Champagne Dreams Quotes

I had a dream about you last night. The champagne was non-alcoholic. You didn't notice, and laughed at my jokes anyway.

I wanted to hold happiness in reserve, like a bottle of champagne. I postponed it because I was afraid, because I overvalued it, and then I didn't want to use it up, because what do you wish for then?

Just take a look around you: Blood is flowing in rivers and in such a jolly way you’d think it was champagne.

Is anyone anywhere happy? No, not unless they are living in a dream or in an artifice that they or someone else has made. For a time I was lulled in the arms of a blind organism with breasts full of champagne and nipples made of caviar. I thought she was true, and that the true was the beautiful. But the true is the ugly mixed up everywhere, like a peck of dirt scattered through your life. The true is that there is no security, no artifice to stop the unsavory changes, the rat race, the death unwish - the winged chariot, the horns and the motors, the Devil in the clock. Love is a desperate artifice to take the place of those two original parents who turned out not to be omnisciently right gods, but a rather pedestrian pair of muddled suburbanites who, no matter how bumbling they tried, never could quite understand how or why you grew up to your 21st birthday.

So when life gives me lemons, I say fuck it and drink champagne.

I was born in a country of brooks and rivers, in a corner of Champagne, called Le Vallage for the great number of its valleys. The most beautiful of its places for me was the hollow of a valley by the side of fresh water, in the shade of willows...My pleasure still is to follow the stream, to walk along its banks in the right direction, in the direction of the flowing water, the water that leads life towards the next village...Dreaming beside the river, I gave my imagination to the water, the green, clear water, the water that makes the meadows green. ...The stream doesn’t have to be ours; the water doesn’t have to be ours. The anonymous water knows all my secrets. And the same memory issues from every spring.

This time he was dreaming of a VIP room backstage at the club, filled with champagne and coffee, a gaggle of groupies trying to break down the door so that - in the dream, Simon somehow knew this was their intent - they could tear of his clothes and ravish him.

God is not crushing the dreams of parenthood when he deals the card of infertility. God is asking you to crush the idolatry of pregnancy, to be sure. And, he is saying: Dream My dreams, not yours!

There’s a stereotype of what we are all meant to find attractive and erotic, but I don’t neatly fall into those categories. Satin lingerie, a heart-shaped tub, flowers and champagne don’t turn me on. You shouldn’t be scrubbed clean before you have sex. I hate boys who are frightened of pee and shit and menstrual blood. I say no to boys who want to wake up next to a fully made-up woman. I say no to boys who prefer stockings and garters to perfect nudity. Who wants a boy who won’t kiss you when you’ve just been sick? I want a man who will let me pee in his belly button. I want a man to accept the beast in me. I don’t want a man who thinks the woman of his dreams doesn’t go to the toilet. One does, you know.

He stared and talked at the girl's red hair and amused face for what seemed to be a few minutes; and then, feeling that the groups in such a place should mix, rose to his feet. To his astonishment, he discovered the whole garden empty. Everyone had gone long ago, and he went himself with a rather hurried apology. He left with a sense of champagne in his head, which he could not afterwards explain. In the wild events which were to follow, this girl had no part at all; he never saw her again until all his tale was over. And yet, in some indescribable way, she kept recurring like a motive in music through all his mad adventures afterwards, and the glory of her strange hair ran like a red thread through those dark and ill-drawn tapestries of the night. For what followed was so improbable that it might well have been a dream.

Now let's say you've finished your first draft. Congratulations! Good job! Have a glass of champagne, send out for pizza, do whatever it is you do when you've got something to celebrate. If you have someone who has been impatiently waiting to read your novel-a spouse, let's say, someone who has perhaps been working nine to five and helping to pay the bills while you chase your dream-then this is the time to give up the goods...if, that is, your first reader or readers will promise not to talk to you about the book until you are ready to talk to them about it.

You see someone more interesting than me?" asked Simon. In the dream he was mysteriously an expert dance. He steered her through the crowd as if she were a leaf caught in a river current. He was wearing all black, like a shadow hunter, and it showed his coloring to a good advantage: dark hair, lighted brown skin,white teeth. He's handsome, Clary thought, with a jolt of surprise. "There's no one more interesting than you," Clary said. "It's just this place. I've never seen anything like it." She turned again as they passed a champagne fountain... She was now dancing with Jace, who was wearing white, the material of his shirt a thin cotton...

My story starts at sea, a perilous voyage to an unknown land. A shipwreck. The wild waters roar and heave. The brave vessel is dashed all to pieces. And all the helpless souls within her drowned. All save one. A lady. Whose soul is greater than the ocean, and her spirit stronger than the sea's embrace. Not for her a watery end, but a new life beginning on a stranger shore. It will be a love story. For she will be my heroine for all time. And her name will be Viola." "She was incomprehensible, for, in her, soul and spirit were one - the beauty of her body was the essence of her soul. She was that unity sought for by philosophers through many centuries. In this outdoor waiting room of winds and stars she had been sitting for a hundred years, at peace in the contemplation of herself." "He knew that there was passion there, but there was no shadow of it in her eyes or on her mouth; there was a faint spray of champagne on her breath. She clung nearer desperately and once more he kissed her and was chilled by the innocence of her kiss, by the glance that at the moment of contact looked beyond him out into the darkness of the night, the darkness of the world." "Her heart sank into her shoes as she realized at last how much she wanted him. No matter what his past was, no matter what he had done. Which was not to say that she would ever let him know, but only that he moved her chemically more than anyone she had ever met, that all other men seemed pale beside him." "I used to build dreams about you." "Then she kissed him until the sky seemed to fade out and all her smiles and tears to vanish in an ecstasy of eternal seconds.

A family that never embraces life's risks never really lives.

I used to think in my Russian-novel days, that I would cherish a lover who managed through thick and thin, snow and sleet, to have a bunch of Parma violets on my breakfast tray each morning--also rain or shine, Christmas or August, and onward into complete Neverland. Later, I shifted my dream plan--a split of cold champagne one half hour before the tray! Violets, sparkling wine, and trays themselves were as nonexistent as the lover(s), of course, but once again, Why not?

The rich sons and daughters who drank champagne on his lawn whispered his name as though trying to grasp something, wondering if everything they remembered about the great Gatsby had been a dream.

Like attending the masquerade ball in Poe’s story about the Red Death. You know, ‘Come on, everybody! Kick out the jams, have another glass of champagne, and ignore all those people dropping like flies.

