Catty Quotes

We've searched our database for all the quotes and captions related to Catty. Here they are! All 100 of them:

There’s nothing like a bunch of catty teenagers who could either kick your ass halfway across the country or set you on fire with a mere thought. That alone changed who people picked fights with or became friends with. And at the end of the day, it was always good to have a firestarter in your back pocket.
Jennifer L. Armentrout (Half-Blood (Covenant, #1))
That was the exact moment my heart threaded with hers. It was as if someone reached down with a sewing needle and stitched my soul to hers. How could one woman be so sharp and so vulnerable at the same time? Whatever would happen to her would happen to me. Whatever pain she would feel, I would feel it too. I wanted it — that was the surprising part. Selfish, self centered Caleb Drake loved a girl so much he could already feel himself changing to accommodate her needs. I fell. Hard. For the rest of this life and probably the next. I wanted her — every last inch of her stubborn, combative, catty heart.
Tarryn Fisher (Thief (Love Me with Lies, #3))
A span of a few heartbeats can make for a greater memory than the sum of a mundane year.-Catti-brie
R.A. Salvatore (The Pirate King (Forgotten Realms: Transitions, #2; Legend of Drizzt, #18))
Jenna and Vix laughed at that and, after making me promise to hang out with them tomorrow, practically waltzed out the door. I felt like there should have been rainbows and rose petals in their wake or something. Ugh. That was catty.
Rachel Hawkins (Demonglass (Hex Hall, #2))
I will always love you Drizzt Do'Urden my life was full and without regret because I knew you and was completed by you. Sleep well, my love.
R.A. Salvatore
I was tanned, happy, and blowing a kiss to Cary, who’d playacted the role of a highfashion photographer by calling out ridiculous encouragements. Beautiful, dahling. Show me sassy. Show me sexy. Brilliant. Show me catty…rawr…
Sylvia Day (Bared to You (Crossfire, #1))
Be a lady? Forget it. Ladies don't last a day in the real word. No one's a lady anymore. Why do you think we get our claws polished?
Crystal Woods (Write like no one is reading 2)
Belize: Hell or heaven? [Roy indicates "Heaven" through a glance] Belize: Like San Francisco. Roy Cohn: A city. Good. I was worried... it'd be a garden. I hate that shit. Belize: Mmmm. Big city. Overgrown with weeds, but flowering weeds. On every corner a wrecking crew and something new and crooked going up catty corner to that. Windows missing in every edifice like broken teeth, fierce gusts of gritty wind, and a gray high sky full of ravens. Roy Cohn: Isaiah. Belize: Prophet birds, Roy. Piles of trash, but lapidary like rubies and obsidian, and diamond-colored cowspit streamers in the wind. And voting booths. Roy Cohn: And a dragon atop a golden horde. Belize: And everyone in Balencia gowns with red corsages, and big dance palaces full of music and lights and racial impurity and gender confusion. And all the deities are creole, mulatto, brown as the mouths of rivers. Race, taste and history finally overcome. And you ain't there. Roy Cohn: And Heaven? Belize: That was Heaven, Roy.
Tony Kushner (Angels in America)
Selfish, self-centered Caleb Drake loved a girl so much he could already feel himself changing to accommodate her needs. I fell. Hard. For the rest of this life and probably the next. I wanted her — every last inch of her stubborn, combative, catty heart.
Tarryn Fisher (Thief (Love Me with Lies, #3))
Zane let his head loll back and lifted one hand to gently prod his split lip. "Ow." "Whine about it. It'll make it better," Ty offered as he stood in front of his locker, his back to Zane, and unwrapped the tape from his hands with jerky, irritated movements. "Bite me," Zane muttered as he dug into his locker for a towel before starting in on the tape on his own hands. He spared an evil glance for Ty. "Teaching me to advance in a fight is a bad idea." "Teaching you to fight at all is an exercise in futility," Ty responded in a matter-of-fact tone. "Luckily for you, I enjoy things like banging my head against a wall." "I enjoy banging your head against a wall too," Zane replied as he tossed the balled-up tape at a nearby trash can. He let a small smile quirk his lips as he sat on the bench to unlace his shoes. "Shut up," Ty grunted at him. But even though his back was still turned to him, Zane could hear the smile in his voice. "And cut it out with the damn cat jokes, huh? They're starting to catch on." "Fine, fine. No reason to get catty about it," Zane told his partner with a barely concealed grin. "A for effort," Ty conceded charitably.
