time I must use a different word. (123-124).
Ariel Gore (Bluebird: Women and the New Psychology of Happiness)
In all honesty, I don’t envy you the possession of this power over memory, nor do I admire you. Because humans are usually completely unconcerned with the memories of other creatures. Human existence involves the willful destruction of the existential memories of other creatures and of your own memories as well. No life can survive without other lives, with the ecological memories of other living creatures have, memories of the environments in which the live. People don’t realize they need to rely on the memories of other organisms to survive. You think that flowers bloom in colorful profusion just to please your eyes. That a wild boar exists just to provide meat for your table. That a fish takes the bait just for you sake. That only you can mourn. That a stone falling into a gorge is of no significance. That a sambar deer, its head bent low to sip at a creek is not a revelation . . . When in fact the finest movement of any organism represents a change in an ecosystem.” The man with the compound eyes takes a deep sign and says: “But if you were any different you wouldn’t be human.
Wu Ming-Yi (The Man with the Compound Eyes)
Surely it would be easier for a small escape pod to zip through asteroids than it would be for a hulking warship. “Let’s lose them in the asteroids!” “Unlikely,” the computer said calmly as the pod swerved again. “Asteroid Belt 116749 is far enough away that we will probably be—” “Just try, damn it!” Ava gritted. The harness dug into Ava’s shoulders as she was jerked from side to side. She thought about asking Evie to turn off the artificial gravity but honestly didn’t know if that would make things better or worse. “Asteroid Belt 116749 is now in sight.” “Yes!” Ava cried triumphantly. “We can do this!” “Unlikely,” the ever-unflappable Evie replied. “Though the pod can change direction faster than the Gathendien ship and I have eluded its acquisition beam, the ship is still pursuing us and—” “Evie,” Ava gritted, “you’re killing me.” “Negative. Killing you is counter to my programming.” “I don’t mean literally!” She grunted as the pod changed directions again. Thank goodness motion sickness never plagued her. “I’m trying to be optimistic!” “Optimism at this juncture is inadvisable.” “Oh, for crap’s sake!
Dianne Duvall (The Purveli (Aldebarian Alliance, #3))
In the course of your life you will be continually encountering fools. There are simply too many to avoid. We can classify people as fools by the following rubric: when it comes to practical life, what should matter is getting long term results, and getting the work done in as efficient and creative a manner as possible. That should be the supreme value that guides people’s action. But fools carry with them a different scale of values. They place more importance on short-term matters – grabbing immediate money, getting attention from the public or media, and looking good. They are ruled by their ego and insecurities. They tend to enjoy drama and political intrigue for their own sake. When they criticize, they always emphasize matters that are irrelevant to the overall picture or argument. They are more interested in their career and position than in the truth. You can distinguish them by how little they get done, or by how hard they make it for others to get results. They lack a certain common sense, getting worked up about things that are not really important while ignoring problems that will spell doom in the long term. The natural tendency with fools is to lower yourself to their level. They annoy you, get under your skin, and draw you into a battle. In the process, you feel petty and confused. You lose a sense of what is really important. You can’t win an argument or get them to see your side or change their behavior, because rationality and results don’t matter to them. You simply waste valuable time and emotional energy. In dealing with fools you must adopt the following philosophy: they are simply a part of life, like rocks or furniture. All of us have foolish sides, moments in which we lose our heads and think more of our ego or short-term goals. It is human nature. Seeing this foolishness within you, you can then accept it in others. This will allow you to smile at their antics, to tolerate their presence as you would a silly child, and to avoid the madness of trying to change them. It is all part of the human comedy, and it is nothing to get upset or lose sleep over.
Robert Greene (Mastery)
We have seen, therefore, that I am not allowed even to *assume*, for the sake of the necessary practical use of my reason *God, freedom, immortality*, unless at the same time *I deprive* speculative reason of its pretensions to transcendent insights. Reason, namely, in order to arrive at these, must employ principles which extend only to objects of possible experience, and which, if in spite of this they are applied also to what cannot be an object of experience, actually always change this into an appearance, thus rendering all practical *expansion* of pure reason impossible. Hence I had to suspend *knowledge* in order to make room for *belief*. For the dogmatism of metaphysics without a preceding critique of pure reason, is the source of all that disbelief which opposes morality and which is always very dogmatic.
Immanuel Kant (Critique of Pure Reason)
Once I loved life ad the sun was a golden joy. But joy is sometimes short lived, priest. And when it dies, a man will seek inside himself and ask: Why? Why hate is so much stronger than love? Why the wicked reap such rich rewards? Why do strenght and speed count for more than morality and kindness? And then the man realizes...there are no answers. None. And for the sake of his sanity the man must change perceptions. Once I was a lamb, playing in a green field. Then the wolves came. Now I am a eagle, and I fly in a different universe.' 'And now you kill the lambs', whispered Dardalion. Waylander chuckled and turned over. 'No, priest. No one pays for lambs
David Gemmell (Waylander (The Drenai Saga #3))
He folds me into a hug, and I go very still before ultimately melting into him. “I know you’ve probably heard this advice before, but you don’t have to forgive the people who are bad to you. However, if they’re not ever going to give you the apology you require in order to move on, then you have to let it go for your own sake. The best revenge is making peace with a past you can’t change and figuring out how to make the future a happier place for yourself to live in. That’s how you come out on top.
Sarah Hogle (Just Like Magic)
Calcutta has spectacular over-employment. In the West, where we're obsessed with slashing the numbers of workers for the sake of it, we drool at the idea of more, faster computers, fewer humans. But as we struggle to adopt an ever-changing technology, we lose sight of the satisfaction that only a finely tuned human system can provide.
Tahir Shah (Sorcerer's Apprentice: An Incredible Journey into the World of India's Godmen)
The Beatitudes reveal the profile of the Christian, the character of the one who has had a life-changing encounter with the grace of God. In light of God's overwhelming goodness, the sinner sees his own poverty of spirit and mourns not only for his own sin but also for the spiritual sickness of the world. Therefore, he grows meek and longs for all the more earnestly for true righteousness. Therefore, he practices mercy and enjoys purity and makes peace. Therefore, he gladly endures persecution for the sake of Jesus.
R.W. Glenn (Crucifying Morality: the gospel of the beatitudes)
That our sanctification did not depend upon changing our works, but in doing that for GOD’s sake, which we commonly do for our own. That it was lamentable to see how many people mistook the means for the end, addicting themselves to certain works, which they performed very imperfectly, by reason of their human or selfish regards. That the most excellent method he had found of going to GOD, was that of doing our common business without any view of pleasing men,1 and (as far as we are capable) purely for the love of GOD.
Brother Lawrence (The Practice of the Presence of God (Living Library))
Love: Such a Soul, says Love, swims in the sea of joy, that is in the sea of delights flowing and streaming from the Divinity, and she feels no joy, for she herself is joy, and so she swims and flows in joy without feeling any joy, for she dwells in joy and joy dwells in her; for through the power of joy she is herself joy, which has changed her into itself. Now they have one common will, like fire and flame, the will of the lover and that of the beloved, for love has changed this Soul into itself. The Soul: Ah, sweetest, pure, divine Love, says this Soul, how sweet is this changing by which I am changed into the thing that i love better than I love myself! And I am so changed that i have therein lost my name for the sake of loving, I who can love so little; and I am changed into that which I love more than myself, that is, into Love, for I love nothing but Love.
Marguerite Porete (Marguerite Porete: The Mirror of Simple Souls)
It’s a weapon on the other side. It leaps quicker than light from the highest place to the lowest to bring healing and joy, whatever the cost to itself. It changes darkness into light [112] and evil into good. But it will not, at the cunning tears of Hell, impose on good the tyranny of evil. Every disease that submits to a cure shall be cured: but we will not call blue yellow to please those who insist on still having jaundice, nor make a midden of the world’s garden for the sake of some who cannot abide the smell of roses.
C.S. Lewis (The Great Divorce)
Life is not mathematics and the human being is not made for the sake of politics. I want a change in the present social system and do not believe in mere party politics.
Mahasweta Devi (Draupadi)
Never change yourself for the sake of someone , because at the day end no one owns your sacrifices and sufferings.
Tayyab Nawaz Sulehri
All I could think of was what a privilege it was to give my life away for love’s sake.
Heidi Baker (Compelled by Love: How to Change the World Through the Simple Power of Love in Action)
Thou art sore troubled in mind for the people in the world’s sake: loves thou that people better than he that made them?
COMPTON GAGE
Twenty years old and this man stood ready to take on the world, all for the sake of our unborn baby.
A.B. Shepherd (Lifeboat)
Profits must be judged as moral or immoral by how they are earned and how they are disposed. Without a new barometer, we are left with the old barometer—profit for its own sake, regardless of whether it is sustainable or ultimately ruinous. But over the course of a seven-day weekend when a reservoir of talent is tapped, a calling is found, a true, well-rounded definition of success is established, people may realize they’re working not for the money but literally working for and on themselves. And what a liberating realization that is.
Ricardo Semler (The Seven-Day Weekend: Changing the Way Work Works)
Azrael raised his finger to a face that filled the sky, lit by the faint glow of dying galaxies. There are a billion Deaths, but they are all aspects of the one Death: Azrael, the Great Attractor, the Death of Universes, the beginning and end of time. Most of the universe is made up of dark matter, and only Azrael knows who it is. Eyes so big that a supernova would be a mere suggestion of a gleam on the iris turned slowly and focused on the tiny figure on the immense whorled plains of his fingertips. Beside Azrael the big Clock hung in the center of the entire web of the dimensions, and ticked onward. Stars glittered in Azrael's eyes. The Death of the Discworld stood up. LORD I ASK FOR - Three of the servants of oblivion slid into existence alongside him. One said, Do not listen. He stands accused of meddling. One said, And morticide. One said, And pride. And living with intent to survive. One said, And siding with chaos against good order. Azrael raised an eyebrow. The servants drifted away from Death, expectantly. LORD, WE KNOW THERE IS NO GOOD ORDER EXCEPT THAT WHICH WE CREATE.... Azrael's expression did not change. THERE IS NO HOPE BUT US. THERE IS NO MERCY BUT US. THERE IS NO JUSTICE. THERE IS JUST US. The dark, sad face filled the sky. ALL THINGS THAT ARE ARE OURS. BUT WE MUST CARE. FOR IF WE DO NOT CARE, WE DO NOT EXIST. IF WE DO NOT EXIST, THEN THERE IS NOTHING BUT BLIND OBLIVION. AND EVEN OBLIVION MUST END SOMEDAY. LORD, WILL YOU GRANT ME JUST A LITTLE TIME? FOR THE PROPER BALANCE OF THINGS. TO RETURN WHAT WAS GIVEN. FOR THE SAKE OF PRISONERS AND THE FLIGHT OF BIRDS. Death took a step backwards. It was impossible to read expression in Azrael's features. Death glanced sideways at the servants. LORD, WHAT CAN THE HARVEST HOPE FOR, IF NOT FOR THE CARE OF THE REAPER MAN? He waited. LORD? said Death. In the time it took to answer, several galaxies unfolded, whirled around Azrael like paper streamers, impacted, then were gone. Then Azrael said: Yes.
Terry Pratchett (Reaper Man (Discworld, #11; Death, #2))
When you are having difficulties, a single attack of “Yeahbut maybe I should compromise a little for the sake of practicality” can bring an inglorious end to the fulfillment of your dream.
Nicholas Lore (The Pathfinder: How to Choose or Change Your Career for a Lifetime of Satisfaction and Success (Touchstone Books (Paperback)))
Listen: Those who have hurt you in the past cannot continue to hurt you now unless you hold on to the pain through resentment. Your past is past! Nothing will change it. You are only hurting yourself with your bitterness. For your own sake, learn from it, and then let it go. The Bible says, “To worry yourself to death with resentment would be a foolish, senseless thing to do.
Rick Warren (The Purpose Driven Life: What on Earth Am I Here For?)
Let us finally consider how naive it is altogether to say: "Man ought to be such and such!" Reality shows us an enchanting wealth of types, the abundance of a lavish play and change of forms — and some wretched loafer of a moralist comments: "No! Man ought to be different." He even knows what man should be like, this wretched bigot and prig: he paints himself on the wall and comments, "Ecce homo!" But even when the moralist addresses himself only to the single human being and says to him, "You ought to be such and such!" he does not cease to make himself ridiculous. The single human being is a piece of fatum from the front and from the rear, one law more, one necessity more for all that is yet to come and to be. To say to him, "Change yourself!" is to demand that everything be changed, even retroactively. And indeed there have been consistent moralists who wanted man to be different, that is, virtuous — they wanted him remade in their own image, as a prig: to that end, they negated the world! No small madness! No modest kind of immodesty! Morality, insofar as it condemns for its own sake, and not out of regard for the concerns, considerations, and contrivances of life, is a specific error with which one ought to have no pity — an idiosyncrasy of degenerates which has caused immeasurable harm. We others, we immoralists, have, conversely, made room in our hearts for every kind of understanding, comprehending, and approving. We do not easily negate; we make it a point of honor to be affirmers. More and more, our eyes have opened to that economy which needs and knows how to utilize everything that the holy witlessness of the priest, the diseased reason in the priest, rejects — that economy in the law of life which finds an advantage even in the disgusting species of the prigs, the priests, the virtuous. What advantage? But we ourselves, we immoralists, are the answer.
Friedrich Nietzsche (Twilight of the Idols)
O Lord that bear rule, even we all are full of impiety. And for our sakes peradventure it is that the floors of the righteous are not filled, because of the sins of them that dwell upon the earth.
COMPTON GAGE
Both the Pollyannas and the Cassandras are wrong, and both stand in the way of social justice, the former by condemning us all to catastrophic climate change and the loss of other vital ecosystem services for the sake of profit; the latter by condemning us all to a hair-shirted existence and refusal of further human development due to a romantic, unscientific belief in a static, unchanging balance of nature.
Leigh Phillips (Austerity Ecology & the Collapse-Porn Addicts: A Defence Of Growth, Progress, Industry And Stuff)
the six of us are supposed to drive to the diner in Hastings for lunch. But the moment we enter the cavernous auditorium where the girls told us to meet them, my jaw drops and our plans change. “Holy shit—is that a red velvet chaise lounge?” The guys exchange a WTF look. “Um…sure?” Justin says. “Why—” I’m already sprinting toward the stage. The girls aren’t here yet, which means I have to act fast. “For fuck’s sake, get over here,” I call over my shoulder. Their footsteps echo behind me, and by the time they climb on the stage, I’ve already whipped my shirt off and am reaching for my belt buckle. I stop to fish my phone from my back pocket and toss it at Garrett, who catches it without missing a beat. “What is happening right now?” Justin bursts out. I drop trou, kick my jeans away, and dive onto the plush chair wearing nothing but my black boxer-briefs. “Quick. Take a picture.” Justin doesn’t stop shaking his head. Over and over again, and he’s blinking like an owl, as if he can’t fathom what he’s seeing. Garrett, on the other hand, knows better than to ask questions. Hell, he and Hannah spent two hours constructing origami hearts with me the other day. His lips twitch uncontrollably as he gets the phone in position. “Wait.” I pause in thought. “What do you think? Double guns, or double thumbs up?” “What is happening?” We both ignore Justin’s baffled exclamation. “Show me the thumbs up,” Garrett says. I give the camera a wolfish grin and stick up my thumbs. My best friend’s snort bounces off the auditorium walls. “Veto. Do the guns. Definitely the guns.” He takes two shots—one with flash, one without—and just like that, another romantic gesture is in the bag. As I hastily put my clothes back on, Justin rubs his temples with so much vigor it’s as if his brain has imploded. He gapes as I tug my jeans up to my hips. Gapes harder when I walk over to Garrett so I can study the pictures. I nod in approval. “Damn. I should go into modeling.” “You photograph really well,” Garrett agrees in a serious voice. “And dude, your package looks huge.” Fuck, it totally does. Justin drags both hands through his dark hair. “I swear on all that is holy—if one of you doesn’t tell me what the hell just went down here, I’m going to lose my shit.” I chuckle. “My girl wanted me to send her a boudoir shot of me on a red velvet chaise lounge, but you have no idea how hard it is to find a goddamn red velvet chaise lounge.” “You say this as if it’s an explanation. It is not.” Justin sighs like the weight of the world rests on his shoulders. “You hockey players are fucked up.” “Naah, we’re just not pussies like you and your football crowd,” Garrett says sweetly. “We own our sex appeal, dude.” “Sex appeal? That was the cheesiest thing I’ve ever—no, you know what? I’m not gonna engage,” Justin grumbles. “Let’s find the girls and grab some lunch
Elle Kennedy (The Mistake (Off-Campus, #2))
You shall not, for the sake of one individual, change the meaning of principal and integrity, nor endeavour to persuade yourself or me that selfishness is prudence, and insensibility of danger, security for happiness.
