Champagne Pop Quotes

We've searched our database for all the quotes and captions related to Champagne Pop. Here they are! All 63 of them:

I'm an outlaw, not a philosopher, but I know this much: there's meaning in everything, all things are connected, and a good champagne is a drink.' Bernard began to sing again. Timidly, Leigh-Cheri joined in. Between verses, they opened another bottle. The popping of its cork echoed throughout the great stone chamber. Of the three billion people on earth, only Bernard and Leigh-Cheri heard the popping of the cork and its echoes. Only Bernard and Leigh-Cheri passed out under the tablecloth.
Tom Robbins (Still Life with Woodpecker)
Was there a better sound in the world than a champagne cork popping? Hell, no.
Sarra Manning (Unsticky)
Champagne’s completely useless, you know,” he said. “The only good part is the moment you pop the cork.
Haruki Murakami (Blind Willow, Sleeping Woman)
become a widow, men line up to tell you what to do now that your husband is gone. But you must not listen to a single one. Trust your own counsel.” The matagot rubs against my arm, purring softly. His fur is softer than it looks. “His name is Felix.” Veuve Clicquot eyes the tray, looking for her next victim. “Whose name?” My wrists start to itch, and I scratch them discreetly. “The matagot.” She pops a madeleine in her mouth and giggles. “Oh my, that’s good.” By the time Veuve Clicquot leaves, my wrists have swollen with hives. I lure the matagot with a piece of cheese. Snatching him up, I march him to the back door and shoo him into the alleyway. “Bon chance, Felix!” Good luck. Waking before dawn, I reach for Louis, but the hollow in the feather
Rebecca Rosenberg (Madame Pommery, Creator of Brut Champagne)
People such as Blur's Alex James make too much of a fuss about champagne, just because it pops and it's fizzy and golden. Big deal. Rice Krispies do exactly the same
Frankie Poullain (Dancing in the Darkness)
So Billy uncorked it with his thumbs. It didn’t make a pop. The champagne was dead. So it goes.
Kurt Vonnegut Jr. (Slaughterhouse-Five)
There had been something about the pop of the champagne cork, the naughtiness of it.
Liane Moriarty (Big Little Lies)
You cannot be everyone's cup of tea, but you can be someone's first sip of a cold drink on a sunny day. Or a warming hot chocolate when you come in from the rain. Or the pop of a long-awaited champagne cork. Or a stiff shot of tequila when things go awry. Find your people. Love them hard
Donna Ashworth
You blind me, my dear, with your fire. Carefully controlled, directed only into the outlets you allow, but otherwise left to boil beneath the surface. You're like a bottle of fine champagne, yearning to be opened. Year after year, the pressure building slowly, with no release. And ever since I met you, all I could think was what it would take to make... you... pop.
Jordan L. Hawk (Widdershins (Whyborne & Griffin, #1))
The noise of drinking was exhilarating. Champagne corks popped and the pale, chrysanthemum-coloured liquid, whispering gleefully with bubbles, hissed into the glasses; heavy red wine glupped into the goblets, thick and crimson as the blood of some mythical monster, and a swirling wreath of pink bubbles formed on the surface; the frosty white wine tiptoed into the glasses, shrilling, gleaming, now like diamonds, now like topaz; the ouzo lay transparent and innocent as the edge of a mountain pool until the water splashed in and the whole glass curdled like a conjuring trick, coiling and blurring into a summer cloud of moonstone white.
Gerald Durrell (The Garden of the Gods (Corfu Trilogy #3))
The CO2 has to come out, which it does by forming bubbles. Now, champagne is pressurized to six times the atmospheric pressure on earth at sea level, enough to propel a popped champagne cork faster than 30 miles an hour. Lesson: letting the cork shoot out of a bottle when you open it is both tacky and dangerous.
Adam Rogers (Proof: The Science of Booze)
I didn’t win a championship, but I did pop some champagne bottles—and a few locks. Why bother training when you can just steal the trophy?
Jarod Kintz (This Book is Not for Sale)
Pop champagne is a good campaign.
Vincent Okay Nwachukwu (Weighty 'n' Worthy African Proverbs - Volume 1)
My mother was born on Valentine’s Day and because of that, I have oddly always loved Valentine’s Day. I have friends who absolutely hate the day. And I get that, I do. I can see through it as much as the next person, but I still believe that at its core, it’s a day to recognize love. A day to send a note to someone, eye a new crush, make out, open champagne or sparkling apple cider, pop a cinnamon flavored gummy, and just remember for a moment that even if you’re not in love at the moment, love exists. That even when we don’t have love, there is the possibility of love.
Ada Limon
Billy Pilgrim padded downstairs on his blue and ivory feet. He went into the kitchen, where the moonlight called his attention to a half a bottle of champagne on the kitchen table, all that was left from the reception in the tent. Some had stoppered it again. "Drink me," it seemed to say. So Billy uncorked it with this thumbs. It didn't make a pop. The champagne was dead. So it goes.
Kurt Vonnegut Jr. (Slaughterhouse-Five)
In the surprised silence that followed, a champagne cork popped in the kitchen, a burst of laughter. It was just past midnight: two minutes into Christmas Day. Then my father leaned back in his chair, and laughed. “Merry Christmas!” he roared, producing from his pocket a jewelry box which he slid over to Xandra, and two stacks of twenties (Five hundred dollars! Each!) which he tossed across the table to Boris and me. And though in the clockless, temperature-controlled casino night, words like day and Christmas were fairly meaningless constructs, happiness, amidst the loudly clinked glasses, didn’t seem quite such a doomed or fatal idea.
Donna Tartt (The Goldfinch)
The night enveloped me like a giant clammy fist. A cacophony of champagne pops, happy shouts and jazz rose up to meet midnight in the crowded streets all around us, but here in this sheltered courtyard, no one acknowledged the time.
Kristin Lambert (The Boy in the Red Dress)
Now, champagne is pressurized to six times the atmospheric pressure on earth at sea level, enough to propel a popped champagne cork faster than 30 miles an hour. Lesson: letting the cork shoot out of a bottle when you open it is both tacky and dangerous.
Adam Rogers (Proof: The Science of Booze)
I was trying to contain a surprise bubble of exultation bobbing in the anger I have always tried to keep bottled up. Fury lived inside me under pressure. Now it all started going off inside my body like popped corks; the rage-champagne and feral glee were foaming out.
Louise Erdrich (The Sentence)
The scent of Havana tobacco draped thick from the magnolia trees in the front yard. Ice cubes mingled and clinked against the sides of crystal tumblers. Patrick said hello to a group of men sitting on the veranda. I heard the pop of a champagne cork and laughter from inside.
