Celebrating Childhood Quotes

To be ignorant of the lives of the most celebrated men of antiquity is to continue in a state of childhood all our days

My personality has not once altered under outside influence." "Then I'm genuinely appalled, and your childhood nannies have my intense sympathy. You've got a bit of a nerve, don't you think, accusing other people of vanity? You make Mr. Darcy look like the poster child for low self-esteem.

Our abusive parent didn't give us the gentle, encouraging nurturing we needed. But healing invites us to give our inner child the kind of loving empowerment that will help us reach our potential and celebrate our spirit. Move past what you wished you could have experienced and embrace the uncommon, sweet possibilities of being your own best parent.

Red was the color of the sun's most beautiful throne and all the other colors prayed on red rugs. ... I still follow the child who still walks inside me.

Children come into the world with that sense of celebration and delight in the awesomeness of life. Then we eat of that wonderful, terrible fruit depicted in the story of the Garden of Eden, and our lives become divided. In childhood we have innocent wholeness, which then is transformed into informed separateness. If one is lucky, a second transformation occurs later in life, a transformation into informed wholeness. A proverb puts it this way: in life our task is to go from unconscious perfection to conscious imperfection and then to conscious perfection.

Consider an adult who tends to the traumas of a child: spilled milk, a broken toy, a scraped knee. As adults we know that kids have no clue of what constitutes a genuine problem, because inexperience greatly limits their childhood perspective. Children do not yet know that the world doesn’t revolve around them. As grown-ups, dare we admit to ourselves that we, too, have a collective immaturity of view? Dare we admit that our thoughts and behaviors spring from a belief that the world revolves around us? Apparently not. Yet evidence abounds. Part the curtains of society’s racial, ethnic, religious, national, and cultural conflicts, and you find the human ego turning the knobs and pulling the levers. Now imagine a world in which everyone, but especially people with power and influence, holds an expanded view of our place in the cosmos. With that perspective, our problems would shrink—or never arise at all—and we could celebrate our earthly differences while shunning the behavior of our predecessors who slaughtered one another because of them.

The path to accepting your sexuality has to start somewhere. For those identify as heterosexual, the childhood bliss of an early crush is typically encouraged and praised. Milestones such as your first date and the prom are celebrated by parents and friends. But when you’re anything other than straight, it’s more complicated; your growth gets shrouded and stunted. That’s why a lot of queer people, when they fall in love and get into a relationship for the first time, revert to a kind of prepubescent puppy love: spontaneous, impulsive, obsessive, and ecstatic. I’ve heard many people express annoyance at friends who “just came out and it’s totally cool and whatever, but do they have to talk about it all the time?” My answer to that is “Yes. Yes, they do. Don’t you remember puppy love? Well, imagine if you had to hide it for twenty years. So yeah, if they wanna gush about it, let them gush. There’s a first time for everything.

When it was mixed together, the salsa was a celebration of red and white and green, cool and fresh and alive. On a tortilla, with a bit of crumbled white 'queso fresco,' it was both satisfying and invigorating, full of textures and adventures, like childhood held in your hand.

The existence of birthday cake ice cream suggests that we can no longer distinguish celebration foods from everyday ones. We are also not too sure whether we are children or adults.

facts are the seeds that later produce knowledge and wisdom, then the emotions and the impressions of the senses are the fertile soil in which the seeds must grow. The years of early childhood are the time to prepare the soil.

Our mother celebrated all our birthdays, not a single one of our birthdays was not celebrated, I hated those birthday celebrations, as you may imagine, just as I hate any celebrations, I hate anything festive, anything solemn to this day, nothing is more distasteful to me than celebrating or being celebrated, I am a hater of festivities, he said, from childhood I have hated all feasting and celebrating and above all I have hated birthday celebrations, no matter what birthday it was, and most of all I hated a parental birthday being celebrated; how can a person celebrate a birthday, his birthday, I have always wondered, when it is a misfortune to be in this world at all; yes, I always thought if people were to observe a memorial hour on their birthday, a memorial hour for the monstrous deed their progenitors had committed against them, that I would understand, but surely not a festivity, he said.

There were no religious images in the churches or synagogues of our childhood that celebrated the birthing powers of women. According to religion's myths, the world was brought into being by a male God, and woman was created from man. This reversal of biological process went unchallenged. Most of us didn't even notice the absence of the mother. Although we may not have been consciously aware of her absence in bible stories and sermons, her absence was absorbed into our being. And its painful influence was intensified as we observed the design of our parents' relationship and the treatment of our mothers by our fathers and brothers. Our families mirrored the hierarchical reality of the heavens. In a society that worships a male God, the father's life is more valuable than the mother's. The activities of a man's life are more vital and necessary than the mother's intimate connections with the origins of life. The father is God.

In our folk nobody has any experience of youth, there’s barely even any time for being a toddler. The children simply don’t have any time in which they might be children........Indeed... there’s simply no way that we would be able to provide our children with a viable childhood, one that is real. Naturally, there are consequences. There’s a certain ever present, not to be liquidated childishness that permeates our folk; We often act in ways that are totally and utterly ridiculous and, indeed, precisely like children we do things that are crazy, letting loose with our assets in a manner that is bereft of all rationality, prodigious in our celebrations, partaking in a light-headed frivolousness that is divorced from all sensibility, and often enough all simply for the sake of some small token of fun, so much do we love having our small amusements. But our folk isn’t only childish, to a certain extent we also age prematurely, childhood and old age mix themselves differently with us than by others. We don’t have any youth, we jump right away into maturity and, then, we remain grown-ups for too long and as a consequence to this there’s a broad shadow of a certain tiredness and a sort of hopelessness that colours our essential nature, a nature that as a whole is otherwise so tenacious and permeated by hope, strong hope. This, no doubt, this is related to why we’re so disinclined toward music—we’re too old for music, so much excitement, so much passion doesn’t sit well with our heaviness;

In the course of my life I have had pre-pubescent ballerinas; emaciated duchesses, dolorous and forever tired, melomaniac and morphine-sodden; bankers' wives with eyes hollower than those of suburban streetwalkers; music-hall chorus girls who tip creosote into their Roederer when getting drunk... I have even had the awkward androgynes, the unsexed dishes of the day of the *tables d'hote* of Montmartre. Like any vulgar follower of fashion, like any member of the herd, I have made love to bony and improbably slender little girls, frightened and macabre, spiced with carbolic and peppered with chlorotic make-up. Like an imbecile, I have believed in the mouths of prey and sacrificial victims. Like a simpleton, I have believed in the large lewd eyes of a ragged heap of sickly little creatures: alcoholic and cynical shop girls and whores. The profundity of their eyes and the mystery of their mouths... the jewellers of some and the manicurists of others furnish them with *eaux de toilette*, with soaps and rouges. And Fanny the etheromaniac, rising every morning for a measured dose of cola and coca, does not put ether only on her handkerchief. It is all fakery and self-advertisement - *truquage and battage*, as their vile argot has it. Their phosphorescent rottenness, their emaciated fervour, their Lesbian blight, their shop-sign vices set up to arouse their clients, to excite the perversity of young and old men alike in the sickness of perverse tastes! All of it can sparkle and catch fire only at the hour when the gas is lit in the corridors of the music-halls and the crude nickel-plated decor of the bars. Beneath the cerise three-ply collars of the night-prowlers, as beneath the bulging silks of the cyclist, the whole seductive display of passionate pallor, of knowing depravity, of exhausted and sensual anaemia - all the charm of spicy flowers celebrated in the writings of Paul Bourget and Maurice Barres - is nothing but a role carefully learned and rehearsed a hundred times over. It is a chapter of the MANCHON DE FRANCINE read over and over again, swotted up and acted out by ingenious barnstormers, fully conscious of the squalid salacity of the male of the species, and knowledgeable in the means of starting up the broken-down engines of their customers. To think that I also have loved these maleficent and sick little beasts, these fake Primaveras, these discounted Jocondes, the whole hundred-franc stock-in-trade of Leonardos and Botticellis from the workshops of painters and the drinking-dens of aesthetes, these flowers mounted on a brass thread in Montparnasse and Levallois-Perret! And the odious and tiresome travesty - the corsetted torso slapped on top of heron's legs, painful to behold, the ugly features primed by boulevard boxes, the fake Dresden of Nina Grandiere retouched from a medicine bottle, complaining and spectral at the same time - of Mademoiselle Guilbert and her long black gloves!... Have I now had enough of the horror of this nightmare! How have I been able to tolerate it for so long? The fact is that I was then ignorant even of the nature of my sickness. It was latent in me, like a fire smouldering beneath the ashes. I have cherished it since... perhaps since early childhood, for it must always have been in me, although I did not know it!