It was wonderful, Pris." "What was, honey? The meeting? The champagne?" "The eclipse," said Ricki. "It was probably the most real thing I've ever seen, but it was also like a dream. You know what I mean? Real and unreal, beautiful and strange, like a dream. It got me high as a kite, but it didn't last long enough. It ended too soon and left nothing behind." "That's how it is with dreams," said Priscilla. "They're the perfect crime.

There was music from my neighbor's house through the summer nights. In his blue gardens men and girls came and went like moths among the whisperings and the champagne and the stars. At high tide in the afternoon I watched his guests diving from the tower of his raft, or taking the sun on the hot sand of his beach while his two motor-boats slit the waters of the Sound, drawing aquaplanes over cataracts of foam. On week-ends his Rolls-Royce became an omnibus, bearing parties to and from the city between nine in the morning and long past midnight, while his station wagon scampered like a brisk yellow bug to meet all trains. And on Mondays eight servants, including an extra gardener, toiled all day with mops and scrubbing-brushes and hammers and garden-shears, repairing the ravages of the night before. Every Friday five crates of oranges and lemons arrived from a fruiterer in New York--every Monday these same oranges and lemons left his back door in a pyramid of pulpless halves. There was a machine in the kitchen which could extract the juice of two hundred oranges in half an hour if a little button was pressed two hundred times by a butler's thumb. At least once a fortnight a corps of caterers came down with several hundred feet of canvas and enough colored lights to make a Christmas tree of Gatsby's enormous garden. On buffet tables, garnished with glistening hors-d'oeuvre, spiced baked hams crowded against salads of harlequin designs and pastry pigs and turkeys bewitched to a dark gold. In the main hall a bar with a real brass rail was set up, and stocked with gins and liquors and with cordials so long forgotten that most of his female guests were too young to know one from another. By seven o'clock the orchestra has arrived, no thin five-piece affair, but a whole pitful of oboes and trombones and saxophones and viols and cornets and piccolos, and low and high drums. The last swimmers have come in from the beach now and are dressing up-stairs; the cars from New York are parked five deep in the drive, and already the halls and salons and verandas are gaudy with primary colors, and hair shorn in strange new ways, and shawls beyond the dreams of Castile. The bar is in full swing, and floating rounds of cocktails permeate the garden outside, until the air is alive with chatter and laughter, and casual innuendo and introductions forgotten on the spot, and enthusiastic meetings between women who never knew each other's names. The lights grow brighter as the earth lurches away from the sun, and now the orchestra is playing yellow cocktail music, and the opera of voices pitches a key higher. Laughter is easier minute by minute, spilled with prodigality, tipped out at a cheerful word. The groups change more swiftly, swell with new arrivals, dissolve and form in the same breath; already there are wanderers, confident girls who weave here and there among the stouter and more stable, become for a sharp, joyous moment the centre of a group, and then, excited with triumph, glide on through the sea-change of faces and voices and color under the constantly changing light. Suddenly one of the gypsies, in trembling opal, seizes a cocktail out of the air, dumps it down for courage and, moving her hands like Frisco, dances out alone on the canvas platform. A momentary hush; the orchestra leader varies his rhythm obligingly for her, and there is a burst of chatter as the erroneous news goes around that she is Gilda Gray's understudy from the FOLLIES. The party has begun.

Friendship and holidays. A swimming pool. Champagne and sunshine and laughter. It seemed like a dream life.

Every night is Christmas Eve on old East Main, Sailors and their sweethearts all agree. Neon signs of red and green Shine upon the friendly scene, Welcoming you in from off the sea. Santa's bag is filled with all your dreams come true: Nickel beers that sparkle like champagne, Barmaids who all love to screw, All of them reminding you It's Christmas Eve on old East Main.

The word 'more' on the bottom corner of a poster, which he knew at once would read in full 'Life has become better, more cheerful!' Those posters were all over the place. The slogan advertised Soviet Champagne. Or the existence of Soviet Champagne advertised the slogan, he wasn't sure which.

Drink a bottle of cheap champagne. Mix with orange juice. A large Glenmorangie. Milk and blackish toast. Half a bottle of Blue Nun. Budweiser. Budweiser. Go to church. Say I do etc. Budweiser. Murphy’s. Jameson. Budweiser. Stella. Stella. Cake. Stella. Jameson. Stella. Vodka and orange. Vodka and black. Speech, speech. Vodka. Vodka. Double Jameson. Double vodka. Double vodka. Get carry-outs of barley wine. Say goodbye to aunties. Uncles. Mothers etc. Stop car on M18. Vomit. Sleep. Dream of dim-lit hallways and a black door. Wake up between Scarborough and Robin Hood’s Bay. Her not saying much. Driving.

My mother was a saint. I really mean it. Stunningly beautiful, an incredible singer, with a heart of gold. For years before she died, she would always tell me that we were gonna get out of Hell’s Kitchen and go straight to Hollywood. She said she was going to be the most famous woman in the world and get us a mansion on the beach. I had this fantasy of the two of us together in a house, throwing parties, drinking champagne. And then she died, and it was like waking up from a dream. Suddenly, I was in a world where none of that was ever going to happen. And I was going to be stuck in Hell’s Kitchen forever.

The secret to life is not looking at the things we do not have, but being grateful for what God has given us.  Life is not champagne wishes and caviar dreams—that’s all a big lie.  Life is living fully in the presence of the Lord Jesus Christ who will set us free from our illusions and bring fullness into our lives.

IN AMERICA the central message is that each of us is free to write our own story. A polyglot nation of prodigious energy, we are held together by dreams of material progress. Seventy-eight percent of Americans still believe that anybody in America can become rich and live the good life. All it takes is desire, hard work, a little luck, and the right timing. The fable of wealth for the 1990s was telecommunications and the “new economy” of the Internet. But throughout the nation’s history there have been similar stories of riches won and lost—in the westward migration of the nineteenth century, in the excesses of the Gilded Age that closed it, in the champagne bubble of the 1920s before the Great Depression, and during the deficit spending spree of the 1980s—stories that reflect the hopeful striving of a daring people. It is because of this bounding optimism that America is an amazing and seductive place to live, something that continues to be affirmed each day by the battalions of migrants that scramble ashore in the risky pursuit of happiness. Thus the dream endures. But

Think about the reality shows we used to watch versus those today. It used to be “champagne wishes and caviar dreams” on Lifestyles of the Rich and Famous. It was inspirational. Now it’s a diabetic chick with festering bedsores who collects her own toenails in Ziploc bags. We’ve gone from “Life Styles of the Rich and Famous” to “Lice Styles of the Poor and Depressed.” It’s all geared and produced for the viewers to think, “Well, my life is bad but not that bad. They just cut back my hours at work but I’m watching a chick who will eventually be killed by the avalanche of her own hoarded newspapers.

