Chang And Halliday Quotes

For entertainment there were only Mao Thought Propaganda Teams, who sang Mao's quotations set to raucous music.

Dinner is the most like jazz of all the meals, in that jazz is part form and part improvisation. You decide what you’re going to have, and then while you’re preparing it – because it’s the end of the day and you have the time – you have the room to consider things about it, to change things about it. You make it something new. “I think I’ll add a little chili powder.” ~ Seth Asa, age 37 From Dinnertimes: Stories of American Life, 1912 to 2012

As far as extinction is concerned, the absolute climate is not to blame, nor is the direction of change. It is the rapidity of change that is important. Communities of organisms need time to adapt – if too much change is thrust upon them at once, devastation and loss is the common response. This is true of the end-Cretaceous, when the impact of an extraterrestrial rock caused near-immediate global winter, and of the end-Permian, when skyrocketing greenhouse gases from unprecedented volcanic eruptions sparked global warming.

The most important reason I’d changed my plan, however, had been Caroline. Jerry Carmichael’s complete lack of human decency, as well as any sense of parental responsibility — much less love — had shaken her. I’d been up-close-and-personal with a hundred guys like Jerry Carmichael. They had jaded me about human beings and what they were capable of. Nothing that had come out of Jerry’s mouth shocked me; surprised me, perhaps, but not shocked me. Caroline knew what people were capable of too, but her personality and her sunshine-and-wonder approach to life usually managed to keep those thoughts at bay. She needed to get Jerry out of her system.

She began to run again, her legs shaky, her head throbbing, fear reaching into the pit of her stomach and making it difficult to breathe. Pieces of...people littered the street like gruesome confetti. She walked in a desperate dance of fading hope beside others also searching, unwilling to accept that their world had changed in an instant. A man who had no chest lay in the rubble. Someone's grandmother wailed in an unfamiliar language for her daughter and son. The old woman had been late joining them. A man who had gone to get the morning paper stood gaping at the charred table where only moments ago his wife had sat.

But theological predestination and free will are not necessarily incompatible. If God has a definite power over the whole of existence, one can imagine this power extending to His ability, whenever He wills, to replace any given destiny with another destiny. In other words, destiny is not definite but indefinite, mutable by the deliberate actions of man himself; Allah will not change the condition of a people until they change what is in themselves. God has not predetermined the course of human history but rather is aware of all its possible courses and may alter the one we’re on in accordance with our will and the bounds of His universe.

In this chapter, I want to focus on the really big crimes that have been committed by atheist groups and governments. In the past hundred years or so, the most powerful atheist regimes—Communist Russia, Communist China, and Nazi Germany—have wiped out people in astronomical numbers. Stalin was responsible for around twenty million deaths, produced through mass slayings, forced labor camps, show trials followed by firing squads, population relocation and starvation, and so on. Jung Chang and Jon Halliday’s authoritative recent study Mao: The Unknown Story attributes to Mao Zedong’s regime a staggering seventy million deaths.4 Some China scholars think Chang and Halliday’s numbers are a bit high, but the authors present convincing evidence that Mao’s atheist regime was the most murderous in world history. Stalin’s and Mao’s killings—unlike those of, say, the Crusades or the Thirty Years’ War—were done in peacetime and were performed on their fellow countrymen. Hitler comes in a distant third with around ten million murders, six million of them Jews. So far, I haven’t even counted the assassinations and slayings ordered by other Soviet dictators like Lenin, Khrushchev, Brezhnev, and so on. Nor have I included a host of “lesser” atheist tyrants: Pol Pot, Enver Hoxha, Nicolae Ceaus̹escu, Fidel Castro, Kim Jong-il. Even these “minor league” despots killed a lot of people. Consider Pol Pot, who was the leader of the Khmer Rouge, the Communist Party faction that ruled Cambodia from 1975 to 1979. Within this four-year period Pol Pot and his revolutionary ideologues engaged in systematic mass relocations and killings that eliminated approximately one-fifth of the Cambodian population, an estimated 1.5 million to 2 million people. In fact, Pol Pot killed a larger percentage of his countrymen than Stalin and Mao killed of theirs.5 Even so, focusing only on the big three—Stalin, Hitler, and Mao—we have to recognize that atheist regimes have in a single century murdered more than one hundred million people.

