Celestial Beauty Quotes

I prefer by far the warmth and softness to mere brilliancy and coldness. Some people remind me of sharp dazzling diamonds. Valuable but lifeless and loveless. Others, of the simplest field flowers, with hearts full of dew and with all the tints of celestial beauty reflected in their modest petals.

Even broken in spirit as he is, no one can feel more deeply than he does the beauties of nature. The starry sky, the sea, and every sight afforded by these wonderful regions, seems still to have the power of elevating his soul from earth. Such a man has a double existence: he may suffer misery, and be overwhelmed by disappointments; yet, when he has retired into himself, he will be like a celestial spirit that has a halo around him, within whose circle no grief or folly ventures.

Somewhere someone is thinking of you. Someone is calling you an angel. This person is using celestial colors to paint your image. Someone is making you into a vision so beautiful that it can only live in the mind. Someone is thinking of the way your breath escapes your lips when you are touched. How your eyes close and your jaw tightens with concentration as you give pleasure a home. These thoughts are saving a life somewhere right now. In some airless apartment on a dark, urine stained, whore lined street, someone is calling out to you silently and you are answering without even being there. So crystalline. So pure. Such life saving power when you smile. You will never know how you have cauterized my wounds. So sad that we will never touch. How it hurts me to know that I will never be able to give you everything I have

I? I walk alone; The midnight street Spins itself from under my feet; My eyes shut These dreaming houses all snuff out; Through a whim of mine Over gables the moon's celestial onion Hangs high. I Make houses shrink And trees diminish By going far; my look's leash Dangles the puppet-people Who, unaware how they dwindle, Laugh, kiss, get drunk, Nor guess that if I choose to blink They die. I When in good humour, Give grass its green Blazon sky blue, and endow the sun With gold; Yet, in my wintriest moods, I hold Absolute power To boycott color and forbid any flower To be. I Know you appear Vivid at my side, Denying you sprang out of my head, Claiming you feel Love fiery enough to prove flesh real, Though it's quite clear All your beauty, all your wit, is a gift, my dear, From me. "Soliloquy of the Solipsist", 1956

I imagined the Augustus Waters analysis of that comment: If I am playing basketball in heaven, does that imply a physical location of a heaven containing physical basketballs? Who makes the basketballs in question? Are there less fortunate souls in heaven who work in a celestial basketball factory so that I can play? Or did an omnipotent God create the basketballs out of the vacuum of space? Is this heaven in some kind of unobservable universe where the laws of physics don't apply, and if so, why in the hell would I be playing basketball when I could be flying or reading or looking at beautiful people or something else I actually enjoy? It's almost as if the way you imagine my dead self says more about you than either the person I was or whatever I am now.

How long will this last, this delicious feeling of being alive, of having penetrated the veil which hides beauty and the wonders of celestial vistas? It doesn't matter, as there can be nothing but gratitude for even a glimpse of what exists for those who can become open to it.

When you touch the celestial in your heart, you will realize that the beauty of your soul is so pure, so vast and so devastating that you have no option but to merge with it. You have no option but to feel the rhythm of the universe in the rhythm of your heart.

When they told him this, Ransom at last understood why mythology was what it was -- gleams of celestial strength and beauty falling on a jungle of filth and imbecility.

I will see you bereft of all that you have, of home and happiness and beautiful things. I will see your nation cast down and your allies drawn away. I will see you as alone and friendless and wretched as am I; and then you may live as long as you like, in some dark and lonely corner of the earth, and I shall call myself content. -Lien, Albino Celestial (Dragon)

There was a time when meadow, grove, and stream, The earth, and every common sight, To me did seem Apparelled in celestial light, The glory and the freshness of a dream. It is not now as it hath been of yore;— Turn wheresoe'er I may, By night or day, The things which I have seen I now can see no more. The rainbow comes and goes, And lovely is the rose; The moon doth with delight Look round her when the heavens are bare; Waters on a starry night Are beautiful and fair; The sunshine is a glorious birth; But yet I know, where’er I go, That there hath past away a glory from the earth.

Wherever snow falls, or water flows, or birds fly, wherever day and night meet in twilight, wherever the blue heaven is hung by clouds, or sown with stars, wherever are forms with transparent boundaries, wherever are outlets into celestial space, wherever is danger, and awe, and love, there is Beauty, plenteous as rain, shed for thee, and though thou shouldest walk the world over, thou shalt not be able to find a condition inopportune or ignoble.

Good God, how much reverence can you have for a Supreme Being who finds it necessary to include tooth decay in His divine system of creation? Why in the world did He ever create pain?' 'Pain?' Lieutenant Shiesskopf's wife pounced upon the word victoriously. 'Pain is a warning to us of bodily dangers.' 'And who created the dangers?' Yossarian demanded. 'Why couldn't He have used a doorbell to notify us, or one of His celestial choirs? Or a system of blue-and-red neon tubes right in the middle of each person's forehead?' 'People would certainly look silly walking around with red neon tubes right in the middle of their foreheads.' 'They certainly look beautiful now writhing in agony, don't they?

They don’t let you have anything whole, you know. If you don’t follow the pattern. You have to find your happiness in bits and pieces instead. But it can still add up to something beautiful.

Humanity looked in awe upon the beauty and the everlasting duration of creation. The exquisite sky flooded with sunlight. The majesty of the dark night lit by celestial torches as the holy planetary powers trace their paths in the heavens in fixed and steady metre - ordering the growth of things with their secret infusions.

[Jürgen Habermas' obituary to friend and philosopher, Richard Rorty] One small autobiographical piece by Rorty bears the title 'Wild Orchids and Trotsky.' In it, Rorty describes how as a youth he ambled around the blooming hillside in north-west New Jersey, and breathed in the stunning odour of the orchids. Around the same time he discovered a fascinating book at the home of his leftist parents, defending Leon Trotsky against Stalin. This was the origin of the vision that the young Rorty took with him to college: philosophy is there to reconcile the celestial beauty of orchids with Trotsky's dream of justice on earth. Nothing is sacred to Rorty the ironist. Asked at the end of his life about the 'holy', the strict atheist answered with words reminiscent of the young Hegel: 'My sense of the holy is bound up with the hope that some day my remote descendants will live in a global civilization in which love is pretty much the only law.

They were beautiful, yet something vital in them had been lost. Once you had seen the full moon, the crescent lost its charm.

What I'm feeling, I think, is joy. And it's been some time since I've felt that blinkered rush of happiness, This might be one of those rare events that lasts, one that'll be remembered and recalled as months and years wind and ravel. One of those sweet, significant moments that leaves a footprint in your mind. A photograph couldn't ever tell its story. It's like something you have to live to understand. One of those freak collisions of fizzing meteors and looming celestial bodies and floating debris and one single beautiful red ball that bursts into your life and through your body like an enormous firework. Where things shift into focus for a moment, and everything makes sense. And it becomes one of those things inside you, a pearl among sludge, one of those big exaggerated memories you can invoke at any moment to peel away a little layer of how you felt, like a lick of ice cream. The flavor of grace.

I saw a woman who physically and spiritually blocked out the definition of being celestial, and replaced it with her own divine beauty. She was transcendent. She was beyond astonishing in her presence. But what she truly did, which was beyond the scope of an average woman's power, was step above the barriers of reality and illusion with her pure, majestic, and omnipotent beauty.

Athena's jealousy made a monster of fair Medusa. I often wonder what beauty my own demons have destroyed.

I saw thee once - only once - years ago: I must not say how many - but not many. It was a July midnight; and from out A full-orbed moon, that, like thine own soul, soaring, Sought a precipitate pathway up through heaven, There fell a silvery-silken veil of light, With quietude, and sultriness, and slumber, Upon the upturn'd faces of a thousand Roses that grew in an enchanted garden, Where no wind dared stir, unless on tiptoe - Fell on the upturn'd faces of these roses That gave out, in return for the love-light, Their odorous souls in an ecstatic death - Fell on the upturn'd faces of these roses That smiled and died in the parterre, enchanted By thee, and by the poetry of thy presence. Clad all in white, upon a violet bank I saw thee half reclining; while the moon Fell upon the upturn'd faces of the roses, And on thine own, upturn'd - alas, in sorrow! Was it not Fate, that, on this July midnight - Was it not Fate, (whose name is also Sorrow,) That bade me pause before that garden-gate, To breathe the incense of those slumbering roses? No footsteps stirred: the hated world all slept, Save only thee and me. (Oh, Heaven! - oh, G**! How my heart beats in coupling those two words!) Save only thee and me. I paused - I looked - And in an instant all things disappeared. (Ah, bear in mind the garden was enchanted!) The pearly lustre of the moon went out: The mossy banks and the meandering paths, The happy flowers and the repining trees, Were seen no more: the very roses' odors Died in the arms of the adoring airs. All - all expired save thee - save less than thou: Save only divine light in thine eyes - Save but the soul in thine uplifted eyes. I saw but them - they were the world to me. I saw but them - saw only them for hours - Saw only them until the moon went down. What wild heart-histories seemed to lie enwritten Upon those crystalline, celestial spheres! How dark a wo! yet how sublime a hope! How silently serene a sea of pride! How daring an ambition! yet how deep - How fathomless a capacity for love! But now, at length, dear Dian sank from sight, Into a western couch of thunder-cloud; And thou, a ghost, amid the entombing trees Didst glide away. Only thine eyes remained. They would not go - they never yet have gone. Lighting my lonely pathway home that night, They have not left me (as my hopes have) since. They follow me - they lead me through the years. They are my ministers - yet I their slave. Their office is to illumine and enkindle - My duty, to be saved by their bright fire, And purified in their electric fire, And sanctified in their elysian fire. They fill my soul with Beauty (which is Hope,) And are far up in Heaven - the stars I kneel to In the sad, silent watches of my night; While even in the meridian glare of day I see them still - two sweetly scintillant Venuses, unextinguished by the sun!

