Cave Temple Quotes

What would happen if the autism gene was eliminated from the gene pool? You would have a bunch of people standing around in a cave, chatting and socializing and not getting anything done.

I searched for God among the Christians and on the Cross and therein I found Him not. I went into the ancient temples of idolatry; no trace of Him was there. I entered the mountain cave of Hira and then went as far as Qandhar but God I found not. With set purpose I fared to the summit of Mount Caucasus and found there only 'anqa's habitation. Then I directed my search to the Kaaba, the resort of old and young; God was not there even. Turning to philosophy I inquired about him from ibn Sina but found Him not within his range. I fared then to the scene of the Prophet's experience of a great divine manifestation only a "two bow-lengths' distance from him" but God was not there even in that exalted court. Finally, I looked into my own heart and there I saw Him; He was nowhere else.

In an ideal world the scientist should find a method to prevent the most severe forms of autism but allow the milder forms to survive. After all, the really social people did not invent the first stone spear. It was probably invented by an Aspie who chipped away at rocks while the other people socialized around the campfire. Without autism traits we might still be living in caves.

Science words,” I warned. “When you say ‘hemoglobin’ I just think of little Irish tricksters who live in caves, or Lord of the Rings.” “You mean ‘goblin’?” “Yes.

Ronny’s religion was of the sterilized Public School brand, which never goes bad, even in the tropics. Wherever he entered, mosque, cave or temple, he retained the spiritual outlook of the fifth form, and condemned as ‘weakening’ any attempt to understand them.

Been thinking of my grandfather, whose wayward brilliance skipped my father’s generation. Once, he showed me an aquatint of a certain Siamese temple. Don’t recall its name, but ever since a disciple of the Buddha preached on the spot centuries ago, every bandit king, tyrant, and monarch of that kingdom has enhanced it with marble towers, scented arboretums, gold-leafed domes, lavished murals on its vaulted ceilings, set emeralds into the eyes of its statuettes. When the temple finally equals its counterpart in the Pure Land, so the story goes, that day humanity shall have fulfilled its purpose, and Time itself shall come to an end. To men like Ayrs, it occurs to me, this temple is civilization. The masses, slaves, peasants, and foot soldiers exist in the cracks of its flagstones, ignorant even of their ignorance. Not so the great statesmen, scientists, artists, and most of all, the composers of the age, any age, who are civilization’s architects, masons, and priests. Ayrs sees our role is to make civilization ever more resplendent. My employer’s profoundest, or only, wish is to create a minaret that inheritors of Progress a thousand years from now will point to and say, “Look, there is Vyvyan Ayrs!” How vulgar, this hankering after immortality, how vain, how false. Composers are merely scribblers of cave paintings. One writes music because winter is eternal and because, if one didn’t, the wolves and blizzards would be at one’s throat all the sooner.

Being in the building with Sarah Palin that night is a transformative and oddly unsettling experience. It’s a little like having live cave-level access for the ripping-the-heart-out-with-the-bare-hands scene in Indiana Jones and the Temple of Doom.

Her small mouth opens and closes, a cave of light. And night falls down around me like a temple of broken glass.

We can go back to the Dark Ages! The crust of learning and good manners and tolerance is so thin! It would just take a few thousand big shells and gas bombs to wipe out all the eager young men, and all the libraries and historical archives and patent offices, all the laboratories and art galleries, all the castles and Periclean temples and Gothic cathedrals, all the cooperative stores and motor factories—every storehouse of learning. No inherent reason why Sissy's grandchildren—if anybody's grandchildren will survive at all—shouldn't be living in caves and heaving rocks at catamounts.

Mythologist Joseph Campbell, however, thought that the temple and cathedral are attractive because they spatially and acoustically recreate the cave, where early humans first expressed their spiritual yearnings.

The Fall of Rome (for Cyril Connolly) The piers are pummelled by the waves; In a lonely field the rain Lashes an abandoned train; Outlaws fill the mountain caves. Fantastic grow the evening gowns; Agents of the Fisc pursue Absconding tax-defaulters through The sewers of provincial towns. Private rites of magic send The temple prostitutes to sleep; All the literati keep An imaginary friend. Cerebrotonic Cato may Extol the Ancient Disciplines, But the muscle-bound Marines Mutiny for food and pay. Caesar's double-bed is warm As an unimportant clerk Writes I DO NOT LIKE MY WORK On a pink official form. Unendowed with wealth or pity, Little birds with scarlet legs, Sitting on their speckled eggs, Eye each flu-infected city. Altogether elsewhere, vast Herds of reindeer move across Miles and miles of golden moss, Silently and very fast.

It was the sound of the god of death from one of the forgotten religions, the one that got it right, upstaging the pretenders with their billions of duped faithful. Every god ever manufactured by the light of cave fires to explain the thunder or calling forth the fashionable supplications in far-flung temples was the wrong one. He had come around after all this time, preening as he toured the necropolis, his kingdom risen at last.

Yesterday I stood at the temple door interrogating the passersby about the mystery and merit of Love. And before me passed an old man with an emaciated and melancholy face, who sighed and said: "Love is a natural weakness bestowed upon us by the first man." But a virile youth retorted: "Love joins our present with the past and the future." Then a woman with a tragic face sighed and said: "Love is a deadly poison injected by black vipers, that crawl from the caves of hell. The poison seems fresh as dew and the thirsty soul eagerly drinks it; but after the first intoxication the drinker sickens and dies a slow death." Then a beautiful, rosy-cheeked damsel smilingly said: "Love is a wine served by the brides of Dawn which strengthens strong souls and enables them to ascend to the stars." After her a black-robed, bearded man, frowning, said: "Love is a divine knowledge that enables men to see as much as the gods." Then said a blind man, feeling his way with a cane: "Love is a blinding mist that keeps the soul from discerning the secret of existence, so that the heart sees only trembling phantoms of desire among the hills, and hears only echoes of cries from voiceless valleys." And a feeble ancient, dragging his feet like two rags, said, in quavering tones: "Love is the rest of the body in the quiet of the grave, the tranquility of the soul in the depth of Eternity." And a five-year-old child, after him, said laughing: "Love is my father and mother, and no one knows Love save my father and mother." And so, all who passed spoke of Love as the image of their hopes and frustrations, leaving it a mystery as before.

