Celestial Poetry Quotes

I? I walk alone; The midnight street Spins itself from under my feet; My eyes shut These dreaming houses all snuff out; Through a whim of mine Over gables the moon's celestial onion Hangs high.

A hidden spark of the dream sleeps In the forest and waits In the celestial spheres of the brain.

I wouldn't mind if life left me... wingless burnt to cinders ripped by storms scattered...like weeds celestially wounded without cherry blossoms to perish with but I would cry with head held in my hands if it left me... unfulfilled.

If we all die and become stars then I must believe that our souls live in the stars. Now I know why people look up to the sky when they think of someone they wish to see

we have forgotten that we were born of celestial cataclysm. we have forgotten how to dance bare-footed on the earth to the cadence of our souls. we have forgotten the ritual fires and the acrid tang of holy smoke on our tongues.

Dark night knows what full moon requires When all your love my heart acquires Celestial bodies no more faded Life makes sound; silence invaded

Athena's jealousy made a monster of fair Medusa. I often wonder what beauty my own demons have destroyed.

I will be girl with claws, heart bared and bruised and wanting. I am soul-shattering wolf-howl. I am lioness and hunt. I am more and enough. I am.

I saw thee once - only once - years ago: I must not say how many - but not many. It was a July midnight; and from out A full-orbed moon, that, like thine own soul, soaring, Sought a precipitate pathway up through heaven, There fell a silvery-silken veil of light, With quietude, and sultriness, and slumber, Upon the upturn'd faces of a thousand Roses that grew in an enchanted garden, Where no wind dared stir, unless on tiptoe - Fell on the upturn'd faces of these roses That gave out, in return for the love-light, Their odorous souls in an ecstatic death - Fell on the upturn'd faces of these roses That smiled and died in the parterre, enchanted By thee, and by the poetry of thy presence. Clad all in white, upon a violet bank I saw thee half reclining; while the moon Fell upon the upturn'd faces of the roses, And on thine own, upturn'd - alas, in sorrow! Was it not Fate, that, on this July midnight - Was it not Fate, (whose name is also Sorrow,) That bade me pause before that garden-gate, To breathe the incense of those slumbering roses? No footsteps stirred: the hated world all slept, Save only thee and me. (Oh, Heaven! - oh, G**! How my heart beats in coupling those two words!) Save only thee and me. I paused - I looked - And in an instant all things disappeared. (Ah, bear in mind the garden was enchanted!) The pearly lustre of the moon went out: The mossy banks and the meandering paths, The happy flowers and the repining trees, Were seen no more: the very roses' odors Died in the arms of the adoring airs. All - all expired save thee - save less than thou: Save only divine light in thine eyes - Save but the soul in thine uplifted eyes. I saw but them - they were the world to me. I saw but them - saw only them for hours - Saw only them until the moon went down. What wild heart-histories seemed to lie enwritten Upon those crystalline, celestial spheres! How dark a wo! yet how sublime a hope! How silently serene a sea of pride! How daring an ambition! yet how deep - How fathomless a capacity for love! But now, at length, dear Dian sank from sight, Into a western couch of thunder-cloud; And thou, a ghost, amid the entombing trees Didst glide away. Only thine eyes remained. They would not go - they never yet have gone. Lighting my lonely pathway home that night, They have not left me (as my hopes have) since. They follow me - they lead me through the years. They are my ministers - yet I their slave. Their office is to illumine and enkindle - My duty, to be saved by their bright fire, And purified in their electric fire, And sanctified in their elysian fire. They fill my soul with Beauty (which is Hope,) And are far up in Heaven - the stars I kneel to In the sad, silent watches of my night; While even in the meridian glare of day I see them still - two sweetly scintillant Venuses, unextinguished by the sun!

Transcend the terrestrial; surpass the celestial, from nature’s hands when you receive the sublime pleasures of dance.

True poetry is composed of metaphors and symbols which are born in the heart, rise like clouds, and assume a celestial form; verses formed otherwise are not poetry, but only artificial words, each of which contradicts the feelings inside. The utterances and words that have not been formed in a person’s soul as the voice of conscience are all hollow, no matter how embellished they are or how dazzling they seem to be.

