Champ Work Quotes

Who you are tomorrow begins with what you do today.

My waiter friend, Laurent, working at the Brasserie Champs du Mars near the Eiffel Tower, one night while serving me Une Grande Beer, explained his life. “I work from ten to twelve hours, sometimes fourteen,” he says, “and then at midnight I go dancing, dancing, dancing until four or five in the morning and go to bed and sleep until ten and then up, up and to work by eleven and another ten or twelve or sometimes fifteen hours of work.” “How can you do that?” I ask. “Easily,” he says. “To be asleep is to be dead. It is like death. So we dance, we dance so as not to be dead. We do not want that.” “How old are you?” I ask, at last. “Twenty-three,” he says. “Ah,” I say and take his elbow gently. “Ah. Twenty-three, is it?” “Twenty-three,” he says, smiling. “And you?” “Seventy-six,” I say. “And I do not want to be dead, either. But I am not twenty-three. How can I answer? What do I do?” “Yes,” says Laurent, still smiling and innocent, “what do you do at three in the morning?” “Write,” I say, at last. “Write!” Laurent says, astonished. “Write?” “So as not to be dead,” I say. “Like you.” “Me?” “Yes,” I say, smiling now, myself. “At three in the morning, I write, I write, I write!

Two people could like each other, respect each other, trust each other, and love each other. But it was only when they needed each other that the relationship could truly work.

Their family tree had been part of the extremely few who had held the reins of civilization for centuries. So naturally Dale was champing at the bit when Aryana had requested a meeting with him. It was his chance to work himself into the main vein of power where ultra-wealthy individuals resided, the ones who were conveniently omitted from the annual wealth rankings made public by magazine publications and online lists. When a family held a certain amount of wealth and power for a long enough period of time, they slipped behind the curtain and out of the public’s eye. While behind the curtain, they pulled the strings attached to leaders of governments, companies, and organizations.

The beautiful unruliness of literature is what makes it so much fun to wander through: you read Jane Austen and you say, oh, that is IT. And then you turn around and read Sterne, and you say, Man, that is IT. And then you wander across a century or so, and you run into Kafka, or Calvino, or Cortazar, and you say, well that is IT. And then you stroll through what Updike called the grottos of Ulysses, and after that you consort with Baldwin or Welty or Spencer, or Morrison, or Bellow or Fitzgerald and then back to W. Shakespeare, Esq; the champ, and all the time you feel the excitement of being in the presence of IT. And when you yourself spend the good time writing, you are not different in kind than any of these people, you are part of that miracle of human invention. So get to work. Get on with IT, no matter how difficult IT is. Every single gesture, every single stumble, every single uninspired-feeling hour, is worth IT." Richard Bausch

Moi, ça me plaît mieux de travailler aux champs, ou de m'occuper des bêtes. Même couper le bois. Mais lui il aime ça, faire la cuisine, le ménage, et aussi le bricolage.

From the end of the World War twenty-one years ago, this country, like many others, went through a phase of having large groups of people carried away by some emotion--some alluring, attractive, even speciously inspiring, public presentation of a nostrum, a cure-all. Many Americans lost their heads because several plausible fellows lost theirs in expounding schemes to end barbarity, to give weekly handouts to people, to give everybody a better job--or, more modestly, for example, to put a chicken or two in every pot--all by adoption of some new financial plan or some new social system. And all of them burst like bubbles. Some proponents of nostrums were honest and sincere, others--too many of them--were seekers of personal power; still others saw a chance to get rich on the dimes and quarters of the poorer people in our population. All of them, perhaps unconsciously, were capitalizing on the fact that the democratic form of Government works slowly. There always exists in a democratic society a large group which, quite naturally, champs at the bit over the slowness of democracy; and that is why it is right for us who believe in democracy to keep the democratic processes progressive--in other words, moving forward with the advances in civilization. That is why it is dangerous for democracy to stop moving forward because any period of stagnation increases the numbers of those who demand action and action now.

She was fifty-three years old and lonely and oppressed; why couldn't he let her have her illusions? That was what her wounded, half-drunken eyes had seemed to be saying throughout his interrogation: Why can't I have my illusions? Because they're lies, he told her silently in his mind as he champed his jaws and swallowed the cheap food. Everything you say is a lie.(...) Everything you live by is a lie, and you want to know what the truth is? He watched her with murderous distaste as she fumbled with her spoon. They had ordered ice cream, and some of it clung to her lips as she rolled a cold mouthful on her tongue. Do you want to know what the truth is? The truth is that your fingernails are all broken and black because you're working as a laborer and God knows how we're ever going to get you out of that lens-grinding shop. The truth is that I'm a private in the infantry and I'm probably going to get my head blown off. The truth is, I don't really want to be sitting here at all, eating this goddam ice cream and letting you talk yourself drunk while all my time runs out. The truth is, I wish I'd taken my pass to Lynchburg today and gone to a whorehouse. That's the truth.