You wanted a demonstration,” Celaena said quietly. Sweat trickled down her back, but she gripped the magic with everything she had. “One thought from me, and your city will burn.” “It is stone,” Maeve snapped. Celaena smiled. “Your people aren’t.” Maeve’s nostrils flared delicately. “Would you murder innocents, Aelin? Perhaps. You did it for years, didn’t you?” Celaena’s smile didn’t falter. “Try me. Just try to push me, Aunt, and see what comes of it. This was what you wanted, wasn’t it? Not for me to master my magic, but for you to learn just how powerful I am. Not how much of your sister’s blood flows in my veins—no, you’ve known from the start that I have very little of Mab’s power. You wanted to know how much I got from Brannon.” The flames rose higher, and the shouts—of fright, not pain—rose with them. The flames would not hurt anyone unless she willed it. She could sense other magics fighting against her own, tearing holes into her power, but the conflagration surrounding the veranda burned strong. “You never gave the keys to Brannon. And you didn’t journey with Brannon and Athril to retrieve the keys from the Valg,” Celaena went on, a crown of fire wreathing her head. “You went to steal them for yourself. You wanted to keep them. Once Brannon and Athril realized that, they fought you. And Athril…” Celaena drew Goldryn, its hilt glowing bloodred. “Your beloved Athril, dearest friend of Brannon … when Athril fought you, you killed him. You, not the Valg. And in your grief and shame, you were weakened enough that Brannon took the keys from you. It wasn’t some enemy force who sacked the Sun Goddess’s temple. It was Brannon. He burned any last trace of himself, any clue of where he was going so you would not find him. He left only Athril’s sword to honor his friend—in the cave where Athril had first carved out the eye of that poor lake creature—and never told you. After Brannon left these shores, you did not dare follow him, not when he had the keys, not when his magic—my magic—was so strong.

There is no doubt that the prehistoric veneration of Mother Earth survived intact up to the time of the worship of Demeter and Persephone in Greece, Ops Consiua in Rome, Nerthus in Germanic lands, Zemyna or Zemes in the Baltic area, Mother Moist Earth in Slavic lands, and elsewhere. Her power was too ancient and deep to be altogether destroyed by succeeding patriarchal religions, including Christianity. She was therefore absorbed, and became known in western Europe as various saints: Radegund, Macrine, Walpurga, Milburga, among others. In many other lands, especially eastern Europe, she fused with the Mother of God, Marija. The Black Madonna is this same Earth Mother, whose blackness represents the color of earth's fertility. The yearly renewal of her fecundity is her fundamental miracle. Ancient mysteries, enacted through prehistoric and historic millennia- in caves, cemeteries, temples, and in the open fields- were for the purpose of expressing gratitude to the source of all life and nourishment, and to ritually participate in the secret of the earth's abundance.

The failure of Hellenism has been, largely, a matter of organization. Rome never tried to impose any sort of worship upon the countries it conquered and civilized; in fact, quite the contrary, Rome was eclectic. All religions were given an equal opportunity and even Isis—after some resistance—was worshipped at Rome. As a result we have a hundred important gods and a dozen mysteries. Certain rites are—or were—supported by the state because they involved the genius of Rome. But no attempt was ever made to coordinate the worship of Zeus on the Capitol with, let us say, the Vestals who kept the sacred fire in the old forum. As time passed our rites became, and one must admit it bluntly, merely form, a reassuring reminder of the great age of the city, a token gesture to the old gods who were thought to have founded and guided Rome from a village by the Tiber to world empire. Yet from the beginning, there were always those who mocked. A senator of the old Republic once asked an auger how he was able to get through a ceremony of divination without laughing. I am not so light-minded, though I concede that many of our rites have lost their meaning over the centuries; witness those temples at Rome where certain verses learned by rote are chanted year in and year out, yet no one, including the priests, knows what they mean, for they are in the early language of the Etruscans, long since forgotten. As the religious forms of the state became more and more rigid and perfunctory, the people were drawn to the mystery cults, many of them Asiatic in origin. At Eleusis or in the various caves of Mithras, they were able to get a vision of what this life can be, as well as a foretaste of the one that follows. There are, then, three sorts of religious experiences. The ancient rites, which are essentially propitiatory. The mysteries, which purge the soul and allow us to glimpse eternity. And philosophy, which attempts to define not only the material world but to suggest practical ways to the good life, as well as attempting to synthesize (as Iamblichos does so beautifully) all true religion in a single comprehensive system.

ORGANIC LIFE beneath the shoreless waves Was born and nurs'd in Ocean's pearly caves; First, forms minute, unseen by spheric glass, Move on the mud, or pierce the watery mass; These, as successive generations bloom, New powers acquire, and larger limbs assume; Whence countless groups of vegetation spring, And breathing realms of fin, and feet, and wing. Thus the tall Oak, the giant of the wood, Which bears Britannia's thunders on the flood; The Whale, unmeasured monster of the main, The lordly Lion, monarch of the plain, The Eagle soaring in the realms of air, Whose eye undazzled drinks the solar glare, Imperious man, who rules the bestial crowd, Of language, reason, and reflection proud, With brow erect, who scorns this earthy sod, And styles himself the image of his God; Arose from rudiments of form and sense, An embryon point, or microscopic ens!

