Cd Player Quotes

Despite different cultures, middle-class youth all over the world seem to live their lives as if in a parallel universe. They get up in the morning, put on their Levi's and Nikes, grab their caps and backpacks, and Sony personal CD players and head for school.

She put Randy Travis on the CD player and sang at the top of her lungs. She found that the wine bottle made an excellent fake microphone and she wondered if anyone would love her forever and ever, amen.

The radio has a CD player and a few CDs, but they’re country-western. “I’m not dying to—” I look at one of the CDs, “Shania Twain. Sorry. I could do Patsy Cline or Johnny Cash, but not Shania.

I would normally have scheduled my driving time according to published studies on fatigue and booked accommodation accordingly. But I had been too busy to plan. Nevertheless, I stopped for rest breaks every two hours and found myself able to maintain concentration. At 11.43 p.m., I detected tiredness, but rather than sleep I stopped at a service station, refuelled, and ordered four double espressos. I opened the sunroof and turned up the CD player volume to combat fatigue, and at 7.19 a.m. on Saturday, with the caffeine still running all around my brain, Jackson Browne and I pulled into Moree.

Except maybe when you're fucking Joe Football, you never get confused and think you're actually fucking a Saints player. ~Armand

The box room. No bigger than a coffin. It would be like being buried. Maybe she wouldn't keep her Barbies after all. She would make a huge bonfire in the back garden. She would burn her clothes. She would burn all her old toys (except for her old teddy bear Rasputin, obviously—he was more of a guru and personal trainer than a toy). She would burn her CDs and her CD player. She would burn all her makeup. She would shave all her hair off and burn that. She would wear only a pair of Oriental black pajamas. She would sleep in the box room on a small mat made out of rushes. The only item in the room would be a plain white saucer for her tears. Then they'd be sorry.

There are no specific memories of the first time I used ketamine, which was around age 17 or 18. The strongest recollection of ketamine use regarded an instance when I was concurrently smoking marijuana and inhaling nitrous oxide. I was in an easy chair and the popular high school band Sublime was playing on the CD player. I was with a friend. We were snorting lines of ketamine and then smoking marijuana from a pipe and blowing the marijuana smoke into a nitrous-filled balloon and inhaling and exhaling the nitrous-filled balloon until there was no more nitrous oxide in the balloon to achieve acute sensations of pleasure, [adjective describing state in which one is unable to comprehend anything], disorientation, etc. The first time I attempted this process my vision behaved as a compact disc sound when it skips - a single frame of vision replacing itself repeatedly for over 60 seconds, I think. Everything was vibrating. Obviously I couldn't move. My friend was later vomiting in the bathroom a lot and I remember being particularly fascinated by the sound of it; it was like he was screaming at the same time as vomiting, which I found funny, and he was making, to a certain degree, demon-like noises. My time 'with' ketamine lasted three months at the most, but despite my attempts I never achieved a 'k-hole.' At a party, once, I saw a girl sitting in bushes and asked her what she was doing and she said "I'm in a 'k-hole.'" While I have since stopped doing ketamine because of availability and lack of interest, I would do ketamine again because I would like to be in a 'k-hole.

Your everyday supermarket now carries roughly 40,000 items - twice as many as a decade ago. There are so many products, so many brands and sub-species of those brands, that no consumer is safe from the bombardment of choice overload. A huge variety of product offering doesn't aid consumers. It is insanity. From the vast array of athletic shoes to bagels to portable CD players to bottled water, there quickly becomes a point at which mega-choices, like mega-information, do not serve the consumer; they abuse him.

Lacking television, radio, or internet, she hoards seven CD players with six-disc magazines,

His personal belongings were so few that when someone gave him a gift of some CDs he asked a friend to record them to cassettes, as he did not have a CD player.

Morality is like the brakes, not the CD player. It tells us not to do certain things, like murder, and it’s not an optional extra.

The house was untainted by the tinnitus of technology. There was no computer, no television, no DVD or CD player.

He should take a different bank card to replace one that was out of date. Cars no longer had CD players, so he should look one out if he was to play her favourite disc.

