Chair Inspirational Quotes

What is it that would make a creature as fierce, majestic and powerful as a lion is, subject itself to the intimidation of a man a whip and a chair? The lion has been taught to forget what it is.

a woman's place is in the kitchen...sitting in a comfortable chair, with her feet up, drinking a glass of wine and watching her husband cook dinner.

The beautiful stranger cuddled Cindy, and she rocked the chair slightly as she spoke softly to her. “Suicide is a problem, not a solution. Humans you love would be hurt deeply if you left them. Becky Johnson and her parents would be crushed. Your grandparents in Florida never

The library smells like old books — a thousand leather doorways into other worlds. I hear silence, like the mind of God. I feel a presence in the empty chair beside me. The librarian watches me suspiciously. But the library is a sacred place, and I sit with the patron saint of readers. Pulsing goddess light moves through me for one moment like a glimpse of eternity instantly forgotten. She is gone. I smell mold, I hear the clock ticking, I see an empty chair. Ask me now and I'll say this is just a place where you can't play music or eat. She's gone. The library sucks.

Snowflakes swirl down gently in the deep blue haze beyond the window. The outside world is a dream. Inside, the fireplace is brightly lit, and the Yule log crackles with orange and crimson sparks. There’s a steaming mug in your hands, warming your fingers. There’s a friend seated across from you in the cozy chair, warming your heart. There is mystery unfolding.

Aslan didn't tell Pole what would happen. He only told her what to do. That fellow will be the death of us once he's up, I shouldn't wonder. But that doesn't let us off following the signs.

People look at a chair and say, “It’s just a chair,” but I like to think it’s more than a chair. I like to seek deeper meaning in things, even inanimate things. I know this makes me sound like a complete nutcase, but (a) I swear I’m not, and (b) it’s just an example.

It seems that a profound, impartial, and absolutely just opinion of our fellow-creatures is utterly unknown. Either we are men, or we are women. Either we are cold, or we are sentimental. Either we are young, or growing old. In any case life is but a procession of shadows, and God knows why it is that we embrace them so eagerly, and see them depart with such anguish, being shadows. And why, if this -- and much more than this is true -- why are we yet surprised in the window corner by a sudden vision that the young man in the chair is of all things in the world the most real, the most solid, the best known to us--why indeed? For the moment after we know nothing about him. Such is the manner of our seeing. Such the conditions of our love.

Fueled by my inspiration, I ran across the room to steal the cup of coffee the bookshelf had taken prisoner. Lapping the black watery brew like a hyena, I tossed the empty cup aside. I then returned to the chair to continue my divine act of creation. Hot blood swished in my head as my mighty pen stole across the page.

The beautiful stranger cuddled Cindy, and she rocked the chair slightly as she spoke softly to her. “Suicide is a problem, not a solution. Humans you love would be hurt deeply if you left them. Becky Johnson and her parents would be crushed. Your grandparents in Florida never forget to mention your name in their evening prayers. I have loved you before and since your first heartbeat. Your father loves you. He will be rightfully proud when I tell him about your brave attempt to protect Pretty Boy.” “You will speak to Daddy?” “I will.” “Please, may I know? Who are you?” “I am your guardian angel, Cindy.

I’m not scared of dying. Not at all. The only thing I’m scared of is not living while I’m still alive.

Inspiration comes when you stick your elbows on the table, your bottom on the chair and you start sweating. Choose a theme, an idea, and squeeze your brain until it hurts. That's called inspiration.

This imaginary gift is a journey for your imagination. I send you... A luxury train ride. On this train are all the inspiring people you've ever wanted to meet or talk to. You glide from car to car, sitting or lying down on velvet lounge chairs, listening and asking questions. There is also a voluminous library on the train, with every book you've ever wanted to read or look at. Kind people bring you delicious tidbits to eat and nourishing liquids to drink. If you take a nap, time stands still until you return so you never miss anything. You receive a large journal filled with photographs, drawings and descriptions of your journey to take with you when you leave. You realize that you can board this train at any time.

Mom always said I was born to sit in the electric chair, but I'm proving her wrong. I'm going to die on my knees, begging for my life.

My first interview was with eighty-eight-year-old folk artist Marcia Muth… ‘Your life does change as you get older,’ she told me. ‘You get into what’s important and what’s not’.

We don’t ask when people age out of singing, or eating ice cream; why would we stop making love?

The board chair should have a clear vision for the organization's future and be able to articulate it in a way that inspires and motivates the board and management.

Delk shifted in his chair, the arrow point never wavering. "What do you want?" "Oh, the usual.World peace, a pair of Christian Louboton heels, a perfect wedding.

The modern job market is like a game of musical chairs. You need to be the one with a chair when the music stops, or you're out of luck.

Being a writer all boils down to this: It's you, in a chair, staring at a page. And you're either going to stay in that chair until words are written, or you're going to give up and walk away. The great writers have to fight for their words. They have to choose to write, choose words over distractions, and their characters over their friends. Great writers can be lonely, exhausted souls. But through our characters, we live.

Actors, painters, dancers, comedians, even just ordinary people doing ordinary things, what are they without an audience of some sort? See, that's what I do. I am the audience. I am the witness, I am the great appreciator that's what I do and that's all I want to do. I worked for a lot of years. I did a lot of things for a lot of years. Now, here I am in the rocking chair, and I don't mind it, Lucille. I don't feel useless. I feel lucky.

The real bottleneck is software. Creating software can be done only the old-fashioned way. A human -sitting quietly in a chair with a pencil, paper and laptop- is going to have to write the codes... One can mass-produce hardware and increase it's power by piling on more and more chips, but you cannot mass-produce the brain.

You are born, go to school, and attend university in search of a husband. You get married - even if he is the worse man in the world - just so that others can't say no one wants you. You have children, grow old, and spend the end of your days watching passersby from a chair on the sidewalk, pretending to know everything about life yet unable to silence the voice in your heart that says: "You could try something else.

What matters is giving over to what you love.

I think all people have things in their past they need forgiveness for. In their present as well. And they need to be extended grace for what they regret.

No throne in the world can substitute a beach chair.

You need to let some light into whatever dark closest you’re hanging out in at the moment.

Dads are supposed to pursue sons, not the other way around.

I thought maybe if she could express herself rather than suffer herself, if she had a way to relieve the burden, she lived for nothing more than living, with nothing to get inspired by, to care for, to call her own, she helped out at the store, then came home and sat in her big chair and stared at her magazines, not at them but through them, she let the dust accumulate on her shoulders.

Suppose we have only dreamed, or made up, all of those things-trees and grass and sun and moon and stars and Aslan himself. Suppose we have. Then all I can say is that, in that case, the made-up things seem a good deal more important than the real ones... That's why I'm going to stand by the play world. I'm on Aslan's side even if there isn't any Aslan to lead it. I'm going to live like a Narnian even if there isn't any Narnia. --Puddleglum, The Silver Chair, C. S. Lewis

Remember, before they promoted to the chair of CEO, they were the best employees of their companies.

We all have a story to tell. Stories of how we survived this or that. Some are more dramatic than others but what a great story to tell. This is how I survived that!

If I died tomorrow, he wouldn’t cheer, he wouldn’t break down. He wouldn’t do anything.

Et j'avoue que la raison reste confondue en présence du prodige même de l'amour, de l'étrange obsession qui fait que cette même chair dont nous nous soucions si peu quand elle compose notre propre corps, nous inquiétant seulement de la laver, de la nourrir, et, s'il se peut, de l'empêcher de souffrir, puisse nous inspirer une telle passion de caresses simplement parce qu'elle est animée par une individualité différente de la nôtre, et parce qu'elle présente certains linéaments de beauté, sur lesquels, d'ailleurs, les meilleurs juges ne s'accordent pas.

An attachment grew up. What is an attachment? It is the most difficult of all the human interrelationships to explain, because it is the vaguest, the most impalpable. It has all the good points of love, and none of its drawbacks. No jealousy, no quarrels, no greed to possess, no fear of losing possession, no hatred (which is very much a part of love), no surge of passion and no hangover afterward. It never reaches the heights, and it never reaches the depths. As a rule it comes on subtly. As theirs did. As a rule the two involved are not even aware of it at first. As they were not. As a rule it only becomes noticeable when it is interrupted in some way, or broken off by circumstances. As theirs was. In other words, its presence only becomes known in its absence. It is only missed after it stops. While it is still going on, little thought is given to it, because little thought needs to be. It is pleasant to meet, it is pleasant to be together. To put your shopping packages down on a little wire-backed chair at a little table at a sidewalk cafe, and sit down and have a vermouth with someone who has been waiting there for you. And will be waiting there again tomorrow afternoon. Same time, same table, same sidewalk cafe. Or to watch Italian youth going through the gyrations of the latest dance craze in some inexpensive indigenous night-place-while you, who come from the country where the dance originated, only get up to do a sedate fox trot. It is even pleasant to part, because this simply means preparing the way for the next meeting. One long continuous being-together, even in a love affair, might make the thing wilt. In an attachment it would surely kill the thing off altogether. But to meet, to part, then to meet again in a few days, keeps the thing going, encourages it to flower. And yet it requires a certain amount of vanity, as love does; a desire to please, to look one's best, to elicit compliments. It inspires a certain amount of flirtation, for the two are of opposite sex. A wink of understanding over the rim of a raised glass, a low-voiced confidential aside about something and the smile of intimacy that answers it, a small impromptu gift - a necktie on the one part because of an accidental spill on the one he was wearing, or of a small bunch of flowers on the other part because of the color of the dress she has on. So it goes. And suddenly they part, and suddenly there's a void, and suddenly they discover they have had an attachment. Rome passed into the past, and became New York. Now, if they had never come together again, or only after a long time and in different circumstances, then the attachment would have faded and died. But if they suddenly do come together again - while the sharp sting of missing one another is still smarting - then the attachment will revive full force, full strength. But never again as merely an attachment. It has to go on from there, it has to build, to pick up speed. And sometimes it is so glad to be brought back again that it makes the mistake of thinking it is love. ("For The Rest Of Her Life")

She could have wept. It was bad, it was bad, it was infinitely bad! She could have done it differently of course; the colour could have been thinned and faded; the shapes etherealised; that was how Paunceforte would have seen it. But then she did not see it like that. She saw the colour burning on a framework of steel; the light of a butterfly’s wing lying upon the arches of a cathedral. Of all that only a few random marks scrawled upon the canvas remained. And it would never be seen; never be hung even, and there was Mr Tansley whispering in her ear, “Women can’t paint, women can’t write ...” She now remembered what she had been going to say about Mrs Ramsay. She did not know how she would have put it; but it would have been something critical. She had been annoyed the other night by some highhandedness. Looking along the level of Mr Bankes’s glance at her, she thought that no woman could worship another woman in the way he worshipped; they could only seek shelter under the shade which Mr Bankes extended over them both. Looking along his beam she added to it her different ray, thinking that she was unquestionably the loveliest of people (bowed over her book); the best perhaps; but also, different too from the perfect shape which one saw there. But why different, and how different? she asked herself, scraping her palette of all those mounds of blue and green which seemed to her like clods with no life in them now, yet she vowed, she would inspire them, force them to move, flow, do her bidding tomorrow. How did she differ? What was the spirit in her, the essential thing, by which, had you found a crumpled glove in the corner of a sofa, you would have known it, from its twisted finger, hers indisputably? She was like a bird for speed, an arrow for directness. She was willful; she was commanding (of course, Lily reminded herself, I am thinking of her relations with women, and I am much younger, an insignificant person, living off the Brompton Road). She opened bedroom windows. She shut doors. (So she tried to start the tune of Mrs Ramsay in her head.) Arriving late at night, with a light tap on one’s bedroom door, wrapped in an old fur coat (for the setting of her beauty was always that—hasty, but apt), she would enact again whatever it might be—Charles Tansley losing his umbrella; Mr Carmichael snuffling and sniffing; Mr Bankes saying, “The vegetable salts are lost.” All this she would adroitly shape; even maliciously twist; and, moving over to the window, in pretence that she must go,—it was dawn, she could see the sun rising,—half turn back, more intimately, but still always laughing, insist that she must, Minta must, they all must marry, since in the whole world whatever laurels might be tossed to her (but Mrs Ramsay cared not a fig for her painting), or triumphs won by her (probably Mrs Ramsay had had her share of those), and here she saddened, darkened, and came back to her chair, there could be no disputing this: an unmarried woman (she lightly took her hand for a moment), an unmarried woman has missed the best of life. The house seemed full of children sleeping and Mrs Ramsay listening; shaded lights and regular breathing.

Catharine’s office had two plants, three chairs, two desks, one hutch, six personal photos in standing frames, one of those clichéd motivational posters on the wall that had two crows tearing out the insides of a reasonably sized forest cat with the cheesy inspirational caption, “Unremittingly, you must stare into the sun,” and a clay paperweight most likely made by Catharine’s daughter (it was signed by your seed in adorable small-child handwriting).

The trouble with you is,” she said, “you sit in front of that window all the time where there’s nothing to look out at. You need some inspiration and an out-let. If you would let me pull your chair around to look at the TV, you would quit thinking about morbid stuff, death and hell and judgement. My Lord.

Everything--the section of comfortable chairs in the middle, the long colourful chains that dangled lights from the ceiling--seemed designed to make you feel like you were part of something larger, without actually being made to feel small.

Just start somewhere," Dr. Marshall had said to me as I ground a banana-pineapple one to bits between my teeth. "It doesn't have to be at the beginning." She'd pulled her legs up, Indian-style, letting the legal pad she'd been holding drop to the floor. "I thought everything always had to start at the beginning," I said. "Not in this room," she said easily. "Go ahead, Caitlin. Just tell me one thing. It gets easier, I promise. The first thing is always the hardest." I looked down at my hands, stained mildly red from the particularly sticky watermelon Rancher. "Okay," I said, reaching forward to take another one out of the bowl, just in case. She was already sitting back in her chair, readying herself for whatever glimpse I would give her into the mess I'd become. "What was the name of Pygmalion's sister?" She blinked, twice, obviously surprised. "Ummm," she said, keeping her eyes on me. "I don't know." "Rogerson did," I told her. "Rogerson knew everything.

Hilbert, who was always down-to-earth, liked to say: ‘One must always be able to say “tables, chairs, beer-mugs”, instead of “points, lines, planes”.

Degree lets you to the chair of interview, but it cannot provide you job

Desks are terrible places, no matter how many wheels a chair might have. You can't do much about how drawers fill up.

Billy got off his lounge chair now, went into the bathroom and took a leak. The crowd went wild.

IM GONNA RAPE ALL YALLS CHAIRS

Time is an ocean without any bottom. We are getting lost while searching for an atom. Time is a river without any beginning or end, one way flow of life, without any stop or bend. Time is rocking and moving Like a rocking chair. Life is beginning and ending but going no where.

When your chair is positioned facing the wall, you see the wall. When it is positioned facing the sea, you see the sea. The same is true for us. Perspective is everything. Align with the divine.

Inspiration comes when you stick your elbows on the table and your bottom on the chair and start sweating. Choose a theme, an idea, and squeeze your brain until it hurts. That’s called inspiration.

Today, I will focus on the present and not worry about the future or how my story will end. The story will end when it is supposed to, and it will end with greatness because it will be a life well-lived.