The captain put his fingers to his temples as if he had a headache. “So, let me get this straight. Edgar, an immortal, who I assume is as unscrupulous as his sisters, tried to take that bracelet from you…” “He did take it,” she corrected. “I thought you said Zmey kept him from doing so.” “No. Edgar did snatch it from me at first, but Zmey made him give it back. I guess because King Wennergren gifted it to me. That means no one else is allowed to have it—that is, unless I give it away.” “So it’s good that you had Zmey there to help.” “Well….not exactly,” she hemmed again. “Not exactly, again?” Derian’s face tightened with frustration. He pressed harder on his temples. “Zmey protects the bracelet because he has to, but he doesn’t care much for me.” She hesitated before uttering the next sentence. “He actually tried to kill me.” “What? What! Why? Eena!” “It’s okay, really, I’m fine! Naga protects me from those other dragons.” “Other dragons? For criminy’s sake, how many more are there?!

Renee: “The Greek government doesn’t know that I found anything that day in the temple. And they for sure wouldn’t want to know about the little mess I left behind.” She grimaced. Trout: “Little mess? You started a freakin’ cave in, you moron. Nice work by the way. Way to keep up international relations. ‘Uh, yeah, hi, I’m Renée, I’m an American. I’m here to, you know, like, drink all your wine, trash the joint, steal all your valuable shit and then bolt the country.’ Why didn’t you just drop your shorts and pee in the Parthenon?

Thanks for the heavenly message brought by thee, Child of the wandering sea, Cast from her lap, forlorn! From thy dead lips a clearer note is born Than ever Triton blew from wreathèd horn! While on mine ear it rings, Through the deep caves of thought I hear a voice that sings:— Build thee more stately mansions, O my soul, As the swift seasons roll! Leave thy low-vaulted past! Let each new temple, nobler than the last, Shut thee from heaven with a dome more vast, Till thou at length art free, Leaving thine outgrown shell by life’s unresting sea!

Buddhism suddenly deteriorated in India sometime after the fourth century of the Christian era. It has been rightly said that Hinduism stifled it in its friendly embrace. Like Christianity and Judaism in Judea and Confucianism and Taoism in China, Buddhism had to be exiled from India for it to become a world religion. It was necessary for India to turn to a more primitive folk religion. Hinduism perfunctorily retained the name Buddha in a far corner of its pantheon, where he was preserved as the ninth of the ten avatars of Vishnu. Vishnu is believed to assume ten transfigurations: Matsya, the fish; Kurma, the land tortoise; Varha, the boar; Narasimha, the man-lion; Vamana, the dwarf; Parashurama; Rama; Krishna; the Buddha; and the Kalki. According to the Brahmans, Vishnu, assuming the form of Buddha, purposely introduced a heretical religion so that believers would be led astray, thus presenting the opportunity for the Brahmans to lead them back to their true religion -- Hinduism. Thus, along with the decline of Buddhism the cave temples at Ajanta in western India fell into ruin and became known to the world only twelve centuries later, in 1819, when a British Army corps chanced upon them.

Except for the Marabar Caves—and they are twenty miles off—the city of Chandrapore presents nothing extraordinary. Edged rather than washed by the river Ganges, it trails for a couple of miles along the bank, scarcely distinguishable from the rubbish it deposits so freely. There are no bathing-steps on the river front, as the Ganges happens not to be holy here; indeed there is no river front, and bazaars shut out the wide and shifting panorama of the stream. The streets are mean, the temples ineffective, and though a few fine houses exist they are hidden away in gardens or down alleys whose filth deters all but the invited guest. Chandrapore was never large or beautiful, but two hundred years ago it lay on the road between Upper India, then imperial, and the sea, and the fine houses date from that period. The zest for decoration stopped in the eighteenth century, nor was it ever democratic. There is no painting and scarcely any carving in the bazaars. The very wood seems made of mud, the inhabitants of mud moving. So abased, so monotonous is everything that meets the eye, that when the Ganges comes down it might be expected to wash the excrescence back into the soil. Houses do fall, people are drowned and left rotting, but the general outline of the town persists, swelling here, shrinking there, like some low but indestructible form of life.

The Fall of Rome - 1907-1973 The piers are pummelled by the waves; In a lonely field the rain Lashes an abandoned train; Outlaws fill the mountain caves. Fantastic grow the evening gowns; Agents of the Fisc pursue Absconding tax-defaulters through The sewers of provincial towns. Private rites of magic send The temple prostitutes to sleep; All the literati keep An imaginary friend. Cerebrotonic Cato may Extol the Ancient Disciplines, But the muscle-bound Marines Mutiny for food and pay. Caesar's double-bed is warm As an unimportant clerk Writes I DO NOT LIKE MY WORK On a pink official form. Unendowed with wealth or pity, Little birds with scarlet legs, Sitting on their speckled eggs, Eye each flu-infected city. Altogether elsewhere, vast Herds of reindeer move across Miles and miles of golden moss, Silently and very fast.

Excavators uncovered one of Malta's most famous Neolithic sculptures, the "Sleeping Lady" of the Hypogeum, off the main hall. She reclines peacefully on her side, head in hand...This sculpture and another one shown lying on her stomach on a couch reminds us of initiation and healing rites known in later classical times. During these various classical ceremonies, the initiate spent a night in the temple (or cave or other remote place). The initiate experienced a night of visions and dreams, with spiritual or physical healing taking place...This rite probably derived from Neolithic practices that likened sleeping in a cave, temple, or underground chamber to slumbering in the goddess' uterus before spiritual reawakening. For the living, such a ritual brought physical healing and spiritual rebirth. For the dead, burial within underground chambers, shaped and colored like the uterus, represented the possibility of regeneration through the goddess' symbolic womb.