In The Enemy Within, Bobby Kennedy asserted that after the trial, Joe Louis, who was out of work and deeply in debt at the time, was immediately given a well-paying job with a record company that got a $2 million Teamsters pension fund loan. Joe Louis then married the female black lawyer from California whom he had met at the trial. When Bobby Kennedy’s right-hand and chief investigator, the future author Walter Sheridan, tried to interview Joe Louis for the McClellan Committee about the record company job, the ex-champ refused to cooperate and said about Bobby Kennedy: “Tell him to go take a jump off the Empire State Building.” Still, Bobby Kennedy expected to have the last laugh by the end of 1957. Hoffa

The impact of a dollar upon the heart" The impact of a dollar upon the heart Smiles warm red light Sweeping from the hearth rosily upon the white table, With the hanging cool velvet shadows Moving softly upon the door. The impact of a million dollars Is a crash of flunkeys And yawning emblems of Persia Cheeked against oak, France and a sabre, The outcry of old beauty Whored by pimping merchants To submission before wine and chatter. Silly rich peasants stamp the carpets of men, Dead men who dreamed fragrance and light Into their woof, their lives; The rug of an honest bear Under the feet of a cryptic slave Who speaks always of baubles, Forgetting state, multitude, work, and state, Champing and mouthing of hats, Making ratful squeak of hats, Hats.

People have read so much hype about passion that they feel they are missing something because they do not jump out of bed champing at the bit to get to work. They are afraid that if they are not completely engaged, then they must be dull and uninteresting at best, spiritually bankrupt at worst. The reality is that not everyone needs to feel passionate in their work. Lifestylers, for example, want to have a general sense of professional accomplishment, but they derive their sense of personal fulfillment from activities outside their workplace, whether sports, hobbies, charity work, or family. Many people fulfill vital functions in out society without loving their work, yet they are content in their lives. Perhaps it is only the current obsession with passion that leads some to worry that something is missing.

It was when we had come back from Canada and were living in the rue Notre-Dame-des-Champs and Miss Stein and I were still good friends that Miss Stein made the remark about the lost generation. She had some ignition trouble with the old Model T Ford she then drove and the young man who worked in the garage and had served in the last year of the war had not been adept, or perhaps had not broken the priority of other vehicles, in repairing Miss Stein's Ford. Perhaps he had not realized the importance of Miss Stein's vehicle having the right of immediate repair. Anyway he had not been sérieux and had been corrected severely by the patron of the garage after Miss Stein's protest. The patron had said to him, 'You are all a génération perdue.' 'That's what you are. That's what you all are,' Miss Stein said. 'All of you young people who served in the war. You are a lost generation.' 'Really?' I said. 'You are,' she insisted. 'You have no respect for anything. You drink yourselves to death ...

In the course of my new work I had occasion to go roaming about the whole construction site and time to sit on the ceiling of the eighth floor of our building, in other words, as if on the roof. And from there we prisoners had a panoramic view of Moscow. ... But no matter how much of a greenhorn I was in champing at the bit to be out "in freedom," this city did not arouse in me envy or the wish to soar down onto its streets. All the evil holding us prisoner had been woven here. This arrogant city had never before provided such a justification as it did now after the war for the saying: "Moscow turns its back on tears!

The journey to Paris was effected at the end of September, and for about nine months they pitched their tent at No. 138 Avenue des Champs-Elysées. It was a fortunate time to be in Paris for those who had no personal nervousness, and liked to be near the scene of great events — a most anxious time for any who were alarmed at disturbances, or took keenly to heart the horrors of street fighting. Fortunately for the Brownings, they, whether by temperament or through their Italian experiences, were not unduly disturbed at revolutions, while the horrors of Louis Napoleon’s coup d’état were, no doubt, only partly known to Mrs. Browning at the time, and were palliated to her by the view she took of Napoleon’s character.

