Cbs Quotes

Anger ... it's a paralyzing emotion ... you can't get anything done. People sort of think it's an interesting, passionate, and igniting feeling — I don't think it's any of that — it's helpless ... it's absence of control — and I need all of my skills, all of the control, all of my powers ... and anger doesn't provide any of that — I have no use for it whatsoever." [Interview with CBS radio host Don Swaim, September 15, 1987.]

If a man doesn't know how to dance he doesn't know how to make love, there I said it!

There is special providence in the fall of a sparrow.

Leadership is a two-way street, loyalty up and loyalty down." (CBS 60 Minutes interview, March 6, 1983)

Come to think of it, that word (choice) shouldn't be applied to people's destinies. Ever. Choice should be relegated to TV and meals: You could choose NBC over CBS or steak instead of chicken. But take the concept any further than the stove or the remote control and the word just didn't apply. - V

The views expressed by Me are in no way endorsed by CBS any of its allied companies or in fact Me.

At CBS, I’m in your house. I’m mindful of that. When I do standup, you’re in my home and I can say what I want to.

Wars are fought by teenagers, you realize that. They really ought to be fought by the politicians and old people who start these wars." (Interview with Don Swaim of CBS Radio-1986)

Well, everyone, welcome to Shark Week. Oh that's on CBS and there's been a lot of cutbacks, so it's just Friday night for a couple of minutes. And we don't have any sharks, just an immigrant with a puppet. Hey, but it's a start!

You know, one of the hardest parts of my job is to connect Iraq to the war on terror." --George W. Bush, interview with CBS News' Katie Couric, Sept. 6, 2006

There is no off position on the genius button.

What would things look like if Satan really took control of a city? Over half a century ago, Presbyterian minister Donald Grey Barnhouse offered his own scenario in his weekly sermon that was also broadcast nationwide on CBS radio. Barnhouse speculated that if Satan took over Philadelphia (the city where Barnhouse pastored), all of the bars would be closed, pornography banished, and pristine streets would be filled with tidy pedestrians who smiled at each other. There would be no swearing. The children would say "Yes, sir" and "No, ma'am," and the churches would be full every Sunday...where Christ was not preached.

And the second [thing about the CBS EVENING NEWS that stands out in the mind of Michael J. Fox] was something Katie did later in the interview, as the drugs kicked in and the tremors segued into the jerkiness of dyskinesias. Somewhere in the contortions of making a point, my left arm detached the microphone clip from my jacket lapel. With no fuss and hardly a break in conversation or eye contact, she calmly leaned over and refastened it. Neither of us commented on it, but it was such an empathetic gesture, so far from anything patronizing or pitying, a simple kindness that allowed me the dignity to carry on making a point more important than the superficiality of my physical circumstance... ...One thing was abundantly clear though, whether or not she was able to forget how much she liked me: with that single act of consideration, she made it abundantly clear how much she loved her father.

For more than five years, I’d made little progress with my efforts at quiet diplomacy—for one thing, the Soviet leaders kept dying on me.

In 1952, he was to begin a TV series when he suffered his first heart attack. He returned on CBS TV as a panelist for the game show What’s My Line? He died on the night of March 17, 1956, collapsing just outside the West 75th Street home of a friend.

Luck, is the planning you don't see.

The least of us is improved by the things done by the best of us, because if we are not able to land at least we are able to follow. (July 20, 1969 CBS Moon Landing Coverage)

A nation of sheep will "beget a government of wolves." – EDWARD R. MURROW CBS BROADCAST JOURNALIST 1908-1965

Consider this: Every day in America more people get their evening news from Entertainment Tonight, an insipid syndicated television show covering celebrity news, than from CBS, NBC, and ABC combined.

Love and Trust God, It's a life time commitment!!!

I watched with incredulity as businessmen ran to the government in every crisis, whining for handouts or protection from the very competition that has made this system so productive. I saw Texas ranchers, hit by drought, demanding government-guaranteed loans; giant milk cooperatives lobbying for higher price supports; major airlines fighting deregulation to preserve their monopoly status; giant companies like Lockheed seeking federal assistance to rescue them from sheer inefficiency; bankers, like David Rockefeller, demanding government bailouts to protect them from their ill-conceived investments; network executives, like William Paley of CBS, fighting to preserve regulatory restrictions and to block the emergence of competitive cable and pay TV. And always, such gentlemen proclaimed their devotion to free enterprise and their opposition to the arbitrary intervention into our economic life by the state. Except, of course, for their own case, which was always unique and which was justified by their immense concern for the public interest.

WHO OWNS THE MEDIA? Most Americans have very little understanding of the degree to which media ownership in America—what we see, hear, and read—is concentrated in the hands of a few giant corporations. In fact, I suspect that when people look at the hundreds of channels they receive on their cable system, or the many hundreds of magazines they can choose from in a good bookstore, they assume that there is a wide diversity of ownership. Unfortunately, that’s not the case. In 1983 the largest fifty corporations controlled 90 percent of the media. That’s a high level of concentration. Today, as a result of massive mergers and takeovers, six corporations control 90 percent of what we see, hear, and read. This is outrageous, and a real threat to our democracy. Those six corporations are Comcast, News Corp, Disney, Viacom, Time Warner, and CBS. In 2010, the total revenue of these six corporations was $275 billion. In a recent article in Forbes magazine discussing media ownership, the headline appropriately read: “These 15 Billionaires Own America’s News Media Companies.” Exploding technology is transforming the media world, and mergers and takeovers are changing the nature of ownership. Freepress.net is one of the best media watchdog organizations in the country, and has been opposed to the kind of media consolidation that we have seen in recent years. It has put together a very powerful description of what media concentration means.

An essential difference between British and American punk bands can be found in their respective views of rock & roll history. The British bands took a deliberately anti-intellectual stance, refuting any awareness of, or influence from, previous exponents of the form. The New York and Cleveland bands saw themselves as self-consciously drawing on and extending an existing tradition in American rock & roll. (...) A second difference between the British and American punk scenes was their relative gestation periods. The British weekly music press was reviewing Sex Pistols shows less than three months after their cacophonous debut. Within a year of the Pistols' first performance they had a record deal, with the 'major' label EMI. Within six months of their first gigs the Damned and the Clash also secured contracts, the latter with CBS. The CBGBs scene went largely ignored by the American music industry until 1976 -- two years after the debuts of Television, the Ramones and Blondie. Even then only Television signed to an established label.

The difficult we do immediately; the impossible takes -- eh -- a little bit longer.

It is in the contest that Fred Friendly, onetime CBS News president, made it clear that before any questions of "who controls the master switch.

The least of us is improved by the things done by the best of us, because if we are not able to land at least we are able to follow. (July 20, 1969 CBS Moon Landing Coverage)” ― Walter Cronkite

The first time Tommy called, he hung up. But he didn’t give up. He called back and this time left a curt and serious-sounding message: “Tommy Mottola. CBS. Sony Records.” He left a number. “Call me back.