You look at the history of any sentient species and what do you find but tableaux of violence and slaughter. It’s finger-painted on the ceilings of caves and engraved into the walls of temples. Dig a hole deep enough on any world and you’ll find the skulls and bones of adults and children fractured by crude weapons. All of us were fighting long before we were farming and raising livestock.” He held up a hand before anyone could voice an objection. “All of you are exceedingly well educated, and you’re going to start rattling off the names of species and societies where that isn’t the case. And my answer is that those aren’t the beings or the star systems we need to worry about. It’s the rest of them. Violence is hardwired into most of us and there’s no eliminating the impulse—not with an army of stormtroopers or a fleet of Star Destroyers. That’s why we’ve embarked on a path to a different solution. We have a chance to forge a peace that will endure for longer than the Republic was in existence.” “Peace through fear,” Reeva said. “Yes,” Krennic told her, and let it go at that.

On the fifteenth of August, Tisha B’av, there had been Arab disturbances in Jerusalem. The British said these had been in reaction to the demonstration staged by the followers of Jabotinsky at the Western Wall protesting new British regulations that interfered with Jewish religious services at the Wall. But we knew all about the British, he said. Our dear friends, the British. They announced that they washed their hands of the Jews as a result of this demonstration, and the Arabs took the hint. The day after the demonstration, on Tisha B’av, a group of Arabs beat up Jews gathered at the Wall for prayers, and then burned copies of the Book of Psalms which were left lying nearby. Then the Mufti of Jerusalem spread the rumor that the Jews were ready to capture and desecrate the holy mosques on the Temple Mount in Jerusalem. The Arabs began coming into Jerusalem from all over the country. In Hebron, Arabs who were friends of the Jews reported that messengers of the Mufti had been in the city and had preached in the mosque near the Cave of Machpelah that the Jews had attacked Arabs in Jerusalem and desecrated their mosques.

I once saw a striking contrast in the use made of material in Florence. I saw first in the Boboli gardens the two wonderful figures of the barbarians-you remember perhaps those antique stone statues. They are made of stone, consist of stone, represent the spirit of stone: you feel that stone has had the word! Then I went to the tombs of the Medici and saw what Michelangelo did to stone; there the stone has been brought to a super-life. It makes gestures which stone never would make; it is hysterical and exaggerated. The difference was amazing. Or go further to a man like Houdon and you see that the stone becomes absolutely acrobatic. There is the same difference between the Norman and Gothic styles. In the Gothic frame of mind stone behaves like a plant, not like a normal stone, while the Norman style is completely suggested by the stone. The stone speaks. Also an antique Egyptian temple is a most marvelous example of what stone can say; the Greek temple already plays tricks with stone, but the Egyptian temple is made of stone. It grows out of stone — the temple of Abu Simbel, for example, is amazing in that respect. Then in those cave temples in India one sees again the thing man brings into stone. He takes it into his hands and makes it jump, fills it with an uncanny sort of life which destroys the peculiar spirit of the stone. And in my opinion it is always to the detriment of art when matter has no say in the game of the artist. The quality of the matter is exceedingly important — it is all-important. For instance, I think it makes a tremendous difference whether one paints with chemical colors or with so-called natural colors. All that fuss medieval painters made about the preparation of their backgrounds or the making and mixing of their colors had a great advantage. No modern artist has ever brought out anything like the colors which those old masters produced. If one studies an old picture, one feels directly that the color speaks, the color has its own life, but with a modern artist it is most questionable whether the color has a life of its own. It is all made by man, made in Germany or anywhere else, and one feels it. So the projection into matter is not only a very important but an indispensable quality of art. Jung, C. G.. Nietzsche's Zarathustra: Notes of the Seminar given in 1934-1939. Two Volumes: 1-2, unabridged (Jung Seminars) (p. 948-949)

Cultures are always built by the telling of stories. Within them are contained symbols and values that can be passed easily through the generations. Thousands of goddess tales are being unearthed and retold, and many new ones are being created. These tales are like threads with which we can weave our magic. In many stories the goddess is described in three phases—the Maiden, the Mother, and the Crone. This is a wonderful female trinity with infinite correspondences in life and nature. Cycles Three, Four, and Five will deal with each of these goddess-phases in turn. Some of the old goddess tales were twisted to suit the takeover of male powers, in order to win converts to their new gods. For example, Pandora (All-Gifts) was originally a Great Mother Goddess, whose box (womb, cauldron, cave, cup) was a reservoir of beauty and life-sustaining gifts. Patriarchal myth tells us that Her box contained all manner of destructive demons, which once unleashed upon the world, brought evil and suffering to all. Eve was also a Mother Goddess, whose tree was the Tree of Life. The serpent was her own sensual wisdom, and the apple was her sacred fruit. Athene, whom we are told was born fully grown out of the head of Zeus, dressed in armor and ready for war, was originally the daughter of the matriarchal goddess Metis. (Meter, method, measure, matter, mother…) Both mother and daughter were worshipped by the Amazons at Lake Triton, and were born parthenogenetically—without sperm. The examples of mythic misogyny are endless. Medusa is another; the patriarchs would have us believe that one look upon her face would turn the viewer to stone, because they did not wish us to know her true nature. One source reveals that the Medusae were a tribe of Amazon women; another that their snaky-haired masks were used over temple doorways to protect the Mysteries from irreverent intruders. Whenever we hear about a serpent in myth or fairy-tale, we can usually be sure that it hails back to an ancient Goddess and Her powers. The serpent, before the heyday of Freud and phallic symbols, meant transformation and kundalini energy.