Abigail Roux (Fish & Chips (Cut & Run, #3))
She was playing it like we had an affinity because we'd both been thrown over by you. The 'Dumped by Gideon Sisterhood.'" He glanced at me with cold eyes. "Don't be catty. It doesn't suit you.
Sylvia Day (Entwined with You (Crossfire, #3))
Selfishly, perhaps, Catti-brie had determined that the assassin was her own business. He had unnerved her, had stripped away years of training and discipline and reduced her to the quivering semblance of a frightened child. But she was a young woman now, no more a girl. She had to personally respond to that emotional humiliation, or the scars from it would haunt her to her grave, forever paralyzing her along her path to discover her true potential in life.
R.A. Salvatore (Streams of Silver (Forgotten Realms: Icewind Dale, #2; Legend of Drizzt, #5))
I know! WHY! – Am I so catty? – Cause I’m consumed with envy an’ eaten up with longing? –
Tennessee Williams (Cat on a Hot Tin Roof)
Some would call it spite, for women it will be called spite and being vindictive; while injured men receive their justice and pass out their vengeance, women will be called petty and catty, won't get to feel the honor a word like revenge endows upon men.
Tommy Orange (Wandering Stars)
How satisfying will it be to know that no matter what happens to your relationship and no matter where or with whom he ends up in his life that you taught him everything he knows...? Catty? Maybe, but that’s a fun thought.
Roberto Hogue (Real Secrets of Sex: A Women's Guide on How to Be Good in Bed)
Hairspray and blusher, eyelash curlers, eye-shadow palettes the size of tea-trays. Even before they left school it was as if they were already rehearsing for some witless kind of womanhood.
Alison Fell (The Element -inth in Greek)
It's my first glimpse at my old self, and my heart constricts in pure longing for the girl I was. She's catty and shallow, but only because she hasn't learned how to like herself. How can she not see how beautiful she is, how special?
Cristin Terrill (All Our Yesterdays)
Her dress was a shade of green only tree lizards should be sporting, and she wore more accessories than a home-shopping hostess.
Karen Neches (Earthly Pleasures)
Some people are good at being in love. Some people are good at love. Two very different things, I think. Being in love is the romantic part—sex all the time, midday naps in the sheets, the jokes, the laughs, the fun, long conversations with no pauses, overwhelming separation anxiety … Just the best sides of both people, you know? But love begins when the excitement of being in love starts to fade: the stress of life sets in, the butterflies disappear, the sex becomes a chore, the tears, the sadness, the arguments, the cattiness … The worst parts of both people. But if you still want that person by your side through all of those things … that’s when you know—that’s when you know you’re good at love.
Nick Miller (Isn't It Pretty To Think So?)
Girls don't have to be nice," she says simply. "But they should stick together...The wider world wants you to think other women are drama...or catty. But that's just because when we work together, we're unstoppable....One day you'll wake up to find that there's a woman, or maybe a few, who have outlasted every changing season of your life.
Julie Murphy (Puddin' (Dumplin', #2))
I think," said my neighbour, her chin very high in the air (and still spiffed, I am glad to say) "that women who've never married and never had children have missed out on the central experiences of life. They are emotionally crippled." Now what am I supposed to say to that? I ask you. That women who've never won the Nobel Peace Prize have also experienced a serious deprivation? It's like taking candy from a baby; the poor thing isn't allowed to get angry, only catty. I said, "That's rude, and silly," and helped her to mashed potatoes. ...."You can't catch a man." "That's why I'll never be abandoned," said I. Fortunately she did not hear me. Did I say taking candy from babies? Rather, eating babies, killing babies, abandoning babies. So sad, so easy.
Joanna Russ (On Strike Against God)
Point is, you can whine about it, or you can give this thing a shot. Either you're in or you're out. Love is love - even if it's only for a little while, that beats never.
Dakota Cassidy (Accidentally Catty (Accidentally Paranormal #5))
Primarily, shapeshifters of the animal variety remain true to animal kingdom rules in their sexual behaviors. I cant say Ive ever seen two male shack up, set up housekeeping, and make crème brûlée together in their nest of love.