It was an American and not a Russian innovation to present the news as national entertainment, which made the news vulnerable to an entertainer. Trump got his chance in the second half of 2015 because American television networks were pleased with the spectacle he provided. The chief executive officer of a television network said that the Trump campaign “may not be good for America, but it’s damn good for CBS.

We routinely and rightly condemn the terrorism that kills civilians in the name of God but we cannot claim the high moral ground if we dismiss the suffering and death of the many thousands of civilians who die in our wars as ‘collateral damage’. Ancient religious mythologies helped people to face up to the dilemma of state violence, but our current nationalist ideologies seem by contrast to promote a retreat into denial or hardening of our hearts. Nothing shows this more clearly than a remark of Madeleine Albright when she was still Bill Clinton’s ambassador to the United Nations. Later she retracted it, but among people around the world it has never been forgotten. In 1996, in CBS’s 60 Minutes, Lesley Stahl asked her whether the cost of international sanctions against Iraq was justified: 'We have heard that half a million children have died. I mean that’s more children than died in Hiroshima … Is the price worth it?’ 'I think this is a very hard choice,’ Albright replied 'but the price, we think the price is worth it.

The big three television companies (CBS, ABC, and NBC) measured their audiences in tens of millions: when CBS broadcast the episode of I Love Lucy in which Lucy had a baby to coincide with the actress who played Lucy, Lucille Ball, also having a baby, on January 19, 1953, 68.8 percent of the country’s television sets were tuned in, a far higher proportion than were tuned in to Dwight Eisenhower’s inauguration the following day.

On CBS, Stephen Colbert joked darkly, “It’s just like D-Day. Remember D-Day, two sides, Allies and the Nazis? There was a lot of violence on both sides. Ruined a beautiful beach. And it could have been a golf course.

The work I do is not exactly respectable. But I want to explain how it works without any of the negatives associated with my infamous clients. I’ll show how I manipulated the media for a good cause. A friend of mine recently used some of my advice on trading up the chain for the benefit of the charity he runs. This friend needed to raise money to cover the costs of a community art project, and chose to do it through Kickstarter, the crowdsourced fund-raising platform. With just a few days’ work, he turned an obscure cause into a popular Internet meme and raised nearly ten thousand dollars to expand the charity internationally. Following my instructions, he made a YouTube video for the Kickstarter page showing off his charity’s work. Not a video of the charity’s best work, or even its most important work, but the work that exaggerated certain elements aimed at helping the video spread. (In this case, two or three examples in exotic locations that actually had the least amount of community benefit.) Next, he wrote a short article for a small local blog in Brooklyn and embedded the video. This site was chosen because its stories were often used or picked up by the New York section of the Huffington Post. As expected, the Huffington Post did bite, and ultimately featured the story as local news in both New York City and Los Angeles. Following my advice, he sent an e-mail from a fake address with these links to a reporter at CBS in Los Angeles, who then did a television piece on it—using mostly clips from my friend’s heavily edited video. In anticipation of all of this he’d been active on a channel of the social news site Reddit (where users vote on stories and topics they like) during the weeks leading up to his campaign launch in order to build up some connections on the site. When the CBS News piece came out and the video was up, he was ready to post it all on Reddit. It made the front page almost immediately. This score on Reddit (now bolstered by other press as well) put the story on the radar of what I call the major “cool stuff” blogs—sites like BoingBoing, Laughing Squid, FFFFOUND!, and others—since they get post ideas from Reddit. From this final burst of coverage, money began pouring in, as did volunteers, recognition, and new ideas. With no advertising budget, no publicist, and no experience, his little video did nearly a half million views, and funded his project for the next two years. It went from nothing to something. This may have all been for charity, but it still raises a critical question: What exactly happened? How was it so easy for him to manipulate the media, even for a good cause? He turned one exaggerated amateur video into a news story that was written about independently by dozens of outlets in dozens of markets and did millions of media impressions. It even registered nationally. He had created and then manipulated this attention entirely by himself.

If all three major American TV networks (NBC, CBS, and ABC) had been broadcasting for twenty-four hours a day, seven days a week, for sixty years, they wouldn’t have created the amount of content uploaded to YouTube in two weeks.

How the public felt about government aid to the poor seemed to depend on how the question was put. Both parties, and the media, talked incessantly about the “welfare” system, that it was not working, and the word “welfare” became a signal for opposition. When people were asked (a New York Times/CBS News poll of 1992) if more money should be allocated to welfare, 23 percent said no. But when the same people were asked, should the government help the poor, 64 percent said yes.

A major reason many Americans still struggle to find meaningful work is because they are using tactics from the 1990s and early 2000s. The future for employment is now here...and it's online." ~February 21, 2013 as featured by CBS Money Watch

Two years later, the New York Times and CBS released a joint poll—the first media-made poll. Critics pointed out that, ethically, the press, which is supposed to report news, can’t also produce it, but media-run polls exploded all the same.62

She saw it over and over again in her male patients, she said—it could probably qualify as an epidemic among American men: this stubborn reluctance to embrace our wholeness—this stoic denial that we had come from our mothers as well as our fathers. It was sad, really—tragic. So wasteful of human lives, as our wars and drive-by shootings kept proving to us; all one had to do was turn on CNN or CBS News. And yet, it was comic, too—the lengths most men went to to prove that they were “tough guys.

A New York Times/CBS News poll conducted in early 1992 showed that public opinion on welfare changed depending on how the question was worded. If the word “welfare” was used, 44 percent of those questioned said too much was being spent on welfare (while 50 percent said either that the right amount was being spent, or that too little was being spent. But when the question was about “assistance to the poor,” only 13 percent thought too much was being spent, and 64 percent thought too little was being spent.

I don’t think we’ll solve the problem of the deficit until three things happen: We need more discipline on spending in Congress. We need a constitutional amendment requiring Congress to balance the budget. And we need to give our presidents a line-item veto.

Larry Speakes estimated that Baker spent as much as 50 percent of his time with reporters and editors, probably an exaggeration but a revealing one. The media, at least the part of it that really mattered, was still small enough that it could be managed; aside from ABC, CBS, and NBC, there were the wire services, The New York Times, The Washington Post, The Wall Street Journal, and the weekly newsmagazines Time, Newsweek, and U.S. News & World Report. Baker, as chief of staff, became an expert in their care and feeding.

Tuesday, March 3 [Meetings with economist Arthur Burns regarding China, and with President Ford on economy; message from Pope John Paul II expressing general greetings; VFW reception for Senator Laxalt (R-NV); dinner party.] During day I did a 1 hr. interview with Walter Cronkite—his last for CBS. He spent the 1st 20 min’s. on El Salvador. He didn’t throw any slow balls but the reaction was favorable. Because of our dinner we couldn’t watch the show but I was treated to another W.H. service. They taped the program & played it back to us later in the evening.

However popular Candid Camera may have been, though, it represented a genre—with the exception of a few popular shows like COPS, Real World, and America’s Funniest Home Videos—that lay dormant on American prime-time television until the late 1990s. Then, stung by a loss of viewers and watercooler buzz to more innovative, more targeted, and more creatively unshackled cable operators, network television programmers revisited reality. The show that ushered in the new era in network programming debuted in the summer of 2000 on CBS, and it became a ratings powerhouse known as Survivor.