Its not that he didn’t appreciate his dishwasher. There was something about washing dishes by hand that was therapeutic, as if he could wash away the regrets of the past and photos he wanted to wipe out of his memory forever.

Well, yes, there were quite a lot of books throughout, tumbling out of haphazardly placed bookshelves, stacked beneath chairs, beside beds, even in the bottoms of a closet or two. But I was never a "collector." My love of books is a love of what they contain; they hold knowledge as a pitcher holds water, as a dress contains the mystery of a woman's exquisite body. Their physicality matters--do not speak to me of storing books as bytes!--but they should not inspire fetishistic devotion.

My mother said the bizarre name Raccoona had surely been inspired, at least on a subliminal level, by the masks raccoons don't wear but simply have - the ones given them by nature..... [S]he pointed out that Le Guin had suspected all along that Raccoona and Tiptree were two authors that came from the same source, but in a letter to Alice she wrote that she preferred Tiptree to Raccoona: 'Raccoona, I think, has less control, thus less wit and power.' Le Guin, Mother said, had understood something deep. 'When you take on a male persona, something happens.' When I asked her what that was, she sat back in her chair, waved her arm, and smiled. 'You get to be the father.

It’s only sixteen ninety-five," I say with a flutter of my lashes. "You’re serious." I prop my hands on my waist and stick out a hip, striking a pose worthy of a supermodel. "Look at me. Don’t I look serious?" She collapses into the chair outside the dressing room in a fit of giggles so cute they make my insides fizz. "No! You must be stopped," she says. "Why?" I strut down an aisle of yellowed lingerie, swiveling my hips, batting bras with flicks of my fingers. "I will be the king of the disco. I will be—" I spin and strike another pose. "An inspiration." She sniffs and swipes at her eyes. "The real Dylan would die before he’d be seen in public in something like that." "The real Dylan is boring." I brace my hands on the arms of her chair and lean down until our faces are a whisper apart. "And he’s not one fourth the kisser I am." "Is that right?" Her lips quirk. "You know it is." Her smile melts, and her breath comes faster. "Yeah. I do.

and fit, and he carried himself with a confident poise that inspired trust and respect. He gestured at one of the two seats in front of his glass-and-chrome desk and waited until I sat to settle into his Aeron chair. Against the backdrop of sky and skyscrapers, Mark looked accomplished and powerful.

I love my God. I thank my Allah. I talk to him all day. He is the greatest. By giving me this height to reach people, he has also given me great responsibilities. Peace in every home, every street, every village, every country – this is my dream. Education for every boy and every girl in the world. To sit down on a chair and read my books with all my friends at school is my right. To see each and every human being with a smile of happiness is my wish.

Why not, above all, learn to look more generously at each other as well as at ourselves?

this chair where i sit and write my poems is beat up and scratched, held together with wire, tape and hope. you figure it out.

That mini heart attack you have when you realize you tipped your chair back just a little too far.

As oxygen is to the blood, so the Holy Spirit is to our spiritual lives.

When memories chase you in the middle of the night, and you see that empty chair, that silent sigh heavy in the breeze. What do you call it? Agony or Love's exquisite cry?

You know, people think I’m a little crazy because of what I do for fun, but I don’t think I have anything on you.

Did you know that almost everybody has stuff in their life they don’t like dealing with? And stuff they’re scared of?

Real life isn’t like those comic books you love so much.

On your heart, what are you hearing from God?

All I saw in his eyes during my last impromptu was visit was apathy. A healthy dose of it. It’s not that he hates me; it’s that he’s devoid of any type of emotions toward me.

Don’t do that to me. Losing you would not be good for my mental health, get it?

I’ll persuade you to tell me all about what kind of waters you’ve muddled your feet in, and I’ll tell you about the trouble I’ve led skirmishes into for the past decade.

Have you ever told him how you feel? What he meant to you, what he probably still means to you?

I have to fight the dreams every night, brother. I can’t do it in real life as well.

Inspiration is the act of drawing the chair up to the writing table.

There is something much better than sitting on an empty chair and that is to watch it and to let it to inspire you to think deeply!

Reality, at first glance, is a simple thing: the television speaking to you now is real. Your body sunk into that chair in the approach to midnight, a clock ticking at the threshold of awareness. All the endless detail of a solid and material world surrounding you. These things exist. They can be measured with a yardstick, a voltammeter, a weighing scale. These things are real. Then there’s the mind, half-focused on the TV, the settee, the clock. This ghostly knot of memory, idea and feeling that we call ourself also exists, though not within the measurable world our science may describe. Consciousness is unquantifiable, a ghost in the machine, barely considered real at all, though in a sense this flickering mosaic of awareness is the only true reality that we can ever know. The Here-and-Now demands attention, is more present to us. We dismiss the inner world of our ideas as less important, although most of our immediate physical reality originated only in the mind. The TV, sofa, clock and room, the whole civilisation that contains them once were nothing save ideas. Material existence is entirely founded on a phantom realm of mind, whose nature and geography are unexplored. Before the Age of Reason was announced, humanity had polished strategies for interacting with the world of the imaginary and invisible: complicated magic-systems; sprawling pantheons of gods and spirits, images and names with which we labelled powerful inner forces so that we might better understand them. Intellect, Emotion and Unconscious Thought were made divinities or demons so that we, like Faust, might better know them; deal with them; become them. Ancient cultures did not worship idols. Their god-statues represented ideal states which, when meditated constantly upon, one might aspire to. Science proves there never was a mermaid, blue-skinned Krishna or a virgin birth in physical reality. Yet thought is real, and the domain of thought is the one place where gods inarguably ezdst, wielding tremendous power. If Aphrodite were a myth and Love only a concept, then would that negate the crimes and kindnesses and songs done in Love’s name? If Christ were only ever fiction, a divine Idea, would this invalidate the social change inspired by that idea, make holy wars less terrible, or human betterment less real, less sacred? The world of ideas is in certain senses deeper, truer than reality; this solid television less significant than the Idea of television. Ideas, unlike solid structures, do not perish. They remain immortal, immaterial and everywhere, like all Divine things. Ideas are a golden, savage landscape that we wander unaware, without a map. Be careful: in the last analysis, reality may be exactly what we think it is.

we're looking for a planeet on the strength of a song. it's crazy I know, but its the only chance we have to do something useful." ...Evan Wilson said gravely "I think you're as crazy as Heinrich Schliemann - and you know what happened to him!" "What" ... "you don't know what happened to him?" she asked her blue eyes widening in astonishment."Ever read Homer's Iliad, Captain?" ... "I don't know what translation you read Doctor, but there was no Heinrich Schliemann in mine - or in the Odyssey." "That depends on how you look at it." smiling she settled back into her chair and went on,"Heinrich Schliemann was from Earth, pre-federation days, and he read Homer too. No, not just read him, believed him. So he set out at his own expense-mind you, I doubt he could have found anyone else to fund such a crazy endeavor - to find Troy, a city that most of the educated people of his time considered pure invention on Homer's part." "And?" "And he found it. Next time you're on earth, stop by the Troy Museum. the artifacts are magnificent, and every one of them was found on the strength of a song.

I was scared of living a life not worth the living. Why did I deserve to live when my sister had died? I was responsible now for two lives, my sister's and my own, and, damn, I'd better live well.

Les mots trompent, puisque celui de plaisir couvre des réalités contradictoires, comporte à la fois les notions de tiédeur, de douceur, d'intimité des corps, et celles de violence, d'agonie et de cri. La petite phrase obscène de Poseidonius sur le frottement de deux parcelles de chair [...] ne définit pas plus le phénomène de l'amour que la corde touchée du doigt ne rend compte du miracle des sons.

There are situations in life which are beyond one. The sensible man realizes this, and slides out of such situations, admitting himself beaten. Others try to grapple with them, but it never does any good. When affairs get in a real tangle, it is best to sit still and let them straighten themselves out. Or, if one does not do that, simply to think no more about them. This is Philosophy. The true philosopher is the man who says "All right," and goes to sleep in his arm-chair. One's attitude towards Life's Little Difficulties should be that of the gentleman in the fable, who sat down on an acorn one day and happened to doze. The warmth of his body caused the acorn to germinate, and it grew so rapidly that, when he awoke, he found himself sitting in the fork of an oak sixty feet from the ground. He thought he would go home, but, finding this impossible, he altered his plans. "Well, well," he said, "if I cannot compel circumstances to my will, I can at least adapt my will to circumstances. I decide to remain here." Which he did, and had a not unpleasant time. The oak lacked some of the comforts of home, but the air was splendid and the view excellent. Today's Great Thought for Young Readers. Imitate this man.

we have faith to sit in a chair, and continue to believe in its foundation that holds us up. If we have faith in God, the foundation will hold us both up, so its our decision to take the seat and trust him.

I ain’t never had me a single round in a professional, boxin’ ring. I’m whatcha call a street fighter, a knuckle brawler. Knives, beer bottles, chairs, chains, rocks, sticks, tire irons, and even teeth. Ya name it. I’ve seen ‘em all. And I tell ya what. When it comes to fightin,’ the quickest way to double your money in a fight is to fold it over. That don’t mean ya give up or quit. It means ya work with whatcha got and whatcha know.

I calculated how easy it would be to pull a chair next to the windowsill, climb up, and simply allow my body to fall four stories to the street. Then an inner voice broke in, "There's got to be something more. Go find it.

His vast room was vacant and dark, cave-like, with him as the only occupant, alone in his chair and staring at the candle's flame on his desk, which seemed to live and breathe. He didn't quite know why, but he felt alone.

Espresso The black coffee they serve out of doors among tables and chairs gaudy as insects. Precious distillations filled with the same strength as Yes and No. It’s carried out from the gloomy kitchen and looks into the sun without blinking. In the daylight a dot of beneficent black that quickly flows into a pale customer. It’s like the drops of black profoundness sometimes gathered up by the soul, giving a salutary push: Go! Inspiration to open your eyes.

Sometimes, I experience God like this beautiful nothing’, he said, ‘and it seems then as though the whole point of life is just to rest in it. To contemplate it, and love it, and eventually to disappear into it. And then, other times, it's just the opposite. God feels like a presence that engorges everything. I come out here and it seems the divine is running rampant. That the marsh, the whole of creation, is some dance God is doing and we’re meant to step into it. That's all.’" - Whit

No! He tried to shout out but the water surged into his mouth and lungs choking his cry. Then darkness. And nothingness. Always the nothingness. Thicker this time as if it had fingers pulling him down and pulling the life out of him. Pulling his soul out of him.

Si l'on est d'un pays, si l'on y est né, comme qui dirait : natif-natal, eh bien, on l'a dans les yeux, la peau, les mains, avec la chevelure de ses arbres, la chair de sa terre, les os de ses pierres, le sang de ses rivières, son ciel, sa saveur, ses hommes et ses femmes...

Fear of change—innate, stubborn, and resistant to reason—is a powerful force. In many ways, it reminded me of Musical Chairs: We cling as long as possible to the perceived “safe” place that we already know, refusing to loosen our grip until we feel sure another safe place awaits.

To pass its threshold was to return to stagnation; to cross the silent hall, to ascend the darksome staircase, to seek my own lonely little room, and then to meet tranquil Mrs. Fairfax, and spend the long winter evening with her, and her only, was to quell wholly the faint excitement wakened by my walk,—to slip again over my faculties the viewless fetters of an uniform and too still existence; of an existence whose very privileges of security and ease I was becoming incapable of appreciating. What good it would have done me at that time to have been tossed in the storms of an uncertain struggling life, and to have been taught by rough and bitter experience to long for the calm amidst which I now repined! Yes, just as much good as it would do a man tired of sitting still in a “too easy chair” to take a long walk: and just as natural was the wish to stir, under my circumstances, as it would be under his.

He glanced through the kitchen door at Tori sitting in front of his laptop. Would they be together in two months? Two years? Two decades? Did he want to be with her that long? Maybe. He didn’t know and suspected she didn’t know either. Three months together wasn’t long enough to know, Actually it was. but he still needed time to…

Dustbin, chair, bathroom, bedroom... all kind of dirty and clean things can fit perfectly well in the house. Similarly, all kind of people can fit perfectly in life if you just define your boundaries and set your priorities right. Don’t sit near dustbin, don’t keep garbage on chair, don’t bath in bedroom and don’t sleep in bathroom.

No. Clearly the title of the most drool inspiring hunk of handsome goes to Max Rigel even if he is a blackhearted fiend. But Darius isn’t a bad second,” Geraldine said, a faint blush lining her cheeks. Sofia started laughing and Darcy covered her mouth to hide her grin. Diego looked like he’d like to be absolutely anywhere else.  “What?” Caleb asked, his brows pinching with irritation as I snorted a laugh. “You’re ranking me third?” “No! Of course not!” Geraldine said loudly, seeming horrified. “Seth Capella would be third.” I fell back into my chair, clutching my stomach as my laughter grew out of control and Caleb tried his hardest not to look as disgusted as he clearly was.

Tu joues ? Oui, c'est ça, tu joues, tu t'amuses avec les gens qui t'entourent, c'est très clair à présent, voilà comment tu considères le monde et tes proches, nous ne sommes pour toi que des personnages de roman, que des marionettes que tu mets en scène, rien d'autre que... que de la chair à fiction...c'est terriblement cruel... et méprisant.

Peeta and I grow back together. There are still moments when he clutches the back of a chair and hangs on until the flashbacks are over. I wake screaming from nightmares of mutts and lost children. But his arms are there to comfort me. And eventually his lips. On the night I feel that thing again, the hunger that overtook me on the beach, I know this would have happened anyway. That what I need to survive is not Gale's fire, kindled with rage and hatred. I have plenty of fire myself. What I need is the dandelion in the spring. The bright yellow that means rebirth instead of destruction. The promise that life can go on, no matter how bad our losses. That it can be good again. And only Peeta can give me that. So after, when he whispers, 'You love me. Real or not real?' I tell him, 'Real.

THE MANY FACES OF SURVIVAL Sunday, August 10th at 2:00 PST Dachau Liberator, medical whistle-blower, award winning writer, college professor and world renowned garlic farmer, Chester Aaron, talks about the hard choices he’s had to make, why he made them, and how it’s changed his life. Mr. Aaron was recognized by the National Endowment for the Arts, and received the Huntington Hartford Foundation fellowship which was chaired by Aldous Huxley and Tomas Mann. He also inspired Ralph Nader to expose the over-radiation of blacks in American hospitals. Now Mr. Aaron is a world-renowned garlic farmer who spends his days writing about the liberation of Dachau. He is 86 years old and he has a thousand stories to tell. Although he has published over 17 books, he is still writing more and looks forward to publishing again soon.

