Cave Girl Quotes

People’s lives, in Jubilee as elsewhere, were dull, simple, amazing, and unfathomable – deep caves paved with kitchen linoleum.

You amaze me Lissa Daniels. Most girls would cave as soon as I gave them the puppy-dog look with these amazing eyes." "Sorry. I like boys. Not dogs. You should've dated a different girl if you wanted someone to bend to your will.

Peeta,” I say lightly. “You said at the interview you’d had a crush on me forever. When did forever start?” “Oh, let’s see. I guess the first day of school. We were five. You had on a red plaid dress and your hair... it was in two braids instead of one. My father pointed you out when we were waiting to line up,” Peeta says. “Your father? Why?” I ask. “He said, ‘See that little girl? I wanted to marry her mother, but she ran off with a coal miner,’” Peeta says. “What? You’re making that up!” I exclaim. “No, true story,” Peeta says. “And I said, ‘A coal miner? Why did she want a coal miner if she could’ve had you?’ And he said, ‘Because when he sings... even the birds stop to listen.’” “That’s true. They do. I mean, they did,” I say. I’m stunned and surprisingly moved, thinking of the baker telling this to Peeta. It strikes me that my own reluctance to sing, my own dismissal of music might not really be that I think it’s a waste of time. It might be because it reminds me too much of my father. “So that day, in music assembly, the teacher asked who knew the valley song. Your hand shot right up in the air. She stood you up on a stool and had you sing it for us. And I swear, every bird outside the windows fell silent,” Peeta says. “Oh, please,” I say, laughing. “No, it happened. And right when your song ended, I knew—just like your mother—I was a goner,” Peeta says. “Then for the next eleven years, I tried to work up the nerve to talk to you.” “Without success,” I add. “Without success. So, in a way, my name being drawn in the reaping was a real piece of luck,” says Peeta. For a moment, I’m almost foolishly happy and then confusion sweeps over me. Because we’re supposed to be making up this stuff, playing at being in love not actually being in love. But Peeta’s story has a ring of truth to it. That part about my father and the birds. And I did sing the first day of school, although I don’t remember the song. And that red plaid dress... there was one, a hand-me-down to Prim that got washed to rags after my father’s death. It would explain another thing, too. Why Peeta took a beating to give me the bread on that awful hollow day. So, if those details are true... could it all be true? “You have a... remarkable memory,” I say haltingly. “I remember everything about you,” says Peeta, tucking a loose strand of hair behind my ear. “You’re the one who wasn’t paying attention.” “I am now,” I say. “Well, I don’t have much competition here,” he says. I want to draw away, to close those shutters again, but I know I can’t. It’s as if I can hear Haymitch whispering in my ear, “Say it! Say it!” I swallow hard and get the words out. “You don’t have much competition anywhere.” And this time, it’s me who leans in.

She’s lived in Plato’s cave, staring at the shadows on the wall. Now she’s been turned around to face the fire.

Leo felt trapped. He’d once been stuck in a cave on top of Pikes Peak, surrounded by a pack of werewolves. Another time he’d been stuck in an abandoned factory with a family of evil Cyclopes. But this—standing in an open clearing with a dozen pretty girls—was much worse.

When I was very young and in the cave of Trophonius I forgot to laugh. Then, when I got older, when I opened my eyes and saw the real world, I began to laugh and I haven’t stopped since. I saw that the meaning of life was to get a livelihood, that the goal of life was to be a High Court judge, that the bright joy of love was to marry a well-off girl, that the blessing of friendship was to help each other out of a financial tight spot, that wisdom was what the majority said it was, that passion was to give a speech, that courage was to risk being fined 10 rix-dollars, that cordiality was to say ‘You’re welcome’ after a meal, and that the fear of God was to go to communion once a year. That’s what I saw. And I laughed.

The same thing happened to me that, according to legend, happened to Parmeniscus, who in the Trophonean cave lost the ability to laugh but acquired it again on the island of Delos upon seeing a shapeless block that was said to be the image of the goddess Leto. When I was very young, I forgot in the Trophonean cave how to laugh; when I became an adult, when I opened my eyes and saw actuality, then I started to laugh and have never stopped laughing since that time. I saw that the meaning of life was to make a living, its goal to be- come a councilor, that the rich delight oflove was to acquire a well-to-do girl, that the blessedness of friendship was to help each other in financial difficulties, that wisdom was whatever the majority assumed it to be, that enthusiasm was to give a speech, that courage was to risk being fined ten dollars, that cordiality was to say "May it do you good" after a meal, that piety was to go to communion once a year. This I saw, and I laughed.

Each book was like an underwater cave, and when I rose again to the surface, I was pale and grumpy, resentful of everyone who hadn't been where I'd been.

Let me love you, girl who came from the sea. Let us swim to the bottom of the ocean where we can be anything and where no one can find us. We will grow gills and breathe salt water. We will sprout fins and scales and make our home in underground caves. Or else will drown there. But either way, i will be happy

Everything already in place: the retired hit man currently sleeping with Maura; his supernatural-obsessed ex-boss currently sleeping in Boston; the creepy entity buried in rocks beneath the ley line; the unfamiliar creatures crawling out of a cave mouth behind an abandoned farmhouse; the ley line's growing power; the magical sentient forest on the ley line; one boy's bargain with the magical forest; one boy's ability to dream things to life; one dead boy who refused to be laid to rest; one girl who supernaturally amplified 90 percent of the aforementioned list.

But she was the kind of girl you couldn't keep down. Unless you cut her up and caved in her skull.

The little girl’s gentle touch struck an inner chord in his lonely old heart.

My cheek stung and throbbed. I remained on the floor of the cave. Belen stood between me and Kerrick. "...temper in check. She's a sweet girl," Belen said. "She's a healer, Belen. And no longer a girl. Healing Ryne is all I care about. All you should care about, as well. You know-" "Yes, I know what's at stake." Belen spat the words. "But if you raise your hand to her again, I'll rip your arm from its socket.

As Creb looked at the peaceful, trusting face of the strange girl in his lap, he felt a deep love flowering in his soul for her. He couldn’t have loved her more if she were his own.

Lie there, lie there, little Henry Lee Till the flesh drops from your bones For the girl you have in that merry green land Can wait forever for you to come home. And the wind did howl... and the wind did moan...

When we got to the marina we saw this beautiful boat named Tara waiting for us. Fredo, Carin, Ryan, Dan, Kenny, Allison, my mom, and me were all together to enjoy that extraordinary day. As the boat pulled away from the city, its skyline vanished into the horizon. The captain took us to this area where we sailed through caves and lush hilly landscapes. All of a sudden, the captain pushed the throttle all the way down and we started bombing across the water like we were in a James Bond movie. Everyone's hair was blowing all over the place, especially the girls'. Of course, mine was perfect (ha,ha), but theirs ended up looking like the worst case of bed head I've seen! It was so funny.

The whole flock is helping to raise her, with Total insisting on French lessons and Nudge making sure she doesn't look like a cave girl (even though we pretty much live in caves). But it's only Fang who spends as much time with her as I do, Fang who patiently teaches the fascinating facts his photographic brain remembers from all those fat books I shunned in school. Fang, because he's her father.

I love you pretty girl." "And I love you cave, man.

When you’ve spent your whole life not being good enough, it takes time to let yourself believe that you finally are. Self-worth isn’t a switch that flips inside you. It’s a daily struggle not to sabotage your own success. Not to cave into the voices inside your head that whisper you’re not good enough, or you’ll fuck things up, or that someone else could do things better than you.

Get down, get down, little Henry Lee And stay all night with me You won't find a girl in this damn world That will compare with me And the wind did howl and the wind did blow La la la la la La la la la lee A little bird lit down on Henry Lee...

I say, "Well then I don't know if it was real, and that makes me feel like I'm going insane again." "Absolutely it was real. It was a real, partial picture. Because it ended preemptively, things you would have learned about him in the relationship, you are instead learning in the breakup. You have learned that he has a desperate desire for intimacy and then a desperate desire for the cave. He will get lonely there eventually and come back." "To me?" He doesn't pause. "To someone new." "And I'll have to watch another girl?" "You will have to, but you will also know what lies ahead for that poor girl.

I weave the papers through the branches, in a long loop. Up and down, my knees bending. My arms above my head, like the girls I saw once in a painting in a cave. There is a rhythm to this, a keeping of time. I wonder if I'm dancing.

she felt a warmth towards him, and as she had done many times before to another man she remembered only vaguely, the little girl put her arms around the crippled man’s neck, pulled his head down to her and rested her cheek against his.

I’m lying. I really do want to be a part of his issues. I want to immerse myself in his issues and become his issues, but I’m supposed to be this independent, headstrong girl who doesn’t cave just because she likes a guy.

Thomas make it easy to cave to temptation with his golden - blond hair, muscle from head to toe and sexy brooding expression a few girls have written about in poems.