The world is getting noisier. We've gone from boomboxes to Walkmen to portable CD players to iPods to any song we want, whenever we want it. We've gone from the four television channels of my childhood to the seeming infinity of cable and streaming. As technology moves us faster and faster through time and space, it seems to feel like story is getting pushed out of the way, I mean, literally pushed out of the narrative. But even as our engagement with stories change, or the trappings around it morph from book to audio to Instagram to Snapchat, we must remember our finger beneath the words. Remember that story, regardless of the format, has always taken us to places we never thought we'd go, introduced us to people we never thought we'd meet and shown us worlds that we might have missed. So as technology keeps moving faster and faster, I am good with something slower. My finger beneath the words has led me to a life of writing books for people of all ages, books meant to be read slowly, to be savored.

A portable CD player played some kind of new age stuff that sounded like aborigine instruments being used to help a woman imitate Enya. At any rate, there was definitely a bull-roarer and a didgeridoo in there somewhere.

There were a lot of illegal, deadly things stored in Beckett’s car, but the only thing he kept hidden was the CD he now pulled out from under the driver’s seat. He slipped it in the player and turned on the power, letting the classical music sweep over him like a cool breeze. It was the soundtrack of his boys. The music that saved them. Blake’s music.

Feeding (more on this in chapter 8) Breast pump Breast pads Breast cream (Lansinoh) Breast milk containers Twin nursing pillow Boppy Formula Baby bottles (8-oz. wide neck; 16–20 bottles if you’re doing formula exclusively) Dishwasher baskets Bottle brush High chairs Booster seat Food processor or immersion blender Bottle warmer Bottle drying rack Bowls and spoons Baby food storage containers Keepsakes Baby books Thank-you notes/stationery Newspaper from birthday CD player/dock for music Twin photo albums/frames

quantum physics would open the door to a host of practical inventions that now define the digital age, including the modern personal computer, nuclear power, genetic engineering, and laser technology (from which we get such consumer products as the CD player

It’s like I’ve always had a painted musical sound track playing background to my life. I can almost hear colors and smell images when music is played. Mom loves classical. Big, booming Beethoven symphonies blast from her CD player all day long. Those pieces always seem to be bright blue as I listen, and they smell like fresh paint. Dad is partial to jazz, and every chance he gets, he winks at me, takes out Mom’s Mozart disc, then pops in a CD of Miles Davis or Woody Herman. Jazz to me sounds brown and tan, and it smells like wet dirt.

She loaded 'Gypsy', her favorite Fleetwood Mac song, into the CD player and remembered dancing to the magical rhythms and harmonizing with her mother so long ago, virtually levitating as though the song lifted them, weightless as roof angels, above the living room floor.

I put on the earphones of my portable CD player and listen to Non-Stop Trance Adventure. As I dance, I begin to feel warm and turn off the heat. I wonder why I'm such a difficult person and I look up at the heater and think of my stubbornness. Tears stream down my face, but I keep on dancing.

I hit play on the CD player to fully set my trap, and Lady Gaga burst forth. A little bit of me died right then. I’m not saying she sucks or anything, I just think she’s a tad bit overplayed. Flavor of the month if you will. That’s not a pun regarding her likely fate as zombie food somewhere out there either. You

We can pray over the cholera victim, or we can give her 500 milligrams of tetracycline every 12 hours. (There is still a religion, Christian Science, that denies the germ theory of disease; if prayer fails, the faithful would rather see their children die than give them antibiotics.) We can try nearly futile psychoanalytic talk therapy on the schizophrenic patient, or we can give him 300 to 500 milligrams a day of clozapine. The scientific treatments are hundreds or thousands of times more effective than the alternatives. (And even when the alternatives seem to work, we don’t actually know that they played any role: Spontaneous remissions, even of cholera and schizophrenia, can occur without prayer and without psychoanalysis.) Abandoning science means abandoning much more than air conditioning, CD players, hair dryers, and fast cars.

absurd.” Quantum mechanics seems to study that which doesn’t exist—but nevertheless proves true. It works. In the decades to come, quantum physics would open the door to a host of practical inventions that now define the digital age, including the modern personal computer, nuclear power, genetic engineering, and laser technology (from which we get such consumer products as the CD player and the bar-code reader commonly used in supermarkets).

It was Marx, with his love of avant-garde instrumental music, who played Brian Eno, John Cage, Terry Riley, Miles Davis, and Philip Glass on his CD player while Sadie and Sam worked. It was Marx who suggested they reread The Odyssey and The Call of the Wild and Call It Courage. He also had them read the story structure book The Hero’s Journey, and a book about children and verbal development, The Language Instinct. He wanted the pre-verbal Ichigo to feel authentic, to have details that came from life.