Ruta Sepetys (Out of the Easy)
Quite as agreeable was the arrival of a fresh supply of red-currant fool, and as this had been heralded a few minutes before by a loud pop from the butler's pantry, which looked on to the lawn, Miss Mapp began to waver in her belief that there was no champagne in it, particularly as it would not have suited the theory by which she accounted for the Major's unwonted good humour, and her suggestion that the pop they had all heard so clearly was the opening of a bottle of stone ginger-beer was not delivered with conviction. To make sure, however, she took one more sip of the new supply, and, irradiated with smiles, made a great concession. "I believe I was wrong," she said. "There is something in it beyond yolk of egg and cream. Oh, there's Boon; he will tell us." She made a seductive face at Boon, and beckoned to him. "Boon, will you think it very inquisitive of me," she asked archly, "if I ask you whether you have put a teeny drop of champagne into this delicious red-currant fool?" "A bottle and a half, Miss," said Boon morosely, "and half a pint of old brandy. Will you have some more, Miss?" Miss Mapp curbed her indignation at this vulgar squandering of precious liquids, so characteristic of Poppits. She gave a shrill little laugh.
E.F. Benson (Miss Mapp (Lucia, #2))
To Remember you so Vividly" To remember you so vividly, dancing there, with sweet champagne pulsing through your veins . . . to know what it's like to feel another's presence pulsing through mine. And each time, looking forward to popping that enchanted cork with you and really disappearing from the world as we knew it—wondering if we would ever return.
Carew Papritz (The Legacy Letters: his Wife, his Children, his Final Gift)
Music is when mind and body go on holiday and the soul pops open a bottle of champagne.
Goldie Nanwani (Thoughts Translated)
Missing what most of the time? The babbling faceless agora, the fame, the parties, the pop of flash bulbs? The lovers, the gaiety, the champagne? The solitude carved out of celebrity, poring over charts by a single lamp on a wide desk in a venerable hotel? Room service, coffee before dawn? The company of one friend, two? The choice: All of it or not? Some or none? Now, not now, maybe later?
Peter Heller (The Dog Stars)
champagne, n. You appear at the foot of the bed with a bottle of champagne, and I have no idea why. I search my mind desperately for an occasion I've forgotten - is this some obscure anniversary or, even worse, a not-so-obscure one? Then I think you have something to tell me, some good news to share, but your smile is silent, cryptic. I sit up in bed, ask you what's going on, and you shake your head, as if to say that nothing's going on, as if to pretend that we usually start our Wednesday mornings with champagne. You touch the bottle to my leg - I feel the cool condensation and the glass, the fact that the bottle must have been sleeping all night in the refrigerator without me noticing. You have long-stemmed glasses in you other hand, and you place them on the nightstand, beside the uncommenting clock, the box of kleenex, the tumbler of water. "The thing about champagne," you say, unfailing the cork, unwinding its wire restraint, "is that it is the ultimate associative object. Every time you open a bottle of champagne, it's a celebration, so there's no better way of starting a celebration than opening a bottle of champagne. Every time you sip it, you're sipping from all those other celebrations. The joy accumulates over time." You pop the cork. The bubbles rise. I feel some of the spray on my skin. You pour. "But why?" I ask as you hand me my glass. You raise yours and ask, "Why not? What better way to start the day?" We drink a toast to that.
David Levithan (The Lover's Dictionary)
Roebuck and Chapman stand behind a seated woman wearing a hospital gown and the bulky steel apparatus on her head. She is pale and crying. The front of her gown is dark with a brownish vomit stain. The skin around her eyes is similarly dark as well as puffy. The eyes themselves appear haunted. Behind her, the men grin. Roebuck pops a champagne bottle and pours Chapman a splash in a Dixie cup. He leans to pour a little for the woman, which stays untouched on the table in front of her. He takes his own swig directly from the bottle. Gloria Flick walks on-screen holding up a sign on which she scrawled WE DID IT! The seated woman stops crying. Eyes glassy and deranged, she looks directly into the camera lens while the researchers go on celebrating. Her face shines with madness as it stretches into a broad, lunatic grin.
Craig DiLouie (Episode Thirteen)
Closing the distance between them, he had savored the modest allure of her walk and felt his body respond to the graceful sway of her hips as they approached the pool. He had envisioned her taking off her robe and showing him her slender nakedness, but instead, she had just stood there, as though searching for someone. It skipped through his mind that when he caught up to the girl, he would either apprehend or ravish her. He still wasn't sure which it would be as he stood before her, blocking her escape with a dark, slight smile. As she peered up at him fearfully from the shadowed folds of her hood, he found himself staring into the bluest eyes he had ever seen. He had only encountered that deep, dream-spun shade of cobalt once in his life before, in the stained glass windows of Chartres Cathedral. His awareness of the crowd them dimmed in the ocean-blue depths of her eyes. 'Who are you?' He did not say a word nor ask her permission. With the smooth self-assurance of a man who has access to every woman in the room, he captured her chin in a firm but gentle grip. She jumped when he touched her, panic flashing in her eyes. His hard stare softened slightly in amusement at that, but then his faint smile faded, for her skin was silken beneath his fingertips. With one hand, he lifted her face toward the dim torchlight, while the other softly brushed back her hood. Then Lucien faltered, faced with a beauty the likes of which he had never seen. His very soul grew hushed with reverence as he gazed at her, holding his breath for fear the vision would dissolve, a figment of his overactive brain. With her bright tresses gleaming the flame-gold of dawn and her large, frightened eyes of that shining, ethereal blue, he was so sure for a moment that she was a lost angel that he half expected to see silvery, feathered wings folded demurely beneath her coarse brown robe. She appeared somewhere between the ages of eighteen and twenty-two- a wholesome, nay, a virginal beauty of trembling purity. He instantly 'knew' that she was utterly untouched, impossible as that seemed in this place. Her face was proud and weary. Her satiny skin glowed in the candlelight, pale and fine, but her soft, luscious lips shot off an effervescent champagne-pop of desire that fizzed more sweetly in his veins than anything he'd felt since his adolescence, which had taken place, if he recalled correctly, some time during the Dark Ages. There was intelligence and valor in her delicate face, courage, and a quivering vulnerability that made him ache with anguish for the doom of all innocent things. 'A noble youth, a questing youth,' he thought, and if she had come to slay dragons, she had already pierced him in his black, fiery heart with the lance of her heaven-blue gaze.