Dakota Cassidy (Accidentally Catty (Accidentally Paranormal #5))
When Christian pushes into the brick wall of the building catty-corner to the rear of BB&B—first left on the Dark Zone side—and disappears, I melt down in a fit of the giggles. I toss a rock at the spot where he vanished. It bounces off the brick and clatters to the cobblestone. I'm feeling twenty shades of Harry Potter's train station, especially when he pokes his head out of the wall and says impatiently, "Come on, lass. This is hardly my favorite place to be.
Karen Marie Moning (Iced (Fever, #6))
Nina chuckled, giving Katie her infamous devilish grin. "It means you aren't just a werecougar, lady. You're a cougar-cougar. You took stereotyping to a whole 'nother level. You're like one of those 'doesn't look her age' chicks who hits on young dudes because they got the zoom in their boom still happening. You're a total label. Hot. Niiiice work, Mrs. Robinson.
Dakota Cassidy (Accidentally Catty (Accidentally Paranormal #5))
Time to hunt?" Cattie-brie cried, satisfied that she had gotten her point across. She rose beside Wulfgar and headed for the door, but she turned her head over her shoulder to face Drizzt one final time, giving him a look that told him that perhaps he should have asked for more from Cattie-brie back in Icewind Dale, before Wulfgar had entered her life.
R.A. Salvatore (The Halfling's Gem (Forgotten Realms: Icewind Dale, #3; Legend of Drizzt, #6))
I can't say I've ever seen two male werewolves shack it up, set up housekeeping, and make crème brûlée together in their nest of love. Not that I'd care, mind you. I'm every bit as progressive as the next person. I support love, period.
Dakota Cassidy (Accidentally Catty (Accidentally Paranormal #5))
Everything had become so Twilight only without the sparklies.
Dakota Cassidy (Accidentally Catty (Accidentally Paranormal #5))
Is my mother right?” Rahela murmured. “Are men useless? They don’t take out the trash, they don’t rescue the damsels. The only thing a villainess should do at a party is make catty remarks and spill red wine on the heroine’s dress! I never get a moment’s peace to make catty remarks.
Sarah Rees Brennan (Long Live Evil (Time of Iron, #1))
Another week of emptiness, of solitude, though the schooner was fully crewed and there were few places where someone could be out of sight of everyone else. That was the thing about the open ocean, you were never physically alone, yet all the world seemed removed. Catti-brie and Drizzt had spent hours together, just standing and watching, each lost, drifting on the rolls of the azure blanket, together and yet so alone.
R.A. Salvatore (Passage to Dawn (Forgotten Realms: Legacy of the Drow, #4; Legend of Drizzt, #10))
All my life, I have been searching for a home," the drow said quietly. "All my life, I have been wanting more than that which was offered to me, more than Menzoberranzan, more than friends who stood beside me out of personal gain. I always thought home would be a place, and indeed it is, but not in any physical sense. It is a place in here," Drizzt said, putting a hand to his heart and turning back to look upon his companions. "It is a feeling given by true friends. I know this now, and know that I am home." "But ye're off to Carradoon," Cattie-brie said softly. "And so're we!" Bruenor bellowed. Drizzt smiled at them, laughed aloud. "If circumstances will not allow me to remain at home," the ranger said firmly, "then I will simply take my home with me!
R.A. Salvatore (Passage to Dawn (Forgotten Realms: Legacy of the Drow, #4; Legend of Drizzt, #10))
Steeple, people, banana-fana-fo-feeple. What the fuck ever. If you don't loosen up, lady, I'll drop your ass on it.
Dakota Cassidy (Accidentally Catty (Accidentally Paranormal #5))
It sounded like a good idea at the time, which is probably going to be on my tombstone—along with a catty footnote about poor impulse control. But
Cherie Priest (Hellbent (Cheshire Red Reports, #2))
As everyone knows, the only population more catty than a pack of actual cats is a clique of teenage girls.
Gina Damico (Croak (Croak, #1))
In the cafe there was a lot of stylized cattiness, but this was never unkindly meant. Nothing at all was meant by it. It was a formal game of innuendos about other people being older than they said, about their teeth being false and their hair being a wig. Such conversation was thought to be smart and so very feminine. It was better, I need hardly say, to seem like a truly appalling woman than not like a woman at all.