«Eliza opened her furry black satchel. She pulled out a portable CD player. “Gav, look here. Once, I loved this machine. Because it plays all my CDs. But nobody buys music in the stores any more! Even I don’t pay for music, and I’m rich! I’m carrying a zombie in my purse!” “Well, yes, that platform is obsolete now, but a new business model will arise for music.” “No it won’t! That’s a lie! Nobody will ever pay! The music business is the walking dead! Don’t lie to me.” Eliza stuffed her doomed device back in her furry purse. Gavin rubbed his chin. “Your Digital Native generation really has some issues.”»

As the physicist Richard Feynman once observed, “[Quantum mechanics] describes nature as absurd from the point of view of common sense. And it fully agrees with experiment. So I hope you can accept nature as She is— absurd.” Quantum mechanics seems to study that which doesn’t exist—but nevertheless proves true. It works. In the decades to come, quantum physics would open the door to a host of practical inventions that now define the digital age, including the modern personal computer, nuclear power, genetic engineering, and laser technology (from which we get such consumer products as the CD player and the bar-code reader commonly used in supermarkets). If the youthful Oppenheimer loved quantum mechanics for the sheer beauty of its abstractions, it was nevertheless a theory that would soon spawn a revolution in how human beings relate to the world.

You Can Fly But Your Body Can't My first seat was in first class between Penny and Belinda. Before I poured Rémy Martin down my throat and had to come see what the folks back here think of things. 316 'Cool out, you know, I didn't mean it, I don't really hate you,' I hear someone say. While, over the intercom, the pilot jabbers. He's explaining that some dysfunction, once we're on the ground, can be easily fixed with a pin. I don't know, at that point, how much any of us will care. Maybe I'm drunk, but seems like they could give the plane to the Arabs once we've all made our connecting flights. 317 The beer nuts just served to me in a cello packet are the most delicious food I've ever tasted in my life. Back at Dallas-Fort Worth I put an Otis Redding CD into my player and I doubt I'll ever have a reason to take it out. Through the window, trigonometry, under a silky pink sky.

I left Brookstone and went to the Pottery Barn. When I was a kid and everything inside our house was familiar, cheap, and ruined, walking into the Pottery Barn was like entering heaven. If they really wanted people to enjoy church, I thought back then, they should make everything in church look and smell like the Pottery Barn. My dream was to surround myself one day with everything in the store, with the wicker baskets and scented candles, the brushed-silver picture frames. But that was a long time ago. I had already gone through a period of buying everything there was to buy at the Pottery Barn and decorating my apartment like a Pottery Barn outlet, and then getting rid of it all during a massive upgrade. Now everything at the Pottery Barn looked ersatz and mass-produced. To buy any of it now would be to regress in aspiration and selfhood. I didn’t want to buy anything at the Pottery Barn so much as I wanted to recapture the feeling of wanting to buy everything from the Pottery Barn. Something similar happened at the music store. I should try to find some new music, I thought, because there was a time when new music could lift me out of a funk like nothing else. But I wasn’t past the Bs when I saw the only thing I really cared to buy. It was the Beatles’ Rubber Soul, which had been released in 1965. I already owned Rubber Soul. I had owned Rubber Soul on vinyl, then on cassette, and now on CD, and of course on my iPod, iPod mini, and iPhone. If I wanted to, I could have pulled out my iPhone and played Rubber Soul from start to finish right there, on speaker, for the sake of the whole store. But that wasn’t what I wanted. I wanted to buy Rubber Soul for the first time all over again. I wanted to return the needle from the run-out groove to the opening chords of “Drive My Car” and make everything new again. That wasn’t going to happen. But, I thought, I could buy it for somebody else. I could buy somebody else the new experience of listening to Rubber Soul for the first time. So I took the CD up to the register and paid for it and, walking out, felt renewed and excited. But the first kid I offered it to, a rotund teenager in a wheelchair looking longingly into a GameStop window, declined on the principle that he would rather have cash. A couple of other kids didn’t have CD players. I ended up leaving Rubber Soul on a bench beside a decommissioned ashtray where someone had discarded an unhealthy gob of human hair. I wandered, as everyone in the mall sooner or later does, into the Best Friends Pet Store. Many best friends—impossibly small beagles and corgis and German shepherds—were locked away for display in white cages where they spent their days dozing with depression, stirring only long enough to ponder the psychic hurdles of licking their paws. Could there be anything better to lift your spirits than a new puppy?