When Elizabeth finally descended the stairs on her way to the dining room she was two hours late. Deliberately. “Good heavens, you’re tardy, my dear!” Sir Francis said, shoving back his chair and rushing to the doorway where Elizabeth had been standing, trying to gather her courage to do what needed to be done. “Come and meet my guests,” he said, drawing her forward after a swift, disappointed look at her drab attire and severe coiffure. “We did as you suggested in your note and went ahead with supper. What kept you abovestairs so long?” “I was at prayer,” Elizabeth said, managing to look him straight in the eye. Sir Francis recovered from his surprise in time to introduce her to the three other people at the table-two men who resembled him in age and features and two women of perhaps five and thirty who were both attired in the most shockingly revealing gowns Elizabeth had ever seen. Elizabeth accepted a helping of cold meat to silence her protesting stomach while both women studied her with unhidden scorn. “That is a most unusual ensemble you’re wearing, I must say,” remarked the woman named Eloise. “Is it the custom where you come from to dress so…simply?” Elizabeth took a dainty bite of meat. “Not really. I disapprove of too much personal adornment.” She turned to Sir Francis with an innocent stare. “Gowns are expensive. I consider them a great waste of money.” Sir Francis was suddenly inclined to agree, particularly since he intended to keep her naked as much as possible. “Quite right!” he beamed, eyeing the other ladies with pointed disapproval. “No sense in spending all that money on gowns. No point in spending money at all.” “My sentiments exactly,” Elizabeth said, nodding. “I prefer to give every shilling I can find to charity instead.” “Give it away?” he said in a muted roar, half rising out of his chair. Then he forced himself to sit back down and reconsider the wisdom of wedding her. She was lovely-her face more mature then he remembered it, but not even the black veil and scraped-back hair could detract from the beauty of her emerald-green eyes with their long, sooty lashes. Her eyes had dark circles beneath them-shadows he didn’t recall seeing there earlier in the day. He put the shadows down to her far-too-serious nature. Her dowry was creditable, and her body beneath that shapeless black gown…he wished he could see her shape. Perhaps it, too, had changed, and not for the better, in the past few years. “I had hoped, my dear,” Sir Francis said, covering her hand with his and squeezing it affectionately, “that you might wear something else down to supper, as I suggested you should.” Elizabeth gave him an innocent stare. “This is all I brought.” “All you brought?” he uttered. “B-But I definitely saw my footmen carrying several trunks upstairs.” “They belong to my aunt-only one of them is mine,” she fabricated hastily, already anticipating his next question and thinking madly for some satisfactory answer. “Really?” He continued to eye her gown with great dissatisfaction, and then he asked exactly the question she’d expected: “What, may I ask, does your one truck contain if not gowns?” Inspiration struck, and Elizabeth smiled radiantly. “Something of great value. Priceless value,” she confided. All faces at the table watched her with alert fascination-particularly the greedy Sir Francis. “Well, don’t keep us in suspense, love. What’s in it?” “The mortal remains of Saint Jacob.

Oppie had found the time to coauthor a paper with Hans Bethe, published in Physical Review, on electron scattering. That year he was nominated for the Nobel Prize in physics—but the Nobel committee evidently hesitated to give the award to someone whose name was so closely associated with Hiroshima and Nagasaki. Over the next four years, he published three more short physics papers and one paper on biophysics. But after 1950, he never published another scientific paper. “He didn’t have Sitzfleisch,” said Murray Gell-Mann, a visiting physicist at the Institute in 1951. “Perseverance, the Germans call it Sitzfleisch, ‘sitting flesh,’ when you sit on a chair. As far as I know, he never wrote a long paper or did a long calculation, anything of that kind. He didn’t have patience for that; his own work consisted of little aperçus, but quite brilliant ones. But he inspired other people to do things, and his influence was fantastic.

Never play the princess when you can be the queen: rule the kingdom, swing a scepter, wear a crown of gold. Don’t dance in glass slippers, crystal carving up your toes -- be a barefoot Amazon instead, for those shoes will surely shatter on your feet. Never wear only pink when you can strut in crimson red, sweat in heather grey, and shimmer in sky blue, claim the golden sun upon your hair. Colors are for everyone, boys and girls, men and women -- be a verdant garden, the landscape of Versailles, not a pale primrose blindly pushed aside. Chase green dragons and one-eyed zombies, fierce and fiery toothy monsters, not merely lazy butterflies, sweet and slow on summer days. For you can tame the most brutish beasts with your wily wits and charm, and lizard scales feel just as smooth as gossamer insect wings. Tramp muddy through the house in a purple tutu and cowboy boots. Have a tea party in your overalls. Build a fort of birch branches, a zoo of Legos, a rocketship of Queen Anne chairs and coverlets, first stop on the moon. Dream of dinosaurs and baby dolls, bold brontosaurus and bookish Belle, not Barbie on the runway or Disney damsels in distress -- you are much too strong to play the simpering waif. Don a baseball cap, dance with Daddy, paint your toenails, climb a cottonwood. Learn to speak with both your mind and heart. For the ground beneath will hold you, dear -- know that you are free. And never grow a wishbone, daughter, where your backbone ought to be.

Rowan didn’t speak as she turned on her heel and strode to the door. Didn’t speak as she opened it, exited, and shut it behind her with a gentle click. Then he swiveled in his chair and leveled Sean with a dark glare. “What the hell just happened?” “That’s called a strikeout,” Sean said with a grin. “I’ve never seen you crash and burn like that, my friend.” “I know. Embarrassing is what it is. I mean, really.” Rowan tangled his fingers through his hair. “You got a better response than I did.” “Please, I got nothing, same as you.” Rowan offered him a sheepish smile. “I know. But I felt the heat pulsing off you the moment she stepped into the office. Then I saw the fantasies you were weaving about her and decided to throw you a bone. So you want her, huh?” Sean lost his grin but managed to shrug. “Doesn’t matter. Unless you picked up on her weaving fantasies about me?” A sigh. “Sorry. Her mind was a blank slate to me. I didn’t pick up on a single thought, emotion, or desire. It’s like she operates on a completely different frequency than the rest of the world.” She probably did, with all those wires and chips in her head. “Still,” Rowan continued, “we can call Bill and tell him you’re the one who should be—” “Nope.” The word burned his tongue, and he hated himself for saying it, but he didn’t take it back. Success was too important. “I don’t exactly inspire trust in the women I date. The opposite, in fact. Something about me makes people distrust every word and action.” His affiliation with the shadows, with darkness, most likely. They must have sensed it on some level. “You’re better at romancing and I’m better at killing.

The family came in to select the arrangements they wanted. The woman whose husband had died was struggling dearly to keep her voice intact long enough to place the order. It wasn't long before she broke down. Wendy didn't say a word. She moved from behind the counter to find a chair for the woman. She eased her into it. She sat beside her and let her cry. Quiet, not speaking. She brought tissues when the moment asked for it. The woman's crying slowly came to a stop. She wiped her eyes, and she looked at Wendy. And she smiled. Just a little one. And she said, "Thank you.

ESTABLISHING A DAILY MEDITATION First select a suitable space for your regular meditation. It can be wherever you can sit easily with minimal disturbance: a corner of your bedroom or any other quiet spot in your home. Place a meditation cushion or chair there for your use. Arrange what is around so that you are reminded of your meditative purpose, so that it feels like a sacred and peaceful space. You may wish to make a simple altar with a flower or sacred image, or place your favorite spiritual books there for a few moments of inspiring reading. Let yourself enjoy creating this space for yourself. Then select a regular time for practice that suits your schedule and temperament. If you are a morning person, experiment with a sitting before breakfast. If evening fits your temperament or schedule better, try that first. Begin with sitting ten or twenty minutes at a time. Later you can sit longer or more frequently. Daily meditation can become like bathing or toothbrushing. It can bring a regular cleansing and calming to your heart and mind. Find a posture on the chair or cushion in which you can easily sit erect without being rigid. Let your body be firmly planted on the earth, your hands resting easily, your heart soft, your eyes closed gently. At first feel your body and consciously soften any obvious tension. Let go of any habitual thoughts or plans. Bring your attention to feel the sensations of your breathing. Take a few deep breaths to sense where you can feel the breath most easily, as coolness or tingling in the nostrils or throat, as movement of the chest, or rise and fall of the belly. Then let your breath be natural. Feel the sensations of your natural breathing very carefully, relaxing into each breath as you feel it, noticing how the soft sensations of breathing come and go with the changing breath. After a few breaths your mind will probably wander. When you notice this, no matter how long or short a time you have been away, simply come back to the next breath. Before you return, you can mindfully acknowledge where you have gone with a soft word in the back of your mind, such as “thinking,” “wandering,” “hearing,” “itching.” After softly and silently naming to yourself where your attention has been, gently and directly return to feel the next breath. Later on in your meditation you will be able to work with the places your mind wanders to, but for initial training, one word of acknowledgment and a simple return to the breath is best. As you sit, let the breath change rhythms naturally, allowing it to be short, long, fast, slow, rough, or easy. Calm yourself by relaxing into the breath. When your breath becomes soft, let your attention become gentle and careful, as soft as the breath itself. Like training a puppy, gently bring yourself back a thousand times. Over weeks and months of this practice you will gradually learn to calm and center yourself using the breath. There will be many cycles in this process, stormy days alternating with clear days. Just stay with it. As you do, listening deeply, you will find the breath helping to connect and quiet your whole body and mind. Working with the breath is an excellent foundation for the other meditations presented in this book. After developing some calm and skills, and connecting with your breath, you can then extend your range of meditation to include healing and awareness of all the levels of your body and mind. You will discover how awareness of your breath can serve as a steady basis for all you do.

She made a fool of me.” “And who’s not a fool? Who gets from the birthing chair to the grave with dignity? What prize do the gods hand out to people who never let themselves care about anything enough to be disappointed by the loss? Look around you, Captain. Everyone who laughs at you or cringes away? They’re all thinking of some time when it was them. Some race they ran and came in last, someone they wooed who didn’t want them, some moment of glory they reached for and wound up with an empty hand for the trouble. We’re all fools. Everyone. That’s why we hate fools so much. They’re the echoes of when we were vulnerable in front of the world ourselves, and that’s hard for us to forgive.

She is a very beautiful young lady. I can see what drove Arthur to do what he did.” “Can you?” I fired back at her. My voice was so harsh she fell back into the chair. Now I stood, my temper flaring like Papa’s would. “Your husband just appreciated my sister’s beauty? That’s all it was? An artist being inspired? That’s all that went on here? Do you think I’m that stupid?” I caught my breath. “All right. You came to fulfill your promise to him. I appreciate your devotion to your husband, but this doesn’t change anything, Mrs. Price. Your husband took advantage of my sister. He used art as an excuse to sexually abuse her. I’m afraid we’re going to leave it at that. And you’re lucky that’s all we’ll do.

A late arrival had the impression of lots of loud people unnecessarily grouped within a smoke-blue space between two mirrors gorged with reflections. Because, I suppose, Cynthia wished to be the youngest in the room, the women she used to invite, married or single, were, at the best, in their precarious forties; some of them would bring from their homes, in dark taxis, intact vestiges of good looks, which, however, they lost as the party progressed. It has always amazed me - the capacity sociable weekend revelers have of finding almost at once, by a purely empiric but very precise method, a common denominator of drunkenness, to which everybody loyally sticks before descending, all together, to the next level. The rich friendliness of the matrons was marked by tomboyish overtones, while the fixed inward look of amiably tight men was like a sacrilegious parody of pregnancy. Although some of the guests were connected in one way or another with the arts, there was no inspired talk, no wreathed, elbow-propped heads, and of course no flute girls. From some vantage point where she had been sitting in a stranded mermaid pose on the pale carpet with one or two younger fellows, Cynthia, her face varnished with a film of beaming sweat, would creep up on her knees, a proffered plate of nuts in one hand, and crisply tap with the other the athletic leg of Cochran or Corcoran, an art dealer, ensconced, on a pearl-grey sofa, between two flushed, happily disintegrating ladies. At a further stage there would come spurts of more riotous gaiety. Corcoran or Coransky would grab Cynthia or some other wandering woman by the shoulder and lead her into a corner to confront her with a grinning imbroglio of private jokes and rumors, whereupon, with a laugh and a toss of her head, he would break away. And still later there would be flurries of intersexual chumminess, jocular reconciliations, a bare fleshy arm flung around another woman's husband (he standing very upright in the midst of a swaying room), or a sudden rush of flirtatious anger, of clumsy pursuit-and the quiet half smile of Bob Wheeler picking up glasses that grew like mushrooms in the shade of chairs. ("The Vane Sisters")

My dad gave me these charms, and each one represents something different. The raven protects against black magic. The bear inspires courage. The fish signifies a refusal to recognize other people’s magic.” “I never knew those charms had meaning.” Absently, Vivian reaches up and touches her own necklace. Looking closely at the pewter pendant for the first time, Molly asks, “Is your necklace—significant?” “Well, it is to me. But it doesn’t have any magical qualities.” She smiles. “Maybe it does,” Molly says. “I think of these qualities as metaphorical, you know? So black magic is whatever leads people to the dark side—their own greed or insecurity that makes them do destructive things. And the warrior spirit of the bear protects us not only from others who might hurt us but our own internal demons. And I think other people’s magic is what we’re vulnerable to—how we’re led astray. So . . . my first question for you is kind of a weird one. I guess you could think of it as metaphorical, too.” She glances at the tape recorder once more and takes a deep breath. “Okay, here goes. Do you believe in spirits? Or ghosts?” “My, that is quite a question.” Clasping her frail, veined hands in her lap, Vivian gazes out the window. For a moment Molly thinks she isn’t going to answer. And then, so quietly that she has to lean forward in her chair to hear, Vivian says, “Yes, I do. I believe in ghosts.” “Do you think they’re . . . present in our lives?” Vivian fixes her hazel eyes on Molly and nods. “They’re the ones who haunt us,” she says. “The ones who have left us behind.

If you objectively look at life as a whole, it’s a daunting and impossible process. There are just far too many obstacles for one person alone to conquer. The world sucks. People are judged rather than accepted. Hate spreads far more easily than love. Power and money are valued more than morality. Insecurities are preyed upon rather than quelled.” His intense gaze never left mine when he asked, “Why would any of us want to live like that?” I didn’t have an answer for him because I sure as hell didn’t. And then he set his folder aside, leaned back in his chair, crossed his legs, and saved my life. “Because life isn’t lived as a whole. You aren’t given a hundred years all at once. Time is doled out one very manageable second at a time. Stop looking at the big picture and find happiness in the seconds.

A very big problem we have, as a human race, is our repeated failure to identify and to acknowledge all of the parts within us and we collectively and individually spend time and energy on denying so many inner natures, in a hot pursuit of moral codes and annoying virtues, that we have shrunken away within ourselves and left on top merely a malnourished container which feeds on static energy (knee jerk emotions, responses to stimuli, etc.). We are afraid of the creatures that roam the woodlands within us and we are afraid of the abandoned castles, eerie lakes, old songs, forgotten gazebos, all of which are established on the inside of the mind. There is maybe an old chair in a corner of a diner inside of your mind and you push it away and away and further away instead of going back to it, to sit down on it, to have a milkshake at that table. We have forged a worldwide culture wherein we are constantly struggling towards a moral good and it is supposed to be a daily attainment, and yet, nobody ever is good enough at the end of the day. And so we have cut off pieces of ourselves–arms and legs–because everything is nothing, or is wrong, in our bids to be worthy. No wonder we are all so lonely. We have amputated ourselves, and one another, in a bid to run away from the souls which take residence inside of us. Then we blame this loneliness on the world, or on other people's cowardice, or on the stupidity of the human race... we have failed to embrace the monsters within us long enough to give them chances to sprout silky wings and we have failed to embrace the laughs that we wish to free from our chests, if they do not fall into the norms of the standards for our own acceptance. No wonder we are so lonely. We are not lonely because we don't have one another; we are lonely because we do not have our own selves!