It was 1924 and I was at Riverton again. All the doors hung wide open, silk billowing in the summer breeze. An orchestra perched high on the hill beneath the ancient maple, violins lilting lazily in the warmth. The air rang with pealing laughter and crystal, and the sky was the kind of blue we'd all thought the war had destroyed forever. One of the footmen, smart in black and white, poured champagne into the top of a tower of glass flutes and everyone clapped, delighting in the splendid wastage. I saw myself, the way one does in dreams, moving amongst the guests. Moving slowly, much more slowly than one can in life, the others a blur of silk and sequins. I was looking for someone.

Closing the distance between them, he had savored the modest allure of her walk and felt his body respond to the graceful sway of her hips as they approached the pool. He had envisioned her taking off her robe and showing him her slender nakedness, but instead, she had just stood there, as though searching for someone. It skipped through his mind that when he caught up to the girl, he would either apprehend or ravish her. He still wasn't sure which it would be as he stood before her, blocking her escape with a dark, slight smile. As she peered up at him fearfully from the shadowed folds of her hood, he found himself staring into the bluest eyes he had ever seen. He had only encountered that deep, dream-spun shade of cobalt once in his life before, in the stained glass windows of Chartres Cathedral. His awareness of the crowd them dimmed in the ocean-blue depths of her eyes. 'Who are you?' He did not say a word nor ask her permission. With the smooth self-assurance of a man who has access to every woman in the room, he captured her chin in a firm but gentle grip. She jumped when he touched her, panic flashing in her eyes. His hard stare softened slightly in amusement at that, but then his faint smile faded, for her skin was silken beneath his fingertips. With one hand, he lifted her face toward the dim torchlight, while the other softly brushed back her hood. Then Lucien faltered, faced with a beauty the likes of which he had never seen. His very soul grew hushed with reverence as he gazed at her, holding his breath for fear the vision would dissolve, a figment of his overactive brain. With her bright tresses gleaming the flame-gold of dawn and her large, frightened eyes of that shining, ethereal blue, he was so sure for a moment that she was a lost angel that he half expected to see silvery, feathered wings folded demurely beneath her coarse brown robe. She appeared somewhere between the ages of eighteen and twenty-two- a wholesome, nay, a virginal beauty of trembling purity. He instantly 'knew' that she was utterly untouched, impossible as that seemed in this place. Her face was proud and weary. Her satiny skin glowed in the candlelight, pale and fine, but her soft, luscious lips shot off an effervescent champagne-pop of desire that fizzed more sweetly in his veins than anything he'd felt since his adolescence, which had taken place, if he recalled correctly, some time during the Dark Ages. There was intelligence and valor in her delicate face, courage, and a quivering vulnerability that made him ache with anguish for the doom of all innocent things. 'A noble youth, a questing youth,' he thought, and if she had come to slay dragons, she had already pierced him in his black, fiery heart with the lance of her heaven-blue gaze.

But as musically evocative as Fitzgerald’s diction is, it’s his luxurious syntax that choreographs the scene. Like the liquid movement of the partygoers, his sentences “swell with new arrivals, dissolve and form in the same breath.” Fitzgerald’s long, languid rhythms rise and fall seamlessly, then “with triumph glide on through the sea-change of faces and voices and color under the constantly changing light.” His language is as opulent as the women’s costumes and as free-flowing as the champagne, continuing breathlessly to the end of the passage. As readers, we may eventually forget Fitzgerald’s colorful and musical descriptions, but we probably won’t forget the atmosphere of his fictional dream. Long after the last guest has departed and we’ve closed the covers on the novel, something— a fragrance, a snatch of song, a feeling—will remain in the summer air. ATTITUDE

Via Negativa Sometimes it's too hard with words or dark or silence. Tonight I want a prayer of high-rouged cheekbones and light: a litany of back-lit figures, lithe and slim, draped in fabrics soft and wrinkleless and pale as onion slivers. Figures that won't stumble or cough: sleek kid-gloved Astaires who'll lift ladies with glamorous sweeps in their hair— They'll bubble and glitter like champagne. They'll whisper and lean and waltz and wink effortlessly as figurines twirling in music boxes, as skaters in their dreams. And the prayer will not be crowded. You'll hear each click of staccato heel echo through the glassy ballrooms—too few shimmering skirts; the prayer will seem to ache for more. But the prayer will not ache. When we enter, its chandeliers and skies will blush with pleasure. Inside we will be weightless, and our goodness will not matter in a prayer so light, so empty it will float.

I wish I could blame the solar storm that blitzed the earth with electromagnetic rays, rerouted several commercial airlines, and caused all the geese to mistakenly fly west, the secret compass needles in their heads playing spin the bottle over a rowdy Pacific. Satellite communications were disrupted, electric eels in Peru forgot how to sing, and for a few seconds all the iPhones in the world flickered to black, during which time everyone raised their eyes and noticed moths shivering like tiny chandeliers. The truth is your glance shortcuts every traffic light in my heart and now no one’s in charge, I’m accelerating down the expressway of a tuba’s gold dream. With one outburst from your hair, I sputter like a firefly drowning in champagne. Just imagining the charged particles of your lips colliding with mine and I’m watching the northern lights, those bodies flaring across midwinter sheets of sky

But Isabel was like no one Nora had met before. She was beautiful, of course---the otherworldly clarity of her English skin!---and possessed of the sort of poise Nora could only dream about. Beyond that, she was magnetic. Try as Nora might, she couldn't resist her brother's new wife. First, there was her voice when she spoke, that crisp accent and authoritative diction that made Miss Perry (strictest in a long line of governesses) seem like a drover's wife by comparison; next, there was her laugh, which rose like bubbles in a glass of champagne. And then there were her stories. True tales of adventure and daring, rivaling anything Nora had read in her Girls' Crystal Annuals: during the Blitz, Isabel had handled secret papers in Whitehall and later worked in some sort of capacity that she wasn't able to speak of at length (at least not then and there). Even more excitingly, she was an orphan---a real one, just like a girl in a book, whose parents had died in tragic circumstances when she was only young, casting her out of the nest and into a childhood of boarding schools and midnight feasts and hockey sticks and daring japes. Nora couldn't think of anything more romantic.