The hatch, removed from the top of the works, now afforded a wide hearth in front of them. Standing on this were the Tartarean shapes of the pagan harpooneers, always the whale-ship's stokers. With huge pronged poles they pitched hissing masses of blubber into the scalding pots, or stirred up the fires beneath, till the snaky flames darted, curling, out of the doors to catch them by the feet. The smoke rolled away in sullen heaps. To every pitch of the ship there was a pitch of the boiling oil, which seemed all eagerness to leap into their faces. Opposite the mouth of the works, on the further side of the wide wooden hearth, was the windlass. This served for a sea-sofa. Here lounged the watch, when not otherwise employed, looking into the red heat of the fire, till their eyes felt scorched in their heads. Their tawny features, now all begrimed with smoke and sweat, their matted beards, and the contrasting barbaric brilliancy of their teeth, all these were strangely revealed in the capricious emblazonings of the works. As they narrated to each other their unholy adventures, their tales of terror told in words of mirth; as their uncivilized laughter forked upwards out of them, like the flames from the furnace; as to and fro, in their front, the harpooneers wildly gesticulated with their huge pronged forks and dippers; as the wind howled on, and the sea leaped, and the ship groaned and dived, and yet steadfastly shot her red hell further and further into the blackness of the sea and the night, and scornfully champed the white bone in her mouth, and viciously spat round her on all sides; then the rushing Pequod, freighted with savages, and laden with fire, and burning a corpse, and plunging into that blackness of darkness, seemed the material counterpart of her monomaniac commander's soul.

Paris,” a Seventh Army soldier wrote his wife. “It was wonderful, but I slept on the floor because the bed was just too much like sleeping in butter.” A woman working for the OSS described fleets of vélos, odd contraptions like “canvas-covered bathtubs and drawn or propelled by motorcycles or bicycles,” carting around GIs “who little count the cost in their exuberance at being alive.” The writer Simone de Beauvoir concluded that “the easygoing manner of the young Americans incarnated liberty itself.” Troops packed movie theaters along the Champs-Élysées, and two music halls featured vaudeville shows. Post Number One of the American Legion served hamburgers and bourbon, and bars opened with names intended to entice the homesick, like The Sunny Side of the Street and New York. Army special services organized activities ranging from piano recitals to jitterbug lessons, while distributing thousands of hobby kits for sketching, clay modeling, and leather craft. The Bayeux Tapestry, long tucked away for safekeeping, reemerged in an exhibit at the Louvre, with the segment depicting the Norman defeat of the Anglo-Saxons in 1066 tactfully

I had been thinking earlier that if I had not enjoyed my first experience of La Berma it was because, as with my earlier encounters with Gilberte in the Champs-Élysées, I had approached it with too strong a desire. Between these two disappointments there was perhaps not only this resemblance, but another, deeper one. The impression made upon us by a person or a work of strong character (or its interpretation) is intrinsic to them. We have brought along with us the ideas of “beauty,” “breadth of style,” “pathos,” which we might just possibly think we recognize in the banality of a passable talent or face, but our critical mind is confronted in fact with the nagging presence of a form for which it possesses no intellectual equivalent, the unknown part of which it needs to extricate. It hears a high-pitched sound, an oddly questioning intonation. It asks: “Is that good? Is it admiration I am feeling? Is this what is meant by richness of color, nobility, power?” And what answers back is a high-pitched voice, an oddly questioning tone, the despotic impression, wholly material, caused by a person we do not know, in which no scope is left for “breadth of interpretation.” And for this reason, really fine works of art, if they are given genuine attention, are the ones that disappoint us most, because in the sum total of our ideas there is none that responds to an individual impression.

The hatch, removed from the top of the works, now afforded a wide hearth in front of them. Standing on this were the Tartarean shapes of the pagan harpooneers, always the whale-ship’s stokers. With huge pronged poles they pitched hissing masses of blubber into the scalding pots, or stirred up the fires beneath, till the snaky flames darted, curling, out of the doors to catch them by the feet. The smoke rolled away in sullen heaps. To every pitch of the ship there was a pitch of the boiling oil, which seemed all eagerness to leap into their faces. Opposite the mouth of the works, on the further side of the wide wooden hearth, was the windlass. This served for a sea-sofa. Here lounged the watch, when not otherwise employed, looking into the red heat of the fire, till their eyes felt scorched in their heads. Their tawny features, now all begrimed with smoke and sweat, their matted beards, and the contrasting barbaric brilliancy of their teeth, all these were strangely revealed in the capricious emblazonings of the works. As they narrated to each other their unholy adventures, their tales of terror told in words of mirth; as their uncivilized laughter forked upwards out of them, like the flames from the furnace; as to and fro, in their front, the harpooneers wildly gesticulated with their huge pronged forks and dippers; as the wind howled on, and the sea leaped, and the ship groaned and dived, and yet steadfastly shot her red hell further and further into the blackness of the sea and the night, and scornfully champed the white bone in her mouth, and viciously spat round her on all sides; then the rushing Pequod, freighted with savages, and laden with fire, and burning a corpse, and plunging into that blackness of darkness, seemed the material counterpart of her monomaniac commander’s soul.