To Helen I saw thee once-once only-years ago; I must not say how many-but not many. It was a july midnight; and from out A full-orbed moon, that, like thine own soul, soaring, Sought a precipitate pathway up through heaven, There fell a silvery-silken veil of light, With quietude, and sultriness, and slumber Upon the upturn'd faces of a thousand Roses that grew in an enchanted garden, Where no wind dared to stir, unless on tiptoe- Fell on the upturn'd faces of these roses That gave out, in return for the love-light Thier odorous souls in an ecstatic death- Fell on the upturn'd faces of these roses That smiled and died in this parterre, enchanted by thee, by the poetry of thy prescence. Clad all in white, upon a violet bank I saw thee half reclining; while the moon Fell on the upturn'd faces of the roses And on thine own, upturn'd-alas, in sorrow! Was it not Fate that, on this july midnight- Was it not Fate (whose name is also sorrow) That bade me pause before that garden-gate, To breathe the incense of those slumbering roses? No footstep stirred; the hated world all slept, Save only thee and me. (Oh Heaven- oh, God! How my heart beats in coupling those two worlds!) Save only thee and me. I paused- I looked- And in an instant all things disappeared. (Ah, bear in mind this garden was enchanted!) The pearly lustre of the moon went out; The mossy banks and the meandering paths, The happy flowers and the repining trees, Were seen no more: the very roses' odors Died in the arms of the adoring airs. All- all expired save thee- save less than thou: Save only the divine light in thine eyes- Save but the soul in thine uplifted eyes. I saw but them- they were the world to me. I saw but them- saw only them for hours- Saw only them until the moon went down. What wild heart-histories seemed to lie enwritten Upon those crystalline, celestial spheres! How dark a woe! yet how sublime a hope! How silently serene a sea of pride! How daring an ambition!yet how deep- How fathomless a capacity for love! But now, at length, dear Dian sank from sight, Into western couch of thunder-cloud; And thou, a ghost, amid the entombing trees Didst glide away. Only thine eyes remained. They would not go- they never yet have gone. Lighting my lonely pathway home that night, They have not left me (as my hopes have) since. They follow me- they lead me through the years. They are my ministers- yet I thier slave Thier office is to illumine and enkindle- My duty, to be saved by thier bright light, And purified in thier electric fire, And sanctified in thier Elysian fire. They fill my soul with Beauty (which is Hope), And are far up in heaven- the stars I kneel to In the sad, silent watches of my night; While even in the meridian glare of day I see them still- two sweetly scintillant Venuses, unextinguished by the sun!

You come from the depths of infinity and from all directions of space-time. Every atom in you comes from a different star, every cell are made of celestial radiation. You're the smile of no birth and no death. You are the Great Poetry.

[an encounter in space] "Some celestial event. No--no words--no words to describe it. Poetry! They should have sent a poet. So beautiful. So beautiful...I had no idea. I had no idea.

Immersed in surrender and gratitude, celestial pearls of wisdom form rosaries of prayer that entangle with my soul.

Music gives inspiration...one that sounds windy with humming sound, such can put you in a trance, only to come back and discover some witty ideas.

It's your thoughts, words, and deeds; a farmer sowing his seeds, it's a mind thing described in those creeds. As within, so without. As above, so below. Think, say and act love and it's love that will flow. Let hate harbor in your mind and hate is what you'll regretfully find.

After You Left the weight of your absence became a black hole revolving around my memory of you--itself a black hole. Wavelets wrinkled the sheer sheet of space and time. Father, the loss of you is a planet orbiting what might have been. I cannot say if the emptiness is a grand celestial body or a vacuum so complete nothing can escape. I know these forces have mass and motion that bends, calls in, ripples fabric-- distorts the pace of light for a billion years.

The Prologue to TERRITORY LOST "Of cats' first disobedience, and the height Of that forbidden tree whose doom'd ascent Brought man into the world to help us down And made us subject to his moods and whims, For though we may have knock'd an apple loose As we were carried safely to the ground, We never said to eat th'accursed thing, But yet with him were exiled from our place With loss of hosts of sweet celestial mice And toothsome baby birds of paradise, And so were sent to stray across the earth And suffer dogs, until some greater Cat Restore us, and regain the blissful yard, Sing, heavenly Mews, that on the ancient banks Of Egypt's sacred river didst inspire That pharaoh who first taught the sons of men To worship members of our feline breed: Instruct me in th'unfolding of my tale; Make fast my grasp upon my theme's dark threads That undistracted save by naps and snacks I may o'ercome our native reticence And justify the ways of cats to men.

I am not soft. I do not have that luxury. I am the wolf in girl’s clothing; all snarls and claws. My mother once told me: be gentle, be kind. She forgot to mention that the world was full of beasts, and if I wanted to survive I would have to become one myself.