The final insult to all of this is that when Trump secured the nomination, media companies looked down at their bottom lines and realized that, via the profits they made during his run—Trump is “good for business,” CBS president Les Moonves infamously confessed—they had been made accomplices to the whole affair. —

Here, dear reader, you must summon patient compassion. Try to imagine the hardships of a military officer triply burdened by close relationships with political leaders and the national news media, an Ivy League PhD, and wartime triumphs leading an elite airborne division. Our hero somehow survived in spite of it all. He rose against his handicaps, triumphing over the awful mark of Princeton University, that great gathering place for outcasts, rebels, and the socially obscure. He secured higher military rank even though he had been successful in combat. He adroitly worked CBS News, the Washington Post, and the United States Senate, yet still rose to prominence.

all of us need to be reminded that the federal government did not create the states, the states created the federal government. . .

If I could be elected president, I wanted to do what I could to bring about a spiritual revival in America.

As I have often said, governments don’t produce economic growth, people do.

[In late 1989,] a New York Times/CBS News Poll reported that 64 percent of those polled—the highest percentage ever recorded—now thought that drugs were the most significant problem in the United States. This surge of public concern did not correspond to a dramatic shift in illegal drug activity, but instead was the product of a carefully orchestrated political campaign.

Liberty has never come from government,” Woodrow Wilson, one of FDR’s predecessors and another Democrat, said. “The history of liberty is the history of limitation of government’s power, not the increase of it.

As I have often said, governments don’t produce economic growth, people do. What government can do is encourage Americans to tap their well of ingenuity and unleash their entrepreneurial spirit, then get out of the way.

There are also generational knowledges in play, accessed and skilled within a history of televisual experiments in educational entertainment. For US academics schooled in the fifties, sixties, and seventies some old TV shows haunt this vignette as well. Two are Walter Cronkite’s You Are There (CBS, 1953–57) and Steve Allen’s Meeting of Minds (PBS, 1977–81). During the mid-century decades either or both could be found on the TV screen and in US secondary school classrooms. Even now the thoughtfully presentist You are There reenactments can be viewed on DVDs from Netflix; you can be personally addressed and included as Cronkite interviews Socrates about his choice to poison himself with hemlock rather than submit to exile after ostracism in ancient Athens. Cronkite’s interviews, scripted by blacklisted Hollywood writers, were specifically charged with messages against McCarthy-style witch hunts that were “felt” rather than spoken out.

I am sitting across from the Wall Street investor and CEO of CBS, Larry Tisch. He is somewhat more charming than the fleshy gargoyle face would suggest. And he was, I must say, very good humored when he asked me to reach up to the overhead compartment to get down his jacket and I tipped it upside down so all his money and pens and credit cards rained down on his bald head, and he had to grovel around under the seat and retrieve them. I was tempted to hang on to his Amex.

In 1991, the editors in The Scientific American were saying that environmental ecology was a MORAL issue. The same editors (with the editors of every major daily newspaper in America, plus CBS, NBC, and ABC) were treating premarital sex, use of drugs, pornography, sex perversion, and fornication as “LIFESTYLES” with no moral overtones. “Good and evil” could only be applied to people who opposed federal control of businesses and property. They were “good” if they submitted to control and “fines,” but they were “evil” if they had any freedom. “Good and evil” are not even talked about in any high school or college in America where they touch adultery, fornication, sex perversion, stealing, cursing, cheating, pornography, or lying. You can’t even post a standard for “good and evil” (the Ten Commandments) in the hallway of a public school. At the same time, you are being taught that it is “EVIL” to put your garbage in the wrong place. What has happened?

NBC had cleaned out its last two liberal commentators, John Vandercook and Bob St. John, the year before. CBS recently had edged Quincy Howe out of his 6 P.M. daily spot as soon as a sponsor had bought it and had given it to Eric Sevareid, the new head of the Washington bureau. The era of McCarthy lay just ahead, but already there were signs foreshadowing it. I had not taken the change of climate as seriously perhaps as I should. I had been through it all before—in my years in Nazi Germany.

The complexities of national deficits, trade failures, budget gaps, negotiations to end the nuclear arms race, the crises of the Middle East, all these cannot be understood by giving the facts alone. The public needs appropriate historical background and clarification. People who are not taught much geography, history, economics, and physics simply cannot reach reasonable conclusions without help from specialists. This is not elitism, it is something far more important; it is called education.

Climate change is not a hot topic. As author Bill McKibben points out in a post on TomDispatch.com, in 2011, “ABC, CBS, NBC, and Fox spent twice as much time discussing Donald Trump as global warming.” He documents that over the last three years, a mere ninety-eight minutes of prime-time television news was devoted to covering this global challenge. In fact, in 2011, the Sunday talk shows spent exactly nine minutes of time on climate change— all of it given over to Republican politicians focused on denying it.

The Martin and Lewis Show was developed by NBC in the wake of the stinging CBS talent raids that lured Jack Benny and others to the younger network. NBC announced a talent hunt: the network was searching for rising young performers for radio and television. Soon thereafter a network executive caught the nightclub act of Dean Martin and Jerry Lewis, who had been performing together for several years and had developed some name recognition within the industry while remaining largely unknown to the general public.

It reminded me of something that James Madison said in 1788: “Since the general civilization of mankind, I believe there are more instances of the abridgement of the freedom of the people by gradual and silent encroachment of those in power than by violent and sudden usurpations.

Neither Trump nor his Russian backers spent very much money during the campaign. Television did the advertising for them free of charge. Even the Twitter accounts of MSNBC, CNN, CBS, and NBC mentioned Trump twice as often as they mentioned Clinton. When Russia began to release hacked emails, the networks and the media played along. Russia thus influenced the headlines and even the questions posed in the presidential debates. Content from hacked emails figured in two of the three debates; in the final one, the debate moderator accepted an erroneous Russian recasting of Clinton’s words in a speech, and made of it a central issue.

The problem in both cases can be attributed to poor connections between the greenfield and the mainstream. Indeed, when people operate in silos, companies may miss innovation opportunities altogether. Game-changing innovations often cut across established channels or combine elements of existing capacity in new ways. CBS was once the world’s largest broadcaster and owned the world’s largest record company, yet it failed to invent music video, losing this opportunity to MTV. In the late 1990s, Gillette had a toothbrush unit (Oral B), an appliance unit (Braun), and a battery unit (Duracell), but lagged in introducing a battery-powered toothbrush.

the thesis is that after many generations in which technology favored centralization (railroads, telegraph, radio, television, movies, mass production) since about 1950 it is now favoring decentralization (transistor, personal computer, internet, remote work, smartphone, cryptocurrency). So by this measure, peak centralization was about 1950, when there was one telephone company (AT&T), two superpowers (US/USSR), and three TV stations (ABC/CBS/NBC). Even though the 1950s are romanticized in the US, and there were certainly good things about the era, that level of centralization was not natural. This was an enormous degree of cultural homogenization, conformity, and sameness relative to the pre-1914 world just a few decades prior. Many aspects of individual initiative, creativity, and freedom had been dulled down or eliminated in the standardization process.