Shall I tell you a story? A new and terrible one? A ghost story?" The voice, a faint echo in the cave, belongs to Felicity. She turns around on the rock, faces us, wraps her arms across bent knees, hugging them close. "Are you ready? Shall I begin? Once upon a time there were four girls. One was pretty. One was clever. One charming, and one..." She glances at me. "One was mysterious. But they were all damaged, you see. Something not right about the lot of them. Bad blood. Big dreams. Oh, I left that part out. Sorry, that should have come before. They were all dreamers, these girls." Felicity...," I start, because it's her and not the story that's beginning to frighten me. You wanted a story, and I'm going to give you one." Lightning shoots across the cave walls, bathing half her face in light, the other in shadows. "One by one, night after night, the girls came together. And they sinned. Do you know what that sin was? No one? Pippa? Ann?" Felicity." Pippa sounds anxious. "Let's go back and have a nice cup of tea. It's too cold out here." Felicity's voice expands, fills the space around us, a bell tolling. "Their sin was that they believed. Believed they could be different. Special. They believed they could change what they were--damaged, unloved. Cast-off things. They would be alive, adored, needed. Necessary. But it wasn't true. This is a ghost story, remember? A tragedy." The lightning's back, a big one, two, three of light that lets me see Felicity's face, slick with tears, nose running. "They were mislead. Betrayed by their own stupid hopes. Things couldn't be different for them, because they weren't special after all. So life took them, led them, and they went along, you see? They faded before their own eyes, till they were nothing more than living ghosts, haunting each other with what could be. What can't be.

My mother lived alone in the ruins of the great Library, which was called Compleat, and a very passionate and dashing Library indeed. Under the slightly blackened rafters and more than slightly caved-in walls, my mother lived and read and dreamed, allowing herself to grow closer and closer to Compleat, to notice more and more how fine and straight his shelves remained, despite great structural stress. That sort of moral fortitude is rare in this day and age. By and by, my siblings and I were born and romped on the balconies, raced up and down the splintered ladders, and pored over many encyclopedias and exciting novels. I know just everything about everything—so long as it beings with A through L.

This girl's out of her mind, about two pebbles short of a cave-in.

I could see why the discovery of a six-foot-tall white girl in a polka-dot dress in the corner of a cave filled with skulls would be an Instagrammable moment.

As Creb looked at the peaceful, trusting face of the strange girl in his lap, he felt a deep love flowering in his soul for her.

My mom's like me and she doesn't want to look weak in front of other people. And she's like Colby in the way that she has to take hits at other people whenever she feels threatened. That used to make me want to cave and do what she wants. But it doesn't anymore.

In classical pas de deux, the man controls everything. He picks up the girl. He puts her down. He turns her, takes her weight, stops her, and she must always go where he leads. The woman submits to all this completely. But her submission is not feeble. In fact, the only reason she can submit so utterly is because she is very strong in herself. In her center. She does not collapse, or cave, or stutter-step, or flop. No, she holds herself very consciously, very confidently. She is centered within her own weight. So the man always knows where she is. He can feel her. He can absorb her strength.

Seriously, you’re so old. What did people do for dates when you were a puppy? If you club me over the head and take me to your cave, I’ll be traumatized. You can’t pull that shit on a girl who’s half seal. We have a history.

Ian nodded. Do not question her, he told himself. Not when she is in a state like this. Still, it was a pity to attack them with such force. Especially the girl, Amy. He'd never met anyone like her. Shy. Gentle. With an exciting edge of hostility. So unlike the girls back home, who flung themselves at him so often that his chauffeurs traveled with first-aid kits. Doesn't she know better? Isn't she smart enough to stop the hunt? It was the boy and the au pair. He was a pint-sized hothead. She was a collection of piercings and piggishness. If only Amy and Dan had stayed trapped in the cave in Seoul, at least long enough to get discouraged. Why did they antagonize Mother? They don't know what it's like to live with her. "Right you are," Ian said. "They're asking for it. Heaven forbid they listen to the brains of the outfit." "And that would be–?" Isabel asked. Ian looked away. "Well, the sister, I'd say. Amy." He felt a smile inching across his face. "Ian?" His mother grabbed his wrist. "If you are having the inkling of a shadow of a thought..." "Mother!" Ian could feel the blood rushing to his face. "How could you suspect for a moment...?

The world ain't ready for true black genius. In every nigger is a cup of African blood from kings and queens of divine nature, mathematicians, craftsmen, men and women of the land. I have known some sisters and brothers would scare Einstein back into East European caves with the magnificence of their minds. We are a people with a practical nature and great vision. We have built nations, discovered treasures for everyday use. Our people are a great race of people, and though the Europeans raped and plundered, we have kept inner riches. You got a cup of African blood and that mean something, means you got a responsibility to be proud of it and use your talents or suffer self-destruction.

The truth was that upsilamba was one of Nabokovs fascinating creations, possibly a word he invented. I said I associate Upsilamba with the impossible joy of a suspended leap. Yassi, who seemed excited for no particular reason, cried out that she always thought it could be a name of a dance- you know, "C'mon, baby, do the Upsilamba with me". Manna suggested that the word upsilamba evoked the image of small silver fish leaping in and out of a moonlit lake. Nima added in parentheses, Just so you won't forget me, although you have barred me from your class: an upsilamba to you too! For Azin it was a sound, a melody. Mahashid described an image of three girls jumping rope and shouting" Upsilamba" with each leap. For Sanaz, the word was a small African boy's secret magical name. Mitra wasn't sure why the word reminded her of the paradox of a blissful sigh. And for Nassrin it was a magic code that opened the door to a secret cave filled with treasures.

Mortimer had maxed three credit cards stocking the cave with canned goods and medical supplies and tools and everything a man needed to live through the end of the world. There were more than a thousand books along shelves in the driest part of the cave. There used to be several boxes of pornography until Mortimer realized that he'd spent nearly ten days in a row sitting in the cave masturbating. He burned the dirty magazines to keep from doing some terrible whacking injury to himself.

It was almost exactly like the caves to the east where my girl cousins met their swains to canoodle.

[He] [w]ent deep into the cave where wounded men go when they walk around not talking to anyone about what's happening to them on the inside. Also known as Terre Haute.

In a cave where everything is fragranced with water, she asks for a daughter instead of praying for a son.

do you or don't you know the two worlds I'm talking about, the world that doesn't exist where you wish you could be on the dirt road that stretches out of Idaho away from the cave and family? The girl you want lives there. All my life I've wanted to be the grand gesture that forces the mouth open in disbelief Instead I was the lamp cord, collecting dust and never moving. It's easy to be the destroyed one.

I used to be in school, like a good boy. Medieval Literature. Von Eschenbach, Chaucer, Milton... Yes, sir, no, sir. Then I had that... Crisis. You know it? Wake up one morning and everything's all wrong? Wake up one morning and it occurs to you the milk's spoiled and the bread is getting moldy. Wake up and it just hits you. Someday you're gonna die. Maybe like that girl last night died. Face down in an alley with a caved in head. Such a terrible thing and what for? Why life? Why This life? Why This soap? Why these hands? What's it all mean? Deep down you fear nothing. But you still hope something. Either way, you're not really sure. That's my crisis. I don't wanna die. But if I'm gonna die, first I'm gonna live. I'm gonna peel life like fruit, and use it up. I'm gonna light up an' burn. I'll burn and burn until I'm snuffed out. Then I'll just fade away. But until then I'm gonna live! I'm ready. I'm gonna do it. Come what may, one hundred percent.

Morfyd’s care. As she walked out of the cave she passed Annwyl walking in. The girl had her swords in one hand. The other hand held her ripped shirt and bindings over her ample breasts. Her brows angled down into a dark frown and she wouldn’t even look at Morfyd as she passed. “How did that talk go then?” Morfyd called over her shoulder. “Shut. Up.” Morfyd laughed as she advanced into the glen toward the clearing where she could take off. She rounded a corner and came upon her brother, his chainmail shirt and sword in his big hand, heading toward the hidden entrance of his cave. She watched him as he passed and she noticed the long scratches across his back. “How did that talk go then?” Morfyd called over her shoulder. “Shut. Up.” Morfyd shook her head. If love always made you this pathetic, she wanted nothing to do with it.

When I said I wasn’t with another girl the January after we fell in love for the 3rd time, it’s because it wasn’t actual sex. In the February that began our radio silence, it was actual sex. I hate the tight shirts that go below your waistline. Not only do they make you look too young, but then your torso is a giraffe’s neck attached to tiny legs. I screamed at myself in the subway for writing poems about you still. I made a scene. I think about you almost each morning, and roughly every five days, I still believe you’re there. I still masturbate to you. When we got really bad, I would put another coat of mop water on the floor of the bar to make sure you were asleep when I got to my side of the bed. You are the only person to whom I’ve lied, knowing I was telling the truth. I miss the way your neck wraps around my face like a cave we are both lost in. I remember when you said being with me is like being alone with company. My friend Sarah wrote a poem about pink ponies. I’m scared you’re my pink pony. Hers is dead. It is really sad. You’re not dead. You live in Ohio, or Washington, or Wherever. You are a shadow my body leaves on other girls. I have a growing queue of things I know will make you laugh and I don’t know where to put them. I mourn like you’re dead. If you had asked me to stay, I would not have said no. It would never mean yes.

