“
Harry witnessed Professor McGonagall walking right past Peeves who was determinedly loosening a crystal chandelier and could have sworn he heard her tell the poltergeist out of the corner of her mouth, 'It unscrews the other way.
”
”
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
“
What about little microphones? What if everyone swallowed them, and they played the sounds of our hearts through little speakers, which could be in the pouches of our overalls? When you skateboarded down the street at night you could hear everyone's heartbeat, and they could hear yours, sort of like sonar. One weird thing is, I wonder if everyone's hearts would start to beat at the same time, like how women who live together have their menstrual periods at the same time, which I know about, but don't really want to know about. That would be so weird, except that the place in the hospital where babies are born would sound like a crystal chandelier in a houseboat, because the babies wouldn't have had time to match up their heartbeats yet. And at the finish line at the end of the New York City Marathon it would sound like war.
”
”
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
“
From the antique Persian rugs covering the gleaming hardwood floors to the molded tin ceilings and ornate chandeliers, the house was a showstopper. Throughout its long life, no one had allowed this home to fall into disrepair. Every detail of the wainscoting, every pocket door, every window, floor tile, and bathtub was original to the house.
”
”
Kirsten Fullmer (Trouble on Main Street (Sugar Mountain, #1))
“
I still love sparkles and grocery shopping and really old cats that are only nice to you half the time. I still love writing in my journal and wearing dresses all the time and staring at chandeliers.
”
”
Taylor Swift
“
She's singing to-night to bring the chandelier down!
”
”
Gaston Leroux (The Phantom of the Opera)
“
I've apparently been the victim of growing up, which apparently happens to all of us at one point or another. It's been going on for quite some time now, without me knowing it. I've found that growing up can mean a lot of things. For me, it doesn't mean I should become somebody completely new and stop loving the things I used to love. It means I've just added more things to my list. Like for example, I'm still beyond obsessed with the winter season and I still start putting up strings of lights in September. I still love sparkles and grocery shopping and really old cats that are only nice to you half the time. I still love writing in my journal and wearing dresses all the time and staring at chandeliers. But some new things I've fallen in love with -- mismatched everything. Mismatched chairs, mismatched colors, mismatched personalities. I love spraying perfumes I used to wear when I was in high school. It brings me back to the days of trying to get a close parking spot at school, trying to get noticed by soccer players, and trying to figure out how to avoid doing or saying anything uncool, and wishing every minute of every day that one day maybe I'd get a chance to win a Grammy. Or something crazy and out of reach like that. ;) I love old buildings with the paint chipping off the walls and my dad's stories about college. I love the freedom of living alone, but I also love things that make me feel seven again. Back then naivety was the norm and skepticism was a foreign language, and I just think every once in a while you need fries and a chocolate milkshake and your mom. I love picking up a cookbook and closing my eyes and opening it to a random page, then attempting to make that recipe. I've loved my fans from the very first day, but they've said things and done things recently that make me feel like they're my friends -- more now than ever before. I'll never go a day without thinking about our memories together.
”
”
Taylor Swift (Taylor Swift Songbook: Guitar Recorded Versions)
“
A week after Fred and George's departure, Harry witnessed Professor McGonagall walking right past Peeves, who was determinedly loosening a crystal chandelier, and could have sworn he heard her tell the poltergeist out of the corner of her mouth, "It unscrews the other way.
”
”
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
“
I challenge you to a duel!” screamed the cat, sailing over their heads on the swinging chandelier.
”
”
Mikhail Bulgakov (The Master and Margarita)
“
With a chaste heart
With pure eyes I celebrate your beauty
Holding the leash of blood
So that it might leap out and trace your outline
Where you lie down in my Ode
As in a land of forests or in surf
In aromatic loam, or in sea music
Beautiful nude
Equally beautiful your feet
Arched by primeval tap of wind or sound
Your ears, small shells
Of the splendid American sea
Your breasts of level plentitude
Fulfilled by living light
Your flying eyelids of wheat
Revealing or enclosing
The two deep countries of your eyes
The line your shoulders have divided into pale regions
Loses itself and blends into the compact halves of an apple
Continues separating your beauty down into two columns of
Burnished gold
Fine alabaster
To sink into the two grapes of your feet
Where your twin symmetrical tree burns again and rises
Flowering fire
Open chandelier
A swelling fruit
Over the pact of sea and earth
From what materials
Agate?
Quartz?
Wheat?
Did your body come together?
Swelling like baking bread to signal silvered hills
The cleavage of one petal
Sweet fruits of a deep velvet
Until alone remained
Astonished
The fine and firm feminine form
It is not only light that falls over the world spreading inside your body
Yet suffocate itself
So much is clarity
Taking its leave of you
As if you were on fire within
The moon lives in the lining of your skin.
”
”
Pablo Neruda
“
But here there was only hot swing music and liquor, dance halls, ban, and movies, and sex that hung in the gloom like a chandelier and flooded the world with brief, deceptive rainbows.
”
”
Tennessee Williams (The Glass Menagerie)
“
Scrivener," he sighed. "I should have known it was you the moment I heard my great-grandmother's priceless antique vase hit the floor." He turned his assessing gaze to the Malefict. "And who's this? A friend of yours?"
The Codex bared a mouthful of fangs and produced an ear-splitting shriek. Above them, the chandelier trembled.
"Charmed," Nathaniel said. He turned back to Elisabeth. "If the two of you feel the need to destroy anything else, I've been meaning to get rid of Aunt Clothilde's tapestry for years. You'll know it when you see it. It's mauve.
”
”
Margaret Rogerson (Sorcery of Thorns (Sorcery of Thorns, #1))
“
It's interesting, isn't it? . . . the chandelier . . . it reminds me of mushroom soup.
”
”
Tennessee Williams
“
Hovering over me was the Chihuly chandelier. Chihulys are the pigeons of Seattle. They're everywhere and even if they don't get in your way, you can't help but build up a kind of antipathy toward them.
”
”
Maria Semple (Where'd You Go, Bernadette)
“
Fringe winds from Hurricane Lori rushed in, carrying dust and debris. It blew through the highceilinged, chandeliered lobby and back into the wide open doors of the elegant and intimate dining room. White linen tablecloths fluttered and napkins flew in the air, sending plates and silverware crashing to the floor.
”
”
Behcet Kaya (Murder on the Naval Base)
“
He knew her now. She was the weird girl in the class above him, who dyed her hair pink and always wore a lot of pentragrams and crystals. Right now she was also wearing giant chandelier earings and a violent pink T-Shirt that bore the words ROMEO AND JULIET WOULDN'T HAVE LASTED.
”
”
Sarah Rees Brennan (The Demon's Lexicon)
“
The other thing that troubled me: Dad was clutching his workbag. Usually when he does that, it means we're in danger. Like the time gunmen stormed into our hotel in Cairo. I heard shots coming from the lobby and ran downstairs to check on my dad. By the time I got there, he was just calmly zipping up his workbag while three unconscious gunmen hung by their feet from the chandelier, their robes falling over their heads so you could see their boxer shorts. Dad claimed not to have witnessed anything, and in the end the police blamed a freak chandelier malfunction.
”
”
Rick Riordan (The Red Pyramid (Kane Chronicles, #1))
“
But not as much as you do. I don’t know what to tell you to make you understand. You’re like sunlight to her. I’m the fucking lamp in the corner.” He paused and shook his head. “No, screw that. You’re the sun to her, while I’m a chandelier. Still beautiful, but one drastically outshines the other.
”
”
Tijan (Fallen Fourth Down (Fallen Crest High, #4))
“
There’s a writer for you,” he said. “Knows everything and at the same time he knows nothing.”
[narrator]It was my first inkling that he was a writer. And while I like writers—because if you ask a writer anything you usually get an answer—still it belittled him in my eyes. Writers aren’t people exactly. Or, if they’re any good, they’re a whole lot of people trying so hard to be one person. It’s like actors, who try so pathetically not to look in mirrors. Who lean backward trying—only to see their faces in the reflecting chandeliers.
”
”
F. Scott Fitzgerald (The Love of the Last Tycoon)
“
AHA!” screamed a voice from overhead . . . Peeves was hanging upside down from a chandelier and grinning maliciously at them.
“Potty asked Loony to go to the party! Potty lurves Loony! Potty luuuuurves Looooooony!”
And he zoomed away, cackling and shrieking, “Potty loves Loony!
”
”
J.K. Rowling (Harry Potter and the Half-Blood Prince (Harry Potter, #6))
“
..sudden attack of culture snobbery is a common affliction among policemen of a certain rank and age; it’s like a normal midlife crisis only with more chandeliers and foreign languages.