Quentin Crisp (The Naked Civil Servant)
Here, the women of my family all met under one sign, stamped by what confining fates we had been handed. A girl had no choice in the familythat made her. No choice in the many names that followed her, wet-lipped and braying in the street. She was Psssst. And Jubi. And Catty. Mampy. Matey. Wifey. Dawlin. B. And Heffa. My Size. Empress. Brownine. Fluffy. Fatty. Slimmaz. Mawga Gyal. And Babes. Sweets. Chu Chups. And Ting. Machine. Mumma. Sketel. Rasta Gyal. Jezebel. And Daughter.
Safiya Sinclair (How to Say Babylon)
Maureen Dowd - that catty, third-rate, wannabe sorority queen. She's such an empty vessel. One pleasure of reading the New York Times online is that I never have to see anything written by Maureen Dowd! I ignore her hypertext like spam for penis extenders.
Camille Paglia
Teaching you to fight at all is an exercise in futility," Ty responded in a matter-of-fact tone. "Luckily for you, I enjoy things like banging my head against a wall." "I enjoy banging your head against a wall too," Zane replied as tossed the balled-up tape at a nearby trash can. He let a small smile quirk his lips as he sat on the bench to unlace his shoes. "Shut up," Ty grunted at him. But even though his back was still turned to him, Zane could hear a smile in his voice. "And cut it out with the damn cat jokes, huh? They're starting to catch on." "Fine, fine. No reason to get catty about it," Zane told his partner with a barely concealed grin.
Abigail Roux (Fish & Chips (Cut & Run, #3))
I felt like there should have been rainbows and rose petals in their wake or something. Ugh.That was catty. Jenna deserved rainbows and rose petals, I reminded myself as I flopped back on my bed, Dad's book bumping painfully against my sternum. After everything she'd been through, Jenna had earned an eternity of nothing but good stuff. So why did seeing her with Vix make me want to brain myself with Demonologies: A History? I looked at the nightstand again and sighed. Then I opened the heavy book and tried to make myself read. For the next few hours I made a valiant attempt to get through Chapter One. For a book that was supposedly about fallen angels running around and creating havoc with their super-awesome dark "magycks," it was awfully boring, and all the weird spellings definitely didn't help.
Rachel Hawkins (Demonglass (Hex Hall, #2))
a frantic stream of words flows from us because we are in a constant process of adjusting our public image. we fear so deeply what we think, other people see in us that we talk in order to straighten out their understanding..... one of the fruits of silence (or keeping your mouth shut) is the freedom to let God be our justifier. we don't need to straighten out others. when we can allow God to justify and set things right, that brings us to believe that God can care for us-reputation and all
Hayley DiMarco (Mean Girls All Grown Up: Surviving Catty and Conniving Women)
The Vindili, to whom belong the Burgundiones, Varini, Carini, and Guttones; the Ingaevones, including the Cimbri, Teutoni, and Chauci; the Istaevones, near the Rhine, part of whom are the midland Cimbri; the Hermiones, containing the Suevi, Hermunduri, Catti, and Cherusci; and the Peucini and Bastarnae, bordering upon the Dacians.
Tacitus (The Germany and the Agricola of Tacitus)
That underneath all her cattiness, the bragging she would do about stupid Hollywood events she wormed her way into, her obsession with being an actress, she had a decent heart.
Liz Lawson (The Night In Question)
nothing catty puts in an appearance
Haruki Murakami (The Elephant Vanishes)
Children or not, people were going to be people. They’d be lazy if you let them. They’d be catty if you allowed it. And they’d blame you if they could.
T.J. Payne (Intercepts)
do you love her" Wulfgar asked suddenly, and the drow was off his guard. "Of course I do," Drizzt responded truthfully. "As I love you, and Bruenor, and Regis." "I would not interfere-" Wulfgar started to say, but he was stopped by Drizzt's chuckle. "The choice is neither mine nor yours," the drow explained, "but Catti-brie's. Remember, what you had, my friend, and remember what you, in your foolishness, nearly lost." Wulfgar looked long and hard at his dear friend, determined to heed that wise advice. Catti-brie's life was Catti-brie's to decide and whatever, or whomever, she chose, Wulfgar would always be among friends. The winter would be long and cold, thick with snow and mercifully uneventful. Things would not be the same between the friends, could never be after all they had experienced, but they would be together again, in heart and in soul. Let no man, and no fiend, ever try to separate them again!
