Chad Quotes

We've searched our database for all the quotes and captions related to Chad. Here they are! All 100 of them:

If you're reading this... Congratulations, you're alive. If that's not something to smile about, then I don't know what is.
Chad Sugg (Monsters Under Your Head)
Love the trees until their leaves fall off, then encourage them to try again next year.
Chad Sugg
Our biggest regrets are not for the things we have done but for the things we haven't done
Chad Michael Murray
Enjoy your youth. You'll never be younger than you are at this very moment.
Chad Sugg
And like a colorful bloom of temporary lights in the sky, you will shine.
Chad Sugg
Something amazing happens when you're in love and don't give a damn about what day it is anymore.
Chad Sugg
people don't change, they just have momentary steps outside of their true character
Chad Kultgen (The Lie)
You told me once that a soul isn't something a person is born with but something that must be built, by effort and error, study and love. And you did that with more dedication than most, that work of building a soul-not for your own benefit but for the benefit of those that knew you.
Chad Harbach (The Art of Fielding)
As the taxi entered the intersection, the two drivers in the attorney general’s entourage slammed on the brakes. Both Suburbans fishtailed out of control. Ducking in the back seat, Blake could smell the burning rubber from tires skidding on the asphalt and hear the pedestrians screaming and car horns sounding off in rebuke.
Chad Boudreaux (Scavenger Hunt)
So much of one's life was spent reading; it made sense not to do it alone.
Chad Harbach (The Art of Fielding)
Love is a good thing on a bad day, when the last thing you want is to be cheered up.
Chad Sugg (Waking Up In Black And White)
Come tomorrow, I'll wake up new.
Chad Sugg
She hated the namelessness of women in stories, as if they lived and died so that men could have metaphysical insights.
Chad Harbach (The Art of Fielding)
My body is an ugly masterpiece that lives off the beauty of sound.
Chad Sugg
It was strange the way he loved her; a side long and almost casual love, as if loving her were simply a matter of course, too natural to mention
Chad Harbach (The Art of Fielding)
Blake shook his head and smiled as the attorney general of the United States closed the door. As usual, the forecast called for a wonderful day at the United States Department of Justice. Unfortunately, the daily forecast would soon change, as would the life of Blake Hudson.
Chad Boudreaux (Scavenger Hunt)
Home was the one place he wanted to forget, the place from which he’d run away but never could escape. And, yes, home was the place he’d been instructed to leave—the place where the trouble began and the trouble would end.
Chad Boudreaux (Scavenger Hunt)
His brother fell silent again, another oddity for Chad. Several seconds passed. “Bro, all of us are a little fucked up.” “No shit.
J. Lynn (Tempting the Best Man (Gamble Brothers, #1))
While waiting for her accomplice to gather his equipment, Hensley couldn’t help but think ahead to her next mission. She hadn’t told him. It wasn’t a mission for which she’d volunteered, nor a mission about which she knew any details.
Chad Boudreaux (Scavenger Hunt)
True to course, he didn’t know the nature of the assignment; true to course, he didn’t ask. That was probably for the best. Preparation for the Iranian hostage extraction had been difficult, and its execution life-threatening, but that was child’s play compared to what was coming.
Chad Boudreaux
As Blake turned around to continue his walk back to Main Justice, he spotted one of the tourists taking his picture. “Don’t waste your film!” Blake yelled at the man. “I’m not that important!” But the $500 stuffed in the photographer’s back pocket argued otherwise.
Chad Boudreaux (Scavenger Hunt)
He had always been so careful, never revealed his true identity. But somehow, they’d fingered him, and his life had changed forever—for the worst. He couldn’t help but think that some­one in the Central Intelligence Agency had turned on him. One of his own.
Chad Boudreaux (Scavenger Hunt)
What other problems do American soldiers face when hunting down these fanat­ical killers?” “A person’s senses are more acute when being hunted,” Reid said. “More adept at avoiding capture.” These guys are good, Blake thought as a bead of sweat trickled down the small of his back. What have I gotten myself into?