After dinner, I went upstairs and found Ren standing on the veranda again, looking at the sunset. I approached him shyly and stood behind him. “Hello, Ren.” He turned and openly studied my appearance. His gaze drifted ever so slowly down my body. The longer he looked, the wider his smile got. Eventually, his eyes worked their way back up to my bright red face. He sighed and bowed deeply. “Sundari. I was standing here thinking nothing could be more beautiful than this sunset tonight, but I was mistaken. You standing here in the setting sun with your hair and skin aglow is almost more than a man can…fully appreciate.” I tried to change the subject. “What does sundari mean?” “It means ‘most beautiful.’” I blushed again, which made him laugh. He took my hand, tucked it under his arm, and led me to the patio chairs. Just then, the sun dipped below the trees leaving its tangerine glow in the sky for just a few more moments. We sat again, but this time he sat next to me on the swinging patio seat and kept my hand in his. I ventured shyly, “I hope you don’t mind, but I explored your house today, including your room.” “I don’t mind. I’m sure you found my room the least interesting.” “Actually, I was curious about the note I found. Did you write it?” “A note? Ah, yes. I just scribbled a few notes to help me remember what Phet had said. It just says seek Durga’s prophecy, the Cave of Kanheri, Kelsey is Durga’s favored one, that sort of thing.” “Oh. I…also noticed a ribbon. Is it mine?” “Yes. If you’d like it back, you can take it.” “Why would you want it?” He shrugged, looking embarrassed. “I wanted a memento, a token from the girl who saved my life.” “A token? Like a fair maiden giving her handkerchief to a knight in shining armor?” He grinned. “Exactly.” I jested wryly, “Too bad you didn’t wait for Cathleen to get a little older. She’s going to be very pretty.” He frowned. “Cathleen from the circus?” He shook his head. “You were the chosen one, Kelsey. And if I had the option of choosing the girl to save me, I still would have picked you.” “Why?” “A number of reasons. I liked you. You are interesting. I enjoyed listening to your voice. I felt like you saw through the tiger skin to the person underneath. When you spoke, it felt like you were saying exactly the things I needed to hear. You’re smart. You like poetry, and you’re very pretty.” I laughed at his statement. Me, pretty? He can’t be serious. I was average in so many ways. I didn’t really concern myself with current makeup, hairstyles, or fashionable, but uncomfortable, clothes like other teenagers. My complexion was pale, and my eyes were so brown that they were almost black. By far, my best feature was my smile, which my parents paid dearly for and so did I-with three years of metal braces. Still, I was flattered. “Okay, Prince Charming, you can keep your memento.” I hesitated, and then said softly, “I wear those ribbons in memory of my mom. She used to brush out my hair and braid ribbons through it while we talked.” Ren smiled understandingly. “Then it means even more to me.

What had spoken to her in that scoured-out cavity of the granite? What dwelt in the first of the caves? Something very old and very small. Before time, it was before space also. Something snub-nosed, incapable of generosity -- the undying worm itself. Since hearing its voice, she had not entertained one large thought, she was actually envious of Adela. All this fuss over a frightened girl! Nothing had happened, 'and if it had,' she found herself thinking with the cynicism of a withered priestess, 'if it had there are worse evils than love.' The unspeakable attempt presented itself to her as love: in a cave, in a church -- Boum, it amounts to the same. Visions are supposed to entail profundity, but -- Wait till you get one, dear reader! The abyss also may be petty, the serpent of eternity made of maggots; her constant thought was: 'Less attention should be paid to my future daughter-in-law and more to me, there is no sorrow like my sorrow,' although when the attention was paid she rejected it irritably.

Hey, guard!” Ian hollered out loud. “Do you think we could get a bathroom break?” The guard seemed to snicker as he pointed to the grass outside the cell. Eena smirked at how dead-on her thoughts had been after all. “Come on,” Ian complained. “She can’t do that, she’s a girl.” The soldier smiled wryly, a shrug communicating his indifference. Eena laughed in her mind. (I don’t know what you think’s so funny. You’re the one who’s gotta pee.) Oddly enough, that fact just made her laugh even more.

This woman was all kinds of headstrong, and I walked a line between admiring the shit out of it and wanting to club her over the head and drag her back to my prehistoric cave.

She’s lived in Plato’s cave, staring at the shadows on the wall. Now she’s been turned around to face the fire. A

She says it's like you have Leonard Cohen's touch with lyrics coupled with Daniel Johnston's sincerity coupled with a Rimbaudian aura of tragedy but with Nick Cave teeth.

He had a weary air of responsibility about him, both bureaucratic and mythological, like someone doomed to guard a cave for all eternity. I

I'm supposed to be this strong independent girl who doesn't cave just because she likes a guy.

if an arab girl caves into the forest of her body is she the tree or the ax or is she the space between?

Do I look that bad?’ I said, my voice quavering with the rejection that I was ashamed for even caring about. ‘Is that what this is all about? How ugly I look?’ Patrick kept his eyes on the back wall of the cave. ‘If you really have to know, it’s the opposite of that,’ he said, his voice taking on a tender tone. ‘I think you are the most beautiful girl I’ve ever seen.

All that existed was the blinding imperative to not think, to leave it all behind. To have it all fade to black in the throes of a truly good orgasm. To thrust and rock and pound until he came long and hard. To reach the pinnacle as fast as he could, to leap off the edge and truly leave all his earth-bound worries behind. He was a cave man. He was a Neanderthal. He was fucking Cro-Magnon.

Humans are experts in sharing. It started with cave paintings and evolved into books, tweets, virtual reality -- who knows what's next. But the pieces of ourselves that we share are just that. Pieces.

The Father protects his children, the septons taught, but Davos had led his boys into the fire. Dale would never give his wife the child they had prayed for, and Allard, with his girl in Oldtown and his girl in Kings Landing, and his girl in Braavos, they would all be weeping soon. Matthos would never captain his own ship, as he dreamed. Maric would never have his knighthood. 'How can I live when they are dead? So many brave knights and mighty lords have died, better men than me, and highborn. Crawl inside your cave, Davos. Crawl inside and shrink up small and the ship will go away, and no one will trouble you ever again. Sleep on your stone pillow and let the gulls peck out your eyes while the crabs feast on your flesh. You've feasted on enough of them, you owe them. Hide, smuggler. Hide, and be quiet, and die.

Like Nycteris, she thought, and cringed. There was an old fairy tale called The History of Photogen and Nycteris that she still carried a copy of. The main character in it was a young woman who had been raised by a cruel witch, inside a cave beneath a castle. The girl had grown up knowing only darkness, which at the time hadn’t seemed much of an issue to child-Devon. But the general idea was that Nycteris’s world was narrow: she thought the lamp in her cave was a sun, and that the universe was just a tiny series of rooms. She knew nothing of society and had very few books. A relatable situation, for a book eater woman. One day, Nycteris escaped her cave by following a stray firefly. She ended up in the castle garden. But her reactions in the story were strange and unexpected. Upon espying the moon for the first time, Nycteris decided that it must be a giant lamp, akin to the one in her cave. She saw the sky, and likewise decided it must be another kind of roof. And when she looked at the horizon, she saw not a limitless world, but merely another room, albeit with distant walls. The concept of outside didn’t exist for one such as Nycteris, nor could it ever. Her upbringing had given her such a fixed perspective that, even when encountering something new, she could only process it along the lines already drawn for her. The story’s complexity had baffled Devon as a child, but she understood it well enough now. The truth was, Nycteris never really escaped. Oh, she got a prince and a castle and the cruel witch died at the end. But Nycteris could not ever leave the cave, because the cave was a place in her mind; it was the entire way she thought about reality. Princesses like that couldn’t be rescued.