A splash of light snuck beneath the a dressing room door. He heard a groan. A shuffle. A bump. A heavy sigh. "Uh, too tight." He walked toward the back, stopping outside the dressing room. The door was cracked a fraction. He rested a shoulder against the wall, and glanced inside. Grace as Catwoman blew his mind. A feline fantasy. The three-way mirror tripled his pleasure. He viewed her from every angle. Hot, sleek, fierce. The lady could fight Batman in her skintight black leather catsuit and come out the winner. After a moment she scrunched her nose, slapped her palms against her thighs. Stuck out her tongue at her reflection in the mirrors. He saw what had her so frustrated. Sympathized with her disappointment. Her costume didn't fit. The front zipper hadn't fully cleared her cleavage, which was deep and visible. She wore no bra. She gave a little hop, and her breasts bounced. Full and plump. He felt a tug at his groin. Superhero lust. He cleared his throat and made his presence known. She caught his image in the corner of the glass, and reached for the fitting room chair, positioning it between them. Like that would keep him from her. He should've looked away, but couldn't. He sensed her embarrassment. Her panic. Flight? She had nowhere to go. He blocked the door. He wasn't leaving until they'd talked. "Archibald's going to love your costume," he initiated. She didn't find him funny. Her gaze narrowed behind the molded cat-eye mask with attached ears. Her fingers clenched in her elbow-length gloves. Inspired by the movie The Dark Knight, she'd added a whip and a gun holster. Her thigh-high stiletto boots were killer, adding five inches to her height. Her image would stick with him forever. She backed against the center mirror, and nervously fingered the open flaps over her breasts. A yank on the zipper broke the tab. The metal teeth parted, and the gap widened, revealing the round inner curves of her breasts. A hint of her nipples. Dusky pink. All the way down to the dent of her navel.

All stories come to an end. That moment when we sigh and close the book, perhaps sit back in our chair and rest our palm over the cover, is met with quixotic emotions. On the one hand, we're satisfied if the author successfully tied up loose ends, turned a memorable phrase and rewarded the hero's moral choice with his heart's desire. Yet we're also saddened that the adventure is over. Sometimes when we see that we only have a few pages left we slow down, savoring each word, staving off the inevitable. The characters we've come to know and love are no longer part of our lives. This can leave us with a certain longing. Perhaps we'll open the book again and skim through it, searching our favorite passages to kindle again those powerful emotions. But the passion is never stirred quite as strong the second time around. ...We stall, frantically savoring each moment. The sun shines brighter, the smiles appear more tender and we listen for words of love with an urgency that would be poignant. ...Isn't life grand?

Another aspect of this – one that he makes into an extended, if slightly ghoulish, case study – was to be found in the funerals of ‘distinguished men’. Again, Polybius must have witnessed enough of these to draw out their deeper significance. The body, he explains, was carried into the Forum and placed on the rostra, normally propped up somehow in an upright position, so it was visible to a large audience. In the procession that followed, family members wore masks made in the likeness of the dead man’s ancestors and dressed in the costume appropriate to the offices each had held (purple-bordered togas and so on), as if they were all present ‘living and breathing’. The funeral address, delivered by a family member, started with the achievements of the corpse on the rostra but then went through the careers of all the other characters, who by this time were sitting on ivory, or at least ivory-veneered, chairs lined up next to the dead man. ‘The most important upshot of this,’ Polybius concludes, ‘is that the younger generation is inspired to endure all suffering for the common good, in the hope of winning the glory that belongs to the brave.

Passing the dark, low fields just south of Harrows, Smoke saw a scarecrow that reminded him, in shape, of his mother. Inspired by it, he imagined her burning. He imagined the dresses from her closet … the curls in her blond hair … the rims of her glasses … all of it and everything blistering, bending, burning. The fire he imagined for her was blue and smelled like childhood. And childhood reminded him of the children he once knew; he imagined a girl named Merrily melted to the shape of a chair, another, Henry, sitting upon her in a classroom. He'd like to burn them all. Every face he'd ever seen. Excited now, Smoke saw the mothers of these former schoolmates rushing from their homes, desperate feet pattering on the porch boards, able to discern the smell of their own child burning above all others. Smoke would be there when they came. He'd be there with a piece of meat on a stick. Dinner over childhood's fire. Hey, Ma! This meat only gets better the longer it cooks! Moved, Smoke imagined more. Men in suits bursting into flame upon exiting church. Families sitting down to eat burnt food, blackened bread, ashen meals upon scalding-hot plates. Come on, Billy! Eat your fire! EAT YOUR FIRE!

Who am I?" she snaps. "I am America, Israel, England! What am I doing?" She waits another long moment, her eyes shining. "I'm shutting up and listening." She draws the last word out so it hisses through the air. "I am the presidents, the kings, the prime ministers, the highs and the mighties—L-I-S-T-E-N!" She spells the word in the air. "The woman who made the baklava has something to say to you! Voilà! You see? Now what am I doing?" She picks up an imaginary plate, lifts something from it, and takes an invisible bite. Then she closes her eyes and says, "Mmm... That is such delicious Arabic-Jordanian-Lebanese-Palestinian baklawa. Thank you so much for sharing it with us! Please will you come to our home now and have some of our food?" She puts down the plate and brushes imaginary crumbs from her fingers. "So now what did I just do? "You ate some baklawa?" She curls her hand as if making a point so essential, it can be held only in the tips of the fingers. "I looked, I tasted, I spoke kindly and truthfully. I invited. You know what else? I keep doing it. I don't stop if it doesn't work on the first or the second or the third try. And like that!" She snaps the apron from the chair into the air, leaving a poof of flour like a wish. "There is your peace.

What the..." Ranulf barked behind her. "Where's the meat? The butter?" Bronwyn smiled. It was going to be a hard few days for everyone at Hunswick,suddenly observing Advent, but it might inspire the new residents to not just enjoy the fruits of everyone's labor,but appreciate and contribute. Turning around,Bronwyn pasted on what she hoped to be an incredulous look and said, "During Advent Fast?Now,my lord, you wouldn't want others to think you a heathen." Ranulf picked up the mug,sniffed the tea with disdain,and put it back down before flopping into one of the hearth chairs. "I know a hell of a lot more about the topic than you.And I could care less about the opinion of others." "I doubt that," Bronwyn murmured, just loud enough for him to hear, "on either point." Ranulf leaned forward and grabbed the plate of fish and potatoes. He took several bites and waved his fork around the platter. "The Church calls for their followers to celebrate the season of Advent the four weeks before Christmas, which is nonsense because I know of no one who rejoices in the idea of starvation and...abstinence." Bronwyn's heartbeat suddenly doubled its pace and she had to fight to remain looking relaxed and unaffected. "I believe humility is a large purpose behind the fast." "And control," Ranulf replied with a grunt. "If I kept such an absurd custom, I and my men would have starved many a year.

Emotions, in my experience, aren't covered by single words. I don't believe in "sadness," "joy," or "regret." Maybe the best proof that the language is patriarchal is that it oversimplifies feeling. I'd like to have at my disposal complicated hybrid emotions, Germanic train car constructions like, say, "the happiness that attends disaster." Or: "the disappointment of sleeping with one's fantasy." I'd like to show how "intimations of mortality brought on by aging family members" connects with "the hatred of mirrors that begins in middle age." I'd like to have a word for "the sadness inspired by failing restaurants" as well as for "the excitement of getting a room with a minibar." I've never had the right words to describe my life, and now that I've entered my story, I need them more than ever. I can't just sit back and watch from a distance anymore. From here on in, everything I'll tell you is colored by the subjective experience of being part of events. Here's where my story splits, divides, undergoes meiosis. Already the world feels heavier, now I'm a part of it. I'm talking about bandages and sopped cotton, the smell of mildew in movie theaters, and of all the lousy cats and their stinking litter boxes, of rain on city streets when the dust comes up and the old Italian men take their folding chairs inside. Up until now it hasn't been my word. Not my America. But here we are, at last.

Emotions, in my experience, aren't covered by single words. I don't believe in "sadness," "joy," or "regret." Maybe the best proof that the language is patriarchal is that it oversimplifies feeling. I'd like to have at my disposal complicated hybrid emotions, Germanic train car constructions like, say, "the happiness that attends disaster." Or: "the disappointment of sleeping with one's fantasy." I'd like to show how "intimations of mortality brought on by aging family members" connects with "the hatred of mirrors that begins in middle age." I'd like to have a word for "the sadness inspired by failing restaurants" as well as for "the excitement of getting a room with a minibar." I've never had the right words to describe my life, and now that I've entered my story, I need them more than ever. I can't just sit back and watch from a distance anymore. From here on in, everything I'll tell you is colored by the subjective experience of being part of events. Here's where my story splits, divides, undergoes meiosis. Already the world feels heavier, now I'm a part of it. I'm talking about bandages and sopped cotton, the smell of mildew in movie theaters, and of all the lousy cats and their stinking litter boxes, of rain on city streets when the dust comes up and the old Italian men take their folding chairs inside. Up until now it hasn't been my world. Not my America. But here we are, at last.

In the room, the clocks tick, unseen. It has been a day of shadows and redirection, revelation and lies. Diane gets the vague sense that Kotey — with his confi dence and his silence — might think himself to be the smartest person in the room. He is intelligent yes, but it’s an intelligence that needs to wear a disguise. And besides, the smartest person in the room is the one who knows she, or he, is never the smartest at all: herein lies the contradiction. She wonders now if he has just said exactly the things she wanted to hear? She knows herself to be naïve at times: she admits this to herself. Yes, it is true, she has often been far too open to people in the past. She has been stung. Government offi cials who have deceived her. Pretenders from the FBI. Misdirection from the State Department and White House. Politicians. Negotiators. Informers. Conmen. And, perhaps now, Kotey. But she also knows that the naivety is necessary to cultivate something deeper. She wants to remain open to the world. Compassion, Lord. And mercy. And patience. There will be one more session tomorrow. Perhaps they will achieve something more than this intimate stand-off . But then again, perhaps nothing. She pulls back her chair and thanks him. It is dangerous, she knows, to thank him, her son’s murderer. But she must do it anyway. Perhaps it’s only politeness. Perhaps it’s something more. “In another life,” she says, “you and Jim might have been friends.

You’re the one who didn’t keep his word. And speaking of your word and its dubious worth, don’t change the subject. I saw the looks you and Miss Turner were exchanging. The lady goes bright pink every time you speak to her. For God’s sake, you put food on her plate without even asking.” “And where’s the crime in that?” Gray was genuinely curious to hear the answer. He hadn’t forgotten that shocked look she’d given him. “Come on, Gray. You know very well one doesn’t take such a liberty with a mere acquaintance. It’s…it’s intimate. The two of you are intimate. Don’t deny it.” “I do deny it. It isn’t true.” Gray took another swig from his flask and wiped his mouth with the back of his hand. “Damn it, Joss. Sooner or later, you’re going to have to trust me. I gave you my word. I’ve kept it.” And it was the truth, Gray told himself. Yes, he’d touched her tonight, but he’d never pledged not to touch her. He had kept his word. He hadn’t bedded her. He hadn’t kissed her. God, what he wouldn’t give just to kiss her… He rubbed the heel of his hand against his chest. That same ache lingered there-the same sharp tug he’d felt when she’d brought her foot down on his and pursed her lips into a silent plea. Please, she’d said. Don’t. As if she appealed to his conscience. His conscience. Where would the girl have gathered such a notion, that he possessed a conscience? Certainly not form his treatment of her. A bitter laugh rumbled through his chest, and Joss shot him a skeptical look. “Believe me, I’ve scarcely spoken to the girl in weeks. You can’t know the lengths I’ve gone to, avoiding her. And it isn’t easy, because she won’t stay put in her cabin, now will she? No, she has to go all over the ship, flirting with the crew, tacking her little pictures in every corner of the boat, taking tea in the galley with Gabriel. I can’t help but see her. And I can see she’s too damn thin. She needs to eat; I put food on her plate. There’s nothing more to it than that.” Joss said nothing, just stared at him as though he’d grown a second head. “Damn it, what now? Don’t you believe me?” “I believe what you’re saying,” his brother said slowly. “I just can’t believe what I’m hearing.” Gray folded his arms and leaned against the wall. “And what are you hearing?” “I wondered why you’d done all this…the dinner. Now I know.” “You know what?” Gray was growing exasperated. Most of all, because he didn’t know. “You care for this girl.” Joss cocked his head. “You care for her. Don’t you?” “Care for her.” Joss’s expression was smug. “Don’t you?” The idea was too preposterous to entertain, but Gray perked with inspiration. “Say I did care for her. Would you release me from that promise? If my answer is yes, can I pursue her?” Joss shook his head. “If the answer is yes, you can-and should-wait one more week. It’s not as though she’ll vanish the moment we make harbor. If the answer is yes, you’ll agree she deserves that much.” Wrong, Gray thought, sinking back into a chair.

The motor activities we take for granted—getting out of a chair and walking across a room, picking up a cup and drinking coffee,and so on—require integration of all the muscles and sensory organs working smoothly together to produce coordinated movements that we don't even have to think about. No one has ever explained how the simple code of impulses can do all that. Even more troublesome are the higher processes, such as sight—in which somehow we interpret a constantly changing scene made of innumerable bits of visual data—or the speech patterns, symbol recognition, and grammar of our languages.Heading the list of riddles is the "mind-brain problem" of consciousness, with its recognition, "I am real; I think; I am something special." Then there are abstract thought, memory, personality,creativity, and dreams. The story goes that Otto Loewi had wrestled with the problem of the synapse for a long time without result, when one night he had a dream in which the entire frog-heart experiment was revealed to him. When he awoke, he knew he'd had the dream, but he'd forgotten the details. The next night he had the same dream. This time he remembered the procedure, went to his lab in the morning, did the experiment, and solved the problem. The inspiration that seemed to banish neural electricity forever can't be explained by the theory it supported! How do you convert simple digital messages into these complex phenomena? Latter-day mechanists have simply postulated brain circuitry so intricate that we will probably never figure it out, but some scientists have said there must be other factors.