I went to the CD player, choosing some soft and soothing soprano sax, courtesy of the late Art Porter.

Grinning, I said, “I used your toothbrush.” “So now your gross little sweaters are on my toothbrush?” “You offered.” I laughed, and then patted the bed next to me. “Want to spoon?” I yawned. “I need that nap.” In a flash he unplugged the guitar, put The Cure on his CD player on low volume, tore off his T-shirt, and slid in behind me, wearing only his flannel pajama. “God, I thought you’d never ask,” he said. He wrapped his arms around me. Nothing hurt. Everything was right. We were spoons in a drawer. We fell asleep, his face tucked into the back of my neck.

His only indulgence was the stereo system: Mitsubishi receiver and CD player, Boston Acoustic speakers.

We live in a time of overstimulation. There's not a moment when we're not 'on something'--such as the TV, radio (cell phone, Facebook) CD player (Pandora) or cordless whatever.

Forgiveness is a beautiful word when you are on the receiving end of it. It becomes an ugly word when you are the one having to give it. One of the better analogies I have for forgiveness is comparing it to ejecting a CD, DVD, or Blu-ray Disc from a player. These players are tremendous machines that give us the ability to watch or listen to something time and time again. But one thing is true: We can never put in a new disc until we take the first one out. We can’t play two discs simultaneously. We must eject the first disc to play the second.

the best nights of my life is when I'm listening to that one album over and over on my cd player. not going to mention how much i cry during that time... yeah!! go insomnia!!!

strong, decisive hands as he slips the Cure CD into the player; then, for a moment, I am lost in the joy of his company, the way our conversation covered everything that mattered, the way he could make me laugh until I ached, before the familiar blinding pain follows and I must concentrate on nothing else except holding myself together until it passes.

Milton had parked in the nearby NCP building. He swept the detritus from the passenger seat, opened the door, waited until she was comfortable, and then set off, cutting onto the Embankment. He glanced at her through the corner of his eye; she was staring fixedly out of the window, watching the river. It didn’t look as if she wanted to talk. Fair enough. He switched on the CD player and skipped through the discs until he found the one he wanted to listen to, a Bob Dylan compilation. Dylan’s reedy voice filled the car as Milton accelerated away from a set of traffic lights.

She presses play and Andrea listens to the song. A guitar starts playing, then another and then drums; it’s an unusual sound; it seems like rock music but is strange, somewhat gothic and punk. It’s a melodic song, though, and his foot taps the beat without him realizing. A man’s voice, full of sadness, sings the first words:   "When routine bites hard And ambitions are low And resentment rides high But emotions won’t grow And we're changing our ways Taking different roads..."   Andrea knows it! He hears the song arrive from his distant past with a suitcase full of memories. He sees himself as a child, sitting in the living room, his little legs dangling from a chair. His father has just received a new CD from abroad and couldn’t wait to receive it so Gina the caretaker has sent it on to him in Clusone. He’s really excited and tells mom all about it. She’s happy too. Barbara has pigtails and is eating a piece of focaccia with olives, sticking her fingers inside to take them out one by one. She’s tiny, five years old or maybe younger. Andrea sees the CD on the table and wonders what is so special about it. There's a very pale guy on the front, with dark hair and a strange fringe. His mouth is right up to the microphone and everything else is black. It’s written in a language that he can’t read, though he knows that it’s English. His parents are so happy that he decides to take it and have a listen. He snatches the disc and CD player and runs off. He runs very fast...   "Then love, love will tear us apart again" sings Ian Curtis, the voice of Joy Division, his parents’ favorite band. It’s a compilation that came out in 2000, containing a special song, "Love will tear us apart again." Andrea runs to a little girl that he loves very much. He has fun all day long with her in the mountains. He runs to his inseparable friend, his dear... "Susy!" he exclaims, eyes open wide. She smiles and nods. He