Gaelen Foley (Lord of Fire (Knight Miscellany, #2))
—and I say you still haven't answered my question, Father Bleu." "Haven't I, dear lady? I thought I stated that death is merely the beginning of—" "No, no, no!" Her voice was as high as a harpy's. "Don't go all gooey and metaphysical. I mean to ask, what is death the act, the situation, the moment?" She watched him foxily. The priest in turn struggled to remain polite. "Madame, I'm not positive I follow." "Let me say it another way. Most people are afraid of dying, yes?" "I disagree. Not those who find mystical union with the body of Christ in—" "Oh, come off it!" Madame Kagle shrilled. "People are frightened of it, Father Bleu. Frightened and screaming their fear silently every hour of every day they live. Now I put it to you. Of what are they afraid? Are they afraid of the end of consciousness? The ultimate blackout, so to speak? Or are they afraid of another aspect of death? The one which they can't begin to foresee or understand?" "What aspect is that, Madame Kagle?" "The pain." She glared. "The pain, Father. Possibly sudden. Possibly horrible. Waiting, always waiting somewhere ahead, at an unguessable junction of time and place. Like that bootboy tonight. How it must have hurt. One blinding instant when his head hit, eh? I suggest, Father Bleu, that is what we're afraid of, that is the wholly unknowable part of dying—the screaming, hurting how, of which the when is only a lesser part. The how is the part we never know. Unless we experience it." She slurped champagne in the silence. She eyed him defiantly. "Well, Father? What have you got to say?" Discreetly Father Bleu coughed into his closed fist. "Theologically, Madame, I find the attempt to separate the mystical act of dying into neat little compartments rather a matter of hairsplitting. And furthermore—" "If that's how you feel," she interrupted, "you're just not thinking it out." "My good woman!" said Father Bleu gently. "Pay attention to me!" Madame Wanda Kagle glared furiously. "I say you pay attention! Because you have never stopped to think about it, have you? If death resembles going to sleep, why, that's an idea your mind can get hold of, isn't it? You may be afraid of it, yes. Afraid of the end of everything. But at least you can get hold of some notion of something of what it's like. Sleep. But can you get hold of anything of what it must feel like to experience the most agonizing of deaths? Your head popping open like that bootboy's tonight, say? A thousand worms of pain inside every part of you for a second long as eternity? Can you grasp that? No, you can't, Father Bleu. And that's what death is at it's worst—the unknown, the possibly harrowing pain ahead." She clamped her lips together smugly. She held out her champagne glass for a refill. A woman in furs clapped a hand over her fashionably green lips and rushed from the group. Though puzzled, Joy was still all eyes and ears. "Even your blessed St. Paul bears me out, Father." The priest glanced up, startled. "What?" "The first letter to the Corinthians, if I remember. The grave has a victory, all right. But it's death that has the sting." In the pause the furnace door behind her eyes opened wide, and hell shone out. "I know what I'm talking about, Father. I've been there." Slowly she closed her fingers, crushing the champagne glass in her hand. Weeping, blood drooling from her palm down her frail veined arms, she had to be carried out. The party broke up at once.
John Jakes (Orbit 3)
Champagne?” It was the same waiter. “No thanks,” Cosmo Editor said. “Sure!” As I helped myself, a woman standing with her back to me turned around. It was the person I’d dreaded seeing all night: the Vice President of Marketing for this (major—major) beauty brand. Oh, no. Now my bosses at Lucky had essentially sent me here tonight to kiss up to this powerful, advertising-budget-controlling woman—the Vice President of Marketing, who not only detested me, but had recently seen me on drugs and in my underwear. It all went down on a weekend press trip to the Mayflower Spa in Connecticut, one of the most luxurious retreats on the East Coast. Other beauty editors and I were there for two nights as a guest of Vice President of Marketing and the beauty brand. The first night, there was a fancy dinner. I ate nothing. Then I wobbled back to my deluxe cottage, stripped off my clothes, popped a Xannie bar, boosted it with a strawberry-flavored clonazepam wafer I’d found stuck to a tobacco flake–covered Scooby-Doo fruit snack at the bottom of my grimy Balenciaga, and blacked out on top of the antique four-poster feather-top bed.
Cat Marnell (How to Murder Your Life)
So, what did you want to watch?’ ‘Thought we might play a game instead,’ he said, holding up a familiar dark green box. ‘Found this on the bottom shelf of your DVD cupboard … if you tilt the glass, the champagne won’t froth like that.’ Neve finished pouring champagne into the 50p champagne flutes she’d got from the discount store and waited until Max had drunk a good half of his in two swift swallows. ‘The thing is, you might find it hard to believe but I can be very competitive and I have an astonishing vocabulary from years spent having no life and reading a lot – and well, if you play Scrabble with me, I’ll totally kick your arse.’ Max was about to eat his first bite of molten mug cake but he paused with the spoon halfway to his mouth. ‘You’re gonna kick my arse?’ ‘Until it’s black and blue and you won’t be able to sit down for a week.’ That sounded very arrogant. ‘Really, Max, Mum stopped me from playing when I was thirteen after I got a score of four hundred and twenty-seven, and when I was at Oxford, I used to play with two Linguistics post-grads and an English don.’ ‘Well, my little pancake girlfriend, I played Scrabble against Carol Vorderman for a Guardian feature and I kicked her arse because Scrabble has got nothing to do with vocabulary; it’s logic and tactics,’ Max informed her loftily, taking a huge bite of the cake. For a second, Neve hoped that it was as foul-tasting as she suspected just to get Max back for that snide little speech, but he just licked the back of the spoon thoughtfully. ‘This is surprisingly more-ish, do you want some?’ ‘I think I’ll pass.’ ‘Well, you’re not getting out of Scrabble that easily.’ Max leaned back against the cushions, the mug cradled to his chest, and propped his feet up on the table so he could poke the Scrabble box nearer to Neve. ‘Come on, set ’em up. Unless you’re too scared.’ ‘Max, I have all the two-letter words memorised, and as for Carol Vorderman – well, she might be good at maths but there was a reason why she wasn’t in Dictionary Corner on Countdown so I’m not surprised you beat her at Scrabble.’ ‘Fighting talk.’ Max rapped his knuckles gently against Neve’s head, which made her furious. ‘I’ll remind you of that little speech once I’m done making you eat every single one of those high-scoring words you seem to think you’re so good at.’ ‘Right, that does it.’ Neve snatched up the box and practically tore off the lid, so she could bang the board down on the coffee table. ‘You can’t be that good at Scrabble if you keep your letters in a crumpled paper bag,’ Max noted, actually daring to nudge her arm with his foot. Neve knew he was only doing it to get a rise out of her, but God, it was working. ‘Game on, Pancake Boy,’ she snarled, throwing a letter rack at Max, which just made him laugh. ‘And don’t think I’m going to let you win just because it’s your birthday.’ It was the most fun Neve had ever had playing Scrabble. It might even have been the most fun she had ever had. For every obscure word she tried to play in the highest scoring place, Max would put down three tiles to make three different words and block off huge sections of the board. Every time she tried to flounce or throw a strop because ‘you’re going against the whole spirit of the game’, Max would pop another Quality Street into her mouth because, as he said, ‘It is Treat Sunday and you only had one roast potato.’ When there were no more Quality Street left and they’d drunk all the champagne, he stopped each one of her snits with a slow, devastating kiss so there were long pauses between each round. It was a point of honour to Neve that she won in the most satisfying way possible; finally getting to use her ‘q’ on a triple word score by turning Max’s ‘hogs’ into ‘quahogs’ and waving the Oxford English Dictionary in his face when he dared to challenge her.