It is a great and beautiful spectacle to see a man somehow emerging from oblivion by his own efforts, dispelling with the light of his reason the shadows in which nature had enveloped him, rising above himself, soaring in his mind right up to the celestial regions, moving, like the sun, with giant strides through the vast extent of the universe, and, what is even greater and more difficult, returning to himself in order to study man there and learn of his nature, his obligations, and his end.

I saw the Light,saw the myriad spirits flying loose up the Tunnel towards the celestial blaze, the Tunnel perfectly round and widening as they rose and for one blessed moment, one blessed tiny instant, the songs of Heaven resounded down the tunnel as if its curves were not made of wind but of something solid that could echo these ethereal songs, and their organized rhythm, their heartbreaking beauty piercing the catastrophic suffering of this place-Lestat

Her shining tresses, divided in two parts, encircle the harmonious contour of her white and delicate cheeks, brilliant in their glow and freshness. Her ebony brows have the form and charm of the bow of Kama, the god of love, and beneath her long silken lashes the purest reflections and a celestial light swim, as in the sacred lakes of Himalaya, in the black pupils of her great clear eyes. Her teeth, fine, equal, and white, glitter between her smiling lips like dewdrops in a passion-flower's half-enveloped breast. Her delicately formed ears, her vermilion hands, her little feet, curved and tender as the lotus-bud, glitter with the brilliancy of the loveliest pearls of Ceylon, the most dazzling diamonds of Golconda. Her narrow and supple waist, which a hand may clasp around, sets forth the outline of her rounded figure and the beauty of her bosom, where youth in its flower displays the wealth of its treasures; and beneath the silken folds of her tunic she seems to have been modelled in pure silver by the godlike hand of Vicvarcarma, the immortal sculptor.

If ever you are tempted to become discouraged or to lose faith, remember those faithful Saints who remained true in Kirtland. Hold on a little longer. You can do this! You are part of a special generation. You were prepared and preserved to live at this important time in the existence of our beautiful planet earth. You have a celestial pedigree and therefore have all the necessary talents to make your life an eternal success story.

To Helen I saw thee once-once only-years ago; I must not say how many-but not many. It was a july midnight; and from out A full-orbed moon, that, like thine own soul, soaring, Sought a precipitate pathway up through heaven, There fell a silvery-silken veil of light, With quietude, and sultriness, and slumber Upon the upturn'd faces of a thousand Roses that grew in an enchanted garden, Where no wind dared to stir, unless on tiptoe- Fell on the upturn'd faces of these roses That gave out, in return for the love-light Thier odorous souls in an ecstatic death- Fell on the upturn'd faces of these roses That smiled and died in this parterre, enchanted by thee, by the poetry of thy prescence. Clad all in white, upon a violet bank I saw thee half reclining; while the moon Fell on the upturn'd faces of the roses And on thine own, upturn'd-alas, in sorrow! Was it not Fate that, on this july midnight- Was it not Fate (whose name is also sorrow) That bade me pause before that garden-gate, To breathe the incense of those slumbering roses? No footstep stirred; the hated world all slept, Save only thee and me. (Oh Heaven- oh, God! How my heart beats in coupling those two worlds!) Save only thee and me. I paused- I looked- And in an instant all things disappeared. (Ah, bear in mind this garden was enchanted!) The pearly lustre of the moon went out; The mossy banks and the meandering paths, The happy flowers and the repining trees, Were seen no more: the very roses' odors Died in the arms of the adoring airs. All- all expired save thee- save less than thou: Save only the divine light in thine eyes- Save but the soul in thine uplifted eyes. I saw but them- they were the world to me. I saw but them- saw only them for hours- Saw only them until the moon went down. What wild heart-histories seemed to lie enwritten Upon those crystalline, celestial spheres! How dark a woe! yet how sublime a hope! How silently serene a sea of pride! How daring an ambition!yet how deep- How fathomless a capacity for love! But now, at length, dear Dian sank from sight, Into western couch of thunder-cloud; And thou, a ghost, amid the entombing trees Didst glide away. Only thine eyes remained. They would not go- they never yet have gone. Lighting my lonely pathway home that night, They have not left me (as my hopes have) since. They follow me- they lead me through the years. They are my ministers- yet I thier slave Thier office is to illumine and enkindle- My duty, to be saved by thier bright light, And purified in thier electric fire, And sanctified in thier Elysian fire. They fill my soul with Beauty (which is Hope), And are far up in heaven- the stars I kneel to In the sad, silent watches of my night; While even in the meridian glare of day I see them still- two sweetly scintillant Venuses, unextinguished by the sun!

There was a feeling of inevitability when I met you. The sense that we would be together; that there would be a moment when you would look at me in a certain way, and we could cross the threshold from friendship into something so much more. We spoke once about lovers who kept finding each other, no matter how many times the world came between them. And I think I had to break your heart, and you had to break mine. How else could we know the worth of what we were given? I think you were always meant to know me a little better than anyone else. And our lives were fated to converge like some cosmic dance. I know there is terrible distance between us. But our bodies are made of celestial light, and we are hurtling through space and time, toward the most beautiful collision.

today i saw myself for the first time when i dusted off the mirror of my mind and the woman looking back took my breath away who was this beautiful beastling this extra-celestial earthling i touched my face and my reflection touched the woman of my dreams all her gorgeous smirking back at me my knees surrendered to the earth as i wept and sighed at how i’d gone my whole life being myself but not seeing myself

We are heavenly beings.

She looked like she had stepped out from one of those scroll paintings depicting the classic ideals of beauty.

[an encounter in space] "Some celestial event. No--no words--no words to describe it. Poetry! They should have sent a poet. So beautiful. So beautiful...I had no idea. I had no idea.

True beauty express itself automatically. It's not only visible in the material, but around one's being, and within their aura. I once met a female, who was like that of a jeweled flower. Her celestial atmosphere and genuine conception could not separate from the true expression of the definition of beauty.

Ty, I’ve thought so many times about what I would say to you if you reappeared suddenly. If I was walking along the street and you popped out of thin air, walking along beside me like you always used to, with your hands in your pockets and your head tilted back. Mom used to say you walked celestially, looking upat the sky as if you were scanning the clouds for angels. Do you remember that? In your world I am ashes, I am ancestors, my memories and hopes and dreams have gone to build the City of Bones. In your world, I am lucky, because I do not have to live in a world without you. But in this world, I am you. I am the twinless twin. So I can tell you this: When your twin leaves the earth you live on, it never turns the same way again: the weight of their soul is gone, and everything is off balance. The world rocks under your feet like an unquiet sea. I can’t tell you it gets easier. But it does get steadier; you learn how to live with the new rocking of the new earth, the way sailors gain sea legs. You learn. I promise. I know you’re not exactly the Ty I had in this world, my brilliant, beautiful brother. But I know from Julian that you are beautiful and brilliant too. I know that you are loved. I hope that you are happy. Please be happy. You deserve it so much. I want to ask if you remember the way we used to whisper words to each other in the dark: star, twin, glass. But I’ll never know your answer. So I’ll whisper to myself as I fold this letter up and slide it into the envelope, hoping against hope it will somehow reach you. I whisper your name, Ty. I whisper the most important thing: I love you. I love you. I love you. Livvy

There are men who love to gaze with the mind at things that can never be seen, feel at least the throb of a beauty that will never be known and hear over immense, bleak reaches the echo of that which is no celestial music but only their heart's vain cries.

in heavenly realms of hellas dwelt two very different sons of zeus: one, handsome strong and born to dare --a fighter to his eyelashes-- the other,cunning ugly lame; but as you'll shortly comprehend a marvellous artificer now Ugly was the husband of (as happens every now and then upon a merely human plane) someone completely beautiful; and Beautiful,who(truth to sing) could never quite tell right from wrong, took brother Fearless by the eyes and did the deed of joy with him then Cunning forged a web so subtle air is comparatively crude; an indestructible occult supersnare of resistless metal: and(stealing toward the blissful pair) skilfully wafted over them- selves this implacable unthing next,our illustrious scientist petitions the celestial host to scrutinize his handiwork: they(summoned by that savage yell from shining realms of regions dark) laugh long at Beautiful and Brave --wildly who rage,vainly who strive; and being finally released flee one another like the pest thus did immortal jealousy quell divine generosity, thus reason vanquished instinct and matter became the slave of mind; thus virtue triumphed over vice and beauty bowed to ugliness and logic thwarted life:and thus-- but look around you,friends and foes my tragic tale concludes herewith: soldier,beware of mrs smith