So often the night comes and we think ourselves one with it. All darkness. All memory. Tonight, I am not ghost / shadow / dream. I am arrow / medea / sword. I am mist & fog; light passes through me & all around me. I am porous & become the light. I am the light. I am the light—

The Native Americans, whose wisdom Thoreau admired, regarded the Earth itself as a sacred source of energy. To stretch out on it brought repose, to sit on the ground ensured greater wisdom in councils, to walk in contact with its gravity gave strength and endurance. The Earth was an inexhaustible well of strength: because it was the original Mother, the feeder, but also because it enclosed in its bosom all the dead ancestors. It was the element in which transmission took place. Thus, instead of stretching their hands skyward to implore the mercy of celestial divinities, American Indians preferred to walk barefoot on the Earth: The Lakota was a true Naturist – a lover of Nature. He loved the earth and all things of the earth, the attachment growing with age. The old people came literally to love the soil and they sat or reclined on the ground with a feeling of being close to a mothering power. It was good for the skin to touch the earth and the old people liked to remove their moccasins and walk with bare feet on the sacred earth. Their tipis were built upon the earth and their altars were made of earth. The birds that flew in the air came to rest on the earth and it was the final abiding place of all things that lived and grew. The soil was soothing, strengthening, cleansing and healing. That is why the old Indian still sits upon the earth instead of propping himself up and away from its life-giving forces. For him, to sit or lie upon the ground is to be able to think more deeply and to feel more keenly; he can see more clearly into the mysteries of life and come closer in kinship to other lives about him. Walking, by virtue of having the earth’s support, feeling its gravity, resting on it with every step, is very like a continuous breathing in of energy. But the earth’s force is not transmitted only in the manner of a radiation climbing through the legs. It is also through the coincidence of circulations: walking is movement, the heart beats more strongly, with a more ample beat, the blood circulates faster and more powerfully than when the body is at rest. And the earth’s rhythms draw that along, they echo and respond to each other. A last source of energy, after the heart and the Earth, is landscapes. They summon the walker and make him at home: the hills, the colours, the trees all confirm it. The charm of a twisting path among hills, the beauty of vine fields in autumn, like purple and gold scarves, the silvery glitter of olive leaves against a defining summer sky, the immensity of perfectly sliced glaciers … all these things support, transport and nourish us.

I am not land or timber nor are you ocean or celestial body, but rather we are the small animals we have always been.

If the moon isn't your friend, who else knows your deepest secrets very well?

His body is a weapon, in every sense. A cruelly beautiful, sublimely lethal weapon. Sheer cosmic poetry. An ode to infinite blessing and destruction. Wen White—CELESTIAL ACADEMY: Essence

I understand now—perhaps the trick is not to walk towards a miracle, maybe it’s to look at what you have. to realise every blade of grass, every molecule of air, every tree, every river, is its own miracle.

I am the means and not the end. I am the food and not the life. Stand by yourself, as that boy has stood. I cannot save you. For poetry is a spirit; and they that would worship it must worship in spirit and in truth.

Pray as if you are fully aware that the intricate timing and rotation of every celestial entity in the universe—including the coming and going of innumerable, precious life forms—does not rest in your tiny, mortal hands.

Agile Soffits: Sacred Defoliacity” Moon! Crown of an immense head, which you keep shedding in golden shadows! Red crown of a Jesus who thinks tragically sweet of emeralds! Moon! Maddened celestial heart —why are you rowing like this, inside the cup full of blue wine, toward the west, such a defeated and aching stern? Moon! And by flying off in vain, you holocaust into scattered opals: perhaps you are my gypsy heart wandering the blue weeping verses!

On Ponkawtasset, since, we took our way, Down this still stream we took our meadowy way, A poet wise has settled, whose fine ray Doth faintly shine on Concord's twilight day. Like those first stars, whose silver beams on high, Shining more brightly as the day goes by, Most travellers cannot at first descry, But eyes that wont to range the evening sky, And know celestial lights, do plainly see, And gladly hail them, numbering two or three; For lore that's deep must deeply studied be, As from deep wells men read star-poetry. These stars are never pal'd, though out of sight, But like the sun they shine forever bright; Aye, they are suns, though earth must in its flight Put out its eyes that it may see their light. Who would neglect the least celestial sound, Or faintest light that falls on earthly ground, If he could know it one day would be found That star in Cygnus whither we are bound, And pale our sun with heavenly radiance round?

Big Bang, Shooting Star, Blazing Fire If this is darkness, then I will be the light. I will be the crashing supernova. If this is darkness, I will howl at it until the moon awakens. Until the stars roar back. Until the sun and the seas and everything in between scream to burn the skeletons away. I know there is ugliness hiding within the light. I know the monsters beneath my bed won’t disappear with the dawn. But it is enough to see them, wretched little beasts, to look them straight in the eyes and say, I will not run from my sins. I am more than my ghosts. I am better than the dark parts of me.