R.A. Salvatore
Musicians, especially those who are women, are often dogged by the assumption that they are singing from a personal perspective. Perhaps it is a carelessness on the audience’s part, or an entrenched cultural assumption that the female experience can merely encompass the known, the domestic, the ordinary. When a woman sings a nonpersonal narrative, listeners and watchers must acknowledge that she’s not performing as herself, and if she’s not performing as herself, then it’s not her who is wooing us, loving us. We don’t get to have her because we don’t know exactly who she is. An audience doesn’t want female distance, they want female openness and accessibility, familiarity that validates femaleness. Persona for a man is equated with power; persona for a woman makes her less of a woman, more distant and unknowable, and thus threatening. When men sing personal songs, they seem sensitive and evolved; when women sing personal songs, they are inviting and vulnerable, or worse, catty and tiresome. Whether Corin was singing from her own perspective or from someone else’s, I never had to ask if she was okay. Her voice was torrential, a force as much as it was human.
Carrie Brownstein (Hunger Makes Me a Modern Girl: A Memoir)
Catti-brie continued to stare at the drow as the wizards walked up. The woman did not know what to make of Drizzt's cryptic answers. Drizzt had let Tarnheel win, she figured, or at least had allowed the man to fight to a draw. For some reason the young woman did not understand, she didn't want to think that Tarnheel had actually beaten Drizzt; she didn't want to think that anyone could beat Drizzt.
R.A. Salvatore (Passage to Dawn (Forgotten Realms: Legacy of the Drow, #4; Legend of Drizzt, #10))
Girls don't have to be nice, but they should stick together. The wider world wants you to think other women are drama...or catty. But that's just because when we work together, we're unstoppable" -Abuela
Julie Murphy (Puddin' (Dumplin', #2))
When people suggest that what, all along, has been holding women back is other women bitching about each other, I think they’re severely overestimating the power of a catty zinger during a cigarette break. We have to remember that snidely saying, “Her hair’s a bit limp on top” isn’t what’s keeping womankind from closing the 30 percent pay gap and a place on the board of directors. I think that’s more likely to be down to tens of thousands of years of ingrained social, political, and economic misogyny and the patriarchy, tbh. That’s just got slightly more leverage than a gag about someone’s bad trousers.
Caitlin Moran (How To Be A Woman)
So here is what I see when we reclaim the church ladies: a woman loved and free is beautiful. She is laughing with her sisters, and together they are telling their stories, revealing their scars and their wounds, the places where they don't have it figured out. They are nurturers, creating a haven where the young, the broken, the tenderhearted, and the at-risk can flourish. These women are dancing and worshiping, hands high, faces tipped toward heaven, tears streaming. They are celebrating all shapes and sizes, talking frankly and respectfully about sexuality and body image, promising to stop calling themselves fat. They are saving babies tossed in rubbish heaps, rescuing child soldiers, supporting mamas trying to make ends meet halfway around the world, thinking of justice when they buy their daily coffee. They are fighting sex trafficking. They are pastoring and counseling. They are choosing life consistently, building hope, doing the hard work of transformation in themselves. They are shaking off the silence of shame and throwing open the prison doors of physical and sexual abuse, addictions, eating disorders, and suicidal depression. Poverty and despair are being unlocked - these women know there are many hands helping turn that key. There isn't much complaining about husbands and chores, cattiness, or jealousy when a woman knows she is loved for her true self. She is lit up with something bigger than what the world offers, refusing to be intimidated into silence or despair.
Sarah Bessey (Jesus Feminist: An Invitation to Revisit the Bible's View of Women)
I mean starting to see yourself as a piece of meat, that the only thing you've got is your looks and the way you affect boys, guys. You start doing it without even knowing you're doing it. And it's scary, because at the same time it also feels like a box; you know there's more to you inside because you can feel it, but nobody else will ever know -- not even other girls, who either hate you or are scared of you, because you're a monopsony, or else if they're also the foxes or the cheerleaders they're competing with you and feel like they have to do this whole competitive catty thing that guys don't have any idea about, but trust me, it can be really cruel.
David Foster Wallace (The Pale King)
He's not wanting to fight," she assured the captain. "He is driven by curiosity?" Deudermont asked. "By loyalty," Catti-brie answered. "And nothing more. Drizzt is bound by friendship to ye and to the crew, and if a simple contest against the man will make for an easier sail, then he's up to the fight. But there is no curiosity in Drizzt. No stupid pride. He's not for caring who's the better at swordplay." Deudermont nodded and his expression brightened. The young woman's words confirmed his belief in his friend.