Right now, We are living in perhaps the most exciting time in history to buy, own or play that eternal instruments, The piano Cover. What is your goal is to purchase something as small as software that can record what you want to play, a newly designed player piano, a digital machine or a classic phonetic model, there have never been as many options for the trencherman. Player Pianos Also called reproducing pianos. this class of instrument describe a modern update on the paper-outcry player pianos you keep in mind from old movies, and they have grown enormously in popularity over the final decennial. These are not digital instruments they are real, philological pianos with hammers and rope that can be played generally. but they can also start themselves. using filthy electronic technology. Instead of shove paper, they take their hint from lethargic disks, specially formatted CDs or internal memory systems. different manufacturers offer vast sanctum of pre-recorded titles for their systems. music in every genre from pop to the classics filed by some of the earth’s top pianists. These sophisticated systems arrest every nuance of the original performances and play them back with dramatic accuracy providing something that’s actually so much better than CD fidelity because the activities are live. Watch my new cover : Dancing on my own piano Thanks to these new systems, many people who do not play the piano are enjoying live piano music at any time of at morning, night and day. How many they are concurrent dinners for two or entertaining a houseful of partygoers, these high-tech pianos take centre period. For people who do play the piano, these systems can be used to record their own piano deeds, Interface by- Computers, aid in music education, assist with composing and many other applications. In short, these modern marvels aren’t your grandfather's’ player pianos! If you want to learn see the video first : Dancing on my own piano cover

Would you care to share with the rest of the class what is so funny?” Madison gulped. Ms. Healy was staring hard at Madison’s PalmPilot, which was absolutely forbidden in class, along with cell phones, CD players, and any other distracting electrical equipment. Madison instantly started vamping. “Well, Ms. Healy, I was just musing on how ridiculous a scarlet would be today, and who would have to wear one--senators, actors, teachers, even a few of our presidents. In fact, there would probably be more people wearing the scarlet letter than not wearing it.” Ms. Healy’s cold blue eyes looked huge through her extra-magnified glasses. “This is funny?” Madison swallowed hard. “I guess it’s really more ironic, wouldn’t you say?” Ms. Healy, who knew Madison as a straight-A, straight-shooter kind of student, softened a little. “‘Ironic’ is indeed the perfect word for it,” she said with a brisk nod. “Now put the personal digital assistance away and pay attention, Ms. McKay.” As Ms. Healy walked back to the front of the room, Henry Cooney, Madison’s partner in chem lab, mouthed the words, “Nice save.” Madison wiped some imaginary sweat off her forehead with her hand and tried to focus once again on the lecture. She forced herself to keep her eyes glued to Ms. Healy and soon found herself wondering what had turned the teacher into such an old grump. She was clearly smart and sometimes very funny, in a droll sort of way. Take away those awful glasses, let her hair out of that tight metal barrette at her neck, and Ms. Healy could almost be considered attractive. Maybe she’d had some brush with failed love that had made her go sour. Or worse yet--what if she had never had any brush with love at all, and this dried-up old prune was what Ms. Healy had become?

I had just sat down with my plate of food and hit play on the new CD player I’d received the night before, ready to hear the sounds of Handel’s opening movement, when I remembered the horses. “Ah hell!” I cursed, sounding exactly like my dad. It was hard not to grow up swearing when you lived on a farm. We never took the Lord’s name in vain or said the F-word, but pretty much damn, hell, and shit were part of the vernacular of most folks born and raised in Levan. To tell the truth, those words weren’t really considered swear words. Last week in church, Gordon Aagard was giving a sermon on trials. He referred to horse shit right in the middle of his talk, and nobody really batted an eye.

Tick could feel his eyes start to droop again, so he pressed the stereo unit and turned up the volume. His and Sally’s favorite song was burned on every inch of the CD, so he could play it over and over. “Mustang Sally.” He started to sing along with Wilson Pickett at the top of his lungs, “Ride, Sally, ride!” He was two streets away from where he lived on David Court when he saw the strobe lights shooting upward to the sky. Blue, red, and white just like it was the Fourth of July. But it wasn’t the Fourth of July. He knew what the lights meant. Good cop that he was, he knew he was going to have to stop to offer any assistance if needed. Sally, the kids, and sleep would have to wait just a bit longer. He turned off the CD player and turned the corner, and his world came to a screeching halt. He saw the barricade, the yellow tape, the crazy arcing lights, the crowds of people, and too many police cars to count. All parked in front of his house, in

Tubby had taken a little time off. He had picked up some money from the Sandy Shandell case, and his current clients had no pressing problems that couldn’t be solved later, so he decided to treat himself. First he talked Raisin Partlow into driving down to Florida for a couple of weeks. Tubby rented a Lincoln Town Car with a built-in CD player, stuffed the trunk full of fishing tackle and firearms, and put an Igloo full of beer, bourbon, and orange juice in the backseat. They were on their way on the afternoon of a sunny day.

Despite the late hour, a disembodied male voice spoke, deep and languorous. “Listen to the following statements. How would you respond? Buon giorno, signora. Lei parla l’inglese? Dove siamo? Come si dice ‘Piazza San Marco is here’ en italiano?” “Whoa, whoa, whoa. It’s going too fast. Jeez, this is the easy stuff, too.” Taylor snapped the off button on the CD player remote, shaking her head and smiling.

Both Bellcore (the Bell Telephone research company in Livingstone, New Jersey) and Philips (the company that owns Polygram, U2’s label) have set up crude working prototypes of home music delivery systems by hooking up recordable CD players to fiber-optic telephone lines.

I shrug. Truth is, Daddy never made us do much cleaning around the house. Whenever he was home, Daddy would do all the cleaning. He was the only person I ever saw who loved cleaning like it was something fun to do. He would always start by turning on music, and the music would always match his mood. When he was in a good mood, Michael Jackson or Prince would blare from the little CD player on top of the fridge, and Daddy would twirl around in the kitchen with his broom, trying out all his best moves on his favorite girls.

There are not enough roses in the world for me to lay at the feet of this impossible group, but I hope this effort counts. I hope Phife can see all of us still trying, from wherever he may be. I hope Q-Tip knows that he’s done something great. I hope when the time comes for the generation after mine to talk about what’s real, they’ll pull a Tribe CD out of their pockets, worn down from a decade’s use and perhaps an older sibling. I hope they’ll put it in a CD player and let a room be carried away.

Then I remember that my last tape recorder was replaced by my CD walkman that I used when I used to remember to exercise. Except the CD player was sort of janky, and it wouldn't play unless it was held flat. So, I would power walk through my neighborhood, holding the CD player with both hands in front of me like I was in a really big hurry to present a small waffle iron to someone just around the corner.

My mind is a CD player with a broken Fast-Forward button, thoughts flying by faster than I can hear them, zooming past any restful pause.

memories is of my fifth Christmas. My best friend Blip and I had asked for CD players, so we could rock out on the jams of the very famous

Photographs thrust home the fact of our mortality. We look at faces and limbs warm or tense with life, knowing full well that they are now dust. Sound haunts me even more. I can look at a photo of Maria Callas and accept the fact that she is dead, but I am bewildered when I hear her voice coming out of my CD player. For that voice, quivering with immediacy and passion, is the quintessence of life-of what it means to be fully alive.

Through the snowy silver maple trees, he could see the gray stone stronghold of St. Alban’s. She was in there, behind one of the diamond-paned windows, a block away and as far out of reach as the moon. On his CD player, Natalie Maines of the Dixie Chicks was crooning, Without you, I’m not okay, and without you, I’ve lost my way… If he lived through this mess, he was never listening to country music again.

The whiskey-soaked strains of Cesaria Evora came from the headphones of his portable CD player.

She taught me to love in new ways. In my old house your grandparents ruled with the fearsome rod. I've tried to address you differently––an idea begun by seeing all the other ways of love on display at The Mecca. Here is how it started: I woke up one morning with a minor headache. With each hour at the headache grew. I was walking to my job when I saw this girl on her way to class. I looked awful, and she gave me some Advil and kept going. By mid-afternoon I could barely stand. I called my supervisor. When he arrived I lay down in the stockroom, because I had no idea what else to do. I was afraid. I did not understand what was happening. I did not know whom to call. I was laying there simmering, half-awake, hoping to recover. My supervisor knocked on the door. Someone had come to see me. It was her. The girl with the long dreads helped me out and onto the street. She flagged down a cab. Halfway through the ride, I opened the door, with a cab in motion, and vomited in the street. But I remember her holding me there to make sure I didn't fall out and then holding me close when I was done. She took me to that house of humans, which was filled with all manner of love, put me in the bed, put Exodus on the CD player, and turned the volume down to a whisper. She left a bucket by the bed. She left a jug of water. She had to go to class. I slept. When she returned I was back in form. We ate. The girl with the long dreads who slept with whomever she chose, that being her own declaration of control over her body, was there. I grew up in a house drawn between love and fear. There was no room for softness. But this girl with the long dreads revealed something else––that love could be soft and understanding; that, soft or hard, love was an act of heroism.