”
”
Ben Aaronovitch (Midnight Riot (Rivers of London #1))
“
Light bounced off the cut glass and illuminated the checkerboard floor: alternating squares of darker and lighter wood. If you climbed to the chandelier and looked down, they revealed themselves as the shape of the Angelic Power rune.
Not that Emma would admit she’d done that. Though one did get an excellent view of the massive stone chair of the Institute’s head from that angle.
”
”
Cassandra Clare (Lady Midnight (The Dark Artifices, #1))
“
The last time you were feeling heartbroken, you took shots at a chandelier with a mundane gun and nearly drowned yourself in the Serpentine.” said Matthew.
“I wasn’t trying to drown myself,” James pointed out. “Besides, Magnus Bane saved me.”
“Don’t mention that,” said Matthew, as James uncapped the flask. “You know how angry I am about that. I idolize Magnus Bane, you had one chance to meet him, and you embarrassed us all.”
“I’m quite sure I never mentioned any of you to him,” said James, and tipped the flask back. He choked. It was blue ruin: the cheapest, harshest kind of gin. It went down like lightning. He coughed and thrust the flask away.
“Even worse,” said Matthew. “How sharper than the serpent’s tooth it is to have an ungrateful parabatai.
”
”
Cassandra Clare (Chain of Gold (The Last Hours, #1))
“
L'union libre [Freedom of Love]"
My wife with the hair of a wood fire
With the thoughts of heat lightning
With the waist of an hourglass
With the waist of an otter in the teeth of a tiger
My wife with the lips of a cockade and of a bunch of stars of the last magnitude
With the teeth of tracks of white mice on the white earth
With the tongue of rubbed amber and glass
My wife with the tongue of a stabbed host
With the tongue of a doll that opens and closes its eyes
With the tongue of an unbelievable stone
My wife with the eyelashes of strokes of a child's writing
With brows of the edge of a swallow's nest
My wife with the brow of slates of a hothouse roof
And of steam on the panes
My wife with shoulders of champagne
And of a fountain with dolphin-heads beneath the ice
My wife with wrists of matches
My wife with fingers of luck and ace of hearts
With fingers of mown hay
My wife with armpits of marten and of beechnut
And of Midsummer Night
Of privet and of an angelfish nest
With arms of seafoam and of riverlocks
And of a mingling of the wheat and the mill
My wife with legs of flares
With the movements of clockwork and despair
My wife with calves of eldertree pith
My wife with feet of initials
With feet of rings of keys and Java sparrows drinking
My wife with a neck of unpearled barley
My wife with a throat of the valley of gold
Of a tryst in the very bed of the torrent
With breasts of night
My wife with breasts of a marine molehill
My wife with breasts of the ruby's crucible
With breasts of the rose's spectre beneath the dew
My wife with the belly of an unfolding of the fan of days
With the belly of a gigantic claw
My wife with the back of a bird fleeing vertically
With a back of quicksilver
With a back of light
With a nape of rolled stone and wet chalk
And of the drop of a glass where one has just been drinking
My wife with hips of a skiff
With hips of a chandelier and of arrow-feathers
And of shafts of white peacock plumes
Of an insensible pendulum
My wife with buttocks of sandstone and asbestos
My wife with buttocks of swans' backs
My wife with buttocks of spring
With the sex of an iris
My wife with the sex of a mining-placer and of a platypus
My wife with a sex of seaweed and ancient sweetmeat
My wife with a sex of mirror
My wife with eyes full of tears
With eyes of purple panoply and of a magnetic needle
My wife with savanna eyes
My wife with eyes of water to he drunk in prison
My wife with eyes of wood always under the axe
My wife with eyes of water-level of level of air earth and fire
”
”
André Breton (Poems of André Breton: A Bilingual Anthology)
“
I only saw fire and chandeliers and smoke. No people. Not the room. Not even a time frame. Do you know how many chandeliers there are in the south wing alone? What was I supposed to do? Tell everyone to avoid chandeliers forever?
”
”
Amanda Hocking (Torn (Trylle, #2))
“
It frightens me how much I like it,” Celia finishes, turning her face back to his. “How tempting it is to lose myself in you. To let go. To let you keep me from breaking chandeliers rather than constantly worrying about it, myself.
”
”
Erin Morgenstern (The Night Circus)
“
Far beneath the surface of the earth, hidden from the sun and the moon, upon the shores of the Starless Sea, there is a labyrinthine collection of tunnels and rooms filled with stories. Stories written in books and sealed in jars and painted on walls. Odes inscribed onto skin and pressed into rose petals. Tales laid in tiles upon the floors, bits of plot worn away by passing feet. Legends carved in crystal and hung from chandeliers. Stories catalogued and cared for and revered. Old stories preserved while new stories spring up around them.
”
”
Erin Morgenstern (The Starless Sea)
“
What about a teakettle? What if the spout opened and closed when the steam came out, so it would become a mouth, and it could whistle pretty melodies, or do Shakespeare, or just
crack up with me? I could invent a teakettle that reads in Dad’s voice, so I could fall asleep, or maybe a set of kettles that sings the chorus of “Yellow Submarine,” which is a song by the Beatles, who I love, because entomology is one of my raisons d’être, which
is a French expression that I know. Another good thing is that I could train my anus to talk when I farted. If I wanted to be extremely hilarious, I’d train it to say, “Wasn’t me!” every time I made an incredibly bad fart. And if I ever made an incredibly bad fart in the Hall of Mirrors, which is in Versailles, which is outside of Paris, which is in France, obviously, my anus would say, “Ce n’étais pas moi!”
What about little microphones? What if everyone swallowed them, and they played the sounds of our hearts through little speakers, which could be in the pouches of our overalls? When you skateboard down the street at night you could hear everyone's heartbeat, and they could hear yours, sort of like sonar. One weird thing is, I wonder if everyone's hearts would start to beat at the same time, like how women who live together have their menstrual periods at the same time, which I know about, but don't really want to know about. That would be so weird, except that the place in the hospital where babies are born would sound like a crystal chandelier in a houseboat, because the babies wouldn't have had time to match up their heartbeats yet. And at the finish line at the end of the New York City Marathon it would sound like war.
”
”
Jonathan Safran Foer
“
I must remember about chandeliers and dancing, about swans and roses and snow.
”
”
Jean Rhys (Wide Sargasso Sea)
“
The diamonds glinted under the glare of the chandelier and they looked like a thousand spider eyes
”
”
Kate Chisman (Creep)
“
As that fucking chandelier twinkled overhead, Blay said roughly, "I'm still in love with him."
Saxton dropped his eyes and brushed a the top of his thigh, as if there might have been a tiny piece of lint there. "I know. You thought you weren't?"
As if that were rather stupid of him.
"I'm so fucking tired of it. I really am."
"That I believe."
"Im so fucking..." God, those sounds, that muted pounding , that audible confirmation of what he had been ignoring for the past year--
On a sudden wave of violence, he pitched the brandy snifter at the marble fireplace, shattering the thing.
"Fuck, Fuck!" If he'd been able to, he'd have jumped up and torn that goddamn cocksucking light fixture off the goddamn cocksucking ceiling.
”
”
J.R. Ward (Lover Reborn (Black Dagger Brotherhood, #10))
“
On the evenings when my parents held parties, the drawing-room mirrors multiplied to infinity the scintillations of a crystal chandelier. Mama would take her seat at the grand piano to accompany a lady dressed in a cloud of tulle who played the violin and a cousin who performed on a cello. I would crack between my teeth the candied shell of an artificial fruit, and a burst of light would illuminate my palate with a taste of blackcurrant or pineapple: all the colours, all the lights were mine, the gauzy scarves, the diamonds, the laces; I held the whole party in my mouth.
”
”
Simone de Beauvoir (Memoirs of a Dutiful Daughter)
“
With the passage of days in this godly isolation [desert], my heart grew calm. It seemed to fill with answers. I did not ask questions any more; I was certain. Everything - where we came from, where we are going, what our purpose is on earth - struck me as extremely sure and simple in this God-trodden isolation. Little by little my blood took on the godly rhythm. Matins, Divine Liturgy, vespers, psalmodies, the sun rising in the morning and setting in the evening, the constellations suspended like chandeliers each night over the monastery: all came and went, came and went in obedience to eternal laws, and drew the blood of man into the same placid rhythm. I saw the world as a tree, a gigantic poplar, and myself as a green leaf clinging to a branch with my slender stalk. When God's wind blew, I hopped and danced, together with the entire tree.