In real life I'm waking up alone It's one more night you didn't make it home And one more time you won't pick up the phone In real life you never bring me flowers When you're here it's only for an hour I'm getting used to being on my own Because in real life you're not what I thought Real life, this isn't what I want Guess things aren't always what they seem But in my dreams, I'm waking up to roses Champagne, kisses and I know it's always, always Gonna be, gonna be this way In my dreams, you're standing right beside me Two hearts finally colliding Then I wake up and realize, realize this is real life Real life, this is real life, real life, real life Real life, whoa-oh, whoa-oh, whoa-oh, oh, real life In real life it doesn't always work out People fall in love and then they fall out Hearts can break and never make a sound Because in real life you're not what I thought Real life, this isn't what I want Guess things aren't always what they seem But in my dreams, I'm waking up to roses Champagne, kisses and I know it's always, always Gonna be, gonna be this way In my dreams, you're standing right beside me Two hearts finally colliding Then I wake up and realize, realize this is real life.

There was also a package wrapped in pale blue paper and tied with a matching ribbon. Picking up a small folded note that had been tucked under the ribbon, Beatrix read: A gift for your wedding night, darling Bea. This gown was made by the most fashionable modiste in London. It is rather different from the ones you usually wear, but it will be very pleasing to a bridegroom. Trust me about this. -Poppy Holding the nightgown up, Beatrix saw that it was made of black gossamer and fastened with tiny jet buttons. Since the only nightgowns she had ever worn had been of modest white cambric or muslin, this was rather shocking. However, if it was what husbands liked... After removing her corset and her other underpinnings, Beatrix drew the gown over her head and let a slither over her body in a cool, silky drift. The thin fabric draped closely over her shoulders and torso and buttoned at the waist before flowing to the ground in transparent panels. A side slit went up to her hip, exposing her leg when she moved. And her back was shockingly exposed, the gown dipping low against her spine. Pulling the pins and combs from her hair, she dropped them into the muslin bag in the trunk. Tentatively she emerged from behind the screen. Christopher had just finished pouring two glasses of champagne. He turned toward her and froze, except for his gaze, which traveled over her in a burning sweep. "My God," he muttered, and drained his champagne. Setting the empty glass aside, he gripped the other as if he were afraid it might slip through his fingers. "Do you like my nightgown?" Beatrix asked. Christopher nodded, not taking his gaze from her. "Where's the rest of it?" "This was all I could find." Unable to resist teasing him, Beatrix twisted and tried to see the back view. "I wonder if I put it on backward..." "Let me see." As she turned to reveal the naked line of her back, Christopher drew in a harsh breath. Although Beatrix heard him mumble a curse, she didn't take offense, deducing that Poppy had been right about the nightgown. And when he drained the second glass of champagne, forgetting that it was hers, Beatrix sternly repressed a grin. She went to the bed and climbed onto the mattress, relishing the billowy softness of its quilts and linens. Reclining on her side, she made no attempt to cover her exposed leg as the gossamer fabric fell open to her hip. Christopher came to her, stripping off his shirt along the way. The sight of him, all that flexing muscle and sun-glazed skin, was breathtaking. He was a beautiful man, a scarred Apollo, a dream lover. And he was hers.

In a dear little village Remote and obscure A beautiful maiden resided As to whether or not Her intentions were pure Opinions were sharply divided She loved to lie Out 'neath the darkening sky And allow the night breeze To entrance her She whispered her dreams To the birds flying by But seldom received any answer Over the field and along the lane Gentle Alice would love to stray When it came to the end of the day She would wander away Unheeding Dreaming her innocent dreams she strode Quite unaffected by heat or cold Frequently freckled or soaked with rain Alice was out in the lane Who she met there Every day Was a question Answered by none But she'd get there And she'd stay there 'Til whatever she did Was undoubtedly done You might also like Mad Dogs And Englishmen Noël Coward You’re Losing Me (From The Vault) Taylor Swift Cupid (Twin Version) FIFTY FIFTY (피프티피프티) Over the field and along the lane Both her parents would call in vain Sadly, sorrowfully, they'd complain 'Alice is at it again.' Although that dear little village Surrounded by trees Had neither a school, nor a college Gentle Alice acquired From the birds and the bees Some exceedingly practical knowledge The curious secrets that nature revealed She refused to allow to upset her But she thought When observing the beasts of the field That things might have been organised better Over the field and along the lane Gentle Alice would make up And take up Her stand The road was not exactly arterial But it led to a town nearby Where quite a lot of masculine material Caught her rolling eye She was ready to hitchhike Cadillac or motorbike She wasn't proud or choosy All she Was aiming to be Was a pinked-up Minked-up Fly-by-night floozy When old Rogers Gave her pearls as large as Nuts on a chestnut tree All she'd say was 'Fiddle-di-dee! The wages of sin will be the death of me!' Over the field and along the lane Gentle Alice's parents Would wait Hand in hand Her dear old white-headed mother Wistfully sipping champagne Said 'We've spoiled our child Spared the rod Open up the caviar and say "Thank God!" We've got no cause to complain! Alice is at it again!