Moon! Maddened celestial heart -why are you rowing like this, inside the cup full of blue wine, toward the west, such a defeated and aching stern? Moon! And by flying off in vain, you holocaust into scattered opals: perhaps you are my gypsy heart wandering the blue weeping verses! from “Agile Soffits

To excite my thoughts with your agony … To burn my soul in an explosion of hearts … To pull out my ignorance from the depth of my mind … To rush my fight with inner daemons … To torture my brain in a chaotic dance of thoughts … To cast the shadows from my little world … To feel the death of my celestial tendril (Excerpted from "Why did you come", chapter Passion)

A morning-flowered dalliance demured and dulcet-sweet with ebullience and efflorescence admiring, cozy cottages and elixirs of eloquence lie waiting at our feet - We'll dance through fetching pleasantries as we walk ephemeral roads evocative epiphanies ethereal, though we know our hearts are linked with gossamer halcyon our day a harbinger of pretty things infused with whispers longing still and gamboling in sultry ways to feelings, all ineffable screaming with insouciance masking labyrinthine paths where, in our nonchalance, we walk through the lilt of love’s new morning rays. Mellifluous murmurings from a babbling brook that soothes our heated passion-songs and panoplies perplexed with thought of shadows carried off with clouds in stormy summer rains… My dear, and that I can call you 'dear' after ripples turned to crashing waves after pyrrhic wins, emotions drained we find our palace sunned and rayed with quintessential moments lit with wildflower lanterns arrayed on verandahs lush with mutual love, the softest love – our preferred décor of life's lilly-blossom gate in white-fenced serendipity… Twilight sunlit heavens cross our gardens, graced with perseverance, bliss, and thee, and thou, so splendid, delicate as a morning dove of charm and mirth – at least with me; our misty mornings glide through air... So with whippoorwill’d sweet poetry - of moonstones, triumphs, wonder-woven in chandliers of winglet cherubs wrought with time immemorial, crafted with innocence, stowed away and brought to light upon our day in hallelujah tapestries of ocean-windswept galleries in breaths of ballet kisses, light, skipping to the breakfast room cascading chrysalis's love in diaphanous imaginings delightful, fleeting, celestial-viewed as in our eyes which come to rest evocative, exuberant on one another’s moon-stowed dreams idyllic, in quiescent ways, peaceful in their radiance resplendent with a myriad of thought soothing muse, rhapsodic song until the somnolence of night spreads out again its shaded truss of luminescent fantasies waiting to be loved by us… Oh, love! Your sincerest pardons begged! I’ve gone too long, I’ve rambled, dear, and on and on and on and on - as if our hours were endless here… A morning toast, with orange-juiced lips exalting transcendent minds suffused with sunrise symphonies organic-born tranquilities sublimed sonorous assemblages with scintillas of eternity beating at our breasts – their embraces but a blushing, longing glance away… I’ll end my charms this enraptured morn' before cacophony and chafe coarse in crude and rough abrade when cynical distrust is laid by hoarse and leeching parasites, distaste fraught with smug disgust by hairy, smelly maladroit mediocrities born of poisoned wells grotesque with selfish lies - shrill and shrieking, biting, creeping around our love, as if they rose from Edgar Allen’s own immortal rumpled decomposing clothes… Oh me, oh my! I am so sorry! can you forgive me? I gone and kissed you for so long, in my morning imaginings, through these words, through this song - ‘twas supposed to be "a trifle treat," but little treats do sometimes last a little longer; and, oh, but oh, but if I could, I surly would keep you just a little longer tarrying here, tarrying here with me this pleasant morn

I wished upon the moon one night, bewitched by how it shone so white. While staring up with some excite my eyes beheld a wondrous sight!  The moon so lustrous and white transformed into an armored knight who caused me just a moments fright when he jumped down from such a height.  No more a soft, celestial light, he was my lover, day and night.   This caused the world a serious plight.  How harsh a sting and deep the bite inflicted on the world, alright, to lose their blackest-hour light.   And so I've come to set things right, to offer up without a fight my lover wished for one clear night.  I hold him close.  He hugs me tight, then climbs again to heaven's height to glow a bluer shade of bright.  I stare at my beloved knight, not wanting to be impolite, and in my heart with all my might I wish a wish that isn't right.   Now and then the world still spites a shadowless and moonless night when we steal softly out of sight to hold each other 'til daylight and share in lovers true delight.