Jane Austen (Pride and Prejudice)
you’ll learn that the rumors are true: you’re only as happy as your least happy child. I couldn’t survive our unhappy child; he would doom me. I needed for him to change. For his sake, certainly, but for mine as well.
A.J. Finn (End of Story)
In India today, a shadow world is creeping up on us in broad daylight. It is becoming more and more difficult to communicate the scale of the crisis even to ourselves-its size and changing shape, its depth and diversity. An accurate description runs the risk of sounding like hyperbole. And so, for the sake of credibility and good manners, we groom the creature that has sunk its teeth into us-we comb out its hair and wipe its dripping jaw to make it more personable in polite company. India isn't by any means the worst, or most dangerous, place in the world, at least not yet, but perhaps the divergence between what it could have been and what it has become makes it the most tragic.
Arundhati Roy (Azadi: Freedom. Fascism. Fiction.)
I never knew a person who reacted so wholly and rapidly to a changed situation as Estraven. I was recovering, and willing to go; he was out of thangen; the instant that was all clear, he was off. He was never rash or hurried, but he was always ready. It was the secret, no doubt, of the extraordinary political career he threw away for my sake; it was also the explanation of his belief in me and devotion to my mission. When I came, he was ready. Nobody else on Winter was.
Ursula K. Le Guin (The Left Hand of Darkness)
And you’re avoiding your problems again!” Sirius raged, “You always do this and it’s so bloody exhausting! You think you’re being so mature, do you? Keeping everything bottled up. It’s stupid! You’re just making a martyr of yourself, it’s like you want to be miserable.” “Oh, get fucked, Black!” Remus shouted back. “Easy for you to have a go, isn’t it?! Why do we always have to talk about my shit life, hm?! Mr ‘tell me a fucking secret’?!” Sirius blinked, shocked, and Remus was elated; he had something now. He had Sirius in his jaws, he wasn’t letting go until he tasted blood. “What about you, Sirius?! How come we never get to talk about your fucked up family, with your death eater brother and your insane cousin?! Why don’t we talk about your pain, and your scars for a little while, see how that feels.” “Remus, for fuck’s sake--” “No, I know! Why don’t we talk about your mother?” Remus went in for the kill, and it was more effective than even he had expected. Sirius changed completely; his expression froze, his posture tensed, as if he’d been punched in the gut. Remus almost wished he had punched him, because then at least Sirius could just punch him back, and they could have a fair fight, and that would be it. But that hadn’t been fair, and he couldn’t take it back. Sirius gave him a look of utter hurt and shock, before turning quickly to anger. “Go fuck yourself, Lupin.” He spat, storming out.
MsKingBean89 (All the Young Dudes)
That’s the point of miracles—to point us beyond our world to another world. They are clues that that other world is not in our imaginations but is actually out there, wherever “out there” actually is. Peggy Noonan once wrote that she thought miracles existed “in part as gifts and in part as clues that there is something beyond the flat world we see.” If miracles exist at all, they exist not for their own sake but for us, to point us toward something beyond. To someone beyond.
Eric Metaxas (Miracles: What They Are, Why They Happen, and How They Can Change Your Life)
When the minds of men slip from realities to fantasies without thinking of the future consequences, then we must ponder. When the hearts of men are entangled with what though might seem great but yet, specious ambitions without pondering over the resulting footprints, then we ought to take precautions. When the hands of men unwittingly and for the sake of self-gratification find the right weapons and dexterity for the wrong purpose, then massacre and cruelties leave indelible footprints of sorrow and bitterness in the hearts of men. We shall always look back to the footprints of yesterday to say had we know if we don’t take a critical look at today’s footsteps. There is always an alternative that is better than good
Ernest Agyemang Yeboah
And all the while I have people telling me, at least you still have something of your husband. Do they mean the book chronicling our work in Vystrana? No, of course not—never mind that we undertook that work together, with intent. That cannot possibly be as valuable as the accidental consequence of biology.” Very quietly, Tom said, “Is not a child worth more than a book?” “Yes,” I said violently. “But then for God’s sake let us value my son for himself, and not as some relic of his father. When he is grown enough to read, I will be delighted to share his father’s legacy with him; it is my legacy as well, and I hope he has inherited our curiosity enough to appreciate it. I would not mind a motherhood where that was my purpose—to foster my son’s mind and teach him the intellectual values of his parents. But no; society tells me my role is to change his napkins and coo over the faces he makes, and in so doing abandon the things I want him to treasure when he is grown.
Marie Brennan (The Tropic of Serpents (The Memoirs of Lady Trent, #2))
Roman Centurion's Song" LEGATE, I had the news last night - my cohort ordered home By ships to Portus Itius and thence by road to Rome. I've marched the companies aboard, the arms are stowed below: Now let another take my sword. Command me not to go! I've served in Britain forty years, from Vectis to the Wall, I have none other home than this, nor any life at all. Last night I did not understand, but, now the hour draws near That calls me to my native land, I feel that land is here. Here where men say my name was made, here where my work was done; Here where my dearest dead are laid - my wife - my wife and son; Here where time, custom, grief and toil, age, memory, service, love, Have rooted me in British soil. Ah, how can I remove? For me this land, that sea, these airs, those folk and fields suffice. What purple Southern pomp can match our changeful Northern skies, Black with December snows unshed or pearled with August haze - The clanging arch of steel-grey March, or June's long-lighted days? You'll follow widening Rhodanus till vine and olive lean Aslant before the sunny breeze that sweeps Nemausus clean To Arelate's triple gate; but let me linger on, Here where our stiff-necked British oaks confront Euroclydon! You'll take the old Aurelian Road through shore-descending pines Where, blue as any peacock's neck, the Tyrrhene Ocean shines. You'll go where laurel crowns are won, but -will you e'er forget The scent of hawthorn in the sun, or bracken in the wet? Let me work here for Britain's sake - at any task you will - A marsh to drain, a road to make or native troops to drill. Some Western camp (I know the Pict) or granite Border keep, Mid seas of heather derelict, where our old messmates sleep. Legate, I come to you in tears - My cohort ordered home! I've served in Britain forty years. What should I do in Rome? Here is my heart, my soul, my mind - the only life I know. I cannot leave it all behind. Command me not to go!
Rudyard Kipling
Ah, poems amount to so little when you write them too early in your life. You ought to wait and gather sense and sweetness for a whole lifetime, and a lone one if possible, and then, at the very end, you might perhaps be able to write ten good lines. For poems are not, as people think, simply emotions (one has emotions early enough)—they are experiences. For the sake of a single poem, you must see many cities, many people and Things, you must understand animals, must feel how birds fly, and know the gesture which small flowers make when they open in the morning. You must be able to think back to streets in unknown neighborhoods, to unexpected encounters, and to partings you had long seen coming; to days of childhood whose mystery is still unexplained, to parents whom you had to hurt when they brought in a joy and you didn’t pick it up (it was a joy meant for somebody else—); to childhood illnesses that began so strangely with so many profound and difficult transformations, to days in quiet, restrained rooms and to mornings by the sea, to the sea itself, to seas, to nights of travel that rushed along high overhead and went flying with all the stars, and it is still not enough to be able to think of all that. You must have memories of many nights of love, each one different from all the others, memories of women screaming in labor, and of light, pale, sleeping girls who have just given birth and are closing again. But you must also have been beside the dying, must have sat beside the dead in the room with the open window and the scattered noises. And it is not yet enough to have memories. You must be able to forget them when they are many, and you must have the immense patience to wait until they return. For the memories themselves are not important. Only when they have changed into our very blood, into glance and gesture, and are nameless, no longer to be distinguished from ourselves—only then can it happen that in some very rare hour the first word of a poem arises in their midst and goes forth from them. - For the Sake of a Single Poem
Rainer Maria Rilke (The Selected Poetry of Rainer Maria Rilke)
Illness in this society, physical or mental, they are not abnormalities. They are normal responses to an abnormal culture. This culture is abnormal when it comes to real human needs. And.. it is in the nature of the system to be abnormal, because if we had a society geared to meet human needs.. would we be destroying the Earth through climate change? Would we be putting extra burden on certain minority people? Would we be selling people a lot of goods that they don't need, and, in fact, are harmful for them? Would there be mass industries based on manufacturing, designing and mass-marketing toxic food to people? So we do all that for the sake of profit. That's insanity. It is not insanity from the point of view of profit, but it is insanity from the point of view of human need. And so, in so many ways this culture denies and even runs against counter to human needs. When you mentioned trauma.. given how important trauma is in human life and what an impact it has.. why have we ignored it for so long? Because that denial of reality is built in into this system. It keeps the system alive. So it is not a mistake, it is a design issue. Not that anybody consciously designed it, but that's just how the system survives. Now.. the average medical student to THIS DAY (I say the average.. there are exceptions) still doesn't get a single lecture on trauma in 4 years of medical school. They should have a whole course on it, Because I can tell you that trauma is related to addiction, all kinds of mental illness and most physical health conditions as well. And there is a whole lot of science behind that, but they don't study that science. Now that reflects this society's denial of trauma, the medical system simply reflects the needs of the larger society, I should say, the dominant needs of the larger society.
Gabor Maté
Throughout the 1980s, the ideological climate shifted from one in which science was valued for its own sake or for the public interest to one in which science was valued for the profits it could generate in the private interest. Major changes in tax and patent laws were enacted, federal funding of research declined sharply, and tax benefits created a steep rise in funding from industry. The pharmaceutical industry was deregulated, and within a decade it had become one of the most profitable businesses in the United States.11
Carol Tavris (Mistakes Were Made (But Not by Me): Why We Justify Foolish Beliefs, Bad Decisions, and Hurtful Acts)
high school started and she learned that girls were more than welcome to like sports in Beartown—just not the way that she did. Not that much. Not to the point where she would lecture the boys about rules and tactics. Teenage girls were primarily supposed to be interested in hockey players, not hockey. So she bowed her head and devoted herself to Beartown’s real traditional sports: shame and silence. They were what drove her mom mad. Ana very nearly went with her when she moved away, but changed her mind and stayed. For Maya’s sake, for
Fredrik Backman (Beartown (Beartown, #1))
The conversation soon turned upon fishing, and she heard Mr. Darcy invite him, with the greatest civility, to fish there as often as he chose while he continued in the neighbourhood, offering at the same time to supply him with fishing tackle, and pointing out those parts of the stream where there was usually most sport. Mrs. Gardiner, who was walking arm in arm with Elizabeth, gave her a look expressive of her wonder. Elizabeth said nothing, but it gratified her exceedingly; the compliment must be all for herself. Her astonishment, however, was extreme; and continually was she repeating, "Why is he so altered? From what can it proceed? It cannot be for me, it cannot be for my sake that his manners are thus softened. My reproofs at Hunsford could not work such a change as this. It is impossible that he should still love me.
Jane Austen
Can I cuddle up with you when you sleep?” Sma stopped, detached the creature from her shoulder with one hand and stared it in the face. “What?” “Just for chumminess’ sake,” the little thing said, yawning wide and blinking. “I’m not being rude; it’s a good bonding procedure.” Sma was aware of Skaffen-Amtiskaw glowing red just behind her. She brought the yellow and brown device closer to her face. “Listen, Xenophobe—” “Xeny.” “Xeny. You are a million-ton starship. A Torturer class Rapid Offensive Unit. Even—” “But I’m demilitarized!” “Even without your principle armament, I bet you could waste planets if you wanted to—” “Aw, come on; any silly GCU can do that!” “So what’s all this shit for?” She shook the furry little remote drone, quite hard. Its teeth chattered. “It’s for a laugh!” it cried. “Sma, don’t you appreciate a joke?” “I don’t know. Do you appreciate being drop-kicked back to the accommodation area?” “Ooh! What’s your problem, lady? Have you got something against small furry animals, or what?” Look Ms. Sma, I know very well I’m a ship, and I do everything I’m asked to do—including taking you to this frankly rather fuzzily specified destination—and do it very efficiently, too. If there was the slightest sniff of any real action, and I had to start acting like a warship, this construct in your hands would go lifeless and limp immediately, and I’d battle as ferociously and decisively as I’ve been trained to. Meanwhile, like my human colleagues, I amuse myself harmlessly. If you really hate my current appearance, all right; I’ll change it; I’ll be an ordinary drone, or just a disembodied voice, or talk to you through Skaffen-Amtiskaw here, or through your personal terminal. The last thing I want is to offend a guest.” Sma pursed her lips. She patted the thing on its head and sighed. “Fair enough.” “I can keep this shape?” “By all means.” “Oh goody!” It squirmed with pleasure, then opened its big eyes wide and looked hopefully at her. “Cuddle?” “Cuddle.” Sma cuddled it, patted its back. She turned to see Skaffen-Amtiskaw lying dramatically on its back in midair, its aura field flashing the lurid orange that was used to signal Sick Drone in Extreme Distress.
Iain M. Banks (Use of Weapons (Culture, #3))
As the dawn loves the sunlight that must cease Ere dawn again may rise and pass in peace; Must die that she being dead may live again, To be by his new rising nearly slain. So rolls the great wheel of the great world round, And no change in it and no fault is found, And no true life of perdurable breath, And surely no irrevocable death. Day after day night comes that day may break, And day comes back for night’s reiterate sake. Each into each dies, each of each is born: Day past is night, shall night past not be morn? Out of this moonless and faint-hearted night That love yet lives in, shall there not be light? Light strong as love, that love may live in yet? Alas, but how shall foolish hope forget How all these loving things that kill and die Meet not but for a breath’s space and pass by? Night is kissed once of dawn and dies, and day But touches twilight and is rapt away. So may my love and her love meet once more, And meeting be divided as of yore. Yea, surely as the day-star loves the sun And when he hath risen is utterly undone, So is my love of her and hers of me— And its most sweetness bitter as the sea.
Algernon Charles Swinburne (Tristram of Lyonesse: And Other Poems)
Each of us came here to do something. And as I see it, true health has nothing to do with diagnosing a disease or prolonging life just for the sake of it; it’s about finding out who we are, paying attention to how we’re called to grow and change, and listening to what makes our heart sing.