”
”
Nikos Kazantzakis
“
What is my perfect crime? I break into Tiffany's at midnight. Do I go for the vault? No, I go for the chandelier. It's priceless. As I'm taking it down, a woman catches me. She tells me to stop. It's her father's business. She's Tiffany. I say no. We make love all night. In the morning, the cops come and I escape in one of their uniforms. I tell her to meet me in Mexico, but I go to Canada. I don't trust her. Besides, I like the cold. Thirty years later, I get a postcard. I have a son and he's the chief of police. This is where the story gets interesting. I tell Tiffany to meet me by the Trocadero in Paris. She's been waiting for me all these years. She's never taken another lover. I don't care. I don't show up. I go to Berlin. That's where I stashed the chandelier.
”
”
Dwight Schrute
“
If you choose to believe me, good. Now I will tell you how Octavia, the spider-web city, is made. There is a precipice between two steep mountains: the city is over the void, bound to the two crests with ropes and chains and catwalks. You walk on the little wooden ties, careful not to set your foot in the open spaces, or you cling to the hempen strands. Below there is nothing for hundreds and hundreds of feet: a few clouds glide past; farther down you can glimpse the chasm's bed.
This is the foundation of the city: a net which serves as passage and as support. All the rest, instead of rising up, is hung below: rope ladders, hammocks, houses made like sacks, clothes hangers, terraces like gondolas, skins of water, gas jets, spits, baskets on strings, dumb-waiters, showers, trapezes and rings for children's games, cable cars, chandeliers, pots with trailing plants.
Suspended over the abyss, the life of Octavia's inhabitants is less uncertain than in other cities. They know the net will only last so long.
”
”
Italo Calvino (Invisible Cities)
“
Okay. Scrabble, donuts, flowers, corndogs, pre-pubescent British wizards and indie music. Am I missing anything important?”
She’s still blushing and it’s like the heat in her face is trapping all the words inside of her. “What is it?” I ask, an involuntary grin tugging on my mouth. I love it when she blushes like this.
Amy sighs, looks up toward the chandelier, “You, Cole. I like you.
”
”
Autumn Doughton (In This Moment)
“
She is singing tonight to bring the chandelier down.
”
”
Gaston Leroux (The Phantom of the Opera)
“
See how the fearful chandelier trembles above you each time you open your mouth to sing.
Sing.
”
”
Donald Justice (Collected Poems of Donald Justice)
“
In fairy tales, a kiss marks a threshold—between the state of being cursed or cured lies a kiss. But not all kisses cure; some kill. Thresholds go both ways, after all. I wasn’t thinking about this when Indigo drew me to her beneath the chandeliers of her Paris hotel. At the time, I wished only to trap her laughter under glass. I could not hear, back then, how uncannily triumphant the sound was.
”
”
Roshani Chokshi (The Last Tale of the Flower Bride)
“
A random crack in the old plaster in the corner behind her seemed to grow, until it curled its way across the ceiling, circled the frosted chandelier, and swirled its way back down. It looked like a heart. A giant, looping, girly heart had just appeared in the cracking plaster of her bedroom ceiling.
"Lena."
"Yeah?"
"Is your ceiling about to fall in on our heads?"
She turned and looked at the crack. When she saw it, she bit her lip, and her cheeks turned pink. "I don't think so. It's just a crack in the plaster."
"Were you trying to do that?"
"No." A creeping pink spread across her nose and cheeks. She looked away.
”
”
Kami Garcia (Beautiful Creatures (Caster Chronicles, #1))
“
I have spent a great deal of my life struggling to keep myself in control. To know myself inside and out, everything In perfect order. I lose that when I'm with you. That frightens me, and it frightens me how much I like it. How tempting it is to lose myself in you. To let it go. To let you save me from breaking chandeliers rather than constantly worrying about it, myself.
”
”
Erin Morgenstern (The Night Circus)
“
Steadily, the room shrank, till the book thief could touch the shelves within a few small steps. She ran the back of her hand along the first shelf, listening to the shuffle of her fingernails gliding across the spinal cord of each book. It sounded like an instrument, or the notes of running feet. She used both hands. She raced them. One shelf against the other. And she laughed. Her voice was sprawled out, high in her throat, and when she eventually stopped and stood in the middle of the room, she spent many minutes looking from the shelves to her fingers and back again.
How many books had she touched?
How many had she felt?
She walked over and did it again, this time much slower, with her hand facing forward, allowing the dough of her palm to feel the small hurdle of each book. It felt like magic, like beauty, as bright lines of light shone down from a chandelier. Several times, she almost pulled a title from its place but didn't dare disturb them. They were too perfect.
”
”
Markus Zusak (The Book Thief)
“
Mor opened her mouth, laughter dancing on her face, but Elain asked, “Could you have done it? Decided to take a male form?” The question cut through the laughter, an arrow fired between us. Amren studied my sister, Elain’s cheeks red from our unfiltered talk at the table. “Yes,” she said simply. “Before, in my other form, I was neither. I simply was.” “Then why did you pick this body?” Elain asked, the faelight of the chandelier catching in the ripples of her golden-brown braid. “I was more drawn to the female form,” Amren answered simply. “I thought it was more symmetrical. It pleased me.” Mor frowned down at her own form, ogling her considerable assets. “True.” Cassian snickered.
”
”
Sarah J. Maas (A Court of Frost and Starlight (A Court of Thorns and Roses, #3.5))
“
No jewel hold a candle to the cuckoo spit hung from the blade of grass at your ear. No chandelier see you better lit than here.
”
”
Carol Ann Duffy
“
I ONLY steal because my dear old family needs the money to live!”
Locke Lamora made this proclamation with his wineglass held high; he and the other Gentlemen Bastards were seated at the old witchwood table in the opulent burrow beneath the House of Perelandro; Calo and Galdo on his right, Jean and Bug on his left. A huge spread of food was set before them, and the celestial chandelier swung overhead with its familiar golden light. The others began to jeer.
“Liar!” they chorused in unison.
“I only steal because this wicked world won’t let me work an honest trade!” Calo cried, hoisting his own glass.
“Liar!”
“I only steal because I have to support my poor lazy twin brother, whose indolence broke our mother’s heart!” Galdo elbowed Calo as he made this announcement.
“Liar!”
“I only steal,” said Jean, “because I’ve temporarily fallen in with bad company.”
“Liar!”
At last the ritual came to Bug; the boy raised his glass a bit shakily and yelled, “I only steal because it’s heaps of fucking fun!”
“BASTARD!
”
”
Scott Lynch (The Lies of Locke Lamora (Gentleman Bastard, #1))
“
But her name was Esmé. She was a girl with long, long, red, red hair. Her mother braided it. The flower shop boy stood behind her and held it in his hand. Her mother cut it off and hung it from a chandelier.
She was Queen. Mazishta. Her hair was black and her handmaidens dressed it with pearls and silver pins.
Her flesh was golden like the desert.
Her flesh was pale like cream.
Her eyes were blue.
Brown.
”
”
Laini Taylor (Lips Touch: Three Times)
“
He added, “But not as much as you do. I don’t know what to tell you to make you understand. You’re like sunlight to her. I’m the fucking lamp in the corner.” He paused and shook his head. “No, screw that. You’re the sun to her, while I’m a chandelier. Still beautiful, but one drastically outshines the other.
”
”
Tijan (Fallen Fourth Down (Fallen Crest High, #4))
“
She didn’t think that by hanging a chandelier from the ceiling you made a room with a chandelier. She felt you’d made another world, which you could slip in and out of by some vague process of application
”
”
Guy Mankowski (Letters From Yelena)
“
Miss Worthing wanted something fit for a duchess.” “That gown,” he said, “is fit for a bawdy-house chandelier.” “Well, your intended had . . . extravagant preferences.” He leaned forward in his chair. “I can’t even take the whole thing in. It looks like unicorn vomit. Or the pelt of some snow beast rumored to menace the Himalayas.
”
”
Tessa Dare (The Duchess Deal (Girl Meets Duke, #1))
“
You, still the squanderers of the empty hall —
when the twilight comes, wide as woods…
And the chandelier, like a sixteen-pointer, vaults
where nothing can set foot.
”
”
Rainer Maria Rilke (Duino Elegies and The Sonnets to Orpheus)
“
Everything is lit with glowing chandeliers and copious candles, so that the light is not bright but deep and warm and bubbling.
”
”
Erin Morgenstern (The Night Circus)
“
I’ve got a piece of the American Dream. I don’t have a house, but I do have a new chandelier. Now I just have to build a house around it.
”
”
Jarod Kintz ($3.33 (the title is the price))
“
The interior designer must’ve been a medieval vampire, judging from the cold, lifeless colors and the giant iron chandeliers hanging from the ceilings.