Chad Boudreaux (Scavenger Hunt)
Literature could turn you into an asshole: he’d learned that teaching grad-school seminars. It could teach you to treat real people the way you did characters, as instruments of your own intellectual pleasure, cadavers on which to practice your critical faculties.
Chad Harbach (The Art of Fielding)
Each of us, deep down, believes that the whole world issues from his own precious body, like images projected from a tiny slide onto an earth-sized screen. And then, deeper down, each of us knows he’s wrong.
Chad Harbach (The Art of Fielding)
Mize knew that the outcome of today’s hearing was all about politics. Lady Justice wasn’t blind. She was wearing see-no-evil lenses and had been cursed with a more troubling disability—muteness. There existed no doubt in his mind that political machinations had suffocated legal precedent on this day.
Chad Boudreaux (Scavenger Hunt)
Any guilt borne by the casualties wrought by his hands had long ago been buried by the honor of the cause. That was enough for Olson. He’d been programmed to think about the cause. Nothing else mattered. He knew that by exterminating the bad guys, he was pro­tecting the good guys.
Chad Boudreaux (Scavenger Hunt)
People thought becoming an adult meant that all your acts had consequences; in fact it was just the opposite.
Chad Harbach (The Art of Fielding)
If you're at a party with more than five people named Chad, get the fuck out right away.
Eugene Mirman (The Will to Whatevs: A Guide to Modern Life)
Want to play some Battleship?” I wasn’t leaving him alone with that thing in there. Chad armed himself with a notebook, and we went to war. Historically, war has often been used as a distraction for problems at home.
Patricia Briggs (Bone Crossed (Mercy Thompson, #4))
Amanda, still thinking more about Harry Mize than the issues before the committee, lunged forward and snatched the note from Kershing’s hand. After reading it, she stood up and walked out of the hearing, leaving the receipt on her chair. Rick glanced up as she walked out. Then, he picked up his receipt and read Kershing’s words. Get the trucks in position. It’s time to go.
Chad Boudreaux (Scavenger Hunt)
The Human Condition being, basically, that we’re alive and have access to beauty, can even erratically create it, but will someday be dead and will not.
Chad Harbach (The Art of Fielding)
If you want to call it quits, just tell me. Man up and say it to my face. Don’t just skulk around.
J.M. Richards (Tall, Dark Streak of Lightning (Dark Lightning Trilogy, #1))
Chad had prowled over to her, and she felt good caged in between those powerful arms, but when he kissed her flushed forehead and then the tip of her nose, she lost a little of herself forever.
J. Lynn (Tempting the Player (Gamble Brothers, #2))
He sat in disbelief as the Mission Possible continued its rocking motion farther out to nowhere. He could hear the metronomic slap, slap, slap of water against the boat’s hull. He checked his watch, turned his Yankees cap around, and started the engines. Taking one last look around, he turned the bow of the Bertram back toward shore. Ready or not, it was time for Jake Reid to go home.
Chad Boudreaux (Scavenger Hunt)
...a soul isn't something a person is born with but something that must be built, by effort and error, study and love.
Chad Harbach (The Art of Fielding)
Chad stared at his publicist/babysitter/daughter of Satan. “Jesus, woman, I do not envy the man you end up with.” Miss Gore’s smile was pure evil. “Neither do I.
Jennifer L. Armentrout (Tempting the Player (Gamble Brothers, #2))
Sometimes it's just silent...No sound at all. 'Does that scare you?' Chad nods. 'Why?' asks his father. 'It's like something's waiting.
Mark Z. Danielewski (House of Leaves)
But things had changed, and now she sat in her car outside her childhood residence staring at an open gate with a fifteen-inch Bowie knife in her lap, thinking. 