Gladys McGarey (The Well-Lived Life: A 102-Year-Old Doctor's Six Secrets to Health and Happiness at Every Age)
5. When Begging Ends I love the idea of Divine Source. It reminds us that everything, the fulfillment of every need, always emanates from the One. So if you learn how to keep your vibration high and attuned to That, whatever is needed to sustain you can always occur, often in surprising and delightful ways. Your Source is never a particular person, place, or thing, but God Herself. You never have to beg. Furthermore, Divine Source says that whatever resonates with you will always find you. That which does not, will fall away. It’s that simple. When Outrageous Openness first came out, I experienced this as I took the book around—some stores were simply not drawn to it. But knowing about Divine Source and resonance, I didn’t care. I remember taking it to a spiritual bookstore in downtown San Francisco. The desultory manager sort of half-growled, “Oh, we have a long, long wait here. You can leave a copy for our ‘pile’ in the back room. Then you could call a ton and plead with us. If you get lucky, maybe one day we’ll stock it. Just keep hoping.” “Oh, my God, no!” I shuddered. “Why would I keep twisting your arm? It’ll go easily to the places that are right. You never have to convince someone. The people who are right will just know.” He looked stunned when I thanked him, smiling, and left. And sure enough, other store clerks were so excited, even from the cover alone. They nearly ripped the book out of my hands as I walked in. When I brought it to the main bookstore in San Francisco’s Castro district, I noticed the manager striding toward me was wearing a baseball cap with an image of the goddess Lakshmi. “Great sign,” I mused. He held the book for a second without even cracking it open, then showed the cover to a coworker, yelling, “Hey, let’s give this baby a coming-out party!” So a few weeks later, they did. Sake, fortune cookies, and all. Because you see, what’s meant for you will always, always find you. You never have to be bothered by the people who aren’t meant to understand. And anyway, sometimes years later, they are ready . . . and they do. Change me Divine Beloved into One who knows that You alone are my Source. Let me trust that You fling open every door at the right time. Free me from the illusion of rejection, competition, and scarcity. Fill me with confidence and faith, knowing I never have to beg, just gratefully receive.
Tosha Silver (Change Me Prayers: The Hidden Power of Spiritual Surrender)
I've stuck like a plaster to the old faith I was born in. Yes; there's this to be said for the Church, a man can belong to the Church and bide in his cheerful old inn, and never trouble or worry his mind about doctrines at all. But to be a meetinger, you must go to chapel in all winds and weathers, and make yerself as frantic as a skit. Not but that chapel members be clever chaps enough in their way. They can lift up beautiful prayers out of their own heads, all about their families and shipwrecks in the newspaper." "They can -- they can," said Mark Clark, with corroborative feeling; "but we Churchmen, you see, must have it all printed aforehand, or, dang it all, we should no more know what to say to a great gaffer like the Lord than babes unborn," "Chapelfolk be more hand-in-glove with them above than we," said Joseph, thoughtfully. "Yes," said Coggan. "We know very well that if anybody do go to heaven, they will. They've worked hard for it, and they deserve to have it, such as 'tis. I bain't such a fool as to pretend that we who stick to the Church have the same chance as they, because we know we have not. But I hate a feller who'll change his old ancient doctrines for the sake of getting to heaven.
Thomas Hardy
Those involved in the redesign process must know what they would do if they could do whatever they wanted. Such knowledge is essential if they are to set meaningful goals for the future. The outcome of such a design is idealized in the sense that the resulting system is ideal seeking, not ideal. It should be subject to continuous improvement with further experience and changing environments. The only certainty is that some of whatever we think we will want five or ten years from now will not be wanted then. Such a vision should be inspiring, a work of art. It should facilitate making short-run sacrifices for the sake of longer-run gains.
Russell L. Ackoff (Turning Learning Right Side Up: Putting Education Back on Track)
Meanwhile the thinking person, by intellect usually left-wing but by temperament often right-wing, hovers at the gate of the Socialist fold. He is no doubt aware that he ought to be a Socialist. But he observes first the dullness of individual Socialists, then the apparent flabbiness of Socialist ideals, and veers away. Till quite recently it was natural to veer towards indinerentism. Ten years ago, even five years ago, the typical literary gent wrote books on baroque architecture and had a soul above politics. But that attitude is becoming difficult and even unfashionable. The times are growing harsher, the issues are clearer, the belief that nothing will ever change (i.e. that your dividends will always be safe) is less prevalent. The fence on which the literary gent sits, once as comfortable as the plush cushion of a cathedral-stall, is now pinching his bottom intolerably; more and more he shows a disposition to drop off on one side or the other. It is interesting to notice how many of our leading writers, who a dozen years ago were art for art's saking for all they were worth and would have considered it too vulgar for words to even vote at a general election, are now taking a definite political standpoint; while most of the younger writers, at least those of them who are not mere footlers, have been 'political' from the start. I believe that when the pinch comes there is a terrible danger that the main movement of the intelligentsia will be towards Fascism. . . . That will also be the moment when every person with any brains or decency will know in his bones that he ought to be on the Socialist side. But he will not necessarily come there of his own accord; there are too many ancient prejudices standing in the way. He will have to be persuaded, and by methods that imply an understanding of his viewpoint. Socialists cannot afford to waste any more time in preaching to the converted. Their job now is to make Socialists as rapidly as possible; instead of which, all too often, they are making Fascists.
George Orwell (The Road to Wigan Pier)
Foreordain it? No. The man's circumstances and environment order it. His first act determines the second and all that follow after. But suppose, for argument's sake, that the man should skip one of these acts; an apparently trifling one, for instance; suppose that it had been appointed that on a certain day, at a certain hour and minute and second and fraction of a second he should go to the well, and he didn't go. That man's career would change utterly, from that moment; thence to the grave it would be wholly different from the career which his first act as a child had arranged for him. Indeed, it might be that if he had gone to the well he would have ended his career on a throne, and that omitting to do it would set him upon a career that would lead to beggary and a pauper's grave. For instance: if at any time--say in boyhood--Columbus had skipped the triflingest little link in the chain of acts projected and made inevitable by his first childish act, it would have changed his whole subsequent life, and he would have become a priest and died obscure in an Italian village, and America would not have been discovered for two centuries afterward. I know this. To skip any one of the billion acts in Columbus's chain would have wholly changed his life. I have examined his billion of possible careers, and in only one of them occurs the discovery of America.
Mark Twain (The Mysterious Stranger)
You haven't changed at all. It's great to have a sense of justice, but everything you're trying to do is for your own sake. Just for your own sense of justice you keep causing trouble for everyone else. In the end, you create more issues for everyone around you, but you can't even be responsible for your own actions. You're like a child trying to play a hero.
Reia (Koushaku Reijou no Tashinami)
I hope it's that she simply doesn't figure large enough in his life to be worth mentioning, Vita thought. And then she thought, if that was the case. It was therefore rather pathetic that Suzie loomed larger for her than for Tim, that Suzie was in some ways a more real presence in her life than in his. What she thought it boiled down to was that she really didn't want the woman he left her for to be the true, profound love of his life. I auditioned for that role. I put so much effort into it, I loved it. I'm not ready to let it go to someone else. But you keep forgetting he didn't leave you, Vita - you left him. And then she thought, is this a slewed version of Aesop's dog in the manger? I don't want him - but I don't want him wanting anyone else? And then she thought, For God's sake, shut up! This is doing me no good at all. All this thinking and wondering that I do isn't going to change him or the past. What a waste of quarter of an hour - sifting through all that emotional JUNK. She knew there was nothing of value in it- she'd been through it with a fine toothcomb over and again.
Freya North (Chances)
Now that you’re old, cut yourself some slack, would you? Let yourself off the hook. Give yourself a break. You don’t have to do it all anymore. Take it easy for a change. It’s OK with the rest of the world. So why not you? For the first time in your life, do what you want. Not what everyone else thinks you should. Not what you think everyone else thinks you should. Do what you want. Excuse yourself. Say no. Back out. Beg off. Stay home. Take a rain check. Take a nap. Watch the ball game on TV. Anything but what you’d rather not do but feel you have to for everyone else's sake but your own. And then feel bad about having done it. That's plain wrong. And ask for some help when you need it: 'It’s too heavy.' 'It's too far.' Too near. Too cold. Too hot. Too bright. Too dark. Whatever. It's OK because there's always going to be something you need help with anymore. And be grateful for the helping hand. You'll find more and more people extend one to you these days. Whatever the reason for accepting you’ve got the best excuse in the world. The only one you’ll ever need: 'Hey, I’m old.
Lionel Fisher (Celebrating Time Alone: Stories Of Splendid Solitude)
Listen: Those who have hurt you in the past cannot continue to hurt you now unless you hold on to the pain through resentment. Your past is past! Nothing will change it. You are only hurting yourself with your bitterness. For your own sake, learn from it, and then let it go. The Bible says, “To worry yourself to death with resentment would be a foolish, senseless thing to do.”3
Rick Warren (The Purpose Driven Life: What on Earth Am I Here For?)
Some people save money for a downpayment on a house, or a new car, or for retirement. That’s great, of course. But saving does not require a goal of purchasing something specific. You can save just for saving’s sake. And indeed you should. Only saving for a specific goal makes sense in a predictable world. But ours isn’t. Saving is a hedge against life’s inevitable ability to surprise the hell out of you at the worst possible moment. Savings without a spending goal gives you options and flexibility, the ability to wait and the opportunity to pounce. It gives you time to think. It lets you change course on your own terms. Every bit of savings is like taking a point in the future that would have been owned by someone else and giving it back to yourself.
Morgan Housel (The Psychology of Money: Timeless Lessons on Wealth, Greed, and Happiness)
Or if he takes whatever dull job he's stuck with -- and they are all, sooner or later, dull -- and, just to keep himself amused, starts to look for options of Quality, and secretly pursues these options, just for their own sake, thus making an art out of what he is doing, he's likely to discover that he becomes a much more interesting person and much less of an object to the people around him because his Quality decisions change him too. And not only the job and him, but others too because the Quality tends to fan out like waves. The Quality job he didn't think anyone was going to see is seen, and the person who sees it feels a little better because of it, and is likely to pass that feeling on to others, and in that way the Quality tends to keep on going.
Robert Prisig
Eros: Real love is an all-consuming, desperate yearning for the beloved, who is perceived as different, mysterious, and elusive. The depth of love is measured by the intensity of obsession with the loved one. There is little time or attention for other interests or pursuits, because so much energy is focused on recalling past encounters or imagining future ones. Often, great obstacles must be overcome, and thus there is an element of suffering in true love. Another indication of the depth of love is the willingness to endure pain and hardship for the sake of the relationship. Associated with real love are feelings of excitement, rapture, drama, anxiety, tension, mystery, and yearning. Agape: Real love is a partnership to which two caring people are deeply committed. These people share many basic values, interests, and goals, and tolerate good-naturedly their individual differences. The depth of love is measured by the mutual trust and respect they feel toward each other. Their relationship allows each to be more fully expressive, creative, and productive in the world. There is much joy in shared experiences both past and present, as well as those that are anticipated. Each views the other as his/ her dearest and most cherished friend. Another measure of the depth of love is the willingness to look honestly at oneself in order to promote the growth of the relationship and the deepening of intimacy. Associated with real love are feelings of serenity, security, devotion, understanding, companionship, mutual support, and comfort.
Robin Norwood (Women Who Love Too Much: When You Keep Wishing and Hoping He'll Change)
Marry, if you would put me to verses or to dance for your sake, Kate, why you undid me: for the one, I have neither words nor measure, and for the other, I have no strength in measure, yet a reasonable measure in strength. If I could win a lady at leap-frog, or by vaulting into my saddle with my armour on my back, under the correction of bragging be it spoken. I should quickly leap into a wife. Or if I might buffet for my love, or bound my horse for her favours, I could lay on like a butcher and sit like a jack-an-apes, never off. But, before God, Kate, I cannot look greenly nor gasp out my eloquence, nor I have no cunning in protestation; only downright oaths, which I never use till urged, nor never break for urging. If thou canst love a fellow of this temper, Kate, whose face is not worth sun-burning, that never looks in his glass for love of any thing he sees there, let thine eye be thy cook. I speak to thee plain soldier: If thou canst love me for this, take me: if not, to say to thee that I shall die, is true; but for thy love, by the Lord, no; yet I love thee too. And while thou livest, dear Kate, take a fellow of plain and uncoined constancy; for he perforce must do thee right, because he hath not the gift to woo in other places: for these fellows of infinite tongue, that can rhyme themselves into ladies’ favours, they do always reason themselves out again. What! a speaker is but a prater; a rhyme is but a ballad. A good leg will fall; a straight back will stoop; a black beard will turn white; a curled pate will grow bald; a fair face will wither; a full eye will wax hollow: but a good heart, Kate, is the sun and the moon; or, rather, the sun, and not the moon; for it shines bright and never changes, but keeps his course truly. If thou would have such a one, take me; and take me, take a soldier; take a soldier, take a king. And what sayest thou then to my love? speak, my fair, and fairly, I pray thee.
William Shakespeare (Henry V)
Lock this slave up. Her words, uttered the day she’d fought a duel for his sake, still hurt. What had followed: the clench of helplessness. Being outnumbered by her father’s private guard. The first blow. The way she hadn’t looked back as she’d let the door shut behind her. Humiliation. A sort of appalled admiration. Indebtedness. Later: her, injured and limping across the villa’s lawn. It had changed him. Exposed something running inside him like a vein of soft gold. A slow attraction. Growing, despite himself, into care…and more. That incident last autumn when she’d tricked him, had him locked in a cell while she rode to the duel, loomed in his mind as a little story that told the larger one of how she’d been broken, and he’d been kept safe, and how his safety and her brokenness had broken him.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
Sanya,” I said. “Who did I get cast as?” “Sam,” Sanya said. I blinked at him. “Not . . . Oh, for crying out loud, it was perfectly obvious who I should have been.” Sanya shrugged. “It was no contest. They gave Gandalf to your godmother. You got Sam.” He started to leave and then paused. “Harry. You have read the books as well, yes?” “Sure,” I said. “Then you know that Sam was the true hero of the tale,” Sanya said. “That he faced far greater and more terrible foes than he ever should have had to face, and did so with courage. That he went alone into a black and terrible land, stormed a dark fortress, and resisted the most terrible temptation of his world for the sake of the friend he loved. That in the end, it was his actions and his actions alone that made it possible for light to overcome darkness.” I
Jim Butcher (Changes (The Dresden Files, #12))
That peace did not come easily. I spent two years enumerating my father's flaws, constantly updating the tally as if reciting every resentment, every real and imagined act of cruelty, of neglect, would justify my decision to cut him from my life. Once justified I thought the strangling guilt would release me, and I could catch my breath. But vindication has no power over guilt. No amount of anger or rage directed at others can subdue it, because guilt is never about them. Guilt is the fear of ones own retchedness. It has nothing to do with other people. I shed my guilt when I accepted my decision on my own terms, without endlessly prosecuting old greviences, without weighing his sins against mine. Without thinking of my father at all. I learned to accept my decision for my own sake. Because of me, not because of him. Because I needed it, not because he deserved it. It was the only way I could love him. When my father was in my life, wrestling me for control of that life, I percieved him with the eyes of a soldier, through a fog of conflict. I could not make out his tender qualities. When he was before me towering, indignant, I could not remember how when I was young his laugh used to shake his gut and make his glasses shine. In his stern presence I could never recall the pleasant way his lips used to twitch, before they were burned away, when a memory tugged tears from his eyes. I can only remember those things now, with a span of miles and years between us. But what has come between me and my father is more than time or distance. It is a change in the self. I am not the child my father raised but he is the father who raised her.