”
”
L.J. Shen (Vicious (Sinners of Saint, #1))
“
I stand there at the corner, known
by the equinox and knowing
nothing, exposed by the alethic
light of those apples,
that fearless crocus,
the magnolia tree, its chandelier
of tears.
”
”
Warren Heiti (Hydrologos)
“
I know this is one of the unthinkable taboos of our society, but I had discovered in myself a talent for a wonderful, unrepentant laziness, the kind most people never know after childhood. I had a prism from an old chandelier hanging in my window, and I could spend entire afternoons lying on my bed and watching it flick tiny chips of rainbow around the room. I read a lot. I always have, but in those two years I gorged myself on books with a voluptuous, almost erotic gluttony. I would go to the local library and take out as many as I could, and then lock myself in the bedsit and read solidly for a week. I went for old books, the older the better-- Tolstoy, Poe, Jacobean tragedies, a dusty translation of Laclos--so that when I finally resurfaced, blinking and dazzled, it took me days to stop thinking in their cool, polished, crystalline rhythms.
”
”
Tana French (In the Woods (Dublin Murder Squad, #1))
“
I’m busy sorting through our new collection of rhinestone jewelry. Should anyone be in the market for sparkly accessories the size of a hubcap, this is the place to get them. Earlier today, a customer picked up one of the enormous chandelier-style offerings and asked, 'Do those be genuine rhimestones?'
I couldn’t even begin to explain everything that was wrong with her sentence, so I simply replied, 'Yes. They do be genuine.
”
”
Jen Lancaster (Pretty in Plaid)
“
Grab me, kiss me, waltz me, and love me,
I adore thee cherish thee absolutely love thee,
Come let’s take to the floor 'Neath a chandelier of stars from above,
And dance me slowly to the edge of love.
”
”
Michelle Geaney (Under These Rebel Skies)
“
Alec surprised Magnus and the werewolf both by breaking away and lunging at Marcy. Whatever he had been planning, it didn’t work: this time the werewolf’s swipe caught him full in the chest. Alec went flying into a hot pink wall decorated with gold glitter. He hit a mirror set into the wall and decorated with curling gold fretwork with enough force to crack the glass across.
“Oh, stupid Shadowhunters,” Magnus moaned under his breath. But Alec used his own body hitting the wall as leverage, rebounding off the wall and up, catching a sparkling chandelier and swinging, then dropping down as lightly as a leaping cat and crouching to attack again in one smooth movement. “Stupid, sexy Shadowhunters.
”
”
Cassandra Clare (The Course of True Love [and First Dates] (The Bane Chronicles, #10))
“
Then, with an extended, falling glissando of disgust, the whole string section, plus flutes and piccolo, surged toward the brass, leaving the music critic and his deed - an early evening frites and mayonnaise on Oude Hoogstraat - illuminated under a lonely chandelier.
”
”
Ian McEwan (Amsterdam)
“
Whoa," Madison whistled, craning her neck to examine the chandelier.
"This is even fancier than Red Lobster," Reagan said in awe.
"Look at this rich people's hockey-stick holder," Madison said as she ran a slightly grubby finger along the edge of the antique umbrella stand. "I want one!
”
”
Clifford Riley (Turbulence (The 39 Clues: Rapid Fire, #5))
“
Even the shadows on the walls were silent, while the two of them looked at each other as if they’d just sat on a whoopee cushion,” said Xemerius, coming down from the chandelier and flying after us. “Romantic violin music began to play as the girl in the piss-yellow blouse and the boy who badly needed a haircut walked out of the room side by side.
”
”
Kerstin Gier (Emerald Green (Precious Stone Trilogy, #3))
“
A few of the guests, who had the misfortune of being too near the windows, were seized and feasted on at once. When Elizabeth stood, she saw Mrs. Long struggle to free herself as two female dreadfuls bit into her head, cracking her skull like a walnut, and sending a shower of dark blood spouting as high as the chandeliers.
As guests fled in every direction, Mr. Bennet's voice cut through the commotion. "Girls! Pentagram of Death!"
Elizabeth immediately joined her four sisters, Jane, Mary, Catherine, and Lydia in the center of the dance floor. Each girl produced a dagger from her ankle and stood at the tip of an imaginary five-pointed star. From the center of the room, they began stepping outward in unison - each thrusting a razor-sharp dagger with one hand, the other hand modestly tucked into the small of her back.
”
”
Seth Grahame-Smith (Pride and Prejudice and Zombies (Pride and Prejudice and Zombies, #1))
“
If you could imagine the color of anger, it had been splashed over every wall. Rage, something dense and seething, was hanging from every chandelier, resentment woven into thick carpets padding the room, hatred flickering underneath every lampshade. The floor was bathed in a creeping shadow, a particular darkness that had seeped up into the walls.......
”
”
Kami Garcia (Beautiful Creatures (Caster Chronicles, #1))
“
Isn’t she wonderful? A really fine talent, and so beautiful, too.”
“Yes,” I said quietly, clapping as well and taking care not to play pat-a-cake. “It’s quite something to make the chandeliers ring like that.” The clapping upset my sensitive sense of balance, and I staggered slightly.
Gideon caught me. “I can’t make it out,” he said angrily, his lips close to my ear. “We haven’t been here two hours, and you’re totally drunk! What on earth were you thinking of?”
“You said totally. I’m going to tell on you to Giordano,” I giggled. In all the noise, no one else could hear us. “Anyway, it’s too late. No point in locking the stable door after the horse has gone.” A hiccup interrupted me--hic. “Sorry.” I looked around me. “But everyone else is much more drunk than me, so leave out the moral indignation, okay? I have everything under control. You can let go of me again. I stand here as steady as a rock among the breakers.”
“I’m warning you,” whispered Gideon, but he did let go of me.
”
”
Kerstin Gier (Saphirblau (Edelstein-Trilogie, #2))
“
Mrs. Sol Schwimmer is suing me because I made her bridge as I felt it and not to fit her ridiculous mouth! That's right! I can't work to order like a common tradesman! I decided her bridge should be enormous and billowing, with wild, explosive teeth flaring up in every direction like fire! Now she is upset because it won't fit in her mouth! She is so bourgeois and stupid. I want to smash her! I tried forcing the false plate in but it sticks out like a star burst chandelier. Still, I find it beautiful.
”
”
Woody Allen (Without Feathers)
“
In 1850 Allan Pinkerton founded the first American private detective agency; in advertisements, the company motto, "We Never Sleep" was inscribed under a large, unblinking Masonic-like eye, which gave rise to the term "private eye".... William J. Burns was an avid user of a Dictograph- a primitive listening device that could be concealed in anything from a clock to a chandelier.... Just as Allan Pinkerton, in the nineteenth century was known as the eye, Burns, In the twentieth century had become "the ear".
”
”
David Grann (Killers of the Flower Moon: The Osage Murders and the Birth of the FBI)
“
Don’t you ever wish you could go back?” Ellis murmurs, gaze turned up toward the chandeliers; their light glitters off of the lenses of her glasses. My gaze snaps away from the kettle, back to her.
“To some other time,” she says, “when things were a little wilder. When the rules were a little less clear.
”
”
Victoria Lee (A Lesson in Vengeance)
“
Something Rich and Strange
She was less of what she had been, the blue rubbed from her eyes, flesh freed from the chandelier of bone. He touched what once had been a hand. The river whispered to him that it would not be long now.
”
”
Ron Rash (Nothing Gold Can Stay: Stories)
“
A Brief Awakening
In the vastness of the out-rushing cosmos,
you are but tiny—a warm and pulsing spark.
Against all odds, your birth a brief awakening
from silent eons spent sleeping in the dark.
When you feel your heart swell with wild wonder
at the dazzling diamond chandeliers of night,
know your body was built from ancient stardust
and the universe now sees through your eyes.
So let the breath of sweet gratitude fill you,
as the light of each new day begins.
For this moment itself is a miracle,
and to live it is your privilege my friend.
”
”
John Mark Green (Taste the Wild Wonder: Poems)
“
When I saw that, the evidence left by two people, of love or something like it, desire at least, at least touch, between two people now perhaps old or dead, I covered the bed again and lay down on it. I looked up at the blind plaster eye in the ceiling. I wanted to feel Luke lying beside me. I have them, these attacks of the past, like faintness, a wave sweeping over my head. Sometimes it can hardly be borne. What is to be done, what is to be done, I thought. There is nothing to be done. They also serve who only stand and wait. Or lie down and wait. I know why the glass in the window is shatterproof, and why they took down the chandelier. I wanted to feel Luke lying besides me, but there wasn't room.
”
”
Margaret Atwood (The Handmaid’s Tale (The Handmaid's Tale, #1))
“
Love’s time’s beggar, but even a single hour,
bright as a dropped coin, makes love rich.
We find an hour together, spend it not on flowers
or wine, but the whole of the summer sky and a grass ditch.
For thousands of seconds we kiss; your hair
like treasure on the ground; the Midas light
turning your limbs to gold. Time slows, for here
we are millionaires, backhanding the night
so nothing dark will end our shining hour,
no jewel hold a candle to the cuckoo spit
hung from the blade of grass at your ear,
no chandelier or spotlight see you better lit
than here. Now. Time hates love, wants love poor,
but love spins gold, gold, gold from straw.
”
”
Carol Ann Duffy (Rapture)
“
One of the outcomes of attempting to ignore emotional pain is chandeliering. We think we’ve packed the hurt so far down that it can’t possibly resurface, yet all of a sudden, a seemingly innocuous comment sends us into a rage or sparks a crying fit. Or maybe a small mistake at work triggers a huge shame attack. Perhaps a colleague’s constructive feedback hits that exquisitely tender place and we jump out of our skin.
”
”
Brené Brown (Rising Strong: The Reckoning. The Rumble. The Revolution.)
“
Nothing is more likely to become garbage than orange rind; but for as long as anyone looks at it in delight, it stands a million triumphant miles from the trash heap. That, you know, is why the world exists at all. It remains outside the cosmic garbage can of nothingness, not because it is such a solemn necessity that nobody can get rid of it, but because it is the orange peel hung on God's chandelier, the wishbone in His kitchen closet. He likes it; therefore, it stays. The whole marvelous collection of stones, skins, feathers, and string exists because at least one lover has never quite taken His eye off it, because the Dominus vivificans has his delight with the sons of men.
”
”
Robert Farrar Capon (The Supper of the Lamb: A Culinary Reflection (Modern Library Food))
“
Reminiscing in the drizzle of Portland, I notice the ring that’s landed on your finger, a massive
insect of glitter, a chandelier shining at the end
of a long tunnel. Thirteen years ago, you hid the hurt
in your voice under a blanket and said there’s two kinds
of women—those you write poems about
and those you don’t. It’s true. I never brought you
a bouquet of sonnets, or served you haiku in bed.
My idea of courtship was tapping Jane’s Addiction
lyrics in Morse code on your window at three A.M.,
whiskey doing push-ups on my breath. But I worked
within the confines of my character, cast
as the bad boy in your life, the Magellan
of your dark side. We don’t have a past so much
as a bunch of electricity and liquor, power
never put to good use. What we had together
makes it sound like a virus, as if we caught
one another like colds, and desire was merely
a symptom that could be treated with soup
and lots of sex. Gliding beside you now,
I feel like the Benjamin Franklin of monogamy,
as if I invented it, but I’m still not immune
to your waterfall scent, still haven’t developed
antibodies for your smile. I don’t know how long
regret existed before humans stuck a word on it.
I don’t know how many paper towels it would take
to wipe up the Pacific Ocean, or why the light
of a candle being blown out travels faster
than the luminescence of one that’s just been lit,
but I do know that all our huffing and puffing
into each other’s ears—as if the brain was a trick
birthday candle—didn’t make the silence
any easier to navigate. I’m sorry all the kisses
I scrawled on your neck were written
in disappearing ink. Sometimes I thought of you
so hard one of your legs would pop out
of my ear hole, and when I was sleeping, you’d press
your face against the porthole of my submarine.
I’m sorry this poem has taken thirteen years
to reach you. I wish that just once, instead of skidding
off the shoulder blade’s precipice and joyriding
over flesh, we’d put our hands away like chocolate
to be saved for later, and deciphered the calligraphy
of each other’s eyelashes, translated a paragraph
from the volumes of what couldn’t be said.
”
”
Jeffrey McDaniel
“
You all right?" he asked.
I felt dizzy. "Yeah. Lots of blood, though..."
"The head always bleeds a lot," Luke told me. "Remember when I fell from the chandelier?"
I smiled through my nausea. "Yeah."
"And from that third-story window?"
"Yeah."
"And from the flagpole of our Montessori school?"
"I remember." I managed a small laugh. "But I'm surprised you do.
”
”
Flynn Meaney (Bloodthirsty)
“
Why are you so hard on yourself?
I love you just the way you are,
with your withered coat and wet scarf dangling like a spotless chandelier.
The snow banks in Montreal are high, but I can see your trace, and silent grace and tin cup through the paned window.
The precipitation melts your face, distorting your expression through the aged glass; broken, when I threw ancient stones to get your attention
as a child.
I wanted a friend. The honest kind.
”
”
V.S. Atbay
“
Thought Experiment: Imagine that you are Johnny Carson and find yourself caught in an intolerable one-on-one conversation at a cocktail party from which there is no escape. Which of the two following events would you prefer to take place: (1) That the other person become more and more witty and charming, the music more beautiful, the scene transformed to a villa at Capri on the loveliest night of the year, while you find yourself more and more at a loss; or (2) that you are still in Beverly Hills and the chandeliers begin to rattle, a 7.5 Richter earthquake takes place, and presently you find yourself and the other person alive and well, and talking under a mound of rubble.
If your choice is (2), explain why it is possible for a true conversation to take place under the conditions of (2) but not (1).
”
”
Walker Percy (Lost in the Cosmos: The Last Self-Help Book)
“
The glittering light of eight chandeliers was reflected in her upturned eyes, filling them with tiny sparks that made the blue irises look like a starry summer midnight. She was staring at him with an intensity that she had never shown before, as if she yearned for something she might never have. The look disquieted him, eliciting a powerful need to satisfy her in any way possible. Whatever she might have asked him for in that moment, he would have given without a qualm.
”
”
Lisa Kleypas (Secrets of a Summer Night (Wallflowers, #1))
“
Every second a million petitions wing past the ear of God. Let it be door number two. Get Janet through this. Make Mom fall in love again, make the pain go away, make this key fit. If I fish this cove, plant this field, step into this darkness, give me the strength to see it through. Help my marriage, my sister, me. What will this fund be worth in thirteen days? In thirteen years? Will I be around in thirteen years? And the most unanswerable of unanswerables: Don't let me die. And: What will happen afterward? Chandeliers and choirs? Flocks of souls like starlings harrying across the sky? Eternity; life again as bacteria, or as sunflowers, or as a leatherback turtle; suffocating blackness; cessation of all cellular function.
”
”
Anthony Doerr (About Grace)
“
there are places in the world where real life is still happening, far away from here, in a pre-Hitler Europe, where hundreds of lights are lit every evening, ladies and gentlemen gather to drink coffee with cream in oak-panelled rooms, or sit comfortably in splendid coffee-houses under gilt chandeliers, stroll arm in arm to the opera or the ballet, observe from close-up the lives of great artists, passionate love affairs, broken hearts, the painter’s girlfriend falling in love with his best friend the composer, and going out at midnight bareheaded in the rain to stand alone on the ancient bridge whose reflection trembles in the river. *
”
”
Amos Oz (A Tale of Love and Darkness)
“
Inside was a library unlike any Leni had ever seen. Row upon row of wooden desks, decorated with green banker's lamps, were positioned beneath an arched ceiling. Gothic chandeliers hung above the desks. And the books! She'd never seen so many. They whispered to her of unexplored worlds and unmet friends and she realized that she wasn't alone in this new world. Her friends were here, spine out, waiting for her as they always had.
”
”
Kristin Hannah (The Great Alone)
“
Evil Hall had been transformed into a magnificent ballroom, glittering with green tinsel, black balloons, thousands of green-flamed candles, and a spinning chandelier streaking wall murals with emerald bursts of light. Around a towering ice sculpture of two entwined snakes, Hort and Dot stumbled through a waltz, Anadil wrapped her arms around Vex, Brone tried not to step on Mona's green feet, and Hester and Ravan swayed and whispered as more villainous couples waltzed around them. Ravan's bunk mates picked up the music on reed violins as more pairs flooded onto the floor, clumsy, bashful, but aglow with happiness, dancing beneath a spangled banner:
THE 1ST ANNUAL VILLAINS "NO BALL
”
”
Soman Chainani (The School for Good and Evil (The School for Good and Evil, #1))
“
He was The Demon Highlander, elder brother to the Blackheart of Ben More. These monikers, they were not granted by the happenstance of birth or marriage, like a Marquess or an Earl, they were earned by means of ruthless violence and bloodshed. It was easy to forget that fact beneath the grand chandelier of this lofty keep. That was, until the fire in the hearth ignited the amber in his eyes, lending him a ferocity that even his expensive attire couldn't tame.
”
”
Kerrigan Byrne (The Highlander (Victorian Rebels, #3))
“
And, as I had gazed at my surroundings, at the muted, yet triumphant, colors splashed in joyful serenity over the immaculate stone floor, at the profiles of my fellow parishioners bent in prayer, and finally, up above, at the flickering lights held in a soft gray ceiling like chandeliers in an ancient palace, I realized that my thoughts had been transferred to Someone Else.
”
”
Gina Marinello-Sweeney (I Thirst)
“
Disasterology
The Badger is the thirteenth astrological sign.
My sign. The one the other signs evicted: unanimously.
So what? ! Think I want to read about my future
in the newspaper next to the comics?
My third grade teacher told me I had no future.
I run through snow and turn around
just to make sure I’ve got a past.
My life’s a chandelier dropped from an airplane.
I graduated first in my class from alibi school.
There ought to be a healthy family cage at the zoo,
or an open field, where I can lose my mother
as many times as I need.
When I get bored, I call the cops, tell them
there’s a pervert peeking in my window!
then I slip on a flimsy nightgown, go outside,
press my face against the glass and wait…
This makes me proud to be an American
where drunk drivers ought to wear necklaces
made from the spines of children they’ve run over.
I remember my face being invented
through a windshield.
All the wounds stitched with horsehair
So the scars galloped across my forehead.
I remember the hymns cherubs sang
in my bloodstream. The way even my shadow ached
when the chubby infants stopped.
I remember wishing I could be boiled like water
and made pure again. Desire
so real it could be outlined in chalk.
My eyes were the color of palm trees
in a hurricane. I’d wake up
and my id would start the day without me.
Somewhere a junkie fixes the hole in his arm
and a racing car zips around my halo.
A good God is hard to find.
Each morning I look in the mirror
and say promise me something
don’t do the things I’ve done.
”
”
Jeffrey McDaniel
“
It folded back on itself like something that M. C. Escher, had he been given to hard nights on the town, which it is no part of this narrative’s purpose to suggest was the case, though it is sometimes hard, looking at his pictures, particularly the one with all the awkward steps, not to wonder, might have dreamed up after having been on one, for the little chandeliers which should have been hanging inside were on the outside pointing up.
”
”
Douglas Adams (The Ultimate Hitchhiker's Guide to the Galaxy (Hitchhiker's Guide to the Galaxy #1-5))
“
The Dr. Nuts seemed only as an acid gurgling down into his intestine. He filled with gas, the sealed valve trapping it just as one pinches the mouth of a balloon. Great eructations rose from his throat and bounced upward toward the refuse-laden bowl of the milk glass chandelier. Once a person was asked to step into this brutal century, anything could happen. Everywhere there lurked pitfalls like Abelman, the insipid Crusaders for Moorish Dignity, the Mancuso cretin, Dorian Greene, newspaper reporters, stripteasers, birds, photography, juvenile delinquents, Nazi pornographers. And especially Myrna Minkoff. The musky minx must be dealt with. Somehow. Someday. She must pay. Whatever happened, he must attend to her even if the revenge took years and he had to stalk her through decades from one coffee shop to another, from one folksinging orgy to another, from subway train to pad to cotton field to demonstration. Ignatius invoked an elaborate Elizabethan curse upon Myrna and, rolling over, frantically abused the glove once more.
”
”
John Kennedy Toole (A Confederacy of Dunces)
“
In the beginning, the earth was without form, and void and the darkness was upon the face of the deep. And the spirit of God moved upon the face of the waters. And god said, 'Let there be light.' and there was light. Only, it wasn't good light. Bob created fireworks, sparklers and neon tubes that circled the globe like weird tangled rainbows. He dabbled with bugs that blinked and abstract creatures whose heads lit up and cast long overlapping shadows. There were mile-high candles and mountains of fairy lights. For an hour or so, earth was lit by enormous crystal chandeliers. Bob thought his creations were cool. They were cool, but they didn't work
”
”
Meg Rosoff (There Is No Dog)
“
. . . kinda had to after I got tangled in a chandelier my first night home. Seriously? Sophie cracked up as she tried to imagine that. Oh, it was way more humiliating than what you’re thinking, he told her, sharing his actual memories of the way the strings of crystals seemed to wrap around him like sparkly tentacles. How did you even manage to do that? she wondered. No idea. I was just trying to get upstairs and I launched myself too high, and then my sleeve got caught and I tried to untangle it and next thing I knew Biana was collapsed on the floor in a fit of giggles and my dad was calling for the gnomes. It took five of them to free me. They had to stand on each other’s shoulders in a giant gnome stack. Sophie was laughing so hard that Sandor peeked his head into her room, probably making sure she wasn’t losing her mind. I wish I’d been there, she told Fitz.
”
”
Shannon Messenger (Flashback (Keeper of the Lost Cities #7))
“
I turned and held the blade above us all as an ineffective shield.
The bloodstain on the ceiling now spread almost wall to wall; in our corner, a single triangle of clean space remained. Elsewhere torrents of blood fell in curtains, roaring, driving, gusting like rain waves in a thunderstorm. The floor was awash. It pooled between the floorboards and lashed up against the wainscoting. The chandelier dripped with it: the crystals shone red. Now I knew why the chamber was without furniture of any kind, why it had been deserted for so many years. Now I knew why it had the name it did.
”
”
Jonathan Stroud (The Screaming Staircase (Lockwood & Co., #1))
“
Agnes shut her eyes, clenched her fists, opened her mouth and screamed.
It started low. Plaster dust drifted down from the ceiling. The prisms on the chandelier chimed gently as they shook.
It rose, passing quickly through the mysterious pitch at fourteen cycles per second where the human spirit begins to feel distinctly uncomfortable about the universe and the place in it of the bowels. Small items around the Opera House vibrated off shelves and smashed on the floor.
The note climbed, rang like a bell, climbed again. In the Pit, all the violin strings snapped, one by one.
As the tone rose, the crystal prisms shook in the chandelier. In the bar, champagne corks fired a salvo. Ice jingled and shattered in its bucket. A line of wine-glasses joined in the chorus, blurred around the rims, and then exploded like hazardous thistledown with attitude.
There were harmonics and echoes that caused strange effects. In the dressing-rooms the No. 3 greasepaint melted. Mirrors cracked, filling the ballet school with a million fractured images.
Dust rose, insects fell. In the stones of the Opera House tiny particles of quartz danced briefly...
Then there was silence, broken by the occasional thud and tinkle.
Nanny grinned.
'Ah,' she said, 'now the opera's over.
”
”
Terry Pratchett (Maskerade (Discworld, #18; Witches, #5))
“
Charles had climbed on a bench and was calling out that he had something to say, creating a racket that quickly got the attention of the room. Everyone looked immensely surprised, including Tessa and Will. Sona frowned, clearly thinking Charles was very rude. She didn’t know the half of it, Cordelia thought darkly.
“Let me be the first to raise a glass to the happy couple!” said Charles, doing just that. “To James Herondale and Cordelia Carstairs. I wish to add personally that James, my brother’s parabatai, has always been like a younger brother to me.”
“A younger brother he accused of vandalizing greenhouses across our fair nation,” muttered Will.
“As for Cordelia Carstairs—how to describe her?” Charles went on.
“Especially when one has not bothered to get to know her at all,” murmured James.
“She is both beautiful and fair,” said Charles, leaving Cordelia to wonder what the difference was, “as well as being brave. I am sure she will make James as happy as my lovely Grace makes me.” He smiled at Grace, who stood quietly near him, her face a mask. “That’s right. I am formally announcing my intention to wed Grace Blackthorn. You will all be invited, of course.”
Cordelia glanced over at Alastair; he was expressionless, but his hands, jammed into his pockets, were fists. James had narrowed his eyes.
Charles went on merrily. “And lastly, my thanks go out to the folk of the Enclave, who supported my actions as acting Consul through our recent troubles. I am young to have borne so much responsibility, but what could I say when duty called? Only this. I am honored by the trust of my mother, the love of my bride-to-be, and the belief of my people—”
“Thank you, Charles!” James had appeared at Charles’s side and done something rather ingenious with his feet that caused the bench Charles had been standing on to tip over. He caught Charles around the shoulder as he slid to the floor, clapping him on the back. Cordelia doubted most people in the room had noticed anything amiss. “What an excellent speech!”
Magnus Bane, looking fiendishly amused, snapped his fingers. The loops of golden ribbons dangling from the chandeliers formed the shapes of soaring herons while “For He’s a Jolly Good Fellow” began to play in ghostly fashion on the unmanned piano. James hustled Charles away from the bench he had clambered onto and into a crowd of well-wishers. The room, as a whole, seemed relieved.
“We have raised a fine son, my darling,” Will said, kissing Tessa on the cheek.
”
”
Cassandra Clare (Chain of Gold (The Last Hours, #1))
“
Which was why he reflexively turned when a flash of iridescence caught his eye. His first thought was: Morpho rhetenor Helena. The extraordinary tropical butterfly with wings of shifting colors: blues, lavenders, greens.
It proved to be a woman’s skirt.
The color was blue, but by the light of the legion of overhead candles, he saw purples and even greens shivering in its weave. A bracelet of pale stones winked around one wrist, a circlet banded her dark head. The chandelier struck little beams from that, too.
She’s altogether too shiny for a woman, he decided, and began to turn away.
Which was when she tipped her face up into the light.
Everything stopped. The beat of his heart, the pump of his lungs, the march of time.
Seconds later, thankfully, it all resumed. Much more violently than previously.
And then absurd notions roman-candled in his mind.
His palms ached to cradle her face—it was a kitten’s face, broad and fair at the brow, stubborn at the chin. She had kitten’s eyes, too: large and a bit tilted and surely they weren’t actually the azure of calm southern seas? Surely he, Miles Redmond, hadn’t entertained such a florid thought? Her eyebrows were wicked: fine, slanted, very dark. Her hair was probably brown, but it was as though he’d never learned the word “brown.”
Burnished. Silk. Copper. Azure. Delicate. Angel. Hallelujah. Suddenly these were the only words he knew.
”
”
Julie Anne Long
“
There - the chandelier, choked with dust and webs. A single rivulet of red had trickled from the ceiling, down the central column, and out along a curving crystal arm. At its lowest point, a new pendant of blood was slowly building.
'It - it can't do that,' I stammered. 'We're inside the iron.'
'Move out of the way!' Lockwood pushed me back just as the drop fell, spattering on the floor in the center of the circle. We were all standing almost atop the iron chains. 'We've made it too big,' he said. 'The power of the iron doesn't extend into the very center. It's weak there, and this Visitor's strong enough to overcome it.'
'Adjust the chains inward-' George began.
'If we make the circle smaller,' Lockwood said, 'we'll be squeezed in a tiny space. It's scarcely midnight; we've seven hours till dawn and this thing's just gotten started. No, we've got to break out
”
”
Jonathan Stroud (The Screaming Staircase (Lockwood & Co., #1))
“
I pray where I am, sitting by the window, looking out through the curtain at the empty garden. I don't even close my eyes. Out there or inside my head, it's an equal darkness. Or light.
My God. Who Art in the Kingdom of Heaven, which is within.
I wish you would tell me Your Name, the real one I mean. But You will do as well as anything.
I wish I knew what You were up to. But whatever it is, help me to get through it, please. Though maybe it's not our doing: I don't believe for an instant that what's going on out there is what You meant.
I have enough daily bread, so I won't waste time on that. It isn't the main problem. The problem is getting it down without choking on it.
Now we come to forgiveness. Don't worry about forgiving me right now. There are more important things. For instance: keep the others safe, if they are safe. Don't let them suffer too much. If they have to die, let it be fast. You might even provide a Heaven for them. We need You for that. Hell we can make for ourselves.
I suppose I should say I forgive whoever did this, and whatever they're doing now. I'll try, but it isn't easy.
Temptation comes next. At the Center, temptation was anything much more than eating and sleeping. Knowing was a temptation. What you don't know won't tempt you, Aunt Lydia used to say.
Maybe I don't really want to know what's going on. Maybe I'd rather not know. Maybe I couldn't bear to know. The Fall was a fall from innocence to knowledge.
I think about the chandelier too much, though it's gone now. But you could use a hook, in the closet. I've considered the possibilities. All you'd have to do, after attaching yourself, would be to lean your weight forward and not fight.
Deliver us from evil.
Then there's Kingdom, power, and glory. It takes a lot to believe in those right now. But I'll try it anyway. In Hope, as they say on the gravestones.
You must feel pretty ripped off. I guess it's not the first time.
If I were You I'd be fed up. I'd really be sick of it. I guess that's the difference between us.
I feel very unreal talking to You like this. I fee as if I'm talking to a wall. I wish You'd answer. I feel so alone.
All alone by the telephone. Except that I can't use the telephone. And if I could, who could I call?
Oh God. It's no joke. Oh God oh God. How can I keep on living.
”
”
Margaret Atwood (The Handmaid’s Tale (The Handmaid's Tale, #1))
“
Look, Bob, what part of this don't you understand, eh? It's a matter of style, okay? A proper brawl doesn't just happen. You don't just pile in, not anymore. Now, Oyster Dave here--put your helmet back on, Dave--will be the enemy in front, and Basalt, who, as we know, don't need a helmet, he'll be the enemy coming up behind you. Okay, it's well past knuckles time, let's say Gravy there has done his thing with the Bench Swipe, there's a bit of knife play, we've done the whole Chandelier Swing number, blah blah blah, then Second Chair--that's you, Bob--you step smartly between their Number Five man and a Bottler, swing the chair back over your head, like this--sorry, Pointy--and then swing it right back onto Number Five, bang, crash, and there's a cushy six points in your pocket. If they're playing a dwarf at Number Five, then a chair won't even slow him down, but don't fret, hang on to the bits that stay in your hand, pause one moment as he comes at you, and then belt him across both ears. They hate that, as Stronginthearm here will tell you. Another three points. It's probably going to be freestyle after that but I want all of you, including Mucky Mick and Crispo, to try for a Double Andrew when it gets down to the fist-fighting again. Remember? You back into each other, turn around to give the other guy a thumping, cue moment of humorous recognition, then link arms, swing round and see to the other fellow's attacker, foot or fist, it's your choice. Fifteen points right there if you get it to flow just right. Oh, and remember we'll have an Igor standing by, so if your arm gets taken off do pick it up and hit the other bugger with it, it gets a laugh and twenty points. On that subject, do remember what I said about getting everything tattooed with your name, all right? Igors do their best, but you'll be on your feet much quicker if you make life easier for him and, what's more, it's your feet you'll be on. Okay, positions, everyone, let's run through it again...
”
”
Terry Pratchett (Going Postal (Discworld, #33; Moist von Lipwig, #1))
“
As happens in dreams, when a perfectly harmless object inspires us with fear and thereafter is frightening every time we dream of it (and even in real life retains disquieting overtones), so Dreyer's presence became for Franz a refined torture, an implacable menace. [ ... H]e could not help cringing when, with a banging of doors in a dramatic draft, Martha and Dreyer entered simultaneously from two different rooms as if on a too harshly lit stage. Then he snapped to attention and in this attitude felt himself ascending through the ceiling, through the roof, into the black-brown sky, while, in reality, drained and empty, he was shaking hands with Martha, with Dreyer. He dropped back on his feet out of that dark nonexistence, from those unknown and rather silly heights, to land firmly in the middle of the room (safe, safe!) when hearty Dreyer described a circle with his index finger and jabbed him in the navel; Franz mimicked a gasp and giggled; and as usual Martha was coldly radiant. His fear did not pass but only subsided temporarily: one incautious glance, one eloquent smile, and all would be revealed, and a disaster beyond imagination would shatter his career. Thereafter whenever he entered this house, he imagined that the disaster had happened—that Martha had been found out, or had confessed everything in a fit of insanity or religious self-immolation to her husband; and the drawing room chandelier invariably met him with a sinister refulgence.
”
”
Vladimir Nabokov
“
Furious, the beast writhed and wriggled its iterated integrals beneath the King’s polynomial blows, collapsed into an infinite series of indeterminate terms, then got back up by raising itself to the nth power, but the King so belabored it with differentials and partial derivatives that its Fourier coefficients all canceled out (see Riemann’s Lemma), and in the ensuing confusion the constructors completely lost sight of both King and beast. So they took a break, stretched their legs, had a swig from the Leyden jug to bolster their strength, then went back to work and tried it again from the beginning, this time unleashing their entire arsenal of tensor matrices and grand canonical ensembles, attacking the problem with such fervor that the very paper began to smoke. The King rushed forward with all his cruel coordinates and mean values, stumbled into a dark forest of roots and logarithms, had to backtrack, then encountered the beast on a field of irrational numbers (F1) and smote it so grievously that it fell two decimal places and lost an epsilon, but the beast slid around an asymptote and hid in an n-dimensional orthogonal phase space, underwent expansion and came out, fuming factorially, and fell upon the King and hurt him passing sore. But the King, nothing daunted, put on his Markov chain mail and all his impervious parameters, took his increment Δk to infinity and dealt the beast a truly Boolean blow, sent it reeling through an x-axis and several brackets—but the beast, prepared for this, lowered its horns and—wham!!—the pencils flew like mad through transcendental functions and double eigentransformations, and when at last the beast closed in and the King was down and out for the count, the constructors jumped up, danced a jig, laughed and sang as they tore all their papers to shreds, much to the amazement of the spies perched in the chandelier-—perched in vain, for they were uninitiated into the niceties of higher mathematics and consequently had no idea why Trurl and Klapaucius were now shouting, over and over, “Hurrah! Victory!!