We entered the cool cave of the practice space with all the long-haired, goateed boys stoned on clouds of pot and playing with power tools. I tossed my fluffy coat into the hollow of my bass drum and lay on the carpet with my worn newspaper. A shirtless boy came in and told us he had to cut the power for a minute, and I thought about being along in the cool black room with Joey. Let's go smoke, she said, and I grabbed the cigarettes off the amp. She started talking to me about Wonder Woman. I feel like something big is happening, but I don't know what to do about it. With The Straight Girl? I asked in the blankest voice possible. With everything. Back in the sun we walked to the edge of the parking lot where a black Impala convertible sat, rusted and rotting, looking like it just got dredged from a swamp. Rainwater pooling on the floor. We climbed up onto it and sat our butts backward on the edge of the windshield, feet stretched into the front seat. Before she even joined the band, I would think of her each time I passed the car, the little round medallions with the red and black racing flags affixed to the dash. On the rusting Chevy, Joey told me about her date the other night with a girl she used to like who she maybe liked again. How her heart was shut off and it felt pretty good. How she just wanted to play around with this girl and that girl and this girl and I smoked my cigarette and went Uh-Huh. The sun made me feel like a restless country girl even though I'd never been on a farm. I knew what I stood for, even if nobody else did. I knew the piece of me on the inside, truer than all the rest, that never comes out. Doesn't everyone have one? Some kind of grand inner princess waiting to toss her hair down, forever waiting at the tower window. Some jungle animal so noble and fierce you had to crawl on your belly through dangerous grasses to get a glimpse. I gave Joey my cigarette so I could unlace the ratty green laces of my boots, pull them off, tug the linty wool tights off my legs. I stretched them pale over the car, the hair springing like weeds and my big toenail looking cracked and ugly. I knew exactly who I was when the sun came back and the air turned warm. Joey climbed over the hood of the car, dusty black, and said Let's lie down, I love lying in the sun, but there wasn't any sun there. We moved across the street onto the shining white sidewalk and she stretched out, eyes closed. I smoked my cigarette, tossed it into the gutter and lay down beside her. She said she was sick of all the people who thought she felt too much, who wanted her to be calm and contained. Who? I asked. All the flowers, the superheroes. I thought about how she had kissed me the other night, quick and hard, before taking off on a date in her leather chaps, hankies flying, and I sat on the couch and cried at everything she didn't know about how much I liked her, and someone put an arm around me and said, You're feeling things, that's good. Yeah, I said to Joey on the sidewalk, I Feel Like I Could Calm Down Some. Awww, you're perfect. She flipped her hand over and touched my head. Listen, we're barely here at all, I wanted to tell her, rolling over, looking into her face, we're barely here at all and everything goes so fast can't you just kiss me? My eyes were shut and the cars sounded close when they passed. The sun was weak but it baked the grime on my skin and made it smell delicious. A little kid smell. We sat up to pop some candy into our mouths, and then Joey lay her head on my lap, spent from sugar and coffee. Her arm curled back around me and my fingers fell into her slippery hair. On the February sidewalk that felt like spring.

I'll tell you something that was unusual, though. When most people are caught lying to the police, they cave in pretty quickly. Emma's response was to tell another lie. It might have been planted in her head by her brief, but even so that's not a common reaction.

Just then, in that instant, I saw His eyes. I recognised them. They were the eyes of that trembling father in a smoke-filled room on the ninety-third floor of Tower One, dialing his little girls for the last time. Those were the eyes behind that calming voice singing 'Amazing Grace' in a crowded and slippery stairwell, trapped outside a roof door when the ceilings began to cave. The eyes of the people who stayed behind with the handicapped victims waiting for police officers who never made it up the stairs. Those were the eyes of firemen who pushed me to safety, the doctor who cared for me for more than a year free of charge, the therapist who visited my home regularly so that I could sleep a little, the children who loved me, the brother who prayed nonstop, and the pastor who became my friend. Those were the eyes of God.

This massive, nearly incomprehensible economic miracle you are witnessing outside your window is due to one group of people and one group of people only – men.  And it was a transaction (the most important and original economic transaction) that incentivized men to make and build nearly everything on the planet - sex for resources.  Men build things, women give them sex.  Men produce things, women give them children.  Men accrue wealth and resources, women continue their genetic line.  Sex (or more Darwinistically speaking, progeny) is what gets men out of bed in the morning, off to school, into rush hour, off to the office, off to the factory, off to night school, off to war, or off to the lab to make money so that they might someday attract girls.  If there was no sex, if there were no women, if there was no female youth and beauty, men would still be living in caves, only mustering their resources to perhaps create beer and poker to bide the time.  Alas, the ONLY reason you have planes, trains, and automobiles, the only reason an economy exists, the only reason anything outside the sky exists, is because men built it.  And men built it in exchange for sex.

Beli, who'd been waiting for something exactly like her body her whole life, was sent over the moon by what she now knew. By the undeniable concreteness of her desirability which was, in its own way, Power. Like the accidental discovery of the One Ring. Like stumbling into the wizard Shazam's cave or finding the crashed ship of the Green Lantern! Hypatia Belicia Cabral finally had power and a true sense of self. Started pinching her shoulders back, wearing the tightest clothes she had. Dios mío, La Inca said every time the girl headed out. Why would God give you that burden in this country of all places!

She made him want to be better. She always had, from the first. But when she left him, he’d be lost all over again. It would never work, unless . . . Unless he didn’t let her go. Keep her close. Make her stay. Make her yours. He dragged her into his arms and kissed her. There was no more contemplation in his mind. No more logic or reason or sense. Only a wild impulse that roared to life inside him and pounded in his blood like an ancient drum. One his cave-dwelling ancestors likely pounded in some torch-lit mating ceremony followed by a buffet of raw antelope. Each beat resonated as a primal urge. Want. Need. Take. Claim. Mine.

167 It’s one of those days when the monotony of everything oppresses me like being thrown into jail. The monotony of everything is merely the monotony of myself, however. Each face, even if seen just yesterday, is different today, because today isn’t yesterday. Each day is the day it is, and there was never another one like it in the world. Only our soul makes the identification – a genuinely felt but erroneous identification – by which everything becomes similar and simplified. The world is a set of distinct things with varied edges, but if we’re near-sighted, it’s a continual and indecipherable fog. I feel like fleeing. Like fleeing from what I know, fleeing from what’s mine, fleeing from what I love. I want to depart, not for impossible Indias or for the great islands south of everything, but for any place at all – village or wilderness – that isn’t this place. I want to stop seeing these unchanging faces, this routine, these days. I want to rest, far removed, from my inveterate feigning. I want to feel sleep come to me as life, not as rest. A cabin on the seashore or even a cave in a rocky mountainside could give me this, but my will, unfortunately, cannot. Slavery is the law of life, and it is the only law, for it must be observed: there is no revolt possible, no way to escape it. Some are born slaves, others become slaves, and still others are forced to accept slavery. Our faint-hearted love of freedom – which, if we had it, we would all reject, unable to get used to it – is proof of how ingrained our slavery is. I myself, having just said that I’d like a cabin or a cave where I could be free from the monotony of everything, which is the monotony of me – would I dare set out for this cabin or cave, knowing from experience that the monotony, since it stems from me, will always be with me? I myself, suffocating from where I am and because I am – where would I breathe easier, if the sickness is in my lungs rather than in the things that surround me? I myself, who long for pure sunlight and open country, for the ocean in plain view and the unbroken horizon – could I get used to my new bed, the food, not having to descend eight flights of stairs to the street, not entering the tobacco shop on the corner, not saying good-morning to the barber standing outside his shop? Everything that surrounds us becomes part of us, infiltrating our physical sensations and our feeling of life, and like spittle of the great Spider it subtly binds us to whatever is close, tucking us into a soft bed of slow death which is rocked by the wind. Everything is us, and we are everything, but what good is this, if everything is nothing? A ray of sunlight, a cloud whose shadow tells us it is passing, a breeze that rises, the silence that follows when it ceases, one or another face, a few voices, the incidental laughter of the girls who are talking, and then night with the meaningless, fractured hieroglyphs of the stars.

Claudia Förster has chanced upon a paper bakery box sealed with gold tape. Blots of grease show through the cardboard. Together the girls stare at it. Like something from the unfallen world. Inside wait fifteen pastries, separated by squares of wax paper and stuffed with strawberry preserves. The four girls and Frau Elena sit in their dripping apartment, a spring rain over the city, all the ash running off the ruins, all the rats peering out of caves made from fallen bricks, and they eat three stale pastries each, none of them saving anything for later, the powdered sugar on their noses, the jelly between their teeth, a giddiness rising and sparkling in their blood.

As her feet beat the concrete ground beneath them, her chest began to ache. It had been a long time since she had run at a full sprint. She was, quite literally, running for her life, and leaving everything she had known before behind. Regardless of her past experiences, here she was, blindly following a girl, who was virtually a stranger, because she had promised to lead Eleanor to safety.

She lay on her back, her belly sticking up like a mountain on top of her little frame, and Jack couldn’t keep his hands off of it. While there was a time he couldn’t keep his hands off the rest of her—and she had no doubt they would be there again before long—right now it was the antics of his baby within her that occupied him thoroughly. He would let go a loud bellow when her entire abdomen shifted, caving in on one side and protruding enormously on the other. And he especially liked when it appeared a foot was sliding in a large lump up one side. She could actually doze while he occupied himself with her pregnancy. It brought to her mind what he was going to look like rolling a ball on the floor with their baby girl, bouncing her on his knee, twirling her around over his head. “We

As she walked out of the cave she passed Annwyl walking in. The girl had her swords in one hand. The other hand held her ripped shirt and bindings over her ample breasts. Her brows angled down into a dark frown and she wouldn’t even look at Morfyd as she passed. “How did that talk go then?” Morfyd called over her shoulder. “Shut. Up.” Morfyd laughed as she advanced into the glen toward the clearing where she could take off. She rounded a corner and came upon her brother, his chainmail shirt and sword in his big hand, heading toward the hidden entrance of his cave. She watched him as he passed and she noticed the long scratches across his back. “How did that talk go then?” Morfyd called over her shoulder. “Shut. Up.” Morfyd shook her head. If love always made you this pathetic, she wanted nothing to do with it.