Tara Westover (Educated)
Hence we may, with proper precautions, regard a certain humility as the overall characteristic of medieval art. Of the art; not always of the artists. Self-esteem may arise within any occupation at any period. A chef, a surgeon, or a scholar, may be proud, even to arrogance, of his skill; but his skill is confessedly the means to an end beyond itself, and the status of the skill depends wholly on the dignity or necessity of that end. I think it was then like that with all the arts. Literature exists to teach what is useful, to honour what deserves honour, to appreciate what is delightful. The useful, honourable, and delightful things are superior to it: it exists for their sake; its own use, honour, or delightfulness is derivative from theirs. In that sense the art is humble even when the artists are proud; proud of their proficiency in the art, but not making for the art itself the high Renaissance or Romantic claims. Perhaps they might not all have fully agreed with the statement that poetry is infima inter omnes doctrinas.17 But it awoke no such hurricane of protest as it would awake today. In this great change something has been won and something lost. I take it to be part and parcel of the same great process of Internalisation18 which has turned genius from an attendant daemon into a quality of the mind. Always, century by century, item after item is transferred from the object’s side of the account to the subject’s. And now, in some extreme forms of Behaviourism, the subject himself is discounted as merely subjective; we only think that we think. Having eaten up everything else, he eats himself up too. And where we ‘go from that’ is a dark question.
C.S. Lewis (The Discarded Image: An Introduction to Medieval and Renaissance Literature)
Mr. President I confess that there are several parts of this constitution which I do not at present approve, but I am not sure I shall never approve them: For having lived long, I have experienced many instances of being obliged by better information, or fuller consideration, to change opinions even on important subjects, which I once thought right, but found to be otherwise. It is therefore that the older I grow, the more apt I am to doubt my own judgment, and to pay more respect to the judgment of others. Most men indeed as well as most sects in Religion, think themselves in possession of all truth, and that wherever others differ from them it is so far error. Steele a Protestant in a Dedication tells the Pope, that the only difference between our Churches in their opinions of the certainty of their doctrines is, the Church of Rome is infallible and the Church of England is never in the wrong. But though many private persons think almost as highly of their own infallibility as of that of their sect. In these sentiments, Sir, I agree to this Constitution with all its faults, if they are such; because I think a general Government necessary for us, and there is no form of Government but what may be a blessing to the people if well administered, and believe farther that this is likely to be well administered for a course of years, and can only end in Despotism, as other forms have done before it, when the people shall become so corrupted as to need despotic Government, being incapable of any other. I doubt too whether any other Convention we can obtain, may be able to make a better Constitution. For when you assemble a number of men to have the advantage of their joint wisdom, you inevitably assemble with those men, all their prejudices, their passions, their errors of opinion, their local interests, and their selfish views. From such an assembly can a perfect production be expected? It therefore astonishes me, Sir, to find this system approaching so near to perfection as it does; and I think it will astonish our enemies, who are waiting with confidence to hear that our councils are confounded like those of the Builders of Babel; and that our States are on the point of separation, only to meet hereafter for the purpose of cutting one another's throats. Thus I consent, Sir, to this Constitution because I expect no better, and because I am not sure, that it is not the best. The opinions I have had of its errors, I sacrifice to the public good. I have never whispered a syllable of them abroad. Within these walls they were born, and here they shall die. If every one of us in returning to our Constituents were to report the objections he has had to it, and endeavor to gain partizans in support of them, we might prevent its being generally received, and thereby lose all the salutary effects & great advantages resulting naturally in our favor among foreign Nations as well as among ourselves, from our real or apparent unanimity. Much of the strength & efficiency of any Government in procuring and securing happiness to the people, depends, on opinion, on the general opinion of the goodness of the Government, as well as of the wisdom and integrity of its Governors. I hope therefore that for our own sakes as a part of the people, and for the sake of posterity, we shall act heartily and unanimously in recommending this Constitution (if approved by Congress & confirmed by the Conventions) wherever our influence may extend, and turn our future thoughts & endeavors to the means of having it well administred. On the whole, Sir, I can not help expressing a wish that every member of the Convention who may still have objections to it, would with me, on this occasion doubt a little of his own infallibility, and to make manifest our unanimity, put his name to this instrument.
Benjamin Franklin
The sound of the trumpets died away and Orlando stood stark naked. No human being since the world began, has ever looked more ravishing. His form combined in one the strength of a man and a woman’s grace. As he stood there, silver trumpets prolonged their note, as if reluctant to leave the lovely sight which their blast had called forth; and Chastity, Purity, and Modesty, inspired, no doubt, by Curiosity, peeped in at the door and threw a garment like a towel at the naked form which, unfortunately, fell short by several inches. Orlando looked at himself up and down in a long looking-glass, without showing any signs of discompose, and went presumably, to his bath. We many take advantage of this pause in the narrative to make certain statements. Orlando had become a woman - there is no denying it. But in every other respect, Orlando remained precisely as he had been. The change in sex, though it altered their future, did nothing whatever to alter their identity. Their faces remained, as their portraits prove, practically the same. His memory - but in the future we must, for convention’s sake, say ‘her’ for ‘his’, and ‘she’ for ‘he’ - her memory then, went back through all the events of her past life without encountering any obstacle. Some slight haziness there may have been, as if a few dark spots had fallen into the clear pool of memory; certain things had become a little dimmed; but that was all. The change seemed to have been accomplished painlessly and completely and in such a way that Orlando herself showed no surprise at it. Many people, taking this into account, and holding that such a change in sex is against nature, have been at great pains to prove (1) that Orlando has always been a woman, (2) that Orlando is at this moment a man. Let biologists and psychologists determine. It is enough for us to state the simple fact; Orlando was a man till the age of thirty; when he became a woman and has remained so ever since.
Virginia Woolf (Orlando)
Can you drive it?" "No. I can't drive a stick at all. It's why I took Andy's car and not one of yours." "Oh people, for goodness' sake...move over." Choo Co La Tah pushed past Jess to take the driver's seat. Curious about that, she slid over to make room for the ancient. Jess hesitated. "Do you know what you're doing?" Choo Co La Tah gave him a withering glare. "Not at all. But I figured smoeone needed to learn and no on else was volunteering. Step in and get situated. Time is of the essence." Abigail's heart pounded. "I hope he's joking about that." If not, it would be a very short trip. Ren changed into his crow form before he took flight. Jess and Sasha climbed in, then moved to the compartment behind the seat. A pall hung over all of them while Choo Co La Tah adjusted the seat and mirrors. By all means, please take your time. Not like they were all about to die or anything... She couldn't speak as she watched their enemies rapidly closing the distance between them. This was by far the scariest thing she'd seen. Unlike the wasps and scorpions, this horde could think and adapt. They even had opposable thumbs. Whole different ball game. Choo Co La Tah shifted into gear. Or at least he tried. The truck made a fierce grinding sound that caused jess to screw his face up as it lurched violently and shook like a dog coming in from the rain. "You sure you odn't want me to try?" Jess offered. Choo Co La Tah waved him away. "I'm a little rusty. Just give me a second to get used to it again." Abigail swallowed hard. "How long has it been?" Choo Co La Tah eashed off the clutch and they shuddred forward at the most impressive speed of two whole miles an hour. About the same speed as a limping turtle. "Hmm, probably sometime around nineteen hundred and..." They all waited with bated breath while he ground his way through more gears. With every shift, the engine audibly protested his skills. Silently, so did she. The truck was really moving along now. They reached a staggering fifteen miles an hour. At this rate, they might be able to overtake a loaded school bus... by tomorrow. Or at the very least, the day after that. "...must have been the summer of...hmm...let me think a moment. Fifty-three. Yes, that was it. 1953. The year they came out with color teles. It was a good year as I recall. Same year Bill Gates was born." The look on Jess's and Sasha's faces would have made her laugh if she wasn't every bit as horrified. Oh my God, who put him behind the wheel? Sasha visibly cringed as he saw how close their pursuers were to their bumper. "Should I get out and push?" Jess cursed under his breath as he saw them, too. "I'd get out and run at this point. I think you'd go faster." Choo Co La Tah took their comments in stride. "Now, now, gentlemen. All is well. See, I'm getting better." He finally made a gear without the truck spazzing or the gears grinding.
Sherrilyn Kenyon (Retribution (Dark-Hunter, #19))
Dick!” she cried, “alas the day that ever ye should have seen me! For like a most unhappy and unthankful maid, it is I have led you hither.” “What cheer!” returned Dick. “It was all written, and that which is written, willy nilly, cometh still to pass. But tell me a little what manner of a maid ye are, and how ye came into Sir Daniel’s hands; that will do better than to bemoan yourself, whether for your sake or mine.” “I am an orphan, like yourself, of father and mother,” said Joanna; “and for my great misfortune, Dick, and hitherto for yours, I am a rich marriage. My Lord Foxham had me to ward; yet it appears Sir Daniel bought the marriage of me from the king, and a right dear price he paid for it. So here was I, poor babe, with two great and rich men fighting which should marry me, and I still at nurse! Well, then the world changed, and there was a new chancellor, and Sir Daniel bought the warding of me over the Lord Foxham’s head. And then the world changed again, and Lord Foxham
Robert Louis Stevenson (The Complete Robert Louis Stevenson: Novels, Short Stories, Travels, Non-Fiction, Plays and Poems)
In Paley's famous illustration, the adaptation of all the parts of the watch to the function, or purpose, of showing the time, is held to be evidence that the watch was specially contrived to that end; on the ground, that the only cause we know of, competent to produce such an effect as a watch which shall keep time, is a contriving intelligence adapting the means directly to that end. Suppose, however, that any one had been able to show that the watch had not been made directly by any person, but that it was the result of the modification of another watch which kept time but poorly; and that this again had proceeded from a structure which could hardly be called a watch at all—seeing that it had no figures on the dial and the hands were rudimentary; and that going back and back in time we came at last to a revolving barrel as the earliest traceable rudiment of the whole fabric. And imagine that it had been possible to show that all these changes had resulted, first, from a tendency of the structure to vary indefinitely; and secondly, from something in the surrounding world which helped all variations in the direction of an accurate time-keeper, and checked all those in other directions; then it is obvious that the force of Paley's argument would be gone. For it would be demonstrated that an apparatus thoroughly well adapted to a particular purpose might be the result of a method of trial and error worked by unintelligent agents, as well as of the direct application of the means appropriate to that end, by an intelligent agent. Now it appears to us that what we have here, for illustration's sake, supposed to be done with the watch, is exactly what the establishment of Darwin's Theory will do for the organic world. For the notion that every organism has been created as it is and launched straight at a purpose, Mr. Darwin substitutes the conception of something which may fairly be termed a method of trial and error. Organisms vary incessantly; of these variations the few meet with surrounding conditions which suit them and thrive; the many are unsuited and become extinguished.
Thomas Henry Huxley (Criticism on "The Origin of Species")
If your daughter kills herself, whose business is that? When you think you know what’s best for her, it’s not love. How can you know what’s best for her? How can you know that life would be better for her than death? You would deprive her of her whole path. Who do you think you are? There’s no respect there. If my daughter is going to take her life and I know about it, I’m going to speak to her and offer myself in whatever way she thinks would be useful. And if she has killed herself, I’m not going to think, Sweetheart, you should have stayed here for my sake. I know you were suffering abominably, but you really should have stayed here and suffered so that I wouldn’t feel terrible. Is that love? Do you really want her to live in the torture chamber of her own mind? When our suffering gets too intense, we can inquire, and if we don’t have inquiry, some of us just knock out our painful thoughts with a gun or pills or whatever it takes, but we have to shut this system down. And it’s hell to open your eyes in the morning when you have this painful thought system going.
Byron Katie (Question Your Thinking, Change the World: Quotations from Byron Katie)
On New Year's Eve, when the children had gone up the hill to be with their father, I went to a Mensa party in San Francisco, but returned home relatively early, wanting to face the first few hours of the new year away from the noise and lurching of people who had drunk too much. I stood outside on the deck, in darkness, looking up at the star-frosted sky, letting myself feel without censoring the ache and hope that belonged to that night, and I sent out prayer for connection with someone who would be --finally -- the person I'd needed to be with all my life, someone who would have gone through his own changes and wars of the spirit and emerged a true adult. A grown-up man. Who wouldn't mind my being a grandmother, for Pete's sake. A man somewhat like Shura Borodin -- or what Shura seemed to be. I cried a bit because the wanting was so very intense and the clear night sky so very indifferent, and everything I was in body and soul might yet grow old without a lover and friend who could be to me what I was capable of being to him. I toasted myself, hope, the new year and the magnificent cold stars with a bit of wine, then went to bed.
Ann Shulgin (Pihkal: A Chemical Love Story)
Arin glanced up as she approached. One tree shadowed the knoll, a laran tree, leaves broad and glossy. Their shadows dappled Arin’s face, made it a patchwork of sun and dark. It was hard to read his expression. She noticed for the first time the way he kept the scarred side of his face out of her line of sight. Or rather, what she noticed for the first time was how common this habit was for him in her presence--and what that meant. She stepped deliberately around him and sat so that he had to face her fully or shift into an awkward, neck-craned position. He faced her. His brow lifted, not so much in amusement as in his awareness of being studied and translated. “Just a habit,” he said, knowing what she’d seen. “You have that habit only with me.” He didn’t deny it. “Your scar doesn’t matter to me, Arin.” His expression turned sardonic and interior, as if he were listening to an unheard voice. She groped for the right words, worried that she’d get this wrong. She remembered mocking him in the music room of the imperial palace (I wonder what you believe could compel me to go to such epic lengths for your sake. Is it your charm? Your breeding? Not your looks, surely.). “It matters because it hurts you,” she said. “It doesn’t change how I see you. You’re beautiful. You always have been to me.” Even when she hadn’t realized it, even in the market nearly a year ago. Then later, when she understood his beauty. Again, when she saw his face torn, stitched, fevered. On the tundra, when his beauty terrified her. Now. Now, too. Her throat closed. The line of his jaw hardened. He didn’t believe her. “Arin--” “I’m sorry for what happened in the village.” She dropped her hand to her lap. She hadn’t been conscious of lifting it.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
Don’t you routinely push yourself into absurd plot twists? Aren’t you often lured into someone else’s drama? It’s hard to resist getting hooked. You believe the premise of their story, whatever it is, and sign on to the madness. It happens. Kids use their amazing imaginations for fun. For them, it’s great to be in an imagined world and to believe in it completely. In the company of other excited kids, they can take a thrilling ride. But staying too long in a fantasy is exhausting, even for a child. After an afternoon of pretending, children are relieved to be called home for supper and to collapse into a warm bed. We adults, too, need to be called home to ourselves. Young or old, no one wants to be locked in a tower forever, however magical it might have seemed at first. I’m asking you to notice where you put your faith, and make changes when you need to. Common sense says to put your faith in you. Don’t lie to yourself for the sake of an idyllic notion. It’s not enough to admit to the fantasy, you need to wake yourself up. See where a bad story is taking you, and alter your course. Say no to the drama. Win the war over fear. Protect yourself from your own abuses, no one can do it for you.