Elizabeth glanced up as Ian handed her a glass of champagne. “Thank you,” she said, smiling up at him and gesturing to Duncan, the duke, and Jake, who were now convulsed with loud hilarity. “They certainly seem to be enjoying themselves,” she remarked. Ian absently glanced the group of laughing men, then back at her. “You’re breathtaking when you smile.” Elizabeth heard the huskiness in his voice and saw the almost slumberous look in his eyes, and she was wondering about its cause when he said softly, “Shall we retire?” That suggestion caused Elizabeth to assume his expression must be due to weariness. She, herself, was more than ready to seek the peace of her own chamber, but since she’d never been to a wedding reception before, she assumed that the protocol must be the same as at any other gala affair-which meant the host and hostess could not withdraw until the last of the guests had either left or retired. Tonight, every one of the guest chambers would be in use, and tomorrow a large wedding breakfast was planned, followed by a hunt. “I’m not sleepy-just a little fatigued from so much smiling,” she told him, pausing to bestow another smile on a guest who caught her eye and waved. Turning her face up to Ian, she offered graciously, “It’s been a long day. If you wish to retire, I’m sure everyone will understand.” “I’m sure they will,” he said dryly, and Elizabeth noted with puzzlement that his eyes were suddenly gleaming. “I’ll stay down here and stand in for you,” she volunteered. The gleam in his eyes brightened yet more. “You don’t think that my retiring alone will look a little odd?” Elizabeth knew it might seem impolite, if not precisely odd, but then inspiration struck, and she said reassuringly, “Leave everything to me. I’ll make your excuses if anyone asks.” His lips twitched. “Just out of curiosity-what excuse will you make for me?” “I’ll say you’re not feeling well. It can’t be anything too dire though, or we’ll be caught out in the fib when you appear looking fit for breakfast and the hunt in the morning.” She hesitated, thinking, and then said decisively, “I’ll say you have the headache.” His eyes widened with laughter. “It’s kind of you to volunteer to dissemble for me, my lady, but that particular untruth would have me on the dueling field for the next month, trying to defend against the aspersions it would cause to be cast upon my…ah…manly character.” “Why? Don’t gentlemen get headaches?” “Not,” he said with a roguish grin, “on their wedding night.” “I can’t see why.” “Can you not?” “No. And,” she added with an irate whisper, “I don’t see why everyone is staying down here this late. I’ve never been to a wedding reception, but it does seem as if they ought to be beginning to seek their beds.” “Elizabeth,” he said, trying not to laugh. “At a wedding reception, the guests cannot leave until the bride and groom retire. If you look over there, you’ll notice my great-aunts are already nodding in their chairs.” “Oh!” she exclaimed, instantly contrite. “I didn’t know. Why didn’t you tell me earlier?” “Because,” he said, taking her elbow and beginning to guide her from the ballroom, “I wanted you to enjoy every minute of our ball, even if we had to prop the guests up on the shrubbery.

So Christiana went to speak to Dicky about taking us out and about, but when she found him in the office, the idiot was dead." Daniel bit his lip at her vexed tone. There was absolutely no grief in her voice at all, just irritation with the inconvenience of it all. But then George had never been one to inspire the finer feelings in those he encountered. Clearing his throat, he asked, "Did he fall and strike his head, or-" "No.He was simply sitting in his chair dead," she said with exasperation, and then added with disgust, "He was obviously a victim of his own excess. We suspected his heart gave out. Certainly the glass and decanter of whiskey next to him suggested he didn't take the best care of himself. I ask you,who drinks hard liquor first thing in the morning?" Daniel shook his head, finding it difficult to speak. She was just so annoyed as she spoke of the man's death, as if he'd deliberately done it to mess up her plans. After a moment, he asked, "Are you sure he is dead?" Suzette gave him another one of those adorable "Don't be ridiculous" looks. "Well, obviously he isn't. He is here now," she pointed out, and then shook her head and added almost under her breath, "Though I could have sworn...The man didn't even stir when he fell off the chair and slammed his head on the floor. Nor when I dropped him and his head crashed to the hardwood floor again, or when we rolled him in the carpet and dragged him upstairs, or when we dropped him in the hall and he rolled out of the carpet, or-" "Er," Daniel interrupted, and then coughed into his hand to hide a laugh, before asking, "Why exactly were you carting him about in a carpet?" "Well,don't be dense," she said with exasperation. "We couldn't let anyone know he was dead, could we?" "Couldn't you?" he asked uncertainly. Suzette clucked with irritation. "Of course not.We would have had to go into mourning then.How would I find a husband if we were forced to abstain from polite society to observe mourning?

What you did to us—and to me specifically—was wrong, and you had no right to do that.’” The priest stared unblinkingly into Blanchette’s eyes, waiting but unprepared for what came next. “‘Having said that, it brings me to the real reason I’ve come here. The real reason I’ve come here is to ask you to forgive me for the hatred and resentment that I have felt toward you for the last twenty-five years.’ When I said that, he stood up, and in what I would describe as a demonic voice, he said, ‘Why are you asking me to forgive you?’ And through tears I said, ‘Because the Bible tells me to love my enemies and to pray for those who persecute me.’” Blanchette said Birmingham collapsed as if he’d been punched in the chest. The priest dissolved into tears, and soon Blanchette too was crying. Blanchette began to take his leave but asked Birmingham if he could visit again. The priest explained that he was under tight restrictions at the rectory. He said he had been to a residential treatment center in Connecticut, and he returned there once a month. He was not allowed to leave the grounds except in the company of an adult. Blanchette would not see the priest again until Tuesday, April 18, 1989, just hours before his death. Blanchette found his molester at Symmes Hospital in Arlington and discovered the priest—once robust and 215 pounds—was now an eighty-pound skeleton with skin. Morphine dripped into an IV in his arm. Oxygen was fed by a tube into his nostrils. His hair had been claimed by chemotherapy. The priest sat in a padded chair by his bed. His breathing was labored. “I knelt down next to him and held his hand and began to pray. And as I did, he opened his eyes. I said, ‘Father Birmingham, it’s Tommy Blanchette from Sudbury.’” He greeted Blanchette with a raspy and barely audible, “Hi. How are ya?” “I said, ‘Is it all right if I pray for you?’ And he said, ‘Yes.’ And I began to pray, ‘Dear Father, in the name of Jesus Christ, I ask you to heal Father Birmingham’s body, mind, and soul.’ I put my hand over his heart and said, ‘Father, forgive him all his sins.’” Blanchette helped Birmingham into bed. It was about 10 P.M. He died the next morning.

And what’s the solution of preventing this debacle? Plenty of ‘em! The Communists have a patent Solution they know will work. So have the Fascists, and the rigid American Constitutionalists—who call themselves advocates of Democracy, without any notion what the word ought to mean; and the Monarchists—who are certain that if we could just resurrect the Kaiser and the Czar and King Alfonso, everybody would be loyal and happy again, and the banks would simply force credit on small business men at 2 per cent. And all the preachers—they tell you that they alone have the inspired Solution. “Well, gentlemen, I have listened to all your Solutions, and I now inform you that I, and I alone, except perhaps for Walt Trowbridge and the ghost of Pareto, have the perfect, the inevitable, the only Solution, and that is: There is no Solution! There will never be a state of society anything like perfect! “There never will be a time when there won’t be a large proportion of people who feel poor no matter how much they have, and envy their neighbors who know how to wear cheap clothes showily, and envy neighbors who can dance or make love or digest better.” Doremus suspected that, with the most scientific state, it would be impossible for iron deposits always to find themselves at exactly the rate decided upon two years before by the National Technocratic Minerals Commission, no matter how elevated and fraternal and Utopian the principles of the commissioners. His Solution, Doremus pointed out, was the only one that did not flee before the thought that a thousand years from now human beings would probably continue to die of cancer and earthquake and such clownish mishaps as slipping in bathtubs. It presumed that mankind would continue to be burdened with eyes that grow weak, feet that grow tired, noses that itch, intestines vulnerable to bacilli, and generative organs that are nervous until the age of virtue and senility. It seemed to him unidealistically probable, for all the “contemporary furniture” of the 1930’s, that most people would continue, at least for a few hundred years, to sit in chairs, eat from dishes upon tables, read books—no matter how many cunning phonographic substitutes might be invented, wear shoes or sandals, sleep in beds, write with some sort of pens, and in general spend twenty or twenty-two hours a day much as they had spent them in 1930, in 1630.

Not long after I learned about Frozen, I went to see a friend of mine who works in the music industry. We sat in his living room on the Upper East Side, facing each other in easy chairs, as he worked his way through a mountain of CDs. He played “Angel,” by the reggae singer Shaggy, and then “The Joker,” by the Steve Miller Band, and told me to listen very carefully to the similarity in bass lines. He played Led Zeppelin’s “Whole Lotta Love” and then Muddy Waters’s “You Need Love,” to show the extent to which Led Zeppelin had mined the blues for inspiration. He played “Twice My Age,” by Shabba Ranks and Krystal, and then the saccharine ’70s pop standard “Seasons in the Sun,” until I could hear the echoes of the second song in the first. He played “Last Christmas,” by Wham! followed by Barry Manilow’s “Can’t Smile Without You” to explain why Manilow might have been startled when he first heard that song, and then “Joanna,” by Kool and the Gang, because, in a different way, “Last Christmas” was an homage to Kool and the Gang as well. “That sound you hear in Nirvana,” my friend said at one point, “that soft and then loud kind of exploding thing, a lot of that was inspired by the Pixies. Yet Kurt Cobain” — Nirvana’s lead singer and songwriter — “was such a genius that he managed to make it his own. And ‘Smells Like Teen Spirit’?” — here he was referring to perhaps the best-known Nirvana song. “That’s Boston’s ‘More Than a Feeling.’ ” He began to hum the riff of the Boston hit, and said, “The first time I heard ‘Teen Spirit,’ I said, ‘That guitar lick is from “More Than a Feeling.” ’ But it was different — it was urgent and brilliant and new.” He played another CD. It was Rod Stewart’s “Do Ya Think I’m Sexy,” a huge hit from the 1970s. The chorus has a distinctive, catchy hook — the kind of tune that millions of Americans probably hummed in the shower the year it came out. Then he put on “Taj Mahal,” by the Brazilian artist Jorge Ben Jor, which was recorded several years before the Rod Stewart song. In his twenties, my friend was a DJ at various downtown clubs, and at some point he’d become interested in world music. “I caught it back then,” he said. A small, sly smile spread across his face. The opening bars of “Taj Mahal” were very South American, a world away from what we had just listened to. And then I heard it. It was so obvious and unambiguous that I laughed out loud; virtually note for note, it was the hook from “Do Ya Think I’m Sexy.” It was possible that Rod Stewart had independently come up with that riff, because resemblance is not proof of influence. It was also possible that he’d been in Brazil, listened to some local music, and liked what he heard.

(Summer of 2010) Chiaz Natherth- It was just going to be a typical summer day. I am at the local watering hole with my bud Melvin Shezor; we were just there to gaze at the girl gaze, sitting on lawn chairs. I had warm lemonade in my right hand at the time. I am looking around at all the bodies that are bobbing in the water; they all just seem to blend. The lifeguard is blowing her whistle while screaming at the little kids that are running around. Some stunning bodies are smacking the cold blue water with great speed, from the high dive. But- there is no more perfect figure there than hers. Everyone else seems to fade away out of my vision, along with all the ear-shattering noises. Bryan Adams ‘Heaven’ is playing in the background, and it seemed to be pronounced to my senses. When I am looking at her, it is like she is moving in slow motion, swimming across the pool. She climbed up the ladder and out of the pool. Her body dripping with water… what a moment, there is even water dripping down her chest. She looks amazing in that petite pink bikini. I was thinking to myself, that is a very cute looking camel-toe you got showing there Nevaeh! I never knew that she had a heart-shaped belly button piercing, when did that happen? Also, I could tell that her swimsuit was made by her, just like most of the sun-dresses she wears in the summertime too. Because it was not like any others I have ever seen around, it is cute, somewhat skimpy, and tailored to her perfect body. The fabric was not meant to get wet, it was somewhat see-through, yet she did not know, though it looks very good what can I say. She is walking towards me while running her fingers through her long brown hair. ‘I was thinking this is too good to be for real.’ She walked by and said ‘hi!’ and I was at loss for words. She was already gone, but I still babbled something like ‘Ahh-he-oll-o.’ At that point, into the changing room, she went, and I just sat there trying to fathom what had just happened. Melvin Shezor- ‘Chiaz! Ah, Chiaz! Hello, earth to Chiaz, snap out of its dude.’ Chiaz Naztherth- ‘She is so fine! I would not mind having her on my arm.’ Melvin Shezor- ‘Yah, the man she is not bad. But- isn’t she into girls though. So, do you like Nevaeh?’ Chiaz Naztherth- ‘I do not think that she is, and well… Yes, did you see her in that swimsuit? She is adorable in every way.’ Melvin Shezor- ‘Really is that so? Go talk to her!’ Chiaz Naztherth- ‘No way!’ Melvin Shezor- ‘Why not, you pussy!’ Chiaz Naztherth- ‘If Alissa finds out that I like her, or even looked at her I am going to die.’ Melvin Shezor- ‘Ha, it sucks to be you man.’ Chiaz Natherth- ‘Hey, I will see you later, I got to go.’ (Text messages are going off… like crazy) Melvin Shezor- ‘Pu-ss-y!’ (Shouting as Chiaz Natherth is walking out the exit gate.) (Chiaz- He just waved it off, with the finger that is not supposed to be used in public, and does not think any more about it from that point on.) Chiaz Naztherth- Summer is over! Yet she is with him… he is so unconfident in himself that he has to follow me around. He gives me vain advice on what to do, and how to do it, yet I would have to say I need to stand up for myself more than what I do, yet I do not because of her. He attempts to belittle me, with his words of temperament to her. These results lead to her having breakdowns, where she is feeling miserable because she is stuck in the middle. She does not know what to do! She doesn't know how to feel! She does not want to hurt anyone's feelings, yet she is the one that is left to choke on her tears. Yes, I will save you long before you drowned!

Serendipity had pulled up a chair, held my face in its hands, and whispered, "Don't miss this.

I'm fighting for your freedom and my freedom. We must have Brave conversations. We must find out what we don't know. Waging peace requires that we have the courage to face what's broken first- in ourselves-and then in the system affecting those around us and uncover who has been harmed and how we are connected to them. Because we are intertwined together. Love speaks the truth of the harm done, while unshakable goodness holds space for the offender at the table. We all have a seat at the peacemaking table. Love is refusing to take away an oppressor’s chair at the family table while at the same time taking the stick of violence out of their hands. Because violence ricochets and is absorbed by the most vulnerable and marginalized among us. It's time to center their pain and to put ourselves between them and the violence.

You...you once told me that the night in the maze didn't have to be the thing that defined me. You said I could choose what it was that defined me. Well, you don't have to let that...that chair define you

O My O My I dreamt of fries They filled the skies And rained from the cloud Pounding rooftops rather loud I ran People ran We all ran To fill our can O my o my Fries are falling The farmer comes calling Wondering why buyers are stalling This can't be the farmer says It’s pouring heavenly spuds He grabbed a chair To reach for his share There will be another year When potatoes will bear And buyers will want his spuds Because there will be no heavenly buds There will be tater tots For the pots And cooked potatoes to mash So there’ll be some cash There’ll be potatoes to bake To have with steak Top that off with a cake Not all is at stake Add potato rolls For a long stroll My O my fries arrive Without a toll Make wedges For some edges Tie a spud with a bandana Potatoes have gone bananas

They waited in anguish Till letters petrified in their hands... And when the winds blew their little ones far away, Words changed But the chair stayed there. (From 'The Waltz of Dust', poetry collection)

1) Aristide grabbed the arms of his folding chair and turned to us so fast he almost flipped his chair over. 2) Ker stood up so fast she stepped on her own tail in the process and fell down again. 3) Something loud crashed in the garage—Charon had obviously heard Shiloh’s question as well thanks to his elf hearing. I remained perfectly still—not because I wasn’t shocked by the question. No. It was only because of years of practice at passing as a normal cat that made me remain in Noctus’s arms. Well, practice, and maybe I was paralyzed in my shock. Noctus didn’t bat an eye, didn’t react to any of us, he didn’t even hesitate. “Yes,” he said. This time Aristide did tip over, but that was all I had time to see before I bonelessly slid off Noctus’s shoulder and pooled into his arms like goo, gazing up at him in horror. Have you lost your mind!? What could possibly inspire you to say that?