In his well-known statement in the Poetics that poetry has a higher truth than history since it expresses truth of general application whereas that of history is partial and limited, he is not speaking as a scientist nor would the statement commend itself to the scientific mind outside of Greece. There is no evidence, again, of the scientist’s point of view in the great passage where he sets forth the reason for the work of his life, his search into the nature of all living things: The glory, doubtless, of the heavenly bodies fills us with more delight than the contemplation of these lowly things, but the heavens are high and far off, and the knowledge of celestial things that our senses give us, is scanty and dim. Living creatures, on the contrary, are at our door, and if we so desire we may gain full and certain knowledge of each and all. We take pleasure in a statue’s beauty; should not then the living fill us with delight? And all the more if in the spirit of the love of knowledge we search for causes and bring to light evidences of meaning. Then will nature’s purpose and her deep-seated laws be revealed in all things, all tending in her multitudinous work to one form or another of the beautiful. Did ever scientist outside of Greece so state the object of scientific research? To Aristotle, being a Greek, it was apparent that the full purpose of that high enterprise could not be expressed in any way except the way of poetry, and, being a Greek, he was able so to express it. Spirituality inevitably brings to our mind

Outside the snapdragons, cords of light. Today is easy as weeds & winds & early. Green hills shift green. Cardinals peck at feeders—an air seed salted. A power line across the road blows blue bolts. Crickets make crickets in the grass. We are made & remade together. An ant circles the sugar cube. Our shadow’s a blown sail running blue over cracked tiles. Cool glistening pours from the tap, even on the edges. A red wire, a live red wire, a temperature. Time, in balanced soil, grows inside the snapdragons. In the sizzling cast iron, a cut skin, a sunny side runs yellow across the pan. Silver pots throw a blue shadow across the range. We must carry this the length of our lives. Tall stones lining the garden flower at once. Tin stars burst bold & celestial from the fridge; blue applause. Morning winds crash the columbines; the turf nods. Two reeling petal-whorls gleam & break. Cartoon sheep are wool & want. Happy birthday oak; perfect in another ring. Branch shadows fall across the window in perfect accident without weight. Orange sponge a thousand suds to a squeeze, know your water. School bus, may you never rust, always catching scraps of children’s laughter. Add a few phrases to the sunrise, and the pinks pop. Garlic, ginger, and mangoes hang in tiers in a cradle of red wire. That paw at the door is a soft complaint. Corolla of petals, lean a little toward the light. Everything the worms do for the hills is a secret & enough. Floating sheep turn to wonder. Cracking typewriter, send forth your fire. Watched too long, tin stars throw a tantrum. In the closet in the dust the untouched accordion grows unclean along the white bone of keys. Wrapped in a branch, a canvas balloon, a piece of punctuation signaling the end. Holy honeysuckle, stand in your favorite position, beside the sandbox. The stripes on the couch are running out of color. Perfect in their polished silver, knives in the drawer are still asleep. A May of buzz, a stinger of hot honey, a drip of candy building inside a hive & picking up the pace. Sweetness completes each cell. In the fridge, the juice of a plucked pear. In another month, another set of moths. A mosquito is a moment. Sketched sheep are rather invincible, a destiny trimmed with flouncy ribbon. A basset hound, a paw flick bitching at black fleas. Tonight, maybe we could circle the floodwaters, find some perfect stones to skip across the light or we can float in the swimming pool on our backs—the stars shooting cells of light at each other (cosmic tag)—and watch this little opera, faults & all.

God designed love to make the world living; so if world's dying, we know what's missing. When missing, God designed another thing: "This one is hatred-to do repairing." Oh, how the world treats hatred as beastly; yet sans hatred, who'll fight depravity? Hatred used to correct is celestial; but when used to oppress, it is bestial.