Elephanta caves, Mumbai-- I entered a world made of shadows and sudden brightness. The play of the light, the vastness of the space and its irregular form, the figures carved on the walls: all of it gave the place a sacred character, sacred in the deepest meaning of the word. In the shadows were the powerful reliefs and statues, many of them mutilated by the fanaticism of the Portuguese and the Muslims, but all of them majestic, solid, made of a solar material. Corporeal beauty, turned into living stone. Divinities of the earth, sexual incarnations of the most abstract thought, gods that were simultaneously intellectual and carnal, terrible and peaceful. ............................................................................ Gothic architecture is the music turned to stone; one could say that Hindu architecture is sculpted dance. The Absolute, the principle in whose matrix all contradictions dissolve (Brahma), is “neither this nor this nor this.” It is the way in which the great temples at Ellora, Ajanta, Karli, and other sites were built, carved out of mountains. In Islamic architecture, nothing is sculptural—exactly the opposite of the Hindu. The Red Fort, on the bank of the wide Jamuna River, is as powerful as a fort and as graceful as a palace. It is difficult to think of another tower that combines the height, solidity, and slender elegance of the Qutab Minar. The reddish stone, contrasting with the transparency of the air and the blue of the sky, gives the monument a vertical dynamism, like a huge rocket aimed at the stars. The mausoleum is like a poem made not of words but of trees, pools, avenues of sand and flowers: strict meters that cross and recross in angles that are obvious but no less surprising rhymes. Everything has been transformed into a construction made of cubes, hemispheres, and arcs: the universe reduced to its essential geometric elements. The abolition of time turned into space, space turned into a collection of shapes that are simultaneously solid and light, creations of another space, made of air. There is nothing terrifying in these tombs: they give the sensation of infinity and pacify the soul. The simplicity and harmony of their forms satisfy one of the most profound necessities of the spirit: the longing for order, the love of proportion. At the same time they arouse our fantasies. These monuments and gardens incite us to dream and to fly. They are magic carpets. Compare Ellora with the Taj Mahal, or the frescoes of Ajanta with Mughal miniatures. These are not distinct artistic styles, but rather two different visions of the world.

temple and cathedral are attractive because they spatially and acoustically recreate the cave, where early humans first expressed their spiritual yearnings.

And when my priests and I have finished redacting the prophetic sibylline books, I shall order all of them destroyed except the re-authorized four scrolls that will be gilded and installed in the annex of the new temple I will build for Apollo in the Forum. Please, if you don't mind, insert into the story the oracle that wrote the books, the Cumaean Sibyl — as prominently as possible. Make her somehow the authorized gate to ultimate knowledge or her cave the transition by which the hero experiences the underworld.

Her hand went up to the wasted pits of her cheeks and above, to her eyes that had grown wide and large and luminous, her tangled hair, the pale temples where the muscles stiffened in constant tension, borne by the perpetual set of her jaw. And her body, oh, her poor, poor body … gone beyond slenderness now to a wretched thinness, ribs easily visible, diaphragm slowly eroding into a hollow cave. Only the breasts remained in all their former fullness, absurdly huge on the withered body, as if refusing to surrender the last bastion of femininity, of motherhood.

why do people search in books temples and caves when the power that gives them life resides in their own body

In the end, Origen’s Platonized Christianity added up to more than a cleverly argued theology. It signaled a cultural revolution. Its overt moral absolutism smashed all the cherished myths and institutions of mainstream ancient culture, from its temples and gods, including the emperor worship that underpinned the Roman Empire, to its games and spectacles and sacrifices—all in the name of Greek wisdom and reason. It triggered a systematic process of deconstruction, both literal and symbolic, that would reach its climax in Saint Augustine’s The City of God. Nothing, absolutely nothing, would survive Origen’s withering blast—not even Celsus’s brilliant anti-Christian polemic of a century before.

Alucard had been managing the grand reopening of my arcane bookstore, Plato’s Cave, for the past few weeks. Having earned the disfavor of his fellow vampires by helping me out of a pickle against the Brothers Grimm a few months back, he had found himself… out of work.

I have passed through thick forests, flat grasslands, and deserts; sojourned at caravansaries and hostels; consulted with the learned men in age-old libraries; listened to tutors teaching little children in maktabs; discussed tafsir and logic with students in madrassas; visited temples, monasteries, and shrines; meditated with hermits in their caves; performed zikr with dervishes; fasted with sages and dined with heretics; danced with shamans under the full moon; come to know people of all faiths, ages, and professions; and witnessed misfortunes and miracles alike.

But the one that really spoke to me was the Temple of Mars Ultor. I mean,who wouldn't dig that red marble crypt with its cast-iron doors? And, inside, that massive statue of the Avenger (no, not one of those Avengers), his scarred face scowling and his spear raised as if to strike whoever dares to enter. Let's not forget the display wall of human skulls and assorted weapons, from the kind that slice and dice to the kind that leave bullet-shaped holes. Even the ceiling pays tribute, with eleven identical and bizarre-looking shields that form the letter M. That military man-cave - sorry, god-crypt was built to intimidate, but the decor was so over-the-top that I broke into giggles while looking at it. I got out of there before I lost control, though. I'm not stupid enough to risk insulting the war god.