Vreemdelingen van niet-westerse herkomst zijn een typisch fenomeen van de postmoderniteit. Zo waren er in Nederland halverwege de jaren 1960 (golden sixties) minder dan 6000 vreemdelingen van Turkse of Marokkaanse afkomst. In België waren er 461 Marokkanen en 320 Turken. Bij aanvang van de postmoderniteit in 1970 waren er steeds nog maar 129.000 vreemdelingen van niet-westerse afkomst (toen vooral Surinamers) in Nederland. Eind 2015 waren dat er al 2.038.500 en tegen 2060 zullen dat er volgens het CBS 3.236.600 zijn. In België waren er in 1970 nog maar 82.888 niet-westerse vreemdelingen. In 2015 zijn dat er al 733.115. Tegen 2050 worden dat er 1.149.000. Ongeveer 70 procent van de niet-westerse vreemdelingen zijn in België moslim. In Nederland is dat slechts 50 procent. De niet-westerse vreemdeling in het straatbeeld is duidelijk een postmodern verschijnsel.

I have often wondered about a paradox in American government: Every four years, voters elect a president and in California a governor, the only officeholders elected by all the people; then, the same people in their individual districts turn around and elect a legislature and congress that is often controlled by the opposing party, enabling it to prevent the president or governor from carrying out the things they elected him or her to do.

I thought about my father in 1959, brush-cut and clean-shaven, taking the elevator up to the editorial offices in the CBS building to meet my sad, solitary, lovely young mother. She was tall, she had a nice figure. She had pretty red hair. And she was a real lost soul. It was time for Dick to find a wife. It was time for Jerry to find his next victim. Woody needed a muse. Henry needed to be understood. Spade was on his sacred mission to find the mythical Her. And we, the pretty, bright girls coming up through prep schools and the Ivy League, loaded up with Sylvia Plath and the Romantic poets, were prepped to be the just deserts of genius. We were milk-fed and impressionable. Privileged and heedless. We were disposable and interchangeable. We were only supposed to last for one incandescent moment, like mayflies, then flutter off into oblivion so that the men might be free to work, to publish, and to pursue their next great passion.

I am against the mass media ‐ CBS, ABC, NBC, UPI and AP being used by Washington D.C. since WWI, and by the CIA wince WWII, as pure propaganda tools. My positive philosophy is very simple. I believe there is in each of us a potential for peace and harmony. A few power‐mad perverts dictate orders that must be challenged. They are going against the laws of nature. A family and society that does not care for its infants with love and affection will create and does produce mad bombers. The source of this peace and harmony is within the family unit, not government agents or law enforcement. Without love in the home there is never quiet in the community, cities or around the world. There are ways to counteract the evil being purposely planned. Study history. Separate fears and prejudices from facts. Recognize facts from propaganda. Invest energy in fighting for what you believe in. Analyze harder where we are going and what you are doing about it. What do you really believe in? How much do we care?

I think there ought to be a regulation that the president could return a salute inasmuch as he is commander in chief and civilian clothes are his uniform.” “Well, if you did return a salute,” the general said, “I don’t think anyone would say anything to you about it.” The next time I got a salute, I saluted back. A big grin came over the marine’s face, and down came his hand. From then on, I always returned salutes. When George Bush followed me into the White House, I encouraged him to keep up the tradition.

It seemed to numerous voters that, thanks to the growing power of the ACLU, criminals were beginning to have more rights than the victims. Preachers across the country were becoming alarmed about the young people’s apathy and lack of morals. Some blamed television. Or as Reverend W. W. Nails put it, “The devil has three initials: ABC, NBC, and CBS. They love Lucy more than they do the Lord and they would rather leave it to Beaver than to Jesus.” The average middle-class Americans who worked hard every day, who were not criminals, not on welfare, and had seldom complained, suddenly and collectively started showing signs of growing disillusionment, worried that with all the new social programs they were now going to have to carry the rich and the poor on their backs. They were tired of having to pay so much income and other taxes to support half the world while they struggled to make ends meet. They began to feel that no matter how hard they worked or how much they paid, it was never appreciated and it was never enough.

you have to understand something about presidential elections in general. The politicians devise strategies and court donors years in advance. At the same time, newspapers and networks carefully decide which reporter they’ll match with which candidate. Trump wasn’t part of anyone’s plan. For that matter, neither was I. Five days into my New York trip, while I was running an errand, I got a call from a friend at work. “Hey, Katy. Heads up,” the friend said. “Deborah Turness [my boss] is going to assign you to Trump full-time. [David, another boss] Verdi is going to call. If you don’t want to do this, you better figure out what you’re going to say to get out of it. Don’t let on that I told you, but get ready.” Anxiety. Indecision. Italy. My vacation with Benoît is in just over a week. On the other hand, as good as life can be in Europe, there’s also a lot of professional boredom. It would be nice to get some TV time. And New York is unbeatable in the summer. I hung up and paced the sidewalk. Then I called a friend from CBS. “They want me to cover Trump full-time,” I told him. My friend had covered Romney in 2012. “What do I do?

Richard Durham was a black writer whose credits in radio would run a gamut from Irna Phillips serials to prestige plays for such as The CBS Radio Workshop. But in Destination Freedom Durham wrote from the heart. Anger simmers at the foundation of these shows, rising occasionally to a wail of agony and torment. On no other show was the term “Jim Crow” used as an adjective, if at all: nowhere else could be heard the actual voices of black actors giving life to a real black environment. There were no buffoons or toadies in Durham’s plays: there were heroes and villains, girlfriends and lovers, mothers, fathers, brutes; there were kids named Joe Louis and Jackie Robinson, who bucked the tide and became kings in places named Madison Square Garden and Ebbets Field. The early historical dramas soon gave way to a more contemporary theme: the black man’s struggle in a modern racist society. Shows on Denmark Vesey, Frederick Douglass, and George Washington Carver gave way to Richard Wright’s Black Boy and the lives of Louis Armstrong, Fats Waller, and Nat King Cole. The Tiger Hunt was a war story, of a black tank battalion; Last Letter Home told of black pilots in World War II. The stories pulled no punches in their execution of the common theme, making Destination Freedom not only the most powerful but the only show of its kind.