Newton, a devout Puritan believer, has anecdote that when he claimed that no disciple had God, he refused to claim atheism, saying, "Do not speak disrespectfully about God, I am studying God." He paid much attention to the Bible and had an eschatological belief that the Saints would resurrect and live in heaven and reign with Christ invisibly. And even after the day of judgment, people would continue to live on the ground, thinking that it would be forever, not only for a thousand years. According to historian Steven Snowovell, he thought that the presence of Christ would be in the distant future centuries after, because he was very pessimistic about the deeply rooted ideas that denied the Trinity around him. He thought that before the great tribulation came, the gospel activity had to be on a global scale. 카톡【AKR331】텔레【RDH705】라인【SPR331】위커【SPR705】 믿고 주문해주세요~저희는 제품판매를 고객님들과 신용과신뢰의 거래로 하고있습니다. 24시간 문의상담과 서울 경기지방은 퀵으로도 가능합니다 믿고 주문하시면좋은인연으로 vip고객님으로 모시겠습니다. 원하시는제품있으시면 추천상으로 구입문의 도와드릴수있습니다 ☆100%정품보장 ☆총알배송 ☆투명한 가격 ☆편한 상담 ☆끝내주는 서비스 ☆고객님 정보 보호 ☆깔끔한 거래 포폴,에토미,알약수면제 판매하고있습니다 Newton studied alchemy as a hobby, and his research notes were about three books. Newton served as a member of parliament on the recommendation of the University of Cambridge, but his character was silent and unable to adapt to the life of a parliamentarian. When he lived in the National Assembly for a year, the only thing he said was "Shut the door!" In Newton's "Optics" Volume 4, he tried to introduce the theory of unification that covered all of physics and solved his chosen tasks, but he went out with a candle on his desk, and his private diamond threw a candle There is a story that all of his research, which has not been published yet, has turned to ashes. Newton was also appointed to the president of the Minting Service, who said he enjoyed grabbing and executing the counterfeiters. Newton was a woman who was engaged to be a young man, but because he was so engaged in research and work he could not go on to marriage, and he lived alone for the rest of his life. He regarded poetry as "a kind of ingenious nonsense." [6] Newton was talented in crafting inventions by hand (for reference, Newton's craftsmanship was so good at his childhood that when he was a primary school student he was running his own spinning wheel after school, A child who throws a stone and breaks down a spinning wheel, so there is an anecdote that an angry Newton scatters the child.) He said he created a lantern fountain that could be carried around as a student at Cambridge University. Thanks to this, it was said that students who were going to attend the Thanksgiving ceremony (Episcopal Mass) were able to go to the Anglican Church in the university easily. Newton lost 20,000 pounds due to a South Sea company stock discovery, when "I can calculate the movement of the celestial body, but I can not measure the insanity of a human being" ("I can calculate the movement of the stars, but not the madness of men ").

A sense of logic causes an understanding to true sensitivity in a sensational sense, amuse the realm of celestial essence. Pleasantly speaking, it brings pleasure to see a fleshly man become a supreme god in He.

It's treachery when one becomes God-body, spiritually inclined to the mind of a God-mentality. The ability of divinity is at the peak of a snowy mountain. Give ear to my words as this liquid flows through a golden fountain.

XXV Muse The astronomer that begins to... train an instrument to one part of heaven because celestial math says another world will appear The musician transposing a melody out of the traffic of beating hearts This is loves way The future memory is the most difficult to train and the most precious to employ All metaphors for transforming love Lift the veil and look! Listen into the hearts of those around!

Newton, a devout Puritan believer, has anecdote that when he claimed that no disciple had God, he refused to claim atheism, saying, "Do not speak disrespectfully about God, I am studying God." He paid much attention to the Bible and had an eschatological belief that the Saints would resurrect and live in heaven and reign with Christ invisibly. And even after the day of judgment, people would continue to live on the ground, thinking that it would be forever, not only for a thousand years. According to historian Steven Snowovell, he thought that the presence of Christ would be in the distant future centuries after, because he was very pessimistic about the deeply rooted ideas that denied the Trinity around him. He thought that before the great tribulation came, the gospel activity had to be on a global scale. 카톡pak6 텔레:【JRJR331】텔레:【TTZZZ6】라인【TTZZ6】 믿고 주문해주세요~저희는 제품판매를 고객님들과 신용과신뢰의 거래로 하고있습니다. 24시간 문의상담과 서울 경기지방은 퀵으로도 가능합니다 믿고 주문하시면좋은인연으로 vip고객님으로 모시겠습니다. 원하시는제품있으시면 추천상으로 구입문의 도와드릴수있습니다 ☆100%정품보장 ☆총알배송 ☆투명한 가격 ☆편한 상담 ☆끝내주는 서비스 ☆고객님 정보 보호 ☆깔끔한 거래 포폴,에토미,알약수면제 판매하고있습니다 Newton studied alchemy as a hobby, and his research notes were about three books. Newton served as a member of parliament on the recommendation of the University of Cambridge, but his character was silent and unable to adapt to the life of a parliamentarian. When he lived in the National Assembly for a year, the only thing he said was "Shut the door!" In Newton's "Optics" Volume 4, he tried to introduce the theory of unification that covered all of physics and solved his chosen tasks, but he went out with a candle on his desk, and his private diamond threw a candle There is a story that all of his research, which has not been published yet, has turned to ashes. Newton was also appointed to the president of the Minting Service, who said he enjoyed grabbing and executing the counterfeiters. Newton was a woman who was engaged to be a young man, but because he was so engaged in research and work he could not go on to marriage, and he lived alone for the rest of his life. He regarded poetry as "a kind of ingenious nonsense." [6] Newton was talented in crafting inventions by hand (for reference, Newton's craftsmanship was so good at his childhood that when he was a primary school student he was running his own spinning wheel after school, A child who throws a stone and breaks down a spinning wheel, so there is an anecdote that an angry Newton scatters the child.) He said he created a lantern fountain that could be carried around as a student at Cambridge University. Thanks to this, it was said that students who were going to attend the Thanksgiving ceremony (Episcopal Mass) were able to go to the Anglican Church in the university easily. Newton lost 20,000 pounds due to a South Sea company stock discovery, when "I can calculate the movement of the celestial body, but I can not measure the insanity of a human being" ("I can calculate the movement of the stars, but not the madness of men ").