Closing the distance between them, he had saved the modest allure of her walk and felt his body respond to the graceful sway of her hips as they approached the pool. He had envisioned her taking off her robe and showing him her slender nakedness, but instead, she had just stood there, as though searching for someone. It skipped through his mind that when he caught up to the girl, he would either apprehend or ravish her. He still wasn't sure which it would be as he stood before her, blocking her escape with a dark, slight smile. As she peered up at him fearfully from the shadowed folds of her hood, he found himself staring into the bluest eyes he had ever seen. He had only encountered that deep, dream-spun shade of cobalt once in his life before, in the stained glass windows of Chartres Cathedral. His awareness of the crowd them dimmed in the ocean-blue depths of her eyes. 'Who are you?' He did not say a word nor ask her permission. With the smooth self-assurance of a man who has access to every woman in the room, he captured her chin in a firm but gentle grip. She jumped when he touched her, panic flashing in her eyes. His hard stare softened slightly in amusement at that, but then his faint smile faded, for her skin was silken beneath his fingertips. With one hand, he lifted her face toward the dim torchlight, while the other softly brushed back her hood. Then Lucien faltered, faced with a beauty the likes of which he had never seen. His very soul grew hushed with reverence as he gazed at her, holding his breath for fear the vision would dissolve, a figment of his overactive brain. With her bright tresses gleaming the flame-gold of dawn and her large, frightened eyes of that shining, ethereal blue, he was so sure for a moment that she was a lost angel that he half expected to see silvery, feathered wings folded demurely beneath her coarse brown robe. She appeared somewhere between the ages of eighteen and twenty-two- a wholesome, nay, a virginal beauty of trembling purity. He instantly 'knew' that she was utterly untouched, impossible as that seemed in this place. Her face was proud and weary. Her satiny skin glowed in the candlelight, pale and fine, but her soft, luscious lips shot off an effervescent champagne-pop of desire that fizzed more sweetly in his veins than anything he'd felt since his adolescence, which had taken place, if he recalled correctly, some time during the Dark Ages. There was intelligence and valor in her delicate face, courage, and a quivering vulnerability that made him ache with anguish for the doom of all innocent things. 'A noble youth, a questing youth,' he thought, and if she had come to slay dragons, she had already pierced him in his black, fiery heart with the lance of her heaven-blue gaze.

Aaron stands up from where he’s sitting as my chest tightens with that overflowing feeling, the one made up of beautiful things and happy dreams and hope. It feels like fireflies drifting through a sweet summer night or bubbles in a champagne bottle waiting to be opened in celebration.

He managed to find some mango varieties on the outskirts of Manila that he thought people might appreciate in Florida. His instinct turned out to be sharp when the carabao mango, as sweet as candy and not too fibrous, became known as the "champagne mango" in warm states that could grow it. Its slender body and buttery flesh shocked American taste buds that had never tasted anything so saccharine aside from pure sugar. The mango left such an impression on growers and breeders that its genes found their way into almost every American mango variety for the next century, the stuff of plant breeding dreams.

Going to Moscow was a dream for us,' Ilich said years later. He and his younger brother started the course within weeks of Soviet tanks rolling into Czechoslovakia to crush the heady 'Prague Spring'. But they soon found that discipline at the cosmopolitan university, whose 6000 students were all selected through the Communist Party of their country of origin, was as stifling as its modernist architecture. Drab grey concrete blocks squatted around a charmless artificial pond. The only dash of colour was a map of the world painted on to the façade of one block in a valiant attempt to symbolise the ideals of the university: from an open book, symbol of learning, a torch emerges, issuing multicoloured flames that spread like waves across the planisphere. Perhaps Ilich drew some comfort from glancing up at the mural as, huddled against the rigours of the Russian winter and wearing a black beret in tribute to Che Guevara who had died riddled by bullets in October of the previous year, he trudged across the bleak square on his way to lectures. Coincidentally, the base of the flame is very close to Venezuela. Rules and regulations governed virtually every aspect of Ilich's life from the moment he started the first year's induction course, which was designed to flesh out his knowledge of the Russian language and introduce him to the delights of Marxist society before he launched into his chosen subjects, languages and chemistry. Like father, like son. Ilich rebelled against the rules, preferring to spend his time chasing girls. He would often crawl back to his room drunk. His professors at the university, some of them children of Spanish Civil War veterans who had sought refuge in Moscow, were unimpressed by his academic performance. 'His name alone, Ilich Ramírez Sánchez, was so strange that people were curious about him,' relates Kirill Privalov, a journalist on the newspaper Druzhba (Friendship) which was printed at the small university press, and an acquaintance of Ilich. The Venezuelan's escapades, wildly excessive by the standards of the university, only fanned people's interest. 'llich was not at all the typical student sent by his country's Communist Party, nothing to do with the good little soldier of Mao who laboured in the fields every summer. He was a handsome young man although his cheeks looked swollen, and he was a great bon viveur. Flush with cash sent by his parents, Ilich could afford to spend lavishly on whisky and champagne in the special stores that only accepted payment in hard currencies and which were off-limits to most people. More Russian than the Russians, the privileged student and his friends would throw over their shoulders not only empty glasses but bottles as well. The university authorities, frustrated in their attempts to impose discipline on Ilich, reasoned that his freedom of action would be drastically limited if the allowance that his father sent him were reduced. But when they asked Ramírez Navas to be less generous, the father, piqued, retorted that his son had never wanted for anything. 'The university had a sort of vice squad, and at night students were supposed either to study or sleep,' recounts Privalov. "One night the patrol entered Ilich's room and saw empty bottles of alcohol and glasses on the table, but he was apparently alone. The squad opened the cupboard door and a girl who was completely drunk fell out. She was naked and was clutching her clothes in her hands. They asked her what she was doing there and she answered: 'I feel pity for the oppressed.' She was obviously a prostitute. Another time, and with another girl, Ilich didn't bother to hide her in the cupboard. He threw her out of the window. This one was fully dressed and landed in two metres of snow a foor or two below. She got up unhurt and shouted abuse at him.

Nick implied the job pays crap, so they can’t expect me to be some sort of art professor, right?” She paused when the bartender appeared with a bottle of beer and a slender fluted glass of champagne. The bubbles streaming upward through the pale liquid reminded him of Emma’s personality: round and fizzy, rising as high as they could go. He felt like shit. “Of course, I still need to find a place to live,” Emma said after taking a sip of her drink. “But as long as I have a place to work, I’m good. I can always buy a tent.” “You don’t have to buy a tent,” he said curtly. “Just joking.” She reached across the table and gave his hand a gentle squeeze. “But at least now I don’t have to worry about finding a place to live where I can also work.” He drank some beer straight from the bottle, relishing its sour flavor. Closing his eyes, he pictured that small, windowless room in the community center, its linoleum floor, its cinderblock walls, its sheer ugliness. She was thrilled because she thought it was her only option. But it wasn’t. “Look, Emma—if you want, I’ll take my house off the market. I don’t have to get rid of it. If you want to continue to live there…” She’d raised her champagne flute to her lips, but his words clearly startled her enough to make her lower the glass and gape at him. “But you came to Brogan’s Point to sell the house.” “It can wait.” “And I can’t keep teaching there. You said so yourself. There are those nasty zoning laws. And insurance issues, and liability. All that legal stuff.” She pressed her lips together, effectively smothering her radiant smile. “Taking the room at the community center means I’ll be able to teach there this summer in Nick’s program. So I’ll earn a little more money and maybe make contact with more people who might want to commission Dream Portraits.” She shook her head. “I can make it work.” “You could make it work in my house, too. Stay. Stay as long as you want. We’re not a landlord and tenant anymore. We’ve gone beyond that, haven’t we?” She stared at him, suddenly wary. “What do you mean?” He wasn’t sure what was troubling her. “Emma. We’ve made love. Several times.” Several spectacular times, he wanted to add. “You can stay on in the house. Forget about the rent. That’s the least I owe you.” Her expression went from wary to deflated, from deflated to suspicious. Her voice was cool, barely an inch from icy. “You don’t owe me anything, Max—unless you want to pay me for your portrait. I can’t calculate the cost until I figure out what the painting will…entail.” She seemed to trip over that last word, for some reason. “But as far as the house… I don’t need you to do that.” “Do what? Take it off sale? It isn’t even on sale yet.” “You don’t have to let me stay on in the house because we had sex. I didn’t make love with you because I wanted something in return. You don’t owe me anything.” She sighed again. The fireworks vanished from her eyes, extinguished