The houses were left vacant on the land and the land was vacant because of this. Only the tractor sheds of corrugated iron, silver and gleaming were alive, and they were alive with metal and gasoline and oil, discs of the plows shining. The tractors had lights shining, for there is no day and night for a tractor, and the discs turn the earth in the darkness and they glitter in the daylight. And when a horse stops work and goes into the barn, there is a life and vitality left. There is a breathing and a warmth, and the feet shift on the straw, and the jaws champ on the hay, and the ears and the eyes are alive. There is a warmth of life in the barn and the heat and smell of life, but when the motor of a tractor stops it is as dead as the ore it came from. The heat goes out of it like the living heat that leaves a corpse. Then the corrugated iron doors are closed and the tractor man drives home to town, perhaps twenty miles away, and he need not come back for weeks or months, for the tractor is dead. And this is easy and efficient. So easy, that the wonder goes out of work. So efficient, that the wonder goes out of land, the working of it, and with the wonder, the deep understanding and the relation. And in the tractor man the grows the contempt that comes only to a stranger who has little understanding and no relation, for nitrates are not the land, nor phosphates, and the length of fiber in the cotton is not the land. Carbon is not a man, nor salt, water, nor calcium. He is all these, but he is much more, much more. And the land is so much more than its analysis. The man who is more than his chemistry walking on the earth, turning his plow point for a stone, dropping his handles to slide over an outcropping, kneeling in the earth to eat his lunch, that man who is more than his elements knows the land that is more than it's analysis. But the machine man, driving a dead tractor on land he does not know and love understands only chemistry, and he is contemptuous of the land and of himself. When the corrugated iron doors are shut he goes home, and his home is not the land.

Naturally, without intending to, I transitioned from these dreams in which I healed myself to some in which I cared for others: I am flying over the Champs-Élysées Avenue in Paris. Below me, thousands of people are marching, demanding world peace. They carry a cardboard dove a kilometer long with its wings and chest stained with blood. I begin to circle around them to get their attention. The people, astonished, point up at me, seeing me levitate. Then I ask them to join hands and form a chain so that they can fly with me. I gently take one hand and lift. The others, still holding hands, also rise up. I fly through the air, drawing beautiful figures with this human chain. The cardboard dove follows us. Its bloodstains have vanished. I wake up with the feeling of peace and joy that comes from good dreams. Three days later, while walking with my children along the Champs-Élysées Avenue, I saw an elderly gentleman under the trees near the obelisk whose entire body was covered by sparrows. He was sitting completely still on one of the metal benches put there by the city council with his hand outstretched, holding out a piece of cake. There were birds flitting around tearing off crumbs while others waited their turn, lovingly perched on his head, his shoulders, his legs. There were hundreds of birds. I was surprised to see tourists passing by without paying much attention to what I considered a miracle. Unable to contain my curiosity, I approached the old man. As soon as I got within a couple of meters of him, all the sparrows flew away to take refuge in the tree branches. “Excuse me,” I said, “how does this happen?” The gentleman answered me amiably. “I come here every year at this time of the season. The birds know me. They pass on the memory of my person through their generations. I make the cake that I offer. I know what they like and what ingredients to use. The arm and hand must be still and the wrist tilted so that they can clearly see the food. And then, when they come, stop thinking and love them very much. Would you like to try?” I asked my children to sit and wait on a nearby bench. I took the piece of cake, reached my hand out, and stood still. No sparrow dared approach. The kind old man stood beside me and took my hand. Immediately, some of the birds came and landed on my head, shoulders, and arm, while others pecked at the treat. The gentleman let go of me. Immediately the birds fled. He took my hand and asked me to take my son’s hand, and he another hand, so that my children formed a chain. We did. The birds returned and perched fearlessly on our bodies. Every time the old man let go of us, the sparrows fled. I realized that for the birds when their benefactor, full of goodness, took us by the hand, we became part of him. When he let go of us, we went back to being ourselves, frightening humans. I did not want to disrupt the work of this saintly man any longer. I offered him money. He absolutely would not accept. I never saw him again. Thanks to him, I understood certain passages of the Gospels: Jesus blesses children without uttering any prayer, just by putting his hands on them (Matthew 19:13–15). In Mark 16:18, the Messiah commands his apostles, “They shall lay hands on the sick, and they shall recover.” St. John the Apostle says mysteriously in his first epistle, 1.1, “That which was from the beginning, which we have heard, which we have seen with our eyes, which we have looked upon, and our hands have handled, of the Word of life.

