Cave Tubing Quotes

So we call upon the author to explain (Doop doop doop doop dooop) Our myxomatoid kids spraddle the streets, we've shunned them from the greasy-grind The poor little things, they look so sad and old as they mount us from behind I ask them to desist and to refrain And then we call upon the author to explain (Doop doop doop doop dooop)Rosary clutched in his hand, he died with tubes up his nose And a cabal of angels with finger cymbals chanted his name in code We shook our fists at the punishing rain And we call upon the author to explain (Doop doop doop doop dooop) He said everything is messed up around here, everything is banal and jejune There is a planetary conspiracy against the likes of you and me in this idiot constituency of the moon Well, he knew exactly who to blame And we call upon the author to explain (Doop doop doop doop dooop) Prolix! Prolix! Nothing a pair of scissors can't fix! Prolix! Prolix! Nothing a pair of scissors can't fix!(Doop doop doop doop dooop) Well, I go guruing down the street, young people gather round my feet Ask me things, but I don't know where to start They ignite the power-trail ssstraight to my father's heart And once again I call upon the author to explain (Doop doop doop doop dooop ...)We call upon the author to explain Who is this great burdensome slavering dog-thing that mediocres my every thought? I feel like a vacuum cleaner, a complete sucker, it's fucked up and he is a fucker But what an enormous and encyclopaedic brain I call upon the author to explain (Doop doop doop doop dooop ...) Oh rampant discrimination, mass poverty, third world debt, infectious diseease Global inequality and deepening socio-economic divisions Well, it does in your brain And we call upon the author to explain (Doop doop doop doop dooop ...) Now hang on, my friend Doug is tapping on the window (Hey Doug, how you been?) Brings me back a book on holocaust poetry complete with pictures Then tells me to get ready for the rain And we call upon the author to explain (Doop doop doop doop dooop ...) I say prolix! Prolix! Something a pair of scissors can fix Bukowski was a jerk! Berryman was best! He wrote like wet papier mache, went the Heming-way weirdly on wings and with maximum pain We call upon the author to explain (Doop doop doop doop dooop ...) Down in my bolthole I see they've published another volume of unreconstructed rubbish "The waves, the waves were soldiers moving". Well, thank you, thank you, thank you And again I call upon the author to explain Yeah, we call upon the author to explain Prolix! Prolix! There's nothing a pair of scissors can't fix!

The Cavern you are asking about, yes, I have seen that, with rows and rows of tubes stored neatly in the earth. I have also seen a cave full of papers, and golden apples on dark trees twisted from growing in a place with great wind and little rain, and my name carved in a tree, and paintings on stone. And in the Carving I have seen burned bodies under the sky and a man singing his daughter to her grave, marking her arms and his with blue. I have felt life in that place, and I have seen death.

I love a mysterious underground and have exploited this in many of my books: the ice tunnels of Greenland, the volcanic tubes of Iceland, the mysterious passageways beneath an ancient African hillside or a Buddhist monastery in central China. And of course, London's famous tube system, setting for my book LONDON UNDERGROUND. It's a funny sort of fixation, especially given my mother's claustrophobia, which I saw her deal with on many occasions. We once lined up to take a tour into the Lascaux Caverns in France to see the ancient cave paintings. My mother didn't make it past the first quirky turn into the depths, and she sent me on by myself. Given her interest in history and archaeology, which she used as the basis for a series of mysteries she published and which inspired my own writing, it always surprised me she still loved to write about places she could never visit.

On a giant southern isthmus on the island of Sulewesi, part of Indonesia, there are caverns that were the homes of people over thousands of years. About eight paces from the entrance of one particular cave is a mural, consisting of 1.5 metres of drawings. There are twelve hands – in fact, the shadows of hands because they have been stencilled – with red ochre blown through a thin tube to outline the hands of a long-gone person. Nearby, there is a drawing of a fat pig, and a ‘pig-deer’ called a babirusa. These were drawn something like 35,000 years ago, and the oldest of the handprints is 39,000 years old.

Kynes had assumed that when he finally found a hidden Fremen settlement, it would be primitive, almost shameful in its lack of amenities. But here, in this walled-off grotto with side caves and lava tubes and tunnels extending like a warren throughout the mountain, Kynes saw that the desert people lived in an austere yet comfortable style. Quarters here rivaled anything Harkonnen functionaries enjoyed in the city of Carthag. And it was much more natural.

Giiiirl," Benny said, fanning himself with the appointment book. "I'm as gay as Todrick's ballet shoes and even I have a semi from that." I exhaled a long, deep breath. "Oh, honey, you got a case of the blue tubes right now, don't you?" he asked, looking sympathetic. "If it's any consolation, it's only one more day until that man can be all up in your lady cave.