Inspiration comes when you stick your elbows on the table, your bottom on the chair and you start sweating. Choose a theme, an idea, and squeeze your brain until it hurts. That’s called inspiration.

She I had always seen her with him, everywhere she went she went with him, And today she walked the streets alone, and so lonely without him, She did not smile any longer without him, Because she felt disturbed by smiles without him, She often admired the starry night with him, But now the sky, more than the dying stars, missed her, because she was lost somewhere in the act of missing him, She did not want to try living without him, Because when she was tired of trying she had finally tried and loved him, She longer waited for the summer as she used to with him, Because when she had got bored of summer and it's everything, she had loved him, She felt the summer rose was dull without him, Because it felt fresh and brilliant, when to the rose he compared her, and she always kissed him, She did not want to kiss the rose without him, Because the rose, the summer, reminded her of him, She did not feel anything without him, Because her feelings failed to produce sensations without him, She was alive but she was still searching a part of her own self that died in him, And she feels it is a curse to live without him, She no longer sings songs that she used to sing with him, Because her heart no more creates musical beats that it created when she was with him, She still seeks him, nothing else, just him, everywhere she is, she seeks him, Because to her there appears to be nothing left to seek without him, Birds often sing at her window but in them too she seeks him, And the poor birds who always seek her in her eyes, fly away in sadness, because in her eyes, they only see him, just him, She does not look at the sky anymore, because there too she wishes to see him, And the sky always reminds her of him, and the moments spent with him, He has died a long time ago, but she is still with him, still believing she was born for him, So she is living, hoping that someday death will disown him, She is hoping, but not the way she used to hope when she was with him, Because now she only hopes about one thing, because all her desires and wishes begin and end with him, She is there waiting in her chair, looking out of the window waiting for him, Begging time to lead her to him, But the time does not wish to reveal him, For if it does, heavens shall miss him, And in this strife between the heaven who wants to keep him and her heart that wants to reclaim him, Time is the only force that can interfere and the only virtue that for her can recreate him, Tonight when the moon rose in the sky, the stars shone too, she looked at the sky and thought of him, Time watched her from its kingdom called everywhere, and from the heavens it finally stole him, Now they live for each other, and she lives with him, Because finally heaven too believed it is better they be together, because she indeed was born for him, Moreover, time had started procrastinating the affairs of the universe that can neither stop for her nor for him, So they let her have him because immortality felt better, only when she thought of him and when she was with him!

She I had always seen her with him, everywhere she went she went with him, And today she walked the streets alone, and appeared so lonely without him, She did not wish to smile without him, Because she felt disturbed by smiles without him, She often admired the starry nights with him, But now the sky, more than the dying stars, missed her, because she was lost somewhere in the act of missing him, She did not want to try living without him, Because when she was tired of trying she had finally tried, and loved him, She no longer waited for the summer as she used to when she was with him, Because when she had got bored of summer and it's every beautiful thing, she had loved him, She felt the summer rose was dull without him, Because it felt fresh and brilliant when he compared her to the rose, and she always kissed him, She did not want to kiss the rose without him, Because the rose and the summer, reminded her of him, She did not feel anything without him, Because her feelings failed to produce sensations without him, She was alive, but she was still searching a part of her own self that died in him, And now she feels it is a curse to live without him, She no longer sings songs that she used to sing with him, Because her heart no more creates musical beats that it created when she was with him, She still seeks him, nothing else, just him, wherever she might be, she seeks him, Because to her there appears to be nothing left to seek without him, Birds often sing at her window, but in them too she seeks him, And the poor birds who always seek her in her eyes, fly away in sadness, because in her eyes, they only see him, just him, She does not look at the sky anymore, because there too she wishes to see him, And the sky always reminds her of him, and the moments spent with him, He has died a long time ago, but she is still with him, still believing she was born for him, So she is living, hoping that someday death will disown him, She is hoping, but not the way she used to hope when she was with him, Because now she only hopes about one thing, because all her desires and wishes begin and end with him, She is there waiting in her chair, looking out of the window and waiting for him, Begging time to lead her to him, But the time does not wish to reveal him, For if it does, heaven shall miss him, And in this strife between the heaven that wants to keep him, and her heart that wants to reclaim him, Time is the only force that can interfere, and grant her the wish of being with him, Tonight when the moon rose in the sky, the stars shone too, she looked at the sky and thought of him, Time watched her from its kingdom called everywhere, and from the heaven it finally stole him, Now they live for each other, and she lives with him, Because finally heaven too believed it is better they be together, because she indeed was born for him, Moreover, time had started procrastinating the affairs of the universe that can neither stop for her nor for him, So the heaven let her have him, because immortality felt better, only when she thought of him and when she was with him!

I open my eyes and gaze softly at the room in front of me. Then I close them again. Once I’m anchored in bliss, it doesn’t matter whether my eyes are open or closed. I can maintain this expansive state of awareness either way. My intention is to take this awareness into my workday after meditation. I don’t want to think or act from anywhere else. After a while, I look down again at my body sitting in the chair. I realize I’ve been drifting, one with the light, basking in bliss, for a long time. My heart fills with joy and my eyes fill with tears, as I’m overwhelmed with gratitude. For my life, exactly the way it is. For every detail of what is. For everything that will happen in the future, no matter what it might be. I give thanks for all of it. I connect with everyone who’s meditating at this same time anywhere in the world. I open my eyes and look at the sunlight outside the room I’m meditating in. I’m aware of both time and space again. The forgotten cup of coffee in my hands is completely cold. Tears of gratitude flow down my cheeks. I look at my cup. The words printed on it read: Find Joy in the Journey. After we moved into the new house that replaced the one destroyed by fire, I went on a hunt for mugs printed with inspirational words; those bequeathed by the fire victims’ shelter with captions like Construction Equipment Dealer’s Association and My Dang Dog Also Drinks from My Cup didn’t echo the energy of the meditative state. I feel grateful for everything. My hands, with which I hold the coffee cup. My feet, with which I can walk. My breath, bringing life to my cells. My connection to the universe. The wonderful people in my life. I close my eyes and I am immediately in the light once again. I open them and the light remains. In a trance, I stand up and get a fresh cup of coffee. My wife has woken up and she comes into the room to get her morning cup of coffee. We embrace wordlessly. I bury my face in her hair and am enraptured by its scent. We gaze deeply into each other’s eyes and say nothing as she sits down to meditate too. When I close my eyes again, I’m back in Bliss Brain.

Beside my chair is a saying in French. It inspires me every day. It’s a sentence from Saint-Exupéry’s The Little Prince, and it reads, “L’essential est invisible pour les yeux.” (What is essential is invisible to the eyes.) The closer we get to know the truth of that sentence, the

1. The mere fact that you are alive this day means God has a purpose for you for the day. Ask Him what that purpose is and He will reveal it to you. 2. Not even one person was put on earth by God for the mere reason of increasing the human population and have little precious else to do in life. 3. Purpose is what something is used for. A chair is for sitting on and a bed to be slept on. Similarly, you were created for some particular use. 4. The greatest satisfaction in life comes from following the purpose you were created for. 5. Want to lead an empty and unfulfilled life? Do what you were not created for. 6.Being successful at something does not always guarantee a happy, fulfilled life but following what you were brought to life for. Find out what that is. 7. Being religious does not mean you pray, fold your arms and wait for things to happen.Divine power and human effort always work hand in glove to reap the best results. Do what is humanly possible and let divine power play its part. God can't do for you what you can do for yourself. Neither can you do what God can do for you. 8. Religion helps open doors that seem impossible to open. Religion does not consist in ceremonies and theories only. If it did people would understand it by investigation as they understand science and other things in the world 9. At times God only gives us what we need after praying long and hard. While others appear never to pray for anything and yet get what they need others have to pray long and hard. Life indeed works in mysterious ways. Why that is so is God's prerogative. 10. No field has more talented people than are required. God is too wise to err. He would not have given you a purpose and talent that you can't use because it is oversubscribed. No matter how many people are in a field the truly gifted will float.

Also during their honeymoon, Jane shared with him a gift from her favorite professor at Swarthmore, Henry Goddard, chair of the English Department. For every student, Goddard wrote a phrase from literature on a slip of paper, put it inside a walnut shell, and presented it at the end of the semester. For Jane, he had selected a sentence from Dostoyevsky: “One sacred memory from childhood is perhaps the best education.” Kurt referred to it for years as inspiration and solace.

In the summer of 1961, Segal taught an adult painting class in New Brunswick. The class was encouraged to make use of odd and unlikely materials in assemblages, and one woman brought to class a box of surgeon's bandages. Segal took some home, with the intention of wrapping them around one of his chicken wire framworks. Then a thought occurred to him: why not dip the cloth bandages in plaster, and apply them directly to the body? Segal sat on a chair and instructed his wife to cover him in soaked bandages. The new technique led to a few anxious moments when the plaster began to harden, heat up, and contract, and the artist lost a good portion of his body hair in the course of frantically removing the casts. With great difficulty, he was able to reassemble the pieces into a complete figure which he then placed on a chair. Next Segal provided an environment for his plaster effigy. The chair was moved up to a table, to which was nailed an old window frame. The result, entitled Man Sitting at a Table, marked the discovery of a new sculptural technique and a turning point in the artist's career. Segal has never looked back.

Slowly, fearfully, I crept into the kitchen. The gas-smell burned my nostrils. It hadn't been on long enough to fill the room and spill out to the rest of the house. But its intent was clear: my mother was sitting on a chrome dinette chair, legs crossed at the ankles, her arms dropped down her sides toward the floor, as if in submission to her impending death. (The Women in Me: How They Helped Me Survive and Thrive, p. 13)

The magazine piece on the urban legend had stated, ‘At the end of the day, whether one returns to the past or travels to the future, the present does not change. So it raises the question: just what is the point of that chair?’ But Kazu still goes on believing that, no matter what difficulties people face, they will always have the strength to overcome them. It just takes heart. And if the chair can change someone’s heart, it clearly has its purpose".

Can you say it?" Daniel prompted. Samantha sighed. "I'm not what has happened to me," she mumbled. It was barely audible. "I can hear in your voice that you don't believe it yet," he said. And that's okay. Take a couple of minutes. Close your eyes and reflect on it. When you are ready, open your eyes, look at me in the eye and say it with all the conviction you can muster. A few minutes later, she did. The change was palpable. "Good, good, Daniel said, encouraging and affirming her. "It will take time to own that conviction, but that's how we make peace with the past.

What’s another word for comfort?” ask, “What are images of comfort?” or, “When I think of comfort, what memories come up?” Or try a Google image search for “comfort”. You’ll scroll through images of hammocks, beanbag chairs, thick woolly socks, and wood-burning fireplaces. You’ll see a cup of hot chocolate, mom’s baked mac n’ cheese, a hug from a grandma, or a cuddle with a sleeping puppy. All of these images should inspire something more visceral than a word on thesaurus.com

However, as children learn the lessons of darkness and light, we also seek out the light and become fearful of the dark. Our well-meaning parents lit up our rooms with candles or nightlights to withhold the darkness instead of walking us outside into the evening tide to take in the wonder of the stars that we would never see if it was perpetual light, which reaffirmed that we need to fear and therefore banish the night. Similarly, we are taught to shun the darkness inside of us too. Our undesirable, ‘too much’ emotions like anger or sadness are banished to the ‘time-out’ chair or spanked out of us in the favour of more acceptable ‘Pollyanna’ cheeriness. Our mysterious, scary, weird, hard to understand, and fears are locked behind the high walls of our societal and religious beliefs.

earching for that familiar person only makes you walk into the arms of grief....and there you smell the scent in the breeze over the alleys and desolate streets..where the leftover memories still remain. Grief does not go away from the closet or the drawers or the chair that now sits empty. Through the haunting emptiness, grief breaks into a river once again...

The laughter of grief...How the void becomes dense, and emptiness becomes weighty. What an irony to see the vacant chair filled. Never to see the face again yet seeing it all around for that is the laughter of grief, the silenced torment...the thick, impassable grief...

He didn't have Sitzfleisch,' said Murray Gell-Mann, a visiting physicist at the Institute in 1951. 'Perseverance, the Germans call it Sitzfleisch, 'sitting flesh,' when you sit on a chair. As far as I know, he never wrote a long paper or did a long calculation, anything of that kind. He didn't have patience for that; his own work consisted of little aperçus, but quite brilliant ones. But he inspired other people to do things, and his influence was fantastic.

Sharon followed Tiffany’s lead and sat up straight in her chair, took a deep breath and said, “I am sorry for my behaviour too. I thought this accident was a good thing. Addie and Eddie have wonderful puppies. I thought, who wouldn’t love a puppy like either of them. I thought we could make some extra money like we did last time and help other dog lovers have wonderful dogs like ours. But I never stopped to consider how difficult it would be to see them go, especially for you.

He didn't have Sitzfleisch,' said Murray Gell-Mann, a visiting physicist at the Institute in 1951. 'Perseverance, the Germans call it Sitzfleisch, "sitting flesh," when you sit on a chair. As far as I know, he never wrote a long paper or did a long calculation, anything of that kind. He didn't have patience for that; his own work consisted of little aperçus, but quite brilliant ones. But he inspired other people to do things, and his influence was fantastic.

I believe that if you follow your dreams, passions and aspirations you can become successful!

If you want to be a successful writer you have to put your butt in the chair and your fingers on the keyboard and put words on the page. Even shitty words are better than no words. You can go back and fix them later.

As soon as he left, Lex closed the curtain back up, flung herself at the bed, and shook Driggs. “Wake up!” she half yelled, half whispered. “Driggs!” His eyes fluttered. “Wha? Where are we?” “Hospital.” Lex started unplugging the tubes in his arm. “I summoned it into existence, or I opened up a wormhole, or maybe a giant goddamn eagle showed up to fly us here and save the day—I don’t know! But we have to leave. Now.” Driggs looked down at his chest. “I’ve got like fifty stitches here.” “Your courage in the face of adversity is an inspiration to us all.” She pulled at his shoulders. “Now GET UP.” The sound of hurried footsteps pounded through the smoke. Lex held her breath as the curtain swooshed open. “She’s right,” Uncle Mort said to Driggs. “We gotta go.” Driggs nearly fell out of the bed as Lex dropped him to go hug her uncle. “Where have you been?” she asked him. “Where have I been?” Uncle Mort looked incredulous. “You never cease to amaze, kiddo.” “Ow!” Driggs was doubled over. “Little help here?” Lex ran back to his side. “Sorry.” She grabbed his torn-up hoodie from the chair, put her shoulder under his arm, and looked at Uncle Mort. “Now what?” He nodded toward the exit. “We leave.

The three-volume work on Jesus Christ, on its own, makes this pontificate unique. With it, Benedict XVI created a handbook for the future of theology, catechesis and priestly formation – in short, a foundation for the teaching of the faith for the third millennium. It was not on a professorial chair, but on the chair of Peter, that things could come full circle. And there was no one else with the educational formation, the background, the strength and the inspiration, to make the image of Jesus transparent again, with intellectual meticulousness and a level-headed spirituality, after it had been obscured beyond recognition.