And just think: a quote from Aeneas’s adventure, the Aeneid, now romantically adorns the outer wall of the necropolis deep within the cave beneath George Bush’s newest temple of Apollo. For a visual demonstration of the symbolism behind this new Temple dedicated to Apollo watch the following Judah Vision video: ‘Satan Invoked SuperBowl 52 | Satanic Halftime Show Video.

I knew from experience that we all had that dark presence inside us. We’d had it since our caveman days. You could take a man out of the cave, but you couldn’t take the cave out of the man. Hell, we even called our basements man caves. Preach.

Secondly, we worship creatures by [109] honouring those places or persons whom God has associated with the work of our salvation, whether before our Lord's coming or since the dispensation of His incarnation. For instance, I venerate Mount Sinai, Nazareth, the stable at Bethlehem, and the cave, the sacred mount of Golgotha, the wood of the Cross, the nails and sponge and reed, the sacred and saving lance, the dress and tunic, the linen cloths, the swathing clothes, the holy tomb, the source of our resurrection, the sepulchre, the holy mountain of Sion and the mountain of Olives, the Pool of Bethsaida and the sacred garden of Gethsemane, and all similar spots. I cherish them and every holy temple of God, and everything connected with God's name, not on their own account but because they show forth the divine power, and through them and in them it pleased God to bring about our salvation. I venerate and worship angels and men, and all matter participating in divine power and ministering to our salvation through it. I do not worship the Jews. They are not participators in divine power, nor have they contributed to my salvation. They crucified my God, the King of [110] Glory, moved rather by envy and hatred against God their Benefactor. "Lord, I have loved the beauty of Thy house," (Ps. 26.8) says David, "we will adore in the place where his feet stood. And adore at His holy mountain." (Ps. 132.7; 99.9) The holy Mother of God is the living holy mountain of God. The apostles are the teaching mountains of God. "The mountains skipped like rams, and the hills like the lambs of the flock." (I Cor. 10.11) The

The cave sits tucked deep within the mass of rocks that sprout like moles from the forest floor.

You look at the history of any sentient species and what do you find but tableaux of violence and slaughter. It’s finger-painted on the ceilings of caves and engraved into the walls of temples.

Truth is elusive, subtle, manysided. You know, Priscilla, there’s an old Hindu story about Truth. It seems a brash young warrior sought the hand of a beautiful princess. Her father, the king, thought he was a bit too cocksure and callow. He decreed that the warrior could only marry the princess after he had found Truth. So the warrior set out into the world on a quest for Truth. He went to temples and monasteries, to mountaintops where sages meditated, to remote forests where ascetics scourged themselves, but nowhere could he find Truth. Despairing one day and seeking shelter from a thunderstorm, he took refuge in a musty cave. There was an old crone there, a hag with matted hair and warts on her face, the skin hanging loose from her bony limbs, her teeth yellow and rotting, her breath malodorous. But as he spoke to her, with each question she answered, he realized he had come to the end of his journey: she was Truth. They spoke all night, and when the storm cleared, the warrior told her he had fulfilled his quest. ‘Now that I have found Truth,’ he said, ‘what shall I tell them at the palace about you?’ The wizened old creature smiled. ‘Tell them,’ she said, ‘tell them that I am young and beautiful.

subtle energy body was increasingly viewed as a microcosmic map of the earth, the elements, and the cosmos. The currents of energy within us were rivers flowing through the vast landscape of the body; the spine was a mountain cradling the cave of the heart where the fire of consciousness burns. The sun was the vital energy of the body, and the moon was the inner nectar. Chidambaram Temple—Body of the Cosmic

We have increased our population to the level of 7 billion and beyond. We are well on our way toward 9 billion before our growth trend is likely to flatten. We live at high densities in many cities. We have penetrated, and we continue to penetrate, the last great forests and other wild ecosystems of the planet, disrupting the physical structures and the ecological communities of such places. We cut our way through the Congo. We cut our way through the Amazon. We cut our way through Borneo. We cut our way through Madagascar. We cut our way through New Guinea and northeastern Australia. We shake the trees, figuratively and literally, and things fall out. We kill and butcher and eat many of the wild animals found there. We settle in those places, creating villages, work camps, towns, extractive industries, new cities. We bring in our domesticated animals, replacing the wild herbivores with livestock. We multiply our livestock as we've multiplied ourselves, operating huge factory-scale operations involving thousands of cattle, pigs, chickens, ducks, sheep, and goats, not to mention hundreds of bamboo rats and palm civets, all confined en masse within pens and corrals, under conditions that allow those domestics and semidomestics to acquire infectious pathogens from external sources (such as bats roosting over the pig pens), to share those infections with one another, and to provide abundant opportunities for the pathogens to evolve new forms, some of which are capable of infecting a human as well as a cow or a duck. We treat many of those stock animals with prophylactic doses of antibiotics and other drugs, intended not to cure them but to foster their weight gain and maintain their health just sufficiently for profitable sale and slaughter, and in doing that we encourage the evolution of resistant bacteria. We export and import livestock across great distances and at high speeds. We export and import other live animals, especially primates, for medical research. We export and import wild animals as exotic pets. We export and import animal skins, contraband bushmeat, and plants, some of which carry secret microbial passengers. We travel, moving between cities and continents even more quickly than our transported livestock. We stay in hotels where strangers sneeze and vomit. We eat in restaurants where the cook may have butchered a porcupine before working on our scallops. We visit monkey temples in Asia, live markets in India, picturesque villages in South America, dusty archeological sites in New Mexico, dairy towns in the Netherlands, bat caves in East Africa, racetracks in Australia – breathing the air, feeding the animals, touching things, shaking hands with the friendly locals – and then we jump on our planes and fly home. We get bitten by mosquitoes and ticks. We alter the global climate with our carbon emissions, which may in turn alter the latitudinal ranges within which those mosquitoes and ticks live. We provide an irresistible opportunity for enterprising microbes by the ubiquity and abundance of our human bodies. Everything I’ve just mentioned is encompassed within this rubric: the ecology and evolutionary biology of zoonotic diseases. Ecological circumstance provides opportunity for spillover. Evolution seizes opportunity, explores possibilities, and helps convert spillovers to pandemics.