Miguel Ruiz (The Actor: How to Live an Authentic Life (Mystery School Series Book 1))
He then introduced a second, more delicate subject. Not only in villages, but also in towns, he had seen women cover their faces and their eyes as his party passed by. This habit, which caused particular discomfort in the heat of the summer, was, at least to some extent, the result of male selfishness, of scruples for purity. ‘But, friends, our women have minds too.’ So teach them morals and then stop being selfish. ‘Let them show their faces to the world, and see it with their eyes … Don’t be afraid. Change is essential, so much so that, if need be, we are prepared to sacrifice lives for its sake.
Andrew Mango (Atatürk: The Biography of the Founder of Modern Turkey)
Naomi Klein said recently we are going to have to choose between capitalism and climate change. Well, climate change is Mother Nature, or Goddess. The Great She is challenging us to do what's right for the most of us, for the sake of humanity and the planet. Climate change could be the deciding factor that uplifts humanity, creates more stable economies and more jobs and makes us live Her ideals of sharing, caring, peace, justice and equality. We have an incredible opportunity here to use climate change to take power away from the 1 percent and really take care of the needs of the 99 percent. It's really do or die.
Karen Tate
Many, Lorenzo, have held and still hold the opinion, that there is nothing which has less in common with another, and that is so dissimilar, as civilian life is from the military. Whence it is often observed, if anyone designs to avail himself of an enlistment in the army, that he soon changes, not only his clothes, but also his customs, his habits, his voice, and in the presence of any civilian custom, he goes to pieces; for I do not believe that any man can dress in civilian clothes who wants to be quick and ready for any violence; nor can that man have civilian customs and habits, who judges those customs to be effeminate and those habits not conducive to his actions; nor does it seem right to him to maintain his ordinary appearance and voice who, with his beard and cursing, wants to make other men afraid: which makes such an opinion in these times to be very true. But if they should consider the ancient institutions, they would not find matter more united, more in conformity, and which, of necessity, should be like to each other as much as these (civilian and military); for in all the arts that are established in a society for the sake of the common good of men, all those institutions created to (make people) live in fear of the laws and of God would be in vain, if their defense had not been provided for and which, if well arranged, will maintain not only these, but also those that are not well established. And so (on the contrary), good institutions without the help of the military are not much differently disordered than the habitation of a superb and regal palace, which, even though adorned with jewels and gold, if it is not roofed over will not have anything to protect it from the rain. And, if in any other institutions of a City and of a Republic every diligence is employed in keeping men loyal, peaceful, and full of the fear of God, it is doubled in the military; for in what man ought the country look for greater loyalty than in that man who has to promise to die for her? In whom ought there to be a greater love of peace, than in him who can only be injured by war? In whom ought there to be a greater fear of God than in him who, undergoing infinite dangers every day, has more need for His aid? If these necessities in forming the life of the soldier are well considered, they are found to be praised by those who gave the laws to the Commanders and by those who were put in charge of military training, and followed and imitated with all diligence by others.
Niccolò Machiavelli (The Art of War)
Do you know what ‘philosophical’ means, Ganapathi? It comes from the Greek words phileein, to love, and sophia, wisdom. A philosopher is a lover of wisdom, Ganapathi. Not of knowledge, which for all its great uses ultimately suffers from the crippling defect of ephemerality. All knowledge is transient, linked to the world around it and subject to change as the world changes. Whereas wisdom, true wisdom, is eternal, immutable. To be philosophical one must love wisdom for its own sake, accept its permanent validity and yet its perpetual irrelevance. It is the fate of the wise to understand the process of history and yet never to shape it.
Shashi Tharoor (The Great Indian Novel)
Attempting to resolve questions of interpretation by deferring to the intentions of the Framers of the Constitution leads to several practical and philosophical difficulties. First, the Fourteenth Amendment, for example, was not written by one person but was arrived at through a process of debate, politicking, and compromise. It may be that the various participants in that process had different intentions about what the amendment should mean and how it should be implemented; those intentions may even have been contradictory. Moreover, some would argue that even if the Constitution had one author with one coherent intention as to its meaning and future implementation, that intention could never be completely accessible to judges, or even historians, two centuries later. Finally, assuming for the sake of argument that the Constitutions; Framers did have a unitary, discoverable intention as to how it should be implemented in a particular case, it is not clear that that intention should necessarily govern constitutional interpretation in the late twentieth century, a profoundly different time and society from that of the Framers. The Constitution endures because it is a vehicle for the most central values of American society; but those values necessarily evolve as society changes.
Morton J. Horwitz
How To Make A Human Take the cat out of the sphinx and what is left? Riddle Me That. Take the horse from the centaur and you take away the sleek grace, the strength of harnessed power. What is left can still run across fields, after a fashion, but is easily winded; what is left will therefore erect buildings to divide the open plains so he no longer must face the wide expanse where once his equine legs raced the winds and, sometimes, won. Take the bull from the Minotaur but what is left will still assemble a herd for the sake of ruling over it. What is left will kill for sport, in an arena thronged with spectators shouting "Ole" at each deadly thrust. Take the fish from the Merman: What is left can still swim, if only with lots of splashing; gone is the sleek sliding through the waves, alert to the subtle changes in the current. What is left will build ships so he can cross the oceans without getting his feet wet, what is left won't care if his boats pollute the seas he can no longer breathe so long as their passage can keep him from sinking. Take the goat from the satyr but what is left will dance out of reach before you have the chance to get that Dionysian streak of myschief, the love of music and wine, the rutting parts that like to party all the day through. What is left will still be stubborn and refuse to give way; what is left will lock horns and butt heads with anyone who challenges him. Take the bird from the harpy, but the memory of flying, a constant yearning ache for skies so tantalizingly distant, will still remain, as will the established pecking orders, the bitter squabbling over food and territory, and the magpie eye that lusts for shining objects. What is left will cut down the whole forest to feather his sprawling urban nest. At the end of these operations, tell me: what is left? The answer: Man, a creature divorced from nature, who's forgotten where he came from.
Lawrence Schimel
New Rule: If you're going to have a rally where hundreds of thousands of people show up, you may as well go ahead and make it about something. With all due respect to my friends Jon Stewart and Stephen Colbert, it seems that if you truly wanted to come down on the side of restoring sanity and reason, you'd side with the sane and the reasonable--and not try to pretend the insanity is equally distributed in both parties. Keith Olbermann is right when he says he's not the equivalent of Glenn Beck. One reports facts; the other one is very close to playing with his poop. And the big mistake of modern media has been this notion of balance for balance's sake, that the left is just as violent and cruel as the right, that unions are just as powerful as corporations, that reverse racism is just as damaging as racism. There's a difference between a mad man and a madman. Now, getting more than two hundred thousand people to come to a liberal rally is a great achievement that gave me hope, and what I really loved about it was that it was twice the size of the Glenn Beck crowd on the Mall in August--although it weight the same. But the message of the rally as I heard it was that if the media would just top giving voice to the crazies on both sides, then maybe we could restore sanity. It was all nonpartisan, and urged cooperation with the moderates on the other side. Forgetting that Obama tried that, and found our there are no moderates on the other side. When Jon announced his rally, he said that the national conversation is "dominated" by people on the right who believe Obama's a socialist, and by people on the left who believe 9/11 was an inside job. But I can't name any Democratic leaders who think 9/11 was an inside job. But Republican leaders who think Obama's socialist? All of them. McCain, Boehner, Cantor, Palin...all of them. It's now official Republican dogma, like "Tax cuts pay for themselves" and "Gay men just haven't met the right woman." As another example of both sides using overheated rhetoric, Jon cited the right equating Obama with Hitler, and the left calling Bush a war criminal. Except thinking Obama is like Hitler is utterly unfounded--but thinking Bush is a war criminal? That's the opinion of Major General Anthony Taguba, who headed the Army's investigation into Abu Ghraib. Republicans keep staking out a position that is farther and farther right, and then demand Democrats meet them in the middle. Which now is not the middle anymore. That's the reason health-care reform is so watered down--it's Bob Dole's old plan from 1994. Same thing with cap and trade--it was the first President Bush's plan to deal with carbon emissions. Now the Republican plan for climate change is to claim it's a hoax. But it's not--I know because I've lived in L.A. since '83, and there's been a change in the city: I can see it now. All of us who live out here have had that experience: "Oh, look, there's a mountain there." Governments, led my liberal Democrats, passed laws that changed the air I breathe. For the better. I'm for them, and not the party that is plotting to abolish the EPA. I don't need to pretend both sides have a point here, and I don't care what left or right commentators say about it, I can only what climate scientists say about it. Two opposing sides don't necessarily have two compelling arguments. Martin Luther King Jr. spoke on that mall in the capital, and he didn't say, "Remember, folks, those southern sheriffs with the fire hoses and the German shepherds, they have a point, too." No, he said, "I have a dream. They have a nightmare. This isn't Team Edward and Team Jacob." Liberals, like the ones on that field, must stand up and be counted, and not pretend we're as mean or greedy or shortsighted or just plain batshit at them. And if that's too polarizing for you, and you still want to reach across the aisle and hold hands and sing with someone on the right, try church.
Bill Maher (The New New Rules: A Funny Look At How Everybody But Me Has Their Head Up Their Ass)
When you and I have to move forward and make important, life-changing decisions, how do we know what to choose? What’s right? What’s wrong? What’s true? Whom should we marry? What job should we take? Should we get involved in this or not? That’s when you and I need to claim God’s promise that he will lead and direct us as clearly as he did David. Notice that he leads us in the right path for “his name’s sake.” God is more committed to revealing his will to us than we are to following it. I assure you that if you will come to the place where you are honestly willing to do whatever God directs you to do, he will show you what to do 100 percent of the time (Ps. 32:8).
Chip Ingram (Finding God When You Need Him Most)
If you touch me,” he said in a guttural voice, “I’m going to drag you back to that bed. And I won’t be responsible for what happens next.” Win stopped, plaiting her fingers. Eventually Merripen recovered his breath. And he gave her a glance that should have immolated her on the spot. “Next time,” he said flatly, “some advance warning of your arrival might be a good idea.” “I did send advance notice.” Win was amazed that she could even speak. “It must have been lost.” She paused. “That was a f-far warmer welcome than I expected, considering the way you’ve ignored me for the past two years.” “I haven’t ignored you.” Win took quick refuge in sarcasm. “You wrote to me once in two years.” Merripen turned and rested his back against the wall. “You didn’t need letters from me.” “I needed any small sign of affection! And you gave me none.” She stared at him incredulously as he remained silent. “For heaven’s sake, Kev, aren’t you even going to say that you’re glad I’m well again?” “I’m glad you’re well again.” “Then why are you behaving this way?” “Because nothing else has changed.” “You’ve changed,” she shot back. “I don’t know you anymore.” “That’s as it should be.” “Kev,” she said in bewilderment, “why are you behaving this way? I went away to get well. Surely you can’t blame me for that.” “I blame you for nothing. But the devil knows what you could want from me now.
Lisa Kleypas (Seduce Me at Sunrise (The Hathaways, #2))
So let’s review: Choosing to be unoffendable means choosing to be humble. Not only that, the practice teaches humility. Once you’ve decided you can’t control other people; once you’ve reconciled yourself to the fact that the world, and its people, are broken; once you’ve realized your own moral failure before God; once you’ve abandoned the idea that your significance comes from anything other than God, you’re growing in humility, and that’s exactly where God wants us all. It’s contrary to seemingly everything in our culture, but the more we divest ourselves of ourselves, the better our lives get. Jesus told us as much. He said if we’d give up our lives, for His sake, we’d find real life.
Brant Hansen (Unoffendable: How Just One Change Can Make All of Life Better)
Love has many positionings. Cordelia makes good progress. She is sitting on my lap, her arm twines, soft and warm, round my neck; she leans upon my breast, light, without gravity; the soft contours scarcely touch me; like a flower her lovely figure twines about me, freely as a ribbon. Her eyes are hidden beneath her lashes, her bosom is dazzling white like snow, so smooth that my eye cannot rest, it would glance off if her bosom were not moving. What does this movement mean? Is it love? Perhaps. It is a presentiment of it, its dream. It still lacks energy. Her embrace is comprehensive, as the cloud enfolding the transfigured one, detached as a breeze, soft as the fondling of a flower; she kisses me unspecifically, as the sky kisses the sea, gently and quietly, as the dew kisses a flower, solemnly as the sea kisses the image of the moon. I would call her passion at this moment a naive passion. When the change has been made and I begin to draw back in earnest, she will call on everything she has to captivate me. She has no other means for this purpose than the erotic itself, except that this will now appear on a quite different scale. It then becomes a weapon in her hand which she wields against me. I then have the reflected passion. She fights for her own sake because she knows I possess the erotic; she fights for her own sake so as to overcome me. She herself is in need of a higher form of the erotic. What I taught her to suspect by arousing her, my coldness now teaches her to understand but in such a way that she thinks it is she herself who discovers it. So she wants to take me by surprise; she wants to believe that she has outstripped me in audacity, and that makes me her prisoner. Her passion then becomes specific, energetic, conclusive, dialectical; her kiss total, her embrace without hesitation.—In me she seeks her freedom and finds it the better the more firmly I encompass her. The engagement bursts. When that has happened she needs a little rest, so that nothing unseemly will emerge from this wild tumult. Her passion then composes itself once more and she is mine.” —from_Either/Or: A Fragment of Life_, (as written by his pseudonym Johannes the Seducer)
Søren Kierkegaard
They say that Ridley is a very visual director and he’s indifferent with actors. He’s obviously changed over the years, but I’ll never forget this one sequence. We had wind machines going full blast, we had unicorns, smoke effects, moonbeams coming down, we had all these pigeons dyed different colours, we had a bear eating honey, we had bees floating around, butterflies and sparrows, we had everything. We were in the studio from seven o’clock in the morning until two, without breaking for lunch, preparing this one shot. When Ridley had everything right he shouted, ‘Shoot, for Christ’s sake shoot!’ And old Bill Westley, the AD, turned around and said, ‘What about the max factors then guv?’ meaning the actors. And Ridley went, ‘Oh fuck. Quick, go and get them.’ And Bill rushed out and brought Tom Cruise and Mia Sara on and Ridley went, ‘Ah, OK Tom you sit over there and Mia you sit next to him and just talk among yourselves. OK. And action!
Vic Armstrong (The True Adventures of the World's Greatest Stuntman)
I agreed to the trial only for the sake of Rama, not for my own.' ‘Don’t I know that.' ‘But again … will my decision haunt me forever?’ ‘Till you take decisions for Rama’s sake and not yours, it will continue to pursue you, Sita. Look at yourself. You are enduring great pain. You think you are enduring it for the sake of someone else. You think that you have performed your duty for the sake of someone else. Your courage, your self-confidence … you have surrendered everything to others. What have you saved for yourself?’ ‘What is “I”, sister? Who am I?’ Ahalya smiled. ‘The greatest of sages and philosophers have spent their lifetimes in search of an answer to this question. You means you, nothing else. You are not just the wife of Rama. There is something more in you, something that is your own. No one counsels women to find out what that something more is. If men’s pride is in wealth, or valour, or education, or caste–sect, for women it lies in fidelity, motherhood. No one advises women to transcend that pride. Most often, women don’t realize that they are part of the wider world. They limit themselves to an individual, to a household, to a family’s honour. Conquering the ego becomes the goal of spirituality for men. For women, to nourish that ego and to burn themselves to ashes in it becomes the goal. Sita, try to understand who you are, what the goal of your life is. It is not easy at all. But don’t give up. You will discover the truth in the end. You have that ability. You have saved Sri Ramachandra, can’t you save yourself? Don’t grieve over what has already happened. It is all for your own good, and is part of the process of self-realization. Be happy. Observe nature and the evolution of life. Notice the continual changes in them. The forest doesn’t comprise ashrams alone. There are also people of many races in it. Observe their lives. You belong to this whole world, not just to Rama.