Chad Boudreaux (Homecoming Queen)
Anika nodded, reflecting on her situation as the sirens grew louder. She had some time, but cops, hurricanes, and jealous women weren’t the party favors she’d expected for her homecoming parade.
Chad Boudreaux (Homecoming Queen)
Sometimes between lunch and dinner, when there's a lull, Jill and Shaniqua and I will sit around and fantasize about what we'd do if a REAL celebrity walked into the place, like Chad Michael Murray (although we've gone off him a bit since his divorce) or Jared Padalecki, or even Prince William (you never know. He could have gotten his yacht lost, or whatever.)
Meg Cabot (Pants on Fire)
But people didn't forgive you for doing what felt right-that was the last thing they forgave you for.
Chad Harbach (The Art of Fielding)
Always be the worst guy in every band you’re in. - so you can learn. The people around you affect your performance. Choose your crowd wisely.
Chad Fowler (The Passionate Programmer: Creating a Remarkable Career in Software Development (Pragmatic Life))
Life was long, unless you died, and he didn’t intend to spend the next sixty years talking about the last twenty-two.
Chad Harbach (The Art of Fielding)
Stepping back, Anika smiled at her prisoners and clicked open the Zippo. Its flame hopped to life. Wasting no time, she underhand-tossed the lighter through the air. It hit the middle of its target, and the banner exploded into flames. 
Chad Boudreaux (Homecoming Queen)
There are no whys in a person's life, and very few hows. In the end, in search of useful wisdom, you could only come back to the most hackneyed concepts, like kindness, forbearance, infinite patience. Solomon and Lincoln: This too shall pass. Damn right it will. Or Chekhov: Nothing passes. Equally true.
Chad Harbach (The Art of Fielding)
Category 3 hurricanes changed a culture’s worldview. Categories 4 and 5 converted unbelievers to religion. 
Chad Boudreaux
I hit something...alright.
Tite Kubo
He already knew he could coach. All you had to do was look at each of your players and ask yourself: What story does this guy wish someone would tell him about himself? And then you told the guy that story.
Chad Harbach (The Art of Fielding)
She reached the door to the forbidden room. The door with the light escaping through the cracks. Her hands shook. Her eyes watered from the pull. She panted, her chest visibly moving in and out. Her teeth clenched. She switched off the flashlight, turned the knob, and pushed. 
Chad Boudreaux (Homecoming Queen)
He felt a touch of sadness now that it had happened, now that he knew what it was like. Not because it wasn't enjoyable, or wouldn't be repeated, but because one more of life's mysteries had been revealed.
Chad Harbach (The Art of Fielding)
Try to remember the moment when all the stupid innocent things you thought about life and love, all the things you thought mattered, all the things you though were true. . .try to remember when they all turned out to be lies. —Kyle
Chad Kultgen (The Lie)
People don't change, they just have momentary steps outside of their true character, isolated actions contrary to their true nature.
Chad Kultgen (The Lie)
I love that name. A country named Chad. Sounds like somebody who lived next door to the Brady Bunch. But if Chad actually lived next door to the Bradys, Greg would be roasting over a slow fire and Marcia would be standing naked on an auction block, because Chad is one of the hungriest, craziest, most desperate places on the planet.
Gary Brecher (War Nerd)
There were no whys in a person's life, and very few hows. In the end, in search of useful wisdom, you could only come back to the most hackneyed concepts, like kindness, forbearance, infinite self patience.
Chad Harbach (The Art of Fielding)
A moment would come, and then another, and then another. These moments would be his life.
Chad Harbach (The Art of Fielding)
Ascending the creaky steps, she heard the old timers discussing the weather. But this wasn’t the usual small talk. They ranked Texas storms. Not by category, wind speed, or monetary damage, but by casualties—body count. 
