Cd Art Quotes

Whatever you now find weird, ugly, uncomfortable and nasty about a new medium will surely become its signature. CD distortion, the jitteriness of digital video, the crap sound of 8-bit - all of these will be cherished and emulated as soon as they can be avoided. It’s the sound of failure: so much modern art is the sound of things going out of control, of a medium pushing to its limits and breaking apart. The distorted guitar sound is the sound of something too loud for the medium supposed to carry it. The blues singer with the cracked voice is the sound of an emotional cry too powerful for the throat that releases it. The excitement of grainy film, of bleached-out black and white, is the excitement of witnessing events too momentous for the medium assigned to record them.

Where did you learn to do that?” “Los Angeles High School of Performing Arts,” I said. “They taught me how to open my throat to sing. Then Kevin Wainwright taught me how to put his dick down it.” He laughed. “I’d like to thank LA Unified and Kevin Whatever for this moment.

The job of art is not to store moments of experience but to explore environments that are otherwise invisible. Art is not a retrieval system of precious moments of past cultures. Art has a live, ongoing function. McLuhan CD-ROM

He breathed a deep ahh and said, “Where did you learn to do that?” “Los Angeles High School of Performing Arts,” I said. “They taught me how to open my throat to sing. Then Kevin Wainwright taught me how to put his dick down it.” He laughed. “I’d like to thank LA Unified and Kevin Whatever for this moment.

Sergeant Til: Don't worry, I'm not going to kill you today.

Okay boy's and girls, let's learn how to fight." -Sergeant Til

Shall I compare thee to a summer's day? Thou art more lovely and more temperate: Rough winds do shake the darling buds of May

While there are certainly informational spillovers as ideas move from person to person, it is hard to see why in most instances they are not priced. Although it is possible to imagine examples such as the wheelbarrow where an idea cannot be used without revealing the secret, relatively few ideas are of this type. For copyrightable creations such as books, music, plays, movies and art, unpriced spillovers obviously play little role. A book, a CD or a work of art must be purchased before it can be used, and the creator is free to make use of his creation in the privacy of his home without revealing the secret to the public at large. Similarly with movies or plays. In all cases, the creation must effectively be purchased before the “secret” is revealed.

the fact is, our relationships to these corporations are not unambiguous. some memebers of negativland genuinely liked pepsi products. mca grew up loving star wars and didn't mind having his work sent all over the united states to all the "cool, underground magazines" they were marketing to--why would he? sam gould had a spiritual moment in the shower listening to a cd created, according to sophie wong, so that he would talk about tylenol with his independent artist friends--and he did. many of my friends' daughters will be getting american girl dolls and books as gifts well into the foreseeable future. some skateboarders in washington, dc, were asked to create an ad campaign for the east coast summer tour, and they all love minor threat--why not use its famous album cover? how about shilling for converse? i would have been happy to ten years ago. so what's really changed? the answer is that two important things have changed: who is ultimately accountable for veiled corporate campaigns that occasionally strive to obsfucate their sponsorship and who is requesting our participation in such campaigns. behind converse and nike sb is nike, a company that uses shit-poor labor policies and predatory marketing that effectively glosses over their shit-poor labor policies, even to an audience that used to know better. behind team ouch! was an underground-savvy brainreservist on the payroll of big pharma; behind the recent wave of street art in hip urban areas near you was omd worldwide on behalf of sony; behind your cool hand-stenciled vader shirt was lucasfilm; and behind a recent cool crafting event was toyota. no matter how you participated in these events, whether as a contributor, cultural producer, viewer, or even critic, these are the companies that profited from your attention.

The professional endures adversity. He lets the birdshit splash down on his slicker, remembering that it comes clean with a heavy-duty hosing. He himself, his creative center, cannot be buried, even beneath a mountain of guano. His core is bulletproof. Nothing can touch it unless he lets it. I saw a fat happy old guy once in his Cadillac on the freeway. He had the A/C going, Pointer Sisters on the CD, puffing on a stogie. His license plate: DUES PD The professional keeps his eye on the doughnut and not on the hole. He reminds himself it's better to be in the arena, getting stomped by the bull, than to be up in the stands or out in the parking lot.

Often people who try self-hypnosis, but find it does not produce the results they wish, are entering weak trance states that are vague and drowsy. This is due to the large amount of so-called professional hypnotists who open treatment centers or who make self-help CD's, but who have not grasped (and honestly are afraid of) the enormous power of trance. This is also due to the popular misconception that hypnosis is a form of sleep. These professionals fear putting their subjects into profound trances.

In a world so influenced by media, with a populace addicted to cheap entertainment and omnipresent pop culture, celebrities have their own place of prominence at the apex of society. Every branch of showbiz - music, television, cinema, and even braindance - has its own stars whose works shape trends, opinions, and tastes. Their live concerts and releases of new content are worldwide events, observed and celebrated by tens of millions of fans all around the globe. Most of them, like Us Cracks, are products of the entertainment industry - devised and created to feed current fashions. Some of them are natural-born talents, discovered and promoted by some manager who recognized their potential and helped them to unpack it. Regardless of their origins, they will shine brightly for a period of time until some new star outshines them, or they're cast aside by their fans' ever-changing tastes. Until then, they will be admired and worshiped, living filthy-rich lives in fabulous estates and villas, whimsically coasting about in limos, private jets, and luxury boats - the embodiment of the public's dreams and desires. Demigods among mere mortals.