Centaurs!” Annabeth yelled. The Party Pony army exploded into our midst in a riot of colors: tie-dyed shirts, rainbow Afro wigs, oversize sunglasses, and war-painted faces. Some had slogans scrawled across their flanks like HORSEZ PWN or KRONOS SUX. Hundreds of them filled the entire block. My brain couldn’t process everything I saw, but I knew if I were the enemy, I’d be running. “Percy!” Chiron shouted across the sea of wild centaurs. He was dressed in armor from the waist up, his bow in his hand, and he was grinning in satisfaction. “Sorry we’re late!” “DUDE!” Another centaur yelled. “Talk later. WASTE MONSTERS NOW!” He locked and loaded a double-barrel paint gun and blasted an enemy hellhound bright pink. The paint must’ve been mixed with Celestial bronze dust or something, because as soon as it splattered the hellhound, the monster yelped and dissolved into a pink-and-black puddle. “PARTY PONIES!” a centaur yelled. “SOUTH FLORIDA CHAPTER!” Somewhere across the battlefield, a twangy voice yelled back, “HEART OF TEXAS CHAPTER!” “HAWAII OWNS YOUR FACES!” a third one shouted. It was the most beautiful thing I’d ever seen. The entire Titan army turned and fled, pushed back by a flood of paintballs, arrows, swords, and NERF baseball bats. The centaurs trampled everything in their path. “Stop running, you fools!” Kronos yelled. “Stand and ACKK!” That last part was because a panicked Hyperborean giant stumbled backward and sat on top of him.

A little unhinged, but there is no psychosis behind that face of celestial beauty.

To the one in the skies, this city must look like a scintillating pattern of speckled glows in all directions, like a firecracker going off amid thick darkness. Right now the urban pattern glowing here is in hues of orange, ginger, and ochre. It is a configuration of sparkles, each dot a light lit by someone awake at this hour. From where the Celestial Gaze is situated, from that high above, all these sporadically lit bulbs must seem in perfect harmony, constantly flickering, as if coding a cryptic message to God.

I felt myself floating between two worlds. There was the ocean, effectively infinite, falling away forever to the horizon. This morning it was placid, its grip on me loose and languorous. But I was lashed to its moods now. The attachment felt limitless, irresistible. I no longer thought of waves being carved in celestial workshops. I was getting more hardheaded. Now I knew they originated in distant storms, which moved, as it were, upon the face of the deep. But my utter absorption in surfing had no rational content. It simply compelled me; there was a deep mine of beauty and wonder in it. Beyond that, I could not have explained why I did it. I knew vaguely that it filled a psychic cavity of some kind—connected, perhaps, with leaving the church, or with, more likely, the slow drift away from my family—and that it had replaced many things that came before it. I was a sunburnt pagan now. I felt privy to mysteries.

Somewhere someone is thinking of you. Someone is calling you an angel. This person is using celestial colors to paint your image. Someone is making you into a vision so beautiful that it can only live in the mind. Someone is thinking of the way your breath escapes your lips when you are touched. How your eyes close and your jaw tightens with concentration as you give pleasure a home. These thoughts are saving a life somewhere right now. In some airless apartment on a dark, urine stained, whore lined street, someone is calling out to you silently and you are answering without even being there. So crystalline. So pure. Such life saving power when you smile.

Once again, the celestial wheel had turned, ushering in a new beginning. In those earliest days, the great I am was the what you can become, and the people of rose river were radiant reflecting the light of the stars in his eyes. With his coat of many colors, he had painted the world in his own image, upon the infinite ocean of time that has no meaning. And when the moon was full, he cultivated a beautiful garden, from whence, with ecstasy's cry, she brought forth the water of life.

On the roof, on the duvet under the steam vent, with the planets overhead, he let her scream all she wished. She screamed into the night. To the stars. At one point, with his lying atop her, he said, “Look over my left shoulder. Venus is visible tonight.” Then he pulled the covers away from her, wrestling her for the duvet, as he called, “Here she is, all you Venusians”—he lifted out his arm, using it to span the celestial horizon-—“and the rest of you planets out there: the most beautiful woman on Earth, spread-eagled for your pleasure!” He laughed. “At my disposal, mm-m-m!” He bent down, nibbling, kissing her neck with his teeth, his lips, his mouth.

The Native Americans, whose wisdom Thoreau admired, regarded the Earth itself as a sacred source of energy. To stretch out on it brought repose, to sit on the ground ensured greater wisdom in councils, to walk in contact with its gravity gave strength and endurance. The Earth was an inexhaustible well of strength: because it was the original Mother, the feeder, but also because it enclosed in its bosom all the dead ancestors. It was the element in which transmission took place. Thus, instead of stretching their hands skyward to implore the mercy of celestial divinities, American Indians preferred to walk barefoot on the Earth: The Lakota was a true Naturist – a lover of Nature. He loved the earth and all things of the earth, the attachment growing with age. The old people came literally to love the soil and they sat or reclined on the ground with a feeling of being close to a mothering power. It was good for the skin to touch the earth and the old people liked to remove their moccasins and walk with bare feet on the sacred earth. Their tipis were built upon the earth and their altars were made of earth. The birds that flew in the air came to rest on the earth and it was the final abiding place of all things that lived and grew. The soil was soothing, strengthening, cleansing and healing. That is why the old Indian still sits upon the earth instead of propping himself up and away from its life-giving forces. For him, to sit or lie upon the ground is to be able to think more deeply and to feel more keenly; he can see more clearly into the mysteries of life and come closer in kinship to other lives about him. Walking, by virtue of having the earth’s support, feeling its gravity, resting on it with every step, is very like a continuous breathing in of energy. But the earth’s force is not transmitted only in the manner of a radiation climbing through the legs. It is also through the coincidence of circulations: walking is movement, the heart beats more strongly, with a more ample beat, the blood circulates faster and more powerfully than when the body is at rest. And the earth’s rhythms draw that along, they echo and respond to each other. A last source of energy, after the heart and the Earth, is landscapes. They summon the walker and make him at home: the hills, the colours, the trees all confirm it. The charm of a twisting path among hills, the beauty of vine fields in autumn, like purple and gold scarves, the silvery glitter of olive leaves against a defining summer sky, the immensity of perfectly sliced glaciers … all these things support, transport and nourish us.

There is a – let us say – a machine. It evolved itself (I am severely scientific) out of a chaos of scraps of iron and behold! – it knits. I am horrified at the horrible work and stand appalled. I feel it ought to embroider – but it goes on knitting. You come and say: “this is all right; it’s only a question of the right kind of oil. Let us use this – for instance – celestial oil and the machine shall embroider a most beautiful design in purple and gold”. Will it? Alas no. You cannot by any special lubrication make embroidery with a knitting machine. And the most withering thought is that the infamous thing has made itself; made itself without thought, without conscience, without foresight, without eyes, without heart. It is a tragic accident – and it has happened. You can’t interfere with it. The last drop of bitterness is in the suspicion that you can’t even smash it. In virtue of that truth one and immortal which lurks in the force that made it spring into existence it is what it is – and it is indestructible! It knits us in and it knits us out. It has knitted time space, pain, death, corruption, despair and all the illusions – and nothing matters. I’ll admit however that to look at the remorseless process is sometimes amusing.

The beloved’s face gives you more beauty, the more you give it gaze.

A sunrise, a winter squall, birds flying in a perfect V. These were things that were. The truth, visceral and sublime, of the universe, was that it existed whether we witnessed it or not. Majesty and beauty, these were qualities we projected upon it. A storm was just weather. A sunrise was simply a celestial pattern. It's not that he didn't enjoy them. It's that he didn't require anything more from the universe than that it exist, that it behave consistently-- that gravity worked the way it always worked, that lift and drag were constants.

I am already far north of London, and as I walk in the streets of Petersburgh, I feel a cold northern breeze play upon my cheeks, which braces my nerves and fills me with delight. Do you understand this feeling? This breeze, which has travelled from the regions towards which I am advancing, gives me a foretaste of those icy climes. Inspirited by this wind of promise, my daydreams become more fervent and vivid. I try in vain to be persuaded that the pole is the seat of frost and desolation; it ever presents itself to my imagination as the region of beauty and delight. There, Margaret, the sun is forever visible, its broad disk just skirting the horizon and diffusing a perpetual splendour. There—for with your leave, my sister, I will put some trust in preceding navigators—there snow and frost are banished; and, sailing over a calm sea, we may be wafted to a land surpassing in wonders and in beauty every region hitherto discovered on the habitable globe. Its productions and features may be without example, as the phenomena of the heavenly bodies undoubtedly are in those undiscovered solitudes. What may not be expected in a country of eternal light? I may there discover the wondrous power which attracts the needle and may regulate a thousand celestial observations that require only this voyage to render their seeming eccentricities consistent forever. I shall satiate my ardent curiosity with the sight of a part of the world never before visited, and may tread a land never before imprinted by the foot of man. These are my enticements, and they are sufficient to conquer all fear of danger or death and to induce me to commence this laborious voyage with the joy a child feels when he embarks in a little boat, with his holiday mates, on an expedition of discovery up his native river. But supposing all these conjectures to be false, you cannot contest the inestimable benefit which I shall confer on all mankind, to the last generation, by discovering a passage near the pole to those countries, to reach which at present so many months are requisite; or by ascertaining the secret of the magnet, which, if at all possible, can only be effected by an undertaking such as mine.