R.A. Salvatore (Passage to Dawn (Forgotten Realms: Legacy of the Drow, #4; Legend of Drizzt, #10))
If there is, indeed, an anti-Marian spirit, what might it look like? Well, a woman in its grip would not value children. She would be bawdy, vulgar, and angry. She would rage against the idea of anything resembling humble obedience or self-sacrifice for others. She would be petulant, shallow, catty, and overly sensuous. She would also be self-absorbed, manipulative, gossipy, anxious, and self-servingly ambitious. In short, she would be everything that Mary is not. She would bristle especially at the idea of being a virgin or a mother.
Carrie Gress (The Anti-Mary Exposed: Rescuing the Culture from Toxic Femininity)
I couldn't help but wonder if we, as women, had always possessed the instinctive skills for detecting cattiness in other women, or if the knowledge had been taught to us throughout our lives by the great masters of the trade, such as Joan Collins and Linda Evans on Dynasty.
Bethany Turner (The Secret Life of Sarah Hollenbeck)
Look at me," she sobbed. "Tell me ye feel the same!" Drizzt did look at Catti-brie, as deeply as he had ever studied the beautiful young woman. He did care for her - of course he did. He did love her, and had even allowed himself a fantasy or two about this very situation.
R.A. Salvatore (Siege of Darkness (Forgotten Realms: Legacy of the Drow, #3; Legend of Drizzt, #9))
had girl friends that were my close-knit group of friends, but I honestly felt most comfortable with Matt. With my girl friends, there was always drama and cattiness. There was competition for the attention of a cute boy, the better grade, the smallest ass, the biggest boobs.
Kathryn R. Biel (Good Intentions)
Serena looked through the violently rotating flames and saw Vanessa, Jimena, and Catty running toward her. They looked like goddesses; Vanessa dressed in shimmering blue, Jimena in lightning-strike silver, and Catty in wild strawberry pink, their hair bouncing in silky soft swirls with each step.
Lynne Ewing (Into the Cold Fire (Daughters of the Moon, #2))
Secret chamber quietly exists God Yin and Yang with weight of one catty Smelt to complete Fire, female liquid Swallow to exhaust Water, male fluid Gradual change, free and unfettered body Be detached, free and unrestrained body Further repair achieves full study Crane banner draws out dynastic truth
Lü Dongbin
With Catty and Patrick's images in he side mirror waving from the steps of that house like Jethro and Ellie Mae, it occurred to me that something extraordinary had happened. I had effortlessly found a place of acceptance -- a place where people had taken me for me, not for what I could give them -- and I had left it.
Linda Leigh Hargrove
We are the center. In each of our minds - some may call it arrogance, or selfishness - we are the center, and all the world moves about us, and for us, and because of us. This is the paradox of community, the one and the whole, the desires of the one often in direct conflict with the needs of the whole. Who among us has not wondered if all the world is no more than a personal dream? I do not believe that such thoughts are arrogant or selfish. It is simply a matter of perception; we can empathize with someone else, but we cannot truly see the world as another person sees it, or judge events as they affect the mind and the heart of another, even a friend. But we must try. For the sake of all the world, we must try. This is the test of altruism, the most basic and undeniable ingredient for society. Therein lies the paradox, for ultimately, logically, we each must care more about ourselves than about others, and yet, if, as rational beings we follow that logical course, we place our needs and desires above the needs of our society, and then there is no community. I come from Menzoberranzan, city of drow, city of self. I have seen that way of selfishness. I have seen it fail miserably. When self-indulgence rules, then all the community loses, and in the end, those striving for personal gains are left with nothing of any real value. Because everything of value that we will know in this life comes from our relationships with those around us. Because there is nothing material that measures against the intangibles of love and friendship. Thus, we must overcome that selfishness and we must try, we must care. I saw this truth plainly following the attack on Captain Deudermont in Watership. My first inclination was to believe that my past had precipitated the trouble, that my life course had again brought pain to a friend. I could not bear this thought. I felt old and I felt tired. Subsequently learning that the trouble was possibly brought on by Deudermont's old enemies, not my own, gave me more heart for the fight. Why is that? The danger to me was no less, nor was the danger to Deudermont, or to Catti-brie or any of the others about us. Yet my emotions were real, very real, and I recognized and understood them, if not their source. Now, in reflection, I recognize that source, and take pride in it. I have seen the failure of self-indulgence; I have run from such a world. I would rather die because of Deudermont's past than have him die because of my own. I would suffer the physical pains, even the end of my life. Better that than watch one I love suffer and die because of me. I would rather have my physical heart torn from my chest, than have my heart of hearts, the essence of love, the empathy and the need to belong to something bigger than my corporeal form, destroyed. They are a curious thing, these emotions. How they fly in the face of logic, how they overrule the most basic instincts. Because, in the measure of time, in the measure of humanity, we sense those self-indulgent instincts to be a weakness, we sense that the needs of the community must outweigh the desires of the one. Only when we admit to our failures and recognize our weaknesses can we rise above them. Together.