You can’t forget how important coming together is, whether it be a mom and a son, a dad and a daughter, whether the family be ten people, or twenty people, or a million people. Dinnertime is the perfect time for that. Dinnertime is the perfect time when you can sit down, you can offer thanks to your kids for making you laugh, or to your parents for supporting you, or to a god for looking out for you, or to whomever you want. You can just close your eyes and open them again and realize that you have the opportunity everyday to change your life, or change someone else’s. Dinnertime is a great time to think about that. ~ Dillon, age 22 From Dinnertimes: Stories of American Life, 1912 to 2012

Dinner is the most like jazz of all the meals, in that jazz is part form and part improvisation. You decide what you’re going to have, and then while you’re preparing it – because it’s the end of the day and you have the time – you have the room to consider things about it, to change things about it. You make it something new. ‘I think I’ll add a little chili powder.’” ~ Seth Asa, age 37 Dinnertimes: Stories of American Life, 1912 to 2012

Dinner is the most like jazz of all the meals, in that jazz is part form and part improvisation. You decide what you’re going to have, and then while you’re preparing it – because it’s the end of the day and you have the time – you have the room to consider things about it, to change things about it. You make it something new. “I think I’ll add a little chili powder.” ~ Seth Asa, age 37 From Dinnertimes: Stories of American Life, 1912 to 2012

There is no such thing as a fixed ideal for an environment, no reef onto which nostalgia can anchor. The human imposition of borders on the world inevitably changes our perception of what ‘belongs’ where, but to look into deep time is to see only an ever-changing list of inhabitants of one ecosystem or another. That is not to say that native species do not exist, only that the concept of native that we so easily tie to a sense of place also applies to time.

That I didn’t see the end of me and Maddie coming seems impossible to me now. But at the time I had this notion that even though my own feelings for my girlfriend had begun to cool not long after the spectacular prize of her was attained, to part ways on this basis would be as much an act of infidelity toward myself. It unsettled me that the Amar of a year ago could be so inconsistent with the Amar of today, and I suppose that in my determination to pretend, at least, that nothing had changed—that I was not so fickle and vain as to want a woman only until she had been won—I did not sufficiently entertain the possibility that Maddie herself was capable of changing, too.

My favourite director is this guy, Hamish Halliday. He's really something. 'Chasing the Dragon' changed my life. My favourite author, of course, is me.

Why won’t you give up this silly idea of homesteading?” Gertrude went on. Her tone of voice was moderate, but her blue eyes were snapping. “I can’t help thinking you’re just being stubborn, Lily. Caleb is well able to provide for you, I assure you. He comes from one of the finest families in Pennsylvania—I’ve known the Hallidays a long time.” Lily looked down at the floor for a moment, gathering her courage. “You wouldn’t understand,” she said softly. Gertrude sighed. “Do sit down,” she told Lily kindly, taking a chair herself. “Now what is it that I would find so difficult to understand?” “I love Caleb very much,” Lily began in a shaky voice, “but I’m not the woman for him.” Mrs. Tibbet raised her eyebrows. “Oh? And why not?” Lily leaned forward in her chair and lowered her voice to a whisper. “I think I may be like my mother.” “How so?” Mrs. Tibbet asked, smoothing her skirts. “She was—she drank. And there were men. Lots of men.” “Oh, dear,” said Mrs. Tibbet seriously. “And you drink?” Lily swallowed. “Well—no.” “Then there are men.” “Only Caleb,” Lily said quietly. “But he can make me do and say the most shameful things. I’m so afraid it’s because I’m—er—hot-blooded.” Mrs. Tibbet looked as though she might be trying to suppress a smile. “You wouldn’t be the first girl who’d given herself to a man before marriage, Lily. It isn’t a wise course of action, but it happens often enough.” Lily drew in a deep breath. “I suppose the drinking would come later,” she said, discounting Mrs. Tibbet’s remarks as mere kindness. “And then the men. No, I’m sure I’m better off going on with my life just as I’ve planned.” There was a rap at the door, and then Velvet put her head inside. “Pardon, missus, but dinner’s ready, and the men say they’re going to eat without you if you don’t hurry.” “We’ll be there in a moment,” Mrs. Tibbet answered. “And tell the men that if they don’t wait, they’ll have me to deal with.” “Yes, ma’am,” Velvet replied with a hint of laughter in her voice. The door closed with a click. Mrs. Tibbet turned back to her guest. “If you were my own daughter, Lily, I would tell you the same thing. You couldn’t do better than Caleb Halliday if you searched the world over for a man. Don’t throw away a chance at real happiness—it might be the only one you get.” Lily pushed herself out of her chair and went to stand at the window. From there she could see the moon rising above the roof of the house next door; it looked as though it had just squeezed out of the chimney. “Sometimes I think I know what I want. I’ll decide that I want to marry Caleb and forget all about having a homestead. But then I remember what Mama was like.” “Lily, you’re not your mother.” “No,” Lily agreed sadly, turning to face Mrs. Tibbet, her hands clasped in front of her. “But Mama was young and happy once, and she must have thought she was in love with my father. She married him, she had his children. And then something changed, and she began to drink. Papa went away—I don’t even remember him—and the men started coming around, one after the other …” Gertrude came to take Lily’s hands in her own. “Things will be different for you,” she said quietly. “You’re strong, and so is Caleb. Oh, Lily, don’t be afraid to take a chance.” At that moment the colonel thundered from the hallway that he was going to have his supper right then whether the women cared to come to the table or not, and Lily smiled. “I promise I’ll think things through very carefully, Mrs. Tibbet.” “Don’t take too long,” Gertrude answered, ushering her toward the door of the study. “Fate can take the strangest twists and turns, sealing us off from someone when we least expect it.” At