This seat taken?" My eyes grazing over the only other occupant, a guy with long glossy dark hair with his head bent over a book. "It's all yours," he says. And when he lifts his head and smiles,my heart just about leaps from my chest. It's the boy from my dreams. The boy from the Rabbit Hole,the gas station,and the cave-sitting before me with those same amazing,icy-blue eues, those same alluring lips I've kissed multiple times-but only in slumber, never in waking life. I scold my heart to settle,but it doesn't obey. I admonish myself to sit,to act normal, casual-and I just barely succeed. Stealing a series of surreptitious looks as I search through my backpack, taking in his square chin,wide generous lips,strong brow,defined cheekbones, and smooth brown skin-the exact same features as Cade. "You're the new girl,right?" He abandons his book,tilting his head in a way that causes his hair to stream over his shoulder,so glossy and inviting it takes all of my will not to lean across the table and touch it. I nod in reply,or at least I think I do.I can't be too sure.I'm too stricken by his gaze-the way it mirrors mine-trying to determine if he knows me, recognizes me,if he's surprised to find me here.Wishing Paloma had better prepared me-focused more on him and less on his brother. I force my gaze from his.Bang my knee hard against the table as I swivel in my seat.Feeling so odd and unsettled,I wish I'd picked another place to sit, though it's pretty clear no other table would have me. He buries his smile and returns to the book.Allowing a few minutes to pass,not nearly enough time for me to get a grip on myself,when he looks up and says, "Are you staring at me because you've seen my doppelganer roaming the halls,playing king of the cafeteria? Or because you need to borrow a pencil and you're too shy to ask?" I clear the lump from my throat, push the words past my lips when I say, "No one's ever accused me of being shy." A statement that,while steeped in truth, stands at direct odds with the way I feel now,sitting so close to him. "So I guess it's your twin-or doppelganer,as you say." I keep my voice light, as though I'm not at all affected by his presence,but the trill note at the end gives me away.Every part of me now vibrating with the most intense surge of energy-like I've been plugged into the wall and switched on-and it's all I can do to keep from grabbing hold of his shirt, demanding to know if he dreamed the dreams too. He nods,allowing an easy,cool smile to widen his lips. "We're identical," he says. "As I'm sure you've guessed. Though it's easy enough to tell us apart. For one thing,he keeps his hair short.For another-" "The eyes-" I blurt,regretting the words the instant they're out.From the look on his face,he has no idea what I'm talking about. "Yours are...kinder." My cheeks burn so hot I force myself to look away,as words of reproach stampede my brain. Why am I acting like such an inept loser? Why do I insist on embarrassing myself-in front of him-of all people? I have to pull it together.I have to remember who I am-what I am-and what I was born to do.Which is basically to crush him and his kind-or,at the very least,to temper the damage they do.

I’d never seen him bare-chested. For the first time, he seemed vulnerable to me. His smooth, tight skin wrapped around the long muscles he’d developed over a lifetime of hard work. He found a shallow spot and sat, settling me onto his lap, holding my back to his chest. I couldn’t stop shaking and it had nothing to do with the water or with being half dressed in a cave with a boy. “Nothing else matters,” Henry said in my ear. “I’m here. Start at the beginning.

The song she heard from the meadow was the same tune as the bird's call.She looked up in the trees.For a moment she thought she'd lost the bird, and she nearly cried out for him, but he fluttered down,landed right at her feet, and grew into a man." "Oh." Meg sighed.She'd always liked that part. "He whistled the tune once more, then the fey man said, 'My lady,will you dance?" "'I will.' She crossed the bridge to the meadow,and danced with the whistler." "Tell us they married," Meg said. "The story doesn't go like that," Poppy reminded. "It should." Meg stroked Tom's blood-clotted hair. I fumbled with the charcoal in my blackened fingers. As the story went, the girl danced through the seasons, but when she wandered home at last and reached her cottage door, she was a shriveled-up old women, for a hundred years had passed while she danced with the whistler,and everyone she'd known in her former life had died. Meg knew how it went.But when our eyes locked, I saw tonight she couldn't bear it. I found another bit of charcoal. "That very spring when the meadow was in bloom,the whistler, who had fey power to transform into a bird and sing any girl he wished to into the wood, chose the one girl who'd followed him so bravely and so far to be his wife. And she lived with him and the fey folk deep in Dragonswood in DunGarrow Castle, a place that blends into the mountainside and cannot be seen with human eyes unless the fairies will it so." I drew the couple hand in hand, rouch sketches on the cave wall; the stone wasn't smooth by any means. "She lived free among the fey folk and never wanted to return to her old life that had been full of hunger and sorrow under her father's roof." I sketched what came next before I could think of it. "A dragon came to their wedding," I said, drawing his right wing so large, I had to use the ceiling. "He lit a bonfire to celebrate their union." I drew the left wing spanning over the couple in the meadow. "And they lived all their lives content in Dragonswood.

Epic. Primordial. Gritty. Incandescent. These are just a few of the adjectives the fat girl feeds you along with her Banana-Rama bread, her peanut butter and raspberry triangles, her rocky road. She says it’s like you have Leonard Cohen’s touch with lyrics coupled with Daniel Johnston’s sincerity coupled with a Rimbaudian aura of tragedy yet with Nick Cave teeth. She doesn’t tell you not to quit your day job, like Some People. Instead, she counsels never to give up, her gaze wet, dark, and adoring as a dog’s.

I looked back and forth between them, feeling the heat of their anger, the unspoken words swelling in the air like smoke. Jerry took a slow sip from his beer and lit another cigarette. "You don't know anything about that little girl," he told Nona. "You're just jealous because Cap belongs to her now." I could see Nona's heartbeat flutter beneath her t-shirt, the cords tightening in her neck. "Her mommy and daddy might have paid for him," she whispered. "But he's mine." I waited for Jerry to cave in to her, to apologize, to make things right between them. But he held her gaze, unwavering. "He's not." Nona stubbed her cigarette out on the barn floor, then stood. "If you don't believe me," she whispered, "I'll show you." My sister crossed the barn to Cap's stall and clicked her tongue at him. His gold head appeared in the doorway and Nona swung the stall door open. "Come on out." she told him. Don't!" I said, but she didn't pause. Cap took several steps forward until he was standing completely free in the barn. I jumped up, blocking the doorway so that he couldn't bolt. Jerry stood and widened himself beside me, stretching out his arms. "What the hell are you doing?" he asked. Nona stood beside Cap's head and lifted her arms as though she was holding an invisible lead rope. When she began to walk, Cap moved alongside her, matching his pace to hers. Whoa," Nona said quietly and Cap stopped. My sister made small noises with her tongue, whispering words we couldn't hear. Cap's ears twitched and his weight shifted as he adjusted his feet, setting up perfectly in showmanship form. Nona stepped back to present him to us, and Jerry and I dropped our arms to our sides. Ta da!" she said, clapping her hands at her own accomplishment. Very impressive," Jerry said in a low voice. "Now put the pony away." Again, Nona lifted her hands as if holding a lead rope, and again, Cap followed. She stepped into him and he turned on his heel, then walked beside her through the barn and back into his stall. Once he was inside, Nona closed the door and held her hands out to us. She hadn't touched him once. Now," she said evenly. "Tell me again what isn't mine." Jerry sank back into his chair, cracking open a fresh beer. "If that horse was so important to you, maybe you shouldn't have left him behind to be sold off to strangers." Nona's face constricted, her cheeks and neck darkening in splotches of red. "Alice, tell him," she whispered. "Tell him that Cap belongs to me." Sheila Altman could practice for the rest of her life, and she would never be able to do what my sister had just done. Cap would never follow her blindly, never walk on water for her. But my eyes traveled sideways to Cap's stall where his embroidered halter hung from its hook. If the Altmans ever moved to a different town, they would take Cap with them. My sister would never see him again. It wouldn't matter what he would or wouldn't do for her. My sister waited a moment for me to speak, and when I didn't, she burst into tears, her shoulders heaving, her mouth wrenching open. Jerry and I glanced at each other, startled by the sudden burst of emotion. You can both go to hell," Nona hiccuped, and turned for the house. "Right straight to hell.

Homo sapiens who lived in caves put trash in front and slept in the back; not so in the caves occupied by Homo heidelbergensis. Those humans, probably the last common ancestor of Homo sapiens and neanderthalensis, lived like frat boys 700,000 to 300,000 years ago, “flinging shit everywhere”—and the idea of slovenly boy and girl ancestors fascinated me. “Big heavy stone tools . . . probably solved things with brute force. Commandos without too much thought,” Shea riffed. “If you were going to cast Jersey Shore, you’d go with heidelbergensis.