His body is a weapon, in every sense. A cruelly beautiful, sublimely lethal weapon. Sheer cosmic poetry. An ode to infinite blessing and destruction. Wen White—CELESTIAL ACADEMY: Essence

It was while gliding through these latter waters that one serene and moonlight night, when all the waves rolled by like scrolls of silver; and, by their soft, suffusing seethings, made what seemed a silvery silence, not a solitude; on such a silent night a silvery jet was seen far in advance of the white bubbles at the bow. Lit up by the moon, it looked celestial; seemed some plumed and glittering god uprising from the sea. Fedallah first descried this jet. For of these moonlight nights, it was his wont to mount to the main-mast head, and stand a look-out there, with the same precision as if it had been day. And yet, though herds of whales were seen by night, not one whaleman in a hundred would venture a lowering for them. You may think with what emotions, then, the seamen beheld this old Oriental perched aloft at such unusual hours; his turban and the moon, companions in one sky. But when, after spending his uniform interval there for several successive nights without uttering a single sound; when, after all this silence, his unearthly voice was heard announcing that silvery, moon-lit jet, every reclining mariner started to his feet as if some winged spirit had lighted in the rigging, and hailed the mortal crew. “There she blows!” Had the trump of judgment blown, they could not have quivered more; yet still they felt no terror; rather pleasure. For though it was a most unwonted hour, yet so impressive was the cry, and so deliriously exciting, that almost every soul on board instinctively desired a lowering.

I soon discovered that that enchanting form, which alone had raised my admiration, was the smallest of your attractions; your celestial soul astonished and seduced mine; I admired your beauty, but adored your virtue.

Wake up O dear, Into the glory of another morn, The night has ended, darkness has shredded. Bathed in the delight of heavenly shower, The earth is decked by sparkling dews. Fly high upon the celestial spheres, for The skies are clear, horizons boundless Devoid of the clouds of deadly grief. March ahead O dearest life, Towards the road that appears endless Follow the paces of invisible time - Until its dusk, yet another night!

The laws of nature are sublime, but there is a moral sublimity before which the highest intelligences must kneel and adore. The laws by which the winds blow, and the tides of the ocean, like a vast clepsydra, measure, with inimitable exactness, the hours of ever-flowing time; the laws by which the planets roll, and the sun vivifies and paints; the laws which preside over the subtle combinations of chemistry, and the amazing velocities of electricity; the laws of germination and production in the vegetable and animal worlds, — all these, radiant with eternal beauty as they are, and exalted above all the objects of sense, still wane and pale before the Moral Glories that apparel the universe in their celestial light. The heart can put on charms which no beauty of known things, nor imagination of the unknown, can aspire to emulate. Virtue shines in native colors, purer and brighter than pearl, or diamond, or prism, can reflect. Arabian gardens in their bloom can exhale no such sweetness as charity diffuses. Beneficence is godlike, and he who does most good to his fellow-man is the Master of Masters, and has learned the Art of Arts. Enrich and embellish the universe as you will, it is only a fit temple for the heart that loves truth with a supreme love. Inanimate vastness excites wonder; knowledge kindles admiration, but love enraptures the soul. Scientific truth is marvellous, but moral truth is divine; and whoever breathes its air and walks by its light, has found the lost paradise. For him, a new heaven and a new earth have already been created. His home is the sanctuary of God, the Holy of Holies.

THE ROOT OF RELIGION The idea of literal truth crept into religion relatively late: it is the invention of lawyers, priests and cheese-mongers. The idea of mystery long preceded it, and at the heart of that idea of mystery was an idea of beauty—that is, an idea that this or that view of the celestial and infernal process presented a satisfying picture of form, rhythm and organization. Once this view was adopted as satisfying, its professional interpreters and their dupes sought to reinforce it by declaring it true. The same flow of reasoning is familiar on lower planes. The average man does not get pleasure out of an idea because he thinks it is true; he thinks it is true because he gets pleasure out of it.

Nay, in the very matter of our world, the traces of the celestial commonwealth are not quite lost. Memory passes through the womb and hovers in the air. The Muse is a real thing. A faint breath, as Virgil says, reaches even the late generations. Our mythology is based on a solider reality than we dream: but it is also at an almost infinite distance from that base. And when they told him this, Ransom at last understood why mythology was what it was - gleams of celestial strength and beauty falling on a jungle of filth and imbecility.

The ears were made, not for such trivial uses as men are wont to suppose, but to hear celestial sounds. The eyes were not made for such groveling uses as they are now put to and worn out by, but to behold beauty now invisible. May we not see God? — Henry David Thoreau8

I was peculiarly moved by the angelic life growing on the ground. I have no idea what sorts of flowers grow there in profusion -- I don’t know their names. But I was so moved that I sat down, trying to flatten as few grasses and plants as possible with my clumsy backside... This brought my head quite close to the silent, joyful, exuberant, celestial children of heaven. They are so humble, so quiet, and they do not mind if you observe them, if you think they are beautiful... Nor do they mind if you don’t look at all -- they just stand there together all by themselves in the huge stretch of woods and grow and bloom just the same, peacefully, joyfully, and silently. I am absolutely sure that they know nothing of the swinish and filthy behaviour of people in their dirty stinking houses -- they know only about heaven.

I felt that these celestial hues indicated the presence of exquisite creatures who had been pleased to assume vegetable form, who, through the disguise which covered their firm and edible flesh, allowed me to discern in this radiance of earliest dawn, these hinted rainbows, these blue evening shades, that precious quality which I should recognise again when, all night long after a dinner at which I had partaken of them, they played (lyrical and coarse in their jesting as the fairies in Shakespeare's 'Dream') at transforming my humble chamber into a bower of aromatic perfume.

Never had my home seemed more beautiful than in this moment when I was pressing each curve, each stone into my mind. The thousand lanterns illuminated the soil, the silver roof tiles reflected the stars. And on the balcony where I had stared at the world below, there stood a slender figure in white.

For it was wonderful to remember that this land could still be so breathtakingly beautiful, that there was more sewn into the heart of the Twelve Provinces than blood and steel and dirt. That centuries of warfare later, this country was still a canvas for the gods, that their celestial essence still seeped through the cracks between worlds.

I linger near Galileo’s telescopes, then round the corner and stand transfixed: I did not expect this- a dark, cool room full of globes of the night sky from the seventeenth, eighteenth, and nineteenth centuries. Globo celeste, they are called in Italian: ‘celestial globe,’ maps of the night sky… I imagine him making another globo celeste, this one smaller, yet still exquisitely painted, still breathtaking in detail. It’s a map of the earth still flowing with creation, one you can spin and when you stop it with your finger, there is some tiny detail…some miraculous beauty, some wonderful example from each location at night. The white flower of a night blooming saguaro cactus, the feathers from a great-horned owl, the crunched, smiling face of a particular bat- here, I’m spinning it, I stop it at in the north, where I want there to be something still- he’s painted the black-and-white feathers of a loon…or a globe of night sounds, so that by touching your location you hear the night there- the cricket song, the ocean surf, the frog mating calls.

I'd finally reached the end of myself, all my self-reliance and denial and pride unraveling into nothingness, leaving only a blank Alison-shaped space behind. It was finished. I was done. But just as I felt myself dissolving on the tide of my own self-condemnation, the dark waves receded, and I floated into a celestial calm. I saw the whole universe laid out before me, a vast shining machine of indescribable beauty and complexity. Its design was too intricate for me to understand, and I knew I could never begin to grasp more than the smallest idea of its purpose. But I sensed that every part of it, from quark to quasar, was unique and - in some mysterious way - significant. I heard the universe as an oratorio sung by a master choir of stars, accompanied by the orchestra of the planets and the percussion of satellites and moons. The aria they performed was a song to break the heart, full of tragic dissonance and deferred hope, and yet somewhere beneath it all was a peircing refrain of glory, glory, glory. And I sensed that not only the grand movements of the cosmos, but everything that had happened in my life, was a part of that song. Even the hurts that seemed most senseless, the mistakes I would have done anything to erase - nothing could make those things good, but good could still come out of them all the same, and in the end the oratorio would be no less beautiful for it. I realized then that even though I was a tiny speck in an infinite cosmos, a blip on the timeline of eternity, I was not without purpose. And as long as I had a part in the music of the spheres, even if it was only a single grace not, I was not worthless. Nor was I alone. God help me, I prayed as I gathered up my raw and weary sense, flung them into the wormhole - And at last, found what I'd been looking for.