The Dutch ruled over an empire stretching from the Caribbean to East Asia, founded the city of New York, discovered Australia, played the world’s best football and produced some of the finest art and architecture in Europe. Everywhere one goes in the world, one can always find Dutch people. A country half the size of Scotland, with a population of just seventeen million or so, claims to have invented the DVD, the dialysis machine, the tape recorder, the CD, the energy-saving lightbulb, the pendulum clock, the speed camera, golf, the microscope, the telescope and the doughnut.

The iPod killed the CD, the CD killed the cassette, and the cassette killed the record for everyone apart from hipsters.

Whatever you now find weird, ugly, uncomfortable and nasty about a new medium will surely become its signature. CD distortion, the jitteriness of digital video, the crap sound of 8-bit—all of these will be cherished and emulated as soon as they can be avoided. It’s the sound of failure: so much modern art is the sound of things going out of control, of a medium pushing to its limits and breaking apart. The distorted guitar sound is the sound of something too loud for the medium supposed to carry it. The blues singer with the cracked voice is the sound of an emotional cry too powerful for the throat that releases it. The excitement of grainy film, of bleached-out black and white, is the excitement of witnessing events too momentous for the medium assigned to record them.

that a person’s bedroom gives three kinds of clues to his or her personality. There are, first of all, identity claims, which are deliberate expressions about how we would like to be seen by the world: a framed copy of a magna cum laude degree from Harvard, for example. Then there is behavioral residue, which is defined as the inadvertent clues we leave behind: dirty laundry on the floor, for instance, or an alphabetized CD collection. Finally, there are thoughts and feelings regulators, which are changes we make to our most personal spaces to affect the way we feel when we inhabit them: a scented candle in the corner, for example, or a pile of artfully placed decorative pillows on the bed.

The anthology was not a best-seller; art as a weapon seldom is.

I pull out a zippered CD case, but unfortunately, it's slim pickens inside, and I say this not only because the choices are bad, which they are, but because there actually is a Slim Pickens CD inside.

In Plato’s account, it becomes clear that souls and cities mutually condition one another to the point that statecraft is as much the art of forming souls, and of forming a soul, as of forming a state, these activities being inseparable. Beyond this, the soul is a citizen in the cosmos – even the souls of other animals, which are also, like us, part of the cosmic animal discussed in the Timaeus, the dialogue following on the Republic’s heels. For what is an animal composed of animals (Timaeus 30c–d) but a polity?

Oh, God of irony, thou art great.

Actually, Wilson's art can't fit into these neat categories. My own take is that the best way to think of Wilson is as an outsider musician, but one who actually happens to have a huge amount of talent. Much like, say, Wesley Willis, Wilson is focussed on having huge commercial success, but has little to no idea what actually counts as commercial. He's very easily swayed by people around him, so if he's told he should be doing three-minute pop songs, he does three-minute pop songs, and if he's told he should do epic suites about the American Dream, he does those. But at all times there are two things that remain true about him: he has an unerring ability as an arranger, and a directness that makes his music more communicative than any other music I've ever heard.

Boxes are surprisingly bulky. Discard or recycle the box your cell phone comes in as soon as you unpack it. You don’t need the manual or the CD that comes with it either. You’ll figure out the applications you need through using it.

I went to the CD player, choosing some soft and soothing soprano sax, courtesy of the late Art Porter.

Deceit: "Although deceit is detestable in all other things, yet in the conduct of war it is laudable and honorable; and a commander who vanquishes an enemy by strategem is equally praised with one who gains victory by force." — Niccolò Machiavelli Deceit: "The ruler of the state are the only ones who should have the priviledge of lying, either at home or abroad; they may be allowed to lie for the good of the state." — Plato, c. 390 B.C. [cf. The Republic Book 5 Section 459c-d: “This,” said I, “that they will have to employ many of those drugs of which we were speaking. We thought that an inferior physician sufficed for bodies that do not need drugs but yield to diet and regimen. But when it is necessary to prescribe drugs we know that a more enterprising and venturesome physician is required.” “True; but what is the pertinency?” “This,” said I: “it seems likely that our rulers will have to make considerable use of falsehood and deception (ψεύδει) for the benefit of their subjects. We said, I believe, that the use of that sort of thing was in the category of medicine.” See also, Ibid Book 3 Section 389b-c] Deceit: "Whatever the qualification of a modern diplomat, the art of deceit is certainly not one of them." — Charles W. Thayer Deceit: "The frequent resort to deceit is self-defeating because a state which is careless about what credence is placed in the word of its diplomats on individual occasions will soon find that its word is not believed in any context. When that happens and its credibility is debased, a state finds it difficult to make agreements with any but fickle partners. There is no substitute for trust in diplomacy." — Adam Watson, 1983 Deceit, the "Eleventh Commandment": "Thou shalt not be found out." — Palmerston

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