Once upon a time-which, when you come to think of it, is the only proper way to begin a story-the only way that really smacks of romance and fairyland-all the Harmony members of the Lesley clan assembled at Cloud of Spruce to celebrate Old Grandmother's birthday as usual. Also to name Lorraine's baby.

Love is nothing out of the ordinary, even if we think it is; even if we idealise it, celebrate it in poetry, sentimentalise it in coy valentines. Love happens to just about everyone; it is like measles or the diseases of childhood; it is as predictable as the losing of milk teeth, or the breaking of a boy's voice.

The tallest adults are the ones who had the most childhood and adolescent growth before puberty started; puberty typically tacks on a standard nine inches, and then the game's over. "The children who are going to be the biggest adults are those who are tall by age one or two, and have a relatively late puberty," says Rosenfeld.

It would be better maybe if we could stop loving the children and their delicate brawls, pelting across the square in tandem, deking from cover to cover in raucous celebration and they are never winded, bemusing us with the rites of our own gone childhood; if only they stopped mattering, the children, it might be possible, now while the square lies stunned by noon.

They gave us watches and took away time They gave us shoes and took the paths They gave us parliaments and took freedom They gave us playground swings and took celebrations They gave us dried milk and took childhood They gave us fertilizers and took spring They gave us guards and locks and took safety They gave us rebels and took the revolution. —MUHAMMAD AL-MAGHOUT,

The first inkling of this notion had come to him the Christmas before, at his daughter's place in Vermont. On Christmas Eve, as indifferent evening took hold in the blue squares of the windows, he sat alone in the crepuscular kitchen, imbued with a profound sense of the identity of winter and twilight, of twilight and time, of time and memory, of his childhood and that church which on this night waited to celebrate the second greatest of its feasts. For a moment or an hour as he sat, become one with the blue of the snow and the silence, a congruity of star, cradle, winter, sacrament, self, it was as though he listened to a voice that had long been trying to catch his attention, to tell him, Yes, this was the subject long withheld from him, which he now knew, and must eventually act on. He had managed, though, to avoid it. He only brought it out now to please his editor, at the same time aware that it wasn't what she had in mind at all. But he couldn't do better; he had really only the one subject, if subject was the word for it, this idea of a notion or a holy thing growing clear in the stream of time, being made manifest in unexpected ways to an assortment of people: the revelation itself wasn't important, it could be anything, almost. Beyond that he had only one interest, the seasons, which he could describe endlessly and with all the passion of a country-bred boy grown old in the city. He was beginning to doubt (he said) whether these were sufficient to make any more novels out of, though he knew that writers of genius had made great ones out of less. He supposed really (he didn't say) that he wasn't a novelist at all, but a failed poet, like a failed priest, one who had perceived that in fact he had no vocation, had renounced his vows, and yet had found nothing at all else in the world worth doing when measured by the calling he didn't have, and went on through life fatally attracted to whatever of the sacerdotal he could find or invent in whatever occupation he fell into, plumbing or psychiatry or tending bar. ("Novelty")

When we graduate from childhood into adulthood, we’re thrown into this confusing, Cthulhu-like miasma of life, filled with social and career problems, all with branching choices and no correct answers. Sometimes gaming feels like going back to that simple kid world. Real-life Felicia wasn’t getting more successful, but I could channel my frustration into making Keeblerette an A-list celebrity warlock, thank you very much!

Almost everyone in Chinatown looks more like me than any of the kids at my high school ever did. It feels like a dream. I’ve never been around so many Asian people before. I’ve always felt out of place, but I’ve never realized quite how much until this exact moment, when I feel completely in place. They have eyes like mine and hair like mine and legs like mine. When they smile their skin creases the way mine does, and their hair mostly falls flat and straight the way mine does. They’re like me. It feels so comfortable and good I could almost cry. And they’re so beautiful. Like, Rei beautiful. They know how to do their hair and makeup and dress themselves because they’ve probably been taught by parents who understand they shouldn’t just copy whatever the white celebrities and models are doing. Because they have different faces and body types and colors. It’s like painting—you don’t just use any color you feel like; you pick the color that fits the subject the best. I can’t believe it’s taken me so long to learn the lesson I’ve needed since childhood. I don’t have to be white to be beautiful, just like I don’t have to be Asian to be beautiful. Because beauty doesn’t come in one mold. It doesn’t make it okay that people are jerks about race. But it does make me feel like I’m not alone. It makes me feel like less of a weirdo. It makes me feel like Mom was wrong. When I look around at the people in Chinatown, I don’t feel like I’m desperate for their acceptance. I feel at ease. I think I know why Shoji accepted our Japanese side a long time ago. I think he realized there was another world out there—a world Mom wasn’t a part of. I think he knew that, somehow, finding our heritage was like finding a safe place from her.

Before we knew it a year had passed, then two more, and we were celebrating the passage of Joshua’s seventeenth birthday in the fortress. Balthasar had the girls prepare a feast of Chinese delicacies and we drank wine late into the night. (And long after that, and even when we had returned to Israel, we always ate Chinese food on Joshua’s birthday. I’m told it became a tradition not only with those of us who knew Joshua, but with Jews everywhere.)

In any village or panchayat or district, we will always find at least a few corruption-free good human beings. We may even find pockets of corruption-free societies. If these can be identified and celebrated, we can create a nearly corruption-free state. The real-world examples of corruption-free individuals and groups and societies must be discussed publicly, so that they can become examples to be followed in the country. A nation can be corruption free only when its states are corruption free; a state can be corruption free only if its districts are corruption free; a district can be corruption free only if its panchayats are corruption free; a panchayat can be corruption free only if the people are corruption free; and people can be corruption free only if they have imbibed these values from their childhood.

It was only when I started to reconnect with my inner child four years into recovery (I was over four years clean and sober off drugs and alcohol) and started to attend a love addiction support group that I was able to trust again and have faith that there are just as many honest and trustworthy women as there are women who are not interested in monogamy. However, it was after ten years of continuous recovery that I started to really dig deep into my childhood grief work and was finally able to reclaim my inner child. I started to take risks again. On a practical level, you can’t get very far in this world if you resent and distrust the opposite sex and, sadly, many men and women suffer in this area. Rather than celebrating the opposite sex, they fear them. Empathy and self-compassion has helped me in this area too.