Volga (The Liberation of Sita)
O Petronius, thou hast seen what endurance and comfort that religion gives in misfortune, how much patience and courage before death; so come and see how much happiness it gives in ordinary, common days of life. People thus far did not know a God whom man could love, hence they did not love one another; and from that came their misfortune, for as light comes from the sun, so does happiness come from love....Thou didst say to me that our teaching was an enemy of life; and I answer thee now, that, if from the beginning of this letter I had been repeating only the three words, ‘I am happy!’ I could not have expressed my happiness to thee. To this thou wilt answer, that my happiness is Lygia. True, my friend. Because I love her immortal soul, and because we both love each other in Christ; for such love there is no separation, no deceit, no change, no old age, no death. For, when youth and beauty pass, when our bodies wither and death comes, love will remain, for the spirit remains. Before my eyes were open to the light I was ready to burn my own house even, for Lygia’s sake; but now I tell thee that I did not love her, for it was Christ who first taught me to love. In Him is the source of peace and happiness. It is not I who say this, but reality itself. Compare thy own luxury, my friend, lined with alarm, thy delights, not sure of a morrow, thy orgies, with the lives of Christians, and thou wilt find a ready answer. But, to compare better, come to our mountains with the odor of thyme, to our shady olive groves on our shores lined with ivy. A peace is waiting for thee, such as thou hast not known for a long time, and hearts that love thee sincerely. Thou, having a noble soul and a good one, shouldst be happy. Thy quick mind can recognize the truth, and knowing it thou wilt love it. To be its enemy, like Cæsar and Tigellinus, is possible, but indifferent to it no one can be. O my Petronius, Lygia and I are comforting ourselves with the hope of seeing thee soon. Be well, be happy, and come to us.
Henryk Sienkiewicz (Quo Vadis (French Edition))
In living things, nature springs an ontological surprise in which the world-accident of terrestrial conditions brings to light an entirely new possibility of being: systems of matter that are unities of a manifold, not in virtue of a synthesizing perception whose object they happen to be, nor by the mere concurrence of the forces that bind their parts together, but in virtue of themselves, for the sake of themselves, and continually sustained by themselves. Here wholeness is self-integrating in active performance, and form for once is the cause rather than the result of the material collections in which it successively subsists. Unity here is self-unifying, by means of changing multiplicity. Sameness, while it last, (and it does not last inertially, in the manner of static identity or of on-moving continuity), is perpetual self-renewal through process, borne on the shift of otherness. This active self-integration of life alone gives substance to the term “individual”: it alone yields the ontological concept of an individual as against a merely phenomenological one. The ontological individual, its very existence at any moment, its duration and its identity in duration is, then, essentially its own function, its own concern, its own continuous achievement. In this process of self-sustained being, the relation of the organism to its own concern, its own continuous achievement. In this process of self-sustained being, the relation of the organism to its material substance is of a double nature: the materials are essential to its specifically, accidental individually; it coincides with their actual collection at the instant, but is not bound to any one collection in the succession of instants, “riding” their change like the crest of a wave and bound only to their form of collection which endures as its own feat. Dependent on their availability as materials, its is independent of their sameness as these; its own, functional identity, passingly incorporating theirs, is of a different order. In a word, the organic form stands in a dialectical relation of needful freedom to matter.
Hans Jonas (The Phenomenon of Life)
A hundred bucks,cuz.And judging by that spectacular toss over the rail, I'd say you earned it." Wyatt tucked the money into his pocket. "It was pretty spectacular, wasn't it? And it worked. It got the attention of our pretty little medic." Jesse,Amy,and Zane stopped dead in their tracks. Amy laughed. "You did all that to get Lee's attention?" "Nothing else I've tried has worked. I was desperate." Jesse shook his head in disbelief. "Did you ever think about just buying her a beer at the Fortune Saloon? I'd think that would be a whole lot simpler than risking broken bones leaping off a bull." "But not nearly as memorable.The next time she sees me at the saloon, she'll know my name." Zane threw back his head and roared. "So will every shrink from here to Helena. You have to be certifiably nuts to do all that just for the sake of a pretty face." "Hey." Wyatt slapped his cousin on the back. "Whatever works.'" Zane pulled out a roll of bills. "Ten says she's already written you off as someone to avoid at all costs." Wyatt's smile brightened. "Chump change. If you want to bet me, make it a hundred." "You got it." Zane pulled a hundred from the roll and handed it to Jesse. "Now match it, cuz. I was going to bet that you can't persuade Marilee Trainor to even speak to you again. But just to make things interesting, I'm betting that you can't get her to have dinner with you tonight." "Dinner? Tonight? Now you're pushing the limits,cuz. She's already refused me." "Put up or shut up." Wyatt arched a brow. "You want me to kiss and tell?" "I don't say anything about kissing. I don't care what you do,after you get her to have dinner with you.That's the bet. So if you're ready to admit defeat, just give me the hundred now." "Uh-oh." Wyatt stopped dead in his tracks. "Is that a dare?" Amy stood between them,shaking her head. "You sound like two little kids." Wyatt shot her a wicked grin. "Didn't you know that all men are just boys at heart?" He reached into his pocket and handed Zane a bill before he strolled away. Over his shoulder he called, "I'll catch you back at the ranch. You can pay me then." He left his cousins laughing and shaking their heads.
R.C. Ryan (Montana Destiny (McCords, 2))
Outside," Regulus replies. "They're making mud-pies, so prepare for the mess." "Mm, nothing we can't handle," James assures him. "We've certainly had worse." "Yes, that's true, but if either of those brats track mud into the kitchen, I'm shipping them off to Sirius and Remus without looking back," Regulus warns, eyes narrowing playfully. James snorts. "You'd miss them and go get them back after three hours, don't even try it." "At least four," Regulus counters, sliding his arms around James' shoulders, eyes sparkling with amusement. "I can entertain myself for four hours, surely." "Oh?" James raises his eyebrows. "Don't you mean I could entertain you for four hours?" Regulus' lips twitch. "No, because I'm shipping you off with them. I've earned the break. I'm done with you Potters." "You're a Potter," James reminds him, amused. "Baby, I'll always be a Black," Regulus tells him, reaching up to card his fingers through James' hair. He leans in and starts mouthing along James' jaw, which James is very pleased about, actually. "No matter my name, that doesn't change." "Dad! Dad, look, we found a frog!" comes the abrupt shriek from outside, along with more delighted screams. "Oh, for fuck's sake," Regulus groans, letting his head thunk down on James' shoulder. "Really, can't we just send them back from whence they came?" "And where is that?" "Hell." James laughs, turning his head to smack a kiss to Regulus' cheek, then down the side of his face, then the scar on the side of his neck. "It's a bit pointless to do that. You'd go through hell just to get them back, and you know it." "Dad, it peed on me!" "Shit, shit, shit," Regulus chants, jolting away from James to rush towards the door. "Put it down, you little demons! Step away from the frog right now!" He's still grumbling as he slips out the door. "Just like your father. Literal spawns of Satan himself. What did I say about staying out of tr…" James sighs softly and leans back against the bar, grabbing his cane again, eyes drifting shut as he listens to the sounds of his family, lips curled up. Then, from his pocket, there's a sudden cry that makes his eyes snap open. Ah, yes, the joys of parenthood. Frogs and squalling infants. James wouldn't change a damn thing.
Zeppazariel (Crimson Rivers)
Orlando had become a woman--there is no denying it. But in every other respect, Orlando remained precisely as he had been. The change of sex, though it altered their future, did nothing whatever to alter their identity. Their faces remained, as their portraits prove, practically the same. His memory--but in future we must, for convention's sake, say 'her' for 'his,' and 'she' for 'he'--her memory then, went back through all the events of her past life without encountering any obstacle. Some slight haziness there may have been, as if a few dark drops had fallen into the clear pool of memory; certain things had become a little dimmed; but that was all. The change seemed to have been accomplished painlessly and completely and in such a way that Orlando herself showed no surprise at it. Many people, taking this into account, and holding that such a change of sex is against nature, have been at great pains to prove (1) that Orlando had always been a woman, (2) that Orlando is at this moment a man. Let biologists and psychologists determine. It is enough for us to state the simple fact; Orlando was a man till the age of thirty; when he became a woman and has remained so ever since.
Virginia Woolf (Orlando)
Orlando had become a woman--there is no denying it. But in every other respect, Orlando remained precisely as he had been. The change of sex, though it altered their future, did nothing whatever to alter their identity. Their faces remained, as their portraits prove, practically the same. His memory--but in future we must, for convention's sake, say 'her' for 'his,' and 'she' for 'he'--her memory then, went back through all the events of her past life without encountering any obstacle. Some slight haziness there may have been, as if a few dark drops had fallen into the clear pool of memory; certain things had become a little dimmed; but that was all. The change seemed to have been accomplished painlessly and completely and in such a way that Orlando herself showed no surprise at it. Many people, taking this into account, and holding that such a change of sex is against nature, have been at great pains to prove (1) that Orlando had always been a woman, (2) that Orlando is at this moment a man. Let biologists and psychologists determine. It is enough for us to state the simple fact; Orlando was a man till the age of thirty; when he became a woman and has remained so ever since.
Virginia Woolf (Orlando)
Americans knew only too well that republics were very delicate polities that required a special kind of society—a society of equal and virtuous citizens. By throwing off monarchy and becoming republics, declared South Carolina physician and historian David Ramsay, Americans had “changed from subjects to citizens,” and “the difference is immense.” “Subjects,” he said, “look up to a master, but citizens are so far equal, that none have hereditary rights superior to others.”3 Republics demanded far more morally from their citizens than monarchies did of their subjects. In monarchies each man’s desire to do what was right in his own eyes could be restrained by fear or force, by patronage or honor, and by professional standing armies. By contrast, republics had to hold themselves together from the bottom up, ultimately, from their citizens’ willingness to take up arms to defend their country and to sacrifice their private desires for the sake of the public good—from their “disinterestedness,” which was a popular synonym for virtue. This reliance on the moral virtue of their citizens, on their capacity for self-sacrifice and impartiality of judgment, was what made republican governments historically so fragile.
Gordon S. Wood (Empire of Liberty: A History of the Early Republic, 1789-1815)
In the end, Buchanan was one of the paleocons to back Trump and many of those who formerly loathed most of what Yiannopoulos and what he represented decided to change their minds and back the winning horse, not only of Trump, but also of the new libertines of the online irreverent ‘punk’ right. Having lost Buchannan’s conservative culture war, they were perhaps strategically right to calculate that the only way they can ever have at least some of their ideas heard again would be to back a groping, lecherous, godless presidential candidate and a libertine figure such as Yiannopoulos and his army of online racist, foul-mouthed, porn-loving nihilists, who in many ways represent everything people like Buchannan are supposed to stand against. The rise of Milo, Trump and the alt-right are not evidence of the return of the conservatism, but instead of the absolute hegemony of the culture of non-conformism, self-expression, transgression and irreverence for its own sake – an aesthetic that suits those who believe in nothing but the liberation of the individual and the id, whether they’re on the left or the right. The principle-free idea of counterculture did not go away; it has just become the style of the new right.
Angela Nagle
Well, I hate it. Boy, do I hate it,” I said. “But it isn’t just that. It’s everything. I hate living in New York and all. Taxicabs, and Madison Avenue buses, with the drivers and all always yelling at you to get out at the rear door, and being introduced to phony guys that call the Lunts angels, and going up and down in elevators when you just want to go outside, and guys fitting your pants all the time at Brooks, and people always—” “Don’t shout, please,” old Sally said. Which was very funny, because I wasn’t even shouting. “Take cars,” I said. I said it in this very quiet voice. “Take most people, they’re crazy about cars. They worry if they get a little scratch on them, and they’re always talking about how many miles they get to a gallon, and if they get a brand-new car already they start thinking about trading it in for one that’s even newer. I don’t even like old cars. I mean they don’t even interest me. I’d rather have a goddam horse. A horse is at least human, for God’s sake. A horse you can at least—” “I don’t know what you’re even talking about,” old Sally said. “You jump from one—” “You know something?” I said. “You’re probably the only reason I’m in New York right now, or anywhere. If you weren’t around, I’d probably be someplace way the hell off. In the woods or some goddam place. You’re the only reason I’m around, practically.” “You’re sweet,” she said. But you could tell she wanted me to change the damn subject. “You ought to go to a boys’ school sometime. Try it sometime,” I said. “It’s full of phonies, and all you do is study so that you can learn enough to be smart enough to be able to buy a goddam Cadillac some day, and you have to keep making believe you give a damn if the football team loses, and all you do is talk about girls and liquor and sex all day, and everybody sticks together in these dirty little goddam cliques. The guys that are on the basketball team stick together, the Catholics stick together, the goddam intellectuals stick together, the guys that play bridge stick together. Even the guys that belong to the goddam Book-of-the-Month Club stick together. If you try to have a little intelligent—” “Now, listen,” old Sally said. “Lots of boys get more out of school than that.” “I agree! I agree they do, some of them! But that’s all I get out of it. See? That’s my point. That’s exactly my goddam point,” I said. “I don’t get hardly anything out of anything. I’m in bad shape. I’m in lousy shape.” “You certainly are.
J.D. Salinger (The Catcher in the Rye)
In Being and Event and elsewhere throughout his philosophy, Alain Badiou grants love an evental status, locating it among what he calls the four truth procedures. This inclusion of love seems anomalous. In comparison with the other three truth procedures, love doesn’t fit in. When one reads Being and Event for the first time, one can’t help but feel that the conception of the love event represents a philosophical misstep on Badiou’s part, a case where he allowed his own private emotions to have an undue impact on his philosophy. Though Badiou may like the feeling of being in love, this hardly justifies its status as a truth procedure. Unlike politics, art, and science, love seems to be an isolated phenomenon. A love event—the relationship of Jill and Dave, for instance—doesn’t have the same world-historical impact as the French Revolution or the invention of twelve-tone music (examples of the political and artistic event from Badiou). Even a love event that garners great attention, like the affair between Héloïse d’Argenteuil and Peter Abélard, fails to produces the type of substantive changes accomplished by the storming of the Bastille. But Badiou classifies love alongside the other truth procedures for its disruptiveness of everyday life and—which is in some sense to say the same thing—for its ability to arouse the subject’s passion. Love may be an anomalous truth procedure, but perhaps this is because it is the paradigmatic truth procedure. Love’s disruption of our everyday life is much more palpable than that of politics, art, or science. The subject in love feels as if it can’t exist without the beloved, while even Galileo himself didn’t feel this strongly about the scientific event in which he participated. It is much easier to imagine subjects dying for the sake of love than for the sake of the twelve-tone system of modern music. This is because love has a disruptiveness that transcends the other truth procedures. The cynical approach to love fails to register this disruptiveness. According to Badiou, the cynic contends that “love is only a variant of generalized hedonism,” and this cynicism enables one to avoid “every profound and authentic experience of otherness from which love is woven.” Dismissing the reality of love—seeing it as just a capitalist plot—is a way of avoiding the transformation that it demands, but it also leaves one’s existence bereft of significance. The passion that love arouses impels subjects to continue to go on.