Truth, Goodness, Beauty — those celestial thrins, Continually are born; e'en now the Universe, With thousand throats, and eke with greener smiles, Its joy confesses at their recent birth.

He stood tall, so sure, and so successful. He stood tall, able to inspire, and so resourceful.

Seek me not in your richness, O dear, search not amidst the words talkative. Find me in the moments of loneliness, in the silence of your mighty soul. Within the void of intimate being this is me, the majestic blue - the cessation of all; and here your are in the celestial path.

…Beloved, Today I have sought you throughout my city and your strange city, where the buildings do not rejoice to the sun, like shells of fruit and celestial dwellings. And I walked with twilight tangled around my tongue, With a lagoon-like air and a cloak of danger. An aura of jasper saw me from its tower, As I walked searching for you among the green smell of the city’s horses, Among matrons with diapers and birds; Thinking about your mouth my eyes rested like diurnal doves on bitter grasses. And I searched for you then through the immediacy of my body. You could come to me then from the fervid event…

From the void, a spark ignites, A celestial breath, a pulse of wonder, We emerge—fragile, ephemeral— Inhaling galaxies, exhaling dreams, Life molds us like clay, Alchemy of joy and sorrow, Each tear a drop of cosmic ink, Writing stories on our souls.

THE MULADHARA PERSONALITY Someone ruled by the Muladhara chakra is often confronted with life lessons about security—or rather, the desire to be physically and financially secure. The behavior of these people is often compared to that of ants, which ardently work for their queen. Their sense of self is often based on gaining approval or following the laws. Thus, for these people, their lessons are often about confronting and freeing themselves from greed, lust, sensuality, and anger. Like the earth element, Muladhara personalities are physically strong and productive. They often win competitively because of their drive and strength. THE SVADHISTHANA PERSONALITY A Svadhisthana individual is most likely devoted to the higher things in life—art, music, poetry, and the jewels of creativity. While beautiful, this lushness also presents temptation away from the spiritual path, with the major diversions involving sexuality, sensuality, and indulgence. A second-chakra person is likely to experience mood swings or emotional inconsistency. Desire is rooted in the second chakra, and can lead to love and the enjoyment of pleasures, but also to frivolity or just plain selfishness. The Svadhisthana path is often called the way of the butterfly, for life is full of so many joys, it can be hard to remain in one place for long. It is important to develop discipline to balance the compulsion to experience. THE MANIPURA PERSONALITY This chakra embraces the planes of karma (the past), dharma (one’s purpose), and the celestial plane. Its focus is to atone for one’s past errors. Manipura is the fire chakra, and people who dwell here tend to be fiery; the key to joy lies in the application of the heat. Is it used to avoid the past—or to work toward a positive future? Third-chakra people tend to be temperamental but are also able to commit to their goals. They are often driven by the need to be recognized and to succeed. The chief issue to confront is ego. By confronting issues of pride and control, the Manipura person is able to embrace the best features of its major animal, the ram. The ram can walk nimbly into the highest of mountaintops; so can the third-chakra individual. THE ANAHATA PERSONALITY When the lotus unfolds, the twelve petals invite the movement of energy in twelve directions. This activates twelve mental capabilities: hope, anxiety, endeavor, possessiveness, arrogance, incompetence, discrimination, egoism, lustfulness, fraudulence, indecision, and repentance (as described in the Mahanirvana Tantra, a detailing of Tantric rituals and practices, edited for Western audiences by Arthur Avalon (pen name of Sir John Woodroffe) in 1913).25 Twelve divinities in the form of sound assist with the process involved in confronting, dealing with, and healing one’s way through these twelve qualities. A heart-based person might find him- or herself greatly challenged by the so-called negative qualities that stir in the heart. However,