I see he gave you a ring,” Rupert remarked, glancing at the twinkling diamond on Lily’s finger. “I’m only wearing it because it won’t come off.” “Why did you put it on in the first place?” Lily sighed. “I didn’t—Caleb did.” “I see. We’ve come full circle, Lily—back to my original question, which you so neatly evaded. Do you love Caleb Halliday?” Lily lowered her head. “Yes,” she answered weakly. “I think about him all the time, and I get cold chills and hot flashes, just like when I had the flu. I even feel a little bit sick to my stomach.” “It’s love, all right,” Rupert said. He sounded very worldly wise for a schoolmaster who had only now gotten around to considering marriage. “And you don’t want to marry him because you think you might be like your mother?” Lily wanted to make her case by explaining how hot-blooded and wanton she was with Caleb, but it wouldn’t be delicate to speak too specifically of such things with a man. “It’s more than that,” she said. “I’ve got my heart set on a place of my own, and on finding my sisters. Caleb wants to leave the army and go back to Pennsylvania to live. Marrying him would change the whole course of my life.” “Love often does that.” Lily

Come in,” she called without thinking. The door opened, and Caleb stepped inside. “I want to apologize for last night,” he said, his hat in his hands, his expression as innocent as an altar boy’s. “The truth is, I don’t think we should get married.” Lily was beginning to get disturbing ideas about the rolling pin in her hands. His disclaimer came as no surprise to her, of course; she’d known he was an out-and-out scoundrel all along. “Oh?” “We’d do nothing but fight. And make love, of course. I think we’d better just stay away from each other from now on.” Lily had prayed to hear these words that very morning. So why did they hurt so much? “What if I’m pregnant?” Caleb shrugged as though they were talking about the possibility of a splinter or a stubbed toe. “I’d take care of you both, of course.” “Like you took care of Bianca, I suppose.” Caleb’s grin was infuriating. “Yes.” Lily began tapping her palm with the rolling pin. “But you don’t think we should be married.” “Absolutely not,” Caleb replied firmly. “What if I think we should be?” He grinned. “If you propose to me, Lily-flower, I might reconsider. You’d have to be suitably humble, of course.” Lily made a strangled sound of rage and rounded the table, wielding the rolling pin like a battle ax. Caleb easily wrested it from her hand and tossed it aside before pulling her into his arms. She squirmed, but there was no escaping, and when he caught her chin in one hand and forced her head back for his kiss she was lost. When it was over, and Lily was breathless, Caleb set her away from him. “When you change your mind, you know where to find me.” Lily glared up at him. “I’ll dance in hell before I’ll come crawling to you, Caleb Halliday!” He laughed, more in amazement than good humor. “If I didn’t think you might be carrying my baby, I’d turn you over my knee right here and now and blister your behind!” “I’m not carrying your baby!” Lily stormed out of the house toward the woodshed, bent on getting kindling for the cook stove. Caleb followed, cornering Lily against a sawhorse, and said a possessive hand on her abdomen. “We’ll see about that in a few months,” he vowed.

You’re going like that? In trousers?” Lily nodded. “They’re much handier for riding than a skirt,” she informed him, though she privately thought any idiot would have been able to figure out such an obvious thing on his own. “You’ll be arrested,” Caleb fretted, climbing down from the framework of his house to stand on the ground facing Lily. “I don’t believe it’s against the law for a woman to wear trousers, Caleb.” “Don’t be too sure of that. If they can throw you in the hoosegow for wearing lip paint—and they can—I figure trousers probably won’t endear you to them either.” He paused, grinning, to turn Lily around once, and then back to face him. “They do look pretty good on you, though.” Lily glared at Caleb, but not out of any real ire. If she didn’t keep him at a distance, he’d soon have her sprawled on the bed or bent over a sawhorse, and she’d be carrying on fit to shame Jezebel herself. “I didn’t ask for your opinion, Caleb Halliday,” she said. He laughed and caught his hands under her bottom, lifting her against him. “If you’re going to strut around in pants, sodbuster, you have to be prepared to face up to the consequences.” Lily hated herself for the way her blood was heating and her heartbeat quickening. “Put me down, Caleb,” she fussed. She was mildly disappointed when he did. “All right,” he agreed. “But if you’re going to town, change your clothes first.” Lily started to speak, then closed her mouth. She went into her house and closed the door. When

As the historians Jung Chang and Jon Halliday point out, “It was having China as a secure rear and supply depot that made it possible for the Vietnamese to fight twenty-five years and beat first the French and then the Americans.

Dinner is the most like jazz of all the meals, in that jazz is part form and part improvisation. You decide what you’re going to have, and then while you’re preparing it – because it’s the end of the day and you have the time – you have the room to consider things about it, to change things about it. You make it something new. “I think I’ll add a little chili powder.” ~ Seth Asa, age 37 From Dinnertimes: Stories of American Life, 1912 to 2012