Harriet turned round, and we both saw a girl walking towards us. She was dark-skinned and thin, not veiled but dressed in a sitara, a brightly coloured robe of greens and pinks, and she wore a headscarf of a deep rose colour. In that barren place the vividness of her dress was all the more striking. On her head she balanced a pitcher and in her hand she carried something. As we watched her approach, I saw that she had come from a small house, not much more than a cave, which had been built into the side of the mountain wall that formed the far boundary of the gravel plateau we were standing on. I now saw that the side of the mountain had been terraced in places and that there were a few rows of crops growing on the terraces. Small black and brown goats stepped up and down amongst the rocks with acrobatic grace, chewing the tops of the thorn bushes. As the girl approached she gave a shy smile and said, ‘Salaam alaikum, ’ and we replied, ‘Wa alaikum as salaam, ’ as the sheikh had taught us. She took the pitcher from where it was balanced on her head, kneeled on the ground, and gestured to us to sit. She poured water from the pitcher into two small tin cups, and handed them to us. Then she reached into her robe and drew out a flat package of greaseproof paper from which she withdrew a thin, round piece of bread, almost like a large flat biscuit. She broke off two pieces, and handed one to each of us, and gestured to us to eat and drink. The water and the bread were both delicious. We smiled and mimed our thanks until I remembered the Arabic word, ‘Shukran.’ So we sat together for a while, strangers who could speak no word of each other’s languages, and I marvelled at her simple act. She had seen two people walking in the heat, and so she laid down whatever she had been doing and came to render us a service. Because it was the custom, because her faith told her it was right to do so, because her action was as natural to her as the water that she poured for us. When we declined any further refreshment after a second cup of water she rose to her feet, murmured some word of farewell, and turned and went back to the house she had come from. Harriet and I looked at each other as the girl walked back to her house. ‘That was so…biblical,’ said Harriet. ‘Can you imagine that ever happening at home?’ I asked. She shook her head. ‘That was charity. Giving water to strangers in the desert, where water is so scarce. That was true charity, the charity of poor people giving to the rich.’ In Britain a stranger offering a drink to a thirsty man in a lonely place would be regarded with suspicion. If someone had approached us like that at home, we would probably have assumed they were a little touched or we were going to be asked for money. We might have protected ourselves by being stiff and unfriendly, evasive or even rude.

Leave your sacred cave, son of Philyra, and marvel at the spirit and great strength of this woman; look at what a struggle she is engaged in, with a fearless head, this young girl with a heart more than equal to any toil; her mind is not shaken with the cold wind of fear. From what mortal was she born? From what stock has this cutting been taken, that she should be living in the hollows of the shady mountains and putting to the test her boundless valor? Is it lawful to lay my renowned hand on her? And to cut the honey-sweet grass of her bed?” -Pythian 9 For Telesicrates of Cyrene Hoplite Race

She had seen the almost-human Orona, who was orphaned and alone in the world, a woman whom Cain had plucked off the streets and fallen in love with. What she didn’t see was the undead creature Cain barely knew, the foolish human girl who fell in love with the caretaker of the seas. She hadn’t seen me stand up against a hurricane or keep a cave from crushing two lovers to death. She hadn’t seen me throw myself over the ones who would have turned to ashes when the volcano erupted, or made water appear from the sands to the dying in the desert. She did not know I was both savior and destroyer to so many souls.

When we turned off Carmel Valley Road south onto Highway 1 and entered Big Sur, nature woke up and suddenly started doing the can-can. Everywhere I looked, the jagged mountains were tumbling into the sea, like rockslides frozen in free fall—still yet dramatic at the same time. We navigated a thin, winding ribbon of road hundreds of feet above the exploding surf. I rolled the window down, and heard sea lions barking and waves booming into sea caves below. The spicy aroma of sage mixed with sea salt wafted into the truck. We dipped down into forests where the air dropped ten degrees and the massive redwood trees clustered together in tribal circles, then we burst back into the sun again. I twisted my head in every direction, trying not to miss a thing.

I nod at Afya. Immediately she claps me on the shoulder. “Good,” she says. “Now that that’s out of the way, what’s your plan?” “It’s—” I search for a word that will make my idea not look like complete lunacy, but realize that Afya would see right through me. “It’s insane,” I finally say. “So insane that I can’t imagine how it will work.” Afya lets out a peal of high laughter that rings through the cave. She is not mocking me—there is genuine amusement on her face as she shakes her head. “Skies,” Afya says. “I thought you told me you loved stories. Have you ever heard a story of an adventurer with a sane plan?” “Well . . . no.” “And why do you think that is?” I am at a loss. “Because . . . ah, because—” She chuckles again. “Because sane plans never work, girl,” she says. “Only the mad ones do.

At any rate,’ he continued, ‘we hoped that once the war was over the Oracle might start working again. When it did not … Rachel became concerned.’ ‘Who’s Rachel?’ Meg asked. ‘Rachel Dare,’ I said. ‘The Oracle.’ ‘Thought the Oracle was a place.’ ‘It is.’ ‘Then Rachel is a place, and she stopped working?’ Had I still been a god, I would have turned her into a blue-belly lizard and released her into the wilderness never to be seen again. The thought soothed me. ‘The original Delphi was a place in Greece,’ I told her. ‘A cavern filled with volcanic fumes, where people would come to receive guidance from my priestess, the Pythia.’ ‘Pythia.’ Meg giggled. ‘That’s a funny word.’ ‘Yes. Ha-ha. So the Oracle is both a place and a person. When the Greek gods relocated to America back in … what was it, Chiron, 1860?’ Chiron see-sawed his hand. ‘More or less.’ ‘I brought the Oracle here to continue speaking prophecies on my behalf. The power has passed down from priestess to priestess over the years. Rachel Dare is the present Oracle.’ From the cookie platter, Meg plucked the only Oreo, which I had been hoping to have myself. ‘Mm-kay. Is it too late to watch that movie?’ ‘Yes,’ I snapped. ‘Now, the way I gained possession of the Oracle of Delphi in the first place was by killing this monster called Python who lived in the depths of the cavern.’ ‘A python like the snake,’ Meg said. ‘Yes and no. The snake species is named after Python the monster, who is also rather snaky, but who is much bigger and scarier and devours small girls who talk too much. At any rate, last August, while I was … indisposed, my ancient foe Python was released from Tartarus. He reclaimed the cave of Delphi. That’s why the Oracle stopped working.’ ‘But, if the Oracle is in America now, why does it matter if some snake monster takes over its old cave?’ That was about the longest sentence I had yet heard her speak. She’d probably done it just to spite me. ‘It’s too much to explain,’ I said. ‘You’ll just have to –’ ‘Meg.’ Chiron gave her one of his heroically tolerant smiles. ‘The original site of the Oracle is like the deepest taproot of a tree. The branches and leaves of prophecy may extend across the world, and Rachel Dare may be our loftiest branch, but if the taproot is strangled the whole tree is endangered. With Python back in residence at his old lair, the spirit of the Oracle has been completely blocked.

It is over. The long Occupation that created Israeli generations born in Israel and not knowing another ‘homeland’ created at the same time generations of Palestinians strange to Palestine; born in exile and knowing nothing of the homeland except stories and news. Generations who posses an intimate knowledge of the streets of faraway exiles, but not of their own country. Generations that never planted or built or made their small human mistakes in their own country. Generations that never saw our grandmothers quarter in front of the ovens to present us with a loaf of bread to dip in olive oil, never saw the village preacher in his headdress and Azhari piety hiding in a cave to spy on the girls and the women of the village when they took of their clothes and bathed, naked, in the pool of ‘Ein al-Deir. The Occupation has created generations without a place whose colours, smell, and sounds they can remember; a first place that belongs to them, that they can return to in their memories in their cobbled-together exiles. There is no childhood bed for them to remember, a bed on which they forgot a soft cloth doll, or whose white pillows - once the adults had gone out of an evening were their weapons in a battle that had them shirking with delight. This is it. The Occupation has created generations of us that have to adore an unknown beloved; distant, difficult, surrounded by guards, by walls, by nuclear missiles, by sheer terror. The long Occupation has succeeded in changing us from children of Palestine to children of the idea of Palestine. I have always believed that it is in the interests of an occupation, any occupation, that the homeland should be transformed in the memory of its people into a bouquet of ’symbols’. Merely symbols, they will not allow us to develop our village so that it shares features with the city, or to move without city into a contemporary space. The Occupation forced us to remain with the old. That is its crime. It did not deprive us of the clay ovens of yesterday, but of the mystery of what we could invent tomorrow.