Sarra Manning (You Don't Have to Say You Love Me)
Closing the distance between them, he had saved the modest allure of her walk and felt his body respond to the graceful sway of her hips as they approached the pool. He had envisioned her taking off her robe and showing him her slender nakedness, but instead, she had just stood there, as though searching for someone. It skipped through his mind that when he caught up to the girl, he would either apprehend or ravish her. He still wasn't sure which it would be as he stood before her, blocking her escape with a dark, slight smile. As she peered up at him fearfully from the shadowed folds of her hood, he found himself staring into the bluest eyes he had ever seen. He had only encountered that deep, dream-spun shade of cobalt once in his life before, in the stained glass windows of Chartres Cathedral. His awareness of the crowd them dimmed in the ocean-blue depths of her eyes. 'Who are you?' He did not say a word nor ask her permission. With the smooth self-assurance of a man who has access to every woman in the room, he captured her chin in a firm but gentle grip. She jumped when he touched her, panic flashing in her eyes. His hard stare softened slightly in amusement at that, but then his faint smile faded, for her skin was silken beneath his fingertips. With one hand, he lifted her face toward the dim torchlight, while the other softly brushed back her hood. Then Lucien faltered, faced with a beauty the likes of which he had never seen. His very soul grew hushed with reverence as he gazed at her, holding his breath for fear the vision would dissolve, a figment of his overactive brain. With her bright tresses gleaming the flame-gold of dawn and her large, frightened eyes of that shining, ethereal blue, he was so sure for a moment that she was a lost angel that he half expected to see silvery, feathered wings folded demurely beneath her coarse brown robe. She appeared somewhere between the ages of eighteen and twenty-two- a wholesome, nay, a virginal beauty of trembling purity. He instantly 'knew' that she was utterly untouched, impossible as that seemed in this place. Her face was proud and weary. Her satiny skin glowed in the candlelight, pale and fine, but her soft, luscious lips shot off an effervescent champagne-pop of desire that fizzed more sweetly in his veins than anything he'd felt since his adolescence, which had taken place, if he recalled correctly, some time during the Dark Ages. There was intelligence and valor in her delicate face, courage, and a quivering vulnerability that made him ache with anguish for the doom of all innocent things. 'A noble youth, a questing youth,' he thought, and if she had come to slay dragons, she had already pierced him in his black, fiery heart with the lance of her heaven-blue gaze.
Gaelen Foley (Lord of Fire (Knight Miscellany, #2))
Slothrop is just settling down next to a girl in a prewar Worth frock and with a face like Tenniel’s Alice, same forehead, nose, hair, when from outside comes this most godawful clanking, snarling, crunching of wood, girls come running terrified out of the eucalyptus trees and into the house and right behind them what comes crashing now into the pallid lights of the garden but—why the Sherman Tank itself! headlights burning like the eyes of King Kong, treads spewing grass and pieces of flagstone as it manoeuvres around and comes to a halt. Its 75 mm cannon swivels until it’s pointing through the French windows right down into the room. “Antoine!” a young lady focusing in on the gigantic muzzle, “for heaven’s sake, not now. . . .” A hatch flies open and Tamara—Slothrop guesses: wasn’t Italo supposed to have the tank?—uh—emerges shrieking to denounce Raoul, Waxwing, Italo, Theophile, and the middleman on the opium deal. “But now,” she screams, “I have you all! One coup de foudre!” The hatch drops—oh, Jesus—there’s the sound of a 3-inch shell being loaded into its breech. Girls start to scream and make for the exits. Dopers are looking around, blinking, smiling, saying yes in a number of ways. Raoul tries to mount his horse and make his escape, but misses the saddle and slides all the way over, falling into a tub of black-market Jell-o, raspberry flavor, with whipped cream on top. “Aw, no . . .” Slothrop having about decided to make a flanking run for the tank when YYYBLAAANNNGGG! the cannon lets loose an enormous roar, flame shooting three feet into the room, shock wave driving eardrums in to middle of brain, blowing everybody against the far walls. A drape has caught fire. Slothrop, tripping over partygoers, can’t hear anything, knows his head hurts, keeps running through the smoke at the tank—leaps on, goes to undog the hatch and is nearly knocked off by Tamara popping up to holler at everybody again. After a struggle which shouldn’t be without its erotic moments, for Tamara is a swell enough looking twist with some fine moves, Slothrop manages to get her in a come-along and drag her down off of the tank. But loud noise and all, look—he doesn’t seem to have an erection. Hmm. This is a datum London never got, because nobody was looking. Turns out the projectile, a dud, has only torn holes in several walls, and demolished a large allegorical painting of Virtue and Vice in an unnatural act. Virtue had one of those dim faraway smiles. Vice was scratching his shaggy head, a little bewildered. The burning drape’s been put out with champagne. Raoul is in tears, thankful for his life, wringing Slothrop’s hands and kissing his cheeks, leaving trails of Jell-o wherever he touches. Tamara is escorted away by Raoul’s bodyguards. Slothrop has just disengaged himself and is wiping the Jell-o off of his suit when there is a heavy touch on his shoulder. “You were right. You are the man.” “That’s nothing.” Errol Flynn frisks his mustache. “I saved a dame from an octopus not so long ago, how about that?” “With one difference,” sez Blodgett Waxwing. “This really happened tonight. But that octopus didn’t.
Thomas Pynchon (Gravity's Rainbow)
Given the situation, this may seem odd. But champagne became my drink of choice after my divorce, when I decided every day without my ex is a day worth celebrating. Even days with dead bodies in them. I popped the cork. Make that, especially days with dead bodies.
Cindy Blackburn (Playing With Poison (Cue Ball Mysteries, #1))
You don't have to drink this," I said, handing him the champagne. "But Sandy might like it". "No,no. Come on, let's have some," he grinned, popping the cork, taking a swig from the bottle and passing it back. He [HST] rarely failed to show his appreciation of someone appreciating him, which is an admirable trait.