Good God, how much reverence can you have for a Supreme Being who finds it necessary to include such phenomena as phlegm and tooth decay in His divine system of creation? What in the world was running through that warped, evil, scatological mind of His when He robbed old people of the power to control their bowel movements? Why in the world did He ever create pain?' 'Pain?' Lieutenant Scheisskopf's wife pounced upon the word victoriously. 'Pain is a useful symptom. Pain is a warning to us of bodily dangers.' 'And who created the dangers?' Yossarian demanded. He laughed caustically. 'Oh, He was really being charitable to us when He gave us pain! Why couldn't He have used a doorbell instead to notify us, or one of His celestial choirs? Or a system of blue-and-red neon tubes right in the middle of each person's forehead. Any jukebox manufacturer worth his salt could have done that. Why couldn't He?' 'People would certainly look silly walking around with red neon tubes in the middle of their foreheads.' 'They certainly look beautiful now writhing in agony or stupefied with morphine, don't they?

It was as though the Gods had dropped something—a comb, a hairpin, a needle—and it had fallen down to earth; unimaginably huge and incomprehensibly magnificent, made of celestial materials by a divine craftsman, too big and too beautiful to have any place in our world, utterly incongruous, a numbing statement of the difference between Them and us— Excuse me. It was an impressive sight.

And when I was told insultingly to cease 'my girlish tears,' that word 'girlish' had no sting for me, except as a verbal echo to the one eternal thought of my heart - that a girl was the sweetest thing I, in my short life, had known - that a girl it was who had crowned the earth with beauty, and had opened to my thirst fountains of pure celestial love, from which, in this world, I was to drink no more.

Mahomet now proceeded to execute the great object of his religious aspirations, the purifying of the sacred edifice from the symbols of idolatry, with which it was crowded. All the idols in and about it, to the number of three hundred and sixty, were thrown down and de-stroyed. Among these, the most renowned was Hobal, an idol brought from Balka, in Syria, and fabled to have the power of granting rain. It was, of course, a great object of worship among the inhabitants of the thirsty desert. There were statues of Abraham and Ishmael also, represented with divining arrows in their hands ; "an outrage on their memories," said Mahomet, "being symbols of a diabolical art which they had never prac-ticed." In reverence of their memories, therefore, these statues were demolished. There were paintings, also, depicting angels in the guise of beautiful women. " The angels," said Mahomet, indignantly, " are no such beings. There are celestial houris provided in paradise for the solace of true believers ; but angels are ministering spirits of the Most High, and of too pure a nature to admit of sex." The paintings were accordingly obliterated. Even a dove, curiously carved of wood, he broke with his own hands, and cast upon the ground, as savoring of idolatry.

And what a city! The perfect geometric layout, the wide avenues and clean sidewalks, all the monuments bathes in celestial light. The contemps around me hav eno idea how long it will take to rebuild something like this. Do they see the beauty around them? Are they dizzy from the heights on this pinnacle their civilization is teetering upon? No--they troop along, necks crooked into their ancient phones like bent marionettes. Their right cheeks glow.

A year after that, the great red star, its waist now nearly to Jupiter, all at once collapsed in on itself and exploded into a supernova that vaporized every remaining planet, asteroid, and comet of the eighteenth planetary system of the third spiral arm of the Milky Way galaxy. A beautiful magenta-and-yellow wash spread through space, like spilled watercolors. Sensors aboard the hundreds of starliners recorded the event, but even just a short time later, when the Second Fleet would awaken near Delphi, those brilliant clouds would already be gone, and only a small, cold neutron star would remain, a celestial gravestone to humanity’s birthplace. But here, in this final moment . . . As arcs of plasma glowed . . . As stardust glittered . . . As rare elements formed in the atomic foam . . . A fleet of silent black ships, flickering like droplets, moved swiftly into the storm they had secretly created, and got to work.

Even broken in spirit as he is, no one can feel more deeply than he does the beauties of nature. The starry sky, the sea, and every sight afforded by these wonderful regions seem still to have the power of elevating his soul from earth. Such a man has a double existence: he may suffer misery and be overwhelmed by disappointments, yet when he has retired into himself, he will be like a celestial spirit that has a halo around him, within whose circle no grief or folly ventures.

Celestial Music” I have a friend who still believes in heaven. Not a stupid person, yet with all she knows, she literally talks to god, she thinks someone listens in heaven. On earth, she’s unusually competent. Brave, too, able to face unpleasantness. We found a caterpillar dying in the dirt, greedy ants crawling over it. I’m always moved by weakness, by disaster, always eager to oppose vitality. But timid, also, quick to shut my eyes. Whereas my friend was able to watch, to let events play out according to nature. For my sake, she intervened, brushing a few ants off the torn thing, and set it down across the road. My friend says I shut my eyes to god, that nothing else explains my aversion to reality. She says I’m like the child who buries her head in the pillow so as not to see, the child who tells herself that light causes sadness— My friend is like the mother. Patient, urging me to wake up an adult like herself, a courageous person— In my dreams, my friend reproaches me. We’re walking on the same road, except it’s winter now; she’s telling me that when you love the world you hear celestial music: look up, she says. When I look up, nothing. Only clouds, snow, a white business in the trees like brides leaping to a great height— Then I’m afraid for her; I see her caught in a net deliberately cast over the earth— In reality, we sit by the side of the road, watching the sun set; from time to time, the silence pierced by a birdcall. It’s this moment we’re both trying to explain, the fact that we’re at ease with death, with solitude. My friend draws a circle in the dirt; inside, the caterpillar doesn’t move. She’s always trying to make something whole, something beautiful, an image capable of life apart from her. We’re very quiet. It’s peaceful sitting here, not speaking, the composition fixed, the road turning suddenly dark, the air going cool, here and there the rocks shining and glittering— it’s this stillness that we both love. The love of form is a love of endings.

I like flowers because they are presentable, birds because they are musical, trees because they are natural, plants because they are beneficial, dogs because they are loyal, foxes because they are guileful, wolves because they are forceful, lions because they are royal, sharks because they are remarkable, crocodiles because they are formidable, bees because they are exceptional, spiders because they are artful, ants because they are responsible, chameleons because they are colorful, hawks because they are special, falcons because they are noble, owls because they are watchful, eagles because they are regal, streams because they are peaceful, rivers because they are predictable, lakes because they are crucial, oceans because they are beautiful, skies because they are delightful, stars because they are celestial, planets because they are spiritual, galaxies because they are incredible, winters because they are essential, summers because they are enjoyable, autumns because they are graceful, and springs because they are wonderful.

Her shining tresses, divided in two parts, encircle the harmonious contour of her white and delicate cheeks, brilliant in their glow and freshness. Her ebony brows have the form and charm of the bow of Kama, the god of love, and beneath her long silken lashes the purest reflections and a celestial light swim, as in the sacred lakes of Himalaya, in the black pupils of her great clear eyes. Her teeth, fine, equal, and white, glitter between her smiling lips like dewdrops in a passion-flower’s half-enveloped breast. Her delicately formed ears, her vermilion hands, her little feet, curved and tender as the lotus-bud, glitter with the brilliancy of the loveliest pearls of Ceylon, the most dazzling diamonds of Golconda. Her narrow and supple waist, which a hand may clasp around, sets forth the outline of her rounded figure and the beauty of her bosom, where youth in its flower displays the wealth of its treasures; and beneath the silken folds of her tunic she seems to have been modelled in pure silver by the godlike hand of Vicvarcarma, the immortal sculptor.

Ode to My Socks Maru Mori brought me a pair of socks knitted with her own shepherd's hands, two socks soft as rabbits. I slipped my feet into them as if into jewel cases woven with threads of dusk and sheep's wool. Audacious socks, my feet became two woolen fish, two long sharks of lapis blue shot with a golden thread, two mammoth blackbirds, two cannons, thus honored were my feet by these celestial socks. They were so beautiful that for the first time my feet seemed unacceptable to me, two tired old fire fighters not worthy of the woven fire of those luminous socks. Nonetheless, I resisted the strong temptation to save them the way schoolboys bottle fireflies, the way scholars hoard sacred documents. I resisted the wild impulse to place them in a cage of gold and daily feed them birdseed and rosy melon flesh. Like explorers who in the forest surrender a rare and tender deer to the spit and eat it with remorse, I stuck out my feet and pulled on the handsome socks, and then my shoes. So this is the moral of my ode: twice beautiful is beauty and what is good is doubly good when it is a case of two woolen socks in wintertime.

It is a marvel whence this perfect flower derives its loneliness and perfume, springing as it does from the black mud over which the river sleeps, and where lurk the slimy eel, and speckled frog, and the mud turtle, whom continual washing cannot cleanse. It is the very same black mud out of which the yellow lily sucks its obscene life and noisome odor. Thus, we see, too, in the world that some persons assimilate only what is ugly and evil from the same moral circumstances which supply good and beautiful results -- the fragrance of celestial flowers -- to the daily life of others.