R.A. Salvatore (Passage to Dawn (Forgotten Realms: Legacy of the Drow, #4; Legend of Drizzt, #10))
He saw tears rimming her blue eyes, tears that washed away Drizzt's anger, that told him that what had happened between himself and Catti-brie had apparently not been so deeply buried. The last time they had met, on this very spot, they had hidden the questions they both wanted to ask behind the energy of a sparring match. Catti-brie's concentration had to be complete on that occasion, and in the days before it, as she had fought to master her sword, but now that task was completed. Now, like Drizzt, she had time to think, and in that time, Catti-brie had remembered. "Ye're knowing it was the sword?" she asked, almost pleaded. Drizzt smiled, trying to comfort her. Of course it had been the sentient sword that had inspired her to throw herself at him. Fully the sword, only the sword. But a large part of Drizzt - and possibly of Catti-brie, he thought in looking at her - wished differently. There had been an undeniable tension between them for some time, a complicated situation, and even more so now, after the possession incident with Khazid'hea.
R.A. Salvatore (Siege of Darkness (Forgotten Realms: Legacy of the Drow, #3; Legend of Drizzt, #9))
Sorry, it's all those crossword puzzles I do. I love words...
Dakota Cassidy (Accidentally Catty (Accidentally Paranormal #5))
While Bitty’s tone was pleasantly concerned, it held that unmistakable Southern belle cattiness that wouldn’t escape the attention of anyone familiar with polite social warfare. Three women within hearing stepped back a pace, but made no pretense that they weren’t listening to every word. After all, this is the kind of show that makes the tiresome rules of etiquette bearable.
Virginia Brown (Dixie Divas)
Drizzt looked long and hard at the young woman, tje dedicated warrior, and he understood that Danica, too, had been forced into a great sacrifice because of Cadderly's choice. He sensed an anger within her, but it was buried deep. overwhelmed by her love for this man and her admiration for his sacrifice. Catti-brie didn't miss any of it. She, who had lost her love, surely empathized with Danica, and yet, she knew that the woman was undeserving of any sympathy. In those few sentences of explanation, in the presence of Cadderly and of Danica, and within the halls of this most reverent of structures, Catti-broe understood that to give sympathy to Danica would belittle the sacrifice, would diminish what Cadderly had accomplished in exchange for his years.
R.A. Salvatore (Passage to Dawn (Forgotten Realms: Legacy of the Drow, #4; Legend of Drizzt, #10))
Women have to support each other more. Women get women. We understand each other when we are happy or sad, when we have our period, start a new job, or fall in love. We are typically the caretakers. Let’s take care of each other, start building each other up. The stereotype with women is that we are catty and vindictive. It’s important to fight against that notion. I have a no BS policy in my circle.
Ashley Graham
She held a scarlet sequin dress to her chest and posed in front of a mirror. Too hot. She put it back and took a black mini. Too dreary. Then a blue as pale as a whisper caught her eye. She took the dress. The material was silky and clinging. Perfect for a goddess. On the floor below the dress sat scrappy wraparound high-heeled sandals that matched the blue. She didn't understand why she needed to dress up to meet Stanton but the impulse to steal into the storage room had been rising in her since the sun set. She took the dress and sandals back to her room, then sat on the floor and painted her toenails and fingernails pale blue. She drew waves of eternal flames and spiral hearts in silver and blue around her ankles and up her legs with body paints. When she was done, she pressed a Q-tip into glitter eye shadow and spread sparkles on her lid and below her eye. With a sudden impulse she swirled the lines over her temple and into her hairline. She liked the look. She rolled blue mascara on her lashes, then brushed her hair and snapped crystals in the long blond strands. She squeezed glitter lotion into her palms and rubbed it on her shoulders and arms. Last she took the dress and stepped into it. She turned to the mirror on the closet door. A thrill ran through her. Her reflection astonished her. She looked otherworldly, a mystical creature... eyes large, skin glowing, eyelashes longer, thicker. Everything about her was more powerful and sleek and fairy tale. Surely this wasn't really happening. Maybe she would wake up and run to school and tell Catty about her crazy dreams. But another part of her knew this was real. She leaned to one side. The dress exposed too much thigh. "Good." Her audacity surprised her. Another time she would have changed her dress. But why should she?