Jay Cowan
Over a century timescale, a kilogram of methane is about 30 times as powerful as a kilogram of carbon dioxide. Now get this. There are billions of tons of methane in molecular cages of water ice, called “clathrates,” held tight in the permafrost soil of Earth’s northern regions and at the cold bottom of the ocean. As Siberia warms, and as the water that circulates along the seafloor warms, the clathrates in the sediments both on land and deep in the sea will release the trapped methane molecules. Once liberated, they’ll come bubbling up. The methane gas will come out in the same fashion that bubbles are released by opening a bottle of soda, or when you pop the cork on a bottle of champagne. Scientists don’t know yet how much methane clathrates will add to the warming process. But intuitively, when one considers how much permafrost there is, or used to be, it seems likely that there’s a lot of methane and a lot of potential for a lot of trouble. More important, the recent research into the possible impact of clathrates makes a crucial point: Yes, there are uncertainties in the climate projections, but many of those uncertainties are things that would make the warming much worse than restrained scientists are forecasting.
Bill Nye (Unstoppable: Harnessing Science to Change the World)
When I lived on Hollywood Boulevard, its heyday had long passed and a tired seediness had settled in—the tuxedos threadbare, the fur stoles gone to mange, and the champagne bubbles long since popped. Buses belched smoke where limousines once idled, and a tourist was more likely to have a personal encounter with a pickpocket than a movie star.
Lorna Landvik (Best to Laugh: A Novel)
Like the pop of a champagne cork, bursting shapes suggest the release of energy under pressure, which mirrors the sudden outpouring of joy that happens during a celebration. So it’s not surprising that we often find bursting elements used to create a celebratory atmosphere. Chief among these are fireworks, which historians believe have been used since 200 B.C. in China.
Ingrid Fetell Lee (Joyful: The Surprising Power of Ordinary Things to Create Extraordinary Happiness)
up the pathway to the front door.  She’d called and left him a message, letting him know that she was coming, and that she’d leave the documents with the housekeeper if he wasn’t there.  Ringing the doorbell, she couldn’t stop the blush that stole up her cheeks as she remembered the last time she’d been here.  Had it really been only two days ago?  It seemed like a lot longer.  Did he still have those stockings?  Surely he’d tossed them out by now.  And no, she hadn’t dared to purchase another pair.  Not after the last debacle.  When the door opened, she was bracing herself to face Hunter once again.  Her plan was to congratulate him, just as she would any other client, hand him the champagne and the closing documents, and then leave as quickly as possible.  Just as she would all of her other clients.  They were all trying to unpack, overwhelmed with the process but excited about their new purchase.  She very seriously doubted if anything overwhelmed Hunter, but she was going to go through her routine anyway.  All of her clients deserved the same treatment, and she shouldn’t slack off with Hunter simply because…well, because he could make her feel things that… “Goodness, come in out of the heat, my dear!” the housekeeper urged, waving Kara into the cool interior.  “Mr. West is out back in the pool, but he said he was expecting you and that you’d know the way.  If he needs anything at all,” she said, as she hefted a purse onto her shoulder that Kara suspected could substitute for a suitcase, “just tell him to give me a ring.” Kara opened her mouth to stop the woman as the two of them exchanged places, the housekeeper moving to the outside even as Kara was nudged inside.  Kara went so far as to lift her hand, trying to indicate that she wanted to say something, but the efficient woman bustled out of the house, closing the front door in the process.  Kara stared at the closed door for several long moments, wondering how that had just happened.  Her plan had been simple.  Just hand over the bottle and documents, convey her congratulations and head back.  What had just happened?  Kara turned around.  It felt strange to be standing here, alone, in Hunter’s house.  She’d been here two days ago, but the house hadn’t been his.  The man now owned the house, all the furniture, and the acres of land and waterfront.  It felt much more intimate now for some reason.  Looking around, she wished that she could just leave the documents on the kitchen counter or the rough, wooden coffee table that looked perfect next to the white sofas.  Everything felt and looked clean and comfortable, exactly as she would have decorated this area.  The pops of green were vibrant and exhilarating, a perfect accompaniment to the fresh, white furniture.  With a sigh, she turned away from the alluring great room décor and searched out the man of the moment.  As she stepped past the sofas, she saw him.  In the pool.  Without any clothes on! Oh goodness, she thought with a strangled breath.  It took her several moments to realize that she needed to inhale, her breath caught in her throat as she watched the man’s bare skin, and all the muscles, and…well, all of him!  Okay, so he wasn’t naked, he was wearing a bathing suit but his broad, muscular back and those arms…they were even more ridged with muscles than she’d thought.  He was spectacular!  Never in her wildest imaginings had she pictured him that buff, but there
Elizabeth Lennox (His Indecent Proposal (The Jamison Sisters Book 3))
Well, I know you don’t want to talk about it anymore, but I signed you up for that computer match thingy.” Why is it that so many people over the age of sixty refer to everything on the Internet as some sort of “computer thing”? Helen was trying to contain her laughter. “Laura, do you mean Match.com?” My father was groaning audibly now. “Yes, that’s it. Charles helped me put up her profile.” “Oh my god, Mother. Are you kidding me?” Helen jumped out of her seat and started running toward the computer in my dad’s home office, which was right off the dining room. “Get out of there, Helen,” my dad yelled, but she ignored him. I chased after her, but she stuck her arm out, blocking me from the monitor. “No, I have to see it!” she shouted. “Stop it, girls,” my mother chided. “Move, bitch.” We were very mature for our age. “This is the best day of my life. Your mommy made a Match profile for you!” “Actually, Chuck made it,” my mother yelled from across the hall. Oh shit. Helen typed my name in quickly. My prom picture from nine years ago popped up on the screen. My brother had cropped Steve Dilbeck out of the photo the best he could, but you could still see Steve’s arms wrapped around my purple chiffon–clad waist. “You’re joking. You’re fucking joking.” “Language, Charlotte!” my dad yelled. “Mom,” I cried, “he used my prom photo! What is wrong with him?” I still had braces at eighteen. I had to wear them for seven years because my orthodontist said I had the worst teeth he had ever seen. You know how sharks have rows of teeth? Yeah, that was me. I blame my mother and the extended breastfeeding for that one, too. My brother, Chuck the Fuck, used to tease me, saying it was leftovers of the dead Siamese twin I had absorbed in utero. My brother’s an ass, so it’s pretty awesome that he set up this handy dating profile for me. In case you hadn’t noticed, our names are Charlotte and Charles. Just more parental torture. Would it be dramatic to call that child abuse? Underneath my prom photo, I read the profile details while Helen laughed so hard she couldn’t breath. My name is Charlotte and I am an average twenty-seven year-old. If you looked up the word mediocre in the dictionary you would see a picture of me—more recent than this nine-year-old photo, of course, because at least back then I hadn’t inked my face like an imbecile. Did I forget to mention that I have a tiny star tattooed under my left eye? Yes, I’d been drunk at the time. It was a momentary lapse of judgment. It would actually be cute if it was a little bigger, but it’s so small that most people think it’s a piece of food or a freckle. I cover it up with makeup. I like junk food and watching reality TV. My best friend and I like to drink Champagne because it makes us feel sophisticated, then we like to have a farting contest afterward. I’ve had twelve boyfriends in the last five years so I’m looking for a lifer. It’s not a coincidence that I used the same term as the one for prisoners ineligible for parole. “Chuck the Fuck,” Helen squeaked through giggles. I turned and glared at her. “He still doesn’t know that you watched him jerk off like a pedophile when he was fourteen.” “He’s only three years younger than us.” “Four. And I will tell him. I’ll unleash Chuck the Fuck on you if you don’t quit.” My breasts are small and my butt is big and I have a moderately hairy upper lip. I also don’t floss, clean my retainer, or use mouthwash with any regularity. “God, my brother is so obsessed with oral hygiene!” “That’s what stood out to you? He said you have a mustache.” Helen grinned. “Girls, get out of there and come clear the table,” my dad yelled. “What do you think the password is?” “Try ‘Fatbutt,’ ” I said. “Yep, that worked. Okay, I’ll change your profile while you clear the table.