All of those thousands upon thousands of photographs my father had taken. Think of them instead. Each one a record, a testament, a bulwark against forgetting, against nothingness, against death. Look, this happened. A thing happened, and now it will never un happen. Here it is in a photograph: a baby putting its tiny hand in the wrinkled palm of an octogenarian. A fox running across a woodland path and a man raising a gun to shoot it. A plane crash. A comet smeared across a morning sky. A prime minister wiping his brow. The Beatles, sitting at a cafe table on the Champs-Elysees on a cold January day in 1964, John Lennon's pale face under the brim of a fisherman's cap. all these things happened, and my father committed them to a memory that wasn't just his own, but the world's. My father's life wasn't about disappearance. His was a life that worked against it.

étendre /etɑ̃dʀ/ I. vtr 1. (allonger) to stretch [bras, jambe] • il a étendu les bras/jambes | he stretched his arms/legs 2. (déployer) to spread (out) [bâche, nappe] • ~ du linge (dehors) to hang out washing; (dedans) to hang up washing 3. (coucher) to lay [sb] down [malade, blessé] • ~ qn (sur le carreau) (informal) (blesser) to lay sb out cold (familier), to floor GB sb; (tuer) to kill sb • ~ qn d'un coup de poing (informal) | to knock sb out • se faire ~ à un examen (informal) | to flunk (familier) an exam • ils se sont fait ~ par l'équipe adverse (informal) | they got thrashed (familier) by the opposing team 4. (diluer) to dilute, to water down [vin, solution] 5. (étaler) to spread [enduit, peinture, beurre]; (Culin) to roll out [pâte] 6. (accroître) to extend [emprise, pouvoir] (sur "over"); to extend [mesure, allocation, aide, embargo] (à "to") • il faut ~ le champ de nos connaissances | we must extend our range of knowledge • la société a étendu ses activités à de nouveaux secteurs | the company branched out into new fields II. vpr 1. (occuper un espace) to stretch (sur "over") • s'~ à perte de vue | to extend ou stretch as far as the eye can see • la forêt s'étend sur 10 000 km2 | the forest stretches over 10,000 square kilometres GB 2. (augmenter) [grève, épidémie, sécheresse, récession] to spread (à "to"); [ville] to expand, to grow 3. (s'appliquer) s'étendre à • [loi, mesure] to apply to 4. (durer) to stretch (sur "over"), last • la Renaissance s'étend de la fin du XVe siècle au milieu du XVIe siècle | the Renaissance stretched from the end of the 15th century to the middle of the 16th century • les travaux s'étendront sur trois ans | the work will last three years 5. (s'allonger) to lie down 6. (s'appesantir) s'étendre sur • to dwell on [sujet, point]

THERE is a place in front of the Royal Exchange where the wide pavement reaches out like a promontory. It is in the shape of a triangle with a rounded apex. A stream of traffic runs on either side, and other streets send their currents down into the open space before it. Like the spokes of a wheel converging streams of human life flow into this agitated pool. Horses and carriages, carts, vans, omnibuses, cabs, every kind of conveyance cross each other's course in every possible direction. Twisting in and out by the wheels and under the horses' heads, working a devious way, men and women of all conditions wind a path over. They fill the interstices between the carriages and blacken the surface, till the vans almost float on human beings. Now the streams slacken, and now they rush amain, but never cease; dark waves are always rolling down the incline opposite, waves swell out from the side rivers, all London converges into this focus. There is an indistinguishable noise—it is not clatter, hum, or roar, it is not resolvable; made up of a thousand thousand footsteps, from a thousand hoofs, a thousand wheels—of haste, and shuffle, and quick movements, and ponderous loads; no attention can resolve it into a fixed sound. Blue carts and yellow omnibuses, varnished carriages and brown vans, green omnibuses and red cabs, pale loads of yellow straw, rusty-red iron cluking on pointless carts, high white wool- packs, grey horses, bay horses, black teams; sunlight sparkling on brass harness, gleaming from carriage panels; jingle, jingle, jingle! An intermixed and intertangled, ceaselessly changing jingle, too,of colour; flecks of colour champed, as it were, like bits in the horses' teeth, frothed and strewn about, and a surface always of dark-dressed people winding like the curves on fast-flowing water. This is the vortex and whirlpool, the centre of human life today on the earth. Now the tide rises and now it sinks, but the flow of these rivers always continues. Here it seethes and whirls, not for an hour only, but for all present time, hour by hour, day by day, year by year.