Chad Boudreaux (Homecoming Queen)
Americans will smile at you and be extremely friendly but if your name is not Cory or Chad, they make no effort at saying it properly. The Brits will be surly and will be suspicious if you’re too friendly but they will treat foreign names as though they are actually valid names.” “That’s interesting,
Chimamanda Ngozi Adichie (Americanah)
But baseball was different. Schwartz thought of it as Homeric - not a scrum but a series of isolated contests. Batter versus pitcher, fielder versus ball. You couldn't storm around, snorting and slapping people, the way Schwartz did while playing football.You stood and waited and tried to still your mind. When your moment came, you had to be ready, because if you fucked up, everyone would know whose fault it was. What other sport not only kept a stat as cruel as the error but posted it on the scoreboard for everyone to see?
Chad Harbach (The Art of Fielding)
You, instinctively, as a girl, have very, uh, strange, supernatural, magical powers that we don't understand.
Chad Eastham
Do not speak unflatteringly of Jane," Flora said, walking beside Chad. "She is the greatest writer to have ever lived." "I thought that was Shakespeare." "William was, or course, quite good," Flora said. "But no one can compare to Jane Austen.
Krista McGee (Starring Me)
What would he say to her, if he was going to speak truly? He didn't know. Talking was like throwing a baseball. You couldn't plan it out beforehand. You just had to let go and see what happened. You had to throw out words without knowing whether anyone woud catch them -- you had to throw out words you knew no one would catch. You had to send your words out where they weren't yours anymore. It felt better to talk with a ball in your hand, it felt better to let the ball do the talking. But the world, the nonbaseball world, the world of love and sex and jobs and friends, was made of words.
Chad Harbach (The Art of Fielding)
I thought about how the past can become so small. An entire day, 24 separate, heavy hours, becomes the size of a tiny brown leaf falling from a tree. Before you know it, a whole year is just a pile of dead leaves on the ground. The year or so I’d spent in love with Chad was starting to feel so long ago, swept away by the wind. I knew that this year would soon feel far away too.
Kimberly Novosel (Loved)
Owen," Henry said excitedly, "I think Coach wants you to hit for Meccini." Owen closed The Voyage of the Beagle, on which he had recently embarked. "Really?" "Runners on first and second," Rick said. "I bet he wants you to bunt." "What's the bunt sign?" "Two tugs on the left earlobe," Henry told him. "But first he has to give the indicator, which is squeeze the belt. But if he goes to his cap with either hand or says your first name, that's the wipe-off, and then you have to wait and see whether--" "Forget it," Owen said. "I'll just bunt.
Chad Harbach (The Art of Fielding)
Putting Henry at shortstop - it was like taking a painting that had been shoved in a closet and hanging it in the ideal spot. You instantly forgot what the room had looked like before.
Chad Harbach (The Art of Fielding)
This is the one thing I hope: that she never stopped. I hope when her body couldn’t run any farther she left it behind like everything else that tried to hold her down, she floored the pedal and she went like wildfire, streamed down night freeways with both hands off the wheel and her head back screaming to the sky like a lynx, white lines and green lights whipping away into the dark, her tires inches off the ground and freedom crashing up her spine. I hope every second she could have had came flooding through that cottage like speed wind: ribbons and sea spray, a wedding ring and Chad’s mother crying, sun-wrinkles and gallops through wild red brush, a baby’s first tooth and its shoulder blades like tiny wings in Amsterdam Toronto Dubai; hawthorn flowers spinning through summer air, Daniel’s hair turning gray under high ceilings and candle flames and the sweet cadences of Abby’s singing. Time works so hard for us, Daniel told me once. I hope those last few minutes worked like hell for her. I hope in that half hour she lived all her million lives.
Tana French (The Likeness (Dublin Murder Squad, #2))
3. There are three stages. Thoughtless being. Thought. Return to thoughtless being. 33. Do not confuse the first and third stages. Thoughtless being is attained by everyone, the return to thoughtless being by a very few.
Chad Harbach (The Art of Fielding)
We don't have a single goddamn thing left to prove to anyone. We're proven. Today we play.