That was an inspiring service, Thomas, and I believe it should be followed by an inspiring bit of entertainment.” Kitty clapped her hands. “Oh yes! What a lovely idea.” “What shall we do then?” Nathaniel asked. “Why don’t we have Liza perform for us?” Kitty said. Eliza snapped her head toward her sister. “Me?” Kitty tilted her head. “Yes, like you used to do! I haven’t heard you perform Shakespeare in so long.” Nathaniel sat back down. “I have heard tales of your talents, Eliza. Shakespeare is one of my favorites. It would be a great honor if you’d perform for us.” Eliza turned to Thomas, shooting him a stern but playful glare. “Did you have anything to do with this?” Thomas attempted to smother a telling grin. “Nothing whatsoever.” She turned again toward her sister. Kitty bit her lip and tilted her head farther as if to say “pretty please?” Eliza looked around the room tapping her foot, searching for a reason to decline. The last thing she wanted was to make a fool out of herself. “I’d love to, Kitty, but it’s been such a long time and I don’t have any of my books with me. I really need to freshen my memory before I do anything like that and I’m out of practice on my recitations. I’m sorry, my dear.” “Not to worry.” Nathaniel popped out of his chair again and went to fetch a small bundle by the front door. “It so happens that I’ve brought such a book with me.” Eliza threw an accusatory glance at Thomas. He grinned wide as the horizon, and leaned back in his seat. She couldn’t get out of it now. She was trapped. She pinched her lips and laced her fingers in her lap. Nathaniel came to her chair and held the thick book in front of her. “Your reputation precedes you, Miss Campbell. You must indulge us, please.” Eliza

A Government can create nothing. It cannot by any exercise of its powers, by legislative enactment, or judicial decree, or executive command, cause two blades of grass to grow where one grew before....It cannot command a tree to fall in the forest, and divide itself into planks and boards, from which chairs and tables may be made. All these results can be accomplished only by the labor of human hands.

In 1982, economists at the Brookings Institute estimated that about 62 per cent of the value of a typical American firm stemmed from its physical assets—everything from tables and chairs to factories and inventories. Everything else consisted of more intangible “knowledge assets.” By 1992, the balance had completely reversed. They calculated that only 38 per cent of the average firm’s value came from its physical assets. With the shift towards more knowledge-intensive production processes, it is natural that firms should start to worry much more about employee loyalty. It is relatively easy to stop employees from making off with company property—just post guards at the gate. But when employees leave, they generally take with them all the knowledge and experience they have acquired, and there is no way to stop them. So the best way for a firm to retain control of its assets is to build a strong organizational culture, one that will inspire loyalty and allegiance from its employees. From this perspective, it is entirely predictable that the firms that depend most heavily on the knowledge of their workers will also be the firms that put the most effort into employee retention. Software companies in particular are famous for their efforts to create a corporate culture that will secure employee allegiance.

I once struggled in Hell, and was then admitted into Heaven. It all happened in one moment while not moving from my chair. In that moment I simply changed my heart, deciding that I had a Perfect and Loving Creator who was giving and taking as needed to help me, his child, grow and mature. At that moment ALL that had ever occurred in my life (Joyous or difficult) was transformed into Heavenly Blessings and I ceased being a tortured victim in Hell.

In April 2012, The New York Times published a heart-wrenching essay by Claire Needell Hollander, a middle school English teacher in the New York City public schools. Under the headline “Teach the Books, Touch the Heart,” she began with an anecdote about teaching John Steinbeck’s Of Mice and Men. As her class read the end together out loud in class, her “toughest boy,” she wrote, “wept a little, and so did I.” A girl in the class edged out of her chair to get a closer look and asked Hollander if she was crying. “I am,” she said, “and the funny thing is I’ve read it many times.” Hollander, a reading enrichment teacher, shaped her lessons around robust literature—her classes met in small groups and talked informally about what they had read. Her students did not “read from the expected perspective,” as she described it. They concluded (not unreasonably) that Holden Caulfield “was a punk, unfairly dismissive of parents who had given him every advantage.” One student read Lady Macbeth’s soliloquies as raps. Another, having been inspired by Of Mice and Men, went on to read The Grapes of Wrath on his own and told Hollander how amazed he was that “all these people hate each other, and they’re all white.” She knew that these classes were enhancing her students’ reading levels, their understanding of the world, their souls. But she had to stop offering them to all but her highest-achieving eighth-graders. Everyone else had to take instruction specifically targeted to boost their standardized test scores. Hollander felt she had no choice. Reading scores on standardized tests in her school had gone up in the years she maintained her reading group, but not consistently enough. “Until recently, given the students’ enthusiasm for the reading groups, I was able to play down that data,” she wrote. “But last year, for the first time since I can remember, our test scores declined in relation to comparable schools in the city. Because I play a leadership role in the English department, I felt increased pressure to bring this year’s scores up. All the teachers are increasing their number of test-preparation sessions and practice tests, so I have done the same, cutting two of my three classic book groups and replacing them with a test preparation tutorial program.” Instead of Steinbeck and Shakespeare, her students read “watered-down news articles or biographies, bastardized novels, memos or brochures.” They studied vocabulary words, drilled on how to write sentences, and practiced taking multiple-choice tests. The overall impact of such instruction, Hollander said, is to “bleed our English classes dry.” So

Action Step: Nourished by “Light” You can prove to yourself how nourishing a new word can be once it begins to be your personal theme. Let’s use the word light. Since it’s the opposite of heavy, this word is one of the best for our purposes. The more you bring light into your life, the easier it will be to lose weight. Why? Because light covers so many positive experiences. Look at the following usages: Lighthearted Light-handed Enlightened Feeling light and bright The light of inspiration Lightness of being The light of the soul The light of God If you had these things in your life, it would be much easier for your body to be light. Your mind would be sending messages that are the opposite of heavy, dull, inert, tired, bored, dark, unenlightened. Start to rid yourself of those messages and let your body conform to lightness and all of its positive connotations. With this background, you can proceed to use light in various ways, beginning with the physical sensation of being light. Exercise: Filling with Light Sit in a quiet room by yourself. Close your eyes and take a few deep breaths until you feel centered and ready. (It’s best to sit upright if you can rather than lounging back in your chair.) Breathing normally, visualize light filling your chest each time you inhale. The light is soft, warm, and white. Watch it suffuse your chest. Now exhale normally, but leave the light inside. On your next breath, take in more light. See the light filling your chest now begin to suffuse the rest of your body, moving down into your abdomen. Don’t force the visualization, and don’t worry if you have trouble seeing the light—even a faint sense of white light is good enough. With each breath, let the light suffuse your arms, then your hands all the way to the fingertips. Let it suffuse your legs down to your toes. Finally, send the light into your head and out the top in a beam that reaches high. Sit with the light for a few moments, then lift your arms, letting them float upward as if the light is causing them to rise. You are like a balloon filled completely with light. Enjoy the sensation, then open your eyes. This is a good exercise to counteract feelings of dullness, heaviness, fatigue, and sadness. The sensation of being physically light, paired with the visualization of inner light, creates a big change in how you relate to your body.

To be honest, I was uneasy about Steve. He had a forceful personality, whereas I do not, and I felt threatened by him. For all of my talk about the importance of surrounding myself with people smarter than myself, his intensity was at such a different level, I didn’t know how to interpret it. It put me in the mind of an ad campaign that the Maxell cassette tape company released around this time, featuring what would become an iconic image: a guy sitting low in a leather-and-chrome Le Corbusier chair, his long hair being literally blown back by the sound from the stereophonic speaker in front of him. That’s what it was like to be with Steve. He was the speaker. Everyone else was the guy.

Asked by a curious admirer whether the iconic Eames lounge chair came to him in a flash, Charles replied, “Yes, sort of a thirty-year flash.

You are created to be a creator. God does not give anyone a finished product. God did not create the telephone, car, computers, Facebook, amazon, ebay, God did not make a chair, He created a tree for you to produce the chair. He gave you the raw materials to look at and ask yourself what can I do with this? Are you a producer or a consumer? .....ponder

People want to hang on to things that work—stories that work, methods that work, strategies that work. You figure something out, it works, so you keep doing it—this is what an organization that is committed to learning does. And as we become successful, our approaches are reinforced, and we become even more resistant to change. Moreover, it is precisely because of the inevitability of change that people fight to hold on to what they know. Unfortunately, we often have little ability to distinguish between what works and is worth hanging on to and what is holding us back and worth discarding. If you polled the employees of any creative company, my guess is that the vast majority would say they believe in change. But my experience, postmerger, taught me something else: Fear of change—innate, stubborn, and resistant to reason—is a powerful force. In many ways, it reminded me of Musical Chairs: We cling as long as possible to the perceived “safe” place that we already know, refusing to loosen our grip until we feel sure another safe place awaits. In a company like Pixar, each individual’s processes are deeply interconnected with those of other people, and it is nearly impossible to get everyone to change in the same way, at the same pace, all at once. Frequently, trying to force simultaneous change just doesn’t seem worth it. How, as managers, do we differentiate between sticking with the tried-and-true and reaching for some unknown that might—or might not—be better? Here’s what we all know, deep down, even though we might wish it weren’t true: Change is going to happen, whether we like it or not. Some people see random, unforeseen events as something to fear. I am not one of those people. To my mind, randomness is not just inevitable; it is part of the beauty of life. Acknowledging it and appreciating it helps us respond constructively when we are surprised. Fear makes people reach for certainty and stability, neither of which guarantee the safety they imply. I take a different approach. Rather than fear randomness, I believe we can make choices to see it for what it is and to let it work for us. The unpredictable is the ground on which creativity occurs.

Life expects us to make a reasonable amount of progress in a reasonable amount of time. That s why they make those second grade chairs so small.

Introverts spend a lot of time pondering the big questions. Our love of ideas often inspires us to pursue noble work. But, as we soon find, these jobs don't pay us for sitting in a soft chair and thinking big thoughts. Once on the job, we discover – to our horror – that we are expected to carry out the big ideas, and that usually means talking to PEOPLE. Usually, by the time we discover this, we are up to our ears in debt – not just for the student loans, but also to our own ideals.

A trained artist who sees a chair, then, is able to capture what the eye perceives (shape, color) before their “recognizer” function tells them what it is supposed to be.

Worrying was like sitting in a rocking chair—all that work and no progress.

It was there, on the swivel chair, we made love for the first time. It wasn't awe inspiring, the earth didn't move, but it was nice.

He resolv’d not to part from her without the Gratifications of those Desires she had inspir’d; and presuming on the Liberties which her suppos’d Function allow’d off,told her she must either go with him to some convenient House of his procuring, or permit him to wait on her to her own Lodgings. – Never had she been in such a Dilemma: Three or four Times did she open her Mouth to confess her real Quality; but the influence of her ill Stars prevented it, by putting an Excuse into her Head, which did the Business as well, and at the same Time did not take from her the Power of seeing and entertaining him a second Time with the same Freedom she had done this. – She told him, she was under Obligations to a Man who maintain’d her, and whom she durst not disappoint, having promis’d to meet him that Night at a House hard by. – This Story so like what those Ladies sometimes tell, was not at all suspected by Beauplaisir; and assuring her he wou’d be far from doing her a Prejudice, desir’d that in return for the Pain he shou’d suffer in being depriv’d of her Company that Night, that she wou’d order her Affairs, so as not to render him unhappy the next. She gave a solemn Promise to be in the same Box on the Morrow Evening; and they took Leave of each other; he to the Tavern to drown the Remembrance of his Disappointment; she in a Hackney-Chair hurry’d home to indulge Contemplation on the Frolick she had taken, designing nothing less on her first Reflections, than to keep the Promise she had made him, and hugging herself with Joy, that she had the good Luck to come off undiscover’d. But these Cogitations were but of a short Continuance, they

I didn’t know you’d become so friendly with the sexy Dragon Heir!” “Did you just call Darius Acrux sexy?” Sofia asked in surprise and I snorted a laugh as Geraldine blushed. “Well I have eyes!” she said defensively. “That’s not to say he’s the most attractive of the Heirs.” “Obviously,” Caleb said cockily. “No. Clearly the title of the most drool inspiring hunk of handsome goes to Max Rigel even if he is a blackhearted fiend. But Darius isn’t a bad second,” Geraldine said, a faint blush lining her cheeks. Sofia started laughing and Darcy covered her mouth to hide her grin. Diego looked like he’d like to be absolutely anywhere else.  “What?” Caleb asked, his brows pinching with irritation as I snorted a laugh. “You’re ranking me third?” “No! Of course not!” Geraldine said loudly, seeming horrified. “Seth Capella would be third.” I fell back into my chair, clutching my stomach as my laughter grew out of control and Caleb tried his hardest not to look as disgusted as he clearly was. Caleb seemed lost for words for a moment before obviously deciding he’d be better off not responding to Geraldine’s assessment of him.

The best alternative provision schools develop a thick seam of expertise in behaviour management. It takes time, investment and wise recruitment, but once formed it becomes an unassailable wall of calm, consistency and certainty. It is no coincidence that the very best alternative provision schools in the UK have spent years finding and developing the right adults, then holding on to them and growing their own. They have a knack of finding and training remarkable heroes: teachers and support professionals who will dodge a chair, soak up angry abuse and, moments later, inspire learning with delicate encouragement.

Verdean showed no improvement in the afternoon. Towards five o’clock the Saint had a flash of inspiration, and put in a long-distance call to a friend in Wolverhampton. “Dr. Turner won’t be back till tomorrow morning, and I’m afraid I don’t know how to reach him,” said the voice at the other end of the wire, and the flash flickered and died out at the sound. “But I can give you Dr. Young’s number—” “I am not having a baby,” said the Saint coldly, and hung up. He leaned back in his chair and said, quietly and intensely, “Goddamn

Splashing Fireworks by Maisie Aletha Smikle Like earthly stars Fireworks lit the skies Flashing in magnificent grandeur Showing off Its beauty and its splendor Like the colors of the rainbow Sparks flew some violet blue Swimming floating gliding Like starry streams colliding Joining in an ocean of air Then spectacularly disappear Sprinkling glows and glitters Of shining starry litters Glowing and hovering gracefully in the air We sat on a chair And watched and cheer To behold fireworks so dear Mystical magical elliptical Burst of lights so hypnotical Splendidly arrayed beams Appear in glowing streams Showers of light with its mist Mystically disperse without a twist As sporadic lights focus in a parabolic embrace To disseminate in space A precious sight and delight It is to behold fireworks dark at night And to glimpse the bright And beautiful light Oh such graceful outlay Of lights in an array Its beauty to portray The fireworks on display

Advice is just that, advice!

Several patio chairs, a small coffee table and behind them, a blue green pool, sun spotted water within listing side to side. Innocence can be found or lost here in the noonday sun.

When memories chase you in the middle of the night, and you see that empty chair, that silent sigh heavy in the breeze. What do you call it? Agony or Love's exquisite cry?.....