I’d ask why you don’t want to be whipped, but I sense there’s a long heartfelt story behind it and I’ll feel sorry for you and I’m not really in the mood to feel pity. Maybe after a few more orgasms, I can fake sympathy. We’re just not there yet, champ.” “I like that nickname,” I said, taking her hand between mine. “Stud works too. King Cock is another favorite.” “How about Cock-A-Doodle-Doo?" “Too cartoony. I need something manlier. Cockinator.” Laughing, Raven yanked her hand away. “How about Robo Cock or White Cock Down? Ooh, Cockageddon.” “Independence Cock,” I suggested, laughing as I drank my juice. “Cock Hard or Cocky. You know the third one where Cocky goes to Russia.” Raven snorted. “Cocks on a Plane. No, Planet of the Cocks.” “Kindergarten Cock,” I said and Raven balked. “Did I take that too far?” “Perv. Oh, how about World War C?” “Too subtle.” “Iron Cock or Cock of Steel. You know, if you’re interested in the superhero route.” “Star Trek and superheroes. I sense the nerd is strong in this one.” “Fuck off. I saw the videogames at your stag shack.” “Wanna come over and play sometime?” I asked, giving her a wink. “Then, after we’re done playing, we can do that videogame thing you mentioned.” “Hang out time like you shared with Judd?” Expression hardening, I glared at her. “I never fucked Judd.” “Why? He’s hot.” Unable to keep up the façade, I laughed. “He’s a pretty fucker, ain’t he?” “Oh, yeah,” she sighed and I stopped laughing. Raven noticed and it was her turn to laugh. “He’s got those beautiful eyes.” “They’re beady rat eyes.” “He’s so strong.” “Puny girly man.” Raven licked her lips. “I bet he hung too.” I showed her my pinkie finger. “He’s barely this big when hard.” “And how do you know that if you two never fucked?” “Fine, we fucked, but we were pretty drunk and he is really pretty.” Raven nearly fell off her chair laughing. I felt intensely proud to make her lose her cool so thoroughly. After calming down, Raven threw up her hand and I high fived her. “You win,” she said, catching her breath. “I’ll play videogames at your place after fucking your brains out. Make you forget all about sexy Judd.

Once they were all checked in, LeRoy ushered them back out to the plaza. He clapped twice. “Work begins now!” Unsure, the Juniors clutched their strange glass scythes and stared at one another, then at Uncle Mort. “You heard the man!” he shouted in an uncharacteristically jubilant voice. “Go reap some souls—you know you want to! Group hug!” He gathered them up into a tight, almost crushing embrace. “Not a word out loud about this until I say so,” he hissed. “Or I will Damn you myself.” He let them go and waved. “Have fun, champs!