Our earth is but a small star in the great universe. Yet, of it we can make, if we choose, a planet unvexed by war, untroubled by hunger or fear, undivided by senseless distinctions of race, color or theory. Grant us that courage and foreseeing to begin this task today that our children and our children’s children may be proud of the name of Man…. Grant us the wisdom and the vision to comprehend the greatness of man’s spirit, that suffers and endures so hugely for a goal beyond his own brief span. “Grant us patience with the deluded and pity for the betrayed. And grant us the skill and valor that shall cleanse the world of oppression and the old base doctrine that the strong must eat the weak because they are strong. “Yet most of all grant us brotherhood, not only for this day but for all our years—a brotherhood not of words but of acts and deeds. We are all of us children of earth—grant us that simple knowledge. If our brothers are oppressed, then we are oppressed. If they hunger, we hunger. If their freedom is taken away, our freedom is not secure. “Grant us a common faith that man shall know bread and peace—that he shall know justice and righteousness, freedom and security, an equal opportunity and an equal chance to do his best, not only in our own lands but throughout the world. And in that faith let us march toward the clean world our hands can make. AMEN.” The phone rang. It was the local radio station, a CBS affiliate. New York wanted me to go on the air in an hour. Dave rushed me down to the station in his car.

Absorbingly articulate and infinitely intelligent . . . There is nothing pop about Kahneman's psychology, no formulaic story arc, no beating you over the head with an artificial, buzzword -encrusted Big Idea. It's just the wisdom that comes from five decades of honest, rigorous scientific work, delivered humbly yet brilliantly, in a way that will forever change the way you think about thinking:' -MARIA POPOVA, The Atlantic "Kahneman's primer adds to recent challenges to economic orthodoxies about rational actors and efficient markets; more than that, it's a lucid, mar- velously readable guide to spotting-and correcting-our biased misunder- standings of the world:' -Publishers Weekly (starred review) "The ramifications of Kahneman's work are wide, extending into education, business, marketing, politics ... and even happiness research. Call his field 'psychonomics: the hidden reasoning behind our choices. Thinking, Fast and Slow is essential reading for anyone with a mind:' -KYLE SMITH,NewYorkPost "A stellar accomplishment, a book for everyone who likes to think and wants to do it better." - E. JAMES LIEBERMAN ,Libraryfournal "Daniel Kahneman demonstrates forcefully in his new book, Thinking, Fast and Slow, how easy it is for humans to swerve away from rationality:' -CHRISTOPHER SHEA , The Washington Post "A tour de force .. . Kahneman's book is a must-read for anyone interested in either human behavior or investing. He clearly shows that while we like to think of ourselves as rational in our decision making, the truth is we are subject to many biases. At least being aware of them will give you a better chance of avoiding them, or at least making fewer of them:' -LARRY SWEDROE, CBS News "Brilliant .. . It is impossible to exaggerate the importance of Daniel Kahne- man's contribution to the understanding of the way we think and choose. He stands among the giants, a weaver of the threads of Charles Darwin, Adam Smith and Sigmund Freud. Arguably the most important psycholo- gist in history, Kahneman has reshaped cognitive psychology, the analysis of rationality and reason, the understanding of risk and the study of hap pi- ness and well-being ... A magisterial work, stunning in its ambition, infused

BUYING OFF THE ENVIRONMENTALISTS Where are the environmentalists? For fifty years, they’ve been carrying on about overpopulation; promoting family planning, birth control, abortion; and saying old people have a “duty to die and get out of the way”—in Colorado’s Democratic Governor Richard Lamm’s words. In 1971, Oregon governor and environmentalist Tom McCall told a CBS interviewer, “Come visit us again. . . . But for heaven’s sake, don’t come here to live.” How about another 30 million people coming here to live? The Sierra Club began sounding the alarm over the country’s expanding population in 1965—the very year Teddy Kennedy’s immigration act passed65—and in 1978, adopted a resolution expressly asking Congress to “conduct a thorough examination of U.S. immigration laws.” For a while, the Club talked about almost nothing else. “It is obvious,” the Club said two years later, “that the numbers of immigrants the United States accepts affects our population size and growth rate,” even more than “the number of children per family.”66 Over the next three decades, America took in tens of millions of legal immigrants and illegal aliens alike. But, suddenly, about ten years ago, the Sierra Club realized to its embarrassment that importing multiple millions of polluting, fire-setting, littering immigrants is actually fantastic for the environment! The advantages of overpopulation dawned on the Sierra Club right after it received a $100 million donation from hedge fund billionaire David Gelbaum with the express stipulation that—as he told the Los Angeles Times—“if they ever came out anti-immigration, they would never get a dollar from me.”67 It would be as if someone offered the Catholic Church $100 million to be pro-abortion. But the Sierra Club said: Sure! Did you bring the check? Obviously, there’s no longer any reason to listen to them on anything. They want us to get all excited about some widening of a road that’s going to disturb a sandfly, but the Sierra Club is totally copasetic with our national parks being turned into garbage dumps. Not only did the Sierra Club never again say another word against immigration, but, in 2004, it went the extra mile, denouncing three actual environmentalists running for the Club’s board, by claiming they were racists who opposed mass immigration. The three “white supremacists” were Dick Lamm, the three-time Democratic governor of Colorado; Frank Morris, former head of the Black Congressional Caucus Foundation; and Cornell professor David Pimentel, who created the first ecology course at the university in 1957 and had no particular interest in immigration.68 But they couldn’t be bought off, so they were called racists.

Everywhere you look with this young lady, there’s a purity of motivation,” Shultz told him. “I mean she really is trying to make the world better, and this is her way of doing it.” Mattis went out of his way to praise her integrity. “She has probably one of the most mature and well-honed sense of ethics—personal ethics, managerial ethics, business ethics, medical ethics that I’ve ever heard articulated,” the retired general gushed. Parloff didn’t end up using those quotes in his article, but the ringing endorsements he heard in interview after interview from the luminaries on Theranos’s board gave him confidence that Elizabeth was the real deal. He also liked to think of himself as a pretty good judge of character. After all, he’d dealt with his share of dishonest people over the years, having worked in a prison during law school and later writing at length about such fraudsters as the carpet-cleaning entrepreneur Barry Minkow and the lawyer Marc Dreier, both of whom went to prison for masterminding Ponzi schemes. Sure, Elizabeth had a secretive streak when it came to discussing certain specifics about her company, but he found her for the most part to be genuine and sincere. Since his angle was no longer the patent case, he didn’t bother to reach out to the Fuiszes. — WHEN PARLOFF’S COVER STORY was published in the June 12, 2014, issue of Fortune, it vaulted Elizabeth to instant stardom. Her Journal interview had gotten some notice and there had also been a piece in Wired, but there was nothing like a magazine cover to grab people’s attention. Especially when that cover featured an attractive young woman wearing a black turtleneck, dark mascara around her piercing blue eyes, and bright red lipstick next to the catchy headline “THIS CEO IS OUT FOR BLOOD.” The story disclosed Theranos’s valuation for the first time as well as the fact that Elizabeth owned more than half of the company. There was also the now-familiar comparison to Steve Jobs and Bill Gates. This time it came not from George Shultz but from her old Stanford professor Channing Robertson. (Had Parloff read Robertson’s testimony in the Fuisz trial, he would have learned that Theranos was paying him $500,000 a year, ostensibly as a consultant.) Parloff also included a passage about Elizabeth’s phobia of needles—a detail that would be repeated over and over in the ensuing flurry of coverage his story unleashed and become central to her myth. When the editors at Forbes saw the Fortune article, they immediately assigned reporters to confirm the company’s valuation and the size of Elizabeth’s ownership stake and ran a story about her in their next issue. Under the headline “Bloody Amazing,” the article pronounced her “the youngest woman to become a self-made billionaire.” Two months later, she graced one of the covers of the magazine’s annual Forbes 400 issue on the richest people in America. More fawning stories followed in USA Today, Inc., Fast Company, and Glamour, along with segments on NPR, Fox Business, CNBC, CNN, and CBS News. With the explosion of media coverage came invitations to numerous conferences and a cascade of accolades. Elizabeth became the youngest person to win the Horatio Alger Award. Time magazine named her one of the one hundred most influential people in the world. President Obama appointed her a U.S. ambassador for global entrepreneurship, and Harvard Medical School invited her to join its prestigious board of fellows.