Chad Harbach (The Art of Fielding)
You really want to cause mass extinction for those names? Moan them, little mouse, I dare you. Whichever ones you choose, not a single man by that name will fucking exist anymore. How about we start with Chad? We can definitely live without the Chads in the world.
H.D. Carlton (Hunting Adeline (Cat and Mouse, #2))
Anika walked to the workbench, which was flanked by two metal cabinets. She opened the cabinet on the left and spotted sundry items—nails, paint, and whatnot—that one expected to see. Even the rat poison with skull and crossbones on the bag made sense. She also saw, however, several boxes wrapped in white and labeled, “Explosive Plastic Comp-4 (C-4).” Paralyzed, she tried not to panic or stare. 
Chad Boudreaux (Homecoming Queen)
Pasty old men on the porch played Texas hold ’em using Old West playing cards without numbers. They sipped joe and flashed toothless smiles as Anika and Sam marched toward the Alamo entrance. Though their smiles appeared genuine, even endearing, these weren’t the innocent grandpas from central casting. 
Chad Boudreaux (Homecoming Queen)
Neither had said so, but she could tell. Unless she was just paranoid, living in her head again, but you always lived in your head and you had to go with what you felt.
Chad Harbach (The Art of Fielding)
It remained an open question, how much sympathy love could stand.
Chad Harbach (The Art of Fielding)
There is no love, there is only the lie we tell ourselves that things are more important than they actually are, that our lives will have meaning beyond all the other lives that have come before us and been forgotten, that there is hope in any of this.
Chad Kultgen (The Lie)
She remembered what her old priest had said: a half-truth masquerading as a whole truth was nothing but an untruth. But half-truths were horseplay in Miranda, where big lies came quick and easy. And they were about to come a lot easier.
Chad Boudreaux (Homecoming Queen)
Everyone expected him to succeed, no matter what the arena, and so failure, even temporary failure, had ceased to be an option.
Chad Harbach (The Art of Fielding)
If it wasn't for you I wouldn't have remembered my last four birthdays.
Chad Eastham
To reach a ball he has never reached before, to extend himself to the very limits of his range, and then a step farther, this is the shortstop's dream.
Chad Harbach (The Art of Fielding)
She’s been reading too much, he thought -had drifted across that line that separated what you might find in a book from what you might do
Chad Harbach (The Art of Fielding)
Had he learned - would he ever learn - to discard the thoughts he could not use?
Chad Harbach (The Art of Fielding)
Henry knew better than to want freedom. The only life worth living was the unfree life, the life Schwartz had taught him, the life in which you were chained to your one true wish, the wish to be simple and perfect. Then the days were sky-blue spaces you moved through with ease. You made sacrifices and the sacrifices made sense. You ate till you were full and then you drank SuperBoost, because every ounce of muscle meant something. You stoked the furnace, fed the machine. No matter how hard you worked, you could never feel harried or hurried, because you were doing what you wanted and so one moment simply produced the next.
Chad Harbach (The Art of Fielding)
Henry," he said. "You are skilled. I exhort you.
Chad Harbach (The Art of Fielding)
That was what made the story so epic: the player, the hero, had to suffer mightily en route to his final triumph. Schwartz knew that people loved to suffer, as long as the suffering made sense. Everybody suffered. The key was to choose the form of your suffering. Most people couldn't do this alone; they needed a coach. A good coach made you suffer in a way that suited you. A bad coach made everyone suffer in the same way, and so was more like a torturer.
Chad Harbach (The Art of Fielding)
We drive down the road in complete silence for a few miles listening to 50 Cent. As soon as he tells us that he's into having sex, he ain't into making love, Casey turns the volume down and begins telling me the following information: " I love you so much. We're going to have the best life together. I can't wait." Every word she says makes me feel a little more like faking a stroke and pretending to lose all memory of who I was, but it's not until she looks me in the eye and says in all seriousness, "You're my soul mate," that I realize I am not going to marry her.