Alexander said as soon as it got cold, they would leave. September came and it was still warm; he liked that. Better still, not only was Tatiana making them a little money, she was drinking some sparkling wine, some Bisol Brut, for which she developed a bit of a taste. After work, she would sit with Anthony, have bread and cheese, and a glass of sparkler. She closed the winery, counted the money, played with the boy, waited for Alexander to finish work, and sipped her drink. By the time they drove to the B&B, had dinner, chocolate cake, more wine, a bath, put Anthony to bed, and she fell down onto the goose down covers, arms flung above her head, Tatiana was so bubbled up, so pliant, so agreeable to all his relentless frenzies, and so ceaselessly and supernally orgasmic that Alexander would not have been a mortal man if he allowed anything to come between his wife and her Bisol Brut. Who would do a crazy thing like quit to go into dry country? This country was flowing with foaming wine, and that is just how they both liked it. He started whispering to her again, night by night, little by little. Tania . . . you want to know what drives me insane? Yes, darling, please tell me. Please whisper to me. When you sit up straight like this with your hands on your lap, and your breasts are pushed together, and your pink nipples are nice and soft. I lose my breath when your nipples are like that. The trouble is, as soon as I see you looking at me, the nipples stop being nice and soft. Yes, they are quite shameful, he whispers, his breath lost, his mouth on them. But your hard nipples also drive me completely insane, so it’s all good, Tatia. It’s all very very good. Anthony was segregated from them by an accordion room partition. A certain privacy was achieved, and after a few nights of the boy not being woken up, they got bolder; Alexander did unbelievable things to Tatiana that made her sparkler-fueled moaning so extravagant that he had to invent and devise whole new ways of sustaining his usually impeccable command over his own release. Tell me what you want. I’ll do anything you want, Tania. Tell me. What can I do—for you? Anything, darling . . . anything you want, you do . . . There was nothing Gulag about their consuming love in that enchanted bed by the window, the bed that was a quilted down island with four posters and a canopy, with pillows so big and covers so thick . . . and afterward he lay drenched and she lay breathless, and she murmured into his chest that she should like a soft big bed like this forever, so comforted was she and so very pleased with him. Once she asked in a breath, Isn’t this better than being on top of the hard stove in Lazarevo? Alexander knew she wanted him to say yes, and he did, but he didn’t mean it, and though she wanted him to say it, he knew she didn’t want him to mean it either. Could anything come close to crimson Lazarevo where, having been nearly dead, without champagne or wine or bread or a bed, without work or food or Anthony or any future other than the wall and the blindfold, they somehow managed for one brief moon to live in thrall sublime? They had been so isolated, and in their memories they still remained near the Ural Mountains, in frozen Leningrad, in the woods of Luga when they had been fused and fevered, utterly doomed, utterly alone. And yet!—look at her tremulous light— as if in a dream—in America—in fragrant wine country, flute full of champagne, in a white quilted bed, her breath, her breasts on him, her lips on his face, her arms in rhapsody around him are so comforting, so true—and so real.

The Princess was anxious that her sons should also see something of the real world beyond boarding schools and palaces. As she said in a speech on Aids: ‘I am only too aware of the temptation of avoiding harsh reality; not just for myself but for my own children too. Am I doing them a favour if I hide suffering and unpleasantness from them until the last possible minute? The last minutes which I choose for them may be too late. I can only face them with a choice based on what I know. The rest is up to them.’ She felt this was especially important for William, the future King. As she once said: ‘Through learning what I do, and his father to a certain extent, he has got an insight into what’s coming his way. He’s not hidden upstairs with the governess.’ Over the years she has taken both boys on visits to hostels for the homeless and to see seriously ill people in hospital. When she took William on a secret visit to the Passage day centre for the homeless in Central London, accompanied by Cardinal Basil Hume, her pride was evident as she introduced him to what many would consider the flotsam and jetsam of society. ‘He loves it and that really rattles people,’ she proudly told friends. The Catholic Primate of All England was equally effusive. ‘What an extraordinary child,’ he told her. ‘He has such dignity at such a young age.’ This upbringing helped William cope when a group of mentally handicapped children joined fellow school pupils for a Christmas party. Diana watched with delight as the future King gallantly helped these deprived youngsters join in the fun. ‘I was so thrilled and proud. A lot of adults couldn’t handle it,’ she told friends. Again during one Ascot week, a time of Champagne, smoked salmon and fashionable frivolity for High society, the Princess took her boys to the Refuge night shelter for down-and-outs. William played chess while Harry joined in a card school. Two hours later the boys were on their way back to Kensington Palace, a little older and a little wiser. ‘They have a knowledge,’ she once said. ‘They may never use it, but the seed is there, and I hope it will grow because knowledge is power. I want them to have an understanding of people’s emotions, people’s insecurities, people’s distress and people’s hopes and dreams.’ Her quiet endeavors gradually won back many of the doubters who had come to see her as a threat to the monarchy, or as a talentless and embittered woman seeking to make trouble, especially by upstaging or embarrassing her husband and his family. The sight of the woman who was still then technically the future Queen, unadorned and virtually unaccompanied, mixing with society’s poorest and most distressed or most threatened, confounded many of her critics.