A Magic Hour’s Dreaming by Stewart Stafford Is there a sight more fair than wheaten fields, Awaiting the sun's ambush to potently ignite? Colour vibrates beyond the eye revealed, To live, dance and breathe in honeyed light. Nature’s palette, painted hues so bright, Invites the bees to sip and man to dream, Of engineered art, dazzling to the sight, Authored lightning in a celestial seam. The creator’s canvas, mint beyond decay, Invites the inner child to replenish at source, Where Nature’s staff casts shadows away, Friendships bond as a trickling stream's course. An eyeblink flash carved in history's tree, Treasured riches pooled of those by our side. For in sepia’s sunflower memory, We court the hand of an agreeable bride. Fading birdsong underscores this bottled time, In butterfly hearts, the hourglass stilled sublime. Autumn's leaves, ochre embers, curtsied fall, Farewell Summer, until roused in New Year's call. © 2024, Stewart Stafford. All rights reserved.

His body is a weapon, in every sense. A cruelly beautiful, sublimely lethal weapon. Sheer cosmic poetry. An ode to infinite blessing and destruction. Wen White—CELESTIAL ACADEMY: Essence

Beautiful is this choreography of celestial entities dancing on the wings of cosmic melodies.

Across space and time, terrestrial and celestial, every being represents its dance.

By the time he was by her shores, it was the twilight hour And he stood witness to their blending in celestial communion His tired eyes beheld the amber of her blushes drip into her tresses And ripple in a gentle zephyr of his caresses In her ankles he saw the white frills of a long turquoise robe, Replete with the tinkling of her anklets Like the many dead whose ashes are dissolved in her waters, He emptied in her the remnants of his memories, so there remained no trace of his old self, Like a monk who does self-oblation, shunning all bondages of an insignificant past He wished to be reborn in the same life, a different man with a different name – A man with no yesterdays and no tomorrows

A man and an angel fought in silence, fiercely, it isn't fair, said the man, no, it isn't fair, said the angel with a peculiar celestial accent the sun was shining, the horizon trembled, small planes with Day-Glo wings wrote in the sky, in capitals: IT ISN'T FAIR and schoolmistresses with chapped lips dictated to children with tearful faces: it isn't fair, it wasn't fair, it will never be fair once, biting his terrible nails, God saw that it was good, but not fair the man looked up and the angel struck him down.

Come with me now, Pilgrim of the stars, For our time is upon us and our eyes shall see the far country and the shining cities of Infinity which the wise men knew in ages past, and shall know again in ages yet to be.

O My Stars by Stewart Stafford Sweet stars of my youth I have aged, but you have not As a child, you were the wondrous dreams I aspired to In later life, you were still so bitterly distant Yet always mesmeric in your beauty With awe and gratitude for your companionship If there is another side, you shall be the celestial shore I walk upon With earthly depths beneath Where others see and dream and reach up for you. © Stewart Stafford, 2020. All rights reserved.

At the risk of repetitiveness I must once more mention here the Pythagoreans, the chief engineers of that epoch-making change. I have spoken in more detail elsewhere of the inspired methods by which, in their religious order, they transformed the Orphic mystery cult into a religion which considered mathematical and astronomical studies as the main forms of divine worship and prayer. The physical intoxication which had accompanied the Bacchic rites was superseded by the mental intoxication derived from philo-sophia, the love of knowledge. It was one of the many key concepts they coined and which are still basic units in our verbal currency. The cliche' about the 'mysteries of nature' originates in the revolutionary innovation of applying the word referring to the secret rites of the worshippers of Orpheus, to the devotions of stargazing. 'Pure science' is another of their coinages; it signified not merely a contrast to the 'applied' sciences, but also that the contemplation of the new mysteria was regarded as a means of purifying the soul by its immersion in the eternal. Finally, 'theorizing' comes from Theoria, again a word of Orphic origin, meaning a state of fervent contemplation and participation in the sacred rites (thea spectacle, theoris spectator, audience). Contemplation of the 'divine dance of numbers' which held both the secrets of music and of the celestial motions became the link in the mystic union between human thought and the anima mundi. Its perfect symbol was the Harmony of the Spheres-the Pythagorean Scale, whose musical intervals corresponded to the intervals between the planetary orbits; it went on reverberating through 'soft stillness and the night' right into the poetry of the Elizabethans, and into the astronomy of Kepler.

Is it too late to touch you, Dear?  We this moment knew --  Love Marine and Love terrene --  Love celestial too –