Todd McGowan (Capitalism and Desire: The Psychic Cost of Free Markets)
His baseline attitude toward humans was that they could all just go fuck themselves and that he was not going to expend any effort whatsoever getting them to change the way they thought. This was probably rooted in the belief that had been inculcated to him from the get-go: that there was an objective reality, which all people worth talking to could observe and understand, and there was no point in arguing about anything that would be so observed and so understood. As long as you made a point of hanging out exclusively with people who had the wit to see and understand that objective reality, you didn't have to waste a lot of time talking. When a thunderstorm was headed your way across the prairie, you took the washing down from the line and closed the windows. It wasn't necessary to have a meeting about it. The sales force didn't need to get involved... ...It was time, in other words, to call out the sales force, take Jones to lunch, begin gardening personal contacts, shape his perception of the competitive landscape. Forge a partnership. Exactly the kind of work from which Richard had always found some way to excuse himself, even when large amounts of money were at stake. Yet now his life was at stake, and no one was around to help him, and he still wasn't doing it. He simply couldn't get past his conviction that Jones could go fuck himself and that he wasn't going to angle and scheme and maneuver for Jones' sake.
Neal Stephenson (Reamde)
You’re the one who didn’t keep his word. And speaking of your word and its dubious worth, don’t change the subject. I saw the looks you and Miss Turner were exchanging. The lady goes bright pink every time you speak to her. For God’s sake, you put food on her plate without even asking.” “And where’s the crime in that?” Gray was genuinely curious to hear the answer. He hadn’t forgotten that shocked look she’d given him. “Come on, Gray. You know very well one doesn’t take such a liberty with a mere acquaintance. It’s…it’s intimate. The two of you are intimate. Don’t deny it.” “I do deny it. It isn’t true.” Gray took another swig from his flask and wiped his mouth with the back of his hand. “Damn it, Joss. Sooner or later, you’re going to have to trust me. I gave you my word. I’ve kept it.” And it was the truth, Gray told himself. Yes, he’d touched her tonight, but he’d never pledged not to touch her. He had kept his word. He hadn’t bedded her. He hadn’t kissed her. God, what he wouldn’t give just to kiss her… He rubbed the heel of his hand against his chest. That same ache lingered there-the same sharp tug he’d felt when she’d brought her foot down on his and pursed her lips into a silent plea. Please, she’d said. Don’t. As if she appealed to his conscience. His conscience. Where would the girl have gathered such a notion, that he possessed a conscience? Certainly not form his treatment of her. A bitter laugh rumbled through his chest, and Joss shot him a skeptical look. “Believe me, I’ve scarcely spoken to the girl in weeks. You can’t know the lengths I’ve gone to, avoiding her. And it isn’t easy, because she won’t stay put in her cabin, now will she? No, she has to go all over the ship, flirting with the crew, tacking her little pictures in every corner of the boat, taking tea in the galley with Gabriel. I can’t help but see her. And I can see she’s too damn thin. She needs to eat; I put food on her plate. There’s nothing more to it than that.” Joss said nothing, just stared at him as though he’d grown a second head. “Damn it, what now? Don’t you believe me?” “I believe what you’re saying,” his brother said slowly. “I just can’t believe what I’m hearing.” Gray folded his arms and leaned against the wall. “And what are you hearing?” “I wondered why you’d done all this…the dinner. Now I know.” “You know what?” Gray was growing exasperated. Most of all, because he didn’t know. “You care for this girl.” Joss cocked his head. “You care for her. Don’t you?” “Care for her.” Joss’s expression was smug. “Don’t you?” The idea was too preposterous to entertain, but Gray perked with inspiration. “Say I did care for her. Would you release me from that promise? If my answer is yes, can I pursue her?” Joss shook his head. “If the answer is yes, you can-and should-wait one more week. It’s not as though she’ll vanish the moment we make harbor. If the answer is yes, you’ll agree she deserves that much.” Wrong, Gray thought, sinking back into a chair.
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
A bomb here and a bullet there A bomb here and a bullet there, A wall riddled with bullets everywhere, A man dead, a woman crying, A young child crying and for nobody’s sake dying, A building collapsing somewhere, Homes on fire everywhere, A soldier scanning for enemies, A civilian seeking innocence in these wary faces who too are born of fairies, A state of emergency declared in the war torn regions, It is a crisis of all sorts, for humans, for every life form, and for my once familiar flock of pigeons, Feelings of nothingness and nowhere appear to dominate, Because that is what happens to mind when you have nothing to share but only hate, A bullet to kill someone you don't even know, A bomb to destroy a home that for someone is all he/she could ever know, All gone, all lost, all turned to ash, And from the sky a plane falls, it appears to be a fateful crash, Where someone will die soon, And it will be missed by many, and ah the pain of the moon, To not find him anywhere not even in the sky, For when you crash in wars you do not die, A part of you lies on Earth and a part of you hangs somewhere in the Sky, Confusing the angel of death whether to claim the remains that lie on the Earth or the hopes that died in the Sky, Wars do not end when bullets are not fired and bombs do not fall anymore, Because those who lose their hopes to wars are in a state of war forever and its immortal pain is what their hearts cannot ignore, For a few it is just about a bomb here and a bullet there, Unable to see injured memories and dying hopes everywhere!
Javid Ahmad Tak (They Loved in 2075!)
But among the elect, martyrdom is always a possibility; and to be an artist is not altogether a choice - the God of Art picks you, not the other way around. Therefore the artistic vocation has an aura of tragedy and doom about it. 'We poets in our youth begin in gladness,' said Wordsworth, 'But thereof comes in the end despondency and madness.' Consider Franz Kafka's story, 'A Fasting-Artist.' The fasting-artist is an artist dedicated completely to his art. This art is grotesque: the artist stays in a cage and starves himself— much like a self-mortifying Christian ascetic of old — and at first he is very popular: crowds flock to marvel at him. Then fashions change - the art-for-art's sake fashion was by Kafka's time falling out of widespread favour — and the fasting-artist ends up in a neglected corner of a circus menagerie, and people forget he's in the cage. Finally they poke around in the rotten straw and rediscover him, more dead than alive. Here's what happens next: 'I always wanted you to admire my fasting,' said the fasting-artist. 'And we do admire it,' said the overseer obligingly. 'But you shouldn't admire it,' the fasting-artist said. 'All right, we don't admire it then,' said the overseer, 'but why shouldn't we admire it?' 'Because I have to fast, I can't help it,' said the fasting-artist. 'Whatever next,' said the overseer. 'And why can't you help it?' 'Because,' said the fasting-artist... 'I could never find the nourishment I liked. Had I found it, believe me, I would never have caused any stir, and would have eaten my fill just like you and everyone else.' Those were his last words.. .
Margaret Atwood (Negotiating with the Dead: A Writer on Writing)
The reason for which a work of genius is not easily admired from the first is that the man who has created it is extraordinary, that few other men resemble him. It was Beethoven’s Quartets themselves (the Twelfth, Thirteenth, Fourteenth and Fifteenth) that devoted half a century to forming, fashioning and enlarging a public for Beethoven’s Quartets, marking in this way, like every great work of art, an advance if not in artistic merit at least in intellectual society, largely composed to-day of what was not to be found when the work first appeared, that is to say of persons capable of enjoying it. What artists call posterity is the posterity of the work of art. It is essential that the work (leaving out of account, for brevity’s sake, the contingency that several men of genius may at the same time be working along parallel lines to create a more instructed public in the future, a public from which other men of genius shall reap the benefit) shall create its own posterity. For if the work were held in reserve, were revealed only to posterity, that audience, for that particular work, would be not posterity but a group of contemporaries who were merely living half-a-century later in time. And so it is essential that the artist (and this is what Vinteuil had done), if he wishes his work to be free to follow its own course, shall launch it, wherever he may find sufficient depth, confidently outward bound towards the future. And yet this interval of time, the true perspective in which to behold a work of art, if leaving it out of account is the mistake made by bad judges, taking it into account is at times a dangerous precaution of the good. No doubt one can easily imagine, by an illusion similar to that which makes everything on the horizon appear equidistant, that all the revolutions which have hitherto occurred in painting or in music did at least shew respect for certain rules, whereas that which immediately confronts us, be it impressionism, a striving after discord, an exclusive use of the Chinese scale, cubism, futurism or what you will, differs outrageously from all that have occurred before. Simply because those that have occurred before we are apt to regard as a whole, forgetting that a long process of assimilation has melted them into a continuous substance, varied of course but, taking it as a whole, homogeneous, in which Hugo blends with Molière. Let us try to imagine the shocking incoherence that we should find, if we did not take into account the future, and the changes that it must bring about, in a horoscope of our own riper years, drawn and presented to us in our youth. Only horoscopes are not always accurate, and the necessity, when judging a work of art, of including the temporal factor in the sum total of its beauty introduces, to our way of thinking, something as hazardous, and consequently as barren of interest, as every prophecy the non-fulfillment of which will not at all imply any inadequacy on the prophet’s part, for the power to summon possibilities into existence or to exclude them from it is not necessarily within the competence of genius; one may have had genius and yet not have believed in the future of railways or of flight, or, although a brilliant psychologist, in the infidelity of a mistress or of a friend whose treachery persons far less gifted would have foreseen.
Marcel Proust (In the Shadow of Young Girls in Flower)
Cinderella barely recognized her own voice. She sounded strong, firm- nothing like the girl she'd once been. "Stepmother. Anastasia. Drizella." They halted in their step, turning slowly to face her. Cinderella caught her breath, not at all surprised by Lady Tremaine's upturned nose and lifted chin. She used to fear that expression, used to fear displeasing her stepmother. She no longer had that fear. The crowds had gone silent, but even if they hadn't, Cinderella wouldn't have noticed the dozens of onlookers in the chamber. A strange sense of calm had flooded her; the words she was about to say were ones she'd never dared before, but she'd dreamed of them for years. No longer would they be fantasy. "I wish we could have been a family," she said, her voice strong yet quiet. "Ever since my father married you, it's what I wished for most. Instead, you neglected me, you made me serve you, and then you tried to sell me." She paused. "But I'm not angry with you." Now she had Lady Tremaine's attention. "I thought I would be," Cinderella admitted. "I was. But then I realized that it would only make me unhappy. And after being unhappy in your house for so long, I would never choose to feel that way again. I've accepted we aren't a family, and that we never will be. I've also accepted that I cannot forget those years that you were cruel to me." The height of Lady Tremaine's chin wilted ever so slightly. She wouldn't look at Cinderella, but her stepsisters lowered their eyes, shame tingeing their cheeks. "I forgive you, Stepmother, Anastasia, Drizella. I am not angry with you; if anything, I pity you. You can't know happiness if your life is built around resentment. For your sakes, I hope your hearts change.
Elizabeth Lim (So This is Love)
Honestly, sir,” I said, “I don’t see why you’re making such a fuss.” We had excused ourselves to speak privately for a moment, leaving poor Charlie politely rocking on his heels in the foyer. The office was warm and smelled of sage and witch hazel, and the desk was littered with bits of twine and herbs where Jackaby had been preparing fresh wards. Douglas had burrowed into a nest of old receipts on the bookshelf behind us and was sound asleep with his bill tucked back into his wing. I had given up trying to get him to stop napping on the paperwork. “You’re the one who told me that I shouldn’t have to choose between profession and romance,” I said. “I’m not the one making a fuss. I don’t care the least bit about your little foray into . . . romance.” Jackaby pushed the word out of his mouth as though it had been reluctantly clinging to the back of his throat. “If anything, I am concerned that you are choosing to make precisely the choice that I told you you should not make!” “What? Wait a moment. Are you . . . jealous?” “Don’t be asinine! I am not jealous! I am merely . . . protective. And perhaps troubled by your lack of fidelity to your position.” “That is literally the definition of jealous, sir. Oh, for goodness’ sake. I’m not choosing Charlie over you! I’m not going to suddenly stop being your assistant just because I spend time working on another case!” “You might!” he blurted out. He sank down into the chair at his desk. “You just might.” “Why are you acting like this?” He pinched the bridge of his nose. “Because things change. Because people change. Because . . . because Charlie Barker is going to propose,” he said. He let his hand drop and looked me in the eyes. “Marriage,” he added. “To you.” I blinked. “I miss a social cue or two from time to time, but even I’m not thick enough to believe all that was about analyzing bloodstains together. He has the ring. It’s in his breast pocket right now. He’s attached an absurd level of emotional investment to the thing—I’m surprised it hasn’t burned a hole right through the front of his jacket, the way its aura is glowing. He’s nervous about it. He’s going to propose. Soon, I would guess.” I blinked. The air in front of me wavered like a mirage, and in another moment Jenny had rematerialized. “And if he does,” she said softly, “it will be Abigail’s decision to face, not yours. There are worse fates than to receive a proposal from a handsome young suitor.” She added, turning to me with a grin, “Charlie is a good man.” “Yes, fine! But she has such prodigious potential!” Jackaby lamented. “Having feelings is one thing—I can grudgingly tolerate feelings—but actually getting married? The next thing you know they’ll be wanting to do something rash, like live together ! Miss Rook, you have started something here that I am loath to see you leave unfinished. You’ve started becoming someone here whom I truly want to meet when she is done. Choosing to leave everything you have here to go be a good man’s wife would be such a wretched waste of that promise.” He faltered, looking to Jenny, and then to the floorboards. “On the other hand, you should never have chosen to work for me in the first place. It remains one of your most ill-conceived and reckless decisions to date—and that is saying something, because you also chose to blow up a dragon once.” He sighed. “Jenny is right. You could make a real life with that young man, and you shouldn’t throw that away just to hang about with a fractious bastard and a belligerent duck.” He sagged until his forehead was resting on his desk.