Renee Carlino (Wish You Were Here)
Change is a beautiful thing. Just ask a butterfly. Or the owner of a new car. Or an infant with a dirty diaper. Jimmy Buffet was right: Changes in latitudes spark changes in attitudes. New Year’s Eve is a global cultural celebration. Though nothing truly changes when the clock strikes midnight (except the year’s number), we still kiss loved ones, pop champagne corks, and watch various objects drop like there’s no tomorrow. The old is gone. The new is here. Deep down we all hunger for change, yet we also know there’s a price for transformation.
Rick Chromey (Sermons Reimagined: Preaching to a Fluid Culture)
At the Post, we received a lot of unpleasant phone calls, many readers expressing the sentiment that they imagined we were all popping champagne corks to celebrate the result we had wanted from the beginning—in short, the “I-hope-you’re-satisfied” school of thought.
Katharine Graham (The Pentagon Papers: Making History at the Washington Post (A Vintage Short))
No wine in the world brings to mind so many immediate associations as champagne. The pop of a cork and the bright sparkle of bubbles mean celebration and glamour and, more often than not, the distinct possibility of romance. It is the wine of weddings and New Year’s kisses. It is beautiful and delicate, and above all, it is a wine associated with women.
Tilar J. Mazzeo (The Widow Clicquot: The Story of a Champagne Empire and the Woman Who Ruled It (P.S.))
There are signs, however, that a good time was had all last night. Jo might have found herself caught in the middle of a love triangle, but she clearly didn't mind staying around when she thought that one of the angles had been dispensed with. The remains of dinner still grace the table---dirty dishes, rumpled napkins, a champagne flute bearing a lipstick mark. There's even one of the Chocolate Heaven goodies left in the box---which is absolute sacrilege in my book, so I pop it in my mouth and enjoy the brief lift it gives me. I huff unhappily to myself. If they left chocolate uneaten, that must be because they couldn't wait to get down to it. Two of the red cushions from the sofa are on the floor, which shows a certain carelessness that Marcus doesn't normally exhibit. They're scattered on the white, fluffy sheepskin rug, which should immediately make me suspicious---and it does. I walk through to the bedroom and, of course, it isn't looking quite as pristine as it did yesterday. Both sides of the bed are disheveled and I think that tells me just one thing. But, if I needed confirmation, there's a bottle of champagne and two more flutes by the side of the bed. It seems that Marcus didn't sleep alone. Heavy of heart and footstep, I trail back through to the kitchen. More devastation faces me. Marcus had made no attempt to clear up. The dishes haven't been put into the dishwasher and the congealed remnants of last night's Moroccan chicken with olives and saffron-scented mash still stand in their respective saucepans on the cooker. Tipping the contents of one pan into the other, I then pick up a serving spoon and carry them both through the bedroom. I slide open the wardrobe doors and the sight of Marcus's neatly organized rows of shirts and shoes greet me. Balancing the pan rather precariously on my hip, I dip the serving spoon into the chicken and mashed potatoes and scoop up as much as I can. Opening the pocket of Marcus's favorite Hugo Boss suit, I deposit the cold mash into it. To give the man credit where credit is due, his mash is very light and fluffy. I move along the row, garnishing each of his suits with some of his gourmet dish, and when I've done all of them, find that I still have some food remaining. Seems as if the lovers didn't have much of an appetite, after all. I move onto Marcus's shoes---rows and rows of lovely designer footwear---casual at one end, smart at the other. He has a shoe collection that far surpasses mine. Ted Baker, Paul Smith, Prada, Miu Miu, Tod's... I slot a full spoon delicately into each one, pressing it down into the toe area for maximum impact. I take the saucepan back into the kitchen and return it to the hob. With the way I'm feeling, Marcus is very lucky that I don't just burn his flat down. Instead, I open the freezer. My boyfriend---ex-boyfriend---has a love of seafood. (And other women, of course.) I take out a bag of frozen tiger prawns and rip it open. In the living room, I remove the cushions from the sofa and gently but firmly push a couple of handfuls of the prawns down the back. Through to the bedroom and I lift the mattress on Marcus's lovely leather bed and slip the remaining prawns beneath it, pressing them as flat as I can. In a couple of days, they should smell quite interesting. As my pièce de résistance, I go back to the kitchen and take the half-finished bottle of red wine---the one that I didn't even get a sniff at---and pour it all over Marcus's white, fluffy rug. I place my key in the middle of the spreading stain. Then I take out my lipstick, a nice red one called Bitter Scarlet---which is quite appropriate, if you ask me---and I write on his white leather sofa, in my best possible script: MARCUS CANNING, YOU ARE A CHEATING BASTARD.
Carole Matthews (The Chocolate Lovers' Club)
bugle. “He knows I’m happy.” She tipped her head back. “Let’s go tell everybody else, and pop that champagne.” With wine and music and light, she thought. They’d come through the fire, beaten back the dark for another day. And now, on the longest day, when the light refused to surrender, she was
Nora Roberts (Dark Witch (The Cousins O'Dwyer Trilogy, #1))
The noise of drinking was exhilarating. Champagne corks popped and the pale, chrysanthemum-coloured liquid, whispering gleefully with bubbles, hissed into the glasses; heavy red wine glupped into the goblets, thick and crimson as the blood of some mythical monster, and a swirling wreath of pink bubbles formed on the surface; the frosty white wine tiptoed into the glasses, shrilling, gleaming, now like diamonds, now like topaz; the ouzo lay transparent and innocent as the edge of a mountain pool until the water splashed in and the whole glass curdled like a conjuring trick, coiling and blurring into a summer cloud of moonstone white. Presently
Gerald Durrell (The Corfu Trilogy (The Corfu Trilogy #1-3))
I pop open a bottle of champagne and pour it into a flute. Then I remove the clear vial out of my pocket and dump all the contents into the drink. Taking a knife, I stir it around and then wipe it off on my already wet jeans. Picking it up, I hold it out for the blonde to take. She looks at me wide-eyed. They drop to the flute, and she swallows nervously, running her hands down her tight black pencil skirt. “Problem?” I ask. “No.” She shakes her head. “Uh, no, sir.