Lynne Ewing (Goddess of the Night)
Asking a writer why they like to write {in the theoretical sense of the question} is like asking a person why they breathe. For me, writing is a natural reflex to the beauty, the events, and the people I see around me. As Anais Nin put it, "We write to taste life twice." I live and then I write. The one transfers to the other, for me, in a gentle, necessary way. As prosaic as it sounds, I believe I process by writing. Part of the way I deal with stressful situations, catty people, or great joy or great trials in my own life is by conjuring it onto paper in some way; a journal entry, a blog post, my writing notebook, or my latest story. While I am a fair conversationalist, my real forte is expressing myself in words on paper. If I leave it all chasing round my head like rabbits in a warren, I'm apt to become a bug-bear to live with and my family would not thank me. Some people need counselors. Some people need long, drawn-out phone-calls with a trusted friend. Some people need to go out for a run. I need to get away to a quiet, lonesome corner--preferably on the front steps at gloaming with the North Star trembling against the darkening blue. I need to set my pen fiercely against the page {for at such moments I must be writing--not typing.} and I need to convert the stress or excitement or happiness into something to be shared with another person. The beauty of the relationship between reading and writing is its give-and-take dynamic. For years I gathered and read every book in the near vicinity and absorbed tale upon tale, story upon story, adventures and sagas and dramas and classics. I fed my fancy, my tastes, and my ideas upon good books and thus those aspects of myself grew up to be none too shabby. When I began to employ my fancy, tastes, and ideas in writing my own books, the dawning of a strange and wonderful idea tinged the horizon of thought with blush-rose colors: If I persisted and worked hard and poured myself into the craft, I could create one of those books. One of the heart-books that foster a love of reading and even writing in another person somewhere. I could have a hand in forming another person's mind. A great responsibility and a great privilege that, and one I would love to be a party to. Books can change a person. I am a firm believer in that. I cannot tell you how many sentiments or noble ideas or parts of my own personality are woven from threads of things I've read over the years. I hoard quotations and shadows of quotations and general impressions of books like a tzar of Russia hoards his icy treasures. They make up a large part of who I am. I think it's worth saying again: books can change a person. For better or for worse. As a writer it's my two-edged gift to be able to slay or heal where I will. It's my responsibility to wield that weapon aright and do only good with my words. Or only purposeful cutting. I am not set against the surgeon's method of butchery--the nicking of a person's spirit, the rubbing in of a salty, stinging salve, and the ultimate healing-over of that wound that makes for a healthier person in the end. It's the bitter herbs that heal the best, so now and again you might be called upon to write something with more cayenne than honey about it. But the end must be good. We cannot let the Light fade from our words.
Rachel Heffington
In ancient times when Pandora's box was opened-" "Pandora?" Kendra interrupted. "Are you talking about the myth?" Catty nodded solemnly. "It isn't a myth," she stated firmly and continued, "The last thing to leave the box was hope. Only Selene, the goddess of the moon, saw the creature that had been sent by the Atrox to devour hope. Selene took pity on the people of earth and gave her Daughters, like guardian angels, to perpetuate hope. I'm one of those Daughters. A goddess.
Lynne Ewing (The Secret Scroll (Daughters of the Moon, #4))
Here, the women of my family all met under one sign, stamped by what confining fates we had been handed. A girl had no choice in the family that made her. No choice in the many names that followed her, wet-lipped and braying in the street. She was Psssst. And Jubi. And Catty. Mampy. Matey. Wifey. Dawlin. B. And Heffa. My Size. Empress. Brownine. Fluffy. Fatty. Slimmaz. Mawga Gyal. And Babes. Sweets. Chu Chups. And Ting. Machine. Mumma. Sketel. Rasta Gyal. Jezebel. And Daughter.
Safiya Sinclair (How to Say Babylon)
Tack’s my favorite,” she whispered, and that was when I turned to her. “He’s also mