“
I will love you as a thief loves a gallery and as a crow loves a murder, as a cloud loves bats and as a range loves braes. I will love you as misfortune loves orphans, as fire loves innocence and as justice loves to sit and watch while everything goes wrong. I will love you as a battlefield loves young men and as peppermints love your allergies, and I will love you as the banana peel loves the shoe of a man who was just struck by a shingle falling off a house. I will love you as a volunteer fire department loves rushing into burning buildings and as burning buildings love to chase them back out, and as a parachute loves to leave a blimp and as a blimp operator loves to chase after it.
I will love you as a dagger loves a certain person’s back, and as a certain person loves to wear dagger proof tunics, and as a dagger proof tunic loves to go to a certain dry cleaning facility, and how a certain employee of a dry cleaning facility loves to stay up late with a pair of binoculars, watching a dagger factory for hours in the hopes of catching a burglar, and as a burglar loves sneaking up behind people with binoculars, suddenly realizing that she has left her dagger at home. I will love you as a drawer loves a secret compartment, and as a secret compartment loves a secret, and as a secret loves to make a person gasp, and as a gasping person loves a glass of brandy to calm their nerves, and as a glass of brandy loves to shatter on the floor, and as the noise of glass shattering loves to make someone else gasp, and as someone else gasping loves a nearby desk to lean against, even if leaning against it presses a lever that loves to open a drawer and reveal a secret compartment. I will love you until all such compartments are discovered and opened, and until all the secrets have gone gasping into the world. I will love you until all the codes and hearts have been broken and until every anagram and egg has been unscrambled.
I will love you until every fire is extinguised and until every home is rebuilt from the handsomest and most susceptible of woods, and until every criminal is handcuffed by the laziest of policemen. I will love until M. hates snakes and J. hates grammar, and I will love you until C. realizes S. is not worthy of his love and N. realizes he is not worthy of the V. I will love you until the bird hates a nest and the worm hates an apple, and until the apple hates a tree and the tree hates a nest, and until a bird hates a tree and an apple hates a nest, although honestly I cannot imagine that last occurrence no matter how hard I try. I will love you as we grow older, which has just happened, and has happened again, and happened several days ago, continuously, and then several years before that, and will continue to happen as the spinning hands of every clock and the flipping pages of every calendar mark the passage of time, except for the clocks that people have forgotten to wind and the calendars that people have forgotten to place in a highly visible area. I will love you as we find ourselves farther and farther from one another, where we once we were so close that we could slip the curved straw, and the long, slender spoon, between our lips and fingers respectively.
I will love you until the chances of us running into one another slip from slim to zero, and until your face is fogged by distant memory, and your memory faced by distant fog, and your fog memorized by a distant face, and your distance distanced by the memorized memory of a foggy fog. I will love you no matter where you go and who you see, no matter where you avoid and who you don’t see, and no matter who sees you avoiding where you go. I will love you no matter what happens to you, and no matter how I discover what happens to you, and no matter what happens to me as I discover this, and now matter how I am discovered after what happens to me as I am discovering this.
”
”
Lemony Snicket
“
Do you think I'm a whore?” Harry pulled over to the side of the road and turned to me. “I think you're brilliant. I think you're tough. And I think the word whore is something ignorant people throw around when they have nothing else.
… “Isn't it awfully convenient,” Harry added, “that when men make the rules, the one thing that's looked down on the most is the one thing that would bear them the greatest threat? Imagine if every single woman on the planet wanted something in exchange when she gave up her body. You'd all be ruling the place. An armed populace. Only men like me would stand a chance against you. And that's the last thing those assholes want, a world run by people like you and me.”
I laughed, my eyes still puffy and tired from crying. “So am I a whore or not?” “Who knows?” he said. “We're all whores, really, in some way or another. At least in Hollywood.” … “But I like you this way. I like you impure and scrappy and formidable. I like the Evelyn Hugo who sees the world for what it is and then goes out there and wrestles what she wants out of it. So, you know, put whatever label you want on it, just don't change. That would be the real tragedy.
”
”
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
“
Ladies and gentlemen of the class of '97:
Wear sunscreen.
If I could offer you only one tip for the future, sunscreen would be it. The long-term benefits of sunscreen have been proved by scientists, whereas the rest of my advice has no basis more reliable than my own meandering experience. I will dispense this advice now.
Enjoy the power and beauty of your youth. Oh, never mind. You will not understand the power and beauty of your youth until they've faded. But trust me, in 20 years, you'll look back at photos of yourself and recall in a way you can't grasp now how much possibility lay before you and how fabulous you really looked. You are not as fat as you imagine.
Don't worry about the future. Or worry, but know that worrying is as effective as trying to solve an algebra equation by chewing bubble gum. The real troubles in your life are apt to be things that never crossed your worried mind, the kind that blindside you at 4 pm on some idle Tuesday.
Do one thing everyday that scares you.
Sing.
Don't be reckless with other people's hearts. Don't put up with people who are reckless with yours.
Floss.
Don't waste your time on jealousy. Sometimes you're ahead, sometimes you're behind. The race is long and, in the end, it's only with yourself.
Remember compliments you receive. Forget the insults. If you succeed in doing this, tell me how.
Keep your old love letters. Throw away your old bank statements.
Stretch.
Don't feel guilty if you don't know what you want to do with your life. The most interesting people I know didn't know at 22 what they wanted to do with their lives. Some of the most interesting 40-year-olds I know still don't.
Get plenty of calcium. Be kind to your knees. You'll miss them when they're gone.
Maybe you'll marry, maybe you won't. Maybe you'll have children, maybe you won't. Maybe you'll divorce at 40, maybe you'll dance the funky chicken on your 75th wedding anniversary. Whatever you do, don't congratulate yourself too much, or berate yourself either. Your choices are half chance. So are everybody else's.
Enjoy your body. Use it every way you can. Don't be afraid of it or of what other people think of it. It's the greatest instrument you'll ever own.
Dance, even if you have nowhere to do it but your living room.
Read the directions, even if you don't follow them.
Do not read beauty magazines. They will only make you feel ugly.
Get to know your parents. You never know when they'll be gone for good. Be nice to your siblings. They're your best link to your past and the people most likely to stick with you in the future.
Understand that friends come and go, but with a precious few you should hold on. Work hard to bridge the gaps in geography and lifestyle, because the older you get, the more you need the people who knew you when you were young.
Live in New York City once, but leave before it makes you hard. Live in Northern California once, but leave before it makes you soft. Travel.
Accept certain inalienable truths: Prices will rise. Politicians will philander. You, too, will get old. And when you do, you'll fantasize that when you were young, prices were reasonable, politicians were noble, and children respected their elders.
Respect your elders.
Don't expect anyone else to support you. Maybe you have a trust fund. Maybe you'll have a wealthy spouse. But you never know when either one might run out.
Don't mess too much with your hair or by the time you're 40 it will look 85.
Be careful whose advice you buy, but be patient with those who supply it. Advice is a form of nostalgia. Dispensing it is a way of fishing the past from the disposal, wiping it off, painting over the ugly parts and recycling it for more than it's worth.
But trust me on the sunscreen.
”
”
Mary Schmich (Wear Sunscreen: A Primer for Real Life)
“
As I looked out at the water, I realized there was nowhere to go, nowhere left to run. And I just had to stay here, facing this terrible truth. I felt, as more tears fell, just how tired I was, a tiredness that had nothing to do with the hour. I was tired of running away from this, tired of not telling people, tired of not talking about it, tired of pretending things were okay when they had never, ever been less than okay.
”
”
Morgan Matson (Second Chance Summer)
“
Aren’t you worn out from running?” His lips follow a tear down my neck, and then he brushes my face with his hand. “I don’t want to live without you another day. I’m begging you for another chance. Please.
”
”
Willow Aster (True Love Story)
“
What really counted was the possibility of escape, a leap of freedom, out of the implacable ritual, a wild run for it that would give whatever chance for hope there was. Of course, hope meant being cut down on some street corner, as you ran like mad, by a random bullet. But when I really thought it through, nothing was going to allow me such a luxury. Everything was against it; I would just be caught up in the machinery again.
”
”
Albert Camus (The Stranger)
“
Very well." He sat cross-legged on the floor of the cage. "You haven't run off so you want to talk. I will hear your explanation now."
"Really, Your Majesty? So good of you to condescend. I'll try to use small words and go slow."
"You're wasting my time. I know Jim betrayed me and you're covering for him. This is your chance to dazzle me wih your brillance or baffle me with your bullshit. You won't get another. When I get out, I won't be in the mood to listen.
”
”
Ilona Andrews (Magic Strikes (Kate Daniels, #3))
“
Clinging to him desperately, Sara kept her mouth at his ear. "Listen to me." All she could do was play her last card. Her voice trembled with emotion. "You can't change the truth. You can act as though you're deaf and blind, you can walk away from me forever, but the truth will still be there, and you can't make it go away. I love you." She felt an involuntary tremor run through him. "I love you," she repeated. "Don't lie to either of us by pretending you're leaving for my good. All you'll do is deny us both a chance at happiness. I'll long for you every day and night, but at least my conscience will be clear. I haven't held anything back from you, out of fear or pride or stubbornness." She felt the incredible tautness of his muscles, as if he were carved from marble. "For once have the strength not to walk away,"she whispered. "Stay with me. Let me love you, Derek.
”
”
Lisa Kleypas (Dreaming of You (The Gamblers of Craven's, #2))
“
Your mom seems like someone who gets her way a lot." Adrian cast a covert look to where Lissa and my mom stood talking across the room. He lowered his voice. "It must run in the family. In fact, maybe I should get her help on something."
"Getting a hold of illegal cigarettes?"
"Asking her daughter out."
I nearly dropped the plate I held. "You've asked me out tons of times."
"Not really. I've made inappropriate suggestions and frequently pushed for nudity. But I've never asked you out on a real date. And, if memory serves, you did say you'd give me a fair chance once I let you clean out my trust fund."
"I didn't clean it out," I scoffed.
”
”
Richelle Mead (Blood Promise (Vampire Academy, #4))
“
You know what's wrong with you, Miss Whoever-You-Are? You're chicken, you've got no guts. You're afraid to stick out your chin and say, "Okay, life's a fact, people do fall in love, people do belong to each other, because that's the only chance anybody's got for real happiness." You call yourself a free spirit, a wild thing, and you're terrified somebody's going to stick you in a cage. Well, baby, you're already in that cage. You built it yourself. And it's not bounded in the west by Tulip, Texas, or in the east by Somaliland. It's wherever you go. Because no matter where you run, you just end up running into yourself.
”
”
George Axelrod
“
Books are, let's face it, better than everything else. If we played cultural Fantasy Boxing League, and made books go 15 rounds in the ring against the best that any other art form had to offer, then books would win pretty much every time. Go on, try it. “The Magic Flute” v. Middlemarch? Middlemarch in six. “The Last Supper” v. Crime and Punishment? Fyodor on points. See? I mean, I don’t know how scientific this is, but it feels like the novels are walking it. You might get the occasional exception -– “Blonde on Blonde” might mash up The Old Curiosity Shop, say, and I wouldn’t give much for Pale Fire’s chance against Citizen Kane. And every now and again you'd get a shock, because that happens in sport, so Back to the Future III might land a lucky punch on Rabbit, Run; but I'm still backing literature 29 times out of 30.
”
”
Nick Hornby (The Polysyllabic Spree)
“
I think we're simply going to run out of Nature before we have a chance to destroy it.
”
”
Douglas Coupland (Shampoo Planet)
“
[When it comes to God] We can't run out of second chances...only time.
”
”
Robin Jones Gunn
“
Despite the loss they were suffering, they'd both relaxed - as people do when they realize they've run out of chances for happiness
”
”
Orhan Pamuk (Snow)
“
I know that it's easier to portray a world that's filled with cynicism and anger, where problems are solved with violence. What's a whole lot tougher is to offer alternatives, to present other ways conflicts can be resolved, and to show that you can have a positive impact on your world. To do that, you have to put yourself out on a limb, take chances, and run the risk of being called a do-gooder.
”
”
Jim Henson (It's Not Easy Being Green and Other Things to Consider)
“
I love you.'
'I love you too.'
She never misses an opportunity to say it. You never know when you can run out of chances.
”
”
Cheryl McIntyre (Sometimes Never (Sometimes Never, #1))
“
Aelin had felt it before: a thread in the world, a current running between her and someone else. She’d felt it one night, years ago, and had given a young healer the money to get the hell out of this continent. She’d felt the tug—and had decided to tug back.
Here it was again, that tug—toward Manon, whose arms buckled as she collapsed to the stone.
Her enemy—her new enemy, who would have killed her and Rowan if given the chance. A monster incarnate.
But perhaps the monsters needed to look out for each other every now and then.
”
”
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
“
[The kakapo] is an extremely fat bird. A good-sized adult will weigh about six or seven pounds, and its wings are just about good for waggling a bit if it thinks it's about to trip over something — but flying is out of the question. Sadly, however, it seems that not only has the kakapo forgotten how to fly, but it has forgotten that it has forgotten how to fly. Apparently a seriously worried kakapo will sometimes run up a tree and jump out of it, whereupon it flies like a brick and lands in a graceless heap on the ground.
”
”
Douglas Adams (Last Chance to See)
“
The dude gives fish a run for their money, the way he flops when he fucks. Might as well lay out naked in the fish market—he’d have a better chance of finding someone to take him home. That person is not going to be me.
”
”
H.D. Carlton (Haunting Adeline (Cat and Mouse, #1))
“
I know you are always finding ways to love me in spite of how horrible I am, I hope I haven't run out of chances.
”
”
Ann Brashares (The Second Summer of the Sisterhood (Sisterhood, #2))
“
You need to have mercy on me, baby," his tone turned slightly threatening, "before I snap."
"I told you to stay the fuck away from him. I told you not to let him touch you. I told you not to let him kiss you. Did he fuckin' kiss you again? You let him fucking touch you again?"
"Am i gonna have to beat the shit out o' him? Is that what it's gonna take?"
"He can't fuck you, Elaina." His hands released her wrists and dropped down until his arms encircled her waist completely. He hugged her to him, running his hands up and down her back. "I get that you're too young for me. I can't have you yet." His hands clenched tight in pure possession. "But baby, you need to take care. You belong to me--" She jerked in his arms and caught him off guard. "I don't belong to you---" His head whipped up to glare at her face and his hand grabbed her chin and lifted it. "You're gonna fckin' belong to me. Just as soon as you get grown, I've told you before. But you need to take care, protect what's mine, or all bets are off and I'll move in now. Your choice. I'll give you time and space but you gotta promise. Nobody fucks you. Now. Promise Now.
”
”
Lynda Chance (Staking His Claim (Ranchers of Chatum County, #1))
“
What good does it do me, after all, if an ever-watchful authority keeps an eye out to ensure that my pleasures will be tranquil and races ahead of me to ward off all danger, sparing me the need even to think about such things, if that authority, even as it removes the smallest thorns from my path, is also absolute master of my liberty and my life; if it monopolizes vitality and existence to such a degree that when it languishes, everything around it must also languish; when it sleeps, everything must also sleep; and when it dies, everything must also perish?
There are some nations in Europe whose inhabitants think of themselves in a sense as colonists, indifferent to the fate of the place they live in. The greatest changes occur in their country without their cooperation. They are not even aware of precisely what has taken place. They suspect it; they have heard of the event by chance. More than that, they are unconcerned with the fortunes of their village, the safety of their streets, the fate of their church and its vestry. They think that such things have nothing to do with them, that they belong to a powerful stranger called “the government.” They enjoy these goods as tenants, without a sense of ownership, and never give a thought to how they might be improved. They are so divorced from their own interests that even when their own security and that of their children is finally compromised, they do not seek to avert the danger themselves but cross their arms and wait for the nation as a whole to come to their aid. Yet as utterly as they sacrifice their own free will, they are no fonder of obedience than anyone else. They submit, it is true, to the whims of a clerk, but no sooner is force removed than they are glad to defy the law as a defeated enemy. Thus one finds them ever wavering between servitude and license.
When a nation has reached this point, it must either change its laws and mores or perish, for the well of public virtue has run dry: in such a place one no longer finds citizens but only subjects.
”
”
Alexis de Tocqueville (Democracy in America)
“
Miracles do not belong to religions. Miracles belong to the desperate, which is why every religion, every philosophy, and most importantly, every fairy tale always has a moment of salvation, a eureka, an enlightenment. We are all chasing and chasing tails, running and running in circles, until a wolf or the witch or the stepmother jumps out and trips us, and we fall flat, splat, and we lie bare and bleeding and breathless and finally, finally look and see whatever it is---salvation or eureka or enlightenment or a hunter or prince or a glass slipper---in front of us. And that's what miracles are. Not solutions, but catalysts. Not answers, but chances.
”
”
Amy Zhang (This Is Where the World Ends)
“
I'm so jealous. Laughable jealousies, jealousies of everyone who might get a chance to speak from the dead. I've zoomed out my timeline to include the apocalypse, and, religionless, I worship the potential for my own tangible trace. How presumptuous! To assume specialness in the first place. As I age, I can see the possibilities fade from the fourth-grade displays: it's too late to be a doctor, to star in a movie, to run for president. There's a really good chance I'll never do anything. It's selfish and self-centered to consider, but it scares me.
”
”
Marina Keegan (The Opposite of Loneliness: Essays and Stories)
“
You don’t measure love in the number of chances you’re willing to give someone. Love doesn’t run out of chances.
”
”
Caisey Quinn (Hold Us Close (Keep Me Still, #1.5))
“
got a past. Everybody is running from some demon or another. Everybody needs a second chance. If there’s a person out there who has not fucked up royally and needed a second chance… well, that person hasn’t lived yet.
”
”
J.A. Huss (Three, Two, One (321))
“
I love airports. I’m fascinated by how an airport runs seamlessly as one huge well-oiled machine, and to watch how, when things go wrong, as they do all the time, all those little crises are fixed by people running around like the T-cells of a mammalian immune system dealing with infections before they have chance to get out of control.
”
”
Oliver Dowson (There's No Business Like International Business: Business Travel – But Not As You Know It)
“
Our children will be counted, and justice will be served. Our babies deserve a fair chance at life. We are our children’s groundbreakers; therefore, we cannot give up. We might run out of breath but we must have the willpower when moving forward to fight for our children’s voices to be heard. Bullying is not accepted
”
”
Charlena E. Jackson
“
I do not like the killers, and the killing bravely and well crap. I do not like the bully boys, the Teddy Roosevelt’s, the Hemingways, the Ruarks. They are merely slightly more sophisticated versions of the New Jersey file clerks who swarm into the Adirondacks in the fall, in red cap, beard stubble and taut hero’s grin, talking out of the side of their mouths, exuding fumes of bourbon, come to slay the ferocious white-tailed deer. It is the search for balls. A man should have one chance to bring something down. He should have his shot at something, a shining running something, and see it come a-tumbling down, all mucus and steaming blood stench and gouted excrement, the eyes going dull during the final muscle spasms. And if he is, in all parts and purposes, a man, he will file that away as a part of his process of growth and life and eventual death. And if he is perpetually, hopelessly a boy, he will lust to go do it again, with a bigger beast.
”
”
John D. MacDonald (A Deadly Shade of Gold (Travis McGee #5))
“
when you asked me to stay away from you in your note, it finally hit me. You meant it. You weren’t going to try anymore. I’d run out of chances, and I realized that the night before would be the last time I ever saw you. And I couldn’t … The whole time on that plane I … I kept thinking to myself if I could just get to you I would tell you I loved you and I’d get to keep you. I’m that selfish.
”
”
Samantha Young (Hero (Hero, #1))
“
Let’s face it - English is a crazy language. There is no egg in eggplant nor ham in hamburger; neither apple nor pine in pineapple. English muffins weren’t invented in England or French fries in France. Sweetmeats are candies while sweetbreads, which aren’t sweet, are meat. We take English for granted. But if we explore its paradoxes, we find that quicksand can work slowly, boxing rings are square and a guinea pig is neither from Guinea nor is it a pig.
And why is it that writers write but fingers don’t fing, grocers don’t groce and hammers don’t ham? If the plural of tooth is teeth, why isn’t the plural of booth beeth? One goose, 2 geese. So one moose, 2 meese? One index, 2 indices? Doesn’t it seem crazy that you can make amends but not one amend? If you have a bunch of odds and ends and get rid of all but one of them, what do you call it?
If teachers taught, why didn’t preachers praught? If a vegetarian eats vegetables, what does a humanitarian eat? In what language do people recite at a play and play at a recital? Ship by truck and send cargo by ship? Have noses that run and feet that smell? How can a slim chance and a fat chance be the same, while a wise man and a wise guy are opposites?
You have to marvel at the unique lunacy of a language in which your house can burn up as it burns down, in which you fill in a form by filling it out and in which an alarm goes off by going on. English was invented by people, not computers, and it reflects the creativity of the human race (which, of course, isn’t a race at all). That is why, when the stars are out, they are visible, but when the lights are out, they are invisible.
And finally, why doesn't "buick" rhyme with "quick"?
”
”
Richard Lederer
“
The Pomegranate
The only legend I have ever loved is
the story of a daughter lost in hell.
And found and rescued there.
Love and blackmail are the gist of it.
Ceres and Persephone the names.
And the best thing about the legend is
I can enter it anywhere. And have.
As a child in exile in
a city of fogs and strange consonants,
I read it first and at first I was
an exiled child in the crackling dusk of
the underworld, the stars blighted. Later
I walked out in a summer twilight
searching for my daughter at bed-time.
When she came running I was ready
to make any bargain to keep her.
I carried her back past whitebeams
and wasps and honey-scented buddleias.
But I was Ceres then and I knew
winter was in store for every leaf
on every tree on that road.
Was inescapable for each one we passed.
And for me.
It is winter
and the stars are hidden.
I climb the stairs and stand where I can see
my child asleep beside her teen magazines,
her can of Coke, her plate of uncut fruit.
The pomegranate! How did I forget it?
She could have come home and been safe
and ended the story and all
our heart-broken searching but she reached
out a hand and plucked a pomegranate.
She put out her hand and pulled down
the French sound for apple and
the noise of stone and the proof
that even in the place of death,
at the heart of legend, in the midst
of rocks full of unshed tears
ready to be diamonds by the time
the story was told, a child can be
hungry. I could warn her. There is still a chance.
The rain is cold. The road is flint-coloured.
The suburb has cars and cable television.
The veiled stars are above ground.
It is another world. But what else
can a mother give her daughter but such
beautiful rifts in time?
If I defer the grief I will diminish the gift.
The legend will be hers as well as mine.
She will enter it. As I have.
She will wake up. She will hold
the papery flushed skin in her hand.
And to her lips. I will say nothing.
”
”
Eavan Boland
“
Mrs. Nightwing glances at the box in my hands. She clears her throat."I understand you've decided against Mr. Middleton."...
It's best to be sure, through and through," she says, keeping her eyes steadfastly on the girls running and playing on the lawn. "Else you could find yourself one day coming home to an empty house, save for a note: I've gone out. You could wait all night for him to return. Nights turn into weeks, to years. It's horrible, the waiting. You can scarcely bear it. And perhaps years later on holiday in Brighton, you see him, walking along the boardwalk as if out of some dream. No longer lost. Your heartbeat quickens. You must call out to him. Someone else calls first. A pretty young woman with a child. He stops and bends to lift the child into his arms. His child. He gives a furtive kiss to his young wife. He hands her a box of candy, which you know to be Chollier's chocolates. He and his family stroll on. Something in you falls away. You will never be as you were. What is left to you is the chance to become something new and unsure. But at least the waiting is over.
”
”
Libba Bray (Rebel Angels (Gemma Doyle, #2))
“
That they were torn from mistakes they had no chance to fix; everything unfinished. All the sins of love without detail, detail without love. The regret of having spoken, of having run out of time to speak. Of hoarding oneself. Of turning one’s back too often in favour of sleep. I tried to imagine their physical needs, the indignity of human needs grown so extreme they equal your longing for wife, child, sister, parent, friend. But truthfully I couldn’t even begin to imagine the trauma of their hearts, of being taken in the middle of their lives. Those with young children. Or those newly in love, wrenched from that state of grace. Or those who had lived invisibly, who were never know.
”
”
Anne Michaels (Fugitive Pieces)
“
At last, Sturmhond straightened the lapels of his teal frock coat and said, “Well, Brekker, it’s obvious you only deal in half-truths and outright lies, so you’re clearly the man for the job.”
“There’s just one thing,” said Kaz, studying the privateer’s broken nose and ruddy hair. “Before we join hands and jump off a cliff together, I want to know exactly who I’m running with.”
Sturmhond lifted a brow. “We haven’t been on a road trip or exchanged clothes, but I think our introductions were civilized enough.”
“Who are you really, privateer?”
“Is this an existential question?”
“No proper thief talks the way you do.”
“How narrow-minded of you.”
“I know the look of a rich man’s son, and I don’t believe a king would send an ordinary privateer to handle business this sensitive.”
“Ordinary,” scoffed Sturmhond. “Are you so schooled in politics?”
“I know my way around a deal. Who are you? We get the truth or my crew walks.”
“Are you so sure that would be possible, Brekker? I know your plans now. I’m accompanied by two of the world’s most legendary Grisha, and I’m not too bad in a fight either.”
“And I’m the canal rat who brought Kuwei Yul-Bo out of the Ice Court alive. Let me know how you like your chances.” His crew didn’t have clothes or titles to rival the Ravkans, but Kaz knew where he’d put his money if he had any left.
Sturmhond clasped his hands behind his back, and Kaz saw the barest shift in his demeanor. His eyes lost their bemused gleam and took on a surprising weight. No ordinary privateer at all.
“Let us say,” said Sturmhond, gaze trained on the Ketterdam street below, “hypothetically, of course, that the Ravkan king has intelligence networks that reach deep within Kerch, Fjerda, and the Shu Han, and that he knows exactly how important Kuwei Yul-Bo could be to the future of his country. Let us say that king would trust no one to negotiate such matters but himself, but that he also knows just how dangerous it is to travel under his own name when his country is in turmoil, when he has no heir and the Lantsov succession is in no way secured.”
“So hypothetically,” Kaz said, “you might be addressed as Your Highness.
”
”
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
“
Uphill? There's nothing up the hill," Colly said, trying desperately to work out where this conversation was going.
"As a matter of fact, there is. There's a bluff about twelve meters high, with a river running below it. The water's deep, so it'll be quite safe for you to jump." In his brief glimpse of the river, Halt had noticed that the fast-flowing water cut under the bluff in a sharp curve. That should mean that the bottom had been scoured out over the years. A thought struck him. "You can swim, I assume?"
"Yes. I can swim," Colly said. "But I'm going jumping off some bluff just because you say to!"
"No, no. Of course not. That'd be asking far too much of you. You'll jump off because if you don't, I'll shoot you. It'll be the same effect, really. If I have to shoot you, you'll fall off. But I thought I'd give you a chance to survive." Halt paused, then added, "Oh, and if you decide to run downhill, I'll also shoot you with an arrow. Uphill and off is really your only chance of survival."
"You can't be serious!" Colly said. "Do you really-"
But he got no further. Halt leaned forward, putting a hand up to stop the outburst.
"Colly, take a good, long look into my eyes and tell me if you see anything, anything at all, that says I'm not deadly serious."
His eyes were deep brown, almost black. They were steady and unwavering and there was no sign of anything there but utter determination. Colly looked at them and after a few second, his eyes dropped away. halt nodded as the other man's gaze slid away from his.
"Good. Now we've got that settled, you should try to get some sleep. You have a big day ahead of you tomorrow.
”
”
John Flanagan (The Kings of Clonmel (Ranger's Apprentice, #8))
“
Here's the thing about love," Mrs. Basil E. replied. "You get a last chance. And then, when that doesn't work, you make yourself another last chance. Then another. Then another. You keep going until your last chances run out.
”
”
Rachel Cohn (The Twelve Days of Dash & Lily (Dash & Lily, #2))
“
There’s all this pressure in our society to be beautiful, to be strong, to be sexy. So we spend our time and money on trying to become these things. We put on the high heels, the suits, the makeup, the mask. Then, we feel more awkward than confident, so we drink away our anxieties. That doesn’t make us look any sexier – it just makes us stop caring about how we look.
Everyone is beautiful. Everyone is sexy. Everyone is strong. It’s lunacy. We’re all running around trying to become something that we already are.
You know what’s really sexy? A person who’s 100% comfortable with themselves. And you know what’s really funny? It is just as time consuming and difficult to learn to accept yourself as it is to pretend to be someone else. The only difference is – with self acceptance, one day, it’s not hard anymore. One day, you feel like your sexiest, strongest self just rolling out of bed in the morning.
You’re either going to spend the little time you have in your life on trying to know yourself or trying to hide yourself. The choice is yours. You can’t do both.
And you know what’s really amazing about choosing self-love? You’ll be setting an example for all the people around you and all the kids of the coming generation. You’ll be part of a revolution to take back the precious moments of our lives out of the hands of shame-inducing advertisers and back into the hands and hearts of real people like you, like me, like all of us.
I know you’ve dreamt about changing the world. So this is your chance. Learn to love yourself, accept yourself, and unleash your strongest, sexiest self. It’s in there. You just have to believe it.
”
”
Vironika Tugaleva
“
There was a tempest brewing in his eyes that I wasn’t sure I would survive if I stayed in his gaze too long. But he told me with his sure hold that I could trust him and not to run before I’d given him a chance to show him what it was like to ride out the storm.
”
”
Shelly Crane (The Other Side of Gravity (Oxygen, #1))
“
Then what do you want?" she asked softly.
He shook his head without answering. But Sara knew. He wanted to be safe. If he were rich and powerful enough, he would never be hurt, lonely, or abandoned. He would never have to trust anyone. She continued to stroke his hair, playing lightly with the thick raven locks. 'Take a chance on me," she urged. "Do you really have so much to lose?"
He gave a harsh laugh and loosened his arms to release her. "More than you know."
Clinging to him desperately, Sara kept her mouth at his ear. "Listen to me." All she could do was play her last card. Her voice trembled with emotion. "You can't change the truth. You can act as though you're deaf and blind, you can walk away from me forever, but the truth will still be there, and you can't make it go away. I love you." She felt an involuntary tremor run through him. "I love you," she repeated. "Don't lie to either of us by pretending you're leaving for my good. All you'll do is deny us both a chance at happiness. I'll long for you every day and night, but at least my conscience will be clear. I haven't held anything back from you, out of fear or pride or stubbornness." She felt the incredible tautness of his muscles, as if he were carved from marble. "For once have the strength not to walk away," she whispered. "Stay with me. Let me love you, Derek."
He stood there frozen in defeat, with all the warmth and promise of her in his arms ... and he couldn't allow himself to take what she offered. He'd never felt so worthless, so much a fraud. Perhaps for a day, a week, he could be what she wanted. But no longer than that. He had sold his honor, his conscience, his body, anything he could use to escape the lot he'd been given in life. And now, with all his great fortune, he couldn't buy back what he'd sacrificed. Were he capable of tears, he would have shed them. Instead he felt numbing coldness spread through his body, filling up the region where his heart should have been. It wasn't difficult to walk away from her. It was appallingly easy.
Sara made an inarticulate sound as he extricated himself from her embrace. He left her as he had left the others, without looking back.
”
”
Lisa Kleypas (Dreaming of You (The Gamblers of Craven's, #2))
“
There comes a time for us not to just be survivors, but to be warriors. Yara, you have your life, and the chance to make the most of it. Don't run or hide from that challenge or let your guilt keep you from living your life. This gift is such a beautiful opportunity. Embrace it. Seize every opportunity from here on out. Live.
”
”
Becca Vry (Musings: An Argyle Empire Anthology)
“
Maybe I was just flattering myself, thinking I'd be worth some sort of risk. Not that I'd wish that on anyone!" he clarified. "I don't mean that. It just...I don't know. Don't you all see everything I'm risking?"
"Umm, no. You're here with your family to give you advice, and we all live around your schedule. Everything about your life stays the same, and ours changed overnight. What in the world could you possibly be risking?"
Maxon looked shocked.
"America, I might have my family, but imagine how embarrassing it is to have your parents watch as you attempt to date for the first time. And not just your parents-the whole country! Worse than that, it's not even a normal style of dating.
"And living around my schedule? When I'm not with you all, I'm organizing troops, making laws, perfecting budgets...and all on my own these days, while my father watches me stumble in my own stupidity because I have none of his experience. And then, when I inevitably do things in a way he wouldn't, he goes and corrects my mistakes. And while I'm trying to do all this work, you-the girls, I mean-are all I can think about. I'm excited and terrified by the lot of you!"
He was using his hands more than I'd ever seen, whipping them in the air and running them through his hair.
"And you think my life isn't changing? What do you think my chances might be of finding a soul mate in the group of you? I'll be lucky if I can just find someone who'll be able to stand me for the rest of our lives. What if I've already sent her home because I was relying on some sort of spark I didn't feel? What if she's waiting to leave me at the first sign of adversity? What if I don't find anyone at all? What do I do then, America?"
His speech had started out angered and impassioned, but by the end his questions weren't rhetorical anymore. He really wanted to know: What was he going to do if no one here was even close to being someone he could love? Though that didn't even seem to be his main concern; he was more worried that no one would love him.
"Actually, Maxon, I think you will find your soul mate here. Honestly."
"Really?" His voice charged with hope at my prediction.
"Absolutely." I put a hand on his shoulder. He seemed to be comforted by that touch alone. I wondered how often people simply touched him. "If your life is as upside down as you say it is, then she has to be here somewhere. In my experience, true love is usually the most inconvenient kind.
”
”
Kiera Cass (The Selection (The Selection, #1))
“
Yeah, I knew," he finally said, his voice soft. "I always knew I'd do whatever it took. Living in a trailer park, running in a pack of barefoot kids . . . my whole life was already set out for me, and I sure as hell didn't like the looks of it. So I always knew I'd take my chance when I got it. And if it didn't come, I'd make something happen.
”
”
Lisa Kleypas (Blue-Eyed Devil (Travises, #2))
“
We aren't fighting right now." I blurted out.
He gave me a sidelong look. "Do you want to fight?"
"No. I hate fighting with you. Verbally, I mean. I don't mind in the gym."
I thought I detected the hint of a smile. Always a half-smile for me. Rarely a full one. "I don't like fighting with you either."
Sitting next to him there, I marveled at the warm and happy emotions springing up inside me. There was something about being around him that felt so good, that moved me in a way Mason couldn't. You can't force love, I realized, It's there or it isn't. If it's not there, you've got to be able to admit it. If it is there, you've got to do whatever it takes to protect the ones you love.
The next words that came out of my mouth astonished me, both because they were completely unselfish and because I actually meant them.
"You should take it."
He flinched. "What?"
"Tasha's offer. You should take her up on it. It's a really great chance."
I remembered my mom's words about being ready for children. I wasn't. Maybe she hadn't been. But Tasha was. And I knew Dimitri was too. They got along really well. He could go be her guardian, have some kids with her...it would be a good deal for both of them.
"I never expected to hear you say anything like that," he told me, voice tight. "Especially after-"
"What a bitch I've been? Yeah." I tugged his coat tighter against the cold. It smelled like him. It was intoxicating, and I could half-imagine being wrapped in his embrace. Adrian might have been onto something about the power of scent. "Well. Like I said, I don't want to fight anymore. I don't want us to hate each other. And...well..." I squeezed my eyes shut and then opened them. "No matter how I feel about us...I want you to be happy."
Silence yet again. I noticed then that my chest hurt.
Dimitri reached out and put his arm around me. He pulled me to him, and I rested my head on his chest. "Roza," was all he said.
It was the first time he'd really touched me since the night of the lust charm. The practice room had been something different...more animal. This wasn't even about sex. It was just about being close to someone you cared about, about the emotion that kind of connection flooded you with.
Dimitri might run off with Tasha, but I would still love him. I would probably always love him.
I cared about Mason. But I would probably never love him.
I sighed into Dimitri, just wishing I could stay like that forever. It felt right being with him. And-no matter how much the thought of him and Tasha made me ache-doing what was best for him felt right. Now, I knew, it was time to stop being a coward and do something else that was right. Mason had said I needed to learn something about myself. I just had.
Reluctantly, I pulled away and handed Dimitri his coat. I stood up. He regarded me curiously, sensing my unease.
"Where you going?" he asked.
"To break someone's heart," I replied.
I admired Dimitri for a heartbeat more-the dark, knowing eyes and silken hair. The I headed inside. I had to apologize to Mason...and tell him there'd never be anything between us.
”
”
Richelle Mead (Frostbite (Vampire Academy, #2))
“
I am not perfect." It came out in a rush of breath. "See I thought I was. Thank God I ain't. See a perfect thing ain't got a chance. The world kills it, everything perfect. (Listen to him!) Now see a thing that ain't perfect, it grows like a weed. Yeah, like a weed! A thing that ain't perfect gets hand clapping, smiles, takes the wire an easy winner. But the world ain't set up right if you perfect. You lible to run right into a brick wall. Looks like suicide. All the weeds say, looka there, it suicide!
”
”
Harry Crews (Naked in Garden Hills)
“
I will love you as a drawer loves a secret compartment, and as a secret compartment loves a secret, and as a secret loves to make a person gasp, and as a gasping person loves a glass of brandy to calm their nerves, and as a glass of brandy loves to shatter on the floor, and as the noise of glass shattering loves to make someone else gasp, and as someone else gasping loves a nearby desk to lean against, even if leaning against it presses a lever that loves to open a drawer and reveal a secret compartment. I will love you until all such compartments are discovered and opened, and until all the secrets have gone gasping into the world. I will love you until all the codes and hearts have been broken and until every anagram and egg has been unscrambled. I will love you until every fire is extinguished and until every home is rebuilt form the handsomest and most susceptible of woods, and until every criminal is handcuffed by the laziest of policemen. I will love you until M. hates snakes and J. hates grammar, and I will love you until C. realizes S. is not worthy of his love and N. realizes he is not worthy of the V. I will love you until the bird hates a nest and the worm hates an apple, and until the apple hates a tree and the tree hates a nest, and until a bird hates a tree and an apple hates a nest, although honestly I cannot imagine that last occurrence no matter how hard I try. I will love you as we grow older, which has just happened, and has happened again, and happened several days ago, continuously, and then several years before that, and will continue to happen as the spinning hands of every clock and the flipping pages of every calendar mark the passage of time, except for the clocks that people have forgotten to wind and the calendars that people have forgotten to place in a highly visible area. I will love you as we find ourselves farther and farther from one another, where once we were so close that we could slip the curved straw, and the long, slender spoon, between our lips and fingers respectively. I will love you until the chances of us running into one another slip from skim to zero, and until your face is fogged by distant memory, and your memory faced by distant fog, and your fog memorized by a distant face, and your distance distanced by the memorized memory of a foggy fog. I will love you no matter where you go and who you see, no matter where you avoid and who you don’t see, and no matter who sees you avoiding where you go. I will love you no matter what happens to you, and no matter how I discover what happens to you, and no matter what happens to me as I discover this, and no matter how I am discovered after what happens to me happens to me as I am discovering this. I will love you if you don’t marry me. I will love you if you marry someone else – your co-star, perhaps, or Y., or even O., or anyone Z. through A., even R. although sadly I believe it will be quite some time before two women can be allowed to marry – and I will love you if you have a child, and I will love you if you have two children, or three children, or even more, although I personally think three is plenty, and I will love you if you never marry at all, and never have children, and spend your years wishing you had married me after all, and I must say that on late, cold nights I prefer this scenario out of all the scenarios I have mentioned. That, Beatrice, is how I will love you even as the world goes on its wicked way.
”
”
Lemony Snicket (The Beatrice Letters (A Series of Unfortunate Events, #12.5))
“
I had to ride slow because I was taking my guerrilla route, the one I follow when I assume that everyone in a car is out to get me. My nighttime attitude is, anyone can run you down and get away with it. Why give some drunk the chance to plaster me against a car? That's why I don't even own a bike light, or one of those godawful reflective suits. Because if you've put yourself in a position where someone has to see you in order for you to be safe--to see you, and to give a fuck--you've already blown it... We had a nice ride through the darkness. On those bikes we were weak and vulnerable, but invisible, elusive, aware of everything within a two-block radius.
”
”
Neal Stephenson (Zodiac)
“
You’re a survivor. Voron put you on the edge of that cliff again and again until he conditioned you to claw onto life. You’ll do whatever you have to do to survive, and I’m your only chance of getting out. At first you’ll balk, but with every passing hour my offer will look better and better. You’ll convince yourself that dying will accomplish nothing and you should at least go out with a bang. You’ll tell yourself that you’re accepting my offer just so you can stick that broken sword into my chest and feel it cut through my heart. Even if you die afterward, the fact that I’ll stop breathing makes your death mean something. So you’ll call me. And you’ll try to kill me. Except you’ve gone three days without food, and that body . . .” He tilted his head and looked me over slowly. “That body burns through calories like fire goes through gasoline. You’re running out of reserves. I can put you down with one hit.”
“You’re right about the sword. You broke mine. I owe you one.”
He tapped his naked chest over his heart. “This is the spot. Give it a shot, Kate. Let’s see what happens.
”
”
Ilona Andrews (Magic Breaks (Kate Daniels, #7))
“
Life is short, Isobeli. If we gave time to everything sooner or later we'd run out of it. We only have now. And we would be foolish to not seize it while we have it. So, why would it matter if I love him today or five years from now?
”
”
Nadège Richards (Deceiving Destiny (Bleeding Heart, #2))
“
I will love you until the chances of us running into one another slip from slim to zero, and until your face is fogged by distant memory, and your memory faced by distant fog, and your fog memorized by a distant face, and your distance distanced by the memorized memory of a foggy fog.
I will love you no matter where you go and who you see, no matter where you avoid and who you don’t see, and no matter who sees you avoiding where you go. I will love you no matter what happens to you, and no matter how I discover what happens to you, and no matter what happens to me as I discover this, and now matter how I am discovered after what happens to me as I am discovering this.
I will love you if you don’t marry me. I will love you if you marry someone else, your co-star perhaps, or Y, or even O, or anyone Z through A, even R. Although sadly I believe it will be quite some time before two women can be allowed to marry and I will love you if you have a child, and I will love you if you have two children, or three children, or even more, although I personally think three is plenty, and I will love you if you never marry at all, and never have children, and spend your years wishing you had married me after all, and I must say that on late, cold nights I prefer this scenario out of all the scenarios I have mentioned.
That, Beatrice, is how I will love you even as the world goes on its wicked way.
”
”
Lemony Snicket
“
You have a thousand chances to make something right. That's a heck of a lot of chances, by the way. But they do run out eventually.
”
”
Gabrielle Zevin (In the Age of Love and Chocolate (Birthright, #3))
“
Does anyone act more like an overserious senior citizen with time running out on their chance for immortality than someone in their twenties?
”
”
Patton Oswalt
“
When we get hurt, our bodies immediately start trying to heal that hurt. This works for emotions as well. If we were scarred socially, by an incident of rejection or bullying, we immediately start trying to heal. Like pus comes out of wounds, emotions flow from psychological wounds.
And what do we really need at that moment? When we are out of that dangerous situation that scarred us, and we become triggered by some little thing - what do we need? Do we need someone to look at us and say, "Wow, you're really sensitive, aren't you?" or "Hey, man, I didn't mean it like that."? Do we need someone to justify their actions or tell us to take it easy, because the situation didn't really require such a reaction?
And, from ourselves, do we really need four pounds of judgment with liberal helpings of shame? Do we need to run away, to suppress, to hate our "over-sensitivity" to situations that seem innocuous to others?
No. We do not need all of these versions of rejection of a natural healing process. You would not feel shame over a wound doing what it must do to heal, nor would you shame another. So why do we do this to our heart wounds? Why do we do it to ourselves? To others?
Next time some harmless situation triggers you or someone around you into an intense emotion - realize it's an attempt at emotional healing. Realize the danger is no longer there, but don't suppress the healing of old dangers and old pains. Allow the pain. Don't react, but don't repress. Embrace the pain. Embrace the pain of others.
Like this, we have some chance at healing the endless cycles of generational repression and suppression that are rolling around in our society.
Fall open. Break open. Sit with others' openness. Let love be your medicine.
”
”
Vironika Tugaleva
“
Rita has spent her whole life being chased by boys. Because of that, she never had a chance to stop running long enough to figure out who she was and what kind of guy she should let catch her.
”
”
Amy Harmon (Making Faces)
“
After a long time, one small hand moved, slowly, tentatively, tracing the feathers falling around her, stroking the black slashes along one huge wing. She didn't ask where he'd gotten them, didn't ask why they mimicked the marks on his shoulder. She didn't ask, just kept running her soft fingers through the down, along the spines…
"How long will they last?"
"A few hours," he said hoarsely. He should tell her, he thought, that the feathers weren't just a projection. That for the moment for however long the Irin's essence held out, they were an innate, physical part of him. And that her fingers stroking along the marks felt just like they once had, moving over his scars. He ought to tell her, ought to ask her to stop. It's what a gentleman would do, he knew that. But then he was half demon. And tonight, he thought maybe he'd just go with that.
"They're nice," she murmured, pulling one around her.
"Yes." One hand tightened in her thick soft hair. "Yes.
”
”
Karen Chance (A Family Affair (Cassandra Palmer, #4.1))
“
…If we have to kill children because they’re unfamiliar to us… Because of a one in a million chance they might be a threat… If that’s what humankind has to do to survive, then we deserve to be wiped out.
”
”
Asato Asato (86—EIGHTY-SIX, Vol. 2: Run Through the Battlefront (Start))
“
In all the tales of adventure Clara had ever heard, it was never young girls, who were daring. It was always boys running off to rescue a friend or fetch much-needed medicine or stumble into good fortune. Clara knew girls would be daring if given half the chance. And she intended to take that chance, right from under the pale nose of Mr. Earwood.
”
”
Natalie C. Parker (All Out: The No-Longer-Secret Stories of Queer Teens throughout the Ages)
“
Dear Madam Vorsoisson, I am sorry.
This is the eleventh draft of this letter. They’ve all started with those three words, even the horrible version in rhyme, so I guess they stay.
You once asked me never to lie to you. All right, so. I’ll tell you the truth now even if it isn’t the best or cleverest thing, and not abject enough either.
I tried to be the thief of you, to ambush and take prisoner what I thought I could never earn or be given. You were not a ship to be hijacked, but I couldn’t think of any other plan but subterfuge and surprise. Though not as much of a surprise as what happened at dinner. The revolution started prematurely because the idiot conspirator blew up his secret ammo dump and lit the sky with his intentions. Sometimes these accidents end in new nations, but more often they end badly, in hangings and beheadings. And people running into the night. I can’t be sorry that I asked you to marry me, because that was the one true part in all the smoke and rubble, but I’m sick as hell that I asked you so badly.
Even though I’d kept my counsel from you, I should have at least had the courtesy to keep it from others as well, till you’d had the year of grace and rest you’d asked for. But I became terrified that you’d choose another first. So I used the garden as a ploy to get near you. I deliberately and consciously shaped your heart’s desire into a trap. For this I am more than sorry, I am ashamed.
You’d earned every chance to grow. I’d like to pretend I didn’t see it would be a conflict of interest for me to be the one to give you some of those chances, but that would be another lie. But it made me crazy to watch you constrained to tiny steps, when you could be outrunning time. There is only a brief moment of apogee to do that, in most lives.
I love you. But I lust after and covet so much more than your body. I wanted to possess the power of your eyes, the way they see form and beauty that isn’t even there yet and draw it up out of nothing into the solid world. I wanted to own the honor of your heart, unbowed in the vilest horrors of Komarr. I wanted your courage and your will, your caution and your serenity. I wanted, I suppose, your soul, and that was too much to want.
I wanted to give you a victory. But by their essential nature triumphs can’t be given. They must be taken, and the worse the odds and the fiercer the resistance, the greater the honor. Victories can’t be gifts.
But gifts can be victories, can’t they. It’s what you said. The garden could have been your gift, a dowry of talent, skill, and vision.
I know it’s too late now, but I just wanted to say, it would have been a victory most worthy of our House.
Yours to command,
Miles Vorkosigan
”
”
Lois McMaster Bujold (A Civil Campaign (Vorkosigan Saga, #12))
“
The world is plain rotten. People are mean, they're cruel, they're fake, they always pretend to be something their not. They're weak. They take advantage. A cruddy little man who sees God in a snake, or the devil in thunder, will take you prisoner if he gets the drop on you. Give anyone half a chance and he'll make you a slave; he'll tell you the most awful lies. I've seen them, running around bollocky, playing God. And our friends... they'll be lonely out there. They'll be scared. Because the world stinks.
”
”
Paul Theroux (The Mosquito Coast)
“
I almost could.
I could almost leave and never look back.
Like Mr. Bender, I could leave everything I was behind, including my name.
Leave because of Allys
and all the things she says I am.
Leave because of all the things I am afraid that I will never be again.
Leave, because maybe I’m not enough.
Leave because of Allys, Senator Harris, and half the world knows better than Father and Mother and maybe Ethan, too.
Leave.
Because the old Jenna was so absorbed in her own needs
that she said yes when she knows she should have said no,
and the shame of night
could be hidden in a new place behind a new name.
But friends are complicated.
There is the staying.
Staying because of Kara and Locke and all that they will never
be except trapped.
Staying because for them, time is running out and I am their
their last chance.
Staying for the old Jenna and all she owes Kara and Locke and maybe all the new Jenna owes them, too.
Staying because of ten percent and all I hope I might be.
Staying because of Mr. Bender’s erased life and regrets.
Staying for connection.
Staying because two me
is enough to make one of me
worth nothing at all.
And staying because maybe Lily does love the new Jenna
as much as the old one, after all.
Because maybe, given time, people do change,
maybe laws change.
Maybe we all change.
”
”
Mary E. Pearson (The Adoration of Jenna Fox (Jenna Fox Chronicles, #1))
“
In these days of physical fitness, hair dye, and plastic surgery, you can live much of your life without feeling or even looking old. But then one day, your knee goes, or your shoulder, or your back, or your hip. Your hot flashes come to an end; things droop. Spots appear. Your cleavage looks like a peach pit. If your elbows faced forward, you would kill yourself. You’re two inches shorter than you used to be. You’re ten pounds fatter and you cannot lose a pound of it to save your soul. Your hands don’t work as well as they once did and you can’t open bottles, jars, wrappers, and especially those gadgets that are encased tightly in what seems to be molded Mylar. If you were stranded on a desert island and your food were sealed in plastic packaging, you would starve to death. You take so many pills in the morning you don’t have room for breakfast.
You lose close friends and discover one of the worst truths of old age: they’re irreplaceable. People who run four miles a day and eat only nuts and berries drop dead. People who drink a quart of whiskey and smoke two packs of cigarettes a day drop dead. You are suddenly in a lottery, the ultimate game of chance, and someday your luck will run out. Everybody dies. There’s nothing you can do about it. Whether or not you eat six almonds a day. Whether or not you believe in God.
”
”
Nora Ephron (I Remember Nothing)
“
Death is the engine that keeps us running, giving us the motivation to achieve, learn, love, and create....The great achievements of humanity were born out of the deadlines imposed by death...if he lived forever , chances are he would be rendered boring, listless, and unmotivated, robbed of life’s richness, by dull routine.
”
”
Caitlin Doughty (Smoke Gets in Your Eyes & Other Lessons from the Crematory)
“
His eyes fluttered open, focused on me; it was how he had looked at me in all our time together, across the palace rivers, across the polished floors of his chambers, underneath the moonlight. no matter where we were, he was always the first one to spot me, always the last to look away. as if afraid that i would disappear at any moment, like smoke in the breeze. as if he knew that one day, he would run out of time, out of chance.
”
”
Ann Liang (A Song to Drown Rivers)
“
Auburn Mason Reed,” I say out loud.
What are the chances?
I smile and run my thumb over the letters in her middle name. “We have the same middle name.”
I look back up at Adam, and he’s lowering his bed again with a faint smile on his face. “That could be fate, you know.”
I shake my head, dismissing his comment. “I’m pretty sure she’s your fate. Not mine.”
His voice is strained, and it takes a tremendous amount of effort for him to roll onto his side. He closes his eyes and says, “Hopefully she has more than one fate, Owen.
”
”
Colleen Hoover (Confess)
“
As I looked out at the water, I realized there was nowhere to go, nowhere left to run. And I just had to stay here facing this terrible truth. I felt, as more tears fell, just how tired I was, a tiredness that had nothing to do with the hour. I was tired of running from this, tired of pretending that things were okay when they had never, ever been less okay.
”
”
Morgan Matson (Second Chance Summer)
“
You can run out of luck, but never run out of God.
”
”
Matshona Dhliwayo
“
He is so hot,” I heard one of them squeal when she thought she was out of earshot. Spoiler: she wasn’t. I wished I could run after her and give her some unsolicited big-sister advice. Don’t fall for guys who look like they could break your heart because chances are, they will.
”
”
Ana Huang (Twisted Love (Twisted, #1))
“
On Rachel's show for November 7, 2012:
We're not going to have a supreme court that will overturn Roe versus Wade. There will be no more Antonio Scalias and Samuel Aleatos added to this court. We're not going to repeal health reform. Nobody is going to kill medicare and make old people in this generation or any other generation fight it out on the open market to try to get health insurance. We are not going to do that. We are not going to give a 20% tax cut to millionaires and billionaires and expect programs like food stamps and kid's insurance to cover the cost of that tax cut. We'll not make you clear it with your boss if you want to get birth control under the insurance plan that you're on. We are not going to redefine rape. We are not going to amend the United States constitution to stop gay people from getting married. We are not going to double Guantanamo. We are not eliminating the Department of Energy or the Department of Education or Housing at the federal level. We are not going to spend $2 trillion on the military that the military does not want. We are not scaling back on student loans because the country's new plan is that you should borrow money from your parents. We are not vetoing the Dream Act. We are not self-deporting. We are not letting Detroit go bankrupt. We are not starting a trade war with China on Inauguration Day in January. We are not going to have, as a president, a man who once led a mob of friends to run down a scared, gay kid, to hold him down and forcibly cut his hair off with a pair of scissors while that kid cried and screamed for help and there was no apology, not ever. We are not going to have a Secretary of State John Bolton. We are not bringing Dick Cheney back. We are not going to have a foreign policy shop stocked with architects of the Iraq War. We are not going to do it. We had the chance to do that if we wanted to do that, as a country. and we said no, last night, loudly.
”
”
Rachel Maddow
“
She had to get a hold of herself. She had to run. Did she have a chance of making it out alive? Something told her “no.” Definitely no. The chamber exit, a narrow doorway, led to an even narrower passage that would dump her back into the dark jungle. She wouldn’t make it two feet before he barreled down on her with those powerful thighs. Yes, powerful thighs. Ummm. She ground her palm into her forehead. Tramp! Get a hold of yourself.
”
”
Mimi Jean Pamfiloff (Accidentally Married to...a Vampire? (Accidentally Yours, #2))
“
The reason I started the video library was that I knew around twenty of my friends and relatives owned video players. So I thought that if between them they hired twenty cassettes, at ₹10 a cassette a day, I would get ₹200 a day or ₹6,000 a month, which was the running cost of my shop. Anything extra, I thought, would be a profit which I could take a chance upon. Within a month of starting my shop, I was renting out more than 100 cassettes a day, but none of the twenty people I had counted upon ever came to my shop. If they did, they never paid, as they were my friends or were related to me. So in effect, what I had counted upon didn’t happen and success came from unexpected quarters. But I know in my heart that if I had not banked on those twenty people, there was no way I would have started my shop.
”
”
Ram Gopal Varma (Guns & Thighs: The Story of My Life)
“
did jesus have a baby sister?
was she bitter?
was she sweet?
did she wind up in a convent?
did she end up on the street?
on the run?
on the stage?
did she dance?
did he have a sister?
a little baby sister?
did jesus have a sister?
did they give her a chance?
did he have a baby sister?
could she speak out by and large?
or was she told by mother mary
ask your brother he’s in charge
he’s the whipped cream
on the cake
did he have a sister?
a little baby sister?
did jesus have a sister?
did they give her a break?
her brother’s
birth announcement
was pretty big
pretty big
i guess
while she got precious
little notice in the local press
her mother was the virgin
when she carried him
carried him
therein
if the little girl came later
then
was she conceived in sin?
and in sorrow?
and in shame?
did jesus have a sister?
what was her name?
and did she long to be the savior
saving everyone
she met?
and in private to her mirror
did she whisper
saviorette?
saviorwoman?
saviorperson?
save your breath!
did he have a sister?
a little baby sister?
did jesus have a sister?
was she there at his death?
and did she cry for mary’s comfort
as she watched him
on the cross?
and was mary too despairing
ask your brother
he’s the boss
he’s the chief
he’s the man
he’s the show
did he have a sister?
a little baby sister?
did jesus have a sister?
doesn’t anyone know?
”
”
Dory Previn
“
the crunch too much too little too fat too thin or nobody. laughter or tears haters lovers strangers with faces like the backs of thumb tacks armies running through streets of blood waving winebottles bayoneting and fucking virgins. or an old guy in a cheap room with a photograph of M. Monroe. there is a loneliness in this world so great that you can see it in the slow movement of the hands of a clock. people so tired mutilated either by love or no love. people just are not good to each other one on one. the rich are not good to the rich the poor are not good to the poor. we are afraid. our educational system tells us that we can all be big-ass winners. it hasn’t told us about the gutters or the suicides. or the terror of one person aching in one place alone untouched unspoken to watering a plant. people are not good to each other. people are not good to each other. people are not good to each other. I suppose they never will be. I don’t ask them to be. but sometimes I think about it. the beads will swing the clouds will cloud and the killer will behead the child like taking a bite out of an ice cream cone. too much too little too fat too thin or nobody more haters than lovers. people are not good to each other. perhaps if they were our deaths would not be so sad. meanwhile I look at young girls stems flowers of chance. there must be a way. surely there must be a way we have not yet thought of. who put this brain inside of me? it cries it demands it says that there is a chance. it will not say “no.
”
”
Charles Bukowski (Love is a Dog from Hell)
“
Shirt off.”
Neil stared at her. “Why?”
“I can’t check track marks through cotton, Neil.”
“I don’t do drugs.”
“Good on you,” Abby said. “Keep it that way. Now take it off.”
[…] “I want to make this as painless as possible, but I can’t help you if you can’t help me. Tell me why you won’t take off your shirt.”
Neil looked for a delicate way to say it. The best he managed was, “I’m not okay.”
She put a finger to his chin and turned his face back toward her. “Neil, I work for the Foxes. None of you are okay. Chances are I’ve seen a lot worse than whatever it is you’re trying to hide from me.”
Neil’s smile was humorless. “I hope not.
“Trust me,” Abby said. “I’m not going to judge you. I’m here to help, remember? I’m your nurse now. That door is closed, and it comes with a lock. What happens in here stays in here.”
[…] “You can’t ask me about them,” he said at last. “I won’t talk to you about it. Okay?”
“Okay,” Abby agreed easily. “But know that when you want to, I’m here, and so is Betsy.”
Neil wasn’t going to tell that psychiatrist a thing, but he nodded. Abby dropped her hand and Neil pulled his shirt over his head before he could lose his nerve.
Abby thought she was ready. Neil knew she wouldn’t be, and he was right. Her mouth parted on a silent breath and her expression went blank. She wasn’t fast enough to hide her flinch, and Neil saw her shoulders go rigid with tension. He stared at her face as she stared at him, watching her gaze sweep over the brutal marks of a hideous childhood.
It started at the base of his throat, a looping scar curving down over his collarbone. A pucker with jagged edges was a finger-width away, courtesy of a bullet that hit him right on the edge of his Kevlar vest. A shapeless patch of pale skin from his left shoulder to his navel marked where he’d jumped out of a moving car and torn himself raw on the asphalt. Faded scars crisscrossed here and there from his life on the run, either from stupid accidents, desperate escapes, or conflicts with local lowlifes. Along his abdomen were larger overlapping lines from confrontations with his father’s people while on the run. His father wasn’t called the butcher for nothing; his weapon of choice was a cleaver. All of his men were well-versed in knife-fighting, and more than one of them had tried to stick Neil like a pig.
And there on his right shoulder was the perfect outline of half a hot iron. Neil didn’t remember what he’s said or done to irritate his father so much.
”
”
Nora Sakavic (The Foxhole Court (All for the Game, #1))
“
Imagine taking a test knowing the answer. While we know that history flows forward, it is difficult to realize that we envision it backward. Why is it so? We will discuss the point in Chapter 11 but here is a possible explanation: Our minds are not quite designed to understand how the world works, but, rather, to get out of trouble rapidly and have progeny. If they were made for us to understand things, then we would have a machine in it that would run the past history as in a VCR, with a correct chronology, and it would slow us down so much that we would have trouble operating. Psychologists call this overestimation of what one knew at the time of the event due to subsequent information the hindsight bias, the “I knew it all along” effect.
”
”
Nassim Nicholas Taleb (Fooled by Randomness: The Hidden Role of Chance in Life and in the Markets (Incerto, #1))
“
The world is plain rotten. People are mean, they're cruel, they're fake, they always pretend to be something their not. They're weak. They take advantage. A cruddy little man who sees God in a snake, or the devil in thunder, will take you prisoner if he gets the drop on you. Give anyone half a chance and he'll make you a slave; he'll tell you the most awful lies. I've seen them, running around bollocky, playing God. And our friends... they'll be lonely out there. They'll be scared. Because the world stinks.
”
”
Paul Theroux (The Mosquito Coast)
“
It was not only for Americans that he was concerned, or primarily the older generation of any land. The thought that disturbed him the most, and that made the prospect of war much more fearful than it would otherwise have been, was the specter of the death of the children of this country and all the world—the young people who had no role, who had no say, who knew nothing even of the confrontation, but whose lives would be snuffed out like everyone else’s. They would never have a chance to make a decision, to vote in an election, to run for office, to lead a revolution, to determine their own destinies. Our generation had. But the great tragedy was that, if we erred, we erred not only for ourselves, our futures, our hopes, and our country, but for the lives, futures, hopes, and countries of those who had never been given an opportunity to play a role, to vote aye or nay, to make themselves felt.
”
”
Robert F. Kennedy (Thirteen Days: A Memoir of the Cuban Missile Crisis)
“
Cheryl was aided in her search by the Internet. Each time she remembered a name that seemed to be important in her life, she tried to look up that person on the World Wide Web.
The names and pictures Cheryl found were at once familiar and yet not part of her conscious memory: Dr. Sidney Gottlieb, Dr. Louis 'Jolly' West, Dr. Ewen Cameron, Dr. Martin Orne and others had information by and about them on the Web. Soon, she began looking up sites related to childhood incest and found that some of the survivor sites mentioned the same names, though in the context of experiments performed on small children. Again, some names were familiar. Then Cheryl began remembering what turned out to be triggers from old programmes. 'The song, "The Green, Green Grass of home" kept running through my mind. I remembered that my father sang it as well. It all made no sense until I remembered that the last line of the song tells of being buried six feet under that green, green grass. Suddenly, it came to me that this was a suicide programme of the government. 'I went crazy. I felt that my body would explode unless I released some of the pressure I felt within, so I grabbed a [pair ofl scissors and cut myself with the blade so I bled. In my distracted state, I was certain that the bleeding would let the pressure out. I didn't know Lynn had felt the same way years earlier. I just knew I had to do it Cheryl says. She had some barbiturates and other medicine in the house. 'One particularly despondent night, I took several pills. It wasn't exactly a suicide try, though the pills could have killed me. Instead, I kept thinking that I would give myself a fifty-fifty chance of waking up the next morning. Maybe the pills would kill me. Maybe the dose would not be lethal. It was all up to God. I began taking pills each night. Each-morning I kept awakening.
”
”
Cheryl Hersha (Secret Weapons: How Two Sisters Were Brainwashed to Kill for Their Country)
“
There's a chance that I'm not here at all, that all the parts of me, running along all the choices I did and didn't make, for a moment brush against each other. That I am still an evangelist in the North, as well as the person who ran away. Perhaps for a while these two selves have been confused. I have not gone forward or back in time, but across in time, to something I might have been, playing itself out.
”
”
Jeanette Winterson (Oranges Are Not the Only Fruit)
“
I had a chance to read
Monte Christo
in prison once, too, but not to the end. I observed that while Dumas tries to create a feeling of horror, he portrays the Château d'If as a rather benevolent prison. Not to mention his missing such nice details as the carrying of the latrine bucket from the cell daily, about which Dumas with the ignorance of a free person says nothing. You can figure out why Dantès could escape. For years no one searched the cell, whereas cells are supposed to be searched every week. So the tunnel was not discovered. And then they never changed the guard detail, whereas experience tells us that guards should be changed every two hours so one can check on the other. At the Château d'If they didn't enter the cells and look around for days at a time. They didn't even have any peepholes, so d'If wasn't a prison at all, it was a seaside resort. They even left a metal bowl in the cell, with which Dantès could dig through the floor. Then, finally, they trustingly sewed a dead man up in a bag without burning his flesh with a red-hot iron in the morgue and without running him through with a bayonet at the guardhouse. Dumas ought to have tightened up his premises instead of darkening the atmosphere.
”
”
Aleksandr Solzhenitsyn (The First Circle)
“
Don't tell me that we don't need madness on the battlefield. God's truth, the mad fear nothing. The others, white or black, play at being mad, perform madness so that they can calmly throw themselves in front of the bullets of the enemy on the other side. It allows them to run straight at death without being too afraid. You'd have to be mad to obey Captain Armand when he whistles for the attack, knowing there's almost no chance you'll come home alive. God's truth, you'd have to be crazy to drag yourself screaming out of the belly of the earth.
”
”
David Diop (At Night All Blood is Black)
“
destiny is foreordained, but what is to stop you from riding straight out to meet it? When she bid goodbye to this lovely woman, Annie reminded her that hope is an endless well that never runs dry—all she needed to do was keep hold of her bucket and keep going down for another draw.
”
”
Elizabeth Letts (The Ride of Her Life: The True Story of a Woman, Her Horse, and Their Last-Chance Journey Across America)
“
He realized that he agonized over everything all the time, and he admitted that part of the problem in the Carter game had been his own lack of belief in his abilities. He knew the reason why he was like this, that it was the price he paid for carefully watching out for himself ever since he had been a little boy. 'I've never taken a chance in life,' he said. 'I need to run in front of traffic bucknacked and get arrested.
”
”
H.G. Bissinger
“
The need to cry, like a child, for all the stupid wasting of the thousand chances life has offered me. O! for the real courage to speak out bravely, to do one decisive, unselfish, and creative deed. Instead of watching the sand run through the glass and let the time trickle through one's hands...
”
”
Kenneth Williams (The Kenneth Williams Diaries)
“
Classic Ballet,
Keep away, keep building your creaky fairy castles, keep cloning clones and meaningless manners, hang on to your beanstalk ballerinas and their midget male shadows, run yourself out of business with your tons of froufrou and costly clattery toe shoes that ruin all chances for illusions of lightness, keep on crowding the minds of blind balletomanes who prefer dainty poses to the eloquent strength of momentum, who have forgotten or never known the manings of gesture, who would nod their noses to barefoot embargos ("so grab me" spelt backwards). Continue to repolish your stiff technique and to ignore a public that hungers for something other than a bag of tricks and the empty-headedness of surface patterns.
Just keep it up, keep imitating yourself, and, , go grow your own dance makers. Come on, don't keep trying to filter modern ones through your so-safe extablishment. We're to be seen undiluted, undistorted, not absorbed by your hollow world like blood into a sponge.
Yours truly,
A Different Leaf on Our Family Tree
”
”
Paul Taylor (Private Domain: An Autobiography)
“
I can do anything I believe I can do! I’ve got it, and every day I get more of it. I have talent, skills, and ability. I set goals and I reach them. I know what I want out of life. I go after it and I get it. People like me, and I feel good about myself. I have a sense of pride in who I am, and I believe in myself. Nothing seems to stop me. I have a lot of determination. I turn problems into advantages. I find possibilities in things that other people never give a chance. I have a lot of energy—I am very alive! I enjoy life and I can tell it and so can others. I keep myself up, looking ahead, and liking it. I know that I can accomplish anything I choose, and I refuse to let anything negative hold me back or stand in my way. I am not afraid of anything or anyone. I have strength, power, conviction, and confidence! I like challenges and I meet them head on, face to face—today especially! I am on top of the world and I’m going for it. I have a clear picture in my mind of what I want. I can see it in front of me. I know what I want and I know how to get it. I know that it’s all up to me and I know I can do it. Roadblocks don’t bother me. They just mean that I am alive and running, and I’m not going to stand still for anything. I trust myself I’ve got what it takes—plenty of it—and I know how to use it. Today, more than ever. Today I am unstoppable! I’ve got myself together and I’m getting more together every day. And today—look out world, here I come! Limitations? I don’t even recognize them as limitations. There is no challenge I can’t conquer; there is no wall I can’t climb over. There is no problem I can’t defeat, or turn around and make it work for me. I stand tall! I am honest and sincere. I like to deal with people and they like me. I think well; I think clearly. I am organized; I am in control of myself, and everything about me. I call my shots, and no one has to call them for me. I never blame anyone else for the circumstances of my life. I accept my failings and move past them as easily as I accept the rewards for my victories. I never demand perfection of myself, but I expect the very best of what I have to give—and that’s what I get! I never give myself excuses. I get things done on time and in the right way. Today I have the inner strength to do more than ever. I am an exceptional human being. My goals and my incredible belief in myself turn my goals into reality. I have the power to live my dreams. I believe in them like I believe in myself. And that belief is so strong that there is nothing that diminishes my undefeatable spirit.
”
”
Shad Helmstetter (What To Say When You Talk To Your Self)
“
Do you think I’m a whore?” Harry pulled over to the side of the road and turned to me. “I think you’re brilliant. I think you’re tough. And I think the word whore is something ignorant people throw around when they have nothing else.” I listened to him and then turned my head to look out my window. “Isn’t it awfully convenient,” Harry added, “that when men make the rules, the one thing that’s looked down on the most is the one thing that would bear them the greatest threat? Imagine if every single woman on the planet wanted something in exchange when she gave up her body. You’d all be ruling the place. An armed populace. Only men like me would stand a chance against you. And that’s the last thing those assholes want, a world run by people like you and me.
”
”
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
“
It goes something like this: I am one person among 6.5 billion people on Earth at the moment. That's one person among 6,500,000,000 people. That'a lot of Wembley Stadiums full of people, and even more double-decker buses (apparently the standard British measurements for size). And we live on an Earth that is spinning at 67,000 miles an hour through space around a sun that is the centre of our solar system (and our solar system is spinning around the centre of the Milky Way at 530,000 mph). Just our solar system (which is a tiny speck within the entire universe) is very big indeed. If Earth was a peppercorn and Jupiter was a chestnut (the standard American measurements), you'd have to place them 100 metres apart to get a sense of the real distance between us.
And this universe is only one of many. In fact, the chances are that there are many, many more populated Earths - just like ours - in other universes.
And that's just space.
Have a look at time, too. If you're in for a good run, you may spend 85 years on this Earth. Man has been around for 100,000 years, so you're going to spend just 0.00085 percent of man's history living on this Earth. And Man's stay on Earth has been very short in the context of the life of the Earth (which is 4.5 billion years old): if the Earth had been around for the equivalent of a day (with the Big Bang kicking it all off at midnight), humans didn't turn up until 11.59.58 p.m. That means we've only been around for the last two seconds.
A lifetime is gone in a flash. There are relatively few people on this Earth that were here 100 years ago. Just as you'll be gone (relatively) soon.
So, with just the briefest look at the spatial and temporal context of our lives, we are utterly insignificant. As the Perspective Machine lifts up so far above the woods that we forget what the word means, we see just one moving light. It is beautiful. A small, gently glowing light. It is a firefly lost somewhere in the cosmos. And a firefly - on Earth - lives for just one night. It glows beautifully, then goes out.
And up there so high in our Perspective Machine we realize that our lives are really just like that of the firefly. Except the air is full of 6.5 billion fireflies. They're glowing beautifully for one night. Then they are gone.
So, Fuck It, you might as well REALLY glow.
”
”
John C. Parkin (F**k It: The Ultimate Spiritual Way)
“
As I went to stand up, I felt a tiny point of pressure on my back.
"Don't move," Kasey whispered.
I stayed bent over.
"Drop the knife," she said.
"Excuse me, I'm using it," I said.
She swallowed hard. "For what?"
"Mom and Dad. You."
The pressure on my back increased. "Drop it, Alexis."
Drop it? Like I was a bad dog running around with a sock in my mouth.
"How long will this take?" I asked, setting the knife on the floor. "I'm in the middle of something."
Get in the bathroom," she said.
The faster I indulged her, the faster it would be over with. So I walked into the bathroom. She followed, kicking the knife toward the end of the hallway and flipping on the bathroom light.
"What's this all about, Kasey?" I asked, turning around. At the sight of my face, she gasped, and the point of the fireplace poker she was holding wavered in her hands. I realized a second too late that I'd missed my chance to grab it and smash it into the side of her head.
"What's happening to you?" she whispered.
I glanced in the mirror. The darkness had begun to spread from my mouth and eyes. It leached out in inky puddles with thin tendrils of black snaking out in delicate feathery patterns.
What's happening to me? What was she talking about?
"So you have a pointy stick," I said. "Big deal. get out of my way."
"What are you going to do?" I sneered.
"Poke me?"
'I'll hit you, Lexi." Her face was stony. "As hard as I have to."
Whatever. I'm really not in the mood.
"Can we talk about this in the morning?" I asked. After I kill you?
"No," her eyes hardened. "Get your toothbrush."
"What?"
"Pick up your toothbrush, and stick it down your throat."
"Kasey-"
"Do it," she said.
"Ugh, fine. You're sick, you know that?"
"Get in the tub."
"Happy?"
I stuck the toothbrush into my throat. Instantly, I gagged and doubled over.
"Do it again," she said.
"God Kasey," I cried. Stabbing people was one thing. But making them barf- that was just disturbing.
”
”
Katie Alender (From Bad to Cursed (Bad Girls Don't Die, #2))
“
To what extent does the physical universe as a whole—since it is made up of the same basic energy—respond to our expectations? To what extent do our expectations create all the things that happen to us?” “The coincidences, you mean?” “Yes, think of the events of your life. The old Newtonian idea is that everything happens by chance, that one can make good decisions and be prepared, but that every event has its own line of causation independent of our attitude. “After the recent discoveries of modern physics, we may legitimately ask if the universe is more dynamic than that. Perhaps the universe runs mechanistically as a basic operation, but then also subtly responds to the mental energy we project out into it.
”
”
James Redfield (The Celestine Prophecy (Celestine Prophecy, #1))
“
I smiled and looked at her- there she was with such a genuine grin and twinkle in her eyes. I kissed my mother on her forehead and took a long look in to her hazel eyes. I wondered when I would have the next chance to see her as I whispered, 'I love you." Mother didn't respond. She didn't look well- she had a tint of green and yellow to her skin and her thinning hair was a dull salt and pepper color, cut extra short and clinging to her scalp. She had no makeup on, which told me she just had no more energy.
I began to walk out of her room and turned to look at her. I wanted to run up to her, shake her, and beg her to tell me she loved me and was proud of me. But when I looked at her, she was already sleeping.
”
”
Jori Nunes (Chocolate Flowers)
“
The drunk's concern ain't that he's goin to die from drinkin - which he is. It's that he's goin to run out of whiskey fore he gets a chance to do it.
”
”
Cormac McCarthy
“
He’d offered covering fire when he thought Zane might have a chance to fight his way out. Now he regretted not taking the one kill shot he’d had.
”
”
Madeleine Urban (Sticks & Stones (Cut & Run, #2))
“
The story of grace is the Gospel of not just forgiveness, but also of redemption. God uses the weak, the ones who have failed and the ones who had run out of second chances long ago.
”
”
Kristen McNulty
“
It's like this, Bunny Boy, if you walk up to an oak tree or a bloody elm or something - you know, one of those big bastards - one with a thick, heavy trunk with giant roots that grow deep in the soil and great branches that are covered in leaves, right, and you walk up to it and give the tree a shake, well, what happens?' (...)
'I really don't know, Dad,' (...)
'Well, nothing bloody happens, of course!' (...) 'You can stand there shaking it till the cows come home and all that will happen is your arms will get tired. Right?'
(...)
'Right, Dad,' he says.
(...)
'But if you go up to a skinny, dry, fucked-up little tree, with a withered trunk and a few leaves clinging on for dear life, and you put your hands around it and shake the shit out of it - as we say in the trade - those bloody leaves will come flying off! Yeah?'
'OK, Dad,' says the boy (...)
'Now, the big oak tree is the rich bastard, right, and the skinny tree is the poor cunt who hasn't got any money. Are you with me?'
Bunny Junior nods.
'Now, that sounds easier than it actually is, Bunny Boy. Do you want to know why?'
'OK, Dad.'
'Because every fucking bastard and his dog has got hold of the little tree and is shaking it for all that it's worth - the government, the bloody landlord, the lottery they don't have a chance in hell of winning, the council, their bloody exes, their hundred snotty-nosed brats running around because they are too bloody stupid to exercise a bit of self-control, all the useless shit they see on TV, fucking Tesco, parking fines, insurance on this and insurance on that, the boozer, the fruit machines, the bookies - every bastard and his three-legged, one-eyed, pox-riden dog are shaking this little tree,' says Bunny, clamping his hands together and making like he is throttling someone.
'So what do you go and do, Dad?' says Bunny Junior.
'Well, you've got to have something they think they need, you know, above all else.'
'And what's that, Dad?'
'Hope... you know... the dream. You've got to sell them the dream.
”
”
Nick Cave (The Death of Bunny Munro)
“
Meir, let me ask you something,” I said after a while.
“Sure.”
“Do you think I’m a bad person?”
“Only God knows that for sure, Willy.”
“So you don’t have an opinion at all?”
“Not one that really matters.”
“Okay, let me ask you something else. If the Polish peasant who hid Jews from the Nazis is a hero, what is the Polish peasant who turned the Jews away? Is he a coward?”
Meir smiled, “Of course.”
“Really? A coward? A bad man?”
“A coward isn’t a bad man, necessarily. You can’t know if you’re a bad man until you die.”
“You’ve got to wait until you hear god’s decision?”
“Well, yes, that’s true. But I meant something else. Only when you die do you run out of chances to be good. Until then, there is always the possibility of turning yourself around.
”
”
Zoë Heller (Everything You Know)
“
I am still vaguely haunted by our hitchhiker’s remark about how he’d “never rode in a convertible before.” Here’s this poor geek living in a world of convertibles zipping past him on the highways all the time, and he’s never even ridden in one. It made me feel like King Farouk. I was tempted to have my attorney pull into the next airport and arrange some kind of simple, common-law contract whereby we could just give the car to this unfortunate bastard. Just say: “Here, sign this and the car’s yours.” Give him the keys and then use the credit card to zap off on a jet to some place like Miami and rent another huge fireapple-red convertible for a drug-addled, top-speed run across the water all the way out to the last stop in Key West … and then trade the car off for a boat. Keep moving. But this manic notion passed quickly. There was no point in getting this harmless kid locked up—and, besides, I had plans for this car. I was looking forward to flashing around Las Vegas in the bugger. Maybe do a bit of serious drag-racing on the Strip: Pull up to that big stoplight in front of the Flamingo and start screaming at the traffic: “Alright, you chickenshit wimps! You pansies! When this goddamn light flips green, I’m gonna stomp down on this thing and blow every one of you gutless punks off the road!” Right. Challenge the bastards on their own turf. Come screeching up to the crosswalk, bucking and skidding with a bottle of rum in one hand and jamming the horn to drown out the music … glazed eyes insanely dilated behind tiny black, gold-rimmed greaser shades, screaming gibberish … a genuinely dangerous drunk, reeking of ether and terminal psychosis. Revving the engine up to a terrible high-pitched chattering whine, waiting for the light to change … How often does a chance like that come around? To jangle the bastards right down to the core of their spleens. Old elephants limp off to the hills to die; old Americans go out to the highway and drive themselves to death with huge cars.
”
”
Hunter S. Thompson (Fear and Loathing in Las Vegas)
“
As an IBM document describing the Watson technology points out: “We have noses that run, and feet that smell. How can a slim chance and a fat chance be the same, but a wise man and a wise guy are opposites?
”
”
Martin Ford (Rise of the Robots: Technology and the Threat of a Jobless Future)
“
Claudia Förster has chanced upon a paper bakery box sealed with gold tape. Blots of grease show through the cardboard. Together the girls stare at it. Like something from the unfallen world. Inside wait fifteen pastries, separated by squares of wax paper and stuffed with strawberry preserves. The four girls and Frau Elena sit in their dripping apartment, a spring rain over the city, all the ash running off the ruins, all the rats peering out of caves made from fallen bricks, and they eat three stale pastries each, none of them saving anything for later, the powdered sugar on their noses, the jelly between their teeth, a giddiness rising and sparkling in their blood.
”
”
Anthony Doerr (All the Light We Cannot See)
“
Why do we complain of Nature? She has shown herself kindly; life, if you know how to use it, is long. But one man is possessed by an avarice that is insatiable, another by a toilsome devotion to tasks that are useless; one man is besotted with wine, another is paralyzed by sloth; one man is exhausted by an ambition that always hangs upon the decision of others, another, driven on by the greed of the trader, is led over all lands and all seas by the hope of gain; some are tormented by a passion for war and are always either bent upon inflicting danger upon others or concerned about their own; some there are who are worn out by voluntary servitude in a thankless attendance upon the great; many are kept busy either in the pursuit of other men's fortune or in complaining of their own; many, following no fixed aim, shifting and inconstant and dissatisfied, are plunged by their fickleness into plans that are ever new; some have no fixed principle by which to direct their course, but Fate takes them unawares while they loll and yawn—so surely does it happen that I cannot doubt the truth of that utterance which the greatest of poets delivered with all the seeming of an oracle: "The part of life we really live is small."5 For all the rest of existence is not life, but merely time. Vices beset us and surround us on every side, and they do not permit us to rise anew and lift up our eyes for the discernment of truth, but they keep us down when once they have overwhelmed us and we are chained to lust. Their victims are never allowed to return to their true selves; if ever they chance to find some release, like the waters of the deep sea which continue to heave even after the storm is past, they are tossed about, and no rest from their lusts abides. Think you that I am speaking of the wretches whose evils are admitted? Look at those whose prosperity men flock to behold; they are smothered by their blessings. To how many are riches a burden! From how many do eloquence and the daily straining to display their powers draw forth blood! How many are pale from constant pleasures! To how many does the throng of clients that crowd about them leave no freedom! In short, run through the list of all these men from the lowest to the highest—this man desires an advocate,6 this one answers the call, that one is on trial, that one defends him, that one gives sentence; no one asserts his claim to himself, everyone is wasted for the sake of another. Ask about the men whose names are known by heart, and you will see that these are the marks that distinguish them: A cultivates B and B cultivates C; no one is his own master. And then certain men show the most senseless indignation—they complain of the insolence of their superiors, because they were too busy to see them when they wished an audience! But can anyone have the hardihood to complain of the pride of another when he himself has no time to attend to himself? After all, no matter who you are, the great man does sometimes look toward you even if his face is insolent, he does sometimes condescend to listen to your words, he permits you to appear at his side; but you never deign to look upon yourself, to give ear to yourself. There is no reason, therefore, to count anyone in debt for such services, seeing that, when you performed them, you had no wish for another's company, but could not endure your own.
”
”
Seneca (On the Shortness of Life: Life Is Long if You Know How to Use It (Penguin Great Ideas))
“
Again Master Padma said: Tsogyal, I have told this to everyone, but nobody listens. As soon as the Mara of Death catches hold of you, there is no chance for liberation. Those who do not practice the Dharma will regret this when approaching death. The years, months and days pass by without lingering even a second. This life runs out without pausing for even an hour or a minute, and then we die. The seasons continue, but your life finishes and doesn't wait.
”
”
Padmasambhava (Advice from the Lotus-Born: A Collection of Padmasambhava's Advice to the Dakini Yeshe Tsogyal and Other Close Disciples)
“
You'll stay," he said firmly.
"But-"
He crossed his arms. "Do I look like a man in the mood to be argued with?"
She stared at him mutinously.
"If you run," he warned, "I will catch you."
Sophie eyed the distance between them, then tried to judge the distance back to My Cottage.If he stopped to pull on his clothing she might have a chance of escaping, but if he didn't...
"Sophie," he said, "I can practically see the steam coming out of your ears. Stop taxing your brain with useless mathematical computations and do as I asked."
One of her feet twitched. Whether it was itching to run home or merely turn around, she'd never know.
"Now," he ordered.
With a loud sigh and grumble, Sophie crossed her arms and turned around to stare at a knothole in the tree trunk in front of her as if her very life depended on it The inferal man wasn't being particularly quiet as he went about his business, and she couldn't seem to keep herself from listening to and trying to identify every sound that rustled and splashed behind her.Now he was emerging from the water, now he was reaching for his breeches, now he was...
It was no use.She had a dreadfully wicked imagination, and there was no getting around it.
He should have just let her return to the house. Instead she was forced to wait, utterly mortified, while he dressed. Her skin felt like it was on fire, and she was certain her cheeks must be eight different shades of red. A gentleman would have let her weasle out of her embarrassment and hole up in her room back at the house for at least three days in hopes that he'd just forget about the entire affair.
”
”
Julia Quinn (An Offer From a Gentleman (Bridgertons, #3))
“
It’s weird being alone in the museum. It’s dark and eerily quiet: Only the after-hours lights are on—just enough to illuminate the hallways and stop you from tripping over your own feet—and the background music that normally plays all the time is shut off.
I quickly organize the flashlights and check their batteries, and when I don’t hear Porter walking around, I stare at the phone sitting at the information desk. How many chances come along like this? I pick up the receiver, press the little red button next to the word ALL, and speak into the phone in a low voice. “Paging Porter Roth to the information desk,” I say formally, my voice crackling through the entire lobby and echoing down the corridors. Then I press the button again and add, “While you’re at it, check your shoes to make sure they’re a match, you bastard. By the way, I still haven’t quite forgiven you for humiliating me. It’s going to take a lot more than a kiss and a cookie to make me forget both that and the time you provoked me in the Hotbox.”
I’m only teasing, which I hope he knows. I feel a little drunk on all my megaphone power, so I page one more thing:
“PS—You look totally hot in those tight-fitting security guard pants tonight, and I plan to get very handsy with you at the movies, so we better sit in the back row.”
I hang up the phone and cover my mouth, silently laughing at myself. Two seconds later, Porter’s footfalls pound down Jay’s corridor—Boom! Boom! Boom! Boom! He sounds like a T. rex running from Godzilla. He races into the lobby and slides in front of the information desk, grabbing onto the edge to stop himself, wild curls flying everywhere. His grin is enormous.
“Whadidya say ’bout where you want to be puttin’ your hands on me?” he asks breathlessly.
“I think you have me confused with someone else,” I tease.
His head sags against the desk. I push his hair away from one of his eyes. He looks up at me and asks, “You really still haven’t forgiven me?”
“Maybe if you put your hands onme, I might.”
“Don’t go getting my hopes up like that.”
“Oh, your hopes should be up. Way up.”
“Dear God, woman,” he murmurs. “And here I was, thinking you were a classy dame.”
“Pfft. You don’t know me at all.”
“I aim to find out. What are we still doing here? Let’s blow this place and get to the theater, fast.
”
”
Jenn Bennett (Alex, Approximately)
“
I’m so sorry. I am, but Kya, it’s not just guys who are unfaithful. I’ve been duped, dropped, run over a few times myself. Let’s face it, a lot of times I love doesn’t work out. Yet even when it fails, it connects you to others and, in the end, that is all you have, the connections. Look at us; you and I have each other now, and just think, if I have kids and you have kids, well, that’s a whole new string of connections. And on it goes. Kya, if you love Tate, take a chance.
”
”
Delia Owens (Where the Crawdads Sing)
“
Yeah. She's got this pretty red hair, green eyes, a smile that could knock the wind out of a guy -"
Casper was shaking his head.
"What?"
"You're right. You don't deserve her. I think you need to introduce her to me."
Derek grinned and reached for him, but Casper danced away.
"You know, I bet she'll take one look at me and forget all about you anyway, Dare."
"You think so."
Casper took off running.
"Yeah, you'd better run, punk!" Derek yelled after him, grinning.
Take a chance.
”
”
Susan May Warren (Take a Chance on Me (Christiansen Family, #1))
“
I was nearly to the end of the alley when an arm snaked around my waist and yanked me backward, out of the light. I wasn't sure if it was an Eye or a Prodigium, or just your run-of-the-mill rapist.scumbag type, but it was definitely a guy. He was several inches taller than me, and I could hear his ragged breathing in my ear as he struggled to hold me. There was no way I'd be able to do a spell on him: I was too tired and too frazzled. But while I didn't have magic, I did have a whole bunch of the Vandy's Defense classes on my side.
Skill Nine, you asshat,I thought as I drove my elbow back,while at the same time attempting to drive my boot heel as hard as I could into his instep.
He blocked both easily, pulling his torso back from my elbow even as he tightened his grip on my waist, lifting me slightly off the ground so my heel came down harmlessly on thin air.
For a second I felt real panic. Anyone who could black Prodigium Defense moves was a lot more dangerous than some random pervert. I was about to try Skill Fifteen, which involved both breaking his nose and potentially ending his chances of ever having kids, when my captor bent down and whispered in my ear, "Don't even think about it, Mercer.
”
”
Rachel Hawkins (Demonglass (Hex Hall, #2))
“
Risk, as first articulated by the economist Frank H. Knight in 1921,45 is something that you can put a price on. Say that you’ll win a poker hand unless your opponent draws to an inside straight: the chances of that happening are exactly 1 chance in 11.46 This is risk. It is not pleasant when you take a “bad beat” in poker, but at least you know the odds of it and can account for it ahead of time. In the long run, you’ll make a profit from your opponents making desperate draws with insufficient odds. Uncertainty, on the other hand, is risk that is hard to measure. You might have some vague awareness of the demons lurking out there. You might even be acutely concerned about them. But you have no real idea how many of them there are or when they might strike. Your back-of-the-envelope estimate might be off by a factor of 100 or by a factor of 1,000; there is no good way to know. This is uncertainty. Risk greases the wheels of a free-market economy; uncertainty grinds them to a halt.
”
”
Nate Silver (The Signal and the Noise: Why So Many Predictions Fail-but Some Don't)
“
If I had it my way, Harper and I wouldn't be standing in this room right now, we wouldn't be pressed against each other. I would just be her roommate's brother who pisses her off. But when it came to this girl, I was no longer in control of anything. She consumed me in every way possible. My brain was telling me to run from her, to keep her safe, to keep her from someone like me, but she had my heart completely, and that was winning out. I wanted her, I wanted her to want me and only me. Not Brandon even though I knew he was the better choice for her. But that just didn't matter to me at the moment; all I cared about was the fact that one of my best friends was winning over the only girl that would ever mean anything to me.” — Chase Grayson.
”
”
Molly McAdams (Stealing Harper (Taking Chances, #1.5))
“
The happily ever after depends on what you put into it. The hard work, the listening instead of talking, the laughing instead of crying, the sticking it out instead of running away, the knowing that sometimes silence is best but having her wrapped in your arms can still solve a lot of problems. So, you can have your romance novels while I have my King and Follett and Patterson because I don’t want to read about having that kind of love someday. I’d rather be over here trying to take a chance at it in real life.
”
”
K. Bromberg (The Player (The Player, #1))
“
I have a theory that every time you make an important choice, the part of you left behind continues the other life you could have had. Some people’s emanations are very strong, some people create themselves afresh outside of their own body. This is not fancy. If a potter has an idea, she makes it into a pot, and it exists beyond her, in its own separate life. She uses a physical substance to display her thoughts. If I use a metaphysical substance to display my thoughts, I might be anywhere at one time, influencing a number of different things, just as the potter and her pottery can exert influence in different places. There’s a chance that I’m not here at all, that all the parts of me, running along all the choices I did and didn’t make, for a moment brush against each other. That I am still an evangelist in the North, as well as the person who ran away. Perhaps for a while these two selves have become confused. I have not gone forward or back in time, but across in time, to something I might have been, playing itself out.
”
”
Jeanette Winterson (Oranges Are Not the Only Fruit)
“
New Rule: Republicans must stop pitting the American people against the government. Last week, we heard a speech from Republican leader Bobby Jindal--and he began it with the story that every immigrant tells about going to an American grocery store for the first time and being overwhelmed with the "endless variety on the shelves." And this was just a 7-Eleven--wait till he sees a Safeway. The thing is, that "endless variety"exists only because Americans pay taxes to a government, which maintains roads, irrigates fields, oversees the electrical grid, and everything else that enables the modern American supermarket to carry forty-seven varieties of frozen breakfast pastry.Of course, it's easy to tear government down--Ronald Reagan used to say the nine most terrifying words in the Englishlanguage were "I'm from the government and I'm here to help." But that was before "I'm Sarah Palin, now show me the launch codes."The stimulus package was attacked as typical "tax and spend"--like repairing bridges is left-wing stuff. "There the liberals go again, always wanting to get across the river." Folks, the people are the government--the first responders who put out fires--that's your government. The ranger who shoos pedophiles out of the park restroom, the postman who delivers your porn.How stupid is it when people say, "That's all we need: the federal government telling Detroit how to make cars or Wells Fargo how to run a bank. You want them to look like the post office?"You mean the place that takes a note that's in my hand in L.A. on Monday and gives it to my sister in New Jersey on Wednesday, for 44 cents? Let me be the first to say, I would be thrilled if America's health-care system was anywhere near as functional as the post office.Truth is, recent years have made me much more wary of government stepping aside and letting unregulated private enterprise run things it plainly is too greedy to trust with. Like Wall Street. Like rebuilding Iraq.Like the way Republicans always frame the health-care debate by saying, "Health-care decisions should be made by doctors and patients, not government bureaucrats," leaving out the fact that health-care decisions aren't made by doctors, patients, or bureaucrats; they're made by insurance companies. Which are a lot like hospital gowns--chances are your gas isn't covered.
”
”
Bill Maher (The New New Rules: A Funny Look At How Everybody But Me Has Their Head Up Their Ass)
“
Those rose-tinted glasses look good on you, Sunshine.” Sunshine? I was sure he meant that mockingly, but the butterflies in my stomach stirred to life anyway, fanning away my anger. Traitors. “Thanks. You can borrow them. You need them more than I do,” I said pointedly. A low chuckle slipped from his throat, and I almost fell to the floor in shock. Tonight was turning out to be a night of firsts. Alex’s hand trailed up my spine until it rested on the back of my neck, leaving a cascade of tingles in their wake. “I feel it dripping all over me.” He did not—what? An inferno consumed my body. “You’re—you—no, I’m not!” I sputtered, pushing him away and scrambling off him. My core pulsed. Oh my God, what if I was? I couldn’t look, afraid I’d see a telltale wet spot on his jeans. I’d have to move to Antarctica. Build myself an ice cave and learn to speak penguin because I could never show my face in Hazelburg, D.C., or any city where I could run into Alex Volkov again. His chuckle blossomed into a full-blown laugh. The effect of his real smile was so devastating, even amid my mortification, that all I could do was stare at the way his face lit up and the sparkle that transformed his eyes from beautiful to downright breathtaking. Holy crap. Perhaps I should be grateful he never smiled, because if that was what he looked like while doing it…womankind didn’t stand a chance. “I’m talking about your bleeding heart,” he drawled. “What did you think I was talking about?” “I—you—” Forget Antarctica. I had to move to Mars. Alex’s laughter subsided, but the twinkle in his eyes remained.
”
”
Ana Huang (Twisted Love (Twisted, #1))
“
Myles kisses me back, almost hesitating before he does.
But I don’t give him the chance to stop me. It’s like it’s not me doing these things, but some piece of myself that’s been hidden away until now and has taken advantage of my current mental state to emerge. A part of my brain, or heart, or soul that needs to keep my lips moving against his, that’s running my hands through his smooth, soft hair, that’s pressing my body against his.
And it wants more.
For a second, I’m sure Myles is going to pull away, but I push my body harder into him, circling my arms around his waist as his hands stroke my hair gently, like he’s not sure what else he’s supposed to do with them. He’s close. So close I can feel every muscle in his chest, every whisper of a breath he lets in or out.
I don’t know how we end up on the bed...
”
”
Nikki Rae (Sun Poisoned (Sunshine #2))
“
nothing but a testament of his ownership of me. A daily reminder of the golden cage I’d be trapped in for the rest of my life. Until death do us part wasn’t an empty promise as with so many other couples that entered the holy bond of marriage. There was no way out of this union for me. I was Luca’s until the bitter end. The last few words of the oath that men swore when they were inducted into the mafia could just as well have been the closing of my wedding vow: “I enter alive and I will have to get out dead.” I should have run when I still had the chance.
”
”
Cora Reilly (Bound by Honor (Born in Blood Mafia Chronicles, #1))
“
Snake pushes me out of the way, using me like a weapon to knock Gage and Tank off balance. He runs for the door and bursts out before we get a chance to get back to our feet. The men try to keep me in the house, but I don’t listen to them. Chasing after Snake, I reach under my shirt and wrap my hand around the handle of my gun. He doesn’t have a car, but that’s not going to stop the slimy piece of shit from trying to get away from me. After jangling a few handles, he finds an unlocked door and dives behind the wheel. My shot obliterates the back window, but it doesn’t stop him from cranking the engine
”
”
A.J. Rivers (The Girl in Cabin 13 (Emma Griffin FBI Mystery, #1))
“
Which is why we must choose to drive out anger and replace it with love and gratitude - and purpose. Our stillness depends on our ability to slow down and choose not to be angry, to run on different fuel. Fuel that helps us win and build, and doesn't hurt other people, our cause, or our chance at peace.
”
”
Ryan Holiday (Stillness Is the Key)
“
Too often we sit back and speak platitudes of the nitty-gritty bits of writing; the editing, the story structure, the verbal sparring vs. banter, the character development, the world-building become more important to us than the tune rhythm of the tale. And when you lose the music of the story, all the footwork in the world is not going to make up for the loss of continuity and heart.
We need to take a step back in our souls and conjure the image of what this story is: the notes and beats and things woven into it's fullness. See, that's what is so easy to lose sight of as we write. We forget that, in a way, this story is a full story in itself. We tend to try to build the story piece by piece, line upon line, precept upon precept, but that--as any true writer knows--is not entirely practical. A story does have its own identity. To some extent, the story exists in your mind as a whole. Its own being. To chance sounding sappy: Your story is a full piece of music waiting for you to dance it into existence. Don't make the mistake of leaving out all the music.
It is tempting to want to have everything arranged to perfection so that little editing will be done. But if you are keeping in mind the way your story needs to run--feeling it and dwelling in the beauty of its passion and color and vibe--the footwork will take care of itself. Certainly it will require practice and your technicalities will need a little work--everyone's does. But you will have captured the essence and blood of the tale, and really that's the prettiest part of a dance.
”
”
Rachel Heffington
“
The papers were always talking about the debt owed to society. According to them, it had to be paid . But that doesn't speak to the imagination. What really counted was the possibility of escape, a leap to freedom, out of the implacable ritual, a wild run for it that would give whatever chance for hope there was.
..
Despite my willingness to understand, I just couldn't accept such arrogant certainty. Because, after all, there really was something ridiculously out of proportion between the verdict such certainty was based on and the imperturbable march of events from the moment the verdict was announced.
..
How had I not seen that there was nothing more important than an execution, and that when you come right down to it, it was the only thing a man could truly be interested in? If I ever got out of this prison I would go and watch every execution there was. But I think it was a mistake even to consider the possibility.
..
But I wasn't being reasonable. It was a mistake to let myself get carried away by such imaginings, because the next minute I would get so cold that I would curl up into a ball under my blanket and my teeth would be chattering and I couldn't make them stop.
..
So the thing that bothered me most was that the condemned man had to hope the machine would work the first time. And I say that’s wrong . And in a way I was right. But in another way I was forced to admit that that was the whole secret of good organization. In other words, the condemned man was forced into a kind of moral collaboration. It was in his interest that everything go off without a hitch.
”
”
Albert Camus (The Stranger)
“
Asia is rising against me.
I haven't got a chinaman's chance.
I'd better consider my national resources.
My national resources cousist of two joints of marijuana millions of
genitals an unpublishable private literature that goes 1400
miles an hour and twentyfive-thousand mental institutions.
I say nothing about my prisons nor the millions of underprivileged
who live in my flowerpots under the light of five hundred
suns.
I have abolished the whorehouses of France, Tangiers is the next
to go.
My ambition is to be President despite the fact that I'm a Catholic.
America how can I write a holy litany in your silly mood?
I will continue like Henry Ford my strophes are as individual as
his automobiles more so they're all different sexes.
America I will sell you strophes $2500 apiece $500 down on your
old strophe
America free Tom Mooney
America save the Spanish Loyalists
America Sacco & V anzetti must not die
America I am the Scottsboro boys.
America when I was seven momma took me to Communist Cell
meetings they sold us garbanzos a handful per ticket
a ticket costs a nickel and the speeches were free
everybody was angelic and sentimental about the workers
it was all so sincere you have no idea what a good thing
the party was in 1835 Scott Nearing was a grand old man
a real mensch Mother Bloor made me cry I once saw
Israel Amter plain. Everybody must have been a spy.
America you don't really want to go to war.
America it's them bad Russians.
Them Russians them Russians and them Chinamen. And them
Russians.
The Russia wants to eat us alive. The Russia's power mad. She
wants to take our cars from out our garages.
Her wants to grab Chicago. Her needs a Red Readers' Digest.
Her wants our auto plants in Siberia. Him big bureaucracy
running our fillingstations.
That no good. Ugh. Him make Indians learn read. Him need
big black niggers. Hah. Her make us all work sixteen hours
a day. Help.
America this is quite serious.
America this is the impression I get from looking in the television
set.
America is this correct?
I'd better get right down to the job.
It's true I don't want to join the Army or turn lathes in precision
parts factories, I'm nearsighted and psychopathic anyway.
America I'm putting my queer shoulder to the wheel.
”
”
Allen Ginsberg (Howl: And Other Poems)
“
Gator, go wake that woman of yours. I need some answers. We need her to run the computers for us.”
“Tonight, Boss?” Gator complained. “I had other ideas.” He wiggled his eyebrows suggestively.
“We all did. Hop to it.”
“What about Sam?” Tucker asked. “His woman is the one who got us into this.”
“I’m wounded.” Sam clutched his abdomen dramatically and staggered with quick, long strides so that he made it to the doorway in three quick steps.
Jonas coughed, sounding suspiciously like he’d muttered “bullshit” under his breath. Kyle threw a peanut at him and Jeff surfed across the table in his bare socks to try to catch him before he bolted.
“He’s in love, boys, let him go. He’ll probably just get laughed at,” Tucker said. “Do you really think Azami’s brothers are going to allow her to hook up with Sam? She’s fine and he’s . . . well . . . klutzy.”
“That hurt,” Sam said, turning back.
“Did you get a good look at those boys? I thought Japanese men were supposed to be on the short side, but Daiki was tall and all muscle. His brother moves like a fucking fighter,” Tucker added. “They might just decide to give you a good beating for having the audacity to even think you could date their sister, let alone marry her.”
“Fat help you are,” Sam accused. “I could use a little confidence here.”
Kyle snorted. “You don’t have a chance, buddy.”
“Goin’ to meet your maker,” Gator added solemnly.
Jeff crossed himself as he hung five toes off the edge of the table. “Sorry, old son, you don’t have a prayer. You’re about to meet up with a couple of hungry sharks.”
“Have you ever actually used a sword before?” Kadan asked, all innocent.
Jonas drew his knife and began to sharpen it. “Funny thing about blade men, they always like to go for the throat.” He grinned up at Sam. “Just a little tip. Keep your chin down.”
“You’re all a big help,” Sam said and stepped out into the hall.
This was the biggest moment of his life. If they turned him down, he was lost.
”
”
Christine Feehan (Samurai Game (GhostWalkers, #10))
“
Mania. One minute, you’re lost, and the next minute…you’re found. You are the sole creator of your own destiny. A rush of extreme adrenaline kicks in. Your heart accelerates at an unfathomable speed, along with the thoughts in your mind. The anxiety fuels the mania even more. It hits you at full speed out of nowhere. You are no longer bound by the limits of your physical body. You can be anything, or anyone, you want to be. There are no fucking limits. No consequences. No distractions. Everything makes sense… And yet nothing does. Everything has meaning… And yet nothing does. And still, everything is absolutely fucking beautiful. Life is beautiful. You’re running on hyperactive-controlled clarity. Nothing is impossible in that moment. The world is yours to create. To own. Seeing is art. Hearing is music. Breathing is living. You are high. So incredibly high. You take chances. Risks. Because why the fuck not? Your illness is not mental. …You’re finally free. … Until… you crash. And… …burn.
”
”
Molly Doyle (Bloodshed (Order of the Unseen #1))
“
But sleep would not come, and sure enough not one but two troubling thoughts, like paired specters materializing out of the fog of sleep, stood watch over me: desire and shame, the longing to throw open my window and, without thinking, run into his room stark-naked, and, on the other hand, my repeated inability to take the slightest risk to bring any of this about. There they were, the legacy of youth, the two mascots of my life, hunger and fear, watching over me, saying, So many before you have taken the chance and been rewarded, why can’t you? No answer. So many have balked, so why must you? No answer. And then it came, as ever deriding me: If not later, Elio, when?
”
”
André Aciman (Call Me by Your Name)
“
Coming close, Tatiana brought her freckled face to him. She glanced around, saw that Dr. Sayers was looking right at them, and said, “God, I won’t get a chance to kiss you, will I? I can’t wait until I can kiss you out in the open.” Her hands patted his chest. “Soon we’ll be out of the thick forest,” she whispered. “Kiss me anyway,” Alexander said. “Really?” “Really.” Tatiana bent, her serene hand remaining on his chest, and her honey lips softly kissed Alexander’s own lips. She pressed her cheek against his. “Shura, open your eyes.” “No.” “Open them.” Alexander opened them. Tatiana gazed at him, her eyes shining, and then she blinked three times quick. Straightening up, she put on her serious face and raising her hand in a salute, said, “Sleep well, Major, and I’ll see you.” “I’ll see you, Tania,” said Alexander. She walked to the end of his bed. No! he wanted to cry out. No, Tania, please come back. What can I leave her with, what can I say, what one word can I leave with her, for her? What one word for my wife? “Tatiasha,” Alexander called after her. God, what was the curator’s name…? She glanced back. “Remember Orbeli—” “Tania!” Dr. Sayers yelled across the ward. “Please come now!” She made a frustrated face and said quickly, “Shura, darling, I’m sorry, I have to run. Tell me when I see you next, all right?” He nodded. Tatiana walked away from Alexander, past the cots, touching a convalescent’s leg and bringing a small smile to the man’s bandaged face. She said good night to Ina and stopped for a second to adjust someone’s blanket. At the door she said a few words to Dr. Sayers, laughed, and then turned to Alexander one last time, and in Tatiana’s eyes he saw her love, and then she was out the door and gone.
”
”
Paullina Simons (The Bronze Horseman (The Bronze Horseman, #1))
“
Both trust and gratitude require the courage to take risks because distrust and resentment, in their need to keep their claim on me, keep warning me how dangerous it is to let go of my careful calculations and guarded predictions. At many points I have to make a leap of faith to let trust and gratitude have a chance. The leap of faith always means loving without expecting to be loved in return, giving without wanting to receive, inviting without hoping to be invited, holding without asking to be held. And every time I make a little leap, I catch a glimpse of the One who runs out to me and invites me into his joy, the joy in which I can find not only myself, but also my brothers and sisters.
”
”
Henri J.M. Nouwen (The Return of the Prodigal Son: A Story of Homecoming)
“
The Last Hero
The wind blew out from Bergen from the dawning to the day,
There was a wreck of trees and fall of towers a score of miles away,
And drifted like a livid leaf I go before its tide,
Spewed out of house and stable, beggared of flag and bride.
The heavens are bowed about my head, shouting like seraph wars,
With rains that might put out the sun and clean the sky of stars,
Rains like the fall of ruined seas from secret worlds above,
The roaring of the rains of God none but the lonely love.
Feast in my hall, O foemen, and eat and drink and drain,
You never loved the sun in heaven as I have loved the rain.
The chance of battle changes -- so may all battle be;
I stole my lady bride from them, they stole her back from me.
I rent her from her red-roofed hall, I rode and saw arise,
More lovely than the living flowers the hatred in her eyes.
She never loved me, never bent, never was less divine;
The sunset never loved me, the wind was never mine.
Was it all nothing that she stood imperial in duresse?
Silence itself made softer with the sweeping of her dress.
O you who drain the cup of life, O you who wear the crown,
You never loved a woman's smile as I have loved her frown.
The wind blew out from Bergen to the dawning of the day,
They ride and run with fifty spears to break and bar my way,
I shall not die alone, alone, but kin to all the powers,
As merry as the ancient sun and fighting like the flowers.
How white their steel, how bright their eyes! I love each laughing knave,
Cry high and bid him welcome to the banquet of the brave.
Yea, I will bless them as they bend and love them where they lie,
When on their skulls the sword I swing falls shattering from the sky.
The hour when death is like a light and blood is like a rose, --
You never loved your friends, my friends, as I shall love my foes.
Know you what earth shall lose to-night, what rich uncounted loans,
What heavy gold of tales untold you bury with my bones?
My loves in deep dim meadows, my ships that rode at ease,
Ruffling the purple plumage of strange and secret seas.
To see this fair earth as it is to me alone was given,
The blow that breaks my brow to-night shall break the dome of heaven.
The skies I saw, the trees I saw after no eyes shall see,
To-night I die the death of God; the stars shall die with me;
One sound shall sunder all the spears and break the trumpet's breath:
You never laughed in all your life as I shall laugh in death.
”
”
G.K. Chesterton
“
And what is it about you and romance novels? Is it the happily ever after? Is it the man who's too good to be true? Because I assure you, we all have our flaws, even the fictional ones. But the happily ever after depends on what you put into it. The hard work, the listening instead of talking, the laughing instead of crying, the sticking it out instead of running away, the knowing that sometimes silence is best but having her wrapped in your arms can still solve a lot of problems. So, you can have you romance novels while I have my King and Follett and Patterson because I don't want to read about having that kind of love someday. I'd rather be over here trying to take a chance at it in real life.
”
”
K. Bromberg (The Player (The Player, #1))
“
Hey, Freckles.” I bite my lip and screw my face up as my ribs burn, taking a deep breath before continuing. “I’m so sorry. I’m so fucking sorry for not knowing what you went through or giving you a chance to explain what happened. I should have heard you out. I should have stayed. But you need to listen.” I wince and pull the phone away, so she can’t hear my groan of pain. “They know who you are, and what we were. They’re going to come for you. Please. Please, baby, you need to run. Run, and don’t you dare turn back. Get away from all of them. You… you hear m-me?” My eyes close, and my phone slides out of my hand, but I quickly grab it. “Please hide, please.” My vision goes dark, and the tremble in my bones stops. “I n-never stopped loving you.” My heart is fucking sore, but I need to get this last part out. I know I’m dying. But the only thing I’m worried about is her getting the fuck away from those evil pricks. “I will… will always lo-love you, Freckles. Go, live your life and be free. Meet someone who can tr-treat you ri-ight. For-for-forget me.” I can’t hear anything, not even my heartbeat. “Pl-please for… forgive me. B-Be safe and ha-ha-happy. I love you. I…” The phone slides again, and I have no energy left to finish my sentence, but as long as she knows I loved her, that she meant the world to me, that she is fucking special and deserves everything that makes her happy – then I’ve said all I need to. A hand touches my face, but I can’t see through the blood in my eyes from the gaping wound in my head. Stacey? Is that you? Mum? But it’s Bernie’s voice in my ear. Faint, but enough that I can make out what she’s saying. “Oh, silly me. Did I forget to mention Stacey fled the country? New phone. ID. Everything. You’ll never find her, but guess what? I will.” She wipes my eyes with a cloth, and I can just make out a medic hovering over me. Archie lowers himself beside me as I try to drag air into my punctured lungs. “I did some digging and was able to lift some messages between you both – and her nickname. Freckles?” He laughs, and blood drops from my mouth as I attempt to move, to get up and snap his neck. “I’ll carve each freckle out of her skin.” “I’ll k-kill y-you.
”
”
Leigh Rivers (Voracious (The Edge of Darkness, #2))
“
F--- me," Malikov wheezes. "I gotta... quit smoking."
Donnelly smiles over her shoulder despite herself. "Chances of me making out with you again will probably improve if you do."
Malikov reaches into his envirosuit's outer pocket as he runs, fishes out a crumpled packet Tarannosaurus Rex™ cigarettes and sends it sailing down the stairwell.
"Fly free, little buddies.
”
”
Amie Kaufman (Gemina (The Illuminae Files, #2))
“
Human beings have their great chance in the novel. They say to the novelist: “Recreate us if you like, but we must come in,” and the novelist’s problem, as we have seen all along, is to give them a good run and to achieve something else at the same time. Whither shall he turn? not indeed for help but for analogy. Music, though it does not employ human beings, though it is governed by intricate laws, nevertheless does offer in its final expression a type of beauty which fiction might achieve in its own way. Expansion. That is the idea the novelist must cling to. Not completion. Not rounding off but opening out. When the symphony is over we feel that the notes and tunes composing it have been liberated, they have found in the rhythm of the whole their individual freedom. Cannot the novel be like that? Is not there something of it in War and Peace?-—the book with which we began and in which we must end. Such an untidy book. Yet, as we read it, do not great chords begin to sound behind us, and when we have finished does not every item—even the catalogue of strategies—lead a larger existence than was possible at the time?
”
”
E.M. Forster (Aspects of the Novel)
“
To Begin With, the Sweet Grass
1.
Will the hungry ox stand in the field and not eat
of the sweet grass?
Will the owl bite off its own wings?
Will the lark forget to lift its body in the air or
forget to sing?
Will the rivers run upstream?
Behold, I say—behold
the reliability and the finery and the teachings
of this gritty earth gift.
2.
Eat bread and understand comfort.
Drink water, and understand delight.
Visit the garden where the scarlet trumpets
are opening their bodies for the hummingbirds
who are drinking the sweetness, who are
thrillingly gluttonous.
For one thing leads to another.
Soon you will notice how stones shine underfoot.
Eventually tides will be the only calendar you believe in.
And someone's face, whom you love, will be as a star
both intimate and ultimate,
and you will be both heart-shaken and respectful.
And you will hear the air itself, like a beloved, whisper:
oh, let me, for a while longer, enter the two
beautiful bodies of your lungs.
3.
The witchery of living
is my whole conversation
with you, my darlings.
All I can tell you is what I know.
Look, and look again.
This world is not just a little thrill for the eyes.
It's more than bones.
It's more than the delicate wrist with its personal pulse.
It's more than the beating of the single heart.
It's praising.
It's giving until the giving feels like receiving.
You have a life—just imagine that!
You have this day, and maybe another, and maybe
still another.
4.
Someday I am going to ask my friend Paulus,
the dancer, the potter,
to make me a begging bowl
which I believe
my soul needs.
And if I come to you,
to the door of your comfortable house
with unwashed clothes and unclean fingernails,
will you put something into it?
I would like to take this chance.
I would like to give you this chance.
5.
We do one thing or another; we stay the same, or we
change.
Congratulations, if
you have changed.
6.
Let me ask you this.
Do you also think that beauty exists for some
fabulous reason?
And, if you have not been enchanted by this adventure—
your life—
what would do for you?
7.
What I loved in the beginning, I think, was mostly myself.
Never mind that I had to, since somebody had to.
That was many years ago.
Since then I have gone out from my confinements,
though with difficulty.
I mean the ones that thought to rule my heart.
I cast them out, I put them on the mush pile.
They will be nourishment somehow (everything is nourishment
somehow or another).
And I have become the child of the clouds, and of hope.
I have become the friend of the enemy, whoever that is.
I have become older and, cherishing what I have learned,
I have become younger.
And what do I risk to tell you this, which is all I know?
Love yourself. Then forget it. Then, love the world.
”
”
Mary Oliver
“
This one had come to me, though, picked me out. I thought she was trouble from the start. I don't read minds and I can't see the future, but call it instinct or experience, something was prickling my spine.
You could call it something else, if you wanted: adolescence, hormones, lust. Being seventeen. That doesn't go away, however long you practice.
"Hullo," I said politely, warily.
She was long and slim and very neatly put together, dark hair tumbling over denim, old worn black jacket and jeans that somehow hadn't faded into grey. They probably didn't dare. Right from the start I saw a focus in her, a determination that must go all the way through, like the writing in a stick of Brighton rock. In another world, another lifetime, I thought she'd have raven-feathers in her hair, a bear's tooth on a thong about her. She'd be the village shaman, talking to spirits, and even the headman would be afraid of her, a little...
Seventeen, I told you. She was devastating to me, she was sitting at my table, and I couldn't afford her. Not for a minute.
If I'd stood up, if I'd left, if I'd run away...
Nah. She would just have come after me. Faster, fitter, and on longer legs. What chance did I ever have?
”
”
Ben Macallan (Desdaemona)
“
Be honest with yourself. You were at your lowest and broken down. You were unsure and lost hope. You were hiding your fears until you showed them on your sleeve. You felt like everything and everyone was the hammer and you were the nail as they were beating down on you, and it was never-ending. Their empty threats had you scared and you were always running because your weakness was exposed. You were their prey. You didn’t know who to believe because of their mixed signals.
You might not see it now, but you are stronger than you can ever imagine.
You cannot become comfortable in your pain. You have to let the pain that you feel turn you into a rose without thorns. There are sixteen pieces on the chessboard. The king is the most important piece, but the difference is that the queen is the most powerful piece!
You are a queen, you can maneuver around your opponents; they do not have the power over your life, your mind or soul. You might think you’ve been a prisoner, but that is your past’. Look in the now and work your way to how you want your future to be. Exercise your thoughts into a pattern of letting go, and think positively about more of what you want than what you do not want.
Queen!
You are a queen! As a matter of fact, you are the queen! Act as if you know it!
You are powerful, determined, strong, and you can make the biggest and most extravagant move and put it into action.
Lights, camera, strike a pose and own it!
It is yours to own!
Yes, you loved and loved so much. You also lost as well, but you lost hurt, pain, agony, and confusion. You’ve lost interest in wanting to know answers to unanswered questions. You’ve lost the willingness to give a shit about what others think. You’ve surrendered to being fine, that you cannot change the things you have no control over.
You’ve lost a lot, but you’ve gained closure. You are now balanced, centered, focused, and filled with peace surrounding you in your heart, mind, body, and soul.
Your pride was hurt, but you would rather walk alone and be more willing to give and learn more about the queen you are.
You lost yourself in the process, but the more you learn about the new you, the more you will be so much in love with yourself. The more you learn about the new you, the more you will know your worth. The more you learn about the new you, the happier you are going to be, and this time around you will be smiling inside and out!
The dots are now connecting. You feel alive!
You know now that all is not lost. Now that you’ve cut the cord it is time to give your heart a second chance at loving yourself.
Silence your mind. Take a deep breath and close your eyes. As you open your eyes, look at your reflection in the mirror. Aren’t you beautiful, Queen? Embrace who you are. Smile, laugh, welcome the new you and say, “My world is just now beginning.
”
”
Charlena E. Jackson (A Woman's Love Is Never Good Enough)
“
cable, and away to sea. But the wind was wanting; and to complete our helplessness, down came Hunter with the news that Jim Hawkins had slipped into a boat and was gone ashore with the rest. It never occurred to us to doubt Jim Hawkins, but we were alarmed for his safety. With the men in the temper they were in, it seemed an even chance if we should see the lad again. We ran on deck. The pitch was bubbling in the seams; the nasty stench of the place turned me sick; if ever a man smelt fever and dysentery, it was in that abominable anchorage. The six scoundrels were sitting grumbling under a sail in the forecastle; ashore we could see the gigs made fast and a man sitting in each, hard by where the river runs in. One of them was whistling "Lillibullero." Waiting was a strain, and it was decided that Hunter and I should go ashore with the jolly-boat in quest of information. The gigs had leaned to their right, but Hunter and I pulled straight in, in the direction of the stockade upon the chart. The two who were left guarding their boats seemed in a bustle at our appearance; "Lillibullero" stopped off, and I could see the pair discussing what they ought to do. Had they gone and told Silver, all might have turned out differently;
”
”
Robert Louis Stevenson (Treasure Island)
“
I called the Keep, introduced myself to the disembodied female voice on the phone, and asked for the Beast Lord. In less than fifteen seconds Curran came on the line.
“I’m going into hiding with Jim.”
The silence on the other side of the phone had a distinctly sinister undertone. Perhaps he thought that his kissing superpowers had derailed me. Fat chance. I would keep him from having to kill Derek. That was a burden he didn’t need.
“I thought about this morning,” I said, doing my best to sound calm and reasonable. “I’ve instructed the super to change the locks. If I ever catch you in my apartment again, I will file a formal complaint. I’ve taken your food, under duress, but I did take it. You rescued me once or twice, and you’ve seen me near naked. I realize that you’re judging this situation by shapeshifter standards, and you expect me to fall on my back with my legs spread.”
“Not necessarily.” His voice matched mine in calmness. “You can fall on your hands and knees if you prefer. Or against the wall. Or on the kitchen counter. I suppose I might let you be on top, if you make it worth my while.”
I didn’t grind my teeth—he would’ve heard it. I had to be calm and reasonable. “My point is this: no.”
“No?”
“There will be no falling, no sex, no you and me.”
“I wanted to kiss you when you were in your house. In Savannah.”
Why the hell was my heart pounding? “And?”
“You looked afraid. That wasn’t the reaction I was hoping for.”
Be calm and reasonable. “You flatter yourself. You’re not that scary.”
“After I kissed you this morning, you were afraid again. Right after you looked like you were about to melt.”
Melt?
“You’re scared there might be something there, between you and me.”
Wow. I struggled to swallow that little tidbit. “Every time I think you’ve reached the limits of arrogance, you show me new heights. Truly, your egotism is like the Universe—ever expanding.”
“You thought about dragging me into your bed this morning.”
“I thought about stabbing you and running away screaming. You broke into my house without permission and slobbered all over me. You’re a damn lunatic! And don’t give me that line about smelling my desire; I know it’s bullshit.”
“I didn’t need to smell you. I could tell by the dreamy look in your eyes and the way your tongue licked the inside of my mouth.”
“Enjoy the memory,” I ground out. “That’s the last time it will ever happen.”
“Go play your games with Jim. I’ll find you both when I need you.”
Arrogant asshole. “I tell you what, if you find us before those three days run out, I’ll cook you a damn dinner and serve it to you naked.”
“Is that a promise?”
“Yes. Go fuck yourself.”
I slammed the phone down. Well, then. That was perfectly reasonable.
On the other side of the counter an older, heavyset man stared at me like I had sprouted horns.
Glenda handed me the money I’d given her. “That was some conversation. It was worth ten bucks.
”
”
Ilona Andrews (Magic Strikes (Kate Daniels, #3))
“
One area where I think we are especially distinctive is failure. I believe we are the best place in the world to fail (we have plenty of practice!), and failure and invention are inseparable twins. To invent you have to experiment, and if you know in advance that it’s going to work, it’s not an experiment. Most large organizations embrace the idea of invention but are not willing to suffer the string of failed experiments necessary to get there. Outsized returns often come from betting against conventional wisdom, and conventional wisdom is usually right. Given a ten percent chance of a one hundred times payoff, you should take that bet every time. But you’re still going to be wrong nine times out of ten. We all know that if you swing for the fences, you’re going to strike out a lot, but you’re also going to hit some home runs.
”
”
Jeff Bezos (Invent and Wander: The Collected Writings of Jeff Bezos)
“
All That You Have Is Your Soul
Oh my mama told me
'Cause she say she learned the hard way
Say she wanna spare the children
She say don't give or sell your soul away
'Cause all that you have is your soul
Don't be tempted by the shiny apple
Don't you eat of a bitter fruit
Hunger only for a taste of justice
Hunger only for a world of truth
'Cause all that you have is your soul
I was a pretty young girl once
I had dreams I had high hopes
I married a man he stole my heart away
He gave his love but what a high price I paid
And all that you have is your soul
Why was I such a young fool
Thought I'd make history
Making babies was the best I could do
Thought I'd made something that could be mine forever
Found out the hard way one can't possess another
And all that you have is your soul
I thought thought that I could find a way
To beat the system
To make a deal and have no debts to pay
I'd take it all take it all I'd run away
Me for myself first class and first rate
But all that you have is your soul
Here I am waiting for a better day
A second chance
A little luck to come my way
A hope to dream a hope that I can sleep again
And wake in the world with a clear conscience and clean hands
'Cause all that you have is your soul
All that you have
All that you have
All that you have Is your soul
”
”
Tracy Chapman
“
Owing to the math, many of us would never get the chance to marry. But neither would we be welcome to stay on. Five years from now, quite a few of my bunkhouse roommates would be gone from Paradise. Some would run away, but many would be kicked out. Nobody spoke of this practice, of course. There were many, many idiosyncrasies at Paradise that were not to be mentioned aloud, but the throwing away of half our young men was the ugliest one.
”
”
Sarina Bowen (Goodbye Paradise (Hello Goodbye, #1))
“
The poetry of the new year is problematically punctual. An impeccable guest who arrives on time when you are running frantically behind schedule. Catching you precisely at that awkward stage of housecleaning when the contents of closet and cupboard are strewn across the room and there is no sensible place left to sit down. No, you haven’t had a chance to change the guest room towels, your clothes or your habits. It is at this stage that you begin to stammer out apologies and resolutions. The visitor fixes you with a gaze that breaks like dawn over your clutter and chagrin. 'What a beautiful life,' murmurs your guest, pressing an oddly shaped package into your hands. Gladness rises in the heart like a cloud of hummingbirds. Always the same, unpredictable, utterly original gift. You consider the paradox of that as you hold it between your palms. Like freshly kneaded dough: this brand new day.
”
”
Pavithra K. Mehta
“
Coyote was inside the belly of the giant, and he didn’t even know it. He was completely unaware that he was trapped. I think that’s what grandma was trying to say.”
“You could also argue that Coyote was the only one who wasn’t trapped.” I shrugged, knowing that Samuel’s grandmother’s interpretation of the legend had reminded him of me. My stomach twisted at the knowledge, and I was suddenly eager to turn the tables on him. “Coyote had no trouble getting out – but he knew he couldn’t leave everyone else behind.”
“Hmm. I should have known you’d see it that way.” Samuel reached out and brushed his fingertips down my cheek. “I feel like I’m back on the bus, trying to keep up. You were always two steps ahead of me.”
“Would it make you feel better if we arm wrestled?” I poked at him, “I’m sure I wouldn’t stand a chance.” I was relieved to turn the conversation in a different direction.
Samuel laughed out loud
”
”
Amy Harmon (Running Barefoot)
“
Don't misunderstand, but how dare you risk your life? What the devil did you think, to leap over like that? You could have stayed safe on this side and just helped me over." Even to her ears, her tone bordered on the hysterical.
Beneath her fingers, the white lawn started to redden.
She sucked in a shaky breath. "How could you risk your life-your life, you idiot!" She leaned harder on the pad, dragged in another breath.
He coughed weakly, shifted his head.
"Don't you dare die on me!"
His lips twisted, but his eyes remained closed. "But if I die"-his words were a whisper-"you won't have to marry, me or anyone else. Even the most censorious in the ton will consider my death to be the end of the matter. You'll be free."
"Free?" Then his earlier words registered. "If you die? I told you-don't you dare! I won't let you-I forbid you to. How can I marry you if you die? And how the hell will I live if you aren't alive, too?" As the words left her mouth, half hysterical, all emotion, she realized they were the literal truth. Her life wouldn't be worth living if he wasn't there to share it. "What will I do with my life if you die?"
He softly snorted, apparently unimpressed by-or was it not registering?-her panic. "Marry some other poor sod, like you were planning to."
The words cut. "You are the only poor sod I'm planning to marry." Her waspish response came on a rush of rising fear. She glanced around, but there was no one in sight. Help had yet to come running.
She looked back at him, readjusted the pressure on the slowly reddening pad. "I intend not only to marry you but to lead you by the nose for the rest of your days. It's the least I can do to repay you for this-for the shock to my nerves. I'll have you know I'd decided even before this little incident to reverse my decision and become your viscountess, and lead you such a merry dance through the ballrooms and drawing rooms that you'll be gray within two years."
He humphed softly, dismissively, but he was listening. Studying his face, she realized her nonsense was distracting him from the pain. She engaged her imagination and let her tongue run free. "I've decided I'll redecorate Baraclough in the French Imperial style-all that white and gilt and spindly legs, with all the chairs so delicate you won't dare sit down. And while we're on the subject of your-our-country home, I've had an idea about my carriage, the one you'll buy me as a wedding gift..."
She rambled on, paying scant attention to her words, simply let them and all the images she'd dreamed of come tumbling out, painting a vibrant, fanciful, yet in many ways-all the ways that counted-accurate word pictures of her hopes, her aspirations. Her vision of their life together.
When the well started to run dry, when her voice started to thicken with tears at the fear that they might no longer have a chance to enjoy all she'd described, she concluded with, "So you absolutely can't die now." Fear prodded; almost incensed, she blurted, "Not when I was about to back down and agree to return to London with you."
He moistened his lips. Whispered, "You were?"
"Yes! I was!" His fading voice tipped her toward panic. Her voice rose in reaction. "I can't believe you were so foolish as to risk your life like this! You didn't need to put yourself in danger to save me."
"Yes, I did." The words were firmer, bitten off through clenched teeth.
She caught his anger. Was anger good. Would temper hold him to the world?
A frown drew down his black brows. "You can't be so damned foolish as to think I wouldn't-after protecting you through all this, seeing you safely all this way, watching over you all this time, what else was I going to do?
”
”
Stephanie Laurens (Viscount Breckenridge to the Rescue (Cynster, #16; The Cynster Sisters Trilogy, #1))
“
Hamlet' dwarfs 'Hamilton' - it dwarfs pretty much everything - but there's a revealing similarity between them. Shakespeare's longest play leaves its audience in the dark about some basic and seemingly crucial facts. It's not as if the Bard forgot, in the course of all those words, to tell us whether Hamlet was crazy or only pretending: He wanted us to wonder. He forces us to work on a puzzle that has no definite answer. And this mysteriousness is one reason why we find the play irresistible.
'Hamilton' is riddled with question marks. The first act begins with a question, and so does the second. The entire relationship between Hamilton and Burr is based on a mutual and explicit lack of comprehension: 'I will never understand you,' says Hamilton, and Burr wonders, 'What it is like in his shoes?'
Again and again, Lin distinguishes characters by what they wish they knew. 'What'd I miss?' asks Jefferson in the song that introduces him. 'Would that be enough?' asks Eliza in the song that defines her. 'Why do you write like you're running out of time?' asks everybody in a song that marvels at Hamilton's drive, and all but declares that there's no way to explain it. 'Hamilton', like 'Hamlet', gives an audience the chance to watch a bunch of conspicuously intelligent and well-spoken characters fill the stage with 'words, words, words,' only to discover, again and again, the limits to what they can comprehend.
”
”
Lin-Manuel Miranda
“
Most men go from one female to the next. The unworthy ones strut about, pulling you in with falsehoods. Which is probably why Ma fell for a man like Pa. Tate wasn't the only guy who left me. Chase Andrews even talked to me about marriage, but he married someone else. Didn't even tell me; I read it in the paper."
"I'm so sorry. I am, but, Kya, it's not just guys who are unfaithful. I've been duped, dropped, run over a few times myself. Let's face it, a lot of times love doesn't work out. Yet even when it fails, it connects you to others and, in the end, that is all you have, the connections. Look at us; you and I have each other now, and just think, if I have kids and you have kids, well, that's a whole new string of connections. And on it goes. Kya, if you love Tate, take a chance."
Kya thought of Ma's painting of Tate and herself as children, their heads close together, surrounded by pastel flowers and butterflies. Maybe a message from Ma after all.
”
”
Delia Owens (Where the Crawdads Sing)
“
I was so tired of hating myself. But I was so good at it, it was such a comfortable way to be, goddamn fucking flotsam on the high seas, the low tide, a little wad of nothing shrugging and saying Hey, sorry, I didn’t mean it, I didn’t know it was loaded, I didn’t think things would turn out this way. It’s so easy to be nothing. It requires very little thought or afterthought, you can always find people to drink with you, hang out with you, everybody needs a little nothing in their life, right? Call the specialist when you do. You don’t even have to call, chances are I’ll already be there, you’ve just overlooked me because I’m in a corner, crouched like a dustball, a cobweb, my busy little spaced-out grin and oops it seems I’ve stumbled on some sort of exalted hellhole, Funhole, do excuse me while I let it out, while I let it into my body, while I let it run my life because somebody has to, right? somebody has to take the goddamned brunt even if it’s a void.
”
”
Kathe Koja (The Cipher)
“
It came home to me as a great blow that it was only men who could take the world by its ears and conquer their fate, while women, metaphorically speaking, were forced to sit with tied hands and patiently suffer as the waves of fate tossed them hither and thither, battering and bruising without mercy. Familiarity made me used to this yoke; I recovered from the disappointment of being a girl, and was reconciled to that part of my fate. In fact, I found that being a girl was quite pleasant, until a hideous truth dawned upon me--I was ugly! ... In conjunction with this brand of hell I developed a reputation of cleverness. Worse and worse! Girls! girls! Those of you who have hearts, and therefore a wish for happiness, homes, and husbands by and by, never develop a reputation of being clever. It will put you out of the matrimonial running as effectually as though it had been circulated that you had leprosy. So, if you feel that you are afflicted with more than ordinary intelligence, and especially if you are plain with it, hide your brains, cramp your mind, study to appear unintellectual--it is your only chance. Provided a woman is beautiful, allowance will be made for all her shortcomings. She can be unchaste, vapid, untruthful, flippant, heartless, and even clever; so long as she is fair to see, men will stand by her, and as men in this world are "the dog on top," they are the power to truckle to. A plain woman will have nothing forgiven her.
”
”
Miles Franklin (My Brilliant Career)
“
When older people ask me, “How have you been so successful after age 65?” I tell them, “Anyone who’s reached 65 years of age has had a world of experience behind him. He’s had his ups and downs and all the trials and tribulations of life. He certainly ought to be able to gather something out of that, something he can put together at the end of his 65 years so he can get a new start.” The way I see it, a man’s life is written by the way he lives it. It’s using any talent God has given him, even if his talent is cooking food or running a good motel.
You can reach higher, think bigger, grow stronger and live deeper in this country of ours than anywhere else on Earth. The rules here give everybody a chance to win. If my story is different, it’s because my life really began at age 65 when most folks have already called it a day.
I’d been modestly successful before I hit 65. After that I made millions. When they’re about 60 or 65, a lot of people feel that life is all over for them. Too many of them just sit and wait until they die or they become a burden to other people. The truth is they can make a brand new life for themselves if they just don’t give up and hunker down.
I want to tell people, “You’re only as old as you feel or as you think, and no matter what your age there’s plenty of work to be done.” I don’t want to sound like I’m clearing my throat and giving advice about how a man can be successful. I’m not all puffed up. My main trade secret is I’m not afraid of hard, back-cracking work. After all, I was raised on a farm where hard work is the way of life.
”
”
Harland Sanders (Colonel Harland Sanders: The Autobiography of the Original Celebrity Chef)
“
There are only 24 hours in a day. The average man has to sleep about 8 hours. And work for 8 hours. That leaves 8 hours to run some errands, drive to and from work, eat, and have some spare time. And in that little bit of spare time, a man has to figure out how to get the one thing he likes more than anything else: sex.
So when a man has to choose whether or not he will hang out with a female and spend any time, money or attention on her, the question of whether the resources he spent will result in sex plays a very big factor. If your male "friend" chooses to spend his time and money on you, it's because he thinks there is a chance it might pay off in sex at some point. If he hangs out with you instead of with some other female, it's because he thinks you are his best bet to getting sex.
The more likely there will be sex, the more willing he is to spend his little bit of free time with you. If he thinks his chances of having sex are higher with a different female, he will spent more time, money and attention on her. That's just common sense, and using his limited resources wisely.
”
”
Oliver Markus (Why Men And Women Can't Be Friends)
“
At last he went back to his old habit of spending most of his time at his office in Jesse Hall. He told himself that he should be grateful for the chance of reading on his own, free from the pressures of preparing for particular classes, free from the predetermined directions of his learning. He tried to read at random, for his own pleasure and indulgence, many of the things that he had been waiting for years to read. But his mind would not be led where he wished it to go; his attention wandered from the pages he held before him, and more and more often he found himself staring dully in front of him, at nothing; it was as if from moment to moment his mind were emptied of all it knew and as if his will were drained of its strength. He felt at times that he was a kind of vegetable, and he longed for something—even pain—to pierce him, to bring him alive. He had come to that moment in his age when there occurred to him, with increasing intensity, a question of such overwhelming simplicity that he had no means to face it. He found himself wondering if his life were worth the living; if it had ever been. It was a question, he suspected, that came to all men at one time or another; he wondered if it came to them with such impersonal force as it came to him. The question brought with it a sadness, but it was a general sadness which (he thought) had little to do with himself or with his particular fate; he was not even sure that the question sprang from the most immediate and obvious causes, from what his own life had become. It came, he believed, from the accretion of his years, from the density of accident and circumstance, and from what he had come to understand of them. He took a grim and ironic pleasure from the possibility that what little learning he had managed to acquire had led him to this knowledge: that in the long run all things, even the learning that let him know this, were futile and empty, and at last diminished into a nothingness they did not alter. Once, late, after his evening class, he returned to his office and sat at his desk, trying to read. It was winter, and a snow had fallen during the day, so that the out-of-doors was covered with a white softness.
”
”
John Williams
“
if he waited for one load of passengers to get off and another to get on, he would never see the motor launch again. He was on the other side of the canal now. The streets were a little less crowded here. Alex caught his breath. He wondered how much longer he could run. And then he saw, with a surge of relief, that the motor launch had also arrived at its destination. It was pulling into a palace a little further up, stopping behind a series of wooden poles that slanted out of the water as if, like javelins, they had been thrown there by chance. As
”
”
Anthony Horowitz (Scorpia (Alex Rider #5))
“
Boney freckled knees pressed into bits of bark and stone, refusing to feel any more pain.
Her faded t-shirt hugged her protruding ribs as she held on, hunched in silence.
A lone tear followed the lumpy tracks down her cheek, jumped from her quivering jaw onto a thirsty browned leaf with a thunderous plop.
Then the screen door squeaked open and she took flight.
Crispy twigs snapped beneath her bare feet as she ran deeper and deeper into the woods behind the house. She heard him rumbling and calling her name, his voice fueling her tired muscles to go faster, to survive.
He knew her path by now. He was ready for the hunt.
The clanging unbuckled belt boomed in her ears as he gained on her.
The woods were thin this time of year, not much to hide behind. If she couldn’t outrun him, up she would go.
Young trees teased her in this direction, so she moved east towards the evergreens.
Hunger and hurt left her no choice, she had to stop running soon.
She grabbed the first tree with a branch low enough to reach, and up she went.
The pine trees were taller here, older, but the branches were too far apart for her to reach. She chose the wrong tree.
His footsteps pounded close by.
She stood as tall as her little legs could, her bloodied fingers reaching, stretching, to no avail. A cry of defeat slipped from her lips, a knowing laugh barked from his.
She would pay for this dearly. She didn’t know whether the price was more than she could bear. Her eyes closed, her next breath came out as Please, and an inky hand reached down from the lush needles above, wound its many fingers around hers, and pulled her up.
Another hand, then another, grabbing her arms, her legs, firmly but gently, pulling her up, up, up. The rush of green pine needles and black limbs blurred together, then a flash of cobalt blue fluttered by, heading down.
She looked beyond her dangling bare feet to see a flock of peculiar birds settle on the branches below her, their glossy feathers flickered at once and changed to the same greens and grays of the tree they perched upon, camouflaging her ascension.
Her father’s footsteps below came to a stomping end, and she knew he was listening for her. Tracking her, trapping her, like he did the other beasts of the forest.
He called her name once, twice. The third time’s tone not quite as friendly.
The familiar slide–click sound of him readying his gun made her flinch before he had his chance to shoot at the sky. A warning. He wasn’t done with her.
His feet crunched in circles around the tree, eventually heading back home.
Finally, she exhaled and looked up. Dozens of golden-eyed creatures surrounded her from above. Covered in indigo pelts, with long limbs tipped with mint-colored claws, they seemed to move as one, like a heartbeat. As if they shared a pulse, a train of thought, a common sense.
“Thank you,” she whispered, and the beasts moved in a wave to carefully place her on a thick branch.
”
”
Kim Bongiorno (Part of My World: Short Stories)
“
I used to be like that once. I never gave anybody a second chance. It’s a very sad way to live your life.” “Do you believe the dragons should provide patternform technology to humans?” “Yes, I do. Denise is convinced that because we didn’t create it for ourselves we won’t be able to handle it properly, that it will be constantly misused. To me it’s completely irrelevant that we didn’t work out every little detail for ourselves.” “Why?” “Other than pride? We know the scientific principles behind technology. If we don’t understand this particular theory, I trust in us to learn it soon enough. There’s very little we can’t grasp once it’s fully explained and broken down into its basic equations. But that’s just the clinical analysis. From a moral point of view, consider this: when the Americans first sent a man to the Moon, there were people living in Africa and South America and Asia who had never seen a lightbulb, or known of electricity or antibiotics. There were even Americans who didn’t have running water to their houses, or an indoor toilet. Does that mean they shouldn’t have been given access to electricity or modern medicine, because they personally didn’t invent it? It might not have been their local community’s knowledge, but it was human knowledge. We don’t have a clue how to build the nullvoid drive that the Ring Empire’s Outbounds employed in their intergalactic ships, but the knowledge is there, developed by sentient entities. Why shouldn’t we have access to that? Because it’s a shortcut? Because we don’t have to spend centuries of time developing it for ourselves? In what way will using ideas other than our own demean and diminish us? All knowledge should be cherished, not denied.” “I believe you would make an excellent dragon, Lawrence.” A
”
”
Peter F. Hamilton (Fallen Dragon)
“
HERE'S THE PROBLEM: Many men have an exaggerated fear of commitment. If you are a contemporary woman, there is a very good chance that you are going to be involved with at least one man, possibly more, who chooses to walk away from love. It may be the man who doesn't call after a particularly good first date; it may be the ardent pursuer who woos you only to leave after the first night of sex; it may be the trusted boyfriend and lover who sabotages the relationship just as it heads for marriage, or it may be the man who waits until after marriage to respond to the enormity of his commitment by ignoring your emotional needs and becoming unfaithful or abusive. However, whenever it happens, chances are you are dealing with a man who has an abnormal response to the notion of commitment. To him something about you spells out wife, mother, togetherness —forever— and it terrifies him. That's why he leaves you. You don't understand it. You don't see yourself as threatening. As a matter of fact, you may not even have wanted that much from this particular guy. If it's any consolation, he probably doesn't understand his reactions any better than you do. All he knows is that the relationship is "too close for comfort." Something about it, and therefore you, makes him anxious. If his fear is strong enough, this man will ultimately sabotage, destroy, or run away from any solid, good relationship. He wants love, but he is terrified—genuinely phobic—about commitment and will run away from any woman who represents "happily ever after." In other words, if his fear is too great, the commitment-phobic will not be able to love, no matter how much he wants to. But that's not how it seems at the beginning. At the beginning of the relationship, when you look at him you see a man who seems to need and want love. His blatant pursuit and touching displays of vulnerability convince you that it is "safe" for you to respond in kind. But as soon as you do, as soon as you are willing to give love a chance, as soon as it's time for the relationship to move forward, something changes. Suddenly the man begins running away, either figuratively, by withdrawing and provoking arguments, or literally, by disappearing and never calling again. Either way, you are left with disappointed dreams and destroyed self-esteem. What happened, what went wrong, and why is this scenario so familiar to so many women?
”
”
Steven Carter (MEN WHO CAN'T LOVE)
“
It’s a lonely business, and then sometimes strangely claustrophobic, but this is it. This is what I wanted and what Liz was pulled away from, against her every fiber. This abstract performance art called Family Life is our one run at the ultimate improv. Our chance to be great for someone, to give another person enough of what they need to be happy. Ours to overlook or lose track of or bemoan, ours to recommit to, to apologize for, to try again for. Ours to watch disappear into their next self—toddler to tyke, tween to teen—ours to drop off somewhere and miss forever. It’s happening right now, whether we attend to it or not. Like after preparing a nutritious meal that no one really liked and a lot of blame-gaming over who forgot to take out the compost, your peevish, greasy “young adult” tramps off to take the shower she should have taken two days ago and the evening is shot to shit and not one minute of it looked like the thing you prayed for so long ago, but then you hear something. You head up the stairs, hover outside the bathroom door. “All the single ladies, all the single ladies…” — The kid is singing in the shower. Your profoundly ordinary kid is singing in the shower and you get to be here to hear it.
”
”
Kelly Corrigan (Tell Me More: Stories about the 12 Hardest Things I'm Learning to Say)
“
How To Make A Human
Take the cat out of the sphinx
and what is left? Riddle Me That.
Take the horse from the centaur
and you take away the sleek grace,
the strength of harnessed power.
What is left can still run across fields,
after a fashion, but is easily winded;
what is left will therefore erect buildings
to divide the open plains so he no longer
must face the wide expanse where once
his equine legs raced the winds
and, sometimes, won.
Take the bull from the Minotaur
but what is left will still assemble
a herd for the sake of ruling over it.
What is left will kill for sport,
in an arena thronged with spectators
shouting "Ole" at each deadly thrust.
Take the fish from the Merman:
What is left can still swim,
if only with lots of splashing; gone
is the sleek sliding through the waves,
alert to the subtle changes in the current.
What is left will build ships
so he can cross the oceans without
getting his feet wet, what is left won't care
if his boats pollute the seas he can no
longer breathe so long as their passage
can keep him from sinking.
Take the goat from the satyr
but what is left will dance out of reach
before you have the chance
to get that Dionysian streak of myschief,
the love of music and wine, the rutting parts
that like to party all the day through.
What is left will still be stubborn and refuse
to give way; what is left will lock horns
and butt heads with anyone who challenges him.
Take the bird from the harpy,
but the memory of flying, a constant yearning ache for skies so tantalizingly distant,
will still remain, as will the established pecking orders, the bitter squabbling over food and territory, and the magpie eye that lusts for shining objects.
What is left will cut down the whole forest
to feather his sprawling urban nest.
At the end of these operations,
tell me: what is left? The answer: Man, a creature divorced from nature,
who's forgotten where he came from.
”
”
Lawrence Schimel
“
Stop! Stop!”
Sophie shrieked with laughter as she ran down the stone steps that led to the garden behind Bridgerton House. After three children and seven years of marriage, Benedict could still make her smile, still make her laugh . . . and he still chased her around the house any chance he could get.
“Where are the children?” she gasped, once he’d caught her at the base of the steps.
“Francesca is watching them.”
“And your mother?”
He grinned. “I daresay Francesca is watching her, too.”
“Anyone could stumble upon us out here,” she said, looking this way and that.
His smile turned wicked. “Maybe,” he said, catching hold of her green-velvet skirt and reeling her in, “we should adjourn to the private terrace.”
The words were oh-so-familiar, and it was only a second before she was transported back nine years to the masquerade ball.
“The private terrace, you say?” she asked, amusement dancing in her eyes. “And how, pray tell, would you know of a private terrace?”
His lips brushed against hers. “I have my ways,” he murmured.
“And I,” she returned, smiling slyly, “have my secrets.”
He drew back. “Oh? And will you share?”
“We five,” she said with a nod, “are about to be six.”
He looked at her face, then looked at her belly. “Are you sure?”
“As sure as I was last time.”
He took her hand and raised it to lips. “This one will be a girl.”
“That’s what you said last time.”
“I know, but—”
“And the time before.”
“All the more reason for the odds to favor me this time.”
She shook her head. “I’m glad you’re not a gambler.”
He smiled at that. “Let’s not tell anyone yet.”
“I think a few people already suspect,” Sophie admitted.
“I want to see how long it takes that Whistledown woman to figure it out,” Benedict said.
“Are you serious?”
“The blasted woman knew about Charles, and she knew about Alexander, and she knew about William.”
Sophie smiled as she let him pull her into the shadows. “Do you realize that I have been mentioned in Whistledown two hundred and thirty-two times?”
That stopped him cold. “You’ve been counting?”
“Two hundred and thirty-three if you include the time after the masquerade.”
“I can’t believe you’ve been counting.”
She gave him a nonchalant shrug. “It’s exciting to be mentioned.”
Benedict thought it was a bloody nuisance to be mentioned, but he wasn’t about to spoil her delight, so instead he just said, “At least she always writes nice things about you. If she didn’t, I might have to hunt her down and run her out of the country.”
Sophie couldn’t help but smile. “Oh, please. I hardly think you could discover her identity when no one else in the ton has managed it.”
He raised one arrogant brow. “That doesn’t sound like wifely devotion and confidence to me.”
She pretended to examine her glove. “You needn’t expend the energy. She’s obviously very good at what she does.”
“Well, she won’t know about Violet,” Benedict vowed. “At least not until it’s obvious to the world.”
“Violet?” Sophie asked softly.
“It’s time my mother had a grandchild named after her, don’t you think?”
Sophie leaned against him, letting her cheek rest against the crisp linen of his shirt. “I think Violet is a lovely name,” she murmured, nestling deeper into the shelter of his arms. “I just hope it’s a girl. Because if it’s a boy, he’s never going to forgive us . . .
”
”
Julia Quinn (An Offer From a Gentleman (Bridgertons, #3))
“
If you can kill it in the bedroom, chances are you can kill it in the kitchen, too—and studies have shown that men who help out more with the chores have more sex with their wives (really!). We know, gender roles run deep, which is why women in hetero relationships still end up doing the vast majority of the domestic work despite being the breadwinners in two-thirds of American homes, leaving them burned out, resentful, and, nope, not really in the mood. But it doesn’t have to be this way—and, in fact, we might want to borrow a page from our LGBTQ sisters and brothers (or those who identify as neither): research shows they split chores, decisions, and finances more evenly
”
”
Jess Bennett (Feminist Fight Club: An Office Survival Manual for a Sexist Workplace)
“
There's no such thing as witches. But there used to be.
It used to be the air was so thick with magic you could taste it on your tongue like ash. Witches lurked in every tangled wood and waited at every midnight-crossroad with sharp-toothed smiles. They conversed with dragons on lonely mountaintops and rode rowan-wood brooms across full moons; they charmed the stars to dance beside them on the summer solstice and rode to battle with familiars at their heels. It used to be witches were wild as crows and fearless as foxes, because magic blazed bright and the night was theirs.
But then came the plague and the purges. The dragons were slain and the witches were burned and the night belonged to men with torches and crosses.
Witching isn’t all gone, of course. My grandmother, Mama Mags, says they can’t ever kill magic because it beats like a great red heartbeat on the other side of everything, that if you close your eyes you can feel it thrumming beneath the soles of your feet, thumpthumpthump. It’s just a lot better-behaved than it used to be.
Most respectable folk can’t even light a candle with witching, these days, but us poor folk still dabble here and there. Witch-blood runs thick in the sewers, the saying goes. Back home every mama teaches her daughters a few little charms to keep the soup-pot from boiling over or make the peonies bloom out of season. Every daddy teaches his sons how to spell ax-handles against breaking and rooftops against leaking.
Our daddy never taught us shit, except what a fox teaches chickens — how to run, how to tremble, how to outlive the bastard — and our mama died before she could teach us much of anything. But we had Mama Mags, our mother’s mother, and she didn’t fool around with soup-pots and flowers.
The preacher back home says it was God’s will that purged the witches from the world. He says women are sinful by nature and that magic in their hands turns naturally to rot and ruin, like the first witch Eve who poisoned the Garden and doomed mankind, like her daughter’s daughters who poisoned the world with the plague. He says the purges purified the earth and shepherded us into the modern era of Gatling guns and steamboats, and the Indians and Africans ought to be thanking us on their knees for freeing them from their own savage magics.
Mama Mags said that was horseshit, and that wickedness was like beauty: in the eye of the beholder. She said proper witching is just a conversation with that red heartbeat, which only ever takes three things: the will to listen to it, the words to speak with it, and the way to let it into the world. The will, the words, and the way.
She taught us everything important comes in threes: little pigs, bill goats gruff, chances to guess unguessable names. Sisters.
There wer ethree of us Eastwood sisters, me and Agnes and Bella, so maybe they'll tell our story like a witch-tale. Once upon a time there were three sisters. Mags would like that, I think — she always said nobody paid enough attention to witch-tales and whatnot, the stories grannies tell their babies, the secret rhymes children chant among themselves, the songs women sing as they work.
Or maybe they won't tell our story at all, because it isn't finished yet. Maybe we're just the very beginning, and all the fuss and mess we made was nothing but the first strike of the flint, the first shower of sparks.
There's still no such thing as witches.
But there will be.
”
”
Alix E. Harrow (The Once and Future Witches)
“
His booted feet pounded out an insane, frantic rhythm underneath him as he raced into the cavern across from Baba Yaga’s den at a dead sprint. Pieces of dragon dung flew off him and hit the ground behind him in miniature chunks. He didn’t dare look behind him to see if the dragon had risen from the ground yet, but the deafening hiss that assaulted his ears meant she’d woken up. Icy claws of fear squeezed his heart with every breath as he ran, relying on the night vision goggles, the glimpse he’d gotten of the map, and his own instincts to figure out where to go.
Jack raced around one corner too sharply and slipped on a piece of dung, crashing hard on his right side. He gasped as it knocked the wind out of him and gritted his teeth, his mind screaming at him to get up and run, run, run. He pushed onto his knees, nursing what felt like bruised ribs and a sprained wrist, and then paled as an unmistakable sensation traveled up the arm he’d used to push himself up.
Impact tremors.
Boom.
Boom.
Boom, boom, boom.
Baba Yaga was coming.
Baba Yaga was hunting him.
Jack forced himself up onto his feet again, stumbling backwards and fumbling for the tracker. He got it switched on to see an ominous blob approaching from the right. He’d gotten a good lead on her—maybe a few hundred yards—but he had no way of knowing if he’d eventually run into a dead end. He couldn’t hide down here forever. He needed to get topside to join the others so they could take her down.
Jack blocked out the rising crescendo of Baba Yaga’s hissing and pictured the map again. A mile up to the right had a man-made exit that spilled back up to the forest. The only problem was that it was a long passage. If Baba Yaga followed, there was a good chance she could catch up and roast him like a marshmallow. He could try to lose her in the twists and turns of the cave system, but there was a good chance he’d get lost, and Baba Yaga’s superior senses meant it would only be a matter of time before she found him. It came back to the most basic survival tactics: run or hide.
Jack switched off the tracker and stuck it in his pocket, his voice ragged and shaking, but solid. “You aren’t about to die in this forest, Jackson. Move your ass.”
He barreled forward into the passageway to the right in the wake of Baba Yaga’s ominous, bubbling warning, barely suppressing a groan as a spike of pain lanced through his chest from his bruised ribs. The adrenaline would only hold for so long. He could make it about halfway there before it ran out. Cold sweat plastered the mask to his face and ran down into his eyes. The tunnel stretched onward forever before him. No sunlight in sight. Had he been wrong?
Jack ripped off the hood and cold air slapped his face, making his eyes water. He held his hands out to make sure he wouldn’t bounce off one of the cavern walls and squinted up ahead as he turned the corner into the straightaway. There, faintly, he could see the pale glow of the exit.
Gasping for air, he collapsed against one wall and tried to catch his breath before the final marathon. He had to have put some amount of distance between himself and the dragon by now.
“Who knows?” Jack panted. “Maybe she got annoyed and turned around.”
An earth-shattering roar rocked the very walls of the cavern.
Jack paled.
Boom, boom, boom, boom!
Boom, boom, boom, boomboomboomboom—
Mother of God.
The dragon had broken into a run.
Jack shoved himself away from the wall, lowered his head, and ran as fast as his legs would carry him.
”
”
Kyoko M. (Of Blood & Ashes (Of Cinder & Bone, #2))
“
Some of the ideas were silly, thanks to Molly, who, despite being upset with Jones, was still trying to keep the mood upbeat.
They had boxes and boxes of copy paper. They could make thousands of paper airplanes with the message, “Help!” written on them and fly them out the windows.
Could they try to blast their way out of the tunnel? Maybe dig an alternative route to the surface? It seemed like a long shot, worth going back in there and taking a look at the construction—which Jones had done only to come back out, thumbs down.
Two of them could create a diversion, while the other to took the Impala and crashed their way out of the garage.
At which point the Impala—and everyone in it—would be hit by hundreds of bullets.
That one—along with taking their chances with the far fewer number of soldiers lying in wait at the end of the escape tunnel—went into the bad idea file.
Molly had thought that they could sing karaoke. Emilio had a Best of Whitney Houston karaoke CD. Their renditions of I Will Always Love you, she insisted, would cause the troops to break rank and run away screaming.
Except the karaoke machine was powered by electricity, which they were trying to use only for the computer and the security monitors, considering—at the time—that the generator was almost out of gasoline.
Yeah, that was why it was a silly idea.
It did, however, generate a lot of desperately needed laughter.
”
”
Suzanne Brockmann (Breaking Point (Troubleshooters, #9))
“
It shouldn't make a difference to me, I suppose,but it does. I've grown to trust you, and I'd hate to think that I've been wrong about you."
"Well,it's real nice to hear you like me, Freckles," he teased. "I kind of like you,too." He wiggled his eyebrows as he had earlier.
Willow laughed and leaned over to swat at him but missed. "You know, I really don't have freckles. Why don't you call me Williw like everyone else does?"
"Maybe, because everyone else does." He shrugged. "Freckles is mine. My special name for you, that is. And you do have freckles, cute little ginger-colored freckles, all-l-l aross the bridge of your nose."
"I don't!" Her mouth twisted in annoyance.
"Tell you what, we'll race on it. You win-you don't have freckles. I win-you do have freckles."
Knowing her only chance to beat his big stallion was to get a head start, Willow didn't waste time agreeing to ny terms. She dug her heels into Sugar's sides and tore off across the desert.
"Hey!" Rider called, laughing and spurring Sultan into a run. "You're supposed to wait till I say go."
Her laugh drifted back on the wind.
"Come on,Sultan. Let's show Miss Freckle Britches who she's dealing with."
The spirited stallion's legs stretched out ith effortless grace, his body lowering in a ground-eating pace, and Willow's little mare was no match for the big stallion.
"See you back at the ranch, Freckles," Rider laughingly taunted as he rode past.
”
”
Charlotte McPherren (Song of the Willow)
“
Dear Hourglass,
Months ago, you were turned upside down. I do not know why. I haven’t seen the moon in months. I guess that is why I’ve been fighting the tides. There’s no way I can humble the tides in my mind without the moon. Where is the moon? It is supposed to balance the tides and my emotions. I guess that is why I am drowning. Hourglass, are the grains of sand all in the other end? Tell me, has my time run out to change? May you give me another chance? My heart is in chains. Can the stars untangle the chains that are suffocating it? Or have the stars forgotten all about me too? I hope not. I need the moon and the stars to help me get through the rough tides and unpredictable currents.
Everything is closing in.
”
”
Charlena E. Jackson (Pinwheels and Dandelions)
“
Traditional marriage understood this, and its most enlightened response to this difficulty was to treat these frustrations and disappointments as an opportunity to self-transcend:
"Your wife no longer has sex with you? Excellent! Use your involuntary celibacy as a chance to examine your own carnal attachment. Your kids leave you no time for yourself? Wonderful. Use your maternal responsibility as a means to overcome your residual selfishness. You're no longer satisfied with your relationship?Phenomenal. Use your dissatisfaction as an opportunity to realize you are entitled to absolutely nothing in this life. And this perspective isn't necessarily wrong. Marriage did demand that people self-transcend - at least as long as they couldn't get out of it. And while it may not have been exactly what people wanted - the argument could be made that it might just have been what people needed in order to mature into fully functional adults.
The issue is that willingly entering into difficulty because it can be used as an opportunity for growth is about as appealing to most people as running a marathon on their day off [...]. Most people will run a marathon (or at least to the point of utter exhaustion) if they are forced to start and prevented from stopping. And among such people will be those able to create a virtue out of necessity and who will helpfully explain to anyone within earshot that running this far is an excellent opportunity to 'grow up.
”
”
Orion Taraban (The Value of Others)
“
My Death If I’m lucky, I’ll be wired every whichway in a hospital bed. Tubes running into my nose. But try not to be scared of me, friends! I’m telling you right now that this is okay. It’s little enough to ask for at the end. Someone, I hope, will have phoned everyone to say, “Come quick, he’s failing!” And they will come. And there will be time for me to bid goodbye to each of my loved ones. If I’m lucky, they’ll step forward and I’ll be able to see them one last time and take that memory with me. Sure, they might lay eyes on me and want to run away and howl. But instead, since they love me, they’ll lift my hand and say “Courage” or “It’s going to be all right.” And they’re right. It is all right. It’s just fine. If you only knew how happy you’ve made me! I just hope my luck holds, and I can make some sign of recognition. Open and close my eyes as if to say, “Yes, I hear you. I understand you.” I may even manage something like this: “I love you too. Be happy.” I hope so! But I don’t want to ask for too much. If I’m unlucky, as I deserve, well, I’ll just drop over, like that, without any chance for farewell, or to press anyone’s hand. Or say how much I cared for you and enjoyed your company all these years. In any case, try not to mourn for me too much. I want you to know I was happy when I was here. And remember I told you this a while ago—April 1984. But be glad for me if I can die in the presence of friends and family. If this happens, believe me, I came out ahead. I didn’t lose this one.
”
”
Raymond Carver (All of Us: The Collected Poems)
“
The mated males are biased. They want more females here for their own females. Many of the single males will likely have an issue, since it is tradition.”
“Well if the single males want more females here, that’s the only way to do it. They’re only hurting themselves.”
His fingers flexed slightly against hers. “Why do you think females would come here, anyway?”
“Why wouldn’t they? I knew nothing about this sector and even after my tour I still don’t know much about it. Maybe if there was an attraction here— other than the males— it would bring more females.”
He straightened and pushed up so that his hands caged her against the headboard. “This facility puts out the best warriors and we do some of the most intense and covert off-world missions. We will not have attractions here like a… carnival.”
She blinked, realizing he’d misunderstood her. Unable to stop herself, a giggle escaped.
She cupped the side of his face. Midnight black stubble already covered his jaw. She shivered, remembering the feel of it against her inner thighs not too long ago. “I didn’t mean that kind of attraction. I mean, give the females an incentive, like luxury housing or the chance to run a business here. There are so many business opportunities here for women. So far I’ve only seen one clothing shop and one bakery run by females.”
He was silent a long moment as he watched her. “I think I might be biased too.”
“How so?”
“Because I want to change the law simply to please you.” The way he said it was almost grudging.
”
”
Savannah Stuart (Claimed by the Warrior (Lumineta, #3))
“
She was at work on what they said was her greatest picture when she took sick, and every day and every night it was her prayer to be allowed to live till she got it done, but she never got the chance. It was a picture of a young woman in a long white gown, standing on the rail of a bridge all ready to jump off, with her hair all down her back, and looking up to the moon, with the tears running down her face, and she had two arms folded across her breast, and two arms stretched out in front and two more reaching up towards the moon—and the idea was, to see which pair would look best and then scratch out all the other arms; but, as I was saying, she died before she got her mind made up, and now they kept this picture over the head of the bed in her room...
”
”
Mark Twain (The Adventures of Huckleberry Finn (Adventures of Tom and Huck, #2))
“
Meanwhile, in Europe, the Renaissance continued, and I began to see the full scope of the Second Insight. The power of the church to define reality was diminishing, and Europeans were feeling as though they were awakening to look at life anew. Through the courage of countless individuals, all inspired by their intuitive memories, the scientific method was embraced as a democratic process of exploring and coming to understand the world in which humans found themselves. This method—exploring some aspect of the natural world, drawing conclusions, then offering this view to others—was thought of as the consensus-building process through which we would be able, finally, to understand mankind’s real situation on this planet, including our spiritual nature. But those in the church, entrenched in Fear, sought to squelch this new science. As political forces lined up on both sides, a compromise was reached. Science would be free to explore the outer, material world, but must leave spiritual phenomena to the dictates of the still-influential churchmen. The entire inner world of experience—our higher perceptual states of beauty and love, intuitions, coincidences, interpersonal phenomena, even dreams—all were, at first, off limits to the new science. Despite these restrictions, science began to map out and describe the operation of the physical world, providing information rich in ways to increase trade and utilize natural resources. Human economic security increased, and slowly we began to lose our sense of mystery and our heartfelt questions about the purpose of life. We decided it was purposeful enough just to survive and build a better, more secure world for ourselves and our children. Gradually we entered the consensus trance that denied the reality of death and created the illusion that the world was explained and ordinary and devoid of mystery. In spite of our rhetoric, our once-strong intuition of a spiritual source was being pushed farther into the background. In this growing materialism, God could only be viewed as a distant Deist’s God, a God who merely pushed the universe into being and then stood back to let it run in a mechanical sense, like a predictable machine, with every effect having a cause, and unconnected events happening only at random, by chance alone.
”
”
James Redfield (The Tenth Insight: Holding the Vision (Celestine Prophecy #2))
“
I will love you as we find ourselves farther and farther from one another, where once we were so close that we could slip the curved straw, and the long, slender spoon, between our lips and fingers respectively. I will love you until the chances of us running into one another slip from skim to zero, and until your face is fogged by distant memory, and your memory faced by distant fog, and your fog memorized by a distant face, and your distance distanced by the memorized memory of a foggy fog. I will love you no matter where you go and who you see, no matter where you avoid and who you don’t see, and no matter who sees you avoiding where you go. I will love you no matter what happens to you, and no matter how I discover what happens to you, and no matter what happens to me as I discover this, and no matter how I am discovered after what happens to me happens to me as I am discovering this. I will love you if you don’t marry me. I will love you if you marry someone else – your co-star, perhaps, or Y., or even O., or anyone Z. through A., even R. although sadly I believe it will be quite some time before two women can be allowed to marry – and I will love you if you have a child, and I will love you if you have two children, or three children, or even more, although I personally think three is plenty, and I will love you if you never marry at all, and never have children, and spend your years wishing you had married me after all, and I must say that on late, cold nights I prefer this scenario out of all the scenarios I have mentioned. That, Beatrice, is how I will love you even as the world goes on its wicked way.
”
”
Lemony Snicket (The Beatrice Letters (A Series of Unfortunate Events, #12.5))
“
The inorganic world out of which life has emerged and into which, in season, it falls back, possesses the latent capacity for endless ramification and diversity. A few chance elements which appear thoroughly stable in their reactions dress up as for a masked ball and go strolling, hunted and hunter together. Their forms alter through the ages. They are shape-shifters, role-changers. Like flying lizard or ancestral men, they run their course and vanish, never to return. The chemicals of which their bodies were composed lie all about us but by no known magic can we return a lost species to life. Life, in fact, is the product of singular and unreturning contingencies of which the inorganic world disclaims knowledge. Only its elements, swept up in the mysterious living vortex, evoke new forms, new habits, and new thoughts.
”
”
Loren Eiseley (All the Strange Hours: The Excavation of a Life)
“
Sarah wondered what they—the ‘they’ who had taken her child; the ‘they’ or the ‘him’ or the ‘her’—were feeding him.Sometimes a fear dug at her until she acknowledged it: maybe they weren’t feeding him at all.Who would do that? Who would willingly starve a child? Who would hurt her baby? Who would take her baby? Who was this person and why were they allowed to exist?And what would I do to that person if I got the chance?There were days when she lay on the bed and concocted scenarios in her head. She would see herself finding Lockie. She was never really sure of the place. It would be a dark room in a dark house but the location wasn’t important. She would see herself rescuing her child, folding him in her arms and saying his name. Then she would see the person who had taken him.There was never a face, just a body with a blank head, but Sarah would see herself grow until she towered over the person and then she would hit and hit and hit until there was nothing left and all the time she would be screaming, ‘How dare you take my child? How dare you take him?’She had to find him. The desperate need to find him swirled around her body with everything she did. It ate into her soul and sometimes she had to hold on to the kitchen counter to stop herself running out into the road and screaming his name. She wanted to be looking for him all the time. She wanted to leave Sammy and Doug and just keep going until she got to the city and then she wanted to knock on every door across the whole of Sydney until she found her son. But maybe he wasn’t even in Sydney anymore. Maybe he wasn’t even in Australia. Where are you, Lockie? Where are you, where are you, where are you?
”
”
Nicole Trope (The Boy Under the Table)
“
I’m not what you think I am, Aladdin! I will betray you, and I will hurt you, because that is what I am. Why do you think Nardukha rips souls from the living and creates jinnis? Why do you think he sends us into the world? To make your miserable dreams come true? To bring you happiness?” I laugh sourly. “He gives you the thing you want most and uses it to destroy you. Look at yourself. You’re a prince. You have money, power, privilege. The chance to avenge your parents. And you’re miserable.”
Aladdin stares at me, and in his eyes is pity. “I’ve been making myself miserable my whole life,” he says softly. “I convinced myself long ago that if I could get revenge on Sulifer, I could finally move on. That I could erase the memory of the day my parents died, when I held their severed heads and watched their blood run in the gutters. But as you say, here I am, a step away from that vengeance—and it has soured on my tongue. I don’t want it anymore.”
He sighs and looks up at the sky, as if searching for words among the stars. “You don’t make me miserable, Zahra. I do that to myself, because I’m too weak, too afraid to admit that it isn’t Sulifer I’m angry at—it’s me. My parents were killed because of me. The day before they were executed, I was caught by the guards for stealing an earring, and when they found out who I was, Sulifer had me whipped until I told him where my parents were. And after they were dead, he gave me back the earring as payment for turning my mother and father over to him.” Lowering his gaze to meet mine, he brushes his fingers over the ring in his ear. “I’ve worn it every day since, to remind myself that nothing—nothing—is worth betraying someone you love.
”
”
Jessica Khoury (The Forbidden Wish (The Forbidden Wish, #1))
“
Stuff doesn't matter. That's what they say. I wonder if they've tried losing everything? I left Kerenza with nothing but the clothes I was wearing, and I lost those soon after. I got a ship jumpsuit instead. They say people are more important than stuff. Maybe that's true, though I think there's a reason nobody but Brothers and Sisters renounce their possessions. Even the destitute have something to cling to, right? Your stuff is a series of choices that show who you are. Yeah, I went for the black digiplayer with the skulls on, got a problem with that? Yeah, these are the boots my mom says make me look like I'm in the army. This is the shirt my boyfriend loves, that I have to wear a jacket over when I leave the house. That's the toy turtle my grandma gave me before she died.
All I have now is me. People matter more than stuff?
Well *beep* you, I don't have people. My mother's dead or mad. My father's on Heimdall, which means he's probably dead too. And my stuff might have been a tiny reminder, something to cling to. Something to tell me who I am.
Excuse me for being so ----ing shallow. I want to slam this keyboard against the wall. This keyboard that belongs to the Hypatia. Not mine. Requisitioned. Like my blanket. Like my clothes. Like my life.
So here's the thing. My people are gone. My stuff is gone. Nobody's left who knows me, there's nothing left to say who I am. Everyhing's gone, except one thing. One person. He told me to run, to get out, to spread the word. Byron said the same. I understand why they did. But Ezra was ready to die just to improve my chance of survival one percent more.
Turns out I feel the same way.
Time to go get him. Or die trying.
- Kady; The Illuminae Files
”
”
Jay Kristoff (Illuminae (The Illuminae Files, #1))
“
A door to a long-awaited game-world has opened for those who found its key. This includes Dan Harvester, a guy who lives in a run-down apartment with his cat and runs a gaming channel. He's almost through playing and testing VR games, but is this his one last chance to - really - level-up? What can it promise to him, and its first 'Beta-pioneers'?
'Fountellion' is a nature-world full of artificial life that mimics the laws of 'the Source', our own nature with its force of evolution. It promises to be more than a 'survival experience', for there are six 'Insights' scattered and every player can find their own path to them. How much will Dan be changed?
There is only one way to find out: experience and tune in to his 'avalogs'. For only by completing them together with fragments from its development, can you too discover the vision and legacy of 'Fountellion'.
”
”
Ade M. Campbell (Fountellion in The Spiral: The Nature of the Game & Progression One)
“
The final match-up of the round was by far the most satisfying for Rezkin. It was against the mace wielding Sandman who had murdered the young stave-master. The beast had already attempted to end the life of another competitor that morning. Dark Tidings did not even give the man a chance to put on a show. As soon as the announcer finished speaking, he drew the black blade, strode forward with purpose and disarmed the man, literally. After losing both appendages, the brute fell to his knees in shock. While the healers were running to treat the man before he bled out, Dark Tidings stood over the Sandman and said, 'Bracken Freedon of the Isle of Sand. You have been judged and found guilty. Bring nigh to thee, King's Dark Tidings.' The black blade came down in one fell swoop and took the man's head clean from his body. Green lighting crackled within the black swords length...
”
”
Kel Kade (Reign of Madness (King's Dark Tidings, #2))
“
CLEANSING CONFLICT
What is a saint? One whose wine has turned to vinegar.
If you're still wine-drunkenly
brave, don't step forward. When your sheep becomes a lion, then come. It is said
of hypocrites, "They have considerable valor among themselves!" But they scatter when
a real enemy appears. Muhammad told his young soldiers, "There is no courage before
an engagement." A drunk foams at the mouth talking about what he will do when he gets his sword
drawn, but the chance arrives, and he remains sheathed as an onion. Premeditating,
he's eager for wounds. Then his bag gets touched by a needle, and he deflates. What sort of
person says that he or she wants to be polished and pure, then complains about being
handled roughly? Love is a lawsuit where harsh evidence must be brought in. To settle
the case, the judge must see evidence. You've heard that every buried treasure has a snake
guarding it. Kiss the snake to discover the treasure! The severe treatment is not toward
you, but the qualities that block your growth. A rug beater doesn't beat the rug, but
rather the dirt. A horse trainer switches not the horse, but the going wrong. Imprison
your mash in a dark vat, so it can become wine. Someone asks, "Don't you worry
about God's wrath when you spank a child?" "I'm not spanking my child, but the demon
in him." When a mother screams, "Get out of here!" she means the mean part of the child.
Don't run from those who scold, and don't turn away from cleansing conflict, or you will
remain weak. Also, don't listen to bragging. If you go along with self-importance, the work
collapses. Better a small modest team. Sift almonds. Discard the bitter. Sour and sweet
sound alike when you pour them out on the rattling tray, but inside they're very different.
”
”
Jalal ad-Din Muhammad ar-Rumi (The Soul of Rumi: A New Collection of Ecstatic Poems – Coleman Barks's Sublime Renderings of the 13th-Century Sufi Mystic's Insights into Divine Love and the Human Heart)
“
III. They seek for themselves private retiring places, as country villages, the sea-shore, mountains; yea thou thyself art wont to long much after such places. But all this thou must know proceeds from simplicity in the highest degree. At what time soever thou wilt, it is in thy power to retire into thyself, and to be at rest, and free from all businesses. A man cannot any whither retire better than to his own soul; he especially who is beforehand provided of such things within, which whensoever he doth withdraw himself to look in, may presently afford unto him perfect ease and tranquillity. By tranquillity I understand a decent orderly disposition and carriage, free from all confusion and tumultuousness. Afford then thyself this retiring continually, and thereby refresh and renew thyself. Let these precepts be brief and fundamental, which as soon as thou dost call them to mind, may suffice thee to purge thy soul throughly, and to send thee away well pleased with those things whatsoever they be, which now again after this short withdrawing of thy soul into herself thou dost return unto. For what is it that thou art offended at? Can it be at the wickedness of men, when thou dost call to mind this conclusion, that all reasonable creatures are made one for another? and that it is part of justice to bear with them? and that it is against their wills that they offend? and how many already, who once likewise prosecuted their enmities, suspected, hated, and fiercely contended, are now long ago stretched out, and reduced unto ashes? It is time for thee to make an end. As for those things which among the common chances of the world happen unto thee as thy particular lot and portion, canst thou be displeased with any of them, when thou dost call that our ordinary dilemma to mind, either a providence, or Democritus his atoms; and with it, whatsoever we brought to prove that the whole world is as it were one city? And as for thy body, what canst thou fear, if thou dost consider that thy mind and understanding, when once it hath recollected itself, and knows its own power, hath in this life and breath (whether it run smoothly and gently, or whether harshly and rudely), no interest at all, but is altogether indifferent: and whatsoever else thou hast heard and assented unto concerning either pain or pleasure? But the care of thine honour and reputation will perchance distract thee? How can that be, if thou dost look back, and consider both how quickly all things that are, are forgotten, and what an immense chaos of eternity was before, and will follow after all things: and the vanity of praise, and the inconstancy and variableness of human judgments and opinions, and the narrowness of the place, wherein it is limited and circumscribed? For the whole earth is but as one point; and of it, this inhabited part of it, is but a very little part; and of this part, how many in number, and what manner of men are they, that will commend thee? What remains then, but that thou often put in practice this kind of retiring of thyself, to this little part of thyself; and above all things, keep thyself from distraction, and intend not anything vehemently, but be free and consider all things, as a man whose proper object is Virtue, as a man whose true nature is to be kind and sociable, as a citizen, as a mortal creature. Among other things, which to consider, and look into thou must use to withdraw thyself, let those two be among the most obvious and at hand. One, that the things or objects themselves reach not unto the soul, but stand without still and quiet, and that it is from the opinion only which is within, that all the tumult and all the trouble doth proceed. The next, that all these things, which now thou seest, shall within a very little while be changed, and be no more: and ever call to mind, how many changes and alterations in the world thou thyself hast already been an eyewitness of in thy time. This world is mere change, and this life, opinion.
”
”
Marcus Aurelius (Meditations)
“
You know what I don’t get?”
“What?”
Josh stares at me, his cheeks a dull red. “Why you never said anything. If all that time you felt like that about me, why didn’t you say anything?”
My whole body goes stiff. I wasn’t expecting that. I’m not prepared. I swallow hard and say, “You were with Margot.”
“I wasn’t always with Margot. The stuff you wrote--you liked me before I ever liked her. Why didn’t you just tell me?”
I let out a breath. “What does that even matter now?”
“It matters. You should have told me. You should have at least given me a chance.”
“It wouldn’t have made a difference, Josh!”
“And I’m telling you it would have!” He steps toward me.
Jerkily I rise to my feet. Why is he bringing this up now, just when things are back to normal again? “You’re so full of it. You’ve never thought of me that way, not ever, so don’t go trying to reinvent history now when I have somebody.”
“Don’t tell me what I think,” he snaps. “You don’t know my every thought, Lara Jean.”
“Yes I do. I know you better than anyone. You know why? You’re predictable. Everything you do. It’s so predictable. The only reason you’re even saying this now is because you’re jealous. And it’s not even because of me. You don’t care about who I’m with. You’re just jealous that Peter took your spot. Kitty likes him better than you now too.”
His face darkens. He glares at me and I glare back. “Fine!” he yells. “I’m jealous! Are you happy now?”
And then he jerks his head toward mine, and he kisses me. On the lips. His eyes are closed, mine are wide open. And then mine close too, and for a second, just for a second, I kiss him back. Then I break away. I push him off.
Triumphantly he says, “Did you predict that, Lara Jean?”
My mouth opens and closes, but no words come out. I drop the broom and run up the stairs, as fast as I can. I run all the way to my room and lock my door behind me. Josh just kissed me. In my living room. My sister is coming back in a few weeks. And I have a fake boyfriend I just cheated on.
”
”
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
“
So, absent the chance to make every job applicant work as hard as a college applicant, is there some quick, clever, cheap way of weeding out bad employees before they are hired? Zappos has come up with one such trick. You will recall from the last chapter that Zappos, the online shoe store, has a variety of unorthodox ideas about how a business can be run. You may also recall that its customer-service reps are central to the firm’s success. So even though the job might pay only $11 an hour, Zappos wants to know that each new employee is fully committed to the company’s ethos. That’s where “The Offer” comes in. When new employees are in the onboarding period—they’ve already been screened, offered a job, and completed a few weeks of training—Zappos offers them a chance to quit. Even better, quitters will be paid for their training time and also get a bonus representing their first month’s salary—roughly $2,000—just for quitting! All they have to do is go through an exit interview and surrender their eligibility to be rehired at Zappos. Doesn’t that sound nuts? What kind of company would offer a new employee $2,000 to not work? A clever company. “It’s really putting the employee in the position of ‘Do you care more about money or do you care more about this culture and the company?’ ” says Tony Hsieh, the company’s CEO. “And if they care more about the easy money, then we probably aren’t the right fit for them.” Hsieh figured that any worker who would take the easy $2,000 was the kind of worker who would end up costing Zappos a lot more in the long run. By one industry estimate, it costs an average of roughly $4,000 to replace a single employee, and one recent survey of 2,500 companies found that a single bad hire can cost more than $25,000 in lost productivity, lower morale, and the like. So Zappos decided to pay a measly $2,000 up front and let the bad hires weed themselves out before they took root. As of this writing, fewer than 1 percent of new hires at Zappos accept “The Offer.
”
”
Steven D. Levitt (Think Like a Freak)
“
In 1996 the disasters on the mountain had robbed Neil of the chance to go above camp four. Two years on he was here again--only this time the summit was within his reach.
He felt strong and waited anxiously for Mick to arrive. They would need to be together to manage the last ridge and the Hillary Step.
Something told Neil that things were not going right.
As the precious minutes slipped by, as he waited for Mick and the others to reach him, he sensed that the dream that had eluded him once was going to do so again.
Somewhere along the way, there had been a misunderstanding between the climbers over who had what rope. It happens at high altitude. It is a simple mistake.
But mistakes have consequences.
Suddenly, here, at four hundred feet beneath the summit of Mount Everest, it dawned on them all that they had run out of rope. They would have no choice now but to retreat. Continuing was not even an option.
Neil stared through his goggles at the summit: so close, yet so very far. All he felt was emptiness.
He turned and never looked back.
”
”
Bear Grylls (Mud, Sweat and Tears)
“
Many potential readers will skip the shopping cart or cash-out clerk because they have seen so many disasters reported in the news that they’ve acquired a panic mentality when they think of them. “Disasters scare me to death!” they cry. “I don’t want to read about them!”
But really, how can a picture hurt you?
Better that each serve as a Hallmark card that greets your fitful fevers with reason and uncurtains your valor. Then, so gospeled, you may see that defeating a disaster is as innocently easy as deciding to go out to dinner. Remove the dread that bars your doors of perception, and you will enjoy a banquet of treats that will make the difference between suffering and safety. You will enter a brave new world that will erase your panic, and release you from the grip of terror, and relieve you of the deadening effects of indifference —and you will find that switch of initiative that will energize your intelligence, empower your imagination, and rouse your sense of vigilance in ways that will tilt the odds of danger from being forever against you to being always in your favor. Indeed, just thinking about a disaster is one of the best things you can do —because it allows you to imagine how you would respond in a way that is free of pain and destruction.
Another reason why disasters seem so scary is that many victims tend to see them as a whole rather than divide them into much smaller and more manageable problems. A disaster can seem overwhelming when confronted with everything at once —but if you dice it into its tiny parts and knock them off one at a time, the whole thing can seem as easy as eating a lavish dinner one bite at a time.
In a disaster you must also plan for disruption as well as destruction. Death and damage may make the news, but in almost every disaster far more lives are disrupted than destroyed. Witness the tornado that struck Joplin, Missouri, in May 2011 and killed 158 people. The path of death and destruction was less than a mile wide and only 22 miles long —but within thirty miles 160,000 citizens whose property didn’t suffer a dime of damage were profoundly disrupted by the carnage, loss of power and water, suspension of civic services, and inability to buy food, gas, and other necessities. You may rightfully believe your chances of dying in a disaster in your lifetime may be nearly nil, but the chances of your life being disrupted by a disaster in the next decade is nearly a sure thing.
Not only should you prepare for disasters, you should learn to premeditate them. Prepare concerns the body; premeditate concerns the mind. Everywhere you go, think what could happen and how you might/could/would/should respond. Use your imagination. Fill your brain with these visualizations —run mind-movies in your head —develop a repertoire —until when you walk into a building/room/situation you’ll automatically know what to do. If a disaster does ambush you —sure you’re apt to panic, but in seconds your memory will load the proper video into your mobile disk drive and you’ll feel like you’re watching a scary movie for the second time and you’ll know what to expect and how to react. That’s why this book is important: its manner of vivifying disasters kickstarts and streamlines your acquiring these premeditations, which lays the foundation for satisfying your needs when a disaster catches you by surprise.
”
”
Robert Brown Butler (Architecture Laid Bare!: In Shades of Green)
“
Look,Freddy Krueger, if I thought there was a chance in a gazillion that Alex would even feature you in a nightmare, I might not be saying this so nicely. But I feel sorry for you, so I'm going to give you a tip." The p was sharp,harsh. She leaned in,close enough that I could see the pale,shimmery lipstick caked in the corners of her mouth. "This thing you have for him just makes you look like the world's most pitiful loser. Did you really think you had even the smallest chance with him? Did you?"
I didn't answer.Maybe a no would have satisfied her. Maybe not.
"You are a skank and a freak," she snapped, the hard sounds making me flinch. "You don't belong here. Go back to your greaseball 'hood. The sight of you makes me sick!"
Any girl who has ever been face-to-face with another angry girl, especially one with infinitely more spite and social standing knows to run.It's innate, from bunnies to baboons. Don't mess with the alpha female. She'll tear your throat out. So I ran,but not before I got a glimpse of Anna's face.
In the second before she turned away, she looked like someone had slapped her. Funny, seeing that didn't make me feel any better.
”
”
Melissa Jensen (The Fine Art of Truth or Dare)
“
Line of AuNor, dragon bold
Flows to me from days of old,
And through years lost in the mist
My blood names a famous list.
By Air, by Water, by Fire, by Earth
In pride I claim a noble birth.
From EmLar Gray, a deadly deed
By his flame Urlant was freed,
Of fearsome hosts of blighters dark
And took his reward: a golden ark!
My Mother’s sire knew battle well
Before him nine-score villages fell.
When AuRye Red coursed the sky
Elven arrows in vain would fly,
He broke the ranks of men at will
In glittering mines dwarves he’d kill.
Grandsire he is through Father’s blood
A river of strength in fullest flood.
My egg was one of Irelia’s Clutch
Her wisdom passed in mental touch.
Mother took up before ever I woke
The parent dragon’s heavy yoke;
For me, her son, she lost her life
Murderous dwarves brought blackened knife.
A father I had in the Bronze AuRel
Hunter of renown upon wood and fell
He gave his clutch through lessons hard
A chance at life beyond his guard.
Father taught me where, and when, and how
To fight or flee, so I sing now.
Wistala, sibling, brilliant green
Escaped with me the axes keen
We hunted as pair, made our kill
From stormy raindrops drank our fill
When elves and dwarves took after us
I told her “Run,” and lost her thus.
Bound by ropes; by Hazeleye freed
And dolphin-rescued in time of need
I hid among men with fishing boats
On island thick with blown sea-oats
I became a drake and breathed first fire
When dolphin-slaughter aroused my ire.
I ran with wolves of Blackhard’s pack
Killed three hunters on my track
The Dragonblade’s men sought my hide
But I escaped through a fangèd tide
Of canine friends, assembled Thing
Then met young Djer, who cut collar-ring.
I crossed the steppes with dwarves of trade
On the banks of the Vhydic Ironriders slayed
Then sought out NooMoahk, dragon black
And took my Hieba daughter back
To find her kind; then took first flight
Saw NooMoahk buried in honor right.
When war came to friends I long had known
My path was set, my heart was stone
I sought the source of dreadful hate
And on this Isle I met my fate
Found Natasatch in a cavern deep
So I had one more promise to keep.
To claim this day my life’s sole mate
In future years to share my fate
A dragon’s troth is this day pledged
To she who’ll see me fully fledged.
Through this dragon’s life, as dragon-dame
shall add your blood to my family’s fame.
”
”
E.E. Knight (Dragon Champion (Age of Fire, #1))
“
Seven P.M. Half an hour to go until we started the laborious task of getting kitted up again.
It would take us at least an hour.
By the end no part of our bodies or faces would be visible. We would be transformed into cocooned figures, huddled, awaiting our fate.
I reached into the top pouch of my backpack and pulled out a few crumpled pages wrapped in plastic. I had brought them just for this moment.
Even the youths shall faint and be weary, and the young men shall utterly fall. But those who wait upon the Lord shall renew their strength. They shall mount up with wings like eagles. They shall run and not be weary. They shall walk and not faint.
Isaiah 40:29-31.
I felt that this was all I really had up here. There’s no one else with enough extra strength to keep you safe. It really is just you and your Maker. No pretense, no fluff--no plan B.
Over the next twenty-four hours, there would be a one in six chance of dying. That focuses the mind. And the bigger picture becomes important.
It was time to look death in the eye. Time to acknowledge that fear, hold the hand of the Almighty, and climb on.
And those simple Bible verses would ring round my head for the next night and day, as we pushed on ever higher.
”
”
Bear Grylls (Mud, Sweat and Tears)
“
Have you ever noticed how when someone you admire goes out and does something phenomenal, you’re happy for her or him, but you’re not surprised—of course they did something phenomenal, they’re a phenomenal person! But to get yourself to see how amazing you are is like pushing a giant marshmallow up a hill. Yes, there we go, we are up, we are awesome! Ooop! We’re sagging—we are sagging on the left! Push it up. There we go. We are all good! Wait, now we’re sagging on the right . . . We run around, taking one step forward and fourteen steps back when it’s so unnecessary. Instead, try seeing yourself through the eyes of someone who admires you. They get it. They believe in you leaps and bounds. They aren’t connected to your insecurities and negative beliefs about yourself. All they see is your true glory and potential. Become one of your own die-hard fans, look at yourself from the outside, where all your self doubts can’t crawl all over you, and behold what shines through. You get to choose how you perceive your reality. So why, when it comes to perceiving yourself, would you choose to see anything other than a super huge rock star of a creature? You are a badass. You were one when you came screaming onto this planet and you are one now. The Universe wouldn’t have bothered with you otherwise. You can’t screw up so majorly that your badassery disappears. It is who you are. It’s who you always will be. It’s not up for negotiation. You are loved. Massively. Ferociously. Unconditionally. The Universe is totally freaking out about how awesome you are. It’s got you wrapped in a warm gorilla hug of adoration. It wants to give you everything you desire. It wants you to be happy. It wants you to see what it sees in you. You are perfect. To think anything less is as pointless as a river thinking that it’s got too many curves or that it moves too slowly or that its rapids are too rapid. Says who? You’re on a journey with no defined beginning, middle or end. There are no wrong twists and turns. There is just being. And your job is to be as you as you can be. This is why you’re here. To shy away from who you truly are would leave the world you-less. You are the only you there is and ever will be. I repeat, you are the only you there is and ever will be. Do not deny the world its one and only chance to bask in your brilliance. We are all perfect in our own, magnificent, fucked-up ways. Laugh at yourself. Love yourself and others. Rejoice in the cosmic ridiculousness. PART 2: HOW
”
”
Jen Sincero (You Are a Badass®: How to Stop Doubting Your Greatness and Start Living an Awesome Life)
“
Everybody’s Free (To Wear Sunscreen)”
Ladies and Gentlemen of the class of '99: Wear sunscreen.
If I could offer you only one tip for the future, sunscreen would be it. The long term benefits of sunscreen have been proved by scientists, whereas the rest of my advice has no basis more reliable than my own meandering experience.
I will dispense this advice now.
Enjoy the power and beauty of your youth; oh never mind; you will not understand the power and beauty of your youth until they've faded. But trust me, in 20 years you’ll look back at photos of yourself and recall in a way you can’t grasp now how much possibility lay before you and how fabulous you really looked.
You are not as fat as you imagine.
Don’t worry about the future; or worry, but know that worrying is as effective as trying to solve an algebra equation by chewing bubblegum. The real troubles in your life are apt to be things that never crossed your worried mind; the kind that blindside you at 4:00 pm on some idle Tuesday.
Do one thing everyday that scares you.
Sing.
Don’t be reckless with other people’s hearts; don’t put up with people who are reckless with yours.
Floss.
Don’t waste your time on jealousy; sometimes you’re ahead; sometimes you’re behind; the race is long, and in the end it’s only with yourself.
Remember compliments you receive; forget the insults. If you succeed in doing this, tell me how.
Keep your old love letters; throw away your old bank statements.
Stretch.
Don’t feel guilty if you don’t know what you wanna do with your life; the most interesting people I know didn’t know at 22 what they wanted to do with their lives; some of the most interesting 40 year olds I know still don’t.
Get plenty of calcium.
Be kind to your knees; you’ll miss them when they’re gone.
Maybe you’ll marry -- maybe you won’t. Maybe you’ll have children -- maybe you won’t. Maybe you’ll divorce at 40 -- maybe you’ll dance the funky chicken on your 75th wedding anniversary. Whatever you do, don’t congratulate yourself too much or berate yourself either -- your choices are half chance; so are everybody else’s.
Enjoy your body; use it every way you can. Don’t be afraid of it, or what other people think of it. It’s the greatest instrument you’ll ever own.
Dance.
even if you have nowhere to do it but in your own living room.
Read the directions, even if you don’t follow them.
Do not read beauty magazines; they will only make you feel ugly.
Get to know your parents; you never know when they’ll be gone for good. Be nice to your siblings; they're your best link to your past and the people most likely to stick with you in the future.
Understand that friends come and go, but for the precious few you should hold on. Work hard to bridge the gaps in geography, in lifestyle, because the older you get the more you need the people you knew when you were young.
Live in New York City once, but leave before it makes you hard.
Live in Northern California once, but leave before it makes you soft.
Travel.
Accept certain inalienable truths: prices will rise; politicians will philander; you too will get old, and when you do you’ll fantasize that when you were young prices were reasonable, politicians were noble, and children respected their elders.
Respect your elders.
Don’t expect anyone else to support you. Maybe you have a trust fund; maybe you'll have a wealthy spouse; but you never know when either one might run out.
Don’t mess too much with your hair, or by the time you're 40, it will look 85.
Be careful whose advice you buy, but be patient with those who supply it. Advice is a form of nostalgia: dispensing it is a way of fishing the past from the disposal, wiping it off, painting over the ugly parts, and recycling it for more than it’s worth.
But trust me on the sunscreen.
Baz Luhrmannk, William Shakespeare's Romeo & Juliet (1996)
”
”
Baz Luhrmann (Romeo & Juliet: The Contemporary Film, The Classic Play)
“
I suggest you stand slowly and walk out with my men,” Zrakovi said, tapping a napkin against his lying, two-faced mouth and putting a twenty on the table to cover the drinks. “If you make a scene, innocent humans will be injured. I have a Blue Congress cleanup team in place, however, so if you want to fight in public and damage a few humans, knock yourself out. It will only add to your list of crimes.”
I stood slowly, gritting my teeth when Squirrel Chin patted me down while feeling me up and making it look like a romantic moment. He’d been so busy feeling the naughty bits that he missed both Charlie, sitting in my bag next to my foot, and the dagger attached to my inner forearm.
Idiot. Alex would never have been so sloppy. If Alex had patted me down, he’d have found not only the weapons but also the portable magic kit.
From the corner of my eye, I saw a tourist taking mobile phone shots of us. He’d no doubt email them to all his friends back home with stories of those crazy New Orleanians and their public displays of affection.
I considered pretending to faint, but I was too badly outnumbered for it to work. Like my friend Jean
Lafitte, whose help I could use about now, I didn’t want to try something unless it had a reasonable chance at succeeding. I also didn’t want to pull Charlie out and risk humans getting hurt.
“Walk out the door onto Chartres and turn straight toward the cathedral.” Zrakovi pulled his jacket aside enough for me to see a shoulder holster. I hadn’t even known the man could hold a gun, although for all I knew about guns it could be a water pistol.
The walk to the cathedral transport was three very long city blocks. My best escape opportunity would be near Jackson Square. When the muscular goons tried to turn me left toward the cathedral, I’d try to break and run right toward the river, where I could get lost among the wharves and docks long enough to draw and power a transport. Of course in order to run, I’d have to get away from the clinch of Dreadlocks and Squirrel Chin. Charlie could take care of that.
I slipped the messenger bag over my head slowly, and not even Zrakovi noticed the stick of wood protruding from the top by a couple of inches.
Not to be redundant, but . . . idiots.
None of us spoke as we proceeded down Chartres Street, where, to our south, the clouds continued to build. The wind had grown stronger and drier. The hurricane was sucking all the humidity out of the air, all the better to gain intensity. I hoped Zrakovi, a Bostonian, would enjoy his first storm. I hoped a live oak landed on his head.
”
”
Suzanne Johnson (Belle Chasse (Sentinels of New Orleans #5))
“
I’m not interested in one night. I want it all. If that’s too much for you, tell me right now. If it’s going to scare you off, I want to know.” “All?” “I want to go to bed with you, and wake up with you.” He kissed her. “Then I want to do that again.” He kissed her. “And again. And again.” “Okay,” she said breathlessly. “I’m an idiot, but I’m in love with you.” “How do you know?” “Because I’ve never felt this bad before.” “Isn’t it supposed to feel good?” “It does, when you’re in my arms. When you’re not, it’s just awful.” “Okay,” she said. “I understand.” “You’re going to give it a chance?” “Yes,” she said, nodding. “I realize that sometimes things don’t work out the way we want them to. I’ve been down that road and so have you. But I’m not going to string you along. I’ll never lie to you. Do you believe me?” “I do. Do you believe me?” “You’re not going to run out on me again, without any explanation?” “I won’t do that again, no.” “You can do anything else, you know. You can tell me you were mistaken. Tell me you changed your mind and you don’t feel it anymore. Anything but disappearing without a word. If it’s over for you, you have to finish it. Do we have a deal?” “Deal,” she said against his lips. “Where do Vanni and Paul think you are?” he asked her in a hoarse whisper. “With you,” she said. “And are you?” “Yes. Yes, Joe. I’m with you.” He
”
”
Robyn Carr (Second Chance Pass)
“
They lived in a world of destruction and fortuitous death. All was chance, and it was not even the Devil who threw the dice, for he was part of the fairy-tale and perished with it. It had hardly been worth while to pick a bone with it, for the only thing to quarrel with was one's own credulity in having ever believed a tale that broke down at so many points when put to the test. Year by year boys fresh from school joined in the dance of death, and sweltered in the reeking, stinking heat, when they should have been playing cricket or swimming in cool waters, and they got trench-fever and were gassed, and young limbs swift to run and ripe for love were gashed by bullets and sawn off in hospitals. The fate of the world rested on their shoulders: they were the bewildered scapegoats who were driven out into this desert of death, to expiate the criminal pride and folly of those who had been in charge of world-affairs while they were yet unbreeched. Save for rare moments of panic, they maintained a cheerful carelessness, a studied unconsciousness of the surrounding horror, for to think about it, to realize it and speak of it was to go mad. A few went mad, and with bandaged eyes awaited the volley they would never hear. The rest carried on, dumb and gallant, saying nothing, except in a few blurted words to a friend, of that smouldering focus of resentment and despair.
”
”
E.F. Benson (As We Are)
“
All this subterfuge in order to talk to me could have been prevented if you’d just ridden with me earlier today, when I asked.”
“Really?” She smoothed his disordered hair, which was sticking up at all angles. “You wouldn’t have spent the entire trip detailing reasons why I ‘must’ marry you?”
He flinched. “I’m sorry, Jane. Apparently, when I find myself with my back to the wall, I bark orders.”
“I know.” She straightened his cravat. “And in case you hadn’t noticed, I don’t do well with men who bark orders or make plans for me. It makes me want to shove them off a cliff.”
“Or refuse to marry them?”
“That, too.”
“Then I can see it’s a habit I shall have to break, if I am to keep you happy.” He glanced away. “Sometimes it’s just…I don’t know…easier to bark orders than to ask. Safer. No one has a chance to say no.”
It hit her then. That was precisely why he felt more comfortable ordering people about, setting up plans, being in charge. Because when he wasn’t in control, there was a chance he’d be left out in the cold. Left in a house with oblivious servants and a brother who despised him for taking his mother away by the simple fact of being born.
Left alone. Her poor, dear love.
Jane kept her eyes trained on his cravat. “But if you don’t ever give people a chance to say no, you can never know if they will rise to the occasion or not.”
He tipped up her chin until she was staring into his eyes. “I wronged you terribly by not trusting you to rise to the occasion, didn’t I? If I’d married you and carried you off to the garret, I daresay you would have stayed by my side. Loved me. Cherished me.”
Tears stung her eyes. “I like to think I would have. I certainly would have tried. It would have been worth it to be with you.”
“Leaving you was the biggest mistake I ever made,” he said earnestly. “I once told you I would do it again, given the chance. But I was lying, to myself as well as you. I could never do it again. Certainly not now that I know what it’s like to have you for my own. You have no idea how much I’ve missed you all these years.”
It was all she could do not to burst into tears right then and there. But that would only alarm him. So she choked them down enough to say, “No more than I missed you, I expect.”
With a groan, he kissed her, long and hot. It was a sweet promise of things to come, a portent of their future together.
When he was done, she wiped away tears. “To be fair, if we had married then, who knows what would have become of us? I doubt I would have liked your running about the country as a spy, leaving me alone for weeks at a time. And I daresay you would have had trouble concentrating on your work for worrying about me.”
His grateful smile showed that he appreciated her attempt to mitigate his betrayal.
”
”
Sabrina Jeffries (If the Viscount Falls (The Duke's Men, #4))
“
He’s a murdering chud,” Zil was yelling.
“What do you want to do? Lynch him?” Astrid demanded.
That stopped the flow for a second as kids tried to figure out what “lynch” meant. But Zil quickly recovered.
“I saw him do it. He used his powers to kill Harry.”
“I was trying to stop you from smashing my head in!” Hunter shouted.
“You’re a lying mutant freak!”
“They think they can do anything they want,” another voice shouted.
Astrid said, as calmly as she could while still pitching her voice to be heard, “We are not going down that path, people, dividing up between freaks and normals.”
“They already did it!” Zil cried. “It’s the freaks acting all special and like their farts don’t stink.”
That earned a laugh.
“And now they’re starting to kill us,” Zil cried.
Angry cheers.
Edilio squared his shoulders and stepped into the crowd. He went first to Hank, the kid with the shotgun. He tapped him on the shoulder and said, “Give me that thing.”
“No way,” Hank said. But he didn’t seem too certain.
“You want to have that thing fire by accident and blow someone’s face off?” Edilio held his hand out. “Give it to me, man.”
Zil rounded on Edilio. “You going to make Hunter give up his weapon? Huh? He’s got powers, man, and that’s okay, but the normals can’t have any weapon? How are we supposed to defend ourselves from the freaks?”
“Man, give it a rest, huh?” Edilio said. He was doing his best to sound more weary than angry or scared. Things were already bad enough. “Zil, you want to be responsible if that gauge goes off and kills Astrid? You want to maybe give that some thought?”
Zil blinked. But he said, “Dude, I’m not scared of Sam.”
“Sam won’t be your problem, I will be,” Edilio snapped, losing patience. “Anything happens to her, I’ll take you down before Sam ever gets the chance.”
Zil snorted derisively. “Ah, good little boy, Edilio, kissing up to the chuds. I got news for you, dilly dilly, you’re a lowly normal, just like me and the rest of us."
“I’m going to let that go,” Edilio said evenly, striving to regain his cool, trying to sound calm and in control, even though he could hardly take his eyes off the twin barrels of the shotgun. “But now I’m taking that shotgun.”
“No way!” Hank cried, and the next thing was an explosion so loud, Edilio thought a bomb had gone off. The muzzle flash blinded him, like camera flash going off in his face.
Someone yelled in pain.
Edilio staggered back, squeezed his eyes shut, trying to adjust. When he opened them again the shotgun was on the ground and the boy who’d accidentally fired it was holding his bruised hand, obviously shocked.
Zil bent to grab the gun. Edilio took two steps forward and kicked Zil in the face. As Zil fell back Edilio made a grab for the shotgun. He never saw the blow that turned his knees to water and filled his head with stars.
He fell like a sack of bricks, but even as he fell he lurched forward to cover the shotgun.
Astrid screamed and launched herself down the stairs to protect Edilio.
Antoine, the one who had hit Edilio, was raising his bat to hit Edilio again, but on the back swing he caught Astrid in the face.
Antoine cursed, suddenly fearful. Zil yelled, “No, no, no!”
There was a sudden rush of running feet. Down the walkway, into the street, echoing down the block.
”
”
Michael Grant (Hunger (Gone, #2))
“
We end up at an outdoor paintball course in Jersey. A woodsy, rural kind of place that’s probably brimming with mosquitos and Lyme disease. When I find out Logan has never played paintball before, I sign us both up.
There’s really no other option.
And our timing is perfect—they’re just about to start a new battle. The worker gathers all the players in a field and divides us into two teams, handing out thin blue and yellow vests to distinguish friend from foe.
Since Logan and I are the oldest players, we both become the team captains. The wide-eyed little faces of Logan’s squad follow him as he marches back and forth in front of them, lecturing like a hot, modern-day Winston Churchill.
“We’ll fight them from the hills, we’ll fight them in the trees. We’ll hunker down in the river and take them out, sniper-style. Save your ammo—fire only when you see the whites of their eyes. Use your heads.”
I turn to my own ragtag crew.
“Use your hearts. We’ll give them everything we’ve got—leave it all on the field. You know what wins battles? Desire! Guts! Today, we’ll all be frigging Rudy!”
A blond boy whispers to his friend, “Who’s Rudy?”
The kid shrugs.
And another raises his hand. “Can we start now? It’s my birthday and I really want to have cake.”
“It’s my birthday too.” I give him a high-five. “Twinning!”
I raise my gun. “And yes, birthday cake will be our spoils of war! Here’s how it’s gonna go.” I point to the giant on the other side of the field. “You see him, the big guy? We converge on him first. Work together to take him down. Cut off the head,” I slice my finger across my neck like I’m beheading myself, “and the old dog dies.”
A skinny kid in glasses makes a grossed-out face. “Why would you kill a dog? Why would you cut its head off?”
And a little girl in braids squeaks, “Mommy! Mommy, I don’t want to play anymore.”
“No,” I try, “that’s not what I—”
But she’s already running into her mom’s arms. The woman picks her up—glaring at me like I’m a demon—and carries her away.
“Darn.”
Then a soft voice whispers right against my ear.
“They’re already going AWOL on you, lass? You’re fucked.”
I turn to face the bold, tough Wessconian . . . and he’s so close, I can feel the heat from his hard body, see the small sprigs of stubble on that perfect, gorgeous jaw. My brain stutters, but I find the resolve to tease him.
“Dear God, Logan, are you smiling? Careful—you might pull a muscle in your face.”
And then Logan does something that melts my insides and turns my knees to quivery goo.
He laughs.
And it’s beautiful.
It’s a crime he doesn’t do it more often. Or maybe a blessing. Because Logan St. James is a sexy, stunning man on any given day. But when he laughs?
He’s heart-stopping.
He swaggers confidently back to his side and I sneer at his retreating form. The uniformed paintball worker blows a whistle and explains the rules. We get seven minutes to hide first. I cock my paintball shotgun with one hand—like Charlize Theron in Fury fucking Road—and lead my team into the wilderness.
“Come on, children. Let’s go be heroes.”
It was a massacre.
We never stood a chance.
In the end, we tried to rush them—overpower them—but we just ended up running into a hail of balls, getting our hearts and guts splattered with blue paint.
But we tried—I think Rudy and Charlize would be proud
”
”
Emma Chase (Royally Endowed (Royally, #3))
“
More helicopters hovered to the south, and a large troop carrier lifted off the ground a mile ahead. These weren’t the same helicopters Rick had left behind in Tennessee. These were new ones from North Carolina. They must have had a plan, but Rick wasn’t in any hurry to run to his doom. He slowed down to seventy miles per hour and looked at Renee.
“I love you, too,” he said.
Renee’s heart lurched into her throat. The reserved look on his face was something she wasn’t used to seeing. “Do you think this is it?”
“I don’t know.” He looked again at the fuel gauge.
She put her hand over the gauge, covering it from his view. “Do you remember what you told me once?”
Rick smiled. “That, sometimes, it’s best not to know.”
“Just don’t quit on me. Don’t make this a worthless gesture.” Renee forced him to look at her.
Rick feared running out of fuel in the middle of these mountains. He feared the fury of the Firebird’s losing power, rolling to a stop, becoming helpless, and giving all these patrolmen a chance to catch up to them and gun them down like Bonnie and Clyde. Surely, they would use lethal force and nothing else.
But as long as that engine ran and Rick was behind the wheel, they had a chance to live. And every second of life mattered.
“OK, just hang on,” he said, meeting her gaze. He reached over and kissed her gently.
Renee relished the kiss, closing her eyes and then opening them wide to take in the mountains. Did it hurt, getting shot? She wondered if she’d know when the last drop of blood flowed out of her body. What would happen to Rick? Would he be with her? Would they know each other without bodies? The mountains sure were beautiful.
”
”
Rich Hoffman (Tail of the Dragon)
“
Equal protection under the law is not a hard principle to convince Americans of. The difficulty comes in persuading them that it has been violated in particular cases, and of the need to redress the wrong. Prejudice and indifference run deep. Education, social reform, and political action can persuade some. But most people will not feel the sufferings of others unless they feel, even in an abstract way, that 'it could have been me or someone close to me'. Consider the astonishingly rapid transformation of American attitudes toward homosexuality and even gay marriage over the past decades. Gay activism brought these issues to public attention but attitudes were changed during tearful conversations over dinner tables across American when children came out to their parents (and, sometimes, parents came out to their children). Once parents began to accept their children, extended families did too, and today same-sex marriages are celebrated across the country with all the pomp and joy and absurd overspending of traditional American marriages. Race is a wholly different matter. Given the segregation in American society white families have little chance of seeing and therefore understanding the lives of black Americans. I am not black male motorist and never will be. All the more reason, then, that I need some way to identify with one if I am going to be affected by his experience. And citizenship is the only thing I know we share. The more differences between us are emphasized, the less likely I will be to feel outrage at his mistreatment.
Black Lives Matter is a textbook example of how not to build solidarity. There is no denying that by publicizing and protesting police mistreatment of African-Americans the movement mobilized supporters and delivered a wake-up call to every American with a conscience. But there is also no denying that the movement's decision to use this mistreatment to build a general indictment of American society, and its law enforcement institutions, and to use Mau-Mau tactics to put down dissent and demand a confession of sins and public penitence (most spectacularly in a public confrontation with Hillary Clinton, of all people), played into the hands of the Republican right.
As soon as you cast an issue exclusively in terms of identity you invite your adversary to do the same. Those who play one race card should be prepared to be trumped by another, as we saw subtly and not so subtly in the 2016 presidential election. And it just gives that adversary an additional excuse to be indifferent to you. There is a reason why the leaders of the civil rights movement did not talk about identity the way black activists do today, and it was not cowardice or a failure to be "woke". The movement shamed America into action by consciously appealing to what we share, so that it became harder for white Americans to keep two sets of books, psychologically speaking: one for "Americans" and one for "Negroes". That those leaders did not achieve complete success does not mean that they failed, nor does it prove that a different approach is now necessary. No other approach is likely to succeed. Certainly not one that demands that white Americans agree in every case on what constitutes discrimination or racism today. In democratic politics it is suicidal to set the bar for agreement higher than necessary for winning adherents and elections.
”
”
Mark Lilla (The Once and Future Liberal: After Identity Politics)
“
Syn finished with dispatch then called his first officer. While waiting for the phone to be answered he told Furi to pack a bag with whatever he would need for the next couple of days. Furi didn’t move.
“Furious,” Syn growled. He wanted to get the hell out of that apartment just in case Sasha wanted to come finish the job.
“I’m not leaving. She is not going to run me out of my own damn place.” Furi jutted out his chin in defiance.
Syn forgot about his phone call and came to stand directly in front of Furi. “Go and pack a bag now. That crazy bitch is not going to get a second chance if I have anything to say about it.”
“You don’t have anything to say about it.”
“The hell I don’t,” Syn barked. “Your foolish pride will get you killed. Let's deal with her and then you’re more than welcome to come home. Don’t let your stubbornness make you an easy target, because that’s just stupid.”
“You calling me stupid?” Furi snapped right back.
Syn rolled his eyes in frustration. “Are you fuckin’ kiddin’ me? Furious we don’t have time for this Mickey Mouse bullshit right now. Go get your shit and let’s move.” Syn went over to the only window in Furi’s apartment and stood watch while Furi threw some clothes, toiletries, books and a laptop into a bag, grumbling curses the entire time. Syn let him say whatever he wanted to, as long as he was doing what needed to be done.
Furi had a large duffle draped over his shoulder when he came to stand in front of Syn. “Done, Detective. Anything else you want to order me to do?”
Syn took a quick calming breath. He took Furi’s duffle off his shoulder and set it gently at his feet. He put his arms around Furi’s waist and pulled him to him. “I’m not trying to order you around. I just can’t let anyone hurt you.” Syn squeezed his eyes shut.
”
”
A.E. Via
“
Sometimes our need clouds our ability to develop perspective. Being needy is kind of like losing your keys. You become desperate and search everywhere. You search in places you know damn well what you are looking for could never be. The more frantic you become in trying to find them the less rational you are in your search. The less rational you become the more likely you'll be searching in a way that actually makes finding what you want more difficult. You go back again and again to where you want them to be, knowing that there is no way in hell that they are there. There is a lot of wasted effort. You lose perspective of your real goal, let's say it's go to the grocery store, and instead of getting what you need -nourishment, you frantically chase your tail growing more and more confused and angry and desperate. You are mad at your keys, you are mad at your coat pockets for not doing their job. You are irrational. You could just grab the spare set, run to the grocery store and get what you need, have a sandwich, calm down and search at your leisure. But you don't.
Where ARE your keys?! Your desperation is skewing your judgement. But you need to face it, YOUR keys are not in HIS pocket. You know your keys are not there. You have checked several times. They are not there. He is not responsible for your keys. You are. He doesn't want to be responsible for your keys. Here's the secret: YOU don't want to be responsible for your keys. If you did you would be searching for them in places they actually have a chance of being. Straight boys don't have your keys. You have tried this before. They may have acted like they did because they wanted you to get them somewhere or you may have hoped they did because you didn't want to go alone but straight boys don't have your keys. Straight boys will never have your keys.
Where do you really want to go? It sounds like not far. If going somewhere was of importance you would have hung your keys on the nail by the door. Sometimes it's pretty comfortable at home. Lonely but familiar. Messy enough to lose your keys in but not messy enough to actually bother to clean house and let things go. Not so messy that you can't forget about really going somewhere and sit down awhile and think about taking a trip with that cute guy from work. Just a little while longer, you tell yourself. His girlfriend can sit in the backseat as long as she stays quiet. It will be fun. Just what you need.
And really isn't it much safer to sit there and think about taking a trip than accepting all the responsibility of planning one and servicing the car so that it's ready and capable?
Having a relationship consists of exposing yourself to someone else over and over, doing the work and sometimes failing. It entails being wrong in front of someone else and being right for someone too. Even if you do find a relationship that other guy doesn't want to be your chauffeur. He wants to take turns riding together. He may occasionally drive but you'll have to do some too. You will have to do some solo driving to keep up your end of the relationship. Boyfriends aren't meant to take you where you want to go. Sometimes they want to take a left when you want to go right. Being in a relationship is embarking on an uncertain adventure. It's not a commitment to a destination it is just a commitment to going together.
Maybe it's time to stop telling yourself that you are a starcrossed traveler and admit you're an armchair adventurer. You don't really want to go anywhere or you would venture out. If you really wanted to know where your keys were you'd search in the most likely spot, down underneath the cushion of that chair you've gotten so comfortable in.
”
”
Tim Janes
“
It was like a page out of the telephone book. Alphabetically, numerically, statistically, it made sense. But when you looked at it up close, when you examined the pages separately, or the parts separately, when you examined one lone individual and what constituted him, examined the air he breathed, the life he led, the chances he risked, you saw something so foul and degrading, so low, so miserable, so utterly hopeless and senseless, that it was worse than looking into a volcano.
Outwardly it seems to be a beautiful honeycomb, with all the drones crawling over each other in a frenzy of work; inwardly it’s a slaughterhouse, each man killing off his neighbor and sucking the juice from his bones. Superficially it looks like a bold, masculine world; actually it’s a whorehouse run by women, with the native sons acting as pimps and the bloody foreigners selling their flesh... The whole continent is sound asleep and in that sleep a grand nightmare is taking place…
At night the streets of New York reflect the crucifixion and death of Christ. When the snow is on the ground and there is the utmost silence there comes out of the hideous buildings of New York a music of such sullen despair and bankruptcy as to make the flesh shrivel. No stone was laid upon another with love or reverence; no street was laid for dance or joy. One thing has been added to another in a mad scramble to fill the belly, and the streets smell of empty bellies and full bellies and bellies half full. The streets smell of a hunger which has nothing to do with love; they smell of the belly which is insatiable and of the creations of the empty belly which are null and void.
Just as the city itself had become a huge tomb in which men struggled to earn a decent death so my own life came to resemble a tomb which I was constructing out of my own death. I was walking around in a stone forest the center of which was chaos; sometimes in the dead center, in the very heart of chaos, I danced or drank myself silly, or I made love, or I befriended some one, or I planned a new life, but it was all chaos, all stone, and all hopeless and bewildering. Until the time when I would encounter a force strong enough to whirl me out of this mad stone forest no life would be possible for me nor could one page be written which would have meaning…
Everybody and everything is a part of life...
As an individual, as flesh and blood, I am leveled down each day to make the fleshless, bloodless city whose perfection is the sum of all logic and death to the dream. I am struggling against an oceanic death in which my own death is but a drop of water evaporating. To raise my own individual life but a fraction of an inch above this sinking sea of death I must have a faith greater than Christ’s, a wisdom deeper than that of the greatest seer. I must have the ability and the patience to formulate what is not contained in the language of our time, for what is now intelligible is meaningless. My eyes are useless, for they render back only the image of the known. My whole body must become a constant beam of light, moving with an ever greater rapidity, never arrested, never looking back, never dwindling. The city grows like a cancer; I must grow like a sun. The city eats deeper and deeper into the red; it is an insatiable white louse which must die eventually of inanition. I am going to starve the white louse which is eating me up. I am going to die as a city in order to become again a man. Therefore I close my ears, my eyes, my mouth.
Infinitely better, as life moves toward a deathly perfection, to be just a bit of breathing space, a stretch of green, a little fresh air, a pool of water. Better also to receive men silently and to enfold them, for there is no answer to make while they are still frantically rushing to turn the corner.
”
”
Henry Miller (Tropic of Capricorn (Tropic, #2))
“
Another howl ruptured the quiet, still too far away to be a threat. The Beast Lord, the leader, the alpha male, had to enforce his position as much by will as by physical force. He would have to answer any challenges to his rule, so it was unlikely that he turned into a wolf. A wolf would have little chance against a cat. Wolves hunted in a pack, bleeding their victim and running them into exhaustion, while cats were solitary killing machines, designed to murder swiftly and with deadly precision. No, the Beast Lord would have to be a cat, a jaguar or a leopard. Perhaps a tiger, although all known cases of weretigers occurred in Asia and could be counted without involving toes.
I had heard a rumor of the Kodiak of Atlanta, a legend of an enormous, battle-scarred bear roaming the streets in search of Pack criminals. The Pack, like any social organization, had its lawbreakers. The Kodiak was their Executioner. Perhaps his Majesty turned into a bear. Damn. I should have brought some honey.
My left leg was tiring. I shifted from foot to foot . . .
A low, warning growl froze me in midmove. It came from the dark gaping hole in the building across the street and rolled through the ruins, awakening ancient memories of a time when humans were pathetic, hairless creatures cowering by the weak flame of the first fire and scanning the night with frightened eyes, for it held monstrous hungry killers. My subconscious screamed in panic. I held it in check and cracked my neck, slowly, one side then another.
A lean shadow flickered in the corner of my eye. On the left and above me a graceful jaguar stretched on the jutting block of concrete, an elegant statue encased in the liquid metal of moonlight.
Homo Panthera onca. The killer who takes its prey in a single bound.
Hello, Jim.
The jaguar looked at me with amber eyes. Feline lips stretched in a startlingly human smirk.
He could laugh if he wanted. He didn’t know what was at stake.
Jim turned his head and began washing his paw.
My saber firmly in hand, I marched across the street and stepped through the opening. The darkness swallowed me whole.
The lingering musky scent of a cat hit me. So, not a bear after all.
Where was he? I scanned the building, peering into the gloom. Moonlight filtered through the gaps in the walls, creating a mirage of twilight and complete darkness. I knew he was watching me. Enjoying himself.
Diplomacy was never my strong suit and my patience had run dry. I crouched and called out, “Here, kitty, kitty, kitty.”
Two golden eyes ignited at the opposite wall. A shape stirred within the darkness and rose, carrying the eyes up and up and up until they towered above me. A single enormous paw moved into the moonlight, disturbing the dust on the filthy floor. Wicked claws shot forth and withdrew. A massive shoulder followed, its gray fur marked by faint smoky stripes. The huge body shifted forward, coming at me, and I lost my balance and fell on my ass into the dirt. Dear God, this wasn’t just a lion. This thing had to be at least five feet at the shoulder. And why was it striped?
The colossal cat circled me, half in the light, half in the shadow, the dark mane trembling as he moved. I scrambled to my feet and almost bumped into the gray muzzle. We looked at each other, the lion and I, our gazes level. Then I twisted around and began dusting off my jeans in a most undignified manner.
The lion vanished into a dark corner. A whisper of power pulsed through the room, tugging at my senses. If I did not know better, I would say that he had just changed.
“Kitty, kitty?” asked a level male voice.
I jumped. No shapechanger went from a beast into a human without a nap. Into a midform, yes, but beast-men had trouble talking.
“Yeah,” I said. “You’ve caught me unprepared. Next time I’ll bring cream and catnip toys.”
“If there is a next time.
”
”
Ilona Andrews (Magic Bites (Kate Daniels, #1))
“
Strong underneath, though!’ decided Julian. ‘There’s no softness there, if you ask me. I think Emma’s got authority but it’s the best sort. It’s quiet authority . . .’ ‘Rita wasn’t exactly loud, Martin!’ Elizabeth pointed out, rather impatiently. ‘I bet Rita was very like Emma before she was elected head girl. Was she, Belinda? You must have been at Whyteleafe then.’ Belinda had been at Whyteleafe longer than the others. She had joined in the junior class. She frowned now, deep in thought. ‘Why, Elizabeth, I do believe you’re right! I remember overhearing some of the teachers say that Rita was a bit too young and as quiet as a mouse and might not be able to keep order! But they were proved wrong. Rita was nervous at the first Meeting or two. But after that she was such a success she stayed on as head girl for two years running.’ ‘There, Martin!’ said Elizabeth. ‘Lucky the teachers don’t have any say in it then, isn’t it?’ laughed Julian. ‘I think all schools should be run by the pupils, the way ours is.’ ‘What about Nora?’ asked Jenny, suddenly. ‘She wouldn’t be nervous of going on the platform.’ ‘She’d be good in some ways,’ said Belinda, her mind now made up, ‘but I don’t think she’d be as good as Emma . . .’ They discussed it further. By the end, Elizabeth felt well satisfied. Everyone seemed to agree that Thomas was the right choice for head boy. And apart from Martin, who didn’t know who he wanted, and Jenny, who still favoured Nora, everyone seemed to agree with her about Emma. Because of the way that Whyteleafe School was run, in Elizabeth’s opinion it was extremely important to get the right head boy and head girl. And she’d set her heart on Thomas and Emma. She felt that this discussion was a promising start. Then suddenly, near the end of the train journey, Belinda raised something which made Elizabeth’s scalp prickle with excitement. ‘We haven’t even talked about our own election! For a monitor to replace Susan. Now she’s going up into the third form, we’ll need someone new. We’ve got Joan, of course, but the second form always has two.’ She was looking straight at Elizabeth! ‘We all think you should be the other monitor, Elizabeth,’ explained Jenny. ‘We talked amongst ourselves at the end of last term and everyone agreed. Would you be willing to stand?’ ‘I – I—’ Elizabeth was quite lost for words. Speechless with pleasure! She had already been a monitor once and William and Rita had promised that her chance to be a monitor would surely come again. But she’d never expected it to come so soon! ‘You see, Elizabeth,’ Joan said gently, having been in on the secret, ‘everyone thinks it was very fine the way you stood down in favour of Susan last term. And that it’s only fair you should take her place now she’s going up.’ ‘Not to mention all the things you’ve done for the school. Even if we do always think of you as the Naughtiest Girl!’ laughed Kathleen. ‘We were really proud of you last term, Elizabeth. We were proud that you were in our form!’ ‘So would you be willing to stand?’ repeated Jenny. ‘Oh, yes, please!’ exclaimed Elizabeth, glancing across at Joan in delight. Their classmates wanted her to be a monitor again, with her best friend Joan! The two of them would be second form monitors together. ‘There’s nothing I’d like better!’ she added. What a wonderful surprise. What a marvellous term this was going to be! They all piled off at the station and watched their luggage being loaded on to the school coach. Julian gave Elizabeth’s back a pat. There was an amused gleam in his eyes. ‘Well, well. It looks as though the Naughtiest Girl is going to be made a monitor again. At the first Meeting. When will that be? This Saturday? Can she last that long without misbehaving?’ ‘Of course I can, Julian,’ replied Elizabeth, refusing to be amused. ‘I’m going to jolly well make certain of that!’ That, at least, was her intention.
”
”
Enid Blyton (Naughtiest Girl Wants to Win)
“
My plan is this,” I says. “We can easy find out if it’s Jim in there. Then get up my canoe to-morrow night, and fetch my raft over from the island. Then the first dark night that comes, steal the key out of the old man’s britches, after he goes to bed, and shove off down the river on the raft, with Jim, hiding daytimes and running nights, the way me and Jim used to do before. Wouldn’t that plan work?”
“Work? Why cert‘nly, it would work, like rats a fighting. But it’s too blame’ simple; there ain’t nothing to it. What’s the good of a plan that ain’t no more trouble than that? It’s as mild as goose-milk. Why, Huck, it wouldn’t make no more talk than breaking into a soap factory.”
I never said nothing, because I warn’t expecting nothing different; but I knowed mighty well that whenever he got his plan ready it wouldn’t have none of them objections to it.
And it didn’t. He told me what it was, and I see in a minute it was worth fifteen of mine, for style, and would make Jim just as free a man as mine would, and maybe get us all killed besides. So I was satisfied, and said we would waltz in on it. I needn’t tell what it was, here, because I knowed it wouldn’t stay the way it was. I knowed he would be changing it around, every which way, as we went along, and heaving in new bullinesses wherever he got a chance. And that is what he done.
Well, one thing was dead sure; and that was, that Tom Sawyer was in earnest and was actuly going to help steal that nigger out of slavery. That was the thing that was too many for me. Here was a boy that was respectable, and well brung up; and had a character to lose; and folks at home that had characters; and he was bright and not leather-headed; and knowing and not ignorant; and not mean, but kind; and yet here he was, without any more pride, or rightness, or feeling, than to stoop to this business, and make himself a shame, and his family a shame, before everybody. I couldn’t understand it, no way at all. It was outrageous, and I knowed I ought to just up and tell him so; and so be his true friend, and let him quit the thing right where he was, and save himself. And I did start to tell him; but he shut me up, and says:
“Don’t you reckon I know what I’m about? Don’t I generly know what I’m about?”
“Yes.”
“Didn’t I say I was going to help steal the nigger?”
“Yes.”
“Well then.”
That’s all he said, and that’s all I said. It warn’t no use to say any more; because when he said he’d do a thing, he always done it.
”
”
Mark Twain (The Adventures of Huckleberry Finn (Adventures of Tom and Huck, #2))
“
Fourth and finally, I must point out that any philosophical view is unlikely to gain wide acceptance among either philosophers or the wider public. This is especially true of a view like cognitivist misanthropy.
Human beings excel at ignoring or denying unpleasant ideas, regardless of strong evidence in their favor—climate change, racism, evolution, heliocentrism, and so on. The idea that one’s own species is bad is especially unpleasant, so it is untenable to think that human beings would adopt the misanthropist view at any appreciable scale. To take an analogy, we might consider the epistemic standards of the home crowd at any sporting event. When judging the quality of the officiating, the crowd relies on the standard of whether or not the officials’ calls favor the home team. The crowd approves of calls that are to the benefit of its favored team while disapproving vehemently of calls that are to that team’s detriment. It matters not to the crowd whether the officials’ calls are, in fact, correct. Even if video replay clearly shows that the home team violated one of the rules of the game, the crowd will repudiate the officials’
“unfair” treatment of its team. I suspect that the public’s estimation of cognitivist misanthropy would be similar, in the unlikely event that anyone outside academia learns of it. The view would be rejected because it is unpleasant or perhaps because it does not fit with preconceptions. In that case, there is virtually no chance for cognitivist misanthropy to cause harm, because there is virtually no chance that it will be accepted by more than a few people.
One might object that my analogy is unfair. The behavior of a crowd at a sporting event should not be taken too seriously. It is merely in good fun that the crowd abandons reasonable epistemic standards for a few hours, and surely the individuals who comprise such crowds return to reason when it comes to serious matters. I wish that were true, but the analogy seems apt to me, at least in many arenas of human life. Politics is an obvious example. It is very difficult to look at elections, for example, as involving much in the way of epistemic reasonableness. Support or opposition to some candidate or policy seems to depend on cultural commitments to a far greater extent than considerations of facts, coherence, plausibility, the content of a candidate’s platform, and so on. For instance, when asked by pollsters, a high proportion of supporters of Donald Trump claim to believe many obvious falsehoods. This is puzzling if we assume that the respondents are behaving as genuine epistemic agents who seek to understand reality. How could persons capable of running their own lives believe in absurd conspiracy theories, for example? If we instead assume that the respondents are behaving as supporters of their favored “team,” their behavior makes much more sense. When it comes to politics and social issues, many people simply do not care very much about the truth. Instead, they are invested in promoting the “right” candidate, value, idea, or institution. This is not limited to false views.
”
”
Toby Svoboda (A Philosophical Defense of Misanthropy (Routledge Studies in Ethics and Moral Theory))
“
He wanted somebody to give him a chance of asserting himself. He wanted it so urgently that he fidgeted in his chair, looked at this person, then at that person, tried to break into their talk, opened his mouth and shut it again. They were talking about the fishing industry. Why did no one ask him his opinion? What did they know about the fishing industry?
Lily Briscoe knew all that. Sitting opposite him, could she not see, as in an X-ray photograph, the ribs and thigh bones of the young man's desire to impress himself, lying dark in the mist of his flesh--that thin mist which convention had laid over his burning desire to break into the conversation? But, she thought, screwing up her Chinese eyes, and remembering how he sneered at women, "can't paint, can't write," why should I help him to relieve himself?
There is a code of behaviour, she knew, whose seventh article (it may be) says that on occasions of this sort it behoves the woman, whatever her own occupation might be, to go to the help of the young man opposite so that he may expose and relieve the thigh bones, the ribs, of his vanity, of his urgent desire to assert himself; as indeed it is their duty, she reflected, in her old maidenly fairness, to help us, suppose the Tube97 were to burst into flames. Then, she thought, I should certainly expect Mr. Tansley to get me out. But how would it be, she thought, if neither of us did either of these things? So she sat there 96 Cheated or frustrated himself. 97 The London subway. 64 smiling.
"You're not planning to go to the Lighthouse, are you, Lily," said Mrs. Ramsay. "Remember poor Mr. Langley; he had been round the world dozens of times, but he told me he never suffered as he did when my husband took him there. Are you a good sailor, Mr. Tansley?" she asked.
Mr. Tansley raised a hammer: swung it high in air; but realising, as it descended, that he could not smite that butterfly with such an instrument as this, said only that he had never been sick in his life. But in that one sentence lay compact, like gunpowder, that his grandfather was a fisherman; his father a chemist; that he had worked his way up entirely himself; that he was proud of it; that he was Charles Tansley--a fact that nobody there seemed to realise; but one of these days every single person would know it. He scowled ahead of him. He could almost pity these mild cultivated people, who would be blown sky high, like bales of wool and barrels of apples, one of these days by the gunpowder that was in him.
"Will you take me, Mr. Tansley?" said Lily, quickly, kindly, for, of course, if Mrs. Ramsay said to her, as in effect she did, "I am drowning, my dear, in seas of fire. Unless you apply some balm to the anguish of this hour and say something nice to that young man there, life will run upon the rocks--indeed I hear the grating and the growling at this minute. My nerves are taut as fiddle strings. Another touch and they will snap"--when Mrs. Ramsay said all this, as the glance in her eyes said it, of course for the hundred and fiftieth time Lily Briscoe had to renounce the experiment--what happens if one is not nice to that young man there--and be nice.
”
”
Virgina Woolf (To the Lighthouse)
“
Syn paid the bill and they headed to the door with lust so thick around them, Syn couldn’t help but wonder if anyone else could see it. Furi reached back for Syn’s hand and he gladly offered it. He looked over his shoulder and threw him a seductive wink when Syn crowded in close behind him. As soon as Syn made it out the door, he saw four members of his team walking up the sidewalk. Well fuck me.
“Hey, Sarge.” Pendleton, his demolitions expert was the first to speak up.
Syn threw down Furi’s hand and quickly put some distance between them. “Yeah, hey fellas.” They’d all stopped and were staring back and forth between him and Furi. Syn couldn’t even look Furious in his eye after what he’d just done.
Detective Green cleared his throat and pointed at Furi. “Don’t I know you?”
“Hardly,” Furi mumbled.
“Um, this is ... uh, uh. He’s my ... uh.” Syn cursed under his breath. Obviously his team already knew who Furious was. They all had detailed lists of Illustra’s entertainers and Furious’ image was not easy to forget.
“Sarge, who’s your friend?” Detective Ruxsburg asked, a sly smile playing on his handsome face.
“He’s um.”
“He’s leaving,” Furi’s deep voice cut in as he eased his way through and walked in the opposite direction of Syn’s truck.
“Fuck,” Syn whispered as he watched Furi turn the corner.
“You better go after him and be ready to do some serious groveling,” his IT Detective said in his calm, cool voice.
Syn didn’t say anything. His guys walked around him and went into the bar, leaving him feeling ashamed. He thought about running after Furi but choose to get in his truck and cut him off at the corner. He sped around the block and pulled into an alley hoping to intercept his angry date. When Syn got out of the truck Furi was turning the corner coming toward him. Oh hell. Furi had his hands crammed into his pockets and if the scowl on his face didn’t indicate how angry Furious was, then his choice of words when he finally reached Syn sure as hell did. “Get the fuck away from me.”
“Furious, I know you're upset.”
Furi spun around and glared at him with midnight eyes. “Upset! Upset! Look at my face goddamnit! Does this just look upset to you?”
Syn put his hands up in a calming gesture. “Alright, you’re angry, and you have every right to be. I reacted badly back there. I was just caught off guard.”
Furi was in Syn’s face and people on the street had begun to stop and stare. “Can we please move this off the sidewalk?” Syn tried to usher Furi farther into the alley and away from the nosy fuckers on the street.
“Don’t fuckin’ touch me!”
“I’m not gonna touch you! Damn, calm down. I just want to explain,” Syn argued. It seemed every time he was around Furi he was apologizing for something. “I’m sorry, okay. I should have introduced you properly to my team.”
“How would the–”
“Please, Furious. Let me finish. I should’ve told them your name and introduced you as my friend at a minimum. I’m sorry. I told you I fuckin’ suck at this dating shit, and if you don’t tell me to go fuck myself and give me another–”
“Go fuck yourself,” Furi interrupted. He tried to move around Syn but Syn grabbed him around the wrist and backed him against the side of his truck.
“No! I will not go fuck myself. I would rather fuck you.”
“Well you pretty much shot that chance all to hell,” Furi yelled right back at him.
“Have I?”
“What do you think?
”
”
A.E. Via
“
Deprive a cat of sleep and it would die in two weeks. Deprive a human and he would become psychotic.
His work was killing people. How was he supposed to frighten these guys? Run up behind them in a halloween mask and shout boo?
He never saw the point of views -- what did it matter if it was an ocean or a brick wall you were looking at? People travelled hundreds, sometimes thousands of miles to commit suicide someplace with a beautiful view. Did a view matter when oblivion beckoned? They could put him in a garbage bin after he was gone, for all he cared. That's all the human race was anyway. Garbage with attitude.
A cutting word is worse than a bowstring. A cut may heal but a cut of the tongue does not.
The Sakawa students were all from poor, underprivileged backgrounds. Sakawa was a mix of religious juju and modern internet technology. They were taught, in structured classes, the art of online fraud as well as arcane African rituals -- which included animal sacrifice -- to have a voodoo effect on their victims, ensuring the success of each fraud. of which there was a wide variety.
The British Empire spend five hundred years plundering the world.
The word is 'thanks'.
'That's what it is, Roy! He won't come out, he has locked the doors! What if he self-harms, Roy! I mean -- what if he kills himself?'
'I will have to take him off my Christmas list.'
"Any chance you can recover any of it?'
'You sitting near a window, Gerry?'
'Near a window? Sure, right by a window?'
'Can you see the sky?'
'Uh-huh. Got a clear view.'
'See any pigs flying past?'
To dream of death is good for those in fear, for the death have no more fears.
'...Cleo took me to the opera once. I spent the whole time praying for a fat lady to come on stage and start singing. Or a heart attack --whichever come sooner.'
'..there is something strongly powerful -- almost magnetic -- about internet romances. A connection that is far stronger than a traditional meeting of two people. Maybe because on the internet you can lie all the time, each person gives the other their good side. It's intoxicating. That's one of the things which makes it so dangerous -- and such easy pickings for fraudsters.'
He was more than a little pleased that he was about to ruin his boss's morning -- and, with a bit of luck, his entire day.
..a guy who had been born angry and had just got even angrier with each passing year.
'...Then at some point in the future, I'll probably die in an overcrowded hospital corridor with some bloody hung-over medical student jumping up and down on my chest because they couldn't find a defibrillator.
'Give me your hand, bro,' the shorter one said. 'That one, the right one, yeah.'
On the screen the MasterChef contestant said, 'Now with a sharp knife...'
Jules de Copland drove away from Gatwick Airport in.a new car, a small Kia, hired under a different name and card, from a different rental firm, Avis.
'I was talking about her attitude. But I'll tell you this, Roy. The day I can't say a woman -- or a man -- is plug ugly, that's the day I want to be taken out and shot.'
It seems to me the world is in a strange place where everyone chooses to be offended all the time.
'But not too much in the way of brains,' GlennBranson chipped in. 'Would have needed the old Specialist Search Unite to find any trace of them.'
'Ever heard of knocking on a door?'
'Dunno that film -- was it on Netflix?'
'One word, four letters. Begins with an S for Sierra, ends with a T for Tango. Or if you'd like the longest version, we've been one word, six letters, begins with F for Foxtrot, ends with D for Delta.'
No Cop liked entering a prison. In general there was a deep cultural dislike of all police officers by the inmates. And every officer entering.a prison, for whatever purposes, was always aware that if a riot kicked off while they were there, they could be both an instant hostage and a prime target for violence.
”
”
Peter James (Dead at First Sight (Roy Grace, #15))