Chad Kultgen (The Average American Male)
From the day after we lose someone, how we lost them doesn't matter. All that matters now is that they're gone, and there's absolutely no more interacting with that person. There's just the memories. And those memories will come pelting at you at random for a while, before you realize it can be beautiful to let them run through you.
Chad Pelley (Every Little Thing)
It was strange the way he loved her: a sidelong and almost casual love, as if loving her were simply a matter of course, too natural to mention. Like their first meeting on the steps of the gym, when he’d hardly so much as glanced at her. With David and every guy before David, what passed for love had always been eye to eye, nose to nose; she felt watched, observed, like the prize inhabitant of a zoo, and she wound up pacing, preening, watching back, to fit the part. Whereas Mike was always beside her.
Chad Harbach (The Art of Fielding)
The doctor said a ball hit me. But I don’t remember batting.” “You were in the dugout. Henry made a bad throw.” “Henry did? Really? Are you sure?” “Yes.” “Well, it’s always the ones you least suspect.” Owen let his eyes fall shut. “I don’t remember anything at all. Was I reading?” Affenlight nodded. “I warned you. It’s a dangerous pastime.
Chad Harbach (The Art of Fielding)
It might have sounded silly, but Affenlight loved the way Owen always picked these same two mugs and even, presumably, went so far as to rinse them in the sink when they were dirty. Such consistency suggested, or seemed to suggest, that Owen found their afternoons worth repeating, even down to the smallest detail. This was the dreamy, paradisiacal side of domestic ritual: when all the days were possessed of the same minutiae precisely because you wanted them to be.
Chad Harbach (The Art of Fielding)
Gunfire doesn’t startle real Texans, particularly those from rural towns. Miranda’s children mastered pistols, shotguns, and rifles like magicians master top hats, rabbits, and playing cards. Texas bravado aside, however, fully automatic gunfire wasn’t kosher. Not even close. Mirandites cowered at the ominous sounds of hoodlums firing M-16s and AK-47s from train cars barreling through the town’s arteries on largely secluded tracks. 
Chad Boudreaux (Homecoming Queen)
For Schwartz this formed the paradox at the heart of baseball, or football, or any other sport. You loved it because you considered it an art: an apparently pointless affair, undertaken by people with special aptitude, which sidestepped attempts to paraphrase its value yet somehow seemed to communicate something true or even crucial about The Human Condition. The Human Condition being, basically, that we're alive and have access to beauty, can even erratically create it, but will someday be dead and will not. Baseball was an art, but to excel at it you had to become a machine. It didn't matter how beautifully you performed SOMETIMES, what you did on your best day, how many spectacular plays you made. You weren't a painter or a writer--you didn't work in private and discard your mistakes, and it wasn't just your masterpieces that counted.
Chad Harbach (The Art of Fielding)
They reached the entrance to Oweynagat. “When is Samhain?” Chad asked, whispering in a timid voice. “Tomorrow,” Caplait answered. “Tomorrow?” Chad’s voice wobbled. “But the stories that Banban told us, of ghosts and two-headed monsters and the Morrigan—shouldn’t we wait until after Samhain?” “A week? But tomorrow is Samhain; you all heard what Banban told us! About the graves opening, and the spirits in this cave; the emerging of creatures from Oweynagat; the Morrigan on a chariot pulled by a onelegged chestnut horse; and the Ellen Trechen, the tripleheaded monster!
Rowena Kinread (The Missionary)
All my other current friends were "intellectuals"––Chad the Nietzschean anthropologist, Carlo Marx and his nutty surrealist low-voiced serious staring talk, Old Bull Lee and his critical anti-everything drawl––or else they were slinking criminals like Elmer Hassel, with that hip sneer; Jane Lee the same, sprawled on the Oriental cover of her couch, sniffing at the New Yorker. But Dean's intelligence was every bit as formal and shining and complete, without the tedious intellectualness. And his "criminality" was not something that sulked and sneered; it was a wild yea-saying overburst of American joy; it was Western, the west wind, an ode from the Plains, something new, long prophesied, long a-coming. Besides, all my New York friends were in the negative, nightmare position of putting down society and giving their tired bookish or political or psychoanalytical reasons, but Dean just raced in society, eager for bread and love; he didn't care one way or the other.