The cold pre-dawn sky was softly grey through the cave opening above, when Griff finally arose and began to retrieve his clothes. Astelle said, ‘A man like you – I could take full time.’ He smiled regretfully. ‘That is impossible, my darling girl. Even though you are irresistibly sweet to me, you are not suitable to join the Faen race, and I am not prepared to live among Morts.’ ‘Suppose I should have a child?’ she asked. ‘You have put enough seed in me to make a dozen babies.’ ‘You will not,’ he said with conviction. ‘A Faen child can be conceived only in love, and we don't have that, do we?’ Griff was quite sure that she thought nothing of him, even though she had left his emotions in turmoil. Damned bitch! She had stolen from him. ‘I would not know if we did. I don't understand how love should feel.’ ‘If you loved, you would know it,’ he told her. And you would not steal from your love, he thought fiercely. He was buckling his sword belt over the black tunic. She did not notice the shaking of his hands; she simply thought what a fine manly figure he made, and she realised how much she wanted him to stay. ‘If I did have a child – could I let you know somehow?’ Astelle clutched at the only strand of hope she could find. He strove to reassure her. ‘We do have mindlink, which means you only have to mindwhisper my name, if you ever need me – I will come.’ But he did not think this very likely. ‘Please don't go, Griff.’ She was almost tearful. ‘I have to go – before the sun rises.’ He then kissed her with unexpected tenderness, which made her feel even worse. ‘Use those jewels wisely.’ He smiled and winked at her, then looked into her eyes for a few more moments, seriously – almost wistfully. Then he just vanished before her very eyes. He had forgotten his black forest cloak. It lay on the floor at the end of the bed. Astelle picked it up and held it close to her body. She watched the red streaks of dawn spread across the cold grey sky, framed in the rocky aperture above her. If you loved, you would know it, he had said. She had never felt more lonely or deserted in her life. Unexplained tears slid slowly down her cheeks. And that was how Griff broke the Faen Colonial Rule.

The stone is not a plaything for little girls, Camille.” He hardened his stare. She tried to keep her eyes equally fierce. “The path to the stone is said to be riddled with traps, endless holes in the earth where you fall forever. Deep caves shelter a species of enormous beasts that protect the stone. Men who set out to find it are usually never seen again.” She sat back, surprised by his intensity and passion. “Well, then,” she said, and watched him puff out his chest victoriously. “I do hope you set out to find it.” He glowered at her. “Oh, I most certainly will. The map and stone will be mine.” Camille stood, pushing her chair back. “It looks like you have some competition, then. I won’t give up until I’ve brought my father back to life.” McGreenery flashed his white smile and roared with laughter. “Bring him back? Oh yes, you would actually use the stone.” She lifted her chin. “And you wouldn’t?” He laughed at her again. “Dear child, you don’t know a thing about it, do you? You don’t have the faintest clue how the stone will work. If you think this is some short journey without risks or sacrifices, you should sail home right now. The magic of that stone is but a fraction of the everlasting power it leads to. A clever businessman would sell that power to the highest bidder.

If anyone’s actually reading this, and I don’t know if anyone ever will, this is the moment where I’ll lose them, where they’ll rant about that stupid character messing up the story. And I get it, because so much of me yearns for you to be my happy ending, but I can’t apologize for doing what's right. I shove out of the rocking chair and step off of the porch. Your gaze goes right to my stomach, as do your hands. I don’t stop you, though my chest feels like it’s caving in. Your eyes are lighting up, and I know—god, I know—you’ll make a great father, one of the greatest, and you’ll love this little girl with every part of your soul. But that can't happen until you’re ready. “I love you,” I whisper, three words you haven’t said, as I put my hand on top of yours on my stomach. “More than everything… except for her.” You meet my gaze. “It’s a girl?” I nod, and hesitate, before I kiss you, lingering, letting you have this moment, and if I’m being honest, it’s just as much for me. I need this moment to gather my courage. And when I do, I pull back and say, “I need you to leave.” You look at me, stunned. “I need you to go and not come back until you get better,” I say. “I’m asking you… no, I’m begging you… don’t come back here like this again. She’s going to need a father, a real one, someone who can love her more than everything. There’s no place in our lives for an addict. So, please… leave, Jonathan.

It is the beginning of the year of our Lord 1963. I see a young Negro boy. He is sitting on a stoop in front of a vermin-infested apartment house in Harlem. The stench of garbage is in the halls. The drunks, the jobless, the junkies are shadow figures of his everyday world. The boy goes to a school attended mostly by Negro students with a scattering of Puerto Ricans. His father is one of the jobless. His mother is a sleep-in domestic, working for a family on Long Island. I see a young Negro girl. She is sitting on the stoop of a rickety wooden one-family house in Birmingham. Some visitors would call it a shack. It needs paint badly and the patched-up roof appears in danger of caving in. Half a dozen small children, in various stages of undress, are scampering about the house. The girl is forced to play the role of their mother. She can no longer attend the all-Negro school in her neighborhood because her mother died only recently after a car accident. Neighbors say if the ambulance hadn't come so late to take her to the all-Negro hospital the mother might still be alive. The girl's father is a porter in a downtown department store. He will always be a porter, for there are no promotions for the Negro in this store, where every counter serves him except the one that sells hot dogs and orange juice. This boy and this girl, separated by stretching miles, are wondering: Why does misery constantly haunt the Negro? In some distant past, had their forebears done some tragic injury to the nation, and was the curse of punishment upon the black race? Had they shirked in their duty as patriots, betrayed their country, denied their national birthright? Had they refused to defend their land against a foreign foe?

The Enchanted Broccoli Forest. Oh, what a pleasure that was! Mollie Katzen's handwritten and illustrated recipes that recalled some glorious time in upstate New York when a girl with an appetite could work at a funky vegetarian restaurant and jot down some tasty favorites between shifts. That one had the Pumpkin Tureen soup that Margo had made so many times when she first got the book. She loved the cheesy onion soup served from a pumpkin with a hot dash of horseradish and rye croutons. And the Cardamom Coffee Cake, full of butter, real vanilla, and rich brown sugar, said to be a favorite at the restaurant, where Margo loved to imagine the patrons picking up extras to take back to their green, grassy, shady farmhouses dotted along winding country roads. Linda's Kitchen by Linda McCartney, Paul's first wife, the vegetarian cookbook that had initially spurred her yearlong attempt at vegetarianism (with cheese and eggs, thank you very much) right after college. Margo used to have to drag Calvin into such phases and had finally lured him in by saying that surely anything Paul would eat was good enough for them. Because of Linda's Kitchen, Margo had dived into the world of textured vegetable protein instead of meat, and tons of soups, including a very good watercress, which she never would have tried without Linda's inspiration. It had also inspired her to get a gorgeous, long marble-topped island for prep work. Sometimes she only cooked for the aesthetic pleasure of the gleaming marble topped with rustic pottery containing bright fresh veggies, chopped to perfection. Then Bistro Cooking by Patricia Wells caught her eye, and she took it down. Some pages were stuck together from previous cooking nights, but the one she turned to, the most splattered of all, was the one for Onion Soup au Gratin, the recipe that had taught her the importance of cheese quality. No mozzarella or broken string cheeses with- maybe- a little lacy Swiss thrown on. And definitely none of the "fat-free" cheese that she'd tried in order to give Calvin a rich dish without the cholesterol. No, for this to be great, you needed a good, aged, nutty Gruyère from what you couldn't help but imagine as the green grassy Alps of Switzerland, where the cows grazed lazily under a cheerful children's-book blue sky with puffy white clouds. Good Gruyère was blocked into rind-covered rounds and aged in caves before being shipped fresh to the USA with a whisper of fairy-tale clouds still lingering over it. There was a cheese shop downtown that sold the best she'd ever had. She'd tried it one afternoon when she was avoiding returning home. A spunky girl in a visor and an apron had perked up as she walked by the counter, saying, "Cheese can change your life!" The charm of her youthful innocence would have been enough to be cheered by, but the sample she handed out really did it. The taste was beyond delicious. It was good alone, but it cried out for ham or turkey or a rich beefy broth with deep caramelized onions for soup.

As if reading his mind, she smiled happily up at him. “Gary really came through for us, didn’t he?” “Absolutely, ma petite. And Beau LaRue was not so bad either. Come, we cannot leave the poor man pacing the swamp. He will think we are engaging in something other than conversation.” Wickedly Savannah moved her body against his, her hands sliding provocatively, enticingly, over the rigid thickness straining his trousers. “Aren’t we?” she asked with that infuriating sexy smile he could never resist. “We have a lot of clean-up to do here, Savannah,” he said severely. “And we need to get word to our people, spread the society’s list through our ranks, warn those in danger.” Her fingers were working at the buttons of his shirt so that she could push the material aside to examine his chest and shoulder, where two of the worst wounds had been. She had to see his body for herself, touch him to assure herself he was completely healed. “I suggest, for now, that your biggest job is to create something for Gary to do so we can have a little privacy.” With a smooth movement, she pulled the shirt from over her head so that her full breasts gleamed temptingly at him. Gregori made a sound somewhere between a sigh and a moan. His hands came up to cup the weight of her in his palms, the feel of her soft, satin skin soothing after the burning torture of the tainted blood. His thumbs caressed the rosy tips into hard peaks. He bent his head slowly to the erotic temptation because he was helpless to do anything else. He needed the merging of their bodies after such a close call as much as she did. He could feel the surge of excitement, the rush of liquid heat through her body at the feel of his mouth pulling strongly at her breast. Gregori dragged her even closer, his hands wandering over her with a sense of urgency. Her need was feeding his. “Gary,” she whispered. “Don’t forget about Gary.” Gregori cursed softly, his hand pinning her hips so that he could strip away the offending clothes on her body. He spared the human a few seconds of his attention, directing him away from the cave. Savannah’s soft laughter was taunting, teasing. “I told you, lifemate, you’re always taking off my clothes.” “Then stop wearing the damn things,” he responded gruffly, his hands at her tiny waist, his mouth finding her flat stomach. “Someday my child will be growing right here,” he said softly, kissing her belly. His hands pinned her thighs so that he could explore easily without interruption. “A beautiful little girl with your looks and my disposition.” Savannah laughed softly, her arms cradling his head lovingly. “That should be quite a combination. What’s wrong with my disposition?” She was writhing under the onslaught of his hands and mouth, arcing her body more fully into his ministrations. “You are a wicked woman,” he whispered. “I would have to kill any man who treated my daughter the way I am treating you.” She cried out, her body rippling with pleasure. “I happen to love the way you treat me, lifemate,” she answered softly and cried out again when he merged their bodies, their minds, their hearts and souls.