BLUE HEAVENS It could make a person dizzy, those spinning, circling heavens filled with knots of stars, swirling blue stars approaching, blue-shadow stars fading away. It’s a mayhem of reeling, a scattering blue dust of star clouds circling the circling centers of spiraling galaxies wheeling forever toward no known horizon. Someone, immersed in the deep beauty of these blue celestials, could get lost while waiting for hands to deliver perhaps an orange, perhaps an apple, scarlet or gold, a sprig of green, a blossom, pink dogwood, spring plum. Inspired by “Golden Horn” Tondino The Museum of Fine Arts, Houston, Texas

It would be easy to attribute Layla's effect on the opposite sex (and the occasional Sapphically inclined female) to her youth or sweet, natural perfume, but the real reason behind her attraction was far more complex. Of course, there was no denying her beauty, the consistency of her angled, porcelain features, that tilt in her almond eyes, which shined like half-moons across her celestial face. Unlike her two older sisters, who sported wayward brown ringlets, Layla had hair that was long and jet black. Tied up or let down, moussed or gelled, nothing could excite her stubbornly straight locks. They were a definite throwback to some latent Oriental chromosomes roaming deep inside of her.

King of Qin, rides a tiger, touring eight poles Sword's light shining in empty sky from jade Xihe strikes the sun, as glass is sounded Robbed ashes fly to ends, past, present level Dragon head, flows out wine, inviting wine star Golden groove, pipa in the night: “cheng cheng” Dongting rain, upon the feet, comes blowing sheng Wine hearty, drinking moon, causes change of shape Silver clouds, dense and denser, jade temple bright Palace gates, holding affairs, announces one watch Flower house, jade phoenix, sounds seductive, fierce Sea silk fabric, red text, fragrance shallow, clear Yellow beauty, stumbles dance, thousand year vessel Celestial being, candle’s plant wax smoking lightly Goddess of Qing, drunk, tears of deepest waters

In a sky swarming with uncountable stars, clouds endlessly flowing, and planets wandering, always and forever there has been just one moon and one sun. To our ancestors, these two mysterious bodies reflected the female and the male essences. From Iceland to Tierra del Fuego, people attributed the Sun’s constancy and power to his masculinity; the Moon’s changeability, unspeakable beauty, and monthly cycles were signs of her femininity. To human eyes turned toward the sky 100,000 years ago, they appeared identical in size, as they do to our eyes today. In a total solar eclipse, the disc of the moon fits so precisely over that of the sun that the naked eye can see solar flares leaping into space from behind. But while they appear precisely the same size to terrestrial observers, scientists long ago determined that the true diameter of the sun is about four hundred times that of the moon. Yet incredibly, the sun’s distance from Earth is roughly four hundred times that of the moon’s, thus bringing them into unlikely balance when viewed from the only planet with anyone around to notice.22 Some will say, “Interesting coincidence.” Others will wonder whether there isn’t an extraordinary message contained in this celestial convergence of difference and similarity, intimacy and distance, rhythmic constancy and cyclical change. Like our distant ancestors, we watch the eternal dance of our sun and our moon, looking for clues to the nature of man and woman, masculine and feminine here at home.

Such things are joys. These passages of happy couples are a profound appeal to life and nature, and make a caress and light spring forth from everything. There was once a fairy who created the fields and forests expressly for those in love,—in that eternal hedge-school of lovers, which is forever beginning anew, and which will last as long as there are hedges and scholars. Hence the popularity of spring among thinkers. The patrician and the knife-grinder, the duke and the peer, the limb of the law, the courtiers and townspeople, as they used to say in olden times, all are subjects of this fairy. They laugh and hunt, and there is in the air the brilliance of an apotheosis—what a transfiguration effected by love! Notaries' clerks are gods. And the little cries, the pursuits through the grass, the waists embraced on the fly, those jargons which are melodies, those adorations which burst forth in the manner of pronouncing a syllable, those cherries torn from one mouth by another,—all this blazes forth and takes its place among the celestial glories. Beautiful women waste themselves sweetly. They think that this will never come to an end. Philosophers, poets, painters, observe these ecstasies and know not what to make of it, so greatly are they dazzled by it. The departure for Cythera! exclaims Watteau; Lancret, the painter of plebeians, contemplates his bourgeois, who have flitted away into the azure sky; Diderot stretches out his arms to all these love idyls, and d'Urfe mingles druids with them.

20 Soliloquy of the Solipsist I? I walk alone; The midnight street Spins itself from under my feet; When my eyes shut These dreaming houses all snuff out; Through a whim of mine Over gables the moon’s celestial onion Hangs high. I Make houses shrink And trees diminish By going far; my look’s leash Dangles the puppet-people Who, unaware how they dwindle, Laugh, kiss, get drunk, Nor guess that if I choose to blink They die. I When in good humor, Give grass its green Blazon sky blue, and endow the sun With gold; Yet, in my wintriest moods, I hold Absolute power To boycott color and forbid any flower To be. I Know you appear Vivid at my side, Denying you sprang out of my head, Claiming you feel Love fiery enough to prove flesh real, Though it’s quite clear All your beauty, all your wit, is a gift, my dear, From me.

Quickly, I slid into the rifts between stars. I imagined the space as a sphere bedizened with little astral ornaments, and soon those heavy celestial bodies became small as candies held in one’s palms. The thread easily looped them together. I grinned, turning to Amar. Between us was a sphere thick with stars and around us twined soft shadows like cats weaving between ankles. “Magnificent,” he said. His gaze was full of awe, but I saw something else in his eyes. Longing. Then, he reached into the sphere, drawing out the string with the three stars. He twisted them between his hands, fashioning a constellation no larger than a sparrow. Amar stepped forward, sliding the stars above my ear. It cast a glow that turned his face silvery and beautiful. “There, my queen,” he said. “A constellation to wear in your hair.

Your enjoyment of the world is never right till every morning you awake in Heaven; see yourself in your Father's palace; and look upon the skies, the earth and the air as celestial joys; having such a reverend esteem of all, as if you were among the Angels. [...]. You never enjoy the world aright till the sea itself floweth in your veins, till you are clothed with the heavens and crowned with the stars; and perceive yourself to be the sole heir of the whole world, and more than so, because men are in it who are every one sole heirs as well as you. Till you can sing and rejoice and delight in God, as misers do in gold, and kings in sceptres, you can never enjoy the world. Till your spirit filleth the whole world, and the stars are your jewels; till you are as familiar with the ways of God in all ages as with your walk and table; till you are intimately acquainted with that shady nothing out of which the world was made; till you love men so as to desire their happiness with a thirst equal to the zeal of your own; till you delight in God for being good to all; you never enjoy the world. Till you more feel it than your private estate, and are more present in the hemisphere, considering the glories and the beauties there, than in your own house; till you remember how lately you were made, and how wonderful it was when you came into it; and more rejoice in the palace of your glory than if it had been made today morning. Yet further, you never enjoyed the world aright, till you so love the beauty of enjoying it, that you are covetous and earnest to persuade others to enjoy it. And so perfectly hate the abominable corruption of men in despising it that you had rather suffer the flames of hell than willingly be guilty of their error.

Everywhere we look in nature, we see animals that seem beautifully designed to fit their environment, whether that environment be the physical circumstances of life, like temperature and humidity, or the other organisms—competitors, predators, and prey—that every species must deal with. It is no surprise that early naturalists believed that animals were the product of celestial design, created by God to do their jobs. Darwin dispelled this notion in The Origin. In a single chapter, he completely replaced centuries of certainty about divine design with the notion of a mindless, materialistic process—natural selection—that could accomplish the same result. It is hard to overestimate the effect that this insight had not only on biology, but on people’s worldview. Many have not yet recovered from the shock, and the idea of natural selection still arouses fierce and irrational opposition.

we are unfashioned creatures, but half made up, if one wiser, better, dearer than ourselves—such a friend ought to be—do not lend his aid to perfectionate our weak and faulty natures. I once had a friend, the most noble of human creatures, and am entitled, therefore, to judge respecting friendship. You have hope, and the world before you, and have no cause for despair. But I—I have lost everything and cannot begin life anew." ... Even broken in spirit as he is, no one can feel more deeply than he does the beauties of nature. The starry sky, the sea, and every sight afforded by these wonderful regions seem still to have the power of elevating his soul from earth. Such a man has a double existence: he may suffer misery and be overwhelmed by disappointments, yet when he has retired into himself, he will be like a celestial spirit that has a halo around him, within whose circle no grief or folly ventures.