But Echo was still all loud and monster-y in my ear! So I got him off my shoulder, and sat him down on the CD player. Then funniest thing happened. Echo started bobbing up and down in a little circle, and swinging his head side to side. He was dancing! And then something really scary happened! Echo bobbed so hard that his body popped clean off his legs! AAAAHHHH!

I put a Miles Davis CD into the player

After I’d posted on my blog, we spent the next two days cleaning up the hotel. The workers had quit for the weekend (it was the weekend), and the Sociologist, João, and I picked up where they’d left off. We concentrated on the ballroom: first, we patched and painted. When we were done with that we scrubbed the floor of its last carpet remnants, buffed it with the power buffer. When we were done with that João went out and came back with a long buffet table, and on it he put a pair of speakers and, in between the pair of speakers, a CD player and a receiver. When we were done it looked like a room that had seen too many parties but was somewhat recovered and ready for another one.

Toward the end of the shift, when the orders from the waitresses had slowed to a trickle and the cleaning up of the kitchen had begun, J.T. picked a CD and slipped it into the CD player the cooks kept on top of a reach-in refrigerator. He cranked the volume to seven and hit Play. Offspring doing "Bad Habit." It was one of the kitchen staff standards. They favored seriously hard-edged rock at the end of a tough night. The worse the night, the wilder the music. Skeet, one of the other cooks, heard the opening bars and gave J.T. a wink. "It wasn't that bad of a night," she said. "Oh, Skeet, you think every night is a Melissa Etheridge night," J.T. teased. He waltzed over, took Skeet by the waist, and drew her into a completely incongruous dance, as if they were keeping time to a different piece of music. "First time you've danced with a guy, Skeet?" "No, only I prefer guys with some idea of rhythm," Skeet said. J.T. released her, laughing. "Come on, Tom," he said, inviting the fry cook to dance. "Let's go." "Yeah, when pigs fly," Tom said. "No one wants to dance," J.T. complained. Then he spotted Lianne coming through the swinging doors. "Lianne! Dance with me." He snapped his fingers. "I got dancin' feet." "Dance to this?" Lianne said, turning up her nose. "Skeet! Stick in Rihanna," J.T. ordered. Seconds later Rihanna came on. But still Lianne refused. "J.T., you're at work," she said. She gave him a peck on the cheek and went back to the dining room just as Marquez passed through the door. J.T. retreated a bit, stepping back behind the line and pretending to go back to work. Marquez started to do side work, dipping tartar sauce into little plastic cups, but J.T. knew her too well to think she could ignore the music. Within seconds he could see the effect-- a motion beginning with her head, swaying just slightly at first, translated down her neck to her shoulders, her bottom, her legs, topped off by a little twirl with the tartar sauce spoon still in her hand. J.T. smiled ruefully. The future Harvard girl. The future corporate lawyer. There wasn't anything wrong in dancing with his former girlfriend, was there? After all, a moment earlier he'd been dancing with Skeet. He'd even asked Tom, although the fry cook was unlikely to be seen as a threat by Lianne. No, he should stick to his work. Marquez was now dancing far more than she was filling cups of tartar sauce. J.T. whipped off his apron. Screw it. He had dancin' feet. What was he supposed to do? He took the spoon from Marquez and set it down. "Crank it, Skeet," he said. By the time Lianne reappeared in the kitchen, Marquez was up on the stainless steel counter, hands in the air over her head, hips thrusting, hair loose and flying, doing death-defying moves. J.T. was dancing more sedately below her, choosing to keep his feet on the ground. "Is this really--" Lianne began, but the music drowned her out. She caught J.T.'s eye. He gave her a wan grin and tried to draw her into the moment. But Lianne just looked angry and hurt.

Brian Eno, John Cage, Terry Riley, Miles Davis, and Philip Glass on his CD player