CBS News reported in 2004 that Saudi Arabia recently beheaded 52 men and one woman for various crimes, including murder, homosexuality, armed robbery, and drug trafficking. The CBS Report revealed that “A condemned convict is brought into the courtyard, hands tied, and forced to bow before an executioner, who swings a huge sword amid cries from onlookers of ‘Allahu Akbar!’ Arabic for ‘God is Great.

Burns and Allen household names—Gracie’s search for her “lost brother.” Whose idea was it? In The Big Broadcast, Frank Buxton and Bill Owen credit Bob Taplinger, head of publicity at CBS. Carroll thought the idea originated with Burns. In one of his books, Burns said it came out of the agency, whose executives wanted to publicize the show’s new 9:30 timeslot. All that mattered was this: it was the most sensational thing of its time. It was launched Jan. 4, 1933. Gracie mentioned that her brother was missing, and this became the centerpiece of the broadcast. The following Sunday she appeared without notice on Eddie Cantor’s show. She was looking for her brother, she told Cantor and the nation. She popped up suddenly on Jack Benny’s program. She appeared on melodramas and soap operas. Even when she did not appear, the search for Gracie Allen’s brother was worked into dramatic skits. Burns remembered that a telephone rang on a tense drama set inside a submarine. From the surface, someone asked the captain, “Is Gracie Allen’s brother down there with you?” Department stores worked the gag into their newspaper ads, and people everywhere were telling Gracie’s-brother jokes.

President Johnson no longer trusted Cronkite and his CBS ilk. At a March 1967 dinner party, he told reporters that CBS and NBC were “controlled by the Vietcong.

The popular director of OWI was Elmer Davis, an ex-CBS radioman with an admiration for the wire services and Murrow. Working closely with the Librarian of Congress, the poet Archibald MacLeish, who headed the Office of Facts and Figures, Davis believed that truth was the smartest type of propaganda. This was in stark contrast to the Axis nations, which banned opposition newspapers, censored stories, and screened every dispatch. Fortunately,

It was on Sullivan’s 1932 series that listeners first heard the voices of Jack Benny, Jack Pearl, Irving Berlin, Florenz Ziegfeld, and George M. Cohan. Sullivan’s radio fame was enhanced by his newspaper column, “Little Old New York,” in the New York Daily News. His Toast of the Town (CBS, June 20, 1948–June 6, 1971) was the biggest variety hour of early television.

They reworked their fibber-man, Uncle Luke, named him Uncle Luke Gray, and moved him into a store that would be called Smackout, at the junction known as The Crossroads of the Air. The series opened under that title March 2, 1931. Broadcast from WMAQ to a national CBS audience, Smackout was the direct forerunner of Fibber McGee and Molly: many of the characterizations were developed in its four-year run. The show moved to NBC with the sale of WMAQ to that network in late 1931; it ran on the Blue Network, weekdays at noon in the east. Jordan continued to play Uncle Luke; and he and Marian also played themselves, in their natural voices. In

The final word was her daughter’s, in a frank and touching memoir, Knock Wood. Yes, there were disagreements; there were plenty of generation-gap misunderstandings. At the bottom of it was a girl who desperately needed the approval of a father who felt stripped when he had to speak as himself, with no dummy on his lap to make light of things. The book is a love story on both sides: in the end Candice Bergen has placed Charlie McCarthy in an open, healthy spotlight, as a vital piece of her personal history. Bergen did little in television. He was a radio man, even though his art was primarily visual. With Charlie and Mortimer, he emceed the 1956 CBS audience show Do You Trust Your Wife?, and he made numerous guest appearances on TV variety shows of the ’50s. He grew old and gray. Charlie, of course, was eternally young. In September 1978 Bergen announced his retirement: he would do a few more shows, then give his dummy to the Smithsonian. Charlie had been his companion for 56 years. A week later he appeared with Andy Williams at Caesar’s Palace in Las Vegas. He died in his sleep after this performance, Oct. 1, 1978.

CAME was opposed, however, by the staunchly Germanophobic Society for the Prevention of World War III, headed by the novelist Rex Stout and including Eleanor Roosevelt, the CBS broadcaster William Shirer (future author of the bestselling Rise and Fall of the Third Reich), and Senator Harley Kilgore (Democrat of West Virginia) among its collaborators.

Double or Nothing endured because of the nimble ad-libbing of its hosts and because, over the years, the show gained a reputation for double entendres and unexpected embarrassment. By far the most sensational of these came to be known as the “waitress episode,” which was so shocking to audiences of that innocent late 1940s era that its content could not even be hinted in the press (reporter Shirley Gordon mentioned it in Radio Life years later without ever telling her readers what she was talking about). While interviewing a waitress, O’Keefe asked if she’d had any experiences she could share on the radio. Yes, she said, she once had a friend, male, who had had some psychological problems. She didn’t know what she could do for him, but a mutual friend had suggested that he “get a good-looking girl like you and take her home and just have a big screwing party.” O’Keefe hustled her through the quiz fast, but the damage was done: the show had been carried live to the East Coast, and CBS was inundated with angry calls. The network ordered all its West Coast affiliates (which had transcribed the show for broadcast in a later timeslot) to cancel it and destroy the transcriptions. Obviously, at least one was saved: the show exists on tape, a nice curiosity piece.

On Dec. 9, 1953, Lewis gave in to the inevitable urge to link them by offering The Assassination of Abraham Lincoln on Crime Classics and the play that Lincoln was watching at Ford’s Theater, Our American Cousin, on On Stage. This was a mistake, Lewis admitted years later: Our American Cousin was dull beyond salvation, and it earned him the only rebuke he ever received from CBS chief William Paley. The next morning there was a note on his desk. It said: “Interesting idea. Don’t do it again.

FORT LARAMIE, western drama. BROADCAST HISTORY: Jan. 22–Oct. 28, 1956, CBS. 30m, Sundays at 5:30. CAST: Raymond Burr as Lee Quince, captain of cavalry at Fort Laramie, on the Wyoming frontier. Vic Perrin as Sgt. Gorce. Harry Bartell as Lt. Seiberts. Jack Moyles as Maj. Daggett.