Anchored to her sure-fired eyes I am then followed by a thirst in her that she is still craving to satiate. Grabbing ahold of me upside down with her mesic grasp she warms her sienna-sand skin inverse to me. Feeling her seize my sacral nerve she maneuvers to carefully empty me again. Like brontide building up to a cloudburst she absorbs me drawing a deep squeeze upwards consuming every ounce of my sucré crème. Effleuraging the soft soused petals of her poporo she braces herself feeling an apical and phreatic trembling inside of her. Feeling her squeeze that last lick she cums again into my mouth. Feeling me swill that nectarous haoma sluicing from her pink pearlious clam. Candy flipping her clitoral shaft and tasting the pomaceous pabulum of her inner goddess. Beholding in part that celestial diluvium by which all creation is bathed. Feeling her exultant joy and tactual grip as she releases a beautiful freeing cry

Ode to My Socks Maru Mori brought me a pair of socks knitted with her own shepherd's hands, two socks soft as rabbits. I slipped my feet into them as if into jewel cases woven with threads of dusk and sheep's wool. Audacious socks, my feet became two woolen fish, two long sharks of lapis blue shot with a golden thread, two mammoth blackbirds, two cannons, thus honored were my feet by these celestial socks. They were so beautiful that for the first time my feet seemed unacceptable to me, two tired old fire fighters not worthy of the woven fire of those luminous socks. Nonetheless, I resisted the strong temptation to save them the way schoolboys bottle fireflies, the way scholars hoard sacred documents. I resisted the wild impulse to place them in a cage of gold and daily feed them birdseed and rosy melon flesh. Like explorers who in the forest surrender a rare and tender deer to the spit and eat it with remorse, I stuck out my feet and pulled on the handsome socks, and then my shoes. So this is the moral of my ode: twice beautiful is beauty and what is good doubly good when it is a case of two woolen socks in wintertime.

Ode to My Socks Maru Mori brought me a pair of socks knitted with her own shepherd's hands, two socks soft as rabbits. I slipped my feet into them as if into jewel cases woven with threads of dusk and sheep's wool. Audacious socks, my feet became two woolen fish, two long sharks of lapis blue shot with a golden thread, two mammoth blackbirds, two cannons, thus honored were my feet by these celestial socks. They were so beautiful that for the first time my feet seemed unacceptable to me, two tired old fire fighters not worthy of the woven fire of those luminous socks. Nonetheless, I resisted the strong temptation to save them the way schoolboys bottle fireflies, the way scholars hoard sacred documents. I resisted the wild impulse to place them in a cage of gold and daily feed them birdseed and rosy melon flesh. Like explorers who in the forest surrender a rare and tender deer to the spit and eat it with remorse, I stuck out my feet and pulled on the handsome socks, and then my shoes. So this is the moral of my ode: twice beautiful is beauty and what is good is doubly good when it is a case of two woolen socks in wintertime.

It is quiet in the clearing, though gradually Lillian's ears attune to the soft rustling of insects and birds moving through the undergrowth, the faraway tapping of a woodpecker high in a tree. Down on the ground, a bronze-colored beetle tries to scale the side of her shoe. It slips on the smooth leather and tumbles back into the dry leaves, waggling its legs in the air. She shifts slightly on the tree trunk then watches as Jack pulls a strand of grass from a clump growing nearby and sucks on one end, looking about at the canopy overhead. "Wonderful light," he murmurs. "I wish I hadn't left my sketchbook at the house." She knows she must say something. But the moment stretches and she can't find the words so instead she looks about, trying to see the clearing as he might, trying to view the world through an artist's eyes. What details would he pull from this scene, what elements would he commit to memory to reproduce on paper? A cathedral, he'd said; and she supposes there is something rather celestial and awe-inspiring about the tall, arched trees and the light streaming in golden shafts through the soft green branches, filtered as though through stained glass.

In any case, we should expect that in due time we will be moved into our eternal destiny of creative activity with Jesus and his friends and associates in the “many mansions” of “his Father’s house.” Thus, we should not think of ourselves as destined to be celestial bureaucrats, involved eternally in celestial “administrivia.” That would be only slightly better than being caught in an everlasting church service. No, we should think of our destiny as being absorbed in a tremendously creative team effort, with unimaginably splendid leadership, on an inconceivably vast plane of activity, with ever more comprehensive cycles of productivity and enjoyment. This is the “eye hath not seen, neither ear heard” that lies before us in the prophetic vision (Isa. 64:4). This Is Shalom When Saint Augustine comes to the very end of his book The City of God, he attempts to address the question of “how the saints shall be employed when they are clothed in immortal and spiritual bodies.”15 At first he confesses that he is “at a loss to understand the nature of that employment.” But then he settles upon the word peace to describe it, and develops the idea of peace by reference to the vision of God—utilizing, as we too have done, the rich passage from 1 Corinthians 13. Thus he speaks of our “employment” then as being “the beatific vision.” The eternal blessedness of the city of God is presented as a “perpetual Sabbath.” In words so beautiful that everyone should know them by heart, he says, “There we shall rest and see, see and love, love and praise. This is what shall be in the end without end. For what other end do we propose to ourselves than to attain to the kingdom of which there is no end?” And yet, for all their beauty and goodness, these words do not seem to me to capture the blessed condition of the restoration of all things—of the kingdom come in its utter fullness. Repose, yes. But not as quiescence, passivity, eternal fixity. It is, instead, peace as wholeness, as fullness of function, as the restful but unending creativity involved in a cosmoswide, cooperative pursuit of a created order that continuously approaches but never reaches the limitless goodness and greatness of the triune personality of God, its source. This, surely, is the word of Jesus when he says, “Those who overcome will be welcomed to sit with me on my throne, as I too overcame and sat down with my Father on his throne. Those capable of hearing should listen to what the Spirit is saying to my people” (Rev. 3:21

XVIII TO HIS LADY                Beloved beauty who inspires             love from afar, your face concealed             except when your celestial image             stirs my heart in sleep, or in the fields         5  where light and nature’s laughter             shine more lovely;             was it maybe you who blessed             the innocent age called golden,             and do you now, blithe spirit,       10  soar among men? Or does the miser, fate,             who hides you from us save you for the future?                No hope of seeing you alive             remains for me now,             except when, naked and alone,       15  my soul will go down a new street             to an unfamiliar home. Already, at the dawning             of my dark, uncertain day,             I imagined you a fellow traveler             on this parched ground. But no thing on earth       20  compares with you; and if someone             who had a face like yours resembled you             in word and deed, still she would be less lovely.                In spite of all the suffering             that fate assigned to human life,       25  if there was anyone on earth             who truly loved you as my thought portrays you,             this life for him would be a joy.             And I see clearly how your love             would still inspire me to seek praise and virtue,       30  the way I used to in my early years.             Though heaven gave no comfort for our suffering,             still mortal life with you would be             like what in heaven becomes divinity.                In the valleys, where you hear       35  the weary farmer singing             and I sit and mourn             my youth’s illusions leaving me;             and on the hills where I turn back             and lament my lost desires,       40  my life’s lost hope, I think of you             and start to shake. In this sad age             and sickly atmosphere, I try             to keep your noble look in mind;             without the real thing, I enjoy the image.       45     Whether you are the one and only             eternal idea that eternal wisdom             disdains to see arrayed in sensible form,             to know the pains of mournful life             in transitory dress;       50  or if in the supernal spheres another earth             from among unnumbered worlds receives you,             and a near star lovelier than the Sun             warms you and you breathe benigner ether,             from here, where years are both ill-starred and brief,       55  accept this hymn from your unnoticed lover.

In his well-known statement in the Poetics that poetry has a higher truth than history since it expresses truth of general application whereas that of history is partial and limited, he is not speaking as a scientist nor would the statement commend itself to the scientific mind outside of Greece. There is no evidence, again, of the scientist’s point of view in the great passage where he sets forth the reason for the work of his life, his search into the nature of all living things: The glory, doubtless, of the heavenly bodies fills us with more delight than the contemplation of these lowly things, but the heavens are high and far off, and the knowledge of celestial things that our senses give us, is scanty and dim. Living creatures, on the contrary, are at our door, and if we so desire we may gain full and certain knowledge of each and all. We take pleasure in a statue’s beauty; should not then the living fill us with delight? And all the more if in the spirit of the love of knowledge we search for causes and bring to light evidences of meaning. Then will nature’s purpose and her deep-seated laws be revealed in all things, all tending in her multitudinous work to one form or another of the beautiful. Did ever scientist outside of Greece so state the object of scientific research? To Aristotle, being a Greek, it was apparent that the full purpose of that high enterprise could not be expressed in any way except the way of poetry, and, being a Greek, he was able so to express it. Spirituality inevitably brings to our mind

HEXAGON Snowflakes descend purposefully or wistfully but, surrounded by their tiny peers, each is confident they together will soon hide the meadows, driveways, roofs, fences, the stripped gardens. A speck of dust or pollen lofted to the top of the sky encountered a water drop that in the celestial cold adhered and froze, forming an ice crystal which, now weightier than the air it floated on, began to waft downwards, adding water particles as it traveled, six spikes or arms creating a filigree all its own as it passed through differing temperatures and amounts of dampness. Its delicate white intricacy, though, contains an inner space also unique. One offers a forest of snowy evergreens where, as afternoon light dims, a man wearing a homespun hooded garment and bent under a sack thrown over a shoulder plods along a footpath winding uphill between firs and pines. With each step, his breath appears like smoke until he and his burden are lost from view, and a chill wind sways the thin twigs of bushes emerging from drifts beside the track. In that flake is preserved an era in which the body endures and welcomes the simple opposites: icy cold against face skin and eventually a fire’s warmth, sodden feet and, at last, these dried once more, while the eye registers an omnipresent starkness —white fields, white roads, white trees— which, like a minor key, can please the mind. Here is the past returned to Earth by the water that changes form but does not die. In this vision, each frozen tuft among the millions that lower to the ground is a memento mori that affirms: No life is useless or pointless, since each in its turn advances the future. Yet all are swiftly forgotten in the beauty of the falling snow.