Jack Kerouac (On the Road)
In his life he'd passed through long periods of gratefulness and good cheer, but he'd scarcely even imagined this level of thorough contentment with things as they were. His chronic restlessness had fled. He wanted nothing new. He wanted only to hang on to what he had. It was almost excruciating.
Chad Harbach (The Art of Fielding)
One night, Tim stumbled across a documentary called Manufacturing Consent. After viewing it, he found some writing online by its subject, Noam Chomsky, and as a result began to feel that there wasn't really a point to anything, that free will was an illusion, and that the things most people invested time and energy in were systems of control designed by those who sought to manipulate the general populace
Chad Kultgen (Men, Women, and Children)
but we have reached the point now where even the most sublime experience of Nature on Earth has devolved into just one more means to an end to getting likes on social media. People are dancing with the possibility of death just to steal a little dopamine rush to the brain which will wear off in a few seconds anyway and for a status update which will be buried by the algorithm after just 24 hours due to a lack of relevance.
Chad A. Haag (Hermeneutical Death: The Technological Destruction of Subjectivity)
Do you even feel anything, Chad? Will you for once stop walking around, all in control and f'ing calm? Do you have any idea what you all have done. I lost everything, Chad. Everything, when Kyle died. I lost myself. I had finally begun to build a new life with new friends. With people I thought cared about me. I have started to be just a little bit happy again. Was it too much to ask? Did I ask for too much by just wanting to have a little bit of a life again? Now, it’s all screwed up again and you walk around here like you don’t feel anything about what’s happened.” Chad spun around, and for only the second time since she’d known him, she saw the flash of anger so fierce her breath caught in her throat and she took an involuntary step back, away from him. Jennie knew Chad would never hurt her on purpose, but the anger rolling off of him was palpable. It seemed to force her backwards as if it had a life of its own, a power of its own. “Not feel anything, Jennie? Are you f'ing kidding me? I walk around here every day and I ache every f'ing minute I’m with you. I’m so twisted up with loving you and hating you, I can’t breathe. I can’t keep my hands off you, but I can’t let myself kiss you because I might lose myself in you. I can’t make love to you because I’m afraid you’ll pretend I’m him. I know you want his arms around you, not mine. I know you want it to be his baby inside you, not mine. And I know you can’t love me back, no matter what I do, because you’re still so in love with your husband, you can’t even begin to see me.” Chad didn’t stop and Jennie didn’t try to stop him. “And every day, I have to sit here and wonder how I’ll be a part of my baby’s life. I wonder if you’ll let me be in the delivery room, if you’ll let me help you name the baby. I wonder how much money I’d have to offer the people who live across the street from you to get them to sell me their house, just so I can see my child grow up. If you’ll let me...” Chad stopped as if he’d run out of steam. They stood in uneasy silence for a long time before Chad spoke again. He sounded worn out and bitter and angry, mirroring Jennie’s chaos of emotions. “Am I feeling anything? Yeah. I’m feeling some f'ing sh**, Jen.