Your character and soul, intelligence and creativity, love and experiences, goodness and talents, your bright and lovely self are entwined with your body, and she has delivered the whole of you to this very day. What a partner! She has been a home for your smartest ideas, your triumphant spirit, your best jokes. You haven’t gotten anywhere you’ve ever gone without her. She has served you well. Your body walked with you all the way through childhood—climbed the trees and rode the bikes and danced the ballet steps and walked you into the first day of high school. How else would you have learned to love the smell of brownies, toasted bagels, onions and garlic sizzling in olive oil? Your body perfectly delivered the sounds of Stevie Wonder, Whitney Houston, and Bon Jovi right into your memories. She gave you your first kiss, which you felt on your lips and in your stomach, a coordinated body venture. She drove you to college and hiked the Grand Canyon. She might have carried your backpack through Europe and fed you croissants. She watched Steel Magnolias and knew right when to let the tears fall. Maybe your body walked you down the aisle and kissed your person and made promises and threw flowers. Your body carried you into your first big interview and nailed it—calmed you down, smiled charmingly, delivered the right words. Sex? That is some of your body’s best work. Your body might have incubated, nourished, and delivered a whole new human life, maybe even two or three. She is how you cherish the smell of those babies, the feel of their cheeks, the sound of them calling your name. How else are you going to taste deep-dish pizza and French onion soup? You have your body to thank for every good thing you have ever experienced. She has been so good to you. And to others. Your body delivered you to people who needed you the exact moment you showed up. She kissed away little tears and patched up skinned knees. She holds hands that need holding and hugs necks that need hugging. Your body nurtures minds and souls with her presence. With her lovely eyes, she looks deliberately at people who so deeply need to be seen. She nourishes folks with food, stirring and dicing and roasting and baking. Your body has sat quietly with sad, sick, and suffering friends. She has also wrapped gifts and sent cards and sung celebration songs to cheer people on. Her face has been a comfort. Her hands will be remembered fondly—how they looked, how they loved. Her specific smell will still be remembered in seventy years. Her voice is the sound of home. You may hate her, but no one else does.

As for myself, what has died for me has died, so to speak, into my own heart: when I looked for him, the person who vanished has collected himself strangely and so surprisingly in me, and it was so moving to feel he was now only there that my enthusiasm for serving his new existence, for deepening and glorifying it, took the upper hand almost at the very moment when pain would otherwise have invaded and devastated the whole landscape of my spirit. When I remember how I—often with the utmost difficulty in understanding and accepting each other—loved my father! Often, in childhood, my mind became confused and my heart grew numb at the mere thought that someday he might no longer be; my existence seemed to me so wholly conditioned through him (my existence, which from the start was pointed in such a different direction!) that his departure was to my innermost self synonymous with my own destruction …, but so deeply is death rooted in the essence of love that (if only we are cognizant of death without letting ourselves be misled by the uglinesses and suspicions that have been attached to it) it nowhere contradicts love: where, after all, can it drive out someone whom we have carried unsayably in our heart except into this very heart, where would the “idea” of this loved being exist, and his unceasing influence (: for how could that cease which even while he lived with us was more and more independent of his tangible presence) … where would this always secret influence be more secure than in us?! Where can we come closer to it, where more purely celebrate it, when obey it better, than when it appears combined with our own voices, as if our heart had learned a new language, a new song, a new strength! (To Countess Margot Sizzo-Noris-Crouy, January 6, 1923)

Meet Me In Toyland by Stewart Stafford Santa handed me the keys to Toyland, And, placing them squarely in the palm of my hand, He bid me go and have lots of fun, With all kinds of everyone. I skipped across the gingerbread bridge, Yuletide coffee flowing down from the ridge, To a Christmas tree consisting of mint, Lit all around by falling star glint. At the frosting gates of Castle St Nicholas, Silver snake tinsel began to hiss, As polar bears to a clockwork orchestra danced, With elves as their partners gleefully entranced. Multitudes of children whooped and cheered, Forgetting all their doubts and fears, Celebrating their gifts of toys, With every kind of girl and boy. Alas, our midwinter joy came to an end, And I tearfully bid adieu to all my new friends, And took a shooting star comet home, Across the Northern Lights in the sky’s dome. © Stewart Stafford, 2021. All rights reserved.

When we are born, and as we pass through childhood, adolescence, and the stages of adulthood, we are designed to anticipate a certain quality of welcome, engagement, touch, and reflection. In short, we expect what our deep-time ancestors experienced as their birthright, namely, the container of the village. We are born expecting a rich and sensuous relationship with the earth and communal rituals of celebration, grief, and healing that keep us in connection with the sacred. As T. S. Eliot wrote in The Waste Land “Once upon a time, we knew the world from birth.” This is our inheritance, our birthright, which has been lost and abandoned. The absence of these requirements haunts us, even if we can’t give them a name, and we feel their loss as an ache, a vague sadness that settles over us like a fog. This lack is simultaneously one of the primary sources of our grief and one of the reasons we find it difficult to grieve. On some level, we are waiting for the village to appear so we can fully acknowledge our sorrows.

I opened the front door of my parents’ house the next evening. His starched blue denim shirt caught my eye only seconds before his equally blue eyes did. “Hello,” he said, smiling. Those eyes. They were fixed on mine, and mine on his, for more seconds than is customary at the very beginning of a first date. My knees--the knees that had turned to rubber bands that night four months earlier in a temporary fit of illogical lust--were once again as firm as cooked spaghetti. “Hello,” I answered. I was wearing sleek black pants, a violet V-necked sweater, and spiked black boots--a glaring contrast to the natural, faded denim ensemble he’d chosen. Fashionwise, we were hilariously mismatched. I could sense that he noticed this, too, as my skinny heels obnoxiously clomped along the pavement of my parents’ driveway. We talked through dinner; if I ate, I wasn’t aware of it. We talked about my childhood on the golf course; about his upbringing in the country. About my dad, the doctor; about his dad, the rancher. About my lifelong commitment to ballet; about his lifelong passion for football. About my brother Mike; about his older brother, Todd, who had died when he was a teenager. About Los Angeles and celebrities; cows and agriculture. By the end of the evening, I had no idea what exactly I’d even said. All I knew was, I was riding in a Ford F250 diesel pickup with a cowboy--and there was nowhere else on earth I wanted to be.

Everything and Nothing* There was no one inside him; behind his face (which even in the bad paintings of the time resembles no other) and his words (which were multitudinous, and of a fantastical and agitated turn) there was no more than a slight chill, a dream someone had failed to dream. At first he thought that everyone was like him, but the surprise and bewilderment of an acquaintance to whom he began to describe that hollowness showed him his error, and also let him know, forever after, that an individual ought not to differ from its species. He thought at one point that books might hold some remedy for his condition, and so he learned the "little Latin and less Greek" that a contemporary would later mention. Then he reflected that what he was looking for might be found in the performance of an elemental ritual of humanity, and so he allowed himself to be initiated by Anne Hathaway one long evening in June. At twenty-something he went off to London. Instinctively, he had already trained himself to the habit of feigning that he was somebody, so that his "nobodiness" might not be discovered. In London he found the calling he had been predestined to; he became an actor, that person who stands upon a stage and plays at being another person, for an audience of people who play at taking him for that person. The work of a thespian held out a remarkable happiness to him—the first, perhaps, he had ever known; but when the last line was delivered and the last dead man applauded off the stage, the hated taste of unreality would assail him. He would cease being Ferrex or Tamerlane and return to being nobody. Haunted, hounded, he began imagining other heroes, other tragic fables. Thus while his body, in whorehouses and taverns around London, lived its life as body, the soul that lived inside it would be Cassar, who ignores the admonition of the sibyl, and Juliet, who hates the lark, and Macbeth, who speaks on the moor with the witches who are also the Fates, the Three Weird Sisters. No one was as many men as that man—that man whose repertoire, like that of the Egyptian Proteus, was all the appearances of being. From time to time he would leave a confession in one corner or another of the work, certain that it would not be deciphered; Richard says that inside himself, he plays the part of many, and Iago says, with curious words, I am not what I am. The fundamental identity of living, dreaming, and performing inspired him to famous passages. For twenty years he inhabited that guided and directed hallucination, but one morning he was overwhelmed with the surfeit and horror of being so many kings that die by the sword and so many unrequited lovers who come together, separate, and melodiously expire. That very day, he decided to sell his theater. Within a week he had returned to his birthplace, where he recovered the trees and the river of his childhood and did not associate them with those others, fabled with mythological allusion and Latin words, that his muse had celebrated. He had to be somebody; he became a retired businessman who'd made a fortune and had an interest in loans, lawsuits, and petty usury. It was in that role that he dictated the arid last will and testament that we know today, from which he deliberately banished every trace of sentiment or literature. Friends from London would visit his re-treat, and he would once again play the role of poet for them. History adds that before or after he died, he discovered himself standing before God, and said to Him: I , who have been so many men in vain, wish to be one, to be myself. God's voice answered him out of a whirlwind: I, too, am not I; I dreamed the world as you, Shakespeare, dreamed your own work, and among the forms of my dream are you, who like me, are many, yet no one.