When I attempted, a few minutes ago, to describe our spiritual longings, I was omitting one of their most curious characteristics. We usually notice it just as the moment of vision dies away, as the music ends or as the landscape loses the celestial light. What we feel then has been well described by Keats as “the journey homeward to habitual self.” You know what I mean. For a few minutes we have had the illusion of belonging to that world. Now we wake to find that it is no such thing. We have been mere spectators. Beauty has smiled, but not to welcome us; her face was turned in our direction, but not to see us. We have not been accepted, welcomed, or taken into the dance. We may go when we please, we may stay if we can: “Nobody marks us.” [...] It is not the physical objects that I am speaking of, but that indescribable something of which they become for a moment the messengers. And part of the bitterness which mixes with the sweetness of that message is due to the fact that it so seldom seems to be a message intended for us but rather something we have overheard. By bitterness I mean pain, not resentment. We should hardly dare to ask that any notice be taken of ourselves. But we pine. The sense that in this universe we are treated as strangers, the longing to be acknowledged, to meet with some response, to bridge some chasm that yawns between us and reality, is part of our inconsolable secret. And surely, from this point of view, the promise of glory, in the sense described, becomes highly relevant to our deep desire. For glory meant good report with God, acceptance by God, response, acknowledgment, and welcome into the heart of things. The door on which we have been knocking all our lives will open at last.

And don’t tell me God works in mysterious ways,” Yossarian continued. “There’s nothing so mysterious about it. He’s not working at all. He’s playing. Or else he’s forgotten all about us. That’s the kind of God you people talk about — a country bumpkin, a clumsy, bungling, brainless, conceited, uncouth hayseed. Good God, how much reverence can you have for a Supreme Being who finds it necessary to include such phenomena as phlegm and tooth decay in His divine system of creation? What in the world was running through that warped, evil, scatalogical mind of His when He robbed old people of the power to control their bowel movements? Why in the world did He ever create pain? Pain?” Lieutenant Scheisskopf’s wife pounced upon the word victoriously. “Pain is a useful symptom. Pain is a warning to us of bodily dangers. And who created the dangers?” Yossarian demanded. He laughed caustically. “Oh, He was really being charitable to us when He gave us pain! Why couldn’t He have used a doorbell instead to notify us, or one of his celestial choirs? Or a system of blue-and-red neon tubes right in the middle of each person’s forehead. Any jukebox manufacturer worth his salt could have done that. Why couldn’t He? People would certainly look silly walking around with red neon tubes in the middle of their foreheads. They certainly look beautiful now writhing in agony or stupified with morphine, don’t they? What a colossal, immortal blunderer! When you consider the opportunity and power He had to really do a job, and then look at the stupid, ugly little mess He made of it instead, His sheer incompetence is almost staggering. It’s obvious He never met a payroll. Why, no self-respecting businessman would hire a bungler like Him as even a shipping clerk!

Man belongs to two spheres. And Scripture not only teaches that these two spheres are distinct, it also teaches what estimate of relative importance ought to be placed upon them. Heaven is the primordial, earth the secondary creation. In heaven are the supreme realities; what surrounds us here below is a copy and shadow of the celestial things. Because the relation between the two spheres is positive, and not negative, not mutually repulsive, heavenly-mindedness can never give rise to neglect of the duties pertaining to the present life. It is the ordinance and will of God, that not apart from, but on the basis of, and in contact with, the earthly sphere man shall work out his heavenly destiny. Still the lower may never supplant the higher in our affections. In the heart of man time calls for eternity, earth for heaven. He must, if normal, seek the things above, as the flower's face is attracted by the sun, and the water-courses are drawn to the ocean. Heavenly-mindedness, so far from blunting or killing the natural desires, produces in the believer a finer organization, with more delicate sensibilities, larger capacities, a stronger pulse of life. It does not spell impoverishment, but enrichment of nature. The spirit of the entire Epistle shows this. The use of the words "city" and "country" is evidence of it. These are terms that stand for the accumulation, the efflorescence, the intensive enjoyment of values. Nor should we overlook the social note in the representation. A perfect communion in a perfect society is promised. In the city of the living God believers are joined to the general assembly and church of the firstborn, and mingle with the spirits of just men made perfect. And all this faith recognizes. It does not first need the storms and stress that invade to quicken its desire for such things. Being the sum and substance of all the positive gifts of God to us in their highest form, heaven is of itself able to evoke in our hearts positive love, such absorbing love as can render us at times forgetful of the earthly strife. In such moments the transcendent beauty of the other shore and the irresistible current of our deepest life lift us above every regard of wind or wave. We know that through weather fair or foul our ship is bound straight for its eternal port.

Pigs eat acorns, but neither consider the sun that gave them life, nor the influence of the heavens by which they were nourished, nor the very root of the tree from whence they came. Thomas Traherne Your enjoyment of the world is never right till every morning you awake in Heaven; see yourself in your Father’s palace; and look upon the skies, the earth and the air as celestial joys; having such a reverend esteem of all, as if you were among the Angels. The bride of a monarch, in her husband’s chamber, hath no such causes of delight as you. You never enjoy the world aright till the sea itself floweth in your veins, till you are clothed with the heavens and crowned with the stars; and perceive yourself to be the sole heir of the whole world, and more than so, because men are in it who are every one sole heirs as well as you. Till you can sing and rejoice and delight in God, as misers do in gold, and kings in sceptres, you can never enjoy the world. Till your spirit filleth the whole world, and the stars are your jewels; till you are as familiar with the ways of God in all ages as with your walk and table; till you are intimately acquainted with that shady nothing out of which the world was made; till you love men so as to desire their happiness with a thirst equal to the zeal of your own; till you delight in God for being good to all; you never enjoy the world. Till you more feel it than your private estate, and are more present in the hemisphere, considering the glories and the beauties there, than in your own house; till you remember how lately you were made, and how wonderful it was when you came into it; and more rejoice in the palace of your glory than if it had been made today morning. Yet further, you never enjoyed the world aright, till you so love the beauty of enjoying it, that you are covetous and earnest to persuade others to enjoy it. And so perfectly hate the abominable corruption of men in despising it that you had rather suffer the flames of hell than willingly be guilty of their error. The world is a mirror of Infinite Beauty, yet no man sees it. It is a Temple of Majesty, yet no man regards it. It is a region of Light and Peace, did not men disquiet it. It is the Paradise of God. It is more to man since he is fallen than it was before. It is the place of Angels and the Gate of Heaven. When Jacob waked out of his dream, he said, God is here, and I wist it not. How dreadful is this place! This is none other than the House of God and the Gate of Heaven. Thomas Traherne

The tyrant is asleep to beauty and awake to ugliness.

The light above Turner kicks on, just that one light, bathing him in brightness. I fall in love along with the rest of the people there, gazing at an angel fallen from heaven, celestially beautiful, ethereally tragic. His blue-black hair shimmers like dark feathers on a dancing demon, and his body is absolute perfection in that suit.

The skies gave way to the full ascendence of morning and clouds skittered across the expanse, the variations on a nebulous theme woven on a celestial loom.

I should be queen. I always should have been queen. Instead I have to contend with her." She could not bear to say the girl's name aloud. Star. Her husband had fallen in love with a beautiful young girl with a celestial name, so how was she supposed to compete with that?

La tan admirada hermosura de Ingel y su sonrisa celestial habían empezado a resplandecer después de conocerlo con una fuerza que no era de este mundo, de un modo aún más cegador. Alumbraba todo el jardín de la casa incluso en las noches lluviosas y llenaba la alcoba donde dormían las hermanas, a tal punto que a Aliide le faltaba el aire y por las noches se despertaba jadeante y se precipitaba tambaleándose a abrir la puerta en busca de oxígeno.

I spent that night lying next to her in the cool of a summer breeze. I watched her drift and dream next to me, while I harnessed the weight of a thousand feelings alongside her. Her face glowed as she slept, as if she could not be any happier. Something profound happened that night, and I did not know what it was. All I knew was that something had changed. It was in the way she gazed at me, in the way her fingers would seek out the comfort of my hands. In retrospect, maybe it was that she had fallen in love for the first time, even though she had yet to say so. But as with all things beautiful, words merely got in the way. So, I didn’t care for them. I felt it in her presence that what we shared went beyond the effable, beyond what could be written about. It was the infinite space between the unspoken I-love-yous that resounded so clearly all around us. When the gods finally lit the stars for the night, and the moon had slipped into oblivion, I watched little rays of starlight twirl in full-bodied color on her celestial face. I wanted to stretch out my hands and caress her, to take hold of her and say, “Where you go, I will go, and where you stay, I will stay. Your people will be my people, and your God my God.” Like Jacob wrestling that terrible angel, I, too, wanted to grasp her—if only for a temporal second—so that I could encounter the divine. But I dared not disturb what was sacred, so I let her sleep.