William Ritter (The Dire King (Jackaby, #4))
Sophie thinks you were offering her a less than honorable proposition before we came to collect her, and modified your proposal only when her station became apparent.” Windham took a casual sip of his drink while Vim’s brain fumbled for a coherent thought. “She thinks what ?” “She thinks you offered to set her up as your mistress and changed your tune, so to speak, when it became apparent you were both titled. I know she is in error in this regard.” Vim cocked his head. “How could you know such a thing?” “Because if you propositioned my sister with such an arrangement, it’s your skull I’d be using that splitting ax on.” “If Sophie thinks this, then she is mistaken.” Windham remained silent, reinforcing Vim’s sense the man was shrewd in the extreme. “You will please disabuse her of her error.” Windham shook his head slowly, right to left, left to right. “It isn’t my error, and it isn’t Sophie’s error. She’s nothing if not bright, and you were probably nothing if not cautious in offering your suit. The situation calls for derring-do, old sport. Bended knee, flowers, tremolo in the strings, that sort of thing.” He gestured as if stroking a bow over a violin, a lyrical, dramatic rendering that ought to have looked foolish but was instead casually beautiful. “Tremolo in the strings?” “To match the trembling of her heart. A fellow learns to listen for these things.” Windham set his mug down with a thump and speared Vim with a look. “I’m off to do battle with the treble register. Wish me luck, because failure on my part will be apparent every Sunday between now and Judgment Day.” “Windham, for God’s sake, you don’t just accuse a man of such a miscalculation and then saunter off to twist piano wires.” Much less make references to failure being eternally apparent. “Rather thought I was twisting your heart strings. Must be losing my touch.” Vim
Grace Burrowes (Lady Sophie's Christmas Wish (The Duke's Daughters, #1; Windham, #4))
A just society would be one in which liberty for one person is constrained only by the demands created by equal liberty for another. Such a society requires as a precondition an agreement excluding tools that by their very nature prevent such liberty. This is true for tools that are fundamentally purely social arrangements, such as the school system, as well as for tools that are physical machines. In a convivial society compulsory and open-ended schooling would have to be excluded for the sake of justice. Age-specific, compulsory competition on an unending ladder for lifelong privileges cannot increase equality but must favor those who start earlier, or who are healthier, or who are better equipped outside the classroom. Inevitably, it organizes society into many layers of failure, with each layer inhabited by dropouts schooled to believe that those who have consumed more education deserve more privilege because they are more valuable assets to society as a whole. A society constructed so that education by means of schools is a necessity for its functioning cannot be a just society. Power tools having certain Tools for Conviviality Page 18 Document developed using Purplestructural characteristics are inevitably manipulative and must also be eliminated for the sake of justice. In a modern society, energy inputs represent one of the major new liberties. Each man's ability to produce change depends on his ability to control low-entropy energy. On this control of energy depends his right to give his meaning to the physical environment. His ability to act toward the future lie chooses depends on his control of the energy that gives shape to that future. Equal freedom in a society that uses large amounts of environmental energy means equal control over the transformation of that energy and not just an equal claim to what has been done with it. 5
Ivan Illich (Tools for Conviviality)
The notion that property is the means to all other means was ruled out by the new radicals. The deep seated ressentiment towards private property, indeed towards anything private, blocked the conclusion that follows from any impartial examination of wealth-producing and freedom-favouring mechanisms: an effective world improvement would call for the most general possible propertization. Instead, the political metanoeticians enthused over general dispossession, akin to the founders of Christian orders who wanted to own everything communally and nothing individually. The most important insight into the dynamics of economic modernization remained inaccessible to them: money created by lending on property is the universal means of world improvement. They are all the blinder to the fact that for the meantime, only the modern tax state, the anonymous hyper-billionaire, can act as a general world-improver, naturally in alliance with the local meliorists - not only because of its traditional school power, but most of all thanks to its redistributive power, which took on unbelievable proportions in the course of the twentieth century. The current tax state, for its part, can only survive as long as it is based on a property economy whose actors put up no resistance when half of their total product is taken away, year after year, by the very visible hand of the national treasury for the sake of communal tasks. What the un-calm understands least of all is the simple fact that when government expenditures constitute almost 50 per cent of the gross national product, this fulfills the requirements of actually existing liberal-fiscal semi-socialism, regardless of what label is used to describe this situation - whether people call it the New Deal, 'social market economy' or 'neoliberalism'. What the system lacks for total perfection is a homogeneous worldwide tax sphere and the long-overdue propertization of the impoverished world.
Peter Sloterdijk (You Must Change Your Life)
First, it is the duty of black men to judge the South discriminatingly. The present generation of Southerners are not responsible for the past, and they should not be blindly hated or blamed for it. Furthermore, to no class is the indiscriminate endorsement of the recent course of the South toward Negroes more nauseating than to the best thought of the South. The South is not “solid’; it is a land in the ferment of social change, wherein forces of all kinds are fighting for supremacy; and to praise the ill the South is today perpetrating is just as wrong as to condemn the good. Discriminating and broad-minded criticism is what the South needs,—needs it for the sake of her own white sons and daughters, and for the insurance of robust, healthy mental and moral development. Today even the attitude of the Southern whites toward the blacks is not, as so many assume, in all cases the same; the ignorant Southerner hates the Negro, the workingmen fear his competition, the money-makers wish to use him as a laborer, some of the educated see a menace in his upward development, while others—usually the sons of the masters—wish to help him to rise. National opinion has enabled this last class to maintain the Negro common schools, and to protect the Negro partially in property, life, and limb. Through the pressure of the money-makers, the Negro is in danger of being reduced to semi-slavery, especially in the country districts; the workingmen, and those of the educated who fear the Negro, have united to disfranchise him, and some have urged his deportation; while the passions of the ignorant are easily aroused to lynch and abuse any black man. To praise this intricate whirl of thought and prejudice is nonsense; to inveigh indiscriminately against “the South” is unjust; but to use the same breath in praising Governor Aycock, exposing Senator Morgan, arguing with Mr. Thomas Nelson Page, and denouncing Senator Ben Tillman, is not only sane, but the imperative duty of thinking black men.
W.E.B. Du Bois (The Souls of Black Folk)
As Oliver and Freddy pulled away from the Blue Swan, Oliver paid little heed to the lad’s chatter about his spectacular meal. All he could hear was Maria calling him my lord, as if she hadn’t just been trembling in his arms. And the look on her face! Had she been insulted? Or just ashamed? How the devil had she stayed so collected, when he’d felt ready to explode after seeing her find her pleasure so sweetly in his arms? He’d actually come in his trousers, like a randy lad with no control over his urges. Now he had to keep his cloak buttoned up until he could reach Halstead Hall and change his clothes. She’d made light of their encounter, damn her. Though I thank you for the lesson in passion…Had it meant nothing more to her? Apparently not, since she’d said, It isn’t something we should repeat. Though the idea grated, she was right. They should stay apart, for his sake as well as hers. He’d actually offered to make her his mistress! He, who’d never kept a mistress in his life, who’d joked to his friends that mistresses were more trouble than they were worth since one woman was as good as another. He’d always been driven by the fear that a mistress might tempt him to let down his guard and reveal his secrets. Then even his family would desert him, and he couldn’t bear that. Even with his friends, he kept the strongbox of his secrets firmly closed. But with Maria… He stared out the window, trying to figure out at what point in their conversation he’d lost all good sense. Had it been when she’d said she didn’t believe the gossip about him? Or before that, when she’d chastised Pinter for telling it to her? No. Astonishing as those things had been, what had prompted his rash offer was the lost look on her face after he’d pointed out that Hyatt might not wish to be found. Even now he could see the fear rising in her eyes, much like the fear he’d seen in Mother’s eyes-of being inconsequential, unwanted. And suddenly he’d desired nothing more than to make Maria feel wanted. Not that he’d succeeded very well. She could hardly be flattered that he wanted her only for a mistress. He hadn’t meant it to insult her-he’d just been utterly swept up in the idea of her and him in a cottage together somewhere, without the rest of the rest of the world to muddy their lives.
Sabrina Jeffries (The Truth About Lord Stoneville (Hellions of Halstead Hall, #1))
The purpose of this critique of pure speculative reason consists in the attempt to change the old procedure of metaphysics, and to bring about a complete revolution after the example set by geometers and investigators of nature. This critique is a treatise on the method, not a system of the science itself; but nevertheless it marks out the whole plan of this science, both with regard to its limits and with regard to its inner organization. For it is peculiar to pure speculative reason that it is able, indeed bound, to measure its own powers according to the different ways in which it chooses its objects for thought, and to enumerate exhaustively the different ways of choosing its problems, thus tracing a complete outline of a system of metaphysics. This is due to the fact that, with regard to the first point, nothing can be attributed to objects in *a priori* knowledge, except what the thinking subject takes from within itself; while, with regard to the second point, pure reason, as far as its principles of knowledge are concerned, forms a separate and independent unity, in which, as in an organized body, every member exists for the sake of all the others, and all the others exist for the sake of the one, so that no principle can be safely applied in *one* relation unless it has been carefully examined in *all* its relations to the whole use of pure reason. Hence, too, metaphysics has this singular advantage, an advantage which cannot be shared by any other rational science which has to deal with objects (for *logic* deals only with the form of thought in general), that if by means of this critique it has been set upon the secure course of a science, it can exhaustively grasp the entire field of knowledge pertaining to it, and can thus finish its work and leave it to posterity as a capital that can never be added to, because it has to deal only with principles and with the limitations of their use, as determined by these principles themselves. And this completeness becomes indeed an obligation if metaphysics is to be a fundamental science, of which we must be able to say, *nil actum reputants, si quid superesset agendum* [to think that nothing was done for as long as something remained to be done]." ―from_Critique of Pure Reason_. Preface to the Second Edition. Translated, edited, and with an Introduction by Marcus Weigelt, based on the translation by Max Müller, pp. 21-22
Immanuel Kant
How did you convince her to remarry you?” Tomas asked curiously, drawing Radcliffe from his thoughts. Making a face, he admitted, “I had to draw up a contract stating that I would never again condescend to her. That I would discuss business with her on a daily basis were she interested, and…” “And?” He sighed unhappily. “And that I would take her to my club dressed as a man.” Tomas gave a start. “What?” “Shh,” Radcliffe cautioned, glancing nervously around to be sure that they had not been overheard. No one seemed to be paying attention to them. Most of the guests were casting expectant glances toward the back of the church, hoping to spot the brides who should have been there by now. Glancing back to Tomas, he nodded. “She was quite adamant about seeing the club. It seems she was jealous of Beth’s getting with those ‘hallowed halls’-her words, not mine-and she was determined to see inside for herself.” “Have you taken her there yet?” “Nay, nay. I managed to put her off for quite some time, and then by the time she lost her patience with my stalling, she was with child and did not think the smoky atmosphere would be good for the baby. I am hoping by the time it is born and she is up and about again, she will have forgotten-“ A faint shriek from outside the church made him pause and stiffen in alarm. “That sounded like Charlie.” Turning, he hurried toward the back of the church with Tomas on his heel. Crashing through the church doors, they both froze at the top of the steps and gaped at the spectacle taking place on the street below. Charlie and Beth, in all their wedding finery, were in the midst of attacking what appeared to be a street vendor. Flowers were flying through the air as they both pummeled the man with their bouquets and shouted at him furiously. “Have I mentioned, Radcliffe, how little I appreciate the effect your wife has had on mine?” Tomas murmured suddenly, and Radcliffe glanced at him with amazement. “My wife? Good Lord, Tomas, you cannot blame Beth’s sudden change on Charlie. They grew up together, for God’s sake. After twenty years of influence, she was not like this.” Tomas frowned. “I had not thought of that. What do you suppose did it, then?” Radcliffe grinned slightly. “The only new thing in her life is you.” Tomas was gaping over that truth when Stokes slipped out of the church to join them. “Oh, dear. Lady Charlie and Lady Beth are hardly in the condition for that sort of behavior.
Lynsay Sands (The Switch)
From the Author Matthew 16:25 says, “For whoever desires to save his life will lose it, but whoever loses his life for my sake will find it.”  This is a perfect picture of the life of Nate Saint; he gave up his life so God could reveal a greater glory in him and through him. I first heard the story of Operation Auca when I was eight years old, and ever since then I have been inspired by Nate’s commitment to the cause of Christ. He was determined to carry out God’s will for his life in spite of fears, failures, and physical challenges. For several years of my life, I lived and ministered with my parents who were missionaries on the island of Jamaica. My experiences during those years gave me a passion for sharing the stories of those who make great sacrifices to carry the gospel around the world. As I wrote this book, learning more about Nate Saint’s life—seeing his spirit and his struggles—was both enlightening and encouraging to me. It is my prayer that this book will provide a window into Nate Saint’s vision—his desires, dreams, and dedication. I pray his example will convince young people to step out of their comfort zones and wholeheartedly seek God’s will for their lives. That is Nate Saint’s legacy: changing the world for Christ, one person and one day at a time.   Nate Saint Timeline 1923 Nate Saint born. 1924 Stalin rises to power in Russia. 1930 Nate’s first flight, aged 7 with his brother, Sam. 1933 Nate’s second flight with his brother, Sam. 1936 Nate made his public profession of faith. 1937 Nate develops bone infection. 1939 World War II begins. 1940 Winston Churchill becomes British Prime Minister. 1941 Nate graduates from Wheaton College. Nate takes first flying lesson. Japan attacks Pearl Harbor, Hawaii. 1942 Nate’s induction into the Army Air Corps. 1943 Nate learns he is to be transferred to Indiana. 1945 Atomic bombs dropped on Hiroshima and Nagasaki, Japan by U.S. 1946 Nate discharged from the Army. 1947 Nate accepted for Wheaton College. 1948 Nate and Marj are married and begin work in Eduador. Nate crashes his plane in Quito. 1949 Nate’s first child, Kathy, is born. Germany divided into East and West. 1950 Korean War begins. 1951 Nate’s second child, Stephen, is born. 1952 The Saint family return home to the U.S. 1953 Nate comes down with pneumonia. Nate and Henry fly to Ecuador. 1954 The first nuclear-powered submarine is launched. Nate’s third child, Phillip, is born. 1955 Nate is joined by Jim Elliot, Ed McCully, Peter Fleming and Roger Youderian. Nate spots an Auca village for the first time. Operation Auca commences. 1956 The group sets up camp four miles from the Auca territory. Nate and the group are killed on “Palm Beach”.
Nancy Drummond (Nate Saint: Operation Auca (Torchbearers))
This experiment succeeds as hoped and promises to metaphysics, in its first part, which deals with those *a priori* concepts to which the corresponding objects may be given in experience, the secure course of a science. For by thus changing our point of view, the possibility of *a priori* knowledge can well be explained, and, what is still more, the laws which *a priori* lie at the foundation of nature, as the sum total of the objects of experience, may be supplied with satisfactory proofs, neither of which was possible within the procedure hitherto adopted. But there arises from this deduction of our faculty of knowing *a priori*, as given in the first part of metaphysics, a somewhat startling result, apparently most detrimental to that purpose of metaphysics which has to be treated in its second part, namely the impossibly of using this faculty to transcend the limits of possible experience, which is precisely the most essential concern of the science of metaphysics. But here we have exactly the experiment which, by disproving the opposite, establishes the truth of the first estimate of our *a priori* rational knowledge, namely, that it is directed only at appearances and must leave the thing in itself as real for itself but unknown to us. For that which necessarily impels us to to go beyond the limits of experience and of all appearances is the *unconditioned*, which reason rightfully and necessarily demands, aside from everything conditioned, in all things in themselves, so that the series of conditions be completed. If, then, we find that, under the supposition that our empirical knowledge conforms to objects as things in themselves, the unconditioned *cannot be thought without contradiction*, while under the supposition that our representation of things as they are given to us does not conform to them as things in themselves, but, on the contrary, that these objects as appearance conform to our mode of representation, then *the contradiction vanishes*; and if we find, therefore, that the unconditioned cannot be encountered in things insofar as we are acquainted with them (insofar as they are given to us), but only in things insofar as we are not acquainted with them, that is, insofar as they are things in themselves; then it becomes apparent that what we at first assumed only for the sake of experiment is well founded. However, with speculative reason unable to make progress in the field of the supersensible, it is still open to us to investigate whether in reason's practical knowledge data may not be found which would enable us to determine that transcendent rational concept of the unconditioned, so as to allow us, in accordance with the wish of metaphysics, to get beyond the limits of all possible experience with our *a priori* knowledge, which is possible in practical matters only. Within such a procedure, speculative reason has always at least created a space for such an expansion, even if it has to leave it empty; none the less we are at liberty, indeed we are summoned, to fill it, if we are able to do so, with practical *data* of reason." ―from_Critique of Pure Reason_. Preface to the Second Edition. Translated, edited, and with an Introduction by Marcus Weigelt, based on the translation by Max Müller, pp. 19-21
Immanuel Kant