It had taken some coaxing but my mom finally caved, letting me go out on the condition that I didn’t drink and that I actually made an attempt at socializing unlike the other three and a half years of my high school experience during which I spoke to no one and instead silently judged them from the corner of the room.

Oh, good,” she said, “I thought maybe you’d passed out again.” “No, Jessica, in fact I’m waiting very patiently for you to be struck by a falling meteor or to catch on fire or for the floor to spontaneously cave in and you to fall to your death in a disgusting sink hole. Also, I’m kind of walking so that should have been your first clue.

Once upon a time there was a magical land where every man was a king, every woman a queen, each boy a prince and all girl princesses. In this land there were no hungry people and no crippled people. Were there any poor people? - asked Lattens That depends what you mean. In a way no, because they could all have any amount of riches they wanted, but in a way yes, for there were people who chose to have nothing. Their hearts' desire was to be free from owning anything, and they usually preferred to stay in the desert or in the mountains or the forests, living in caves or trees or just wandering around. Some lived in the great cities, where they too just roved about. but wherever they chose to wander, the decision was always theirs.

She followed Wally up front where Miss Applebaum was placing two chairs, face to face, about three feet apart. “I want you to sit here,” she told them, “and I want you to talk to each other for ten minutes. Perhaps at the end of that time you will have said everything there is to say, and there will be no more disturbances in class.” No! Caroline thought. She would rather be paddled! One minute would be bad enough, five minutes would be cruel and unusual punishment, and ten was torture! She lowered herself sideways into one of the chairs. What was she supposed to say to a boy who, up until that morning, had thought she was dead? Miss Applebaum stood with arms folded. “Well? I’m waiting.” Caroline crossed her ankles. “You started it,” she said to Wally. “What did I do?” he mumbled, sitting sideways himself. “Dumping all that dead stuff on our side of the river.” “So you pretended to die.” “Is this a normal conversation?” asked Miss Applebaum as she picked up a box of supplies and headed for the closet at the back of the room. “No,” said Caroline, but she was talking to Wally, not her teacher. “This is not a normal conversation because you and your brothers aren’t normal human beings. Normal people don’t go dumping dead fish and birds around the neighborhood.” “It wasn’t my idea,” said Wally. “Well, actually it was my idea—dead fish, I mean—but it was Jake and Josh who—” “So none of you are normal.” “We’re not normal?” said Wally, his voice rising. “What do you call people who go burying each other in the river?” “It was a great performance, and you know it.” “It was dumb.” “You believed I was dead.” “I believe you’re crazy.” “We’ll see about that.” “Whatever you two are arguing about, you’d better get it out of your systems now, because when you come to school tomorrow, I expect you to pay attention,” Miss Applebaum called, sticking her head out of the supply closet. “You and your dumb brothers,” Caroline muttered because she couldn’t think of anything else to say. “You and your stupid sisters,” said Wally. “We’re smarter than the four of you put together,” Caroline told him. “We’ll see,” said Wally. “If you’d just left us alone instead of dumping that dead stuff, things would be okay,” said Caroline. “If you’d go back where you came from, there wouldn’t be any more trouble,” Wally replied. “Oh, yeah? If you went back to where you came from, you’d live in a cave!” “That does it,” said Wally hotly. “The war is on.” “Okay,” called Miss Applebaum, coming back to the front of the room for another box. “If you two have settled things, you may leave now.” She looked from Caroline to Wally. “Unless, of course, you are not agreed.” “We agree,” said Caroline emphatically. The war is definitely on. She could hardly wait to get home and tell her sisters. What she discovered when she got outside was that she wasn’t the only member of her family who had been kept after school. Eddie had stumbled over Jake’s foot in the cafeteria and, sure that he’d tripped her on purpose, brought her tray down on his head. Beth, of course, had waited for Eddie, so there they were again, the three of them coming home late on the very first day. Mother was dusting shelves in the hallway. “Whatever happened to your nose?” she asked, looking at Caroline. “She bumped into something that needs a little fixing,” said Beth. “Needs a lot of straightening out,” put in Eddie. “Well, how was school?” Mother asked. “Urk,” said Eddie. “Ugh,” said Beth. “It has possibilities,” said Caroline.

So we, God’s servants, go, our Master’s invitation in our hands, out to the highways and hedges. We walk through squalid refugee camps in Syria, fetid open-air trash dumps in Mozambique, drug-infested smoky brothels in Bangkok. We go because deep in the Pamir Mountains of Tajikistan and out on the dusty plains of Iraq, there are people whom God wants to come to His feast. There are people hidden away in small villages in Kyrgyzstan and Kazakhstan who belong at God’s table. There are women in Somalia; street kids in Portland, Oregon; girls in northern Nigeria; and men in Chechnya and a thousand other places who belong in God’s house. God sees them, every one of them, people drawing water from open wells, drinking tea in mud houses, scheming evil in dark camps, hiding from violence in rough caves. He knows their names and faces and voices and laughter and tears. He knows their fears and dreams and joys and sorrows. He was there when they were born, when they fell down, and when they got up—and He wants to share the blessings of all He has with them. This is the heart of God—generous, loving, kind, patient—always ready to bless. He’s prepared His table from the foundations of the earth, and there is still room.

Maybe that rusty boat hangar looked like the entrance to a cave to her," he'd said. Maybe. If you were eight, and near-sighted, and nostalgic for places that you'd never been. But if the Glowworm Grotto actually exists, that changes everything. Olivia's ghost could be there now, twitching her nose with rabbity indignation - "But I left you a map!" Wondering what took us so long to find her.

Seventeen times against the wall or in the barn: You move or scream or say anything I will kill them all. In front of you. First I will torture them and then I will kill them. Her eyes as dead as she can make them. Her arms as limp as she can make them. Her heart as hidden as she can make it. A soldier’s cock entering the thin white flesh of a girl, into the small red cave of her, the fist of her heart pounding out be-dead, be-dead, be-dead. Counting.

Biff rode in the Hardys’ car with Frank and Joe while Chet chauffeured the girls in his jalopy. Five miles later they stopped at the Hamburger Haven, piled out of the cars, and occupied counter stools. After the girls had ordered, Chet boomed, “Three burgers for me, a double order of French fries, and a thick chocolate malted.

Then Joe turned on the record player. Chet, usually bashful with girls, asked Mary Todd to dance, and soon the living room was a blur of motion as the young people gyrated to the latest steps.

You aren’t pretty enough to be this stupid, girl.” Commanded Moid as he closed in on Elizabeth. “What did you think running from us would accomplish? You’ll find no hope in these caves.

Manna suggested that upsilamba evoked the image of small silver fish leaping in and out of a moonlit lake. Nima added in parentheses, Just so you wan't forget me, although you have barred me from your class: an upsilamba to you too! For Azin it was a sound, a melody. Mashid described an image of three girls jumping rope and shouting "Upsilamba!" with each leap. For Sanaz, the word was a small African boy's secret magical name. Mitra wasn't sure why the word reminded her of the paradox of a blissful sigh. And to Nassrin it was the magical code that opened the door to a secret cave filled with treasures. Upsilamba became part of our increasing repository of coded words and expressions, a repository that grew over time until gradually we had created a secret language of our own. The word became a symbol, a sign of that vague sense of joy, the tingle in the spine Nabokov expected readers to feel in the act of reading fiction; it was a sensation that separated the good readers, as he called them, from the ordinary ones. It also became a code word that opened the secret cave of remembrance.

If you take away one lesson from my class, let it be this. Humans are experts in sharing. It started with cave paintings and evolved into books, tweets, virtual reality — who knows what's next. But the pieces of ourselves that we share are just that. Pieces. We're complicated beings who hardly understand our own selves, and that's precisely why we put those experiences out into the world. To find our place in it.