From the soil that God made Grows a tiny seed A tiny seed that God miraculously Changes into leaves, wood and food Leaves to nurture and rebuild the soil Wood for fuel to cook the food Wood for a home Wood for a table, chairs, plate and fork For you to sit and dine All from a tiny seed Hallowed to YHWH

Pierre wakes up for good. As he's lying there yawning, he vaguely remembers a couple of false starts inspired by a ringing phone. He looks to his left. It's eleven. Next thing, he's stumbling down the hall toward his phone machine. 'Wait. Coffee,' he whispers in a shredded voice, veering back into the kitchen. He does what he has to, then plays back the messages, sips. Beep. 'It's Paul at Man Age. Appointment, twelve-thirty P.M., hour, Gramercy Park Hotel, room three-forty-four, name Terrence. Later.' Beep. 'Paul again. Appointment, two P.M., Washington Annex Hotel, room six-twenty, a play-it-by-ear, name Dennis, I think the same Dennis from last night. Check with us mid-afternoon. You're a popular dude. Later.' Beep. 'P., it's Marv, you there? . . . No? . . . Call me at work. Love ya.' On his way to the shower Pierre makes a stop at the stereo, plays side one of Here Comes the Warm Jets, an old Eno album. It's still on his turntable. It has this cool, deconstructive, self-conscious pop sound typical of the '70s Art Rock Pierre loves. He doesn't know why it's fantastic exactly. If he were articulate, and not just nosy, he'd write an essay about it. Instead he stomps around in the shower yelling the twisted lyrics. ' "By this time / I'd got to looking for a kind of / substitute . . ." ' It's weird to get lost in something so calculatedly chaotic. It's retro, pre-punk, bourgeois, meaningless, etc. ' ". . . I can't tell you quite how / except that it rhymes with / dissolute." ' Pierre covers his ears, beams, snorts wildly. Tying his sneakers, he flips the scuffed-up LP, plays his two favorite songs on the second side, which happen to sit third and fourth, and are aurally welded together by some distorted synthesizer-esque percussion, maybe ten, fifteen seconds in length. Pierre flops back in his chair, soaks the interlude up. It screeches, whines, bleeps like an orgasming robot.

We're taught that life is a game of musical chairs and that if we don't hustle, we're going to be left standing without a seat

If they do not give you a seat at the table, don't bring a folding chair, build a damn table and have your folks pull up their chairs.

If they don’t give you a seat at the table, bring a folding chair.

Sometimes inspiration comes from the most unlikely places.

The closer you were seated to the middle of the table, it implied, the more important—the more central—you must be. And the farther away, the less likely you were to speak up—your distance from the heart of the conversation made participating feel intrusive. If the table was crowded, as it often was, still more people would sit in chairs around the edges of the room, creating yet a third tier of participants (those at the center of the table, those at the ends, and those not at the table at all).

Her gaze fell to her open Bible, resting on the chair beside her. She didn't remember putting it there. She reached for it, held the pages up to the candle, and read, "The Lord is my light and my salvation; whom shall I fear? The Lord is the strength of my life; of whom shall I be afraid? When the wicked, even mine enemies and my foes came upon me to eat up my flesh, they stumbled and fell." She closed her eyes and allowed the psalm to bathe her in peace. In spite of all the evil that Holmes had intended for her, the Lord had other plans and had led her to find Miss Lance and had sent her Jude in her moment of need.

The late Archbishop Desmond Tutu, chairing South Africa’s Truth and Reconciliation Commission during the country’s transition away from apartheid in the 1990s, cited ubuntu along with his Christian principles as inspiration for his approach. He believed that the oppressive relationships of apartheid had damaged oppressor and oppressed alike, destroying the natural bonds of humanity that should exist within and between people. His hope was to create a process that would reestablish those connections, rather than focus on avenging wrongs. He defined ubuntu with these words: “We belong in a bundle of life. We say, ‘a person is a person through other people.

The old rooms, in the candlelight, inspired him with a tenderness he would not by daylight have credited. Their beauty, which he had thought to be exterior, became significant; they were quickened by the breath of some existence which they had once enjoyed, when no eye regarded them as a museum, but took them for granted as the natural setting for daily life; and that applied to their furnishings too, to the mirrors into whose dim pools women had stolen many a frank or furtive glance; to the chairs whose now faded velvets had received the weight of limbs regardless of mud on the boots.

I don't see their fathers linin' up to get themselves killed by the Blaylocks!" Mom said, her voice strained and unsteady. "Where are the people who know how to use guns? Where are the hunters? Where're the big-talkin' men who say they've been in so many fights and they know how to use their fists and guns to solve every problem in this whole wide world?" "I don't know where they are." Dad scraped his chair back and stood up. "I just know where I am

Of course the detectives are cleverer than us. We expect them to be. But that doesn’t mean they’re paragons of virtue. Holmes is depressed. Poirot is vain. Miss Marple is brusque and eccentric. They don’t have to be attractive. Look at Nero Wolfe who was so fat that he couldn’t even leave his New York home and had to have a custom-made chair to support his weight! Or Father Brown who had ‘a face as round and dull as a Norfolk dumpling . . . eyes as empty as the North Sea’. Lord Peter Wimsey, ex-Eton, ex-Oxford, is thin and seemingly weedy and sports a monocle. Bulldog Drummond might have been able to kill a man with his bare hands (and may have been the inspiration for James Bond) but he was no male model either. In fact H.C. McNeile hits the nail on the head when he writes that Drummond had ‘the fortunate possession of that cheerful type of ugliness which inspires immediate confidence in its owner’. We don’t need to like or admire our detectives. We stick with them because we have confidence in them.

When the Dutch ambassador tried to humiliate her by refusing her a seat, Nzinga had shown her power by ordering one of her advisers to all fours to make a human chair of her body. That was the kind of power I sought...

If you want my opinion . . .” Brooke said, lifting a decanter of whiskey. “I don’t.” Brooke, of course, was undeterred. To the contrary, a keen anticipation lit his eyes. The man possessed a cutting wit, and used it to draw blood. Some gentlemen angled trout while on holiday; others shot game. Arthur Brooke made it a sport to disenchant— as though it were his personal mission to drive fancy and naiveté to extinction. He said smugly, “My dear Mrs. Yardley, you have assembled a lovely collection of words.” Portia eyed him with skepticism. “I don’t suppose that’s a compliment.” “No, it isn’t,” he answered. “Pretty words, all, but there are too many of them. With so many extravagant ornaments, one cannot make out the story beneath.” “I can make out the story quite clearly,” Cecily protested. “It’s nighttime, and there is a terrific storm.” “There you have it,” Denny said. “It was a dark and stormy night.” He made a generous motion toward Portia. “Feel free to use that. I won’t mind.” With a groan, Portia rose from her chair and swept to the window. “The difficulty is, this is not a dark and stormy night. It is clear, and well-lit by the moon, and unseasonably warm for autumn. Terrible. I was promised a gothic holiday to inspire my literary imagination, and Swinford Manor is hopeless. Mr. Denton, your house is entirely too cheerful and maintained.” “So sorry to disappoint,” Denny said. “Shall I instruct the housekeeper to neglect the cobwebs in your chambers?” “That wouldn’t be nearly enough. There’s still that sprightly toile wallpaper to contend with— all those gamboling lambs and frolicking dairymaids. Can you imagine, this morning I found myself humming! I expected this house to be decrepit, lugubrious . . .” “Lugubrious.” Brooke drawled the word into his whiskey. “Another pretty word, lugubrious. More than pretty. Positively voluptuous with vowels, lugubrious. And spoken with such . . . mellifluence.” Portia flicked him a bemused glance. He added, “One pretty word deserves another, don’t you think?

She is inimitably cute and charming. She studies sitting on the carpet lying on the floor in her room. While studying on table and chair, she falls asleep!

Papa, Jesus is the only prophet I know who made the blind see, healed the sick, made the deaf hear and the paralyzed walk. He can’t only be a prophet; He must be more. Jesus not only raised the dead; He was also raised from the dead Himself. His tomb is empty. He is alive. Muhammad’s bones are still buried in Mecca, and he is dead. Jesus is my Superhero!” I said to my father. Father sat back in his chair and smiled at me. “Yes, Jesus was one of the greatest prophets, even in Islam. We know in the end times He will come from heaven as a judge to judge the world,” he replied. When Papa told me Jesus would come again to judge the world, he unknowingly inspired me to learn more about Him.

irritatingly moralistic. Democratic globalism sees as the engine of history not the will to power but the will to freedom. And while it has been attacked as a dreamy, idealistic innovation, its inspiration comes from the Truman Doctrine of 1947, the Kennedy inaugural of 1961, and Reagan’s “evil empire” speech of 1983. They all sought to recast a struggle for power between two geopolitical titans into a struggle between freedom and unfreedom, and yes, good and evil. Which is why the Truman Doctrine was heavily criticized by realists like Hans Morgenthau and George Kennan—and Reagan was vilified by the entire foreign policy establishment for the sin of ideologizing the Cold War by injecting a moral overlay. That was then. Today, post-9/11, we find ourselves in a similar existential struggle but with a different enemy: not Soviet communism, but Arab-Islamic totalitarianism, both secular and religious. Bush and Blair are similarly attacked for naïvely and crudely casting this struggle as one of freedom versus unfreedom, good versus evil. Now, given the way not just freedom but human decency were suppressed in both Afghanistan and Iraq, the two major battles of this new war, you would have to give Bush and Blair’s moral claims the decided advantage of being obviously true. Nonetheless, something can be true and still be dangerous. Many people are deeply uneasy with the Bush-Blair doctrine—many conservatives in particular. When Blair declares in his address to Congress: “The spread of freedom is … our last line of defense and our first line of attack,” they see a dangerously expansive, aggressively utopian foreign policy. In short, they see Woodrow Wilson. Now, to a conservative, Woodrow Wilson is fightin’ words. Yes, this vision is expansive and perhaps utopian. But it ain’t Wilsonian. Wilson envisioned the spread of democratic values through as-yet-to-be invented international institutions. He could be forgiven for that. In 1918, there was no way to know how utterly corrupt and useless those international institutions would turn out to be. Eight decades of bitter experience later—with Libya chairing the UN Commission on Human Rights—there is no way not to know. Democratic globalism is not Wilsonian. Its attractiveness is precisely that it shares realism’s insights about the centrality of power. Its attractiveness is precisely that it has appropriate contempt for the fictional legalisms of liberal internationalism. Moreover, democratic globalism is an improvement over realism. What it can teach realism is that the spread of democracy is not just an end but a means, an indispensable means for securing American interests. The reason is simple. Democracies are inherently more friendly to the United States, less belligerent to their neighbors and generally more inclined to peace. Realists are right that to protect your interests you often have to go around the world bashing bad guys over the head. But that technique, no matter how satisfying, has its limits. At some point, you have to implant something, something organic and self-developing. And that something is democracy. But where? V. DEMOCRATIC REALISM The danger of democratic globalism is its universalism, its open-ended commitment to human freedom, its temptation to plant the flag of democracy everywhere. It must learn to say no. And indeed, it does say no. But when it says no to Liberia, or Congo, or Burma, or countenances alliances with authoritarian rulers in places like Pakistan

Therefore, if anyone is in Christ, the new creation has come: The old has gone, the new is here! —2 Corinthians 5:17 (NIV) It’s amazing what a few gallons of butter-yellow paint can do for your soul. As I stepped out of a difficult year that included financial hardship and a painful divorce, I wanted my home to reflect not only my survival, but also my hope and renewed joy. I got rid of every painting and hung up blank white canvases waiting for colors and inspiration. Old photos were taken down and new ones were framed. My dingy linoleum floors were covered by bright laminate wood, and the dining room chairs were newly dressed in dark, childproof upholstery. As my home was undergoing its slow rebirth, I asked advice from carpenters who had come to my church on a missions trip from North Carolina. “I’m thinking of building a loft bed for my boys,” I said. I wanted them to have space for all their toys. “Is it safe to use my old bed frame to build it?” “Why don’t you wait till we get back to New York City next month?” they responded. I waited and painted my sons’ walls the color of sunny skies, and when the team finally returned they had a surprise waiting for me: the loft bed! I was overwhelmed by their generosity and love. As they installed the bed, I could feel God’s hand in it. He’d done so much to transform me on the inside and now He was helping me transform everything else. Lord, thank You for the gift of renewal. —Karen Valentin Digging Deeper: Rom 12:2; 1 Pt 1:13

You are crying, feeling lost sitting in that chair. For the love of God, have some love for Travel.

If we Live without trying to make our Dreams come True, we are no better than the table and chair lying in front of us, just Existing till they are moved out.

So when someone asks, “What is the gospel?” the best response is, “Let me tell you a story.” You might start with Abraham, Isaiah, or Luke. You might start with the Samaritan woman at the well. You might start with a story about your grandmother or a rural church camp or a dining room table surrounded by Woody’s chairs. At some point, you will get to Jesus, and Jesus will change everything.

Looking at the two chairs together, I see a fair representation of the partner we've found in plastic: a Janus-faced companion who can rightly inspire our deepest admiration and our strongest disgust.

Usually, Mom popped right up after that [chemo] and gathered her things, and we were on our way. Today she remained in the chair. "Are you okay, Mom?" I asked. She looked very tired. "I am feeling a little sad. I know there's a life everlasting - but I wanted to do so much more here.

Harold Monro, with his Poetry Bookshop at 35 Devonshire Street in Bloomsbury, was a mentor and inspiration. In 1913 he had turned an eighteenth-century house into a shop, publishing house and meeting place for poets and readers. At his own expense he published poetry and edited The Poetry Review. The shop was on the ground floor. The poet Amy Lowell called it a room rather than a shop. There was a coal fire, comfortable chairs, a cat and a couple of dogs. Offices were on the first floor, poetry readings were held on the second, and at the top were two attic rooms for poets and artists who needed cheap lodgings.

Non si è fantasmi nelle terre che ci appartengono.

Mike plays around with a new toy. As he later describes the harsh rhythmic sound he comes up with: “I programmed that with the very first big Linn drum machine. And I did something the Americans would never do: I put it through my guitar amplifier, a small one, and I turned it up so loud that it was jumping up and down on the chair. What the English do well is take a sound and fuck it up. That’s a prime example. It’s just a horrible but great sound.” He’s not wrong. Straight away it works. We all fall in love with it and, inspired, I do my best John Lennon impersonation, and I also take a vocal cue from Grandmaster Flash and the Furious Five’s “The Message,” adding in the maniacal laugh. And that’s “Mama,” the lead single from the Genesis album. Our biggest ever U.K. hit, both of its time and timeless, and an enduring stage classic.

Don't leave anything untouched, For today is already at the door but tomorrow is another story. Later on, dawn will be dusk and dusk will be night. Later on, those you once loved, might become a memory, Later on, the loved ones might be waiting on the other side. Later on, the spell might be broken, and love may lose its way. Later on, promises might not be honored. Later on, those you long to play with will grow old. Later on, those chairs where your kids once sat, will sit empty. Later on, the love of today might be some dried rose. Later on, the moments will become memories.

I'd been raised as a spiritual kid. I'd always gone to church and believed in prayer and God's healing power. I was so into Jesus that when we had dinner, I'd smile, thinking of Him with us there at the table, sitting in our empty chair while we ate. I prayed for arms and legs. For a while I expected to wake up some morning with arms and legs. I'd settle for just getting one arm or leg at a time. When they did not appear, I grew angry with God.