Even though the Hudson-Nabors wedding was pure fantasy, the rumors surrounding it ended up causing some very real damage: CBS canceled The Jim Nabors Hour in 1971. While it’s been suggested that Nabors’s highly rated program fell victim to the network’s “rural purge,” many believe that the backlash from the gay marriage story doomed the show. Then there was the Rock Hudson version of damage control. “I’ll tell you one thing that makes me sad about this, and that’s that Jim Nabors and I are no longer friends. We can’t be seen together,” Hudson told a reporter in the early 1970s. Though even after the rumors had subsided, Hudson chose not to resume his friendship with Nabors.

GRANBY’S GREEN ACRES, situation comedy. BROADCAST HISTORY: July 3–Aug. 21, 1950, CBS. 30m, Mondays at 9:30. CAST: Gale Gordon and Bea Benaderet as John and Martha Granby, ex-bank teller and wife who moved to the country to become farmers. Louise Erickson as Janice, their daughter. Parley Baer as Eb, the hired hand. ANNOUNCER: Bob LeMond MUSIC: Opie Cates. WRITER-PRODUCER-DIRECTOR: Jay Sommers. Granby’s Green Acres grew out of characters played by Gale Gordon and Bea Benaderet on the Lucille Ball series My Favorite Husband. The names were changed, but the basic characters remained the same.

CAST: Gertrude Berg as Bessie Glass, operator of a hotel in the Catskill Mountains. Joseph Greenwald (1935) as Barney Glass, her husband. Josef Buloff as Barney, 1953–54. WRITER: Gertrude Berg. House of Glass was quickly created by Gertrude Berg after the initial cancellation of her popular serial, The Goldbergs. She took the setting and characters from her own life: her father had run such a place in the teens, giving her experiences with waiters, bellboys, cooks, and guests from all walks of life. The character of Barney Glass was an almost literal lift from her father. The stories she wrote were the stories she remembered, and “where there were unhappy endings I added happy ones. … The radio hotel always solved its problems with a laugh.” But it couldn’t beat Burns and Allen, its competition on CBS, and it faded after eight months.

CBS spent much of the 1960s and 1970s taking the enormous cash flow generated by its network and broadcast operations and funding an aggressive acquisition program that led it into entirely new fields, including the purchase of a toy business and the New York Yankees baseball team. CBS issued stock to fund some of these acquisitions, built a landmark office building in midtown Manhattan at enormous expense, developed a corporate structure with forty-two presidents and vice presidents, and generally displayed what Buffett’s partner, Charlie Munger, calls “a prosperity-blinded indifference to unnecessary costs.”1

If there was anything approaching a common denominator, providing the American public with a foundation of shared civic values, it was those three newscasts on CBS, NBC, and ABC. Today,

In one month, he earned in free media about what John McCain spent on his entire 2008 campaign. Of Trump’s run, CBS chairman Les Moonves said, “It may not be good for America, but it’s damn good for CBS. . . . Man, who would have expected the ride we’re all having right now? . . . The money’s rolling in and this is fun.”6 Like

MoveOn.org tried to buy an ad for the 2004 Super Bowl broadcast to express opposition to Bush's economic policy, which was then being debated by Congress. CBS told MoveOn that "issue advocacy" was not permissible. Then, CBS, having refused the MoveOn ad, began running advertisements by the White House in favor of one of the president's controversial policies. So MoveOn complained, and the White House ad was temporarily removed. By temporarily, I mean it was removed until the White House complained, and CBS immediately put the ad back on, yet still refused to present the MoveOn ad.

On December 10, 1998, Daley had organized a conference with four other mayors to discuss suing the gun makers. Because of my book More Guns, Less Crime, which argued that Daley’s gun laws did more harm than good, reporters from the local CBS and Fox stations who were already at the conference asked me to meet them to talk about the lawsuits. I had originally planned to arrive after the mayors had finished their post-conference presentations. But the mayors were running behind schedule when I arrived, so CBS reporter Mike Flannery suggested that I attend the presentations. That way, I could better answer any questions that he might have. The presentations were followed by a question-and-answer period with press, some students, and others in the audience. When the audience started yelling questions, I raised my hand in an attempt to get called on. At that point a woman walked over to me and asked me if I was John Lott from the University of Chicago. I said that I was, and she informed me that I was not allowed to ask any questions. No explanation was given. Some audience members took notice.

Know Singapore’s Credit Bureau to Get License Money Lender Approval Do you ever wonder how a licensed money lender like banks get the information they need to decide whether they will approve your loan or not? In this article, you’ll know the Credit Bureau Singapore (CBS) role on the moneylenders’ process of lending money. History of CBS Association of Banks in Singapore (ABS) and DBIC Holdings owns CBS. It was founded on November 15, 2002, and its key role is to serve as a financial risk management tool for financial institutions. Among CBS founders’ are Citibank, United Overseas Bank (UOB), Development Bank of Singapore (DBS), Oversea-Chinese Banking Corporation (OCBC), American Express, ANZ, Maybank, HSBC and Standard Chartered Bank. Key Role of CBS on Licensed Money Lender Loan Approval The CBS is a private company established to help financial companies and credit card institutions to evaluate the threats and opportunities of giving credit to possible or current customers. To put simply, when you apply for a loan, the CBS gives the licensed moneylender your credit report. This credit report reflects your credit information such as credit history, repayment track, and in some cases default records, lawsuit, and bankruptcy reports. This valuable information is collected from financial institutions and other public data resources (like subpoena and data of bankruptcy) which is part of CBS. The Banking Act allows the CB to get such customer’s confidential data and produce a “complete risk profile.” CBS follows a stringent code of conduct to protect the consumer’s data privacy. Only the official members of CBS can access and use the credit information. Licensed money lender should not disclose any information about their clients’ credit background to any third party. The CB also cannot collect customer’s personal data such as contact numbers, home address, credit limit, and salary. Now that you finally know who helps licensed money lender to decide your loan’s approval, you should now know that borrowing money is not as simple as it sounds. Multiple agencies are working together to check whether you are worthy of the money.

Know Singapore’s Credit Bureau to Get License Money Lender Approval Do you ever wonder how a licensed money lender like banks get the information they need to decide whether they will approve your loan or not? In this article, you’ll know the Credit Bureau Singapore (CBS) role on the moneylenders’ process of lending money. History of CBS Association of Banks in Singapore (ABS) and DBIC Holdings owns CBS. It was founded on November 15, 2002, and its key role is to serve as a financial risk management tool for financial institutions. Among CBS founders’ are Citibank, United Overseas Bank (UOB), Development Bank of Singapore (DBS), Oversea-Chinese Banking Corporation (OCBC), American Express, ANZ, Maybank, HSBC and Standard Chartered Bank. Key Role of CBS on Licensed Money Lender Loan Approval The CBS is a private company established to help financial companies and credit card institutions to evaluate the threats and opportunities of giving credit to possible or current customers. To put simply, when you apply for a loan, the CBS gives the licensed moneylender your credit report. This credit report reflects your credit information such as credit history, repayment track, and in some cases default records, lawsuit, and bankruptcy reports. This valuable information is collected from financial institutions and other public data resources (like subpoena and data of bankruptcy) which is part of CBS. The Banking Act allows the CB to get such customer’s confidential data and produce a “complete risk profile.” CBS follows a stringent code of conduct to protect the consumer’s data privacy. Only the official members of CBS can access and use the credit information. Licensed money lender should not disclose any information about their clients’ credit background to any third party. The CB also cannot collect customer’s personal data such as contact numbers, home address, credit limit, and salary. Now that you finally know who helps licensed money lender to decide your loan’s approval, you should now know that borrowing money is not as simple as it sounds. Multiple agencies are working together to check whether you are worthy of the money.