These mechs—rays—stim—have been used always as the forbidden fruit of life, the last treasure in the temple of secrecy which has consumed the ancient science. The orgies which the uses of such stimulants inspire have been going on secretly since the earliest times—beneath the temples and in the secret pleasure palaces of the world. (Shaver here seems to be talking of our modern world, not of ancient Mu. —Ed.) These orgies still go on, and are more deadly than before—more filled with de accumulated in the apparatus, the stim itself concealing the deadly rays whose effect is explained as the sad results of overindulgence; which is untrue—the stim is a beneficial of great virtue and leaves one stronger and wiser after use. “The legend of the sirens is an example of ancient mechs which no one could resist—in the hands of evil degenerates it became a deadly attraction—drawing shiploads of men to death and the ships to looting. “The course of history, the battles, the decisions of tyrants and kings—was almost invariably decided by interfering control from the caverns and their hidden apparatus. This interference, this use of the apparatus in a prankish, evil, destructive way, is the source of god worship, the thrill of divinity, the sensing of the invisible, the prostration of the will before the stronger will of the ray gen (hidden and unknown as it was). “The remarkable part of it all is that it still goes on today. Emotional and mental stim—unsuspected by such as you and the average citizen—used in mad prankishness, all come from the ancient apparatus. If you will remember your stage fright in the school play, the many other times when your emotions seem to have gone awry without sufficient reason—were these natural? “The dero of the caves are the greatest menace to our happiness and progress; the cause of many mad things that happen to us, even so far as murder. Many people know something of it, but they say they do not. They are lying. They fear to be called mad, or to be held up to ridicule. Examine your own memory carefully. You will find many evidences of outside stim, some good, some evil—but mostly evil.

The forests, oceans, rivers, mountains, caves, and stars are the only temples you will need.

Does the God of Abraham look lovingly upon ancient cave drawings and temples dedicated to the only gods ancient humans could have known?

like that. Many of the mighty cities of North Africa like El Djem in what is now Tunisia were left to decay in peace. Even today they have massive ruins. El Djem has its vast Roman amphitheatre. Orange, in southern France, has a Roman theatre and an aqueduct. Athens has a vast Roman temple of Zeus and a library built by the emperor Hadrian (AD 117–138), who passed this way on his travels (see Chapter 17). Baalbek in the Lebanon has two colossal temples, and one of them – the temple of Bacchus – is still practically intact. Rome itself remained home to some of the most enormous ruins: The Colosseum, the city’s biggest amphitheatre, is still largely in one piece (see Chapter 8); the ruins of the imperial palaces still cluster across the Palatine Hill, and the baths of Caracalla look like a giant’s cave complex. The Aurelian walls of Rome, built in the 270s (see Chapter 19 for information on the emperor Aurelian), still surround most of Rome. The survival of Roman books Roman writers were all hugely influential in different ways, but it’s thanks to the survival of their texts that we know what we do about the Roman world. Consider these examples: Cicero (Marcus Tullius Cicero) (106–43 BC): Cicero was a great orator, lawyer, and statesman. Well aware of his importance, he published his speeches, treatises on government (De Re Publica), duty (De Officiis), the nature of gods (De Deorum Natura), and also a vast collection of his private correspondence. A great deal survives and he had a huge influence on thought and literature in early modern times. Caesar (Gaius Julius Caesar) (100–44 BC): Caesar wrote his own account of his war in Gaul (Bellum Gallicum), and also part of his civil war with Pompey (Bellum Civile). The texts are famous for sounding objective (though they aren’t at all), and for their spare, terse style, but are exceptional historical resources for the time. To find out more about Julius Caesar, go to Chapter 14. Catullus

I COULD HAVE reminded the Arab Knesset member of other historical facts once known to many schoolchildren but which have since been forgotten—or distorted by anti-Israel propaganda. The history of the Jewish people spans almost four millennia. The first thousand years or so are covered in the Bible, and are attested to by archaeology and the historical records of other, contemporaneous peoples. As the centuries progress, the mists of time and the myths gradually evaporate and the unfolding events come into sharp historical focus. Reading the Bible from second grade on, I could easily imagine Abraham and Sarah on their long trek from Ur of the Chaldeans to the land of Canaan almost four thousand years ago. Abraham envisions one God, unseen but present everywhere. He buys a burial cave in Hebron and bequeaths the new land to his progeny. The descendants of Abraham’s grandson Jacob are enslaved in Egypt for centuries, until Moses takes them out of bondage. He leads them for forty years in the wilderness to the Promised Land, giving the Children of Israel the Ten Commandments and a moral code that would change the world. The indomitable Joshua conquers the land, wily David establishes his kingdom in Jerusalem, and wise Solomon builds his Temple there, only to have his sons split the realm into two. The northern kingdom, Israel, is destroyed, its ten tribes lost to history. The southern kingdom, Judea, is conquered and Solomon’s Temple is destroyed by the Babylonians, by whose rivers the exiled Judeans weep as they remember Zion. They rejoice when in 537 BCE they are reinstated in their homeland by Cyrus of Persia, who lets them rebuild their destroyed Temple. The Persian rulers are replaced by Alexander the Great, one of whose heirs seeks to eradicate the Jewish religion. This sparks a rebellion led by the brave Maccabees, and the independent Jewish state they establish lasts for eighty years. It is overtaken by the rising power Rome which initially rules through proxies, the most notable of whom is Herod the Great. Herod refurbishes the Jerusalem Temple as one of the great wonders of the ancient world. In its bustling courtyard a Jewish rabbi from the Galilee, Jesus of Nazareth, overturns the tables of the money changers, setting off a chain of events culminating in his eventual crucifixion and the beginning of the Judeo-Christian tradition. When the Jews rebel against Roman rule, Rome destroys Jerusalem and Herod’s Temple in 70 CE. Masada, the last rebel stronghold, falls three years later. Despite the devastation, sixty-two years later the Jews rebel again under the fearless Bar Kokhba, only to be crushed even more brutally. The Roman emperor Hadrian bars the Jews from Jerusalem and renames the country Palestina, after the Grecian Philistines, who have long disappeared.