Cracking one eye open, I saw Kash sitting on the edge of my bed just staring at me with an amused expression. “Can I help you?” I mumbled against the pillow. “I’m hungry and want pancakes.” “You want . . . What are you, five?! Make your own. I even bought the easy-make pancakes last weekend. All you have to do is add water.” I rolled over and groaned. “Seven thirty? Kash, we didn’t get back from work until after one. You have got to stop waking me up so early. And how are you even in here?” He looked like he was fighting a smile and his eyes kept flashing up above mine. “Candice let me in.” Trying to act like I didn’t notice where his eyes kept going, and like I wasn’t flipping out because I was sure my hair looked like a hot mess, I slowly brought my arm up to brush back the hair from my face when my hand hit something that tugged at my forehead. “What the hell?” I tried to look straight up and even leaned my head back to try to follow whatever was at the very top of my forehead. I saw a blue tip and grabbed at it before yanking it off and holding it in front of my eyes. “A Nerf dart?!” Kash shamelessly pulled up a Nerf gun and waved it at his side. His eyes slid back up to my forehead and a hard laugh burst from his chest. Rolling back, he fell off the bed and landed with a dull thump on the floor. “What?” I snapped, and scrambled out of bed. As I made my way to the bathroom, I was hit once in the butt and once on my calf by more darts. “You’re such a child, Kash!” Flipping on the light, I blinked against the brightness before focusing on the mirror. A loud gasp filled the small room. “Logan Kash Hendricks! What did you do?” He was still cracking up as he got to his feet and came to stand behind me. “I just had to make sure it was on there real good. So I tested it a few times . . . you’re a really heavy sleeper, by the way.” “There is a hickey on my forehead!” His body was shaking from the laughter he was trying to keep in now. “It’s not funny! This better be gone by the time we go to work tonight.” “Don’t be mad, Sour Patch.” He planted his chin at the top of my head and brushed at my bangs. “You have those, they’ll cover it. Can we have pancakes now?” My eyes went wide and my jaw dropped as I continued to stare at him in the mirror. “No! Go make them yourself.” He frowned and brought the toy gun up in front of us. “I’ll let you shoot me.” I chewed on my bottom lip for a moment. Pancakes sounded really good right now. With a heavy sigh, I held my hand out. “Give me the gun.” As soon as it was in my hand, I went around collecting the three darts and put them back in with the other three still in there before aiming it right at his forehead. Kash smiled, closed his eyes, and took all six darts like a champ. When I was done he had little red marks all over his forehead, and though I knew his would be gone in a few minutes, I felt like he’d gotten it worse than I did. “Feel better?” “A little.” I handed the gun back to him and turned toward my door. “Let’s go make pancakes.” I’d barely hit the kitchen when I realized I didn’t hear him behind me. “And don’t even think about shooting me again, or you’ll be on your own for breakfast!” Whirling

I’m choking on my own tongue, frantically trying to think of something to say to repair the damage Mandy’s worked in the past ninety seconds, when a familiar voice fills the air. “I’m sorry, Alexi. I tried to stop her, but she wouldn’t listen.” “Diana?” I croak. “Yes, it’s me, and Mandy’s Mom has no idea you’re a champ in the sack. You’re safe, my friend.

Walking along the Champs-Elysées I keep thinking of my really superb health. When I say "health" I mean optimism, to be truthful. Incurably optimistic! Still have one foot in the nineteenth century. I'm a bit retarded, like most Americans. Carl finds it disgusting, this optimism. "I have only to talk about a meal," he says, "and you're radiant!" It's a fact. The mere thought of a meal – another meal – rejuvenates me. A meal! That means something to go on – a few solid hours of work, an erection possibly. I don't deny it. I have health, good solid, animal health. The only thing that stands between me and a future is a meal, another meal.

The 2013 collective bargaining agreement governing working conditions for SEC nonsupervisory employees goes as far as to provide that a certain number of employees can work from home five days a week.

If you have been feeling down and out, it is time to turn your life around. Dry those tears and find a way to win the game of life. You are capable of winning, no doubt. Just keep trying; do not give up, and soon enough, you will win like a champ.

champ /ʃɑ̃/ I. nm 1. (terre cultivable) field • dans un ~ de colza | in a field of rapeseed • des ~s de coton | cotton fields • couper or prendre à travers ~s | to cut across the fields • travailler aux ~s | to work in the fields • se promener dans les ~s | to walk in the fields • en pleins ~s | in open country 2. (étendue) field • ~ de glace | ice field • ~ de neige | snowfield • ~ pétrolifère or de pétrole | oil field • ~ de dunes | dunes (pl) 3. (domaine) field • mon ~ d'action/de recherche | my field of action/of research • le ~ culturel/politique | the cultural/political arena • le ~ des polémiques/investigations | the scope of the controversies/investigations • le ~ est libre, on peut y aller | (lit) the coast is clear, we can go; (fig) the way is clear, we can go • avoir le ~ libre | to have a free hand • laisser le ~ libre à qn | (gén) to give sb a free hand(en se retirant) to make way for sb 4. field • le ~ visuel | the field of vision • être dans le ~ | to be in shot • entrer dans le/sortir du ~ | to come into/go out of shot • être hors ~ | [personnage] to be offscreen ou out of shot • une voix hors ~ | an offscreen voice • prendre du ~ | (fig) to stand back 5. field • ~ acoustique/électrique/magnétique | sound/electric/magnetic field 6. field • ~ conceptuel/dérivationnel/lexical/sémantique | conceptual/derivational/lexical/semantic field 7. field • ~ de vecteurs/scalaires/tenseurs | vector/scalar/tensor field 8. field II. loc adv all the time voir aussi: sur-le-champ III. Idiome • mourir au champ d'honneur | to be killed in action

Praise for JAMES LEE BURKE “James Lee Burke is the reigning champ of nostalgia noir.” —The New York Times Book Review “A gorgeous prose stylist.” —Stephen King “James Lee Burke is the heavyweight champ, a great American novelist whose work, taken individually or as a whole, is unsurpassed.” —Michael Connelly “Burke’s evocative prose remains a thing of reliably fierce wonder.