As I was reading, I started thinking about Jessica and the idea of getting married. We could be doing this--reading our Bibles, cooking our own food, hanging out--at our own house. Suddenly, I was excited about the idea of leaving Mom and Dad’s house and starting my own family with Jessica. All my brothers had gotten married before they were twenty, and here I was twenty-two, and not married. I knew Jess was the one. I’m not going to look at any more girls, I thought, still reading through Scripture out loud. I just want to get married to the woman I love. There was a deep sense of knowing inside of me. I didn’t want to overthink it anymore; I just wanted to do it. If we knew we wanted to be married, why wait? So all of a sudden I just burst out, “We should get married.” Jessica looked up from her Bible, surprised. I wasn’t down on my knees, and I didn’t have champagne or a ring, so she wasn’t exactly expecting a marriage proposal. But that’s what it was. A random impulse of a marriage proposal. I looked in her eyes and said it again. “Let’s get married. I want to spend the rest of my life with you.” There were hugs and tears, and then we ran out to tell Mom and Dad the news. More hugs, more tears. And wedding plans started right away. “We’ll just elope,” I said, “or get Dad to marry us.” We didn’t want to waste a second. Now that we knew, we wanted to get married as soon as possible and start our lives together. But Mom had a fit. “No,” she said in a loud voice. “We have to have a wedding. I’ve always dreamed about your wedding, Jep.” I didn’t want a big wedding, and I knew it would take time and cost a lot of money. “Mom, I just think it would be better this way.” “Look, just some family,” she argued back, “and maybe some of my best friends. I’ll help get everything together. It won’t be hard. You’ll see.” Then she tilted her head and smiled that big smile; how could I say no? We finally gave in because we could see how important it was for her, but we made it clear we wanted to get married as soon as possible, so we set a date for two weeks away. We don’t waste much time down here in Louisiana.

When I die I hope that there will be laughter. I hope that champagne will be served. I hope that people wear red. And I hope when people speak of me that this is what they will say: She hugged too hard. She laughed too loud. She felt too much. She swore too much. She talked too much. She wore heels that were too tall. She wore skirts that were too short. She had too many tattoos. She made too many inappropriate jokes. She asked too many questions. She drank too much caffeine. She drank too much wine. She made peace with being too much for too many. She was overdressed. She was never early. She couldn’t sing but that never stopped her. She couldn’t sew. She couldn’t bake. She couldn’t be contained. She never had a shortage of people in her kitchen. She made her own traditions. She stopped using her voice for apologies unearned. She loved with reckless abandon. She tried to see the whole world. She tried to save the corners that she could. She tried to give her children deep roots and wide wings. She fell. She rose. She danced. She unraveled. She let go. She evolved. She carried herself as though she was made of feathers. She never smoothed her wild edges. She never stopped writing new chapters. She never stopped chasing the light. She was a tangled mess. She was strong. She was fierce. She was brave. She was a badass. She dreamed out loud. Her friends were her soulmates. The ocean was her therapy. Grace was her religion. Imperfection was her backbone. Forgiveness was her freedom. She lived like there was magic enveloped in the every day. She lived like there would never be enough time. She lived like there was fire in her veins. She lived.

What would your last meal be?" I asked suddenly. That was a night when I thought it would be all right if my life ended. "A really long omikase. Like at least thirty-four courses. I want Yesuda to cook them himself. He puts the soy sauce on with a paintbrush." "Salmon pastrami from Russ and Daughters. A ton of bagels. Like three bagels." "In-N-Out double double." "I'm thinking about a Barolo, something really ripe and dirty, like from the eighties." "ShackBurger and a milk shake." "My mom's was veal scallopini and a Diet Coke." "Nonna's Bolognese----it takes eight hours. She makes the pappardelle by hand." "A roast chicken---I would eat the entire thing by hand. And I guess a DRC. When else would I taste that kind of Burgundy?" "Blinis, caviar, and crème fraîche. Done and done. Some impossible Champagne, Krug, or a culty one like the Selosse, drunk out of the bottle." "Toast," I said, when my turn came. I tried to think of something more glamorous, but toast was the truth. I expected to be mocked. My suburban-ness, my stupidity, my blankness. "What on top?" "Um. Peanut butter. The raw kind you get from the health-food stores. I salt it myself.

Oh! was there a man (but where shall I find Good sense and good nature so equally join'd?) Would value his pleasure, contribute to mine; Not meanly would boast, nor would lewdly design; Not over severe, yet not stupidly vain, For I would have the power, tho' not give the pain. No pedant, yet learned; no rake-helly gay, Or laughing, because he has nothing to say; To all my whole sex obliging and free, Yet never be fond of any but me; In public preserve the decorum that's just, And shew in his eyes he is true to his trust; Then rarely approach, and respectfully bow, But not fulsomely pert, nor yet foppishly low. But when the long hours of public are past, And we meet with champagne and a chicken at last, May ev'ry fond pleasure that moment endear; Be banish'd afar both discretion and fear! Forgetting or scorning the airs of the crowd, He may cease to be formal, and I to be proud. Till lost in the joy, we confess that we live, And he may be rude, and yet I may forgive. And that my delight may be solidly fix'd, Let the friend and the lover be handsomely mix'd; In whose tender bosom my soul may confide, Whose kindness can soothe me, whose counsel can guide.

Physically, to any degree you can, do something. These are the baby steps. They always seem futile. You may be dreaming of champagne and caviar, yet you have to ride the bus to your interview at the mall. Do it anyway. It doesn’t matter that you aren’t sure if you’re on the right path; chances are you’re not. Do it anyway. If you have absolutely no idea of which direction to move in, move in any direction.

I sat next to one such wedding party in a Strip restaurant the last time I was in Las Vegas. The marriage had just taken place; the bride still wore her dress, the mother her corsage. A bored waiter poured out a few swallows of pink champagne (“on the house”) for everyone but the bride, who was too young to be served. “You’ll need something with more kick than that,” the bride’s father said with heavy jocularity to his new son-in-law; the ritual jokes about the wedding night had a certain Panglossian character, since the bride was clearly several months pregnant. Another round of pink champagne, this time not on the house, and the bride began to cry. “It was just as nice,” she sobbed, “as I hoped and dreamed it would be.” 1967

It's going on within this world wide corporation. Instead of marriage to the One above, it's lust for power and fornication to this currency currently in circulation. Manipulation to the out most, every time a native is manipulated, it's corkscrews and champagne toast, mashed potatoes and beef roast, living in Hell while they sip and dine on the east coast. Only a dream of prosperity through inflated currency, gold bricks which alone could keep up from catastrophe will soon vanish and no rate of interest will tempt it to return for eternity.