The night was silent, dreadfully silent. But it was a silence that roared in my ears. At a distance across the lake stood the Shankaracharya Hill, symbolizing our inner vitality — the volcanic vitality that has now cooled inside the rock that bears the name of the great recreator of Indian cultural unity and who, like a Colossus, strode in the tenth century from Kanyakumari, "the lotus feet of the Divine Mother," to Kashmir, "the crown of India," and ascended this hill to pray at the little Shiva temple that came into existence between 2629 B.C. and 2564 B.C. and then proceeded to consecrate the Holy Cave of Amarnath. Did this symbol of our innate strength have any meaning for our leadership of the day? Did it realize that India today required a new welding force — another cultural renaissance, another social and moral vision, which should stand like a Shankara's rock against the forces of decline and disintegration?

A witch honors all that is sacred: from natural wonders, such as caves and hot springs, to ancient monuments, such as the pyramids of Giza or the Oracle of Delphi, and countless other examples. But what is sacred above all else for the witch is the home. It is your temple, your laboratory, and your sanctuary.

Sacred boxes were a vital part of the ancient temples to Hekate, Demeter, and Persephone.

The priestess stopped at the mouth of the cave. She raised her arms, and an ugly unearthly howl came out of her, as if from the very depths of Sheol. The acoustics of the grotto were astounding. Every sound was amplified. Then she disappeared inside the cave. Jesus walked up to the temple area. Simon saw people appear from inside buildings and tombs, from behind trees, rocks and architecture. They were the local residents, but they were not acting normally. They walked with slight jerks and twitches, stumbling toward Jesus. Some could be heard squealing like swine and making guttural animal sounds. Demoniacs. Hundreds of them. Descending the slope like slow, crouching predators upon their prey, the Son of God.

The twelve with Jesus arrived at the sacred pool, about a hundred yards wide. At its origin, another fifty yards ahead of them, the Springs of Panias gushed out of the Cave of Pan, a large mouth in the red cliff towering a hundred feet over the temple district. A temple of Pan, altars, tombs, and other architecture carved into the very rock, housed a thousand eyes watching Jesus approach them. Inhuman eyes. Jesus held his hand up to the disciples. “Wait here.” They stopped. Jesus walked on. From his position, Simon saw what looked like a high priestess step out of the temple. He could barely see in the waning light, but she wore an elaborate headdress and flowing purple robes. She saw Jesus, turned, and led her entourage of nymphs back into the cave. She was not going to face down her challenger.

You’ve saved your money and bought a ticket to Fashion Week in Milan. All the world’s great clothing designers will be showing their startling and beautiful designs. You’ll be one of the first to see them! Or picture yourself in Rome. You’re at a performance of the opera Aïda, written by Italian composer Giuseppe Verdi. You’re seated amid eighteen-hundred-year-old ruins under a starry sky, listening to magnificent music. You’ve got your snowboard and warm clothing so you can glide down the slopes the world’s greatest skiers took during the 2006 Winter Olympics near Turin. Or perhaps it’s summer, and you’re going to explore the sea caves of Capri, off the coast of Naples. Later, you can take a look at the towering columns at Agrigento, among the temples the ancient Greeks built on the island of Sicily long before Italy existed. In any one of these places, you might be one of the millions of tourists who visit Italy every year. But alongside the tourists are Italians, also appreciative of the wonders of their own country.

Jesus continues, “But you are making it a den of robbers” (Matthew 21:13). Here he is quoting Jeremiah 7:11: “Has this house, which is called by my name, become a den of robbers in your sight?” A “den of robbers” (sometimes translated a “den of thieves”) is not where robbers rob. “Den” really means “cave,” and a cave of robbers is where robbers go after they have taken what does not belong to them, and count up their loot. The context of Jeremiah’s quotation—and remember, it always helps to look up the context of citations to the Old Testament—tells us this. Jeremiah 7:9-10 depicts the ancient prophet as condemning the people of his own time, the time right before Babylonians destroyed Solomon’s Temple over five hundred years earlier: “Will you steal, murder, commit adultery, swear falsely, make offerings to Baal, and go after other gods that you have not known, and then come and stand before me in this house, which is called by my name, and say, ‘We are safe!’—only to go on doing all these abominations?

If a failure to preserve and consider potentially controversial evidence has frustrated a full understanding of the Hypogeum, then the same is also true for the megalithic temples and even the prehistoric cave sites in Malta. Thus, Mifsud points out that archaeologists excavating Ghar Dalam cave in the early twentieth century [...] 'discovered several knives, scrapers, borers and burins in previously undisturbed deposits, and although stratigraphically Pleistocene, they have been arbitrarily attributed to the Neolithic'.