If a man jumped as high as a louse (lice), he would jump over a football field. In Ancient Egypt, the average life expectancy was 19 years, but for those who survived childhood, the average life expectancy was 30 years for women and 34 years for men. The volume of the moon is equivalent to the volume of the water in the Pacific Ocean. After the 9/11 incident, the Queen of England authorized the guards to break their vow and sing America’s national anthem for Americans living in London. In 1985, lifeguards of New Orleans threw a pool party to celebrate zero drownings, however, a man drowned in that party. Men and women have different dreams. 70 percent of characters in men’s dreams are other men, whereas in women its 50 percent men and 50 percent women. Men also act more aggressively in dreams than women. A polar bear has a black skin. 2.84 percent of deaths are caused by intentional injuries (suicides, violence, war) while 3.15 percent are caused by diarrhea. On average people are more afraid of spiders than they are afraid of death. A bumblebee has hairs on its eyes, helping it collect the pollen. Mickey Mouse’s creator, Walt Disney feared mice. Citarum river in Indonesia is the dirtiest and most polluted river in the world. When George R R Martin saw Breaking Bad’s episode called “Ozymandias”, he called Walter White and said that he’d write up a character more monstrous than him. Maria Sharapova’s grunt is the loudest in the Tennis game and is often criticized for being a distraction. In Mandarin Chinese, the word for “kangaroo” translates literally to “bag rat”. The first product to have a barcode was a chewing gum Wrigley. Chambarakat dam in Iraq is considered the most dangerous dam in the world as it is built upon uneven base of gypsum that can cause more than 500,000 casualties, if broken. Matt Urban was an American Lieutenant Colonel who was nicknamed “The Ghost” by Germans because he always used to come back from wounds that would kill normal people.

But there were problems. After the movie came out I couldn’t go to a tournament without being surrounded by fans asking for autographs. Instead of focusing on chess positions, I was pulled into the image of myself as a celebrity. Since childhood I had treasured the sublime study of chess, the swim through ever-deepening layers of complexity. I could spend hours at a chessboard and stand up from the experience on fire with insight about chess, basketball, the ocean, psychology, love, art. The game was exhilarating and also spiritually calming. It centered me. Chess was my friend. Then, suddenly, the game became alien and disquieting. I recall one tournament in Las Vegas: I was a young International Master in a field of a thousand competitors including twenty-six strong Grandmasters from around the world. As an up-and-coming player, I had huge respect for the great sages around me. I had studied their masterpieces for hundreds of hours and was awed by the artistry of these men. Before first-round play began I was seated at my board, deep in thought about my opening preparation, when the public address system announced that the subject of Searching for Bobby Fischer was at the event. A tournament director placed a poster of the movie next to my table, and immediately a sea of fans surged around the ropes separating the top boards from the audience. As the games progressed, when I rose to clear my mind young girls gave me their phone numbers and asked me to autograph their stomachs or legs. This might sound like a dream for a seventeen-year-old boy, and I won’t deny enjoying the attention, but professionally it was a nightmare. My game began to unravel. I caught myself thinking about how I looked thinking instead of losing myself in thought. The Grandmasters, my elders, were ignored and scowled at me. Some of them treated me like a pariah. I had won eight national championships and had more fans, public support and recognition than I could dream of, but none of this was helping my search for excellence, let alone for happiness. At a young age I came to know that there is something profoundly hollow about the nature of fame. I had spent my life devoted to artistic growth and was used to the sweaty-palmed sense of contentment one gets after many hours of intense reflection. This peaceful feeling had nothing to do with external adulation, and I yearned for a return to that innocent, fertile time. I missed just being a student of the game, but there was no escaping the spotlight. I found myself dreading chess, miserable before leaving for tournaments. I played without inspiration and was invited to appear on television shows. I smiled.

Beyoncé and Rihanna were pop stars. Pop stars were musical performers whose celebrity had exploded to the point where they could be identified by single words. You could say BEYONCÉ or RIHANNA to almost anyone anywhere in the industrialized world and it would conjure a vague neurological image of either Beyoncé or Rihanna. Their songs were about the same six subjects of all songs by all pop stars: love, celebrity, fucking, heartbreak, money and buying ugly shit. It was the Twenty-First Century. It was the Internet. Fame was everything. Traditional money had been debased by mass production. Traditional money had ceased to be about an exchange of humiliation for food and shelter. Traditional money had become the equivalent of a fantasy world in which different hunks of vampiric plastic made emphatic arguments about why they should cross the threshold of your home. There was nothing left to buy. Fame was everything because traditional money had failed. Fame was everything because fame was the world’s last valid currency. Beyoncé and Rihanna were part of a popular entertainment industry which deluged people with images of grotesque success. The unspoken ideology of popular entertainment was that its customers could end up as famous as the performers. They only needed to try hard enough and believe in their dreams. Like all pop stars, Beyoncé and Rihanna existed off the illusion that their fame was a shared experience with their fans. Their fans weren’t consumers. Their fans were fellow travelers on a journey through life. In 2013, this connection between the famous and their fans was fostered on Twitter. Beyoncé and Rihanna were tweeting. Their millions of fans were tweeting back. They too could achieve their dreams. Of course, neither Beyoncé nor Rihanna used Twitter. They had assistants and handlers who packaged their tweets for maximum profit and exposure. Fame could purchase the illusion of being an Internet user without the purchaser ever touching a mobile phone or a computer. That was a difference between the rich and the poor. The poor were doomed to the Internet, which was a wonderful resource for watching shitty television, experiencing angst about other people’s salaries, and casting doubt on key tenets of Mormonism and Scientology. If Beyoncé or Rihanna were asked about how to be like them and gave an honest answer, it would have sounded like this: “You can’t. You won’t. You are nothing like me. I am a powerful mixture of untamed ambition, early childhood trauma and genetic mystery. I am a portal in the vacuum of space. The formula for my creation is impossible to replicate. The One True God made me and will never make the like again. You are nothing like me.