Today’s Children, The Woman in White, and The Guiding Light crossed over and interchanged in respective storylines.) June 2, 1947–June 29, 1956, CBS. 15m weekdays at 1:45. Procter & Gamble’s Duz Detergent. CAST: 1937 to mid-1940s: Arthur Peterson as the Rev. John Ruthledge of Five Points, the serial’s first protagonist. Mercedes McCambridge as Mary Ruthledge, his daughter; Sarajane Wells later as Mary. Ed Prentiss as Ned Holden, who was abandoned by his mother as a child and taken in by the Ruthledges; Ned LeFevre and John Hodiak also as Ned. Ruth Bailey as Rose Kransky; Charlotte Manson also as Rose. Mignon Schrieber as Mrs. Kransky. Seymour Young as Jacob Kransky, Rose’s brother. Sam Wanamaker as Ellis Smith, the enigmatic “Nobody from Nowhere”; Phil Dakin and Raymond Edward Johnson also as Ellis. Henrietta Tedro as Ellen, the housekeeper. Margaret Fuller and Muriel Bremner as Fredrika Lang. Gladys Heen as Torchy Reynolds. Bill Bouchey as Charles Cunningham. Lesley Woods and Carolyn McKay as Celeste, his wife. Laurette Fillbrandt as Nancy Stewart. Frank Behrens as the Rev. Tom Bannion, Ruthledge’s assistant. The Greenman family, early characters: Eloise Kummer as Norma; Reese Taylor and Ken Griffin as Ed; Norma Jean Ross as Ronnie, their daughter. Transition from clergy to medical background, mid-1940s: John Barclay as Dr. Richard Gaylord. Jane Webb as Peggy Gaylord. Hugh Studebaker as Dr. Charles Matthews. Willard Waterman as Roger Barton (alias Ray Brandon). Betty Lou Gerson as Charlotte Wilson. Ned LeFevre as Ned Holden. Tom Holland as Eddie Bingham. Mary Lansing as Julie Collins. 1950s: Jone Allison as Meta Bauer. Lyle Sudrow as Bill Bauer. Charita Bauer as Bert, Bill’s wife, a role she would carry into television and play for three decades. Laurette Fillbrandt as Trudy Bauer. Glenn Walken as little Michael. Theo Goetz as Papa Bauer. James Lipton as Dr. Dick Grant. Lynn Rogers as Marie Wallace, the artist.

The Guiding Light is the longest-running serial in broadcast history. Still seen on CBS television, its roots go back almost 60 years, to radio’s pioneering soaps. Though its original characters have been swallowed and eclipsed by time, it still has faint ties to the show that was first simulcast July 20, 1952, and in time replaced its radio counterpart with a daily one-hour TV show. Its creator, Irna Phillips, was often called “the queen of soaps.” She was so influential in the field that she was compared with Frank and Anne Hummert, though the comparison was weak. While the Hummerts employed a huge stable of writers and turned out dozens of serials, Phillips wrote her own—two million words of it each year. Using a large month-by-month work chart, Phillips plotted up to half a dozen serials at once, dictating the action to a secretary. Mentally juggling the fates of scores of characters, she churned out quarter-hour slices of life in sessions filled with high drama, acting the parts and changing her voice for the various speaking roles, while secretaries scribbled the dialogue that flowed from her lips. She gave up teaching early in life to enter radio as an actress at Chicago’s WGN. She was 25 that year, 1930. In 1932 she began to write. She discovered that cliffhanger endings were surefire for bringing those early audiences back to their sets each day, but that slow and skillful character development was what kept the audience for years. She decided that the organ was the ideal musical instrument for those little shows and that the instrument should be played with pomp and power, with all the authority of a religious service in a great European cathedral. The music gave weight to the dialogue, which was usually focused and intense.

In the fall of 1950, Waterman became the new Gildersleeve. Peary, meanwhile, jumped to CBS with a new sitcom, Honest Harold. In a dual review (Gildy vs. Gildy, Sept. 29, 1950), Radio Life summed up the general reaction. Waterman was a “splendid” replacement in a tough situation “about which actors have nightmares. The Gildy chortle and other mannerisms closely associated with the role were left out, and Waterman was to build his own interpretation.

HAVE GUN, WILL TRAVEL, western adventure. BROADCAST HISTORY: (Originated on TV: Sept. 14, 1957–Sept. 21, 1963, CBS.) Radio: Nov. 23, 1958–Nov. 27, 1960, CBS. 30m, Sundays at 6. Multiple sponsorship. CAST: John Dehner as Paladin, soldier of fortune, western knight errant, gunfighter. Ben Wright as Heyboy, the Oriental who worked at the Carlton Hotel in San Francisco, where Paladin lived. Virginia Gregg as Missy Wong, Heyboy’s girlfriend. Virginia Gregg also in many leading dramatic roles. Supporting players from Hollywood’s Radio Row, most of the same personnel listed for Gunsmoke. ANNOUNCER: Hugh Douglas. PRODUCER-DIRECTOR: Frank Paris. CREATORS-WRITERS: Herb Meadow and Sam Rolfe. WRITERS: Gene Roddenberry, John Dawson, Marian Clark, etc. SOUND EFFECTS: Ray Kemper, Tom Hanley. Have Gun, Will Travel was an oddity: the only significant radio show that originated on television. Beginning as a TV series for Richard Boone, Have Gun leaped immediately into the top ten and gained such an enthusiastic following that CBS decided to add it to the fading radio chain.

The casting had been more difficult. Macdonnell and Meston both wanted William Conrad for the lead, but CBS objected. Conrad was known as a heavy from his movie roles (Body and Soul; Sorry, Wrong Number; The Killers). He was also a busy radio actor (Escape, Suspense, The Adventures of Sam Spade, many others) with a distinctive air presence. As Conrad told Hickman: “I think when they started casting for it, somebody said, ‘Good Christ, let’s not get Bill Conrad, we’re up to you-know-where with Bill Conrad.’ So they auditioned everybody, and as a last resort they called me. And I went in and read about two lines … and the next day they called me and said, ‘Okay, you have the job.

he made his declaration two weeks before Easter in the most public fashion possible for the age: on the CBS Evening News with Walter Cronkite. 'I'm in favor of disarmament and I'm in favor of trust,' he [Billy Graham] said. 'I'm in favor of having agreements not only to reduce but to eliminate. Why should any nation have atomic bombs?