”
”
Stanisław Lem (The Cyberiad)
“
I’m supposed to believe you sold your emeralds out of some freakish start-out of a frivolous desire to go off with a man you claim was your brother?”
“Goodness, I don’t know what you are supposed to believe. I only know I did it.”
“Madam!” he snapped. “You were on the verge of tears, according to the jeweler to whom you sold them. If you were in a frivolous mood, why were you on the verge of tears?”
Elizabeth gave him a vacuous look. “I liked my emeralds.”
Guffaws erupted from the floor to the rafters. Elizabeth waited until they were finished before she leaned forward and said in a proud, confiding tone, “My husband often says that emeralds match my eyes. Isn’t that sweet?”
Sutherland was beginning to grind his teeth, Elizabeth noted. Afraid to look at Ian, she cast a quick glance at Peterson Delham and saw him watching her alertly with something that might well have been admiration.
“So!” Sutherland boomed in a voice that was nearly a rant. “We are now supposed to believe that you weren’t really afraid of your husband?”
“Of course I was. Didn’t I just explain how very cruel he can be?” she asked with another vacuous look. “Naturally, when Bobby showed me his back I couldn’t help thinking that a man who would threaten to cut off his wife’s allowance would be capable of anything-“
Loud guffaws lasted much longer this time, and even after they died down, Elizabeth noticed derisive grins where before there had been condemnation and disbelief. “And,” Sutherland boomed, when he could be heard again, “we are also supposed to believe that you ran off with a man you claim is your brother and have been cozily in England somewhere-“
Elizabeth nodded emphatically and helpfully provided, “In Helmshead-it is the sweetest village by the sea. I was having a very pleas-very practical time until I read the paper and realized my husband was on trial. Bobby didn’t think I should come back at all, because he was still provoked about being put on one of my husband’s ships. But I thought I ought.”
“And what,” Sutherland gritted, “do you claim is the reason you decided you ought?”
“I didn’t think Lord Thornton would like being hanged-“ More mirth exploded through the House, and Elizabeth had to wait for a full minute before she could continue. “And so I gave Bobby my money, and he went on to have his own agreeable life, as I said earlier.”
“Lady Thornton,” Sutherland said in an awful, silky voice that made Elizabeth shake inside, “does the word ‘perjury’ have any meaning to you?”
“I believe,” Elizabeth said, “it means to tell a lie in a place like this.”
“Do you know how the Crown punishes perjurers? They are sentenced to gaol, and they live their lives in a dark, dank cell. Would you want that to happen to you?”
“It certainly doesn’t sound very agreeable,” Elizabeth said. “Would I be able to take my jewels and gowns?”
Shouts of laughter shook the chandeliers that hung from the vaulted ceilings.
“No, you would not!”
“Then I’m certainly happy I haven’t lied.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
On Monday morning, she called me into her bedroom. Her dark hair was tousled, her light robe very feminine against the soft blue of her bed. Her eyes were full of mischief. “Oh, Mr. West,” she whispered in her beguiling child’s voice. “I’ve gotten myself into something. Can you help me get out of it?” “What can I do?” I asked, wondering who was next in line to be fired. “I’ve invited someone to stay here,” she said, “but now we’ve changed our minds.” She cast a glance in the direction of the President’s bedroom. “Could you help us cook up something so we can get out of having her as a houseguest?” Without waiting for a reply, she rushed on, her request becoming a command in mid-breath. “Would you fix up the Queen’s Room and the Lincoln Room so that it looks like we’re still decorating them, and I’ll show her that our guest rooms are not available.” Her eyes twinkled, imagining the elaborate deception. “The guest rooms will be redecorated immediately,” I said, and almost clicked my heels. I called Bonner Arrington in the carpenter’s shop. “Bring drop-cloths up to the Queen’s Room and Lincoln Bedroom. Roll up the rugs and cover the draperies and chandeliers, and all the furniture,” I instructed. “Oh yes, and bring a stepladder.” I called the paint shop. “I need six paint buckets each for the Queen’s Room and the Lincoln Room. Two of the buckets in each room should be empty—off-white—and I need four or five dirty brushes.” I met the crews on the second floor. “Now proceed to make these two rooms look as if they’re being redecorated,” I directed. “You mean you don’t want us to paint?” said the painters. “No,” I said. “Just make it look as if you are.” The crew had a good time, even though they didn’t know what it was all about. As I brought in the finishing touches, ashtrays filled with cigarette butts, Bonner shook his head. “Mr. West, all I can say is that this place has finally got to you,” he said. That evening the President and Mrs. Kennedy entertained a Princess for dinner upstairs in the President’s Dining Room. Before dinner, though, President Kennedy strolled down to the East Hall with his wife’s guest. He pointed out the bedraped Queen’s Room. “… And you see, this is where you would have spent the night if Jackie hadn’t been redecorating again,” he told the unsuspecting lady. The next morning, Mrs. Kennedy phoned me. “Mr. West, you outdid yourself,” she exclaimed. “The President almost broke up when he saw those ashtrays.
”
”
J.B. West (Upstairs at the White House: My Life with the First Ladies)
“
Come inside with me,” he urged, increasing the pressure on her elbow, “and I’ll begin making it up to you.”
Elizabeth let herself be drawn forward a few steps and hesitated. “This is a mistake. Everyone will see us and think we’ve started it all over again-“
“No, they won’t,” he promised. “There’s a rumor spreading like fire in there that I tried to get you in my clutches two years ago, but without a title to tempt you I didn’t have a chance. Since acquiring a title is a holy crusade for most of them, they’ll admire your sense. Now that I have a title, I’m expected to use it to try to succeed where I failed before-as a way of bolstering my wounded male pride.” Reaching up to brush a wisp of hair from her soft cheek, he said, “I’m sorry. It was the best I could do with what I had to work with-we were seen together in compromising circumstances. Since they’d never believe nothing happened, I could only make them think I was in pursuit and you were evading.”
She flinched from his touch but didn’t shove his hand away. “You don’t understand. What’s happening to me in there is no less than I deserve. I knew what the rules were, and I broke them when I stayed with you at the cottage. You didn’t force me to stay. I broke the rules, and-“
“Elizabeth,” he interrupted in a voice edge with harsh remorse, “if you won’t do anything else for me, at least stop exonerating me for that weekend. I can’t bear it. I exerted more force on you than you understand.”
Longing to kiss her, Ian had to be satisfied instead with trying to convince her his plan would work, because he now needed her help to ensure its success. In a teasing voice he said, “I think you’re underrating my gift for strategy and subtlety. Come and dance with me, and I’ll prove to you how easily most of the male minds in there have been manipulated.”
Despite his confidence, moments after they entered the ballroom Ian noticed the increasing coldness of the looks being directed at them, and he knew a moment of real alarm-until he glanced at Elizabeth as he took her in his arms for a waltz and realized the cause of it. “Elizabeth,” he said in a low, urgent voice, gazing down at her bent head, “stop looking meek! Put your nose in the air and cut me dead or flirt with me, but do not on any account look humble, because these people will interpret it as guilt!”
Elizabeth, who had been staring at his shoulder, as she'd done with her other dancing partners, tipped her head back and looked at him in confusion. "What?"
Ian's heart turned over when the chandeliers overhead revealed the wounded look in her glorious green eyes. Realizing logic and lectures weren't going to help her give the performance he badly needed her to give, he tried the tack that had, in Scotland, made her stop crying and begin to laugh: He tried to tease her. Casting about for a subject, he said quickly, "Belhaven is certainly in fine looks tonight-pink satin pantaloons. I asked him for the name of his tailor so that I could order a pair for myself."
Elizabeth looked at him as if he'd taken leave of his senses; then his warning about looking meek hit home, and she began to understand what he wanted her to do. That added to the comic image of Ian's tall, masculine frame in those absurd pink pantaloons enabled her to manage a weak smile. "I have greatly admired those pantaloons myself," she said. "Will you also order a yellow satin coat to complement the look?"
He smiled. "I thought-puce."
"An unusual combination," she averred softly, "but one that I am sure will make you the envy of all who behold you.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))