Champs are the people who work the hardest. You can become a champ. Tomorrow tell me something you’ve done to become a champ.

The houses were left vacant on the land, and the land was vacant because of this. Only the tractor sheds of corrugated iron, silver and gleaming, were alive; and they were alive with metal and gasoline and oil, the disks of the plows shining. The tractors had lights shining, for there is no day and night for a tractor and the disks turn the earth in the darkness and they glitter in the daylight. And when a horse stops work and goes into the barn there is a life and a vitality left, there is a breathing and a warmth, and the feet shift on the straw, and the jaws champ on the hay, and the ears and the eyes are alive. There is a warmth of life in the barn, and the heat and smell of life. But when the motor of a tractor stops, it is as dead as the ore it came from. The heat goes out of it like the living heat that leaves a corpse. Then the corrugated iron doors are closed and the tractor man drives home to town, perhaps twenty miles away, and he need not come back for weeks or months, for the tractor is dead. And this is easy and efficient. So easy that the wonder goes out of work, so efficient that the wonder goes out of land and the working of it, and with the wonder the deep understanding and the relation. And in the tractor man there grows the contempt that comes only to a stranger who has little understanding and no relation. For nitrates are not the land, nor phosphates; and the length of fiber in the cotton is not the land. Carbon is not a man, nor salt nor water nor calcium. He is all these, but he is much more, much more; and the land is so much more than its analysis. The man who is more than his chemistry, walking on the earth, turning his plow point for a stone, dropping his handles to slide over an outcropping, kneeling in the earth to eat his lunch; that man who is more than his elements knows the land that is more than its analysis. But the machine man, driving a dead tractor on land he does not know and love, understands only chemistry; and he is contemptuous of the land and of himself. When the corrugated iron doors are shut, he goes home, and his home is not the land.

We need to get him away from here,” I said, “so we can interrogate him.” “Interrogate me?” Moreno sputtered a laugh. “You kids are cute, you know that? You escape from a helicopter crash and suddenly you’re outlaws. Let me tell you how this is going to work--” Daniel heaved Moreno to his feet. The man swung at him, but Daniel ducked easily and returned a one-two punch that left Moreno reeling. “Island wrestling champ,” I said. “Only third place in boxing, though, so you’re getting off easy.” Moreno steadied himself, then charged. I stuck out my foot and tripped him. “Ouch,” I said as he hit the ground. “That’s kind of embarrassing.

A Tribute to my Daughter well well well....twenty nine years have come and gone and oh so too quickly.... I tearfully remember my very first child and the dramatic night you came into our lives...you changed us forever Xio...you Blessed our lives....I remember also the first day you looked me straight in my eyes.. you were being held in my right hand after a bath..you turned your head towards me and stared at me like you had never done before...the instant that happened I knew you were acknowledging the fact that I was yours...that's how that look felt... you placed the stamp of your soul in my hands... I knew in that moment that my role as a Father had truly begun... that look told me so... you made it very clear.....no person on this planet ever touched my very soul the way my baby girl did with that first stare..the beautiful brown eyes.. the inquisitive little look that quickly turned in to a very meaningful stare... I actually had to take a sharp breath....I was hooked...hooked for life... now you have grown from the baby we so loved and took care of... the little girl we watched grow...the smart little teenager you became.. I remember our lovely trip to England and Paris.. somehow that trip was meant to be...just the two of us...my little girl and me....you were so very young....I remember the flight...the landing...the excitement in your face...the look in your eyes...and somehow on that trip as we walked along the Champs-Elysees in Paris....I caught a glimpses of the young lady that was in you... I saw the big heart, the loving smiles. the kindness you so openly show... and here we are now.. many years later....you have matured into a very fine young woman.. a bright future... a work of art. At 58 I have met many souls, thousands I think... people of so many types and personalities...so many differences, in so many different places.. yet every time I look at you and especially when I see that beautiful smile...I think to myself... God is real...and man oh man He's really...really....good. I wish you a wonderful Birthday Xio and many many more to come....God Bless you Xio... God Bless you. Love you this much, Dad