The village square teemed with life, swirling with vibrant colors and boisterous chatter. The entire village had gathered, celebrating the return of their ancestral spirit. Laughter and music filled the air, carrying with it an energy that made Kitsune smile. Paper lanterns of all colors floated lazily above, their delicate glow reflecting on the smiling faces below. Cherry blossoms caught in the playful breeze, their sweet, earthy scent settling over the scene. At the center, villagers danced with unbridled joy, the rhythm of the taiko drums and the melody of flutes guiding their steps. To the side, a large table groaned under the weight of a feast. Sticky rice balls, steamed dumplings, seaweed soup, sushi, and more filled the air with a mouthwatering aroma. As she approached the table, she was greeted warmly by the villagers, who offered her food, their smiles genuine and welcoming. She filled a plate and sat at a table with Goro and Sota, overlooking the celebration. The event brought back a flood of memories of a similar celebration from her childhood—a time when everything was much simpler and she could easily answer the question who are you? The memory filled her heart with a sweet sadness, a reminder of what she lost and what had carved the road to where she was now. Her gaze fell on the dancing villagers, but she wasn’t watching them. Not really. Her attention was fully embedded in her heart ache, longing for the past, for the life that was so cruelly ripped away from her. “I think... I think I might know how to answer your question,” she finally said, her voice soft and steady, barely audible over the cacophony of festivity around them. “Oh?” Goro responded, his face alight with intrigue. “I would have to tell you my story.” Kitsune’s eyes reflected the somber clouds of her past. Goro swallowed his bite of food before nodding. “Let us retire to the dojo, and you can tell me.” They retreated from the bustling square, leaving behind the chaos of the celebration. The sounds of laughter and chatter and drums carried away by distance. The dojo, with its bamboo and sturdy jungle planks, was bathed in the soft luminescence of the moonlight, the surface of its wooden architecture glistening faintly under the glow. They stepped into the silent tranquility of the building, and Kitsune made her way to the center, the smooth, cool touch of the polished wooden floor beneath her providing a sense of peace. Assuming the lotus position, she calmed herself, ready to speak of memories she hadn’t confronted in a long time. Not in any meaningful way at least. Across from her, Goro settled, his gaze intense yet patient, encouraging her with a gentle smile like he somehow already understood her story was hard to verbalize.

One modern view of this situation is that Harold’s freedom was being crushed by the absurd strictures of civilization. The innocence and creativity of childhood was being impinged and bound by the conformities of an overwrought society. Man is born free but is everywhere in chains. But looking at her son, Julia didn’t really get the sense that the unsupervised Harold, the non-homework Harold, the uncontrolled Harold was really free. This Harold, which some philosophers celebrate as the epitome of innocence and delight, was really a prisoner of his impulses. Freedom without structure is its own slavery.

In Rome, the dense ruin of the Forum has a few unmistakable landmarks. Turning up a cobbled slope towards the green peace of the Palatine, the visitor immediately confronts one of them: an uncompromising, fairly well-preserved ceremonial arch. The Arch of Titus was erected posthumously to celebrate the eponymous prince’s triumphs in Judea during the reign of his father, Vespasian, and during the childhood of Hadrian. One of the relief carvings shows the removal of the sacred texts, trumpets and menorah of the Jewish Temple. They were not to return to Jerusalem for 500 years and the Temple itself was never rebuilt.

: Their acts violated our trust. : The secrecy told us we were alone. : The shame swirling through our experience convinced us we didn’t deserve the best for ourselves. : Our circumstances twisted our beliefs about what to expect out of life. : Surviving our unpredictable, disempowering childhood left little opportunity to explore our talents or creativity. It’s been said, living through childhood sexual abuse is like living in a war zone. Each of us survived by doing the best we could. Now we have the opportunity to celebrate the child we were and all we did to reach this place in life when healing is possible. Now we get to update our information. And this will bring encouraging, empowering, joy-filled changes into our lives. Each time you go back into a memory, you have the opportunity to ‘see’ what you learned in that moment of trauma. When I was six-years old, playing with my doll with abandon that blocked out all other noise, I found

The only walk of life where you can rightfully chill and run.Celebrate childhood!! Happy Childrens Day!!

consider what’s happening in this book when I describe sandbox play as the beginning of the age of the individual, dinner as the ritualized celebration of industrialization, television as a new hearth, clockwork mechanics as the foundation of twentieth-century developmental health, penmanship as up-skilling for a burgeoning capitalist economy, and card catalogs as a representation of an obsolete epistemological attitude. I’m situating the familiar technologies of the past in a hopeful story about a digital future—a future that requires folks to understand information in a drastically new way. If the old education cultivated habits of mind for a card-catalog world, then the new education needs to build habits of mind for a world of nonlinear hyperlinks. Luckily, situation theory can help.

the reader will find here that works of literature, like War and Peace, are intercut with episodes from daily life (childhood, marriage, religious life, responses to the landscape, food and drinking habits, attitudes to death) where the outlines of this national consciousness may be discerned. These are the episodes where we may find, in life, the unseen threads of a common Russian sensibility, such as Tolstoy had imagined in his celebrated dancing scene.

Healing involves recognizing that your feelings of shame or unworthiness are directly connected to your undeniably legitimate human needs for connection. Furthermore, since shame is an interpersonal wound, healing often needs to occur within a relationship. Initially, this may happen in therapy, but eventually it is important to feel that you are being treated fairly and respectfully in your other relationships. You can learn that, even though you have been rejected by some people, you can still seek out others who can meet your needs for connection. You can find people who are capable of meeting you with enthusiasm, even if you weren’t celebrated as a child.

She'd wanted to be a chef that little girls could look up to--- a role model. Empowering other women was where she wanted to be, because she'd never seen a woman with the career she now had when she was coming up in the industry. And after landing a spot on the show, she thought she could be that person for aspiring chefs. And, maybe more importantly, her brand was different from other female chefs who flourished on TV. She wasn't like Giada or the Barefoot Contessa, with slick, oceanfront homes that made wealthy people feel seen. Or Rachael Ray, who made meals in fifteen minutes using canned ingredients. Nina wanted to show that food could be an experience. The same way that she and her mom used to cook together. All her childhood memories were tied in to their tiny kitchen. Nina could just as easily pull up the smell of her mother blending flour and rosemary in the mixer as she could breathe.

This is it, these are my people. The nerds, bookworms, gamers, and loners. The misunderstood. All of us together in one place to celebrate the games that help us escape into worlds where anything is possible. Here, I feel at home. More than my childhood home, my dorm room, or even the arcade. Among those who don’t just understand the way I feel about games, but feel it themselves. A kinship with strangers that is more powerful than I’ve had with some people I’ve known my whole life.

Hi Celestials Here is a Topic Why do some guys derive joy in spending huge amount of money buying free drinks, for their friends, but can't help or support them? A very sensitive question I couldn't ignore. I've seen this questions in couple of places and now it has been directed specifically to me. I 'm sure you must have come across this scenario or probably been a victim. Someone you've known for long, a childhood friend or colleague hits the jackpot. He excitedly called for celebration, spending a fortune on foods and drinks. Intact he's ready to close down the restaurant that night, but behind close doors, you've been asking him for a little financial assistance to boost your business or start up something, but he keeps giving excuses. After having so much thoughts about this, I only came up with one conclusion. And that is the fact life is partly competition, at least that is how some folks views it. The bitter truth is that Nobody wants you to be greater than they are except your parents. Everybody wants to be ahead. I call them dream wreckers. They would rather watch your dream die, than assist you. They prefer receiving accolades in public for feeding the whole community with foods and beer, than changing someone's destiny. Because it boost their Ego. Depend on them at your own peril. That's why bible said that you need to be pitied if you still put your hopes on mere mortal. You will be shocked by the high level of disappointment. Just be focused, persistent, and do the little you within your reach, then pray for grace. When the time comes, your destiny helper will locate you, and you will know he's the one because he won't feel burdened assisting you.

Ilost my left eye during blades training at assassin school. My twin brother did the deed using a clever feint and a quick crosswise cut that caught me by surprise. “Well, Carmen, that’ll leave a scar,” Corwin had said. Then he’d laughed that snorty, snotty laugh that had grated on my nerves a thousand times since childhood. My vision had been too blurry to aim a cutting blow at him, and I wasn’t certain if I even wanted to. He was the only family I had. And despite his laughter, he may not have known how deep the wound was. He often made a silly joke when he’d done something stupid. But when I stumbled and fell toward the floor, Corwin dropped his blade and caught me. “Aw, sorry, sis,” he said, holding me against his chest. Then the healers rushed in with their bandages and salves and led me to the healing room. Maestru Alesius—my master—soon followed them, bringing the bad news: “You will lose that eye, Carmen.” I was thirteen. I’d been ahead of my brother on the honor roll—the top of the class. I often wondered if a bout of jealousy inspired my blinding. The blades were sharp, but we students weren’t supposed to cut each other—the idea was to keep the mind sharp as well. And I’d love to know where he’d learned the move. I’d never seen it before, and I was better with the sword than him. Did he have a secret teacher? Everything was harder with only one eye—the sword fights, the dagger throws, learning to avoid traps; even the poisons and potions were more difficult to pour. A half-blind assassin was a joke. I was pretty certain my fellow students had chuckled and celebrated as my position on the honor roll slipped. I had the knowledge and the skill. But the patch over my eye meant I had a weakness, and the school trained assassins to exploit weaknesses. I’d have quit, perhaps to be a scullery maid or to work in the massive wheat fields of the Akkad Empire, if only to get away from the other apprentice assassins who had once been beneath me and who now scorned me. I especially wanted to flee from the kinder ones who looked at me with pity. But Maestru Alesius had insisted I stay. “Adversity will toughen your mental bones,” he’d promised. His support and my perseverance had kept me in school. Three years had passed since the incident. Three years of struggling to keep my spot. I was finally sixteen, in my final week of classes. Corwin would graduate at the top of the honor roll. He was the best with bladed weapons, the best at hiding in shadows, the best assassin the school had seen in many years. He may even be better than the legendary Banderius. All the kings, queens, and archons would seek to hire Corwin. Maybe even Emperor Rima himself. I’d be lucky to get hired at all.

The special appeal of ritualization goes far beyond early childhood. It remains a key part of our lives that persist throughout development and well into adulthood, and is honed into the myriad ways in which human beings in every culture celebrate most important moments of their personal and public lives. In fact, ritual is one of the most predictable features of every human society.

In the bustling, culturally diverse city of Hyderabad, an emerging trend has been steadily gaining momentum - the Hyderabad baby photoshoot. These heartwarming photoshoots are not just a reflection of changing times but a testament to the enduring importance of capturing the innocence, joy, and beauty of early childhood. The Hyderabad baby photoshoot has transformed from a fleeting trend into a celebrated tradition in Hyderabad and around the world. The arrival of a new member in the family brings unbridled joy and wonder, making it the perfect occasion for a professional photoshoot. In the chaotic rush of life, the early days of a child are fragile and fleeting. Baby photoshoots offer a way to preserve these moments, capturing the beauty, innocence, and love that surround a child's arrival. These photographs are not just images; they are a portal to revisit and cherish the most precious moments of early childhood.

I sincerely believe that for the child, and for the parent seeking to guide him, it is not half so important to know as to feel. If facts are the seeds that later produce knowledge and wisdom, then the emotions and the impressions of the senses are the fertile soil in which the seeds must grow. The years of early childhood are the time to prepare the soil.

Pre Birthday Photography has emerged as a cherished practice among families, capturing the anticipation and joy leading up to a child's birthday. This type of photography session offers a unique opportunity to celebrate a child's growth and personality as they transition from one year to the next. Unlike the day-of birthday photos, pre-birthday sessions allow for a more relaxed and creative approach, free from the pressures and distractions of the actual celebration. The resulting images serve as a beautiful reminder of the excitement and preparation that accompany the special day, providing families with timeless keepsakes that capture the essence of childhood. The appeal of pre-birthday photography lies in its ability to freeze a moment in time, preserving the fleeting stages of childhood. Each year, a child undergoes significant changes in appearance, behavior, and interests.

He saw El Lagartijo—“The Lizard”—one of the most famous bullfighters in Spain, and he met Cara Ancha, the celebrated Andalusian matador. When he was only nine years old, Pablo completed his first painting, Le Picador, a portrait of a man riding a horse in the bullring. Two years later, Pablo’s family moved to a new town, La Coruña, on Spain’s Atlantic coast. Don José got a job as an art teacher at the local college. Even though he was much younger than the other students, Pablo enrolled in his father’s class. He also took courses in figure drawing and landscape painting. By the time he turned thirteen, Pablo’s skill level had surpassed his father’s. Don José was so impressed that he handed his son his brushes and vowed never to paint again. When Pablo was fourteen years old, his family moved again, this time to Barcelona, where Pablo enrolled in the prestigious School of Fine Arts. His teachers quickly noticed his skills and allowed him to skip two grades. But just as in Málaga, Pablo had trouble adhering to the school’s rules. Before long he was back to his old tricks, cutting class so that he could wander the city streets, sketching interesting scenes that he observed along the way. Pablo repeated this behavior at his next school, the Royal Academy of San Fernando in Madrid. This time, Pablo’s father refused to tolerate his son’s antics and stopped his allowance. At age sixteen, Pablo found himself on his own for the first time, forced to support himself on nothing but his artistic ability. It has been said that the older Pablo grew, the more childlike his art became. During some periods he painted almost entirely in blue or depicted only circus performers.

The entire town comes together in comradery for the Blood Moon, with most shops giving away free gifts to everyone who passes by. Clair De Lune Bakery passes out lychee mooncakes, reminding me of my childhood celebrating the Lunar New Year. Petals Tea Shop hands out sachets of white peony tea and jasmine blossoms. Luna's Love Shack tosses free ribbons out at the front of the store, embroidered with metallic stars and moonflowers. A French restaurant, La Vie en Rose, offers moon water in polished wine glasses to anyone who stops to look at their menu. Some flower stands even hand out moonflowers for free instead of selling them.

Sports are not exactly spiritual, but playing them depends on some of spirituality’s key ingredients for bonding people together, like coordinated and collective physical movement and group celebrations. Research consistently shows that teen who play team sports are happier than those who don’t. humans are embodied; a phone-based life is not. Screens lead us to forget that our physical bodies matter.

The most famous child survivor of the Holocaust in the 1950s was not Anne Frank—after all, she didn’t survive—but a young woman named Hannah Bloch Kohner. NBC television’s This Is Your Life was one of television’s first reality shows, in which host Ralph Edwards surprised a guest, often a celebrity, by reuniting him or her with friends and family members the guest hadn’t heard from in years. The program didn’t shy away from either political controversy or questionable sentimentality, as when guest Reverend Kiyoshi Tanimoto, who had survived the atomic bombing of Hirsohima in 1945, was introduced to the copilot of the Enola Gay. On May 27, 1953, This Is Your Life ambushed a beautiful young woman in the audience, escorted her to the stage, and proceeded, in a matter of minutes, to package, sanitize, and trivialize the Holocaust for a national television audience. Hannah Bloch Kohner’s claim to fame was that she had survived Auschwitz before emigrating, marrying, and settling in Los Angeles. She was the first Holocaust survivor to appear on a national television entertainment program. “Looking at you, it’s hard to believe that during seven short years of a still short life, you lived a lifetime of fear, terror, and tragedy,” host Edwards said to Kohner in his singsong baritone. “You look like a young American girl just out of college, not at all like a survivor of Hitler’s cruel purge of German Jews.” He then reunited a stunned Kohner with Eva, a girl with whom she’d spent eight months in Auschwitz, intoning, “You were each given a cake of soap and a towel, weren’t you, Hannah? You were sent to the so-called showers, and even this was a doubtful procedure, because some of the showers had regular water and some had liquid gas, and you never knew which one you were being sent to. You and Eva were fortunate. Others were not so fortunate, including your father and mother, your husband Carl Benjamin. They all lost their lives in Auschwitz.” It was an extraordinary lapse of sympathy, good taste, and historical accuracy—history that, if not common knowledge, had at least been documented on film. It would be hard to explain how Kohner ever made it on This Is Your Life to be the Holocaust’s beautiful poster girl if you didn’t happen to know that her husband—a childhood sweetheart who had emigrated to the United States in 1938—was host Ralph Edwards’s agent. Hannah Bloch’s appearance was a small, if crass, oasis of public recognition for Holocaust survivors—and child survivors especially—in a vast desert of indifference. It would be decades before the media showed them this much interest again.

In 1998, Wakefield published in the prestigious British medical journal the Lancet a scientific paper that linked childhood measles, mumps, and rubella (MMR) vaccines to autism. The paper gave Wakefield instant celebrity because it crystallized the amorphous public fear of poison by science.

Early childhood (the Nest) forms the foundation for later soul discovery through the preservation of our original innocence and our innate relational intelligence and through the development of a healthy culture-rooted ego. The transition of Naming celebrates the appearance of this conscious self. Middle childhood (the Garden) affords us the opportunity to learn the enchantment of the natural world as well as the intricate cultural ways of our people — requirements, too, for Soul Initiation.18 Puberty marks our sexual awakening and our readiness to move fully into the social life of the greater community. Plotkin, Bill. (p. 62).

brothers in tow at five in the evening (my curfew was six o’clock and my parents were disinclined to relax it this once even if I strongly felt it was the acme of my social life) and took a seat at the best table in the thoroughly empty restaurant that was just setting up for the evening crowd. I would like to express here, my intense love for my brothers. I like to (rightly) give them a great deal of grief for the many horrors they perpetrated against my childhood dignity, but I’ll hand them one thing — they never laughed in my face when I made a fool of myself. They’d always wait until they’d made a fool of me so it didn’t hurt my feelings, only my ego. There can’t be a lot of teenagers/twenty-somethings who would willingly indulge their pesky little sister’s nutty desires when they have a good idea of the horrors in store for them. Like Chinese food at five in the evening. Make that: Chinese food they absolutely did not want at five in the evening. Cousin (reading menu): What shall we eat then? Me (magnanimously patting

Imagine a drug that can intoxicate us, can infuse us with energy, and can do so when taken by mouth. It doesn’t have to be injected, smoked, or snorted for us to experience its sublime and soothing effects. Imagine that it mixes well with virtually every food and particularly liquids, and that when given to infants it provokes a feeling of pleasure so profound and intense that its pursuit becomes a driving force throughout their lives. Overconsumption of this drug may have long-term side effects, but there are none in the short term—no staggering or dizziness, no slurring of speech, no passing out or drifting away, no heart palpitations or respiratory distress. When it is given to children, its effects may be only more extreme variations on the apparently natural emotional roller coaster of childhood, from the initial intoxication to the tantrums and whining of what may or may not be withdrawal a few hours later. More than anything, our imaginary drug makes children happy, at least for the period during which they’re consuming it. It calms their distress, eases their pain, focuses their attention, and then leaves them excited and full of joy until the dose wears off. The only downside is that children will come to expect another dose, perhaps to demand it, on a regular basis. How long would it be before parents took to using our imaginary drug to calm their children when necessary, to alleviate pain, to prevent outbursts of unhappiness, or to distract attention? And once the drug became identified with pleasure, how long before it was used to celebrate birthdays, a soccer game, good grades at school? How long before it became a way to communicate love and celebrate happiness? How long before no gathering of family and friends was complete without it, before major holidays and celebrations were defined in part by the use of this drug to assure pleasure? How long would it be before the underprivileged of the world would happily spend what little money they had on this drug rather than on nutritious meals for their families?

a strict upbringing in which rigor and discipline had been prized above all else. The capacity to abase oneself, to accept punishment—or, in turn, to show harshness and punish the submissive for their faults—this had to be learned from early childhood if it were later to be celebrated as art.

...unique character of each human life as well as the distinctive gifts that each individual brings to a family should not blind us to the way that membership to a broader social group matters in the creation of inequality. Social group membership structures life opportunities. The chances of obtaining key and widely sought goals: high scores on standardized tests such as the SAT, graduation from college, professional jobs, and sustained employment are not equal for all the infants whose births are celebrated by their families. It turns out that the family into which we are born an event over which we have no control matters quite a lot. It matters in part because the system of institutions is selective building on some cultural patterns more than others... The social structure of inequality is not all determining, but it exists." (Part III: Chapter 12 10:19:00 audio book)

My belief is that recovery from childhood abandonment, neglect, and abuse is a process, not an event. Reading this book and doing the exercises will not make all your problems disappear overnight. But I guarantee that you’ll discover a delightful little person within yourself. You will be able to listen to that child’s anger and sadness and to celebrate life with your inner child in a more joyous, creative, and playful way.

The thing that holds us back from having integrity is pride.

But there was another way I was exercising integrity and igniting the day without even realizing it. Here it is: I always like to say a positive thing to three people before 10 a.m. Even better if it’s a stranger. I know it sounds simple, but something so easy could mean the world to someone else. It’s a way to spread joy and life to those around you.

I’ve heard that when your parent demonstrates a trait you don’t like, you either act exactly like them or do the opposite.

When I get around people, I can’t help but notice the positives about them. I’m not trying to toot my own horn. It’s just the reality of who I am. I’m lucky in that way. When you say something positive to someone you don’t know, sometimes it opens up a conversation. And that conversation may lead to a friendship and that friendship may change your life.

I never dreamed I’d find a woman as perfectly suited for me as she is. Alexa loves the color green, but not just any green. It’s a mint green—a sea foam green. The shade suits her well because she has always reminded me of the sea. She is calm like the ocean waves. She is a constant source of light, like a lighthouse. She is hard-working, like a ship in the middle of a storm. She is a safe harbor. She is a bright horizon. And I want to sail into the sunset with her.

When you start thinking about other people, you begin to forget your own problems, and soon you realize your problems are solvable anyway. When you focus on other people, you can see where they are struggling, and you can help them. Everyone is going through something. Take the time to get to know them and learn what they might need help with. Part of the reason I did so well on the show was because I liked cheering for the other contestants. I liked helping them. If I saw them lagging, I would run back and help them. If I knew they were hurting, I would push through my own pain to show them it was possible.

Scarlet! It is the first color I have seen in months. Or so it seems. Scarlet. A little wild poppy, of a red so sudden it made my blood stop. I kept saying the word over and over to myself, scarlet, as if the word, like the color, had escaped me till now, and just saying it would keep the little windblown flower in sight. Poppy. The magic of saying the word made my skin prickle, the saying almost a greater miracle than the seeing. I was drunk with joy. I danced. I shouted. Imagine the astonishment of my friends at Rome to see our cynical metropolitan poet, who barely knows a flower or a tree, dancing about in broken sandals on the earth, which is baked hard and cracked in some places, and in others puddled with foul-smelling mud- to see him dancing and singing to himself in celebration of this bloom. Poppy, scarlet poppy, flower of my far-off childhood and the cornfields round our farm at Sulmo, I have brought you into being again, I have raised you out of my earliest memories, out of my blood, to set you blowing in the wind. Scarlet. Magic word on the tongue to flash again on the eye. Scarlet.

It scares us more than anything except death. Being alone. Our fear of solitude is so ingrained that given the choice of being alone or being with others we opt for safety in numbers, even at the expense of lingering in painful, boring, or totally unredeeming company. And yet more of us than ever are alone. While many more Americans have their solo lifestyles thrust on them--people die, people go away--a huge and growing population is choosing to be alone. Nonetheless, we persist in the conviction that a solitary existence is the harshest sentence life can mete to us. We loathe being alone--anytime, anywhere, for too long, for whatever reason. From childhood we're conditioned to accept that when alone we instinctively ache for company, that loners are outsiders yearning to get in rather than people who are content with their own company. Alone, we squander life by rejecting its full potential and wasting its remaining promises. Alone, we accept that experiences unshared are barely worthwhile, that sunsets viewed singly are not as spectacular, that time spent apart is fallow and pointless. And so we grow old believing we are nothing by ourselves, steadfastly shunning the opportunities for self-discovery and personal growth that time alone could bring us.

I think drawing is a celebration and connection to my childhood. To draw in public is to open yourself to people with a kind of innocence and hope. Sketching adds interest to the presentation and if you mess up, it’s just a human act and people forgive your scribbles.

How will you know when you have fully recovered? When your body has had enough rest and nourishment that your energy is back and chronic fatigue is not an issue anymore. When your fearful thoughts (which may continue to creep in) don’t send you into the anxious cycle, and you can brush them off knowing that your past has given you enough information that the thing you fear most will not come true. This is just another false alarm. When you stop giving attention to those false alarms, then the many faces of anxiety will recede. When you begin to stop just THINKING positive, thinking that this alone will turn things around. Action is the main element that will turn your anxiety disorder around, in my struggles I was the most anxious positive person ever, but I kept telling myself lies such as things are getting better, things are getting better...THINGS ARE NOT GETTING BETTER, telling yourself the truth that things are not ok and this is not all there is to life, will get you to take massive action and celebrate the smallest victories. When you start taking responsibility for your anxiety disorder. Certain factors such as your childhood environment may actually be a reason for your anxiety disorder that you are experiencing right now, but in the end when you begin to take responsibility for your issues you instantly stop playing the blame game and stop being the victim. Once you take the power back into your own hands, you will begin to recognize that you ALWAYS have a choice in the matter, it just takes time to recondition yourself until desensitization begins. When your thoughts, emotions and physical body are in sync. It may seem that at the moment your thoughts are running out of control, you’re emotionally unstable and you may feel completely fatigued or scared to partake in a daily exercise routine because of fear due to your heart. Once these three things are aligned and the daily struggle to have clear thoughts, to try so hard to be upbeat and the fear of exercising is gone, days feel enjoyable and easy for you again. No more fight or flight out of the blue and no more sweating the small stuff.

I'd never done Valentine's Day before. We didn't celebrate it in Catholic School. I understood Valentine's Day, as a concept. The naked baby shoots you with an arrow and you fall in love.

We're celebrating our freedom. We're celebrating our ability to be kids when everything is trying to take that away from us. It's a choice, Ty. We can do whatever we want.

the Holy Ghost Fathers’ slow liturgical pace and their sense of the sacred did enable me during my childhood to anticipate the incomparable beauty of the Benedictine celebrations. In

The two boys did quite a lot of cycling, playing cycle polo in a field not far from Cooldrinagh, just as their father had done earlier in a team run by a man called Wisdom Healy.110 The scene in Beckett’s novel Dream of Fair to Middling Women, where the two brothers go off on their bicycles to the sea, recalls a poignant memory of his childhood: That was in the blue-eyed days when they rode down to the sea on bicycles, Father in the van, his handsome head standing up out of the great ruff of the family towel, John in the centre, lean and gracefully seated, Bel behind, his feet speeding round in the smallest gear ever constructed. They were the Great Bear, the Big Bear and the Little Bear; aliter sic, the Big, Little and Small Bears … Many was the priest coming back safe from his bathe that they passed, his towel folded suavely, like a waiter’s serviette, across his arm. The superlative Bear would then discharge the celebrated broadside: B-P! B-P! B-P! and twist round with his handsome face wreathed in smiles in the saddle to make sure that the sally had not been in vain. It had never been known to be in vain.111

Unfortunately, we live in an instant Jell-O society, with everybody wanting microwaved success. So as you look at truth therapy to combat the lies you tell yourself, don't go overboard with your expectations. Remember to lighten up and put your party hat on every now and then. Celebrate the little steps . . . as well as the significant milestones.

Healthy families provide its members with an emotional and spiritual bond through the sharing of similar values, beliefs, traditions, shared experiences, and activities. Healthy families offer its members unconditional and nonjudgmental love and support. Family members feel surrounded by people who care about who they are and how they feel, and they each take an invested interest in helping each other grow into human beings who feel hopeful and positive toward self, others, and life as a whole. The dream common to all children is to have two parents who love them, who will be there to witness their most amazing accomplishments, to celebrate with them, and support them when they are down or when they have failed in one way or another. Healthy families provide all this and more. On the other hand, for those of us who were raised in toxic family systems, the concept of home is quite different. Home equates to the creation of fear, anxiety, a lack of acceptance, and a lack of unconditional love and support. Home was the place we least wanted to be. Growing up in a toxic family is a hollow, confusing, maddening, and lonely experience. When we are raised by toxic parents, we live in a unique kind of crazy where we feel more like things to manage and keep on a schedule rather than as human beings to love, nurture, and care for. We leave childhood feeling emotionally homeless. Having a healthy home and family life is the dream we never got to experience growing up. We may have even glanced into the windows of other homes and felt envy for what we never had.

It is hard to be brief when speaking of the Goddess's sexuality. In our culture, the Divinity has gender but not sexuality, what is sexual is opposed to what is spiritual. In the Old Religion, this split that we are taught from early childhood did not exist. Merlin Stone, in her book When God Was a Woman, writes, 'In the worship of the female Deity, sex was Her gift to humanity. It was sacred... the act of sex was considered to be... so holy and precious that it was enacted within the house of the Creatress of heaven, earth and all life.' It wasn't just the sexual act that was holy. Her genitals were sacred and were connected with a joyous self-celebration.

We’re not alarmed that today’s children are learning about sex and sexuality. We are all sexual beings from birth, and this is to be celebrated. Children have always been curious about sex and sexuality from an early age, and it’s good for parents and schools to give them honest and age-appropriate information. But what children are learning today isn’t normal or good for them. We are alarmed by the particular lessons that children are learning. The sexualization of childhood is having a profoundly disturbing impact on children’s understanding of gender, sexuality and relationships.

Something brought you here. Something inside of you came here with a deep longing to heal. A longing to be the highest version of yourself. This is something to celebrate. We all have a childhood that is creating our current reality, and today we’ve chosen to heal from our past in order to create a new future.

Halloween can never be a negative, it celebrates the imagination. Everyone is smiling, you see more of your community and neighbours than at any other time, and it makes people believe, young and old, that the world might be a kind, friendly, and helpful place on their journey.

At 34, I felt lost and obsessed with my childhood sweetheart. After seeking help, a quirky advisor suggested a love spell. To my surprise, my ex reached out within 48 hours. Our conversation flowed like no time had passed, and now we celebrate our one year reunion. If you’re lost, your Prince Charming might be waiting too! Reach out to omegalovetemple@gmail.com