The Oak Forest mushrooms for the langoustine didn't arrive in time, so we've substituted with enoki mushrooms from Champagne Farms. Also, we are adding an entrée to the menu tonight. It's lemon pine-nut-encrusted sea scallops with a celery mousse and my signature vinaigrette. It took three months to get it right, and the end result is phenomenal. So sell it." Alain paused while the servers took notes. "In wines, we're out of the Napa Valley El Molino, the Talenti, and the Chateau Margeaux '86." Alain paused and, while the servers wrote furiously in their pads, my thoughts wandered. I tried picturing the customers who might have opinions about Oak Forest mushrooms compared to those from Champagne Farms. Did they wear tweed and bifocals? Or were they übermodern with sculpured haircuts and electronic cigarettes? I shook my head, annoyed with myself and my train of thought. Let the mushroom people be mushroom people, I chastised myself. You signed up for this gig, Charlie, remember? You're living your dream, remember? Alain changed gears for a second and threw out a quiz question, one of his more sadistic rituals during family meal. "What are the six ingredients in the jalapeño emulsion we serve with the salmon?" Silence. A blonde in the back ventured, "Jalapeño, olive oil, shallots...?" More silence. "Fleur de sel, ground pepper, lemon juice," Alain finished for her, giving her an icy glance over his bearish nose. "Wake up, people. All right, here's an easy one. What's the difference between jamón ibérico and prosciutto?" Four hands went up, and Wade got it right. "Jamón ibérico is dry-cured from black Iberian pigs in Spain, not to be confused with jamón serrano, which comes from a less expensive white pig. Prosciutto is also dry-cured, but it is from Italy. It is the common man's gourmet ham, which is why we don't serve it." Wade finished with a cock of the head and a high-five with another server. Alain snorted. "Thank you for the editorial comment. Please keep it to yourself, however, when recommending the melon and jamón ibérico appetizer." He spent the next five minutes grilling the staff on the origin of our rice vinegar, what dessert wine paired best with Felix's raspberry brûlée, and the correct serving temperature of the parsnip purée.

Opening the lid, Beatrix found her neatly folded clothes and a drawstring muslin bag containing a brush and a rack of hairpins, and other small necessities. There was also a package wrapped in pale blue paper and tied with a matching ribbon. Picking up a small folded note that had been tucked under the ribbon, Beatrix read: A gift for your wedding night, darling Bea. This gown was made by the most fashionable modiste in London. It is rather different from the ones you usually wear, but it will be very pleasing to a bridegroom. Trust me about this. -Poppy Holding the nightgown up, Beatrix saw that it was made of black gossamer and fastened with tiny jet buttons. Since the only nightgowns she had ever worn had been of modest white cambric or muslin, this was rather shocking. However, if it was what husbands liked... After removing her corset and her other underpinnings, Beatrix drew the gown over her head and let a slither over her body in a cool, silky drift. The thin fabric draped closely over her shoulders and torso and buttoned at the waist before flowing to the ground in transparent panels. A side slit went up to her hip, exposing her leg when she moved. And her back was shockingly exposed, the gown dipping low against her spine. Pulling the pins and combs from her hair, she dropped them into the muslin bag in the trunk. Tentatively she emerged from behind the screen. Christopher had just finished pouring two glasses of champagne. He turned toward her and froze, except for his gaze, which traveled over her in a burning sweep. "My God," he muttered, and drained his champagne. Setting the empty glass aside, he gripped the other as if he were afraid it might slip through his fingers. "Do you like my nightgown?" Beatrix asked. Christopher nodded, not taking his gaze from her. "Where's the rest of it?" "This was all I could find." Unable to resist teasing him, Beatrix twisted and tried to see the back view. "I wonder if I put it on backward..." "Let me see." As she turned to reveal the naked line of her back, Christopher drew in a harsh breath. Although Beatrix heard him mumble a curse, she didn't take offense, deducing that Poppy had been right about the nightgown. And when he drained the second glass of champagne, forgetting that it was hers, Beatrix sternly repressed a grin. She went to the bed and climbed onto the mattress, relishing the billowy softness of its quilts and linens. Reclining on her side, she made no attempt to cover her exposed leg as the gossamer fabric fell open to her hip. Christopher came to her, stripping off his shirt along the way. The sight of him, all that flexing muscle and sun-glazed skin, was breathtaking. He was a beautiful man, a scarred Apollo, a dream lover. And he was hers.

She pulled out a blue dress made of washed silk that was so soft it felt like skin. Size six. There was another dress in a champagne color- the same cut, very simple, a slip dress to just above the knee. There was a third outfit- a tank and skirt in the same silk, bottle green. "These are for me?" "Let's see how they look." She took the bag into the ladies' room and slipped the blue dress on over her bikini. It fell over Adrienne's body like a dress in a dream- and it would look even better when she had the right underwear. So here was her look. She checked the side of the shopping bag. The clothes had come from a store called Dessert, on India Street, and Adrienne recognized the name of the store as the one owned by the chef's wife, the redhead who had been so kind during soft opening. If you come in, I'd love to dress you, free of charge. So maybe Thatch didn't pay for these clothes. Still, it was weird. Weird that Thatcher had told her she needed a look, weird that he (or the redhead) had perfectly identified it, and weird that she now had to model it for him, proving him right. She stepped out into the dining room. He gazed at her. And then he gave a long, low whistle. That did it: Her face heated up, the skin on her arms tingled. She had never felt so desirable in all her life.

Speechless (From Eyes That Never Saw Skies) You sit in a dark room Imagining all the list of things you would do for revenge. This is how we bring the love back. You wake at night When you think everyone is quiet. You look at yourself through the broken windscreen; Life imitates art. You love yourself when you are speechless, The ceiling fan swirls around in annoyance. There’s nothing as painful as being a stranger in your own dreams. Even the neon lights you see when you shut your eyes Don’t want to see you anymore. You are speechless, Everyone around you is trying to murder someone. But you walk like you’re invisible, Strapped to memories of some foolish old man Who drinks champagne to a dying soul. You look at yourself again and mutter to yourself You cannot be a stranger anymore. Even ghosts have set themselves free from boredom. And when you go back to your room, It’s you and the annoying ceiling fan again. Dear self, Don’t you worry child, We will fight and win another day. Dear luck, Find me too like you find others. Dedicated to Kellie Elizabeth Jones

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