Shantel Tessier (The Ritual (L.O.R.D.S., #1))
The truth is, they’re all so much better off now that their parents have been murdered. No long years – perhaps decades – of waiting for their inheritance. No more jumping to their father’s tune, no endless years of depressing, dutiful visits to old-age homes. They’ve been spared all that. They can start to live. If it wouldn’t be so unseemly, they really ought to be having a celebration. He feels like popping a bottle of champagne into the fridge.
Shari Lapena (Not a Happy Family)
I closed my eyes before his head went under the tire, but I heard it pop like the cork of a champagne bottle.
Colleen Hoover (Verity)
Fury lived in me under pressure. Now it all started going off inside my body like popped corks; the rage champagne and feral glee were foaming out.
Louise Erdrich (The Sentence)
She rounded the corner to find the front door of the tall, old house open to the late afternoon sun. The sound of laughter floated towards her, the pure tones of silver and china, the popping of champagne, and somewhere in the garden the music of violin and flute. There were flowers everywhere, right out onto the front steps where the balustrades were twined with white and pink roses that filled the air with a heady perfume. Even the balconies above held potted convolvuli that tumbled trumpet-shaped flowers in a riot of colours over the edge.
Elizabeth George (A Great Deliverance (Inspector Lynley #1))
It wasn’t until the music came to a complete halt, and out on the dance floor a couple of the waitresses came carrying a black plaque with Amir written on it and right behind a massive bottle of champagne. Everyone around the table was dancing and completely oblivious to the extravaganza taking place in front of them. One of the waiters popped the bottle open and started to pour glasses for everyone. Tara took one but she felt a little guilty. The black plaque with Amir’s name eerily reminded her of the same black plaque they carry at funerals in Iran. It reminded her of her grandfather’s passing. They carry the card to ensure all family members see you in the chaos that is the cemetery. And here, she thought to herself, how different can one world be for two groups? One group frolic around, draped in luxury to celebrate life and the other, wail in black, to mourn death.
Soroosh Shahrivar (Tajrish)
Liz swoops past us, takes the champagne from Matt, and pops it in one fluid motion. “When the fuck did you get so cool?” I ask, mouth ajar. She puts sunglasses on and turns over her shoulder, shrugging as she drinks straight from the bottle.
Hannah Bonam-Young (Next to You)
The Titan's Fall by Stewart Stafford Colossus ship of the Titans, Flames of Tartarus in its belly, Unsinkable beneath the stars, Champagne popped too soon. In infinite glacial hubris, Collided with its own ambition, Immortal Gordian Knot slashed, And freezing death crept aboard. Cantering up Scotland Road, Trojan Seahorse's Achilles' Heel, Solitary children drowning, In heartbroken submersion. The River Styx fell silent, But for whimpered prayers. As Charon's boat of death, Ferried them to Hades. The tangled Medusan wreckage, Once a great wonder of the earth, Plunged into an underworld abyss - A terrible beauty on the seabed nests. © Stewart Stafford, 2023. All rights reserved.
Stewart Stafford
The world is a good place, and so are most of the people who live in it. Evil people are a minority, and they’re not supposed to win. When they go down, we have every right to pop a bottle of champagne and cheer.
James Swain (The King Tides (Lancaster & Daniels, #1))
Angus Wakefield is back too.” I sat up at this news, the grip on my champagne glass tightening. Mum hadn’t mentioned Angus was back. Why did she not tell me? “With Caroline?” Sally asked, stealing a glance at me. “No. Divorced.” Val popped an olive in her mouth, looking smug. “I don’t know the details.” She pulled the stone from her mouth and looked around for somewhere to put it. “But, I do know he’s come crawling back home with his tail between his legs and licking a few wounds.” She plopped the stone on a dirty plate and dusted her hands together. It wasn’t lost on me, nor anyone else in the room, except Val, that Angus wasn’t the only person to come home to Cameron Valley to do exactly that.
Bernadette Eden (Awaiting Annie Jones)
After dinner, I popped open a bottle of champagne and we drank from cracked flutes while watching the last of mother nature’s brilliant display. Halfway through the bottle, we made love to the sounds of our popping campfire, the distant rumbling waves, and a breeze rustling overhead palm fronds.
Matthew Rief (Pursuit in the Keys (Florida Keys Adventure #18))
Fucking love you,” he murmurs against my lips. “I’ll follow you anywhere, Stevie.” I put that conversation on pause and instead nudge his nose with mine and kiss him once more. “Linds!” he shouts back over his shoulder. “Let’s pop those bottles of champagne! We won the Stanley Cup, and I got my girl back. Now we can celebrate!
Liz Tomforde (Mile High (Windy City, #1))
I can have the paperwork sent over to you first thing in the morning. I gotta tell you. I never thought that you would do it, but you surprised me, I knew you could do it. Congratulations,” he said as he reached into his miniature fridge behind him, pulling out a bottle of champagne. He popped the cork, and it ruptured all over the carpet.