Lori Ryan (Negotiation Tactics (Sutton Capital #3))
Several years ago, researchers at the University of Minnesota identified 568 men and women over the age of seventy who were living independently but were at high risk of becoming disabled because of chronic health problems, recent illness, or cognitive changes. With their permission, the researchers randomly assigned half of them to see a team of geriatric nurses and doctors—a team dedicated to the art and science of managing old age. The others were asked to see their usual physician, who was notified of their high-risk status. Within eighteen months, 10 percent of the patients in both groups had died. But the patients who had seen a geriatrics team were a quarter less likely to become disabled and half as likely to develop depression. They were 40 percent less likely to require home health services. These were stunning results. If scientists came up with a device—call it an automatic defrailer—that wouldn’t extend your life but would slash the likelihood you’d end up in a nursing home or miserable with depression, we’d be clamoring for it. We wouldn’t care if doctors had to open up your chest and plug the thing into your heart. We’d have pink-ribbon campaigns to get one for every person over seventy-five. Congress would be holding hearings demanding to know why forty-year-olds couldn’t get them installed. Medical students would be jockeying to become defrailulation specialists, and Wall Street would be bidding up company stock prices. Instead, it was just geriatrics. The geriatric teams weren’t doing lung biopsies or back surgery or insertion of automatic defrailers. What they did was to simplify medications. They saw that arthritis was controlled. They made sure toenails were trimmed and meals were square. They looked for worrisome signs of isolation and had a social worker check that the patient’s home was safe. How do we reward this kind of work? Chad Boult, the geriatrician who was the lead investigator of the University of Minnesota study, can tell you. A few months after he published the results, demonstrating how much better people’s lives were with specialized geriatric care, the university closed the division of geriatrics.
Atul Gawande (Being Mortal: Medicine and What Matters in the End)
Oh, this was getting better and better. Beau was making a valiant effort to remain stoic, but his face betrayed the long-suffering look of someone who had to listen to something patently idiotic. "What happened next?" an older female voice asked. "We got up to leave, and the girl wanted to come with us, and the first black guy, he, like, got up and he was all, 'You're not leaving!' and we were all like, 'Yes we are,' and then I threw some chicken at them so they'd know we meant business, and the white kid who was with them, he picked up Chad and threw him through the window." Drunk knights in shining armor, protecting the hapless female from the clutches of scary black guys. Give me a break. "Then what happened?" the older female asked. "Then they left and went up the street. And Chad was like, 'We can't let them get away with this shit,' so we followed them. And I said, 'Hey! What do you think you're doing with that throwing people through windows and shit.' And the white guy said, 'You must like going through windows.' And I told him 'Fuck you' in a polite voice and he threw me through the window." Beau clicked the recorder off. "It's good that he used his polite voice," I said. "Otherwise no telling what would've happened.
Ilona Andrews (Gunmetal Magic (Kate Daniels, #5.5; World of Kate Daniels, #6 & #6.5; Andrea Nash, #1))
Schartz would never live in a world so open. His would always be occluded by the fact that his understanding and his ambition outstripped his talent. He'd never be as good as he wanted to be, not at baseball, not at football, not at reading Greek or taking the LSAT. And beyond all that he'd never be as _good_ as he wanted to be. He'd never found anything inside himself that was really good and pure, that wasn't double-edged, that couldn't just as easily become its opposite. He had tried and failed to find that thing and he would continue to try and fail, or else he would leave off trying and keep on failing. He had no art to call his own. He knew how to motivate people, manipulate people, move them around, this was his only skill. He was like a minor Greek god you've barely heard of, who sees through the glamour of the armor and down into the petty complexity of each soldier's soul. And in the end is powerless to bring about anything resembling his vision. The loftier, arbitrary gods intervene.
Chad Harbach (The Art of Fielding)
Baseball, in its quiet way, was an extravagantly harrowing game. Football, basketball, hockey, lacrosse--these were melee sports. You could make yourself useful by hustling and scrapping more than the other guy. You could redeem yourself through sheer desire. But baseball was different. Schwartz thought of it as Homeric--not a scrum but a series of isolated contests. Batter versus picture, field verses ball. You couldn't storm around, snorting and slapping people, the way Schwartz did while playing football. You stood and waited and tried to still your mind. When your moment came, you had to be ready, because if you fucked up, everyone would know whose fault it was. What other sport not only kept a stat as cruel as the error but posted it on the scoreboard for everyone to see?
Chad Harbach (The Art of Fielding)