Jazz E (Winning A Hitta's Heart: The Victory Was You (Winning A Hitta’s Heart: The Victory Was You Book 1))
Red wine and Hennessy She fell out of her bottle when she fell into love, cup running over, overflowing emotions in glass- red stained palet, on a pallet on the grass, to a quilt on the floor -affixed between lips and red lipstick on a shirt that he wore. A familiar place, she know she's been here before Reminiscent of the evening On his shirt that she tore ............ Drop by drop, puddle in glass getting lower- impressions in her gut, rim of her glass, hour glass figure moves counter clockwise - while absorbing the contents of merlot. Hard liquor and fine wine ............. Red Wine and Hennessy A wicked twist on some champagne tips French nails, manicures over grapes Whoever said wine and liquor don't mix? Last night I had six Bottle caps, corks, bedazzled juice Merlot was her name - slim waist - good taste slinger neck, red lace. Long stem, pedestal - hands embraced her face ............. room temperature, her body temperature ... personality of two, she's mellow and chill... aged to perfection- pop the seal- watch the erection ... splatters on the floor- covers the rug, Residue of red lipstick- Merlot stained lips match the kiss on his neck ............ Chasing fantasy through the Red Sea While chasing that with a white BC How much will she pour- how much will she drink How much more before her ship sinks ........... A full body lush, blackberry crush Medium sized Bordeaux Intense velvety plum I asked her where she's from She said she's international She's longer thinking rational .......... Sips in sync with blinking eyes She sips too much to realize Every time you pour into me, my bottle gets more empty- Glass falling to the floor She staggers to the door Glass shatters her feet She stumbles to her seat She's still asking for more But she falls to the floor Red lipstick in the mud She covers up the blood ............ She lays in her wine She forgot about the time Clock on the wall Footsteps in the hall Pounding in her head She rushes to the bed ......... She lays motionless ... but her head is racing Her heart is pacing Her lungs are gasping - air, she needs air Rolls to her side, brings her self to sit up She gags and gags until She throws it all up- ........... Wakes up the next morning Dazed and confused She's laying in a bed That she's not used to She moves slowly, where did everyone go? She checks the time- it's a quarter pass 4 sounds on the other side of the door Are Muffled by the sound of a knock at the door ........... Looks around for her little red dress Notices a blotch - a red stain on her breast Lipstick smeared an accessory to her mess She reached for her clothes and saw a note on the desk. .......... Dearly beloved, I want to see you again I'd love to have to back I think we make a great blend I tried to wake you Because I had to go And Oh by the way, my name is merlot "Little Black Bird
Niedria Dionne Kenny (Love, Lust and Regrets: While the lights were off)
When we walk in, everybody turns to look at us. Pres looks down at our joined hands and then looks to Knox. I open my mouth to say something, but he beats me to it. Of course he does. “Yo. Little announcement here. Violent Violet and I are together. She’s my old lady and I’m her old man. Yada yada yada, we’re getting married. So there’s that.” I look at him, and I feel my jaw pop open. “Did you just yada yada your proposal to me?” Knox shrugs like it’s no big deal. “Wasn’t going to let you tell me no.” The big scarred-up guy comes over and gives him a high five. “Best way to do it,” he says and pats Knox on the back. “About time you made an honest man out of him,” Pres says, walking over and giving me a hug. I feel Knox’s hand tighten, and he doesn’t let it go while I awkwardly try to hug the guy back. “We’re all a family here now, and it’s going to stay that way. We agreed that you’re patched in, regardless if you marry this nerd or not.” I lean into Knox and laugh. “Thank you.” “Welcome to the Ghost Riders,” Pres says, and suddenly I hear a champagne cork pop and we’re all being sprayed with suds. I try to turn into Knox’s chest, but he holds me in front of him so I get covered. As more champagne is popped and more bottles get poured, Knox spins me in his arms and raises me up so we are at eye level. “I love you, baby,” he says, kissing me on the lips. ‘Love you, too,” I mumble as I wrap myself around him. I’m finally at peace with myself and my life, and I’ve got someone to always make me feel safe. It was a long time coming, but it was worth the wait. And now we’ve got the rest of our lives to do this thing we call love.
Alexa Riley (Riding Him (Ghost Riders MC, #5))
As Yasu popped open a giant Kirin- the champagne of Japanese beers- Tomiko placed bowls of special buckwheat noodle soup at everyone's place, since the noodles represent long life. They are also said to bring prosperity, because in the past silversmiths and goldsmiths used to pick up the scraps of metal in their workshops with soba noodle dough. A salty seafood vapor wafted up from my soup bowl, holding a wobbly poached egg in a nest of gray noodles. A pink wheat gluten flower and sprig of Japanese chervil lay submerged in the hot dashi broth, along with two round slices of kamaboko, the springy sweet fish paste eaten all over Japan.
Victoria Abbott Riccardi (Untangling My Chopsticks: A Culinary Sojourn in Kyoto)
And the award for Best Teen Action Star goes to…” She opened and read the card. “…Jett Carson!” Jett jumped to his feet, elated! “YEAAAAAAAHHH!!!!” Up above, Jonas was startled by Jett’s scream – and he started to lose his balance! He had to think fast. He grabbed a cable from his spy utility belt and fired it at the ceiling above. THUNK! The arrow tip sunk solidly into the wooden roof. And fortunately, the sound was muffled by the cheering on the TV and Jett’s own cheering. Jonas pulled hard on the cable, using it to keep from falling. He swayed back and forth, but he eventually righted himself. Phew! Below, Jett danced around the room. “Yes! In your face!” He grabbed his phone and tweeted: “Love to all my fans who voted for me! #MaximumAwesomeness.” Jonas prayed that Jett wouldn’t look up and see him. He still clung tight to the cable, and he looked down to Jett and the floor below. Then he got an idea. Glancing forward to the waiting Rascal at the end of the beam, he motioned for Rascal to come. Rascal walked up to Jonas, and Jonas carefully picked him up. Jonas looked down again at Jett who was singing softly to himself and doing a little dance as he headed into the kitchen. Now was Jonas’s chance. He secured the cable unit to his spy belt, and he got ready to let himself down. But then – POP! – a Champagne cork flew by his head! Below, Jett came back into the room carrying a bottle of Champagne. But Jonas was startled by the cork, and he clumsily slipped off of the beam! He almost dropped Rascal as he swung and slammed against the wall! Jett looked up in shock to see Jonas and Rascal swinging back and forth! “Whoa!” He dropped his Champagne bottle. SMASH! Jonas struggled to get the cable to let out, but he just succeeded in
Richard Clark (A Dog of My Own)
INT. NEWT’S HOUSE—NIGHT NEWT opens the front door cautiously. Inside, a baby Niffler is swinging from the brass cord of a table lamp, causing the light to flicker on and off. The baby Niffler succeeds in stealing the brass cord before spotting NEWT. It scampers away, knocking all manner of objects to the floor. NEWT spots a second baby Niffler sitting on a set of weighing scales, pinned down by gold-colored weights it is clearly attempting to steal. As the first baby makes it to the dining table, NEWT lightly drops a saucepan on top of it, which continues moving across the table. NEWT tosses an apple into the opposite weighing scale, sending the baby Niffler flying into the air. NEWT catches both baby Nifflers as they fall, then tucks them into his pockets. Satisfied, NEWT heads toward the door to his basement but turns at the last moment to see a third escaped baby Niffler climbing onto a bottle of champagne on the counter. With a sense of inevitability, the champagne bottle pops and the baby Niffler zooms toward NEWT on top of the cork, soaring past him and down the stairs to the basement.
J.K. Rowling (Fantastic Beasts: The Crimes of Grindelwald: The Original Screenplay (Fantastic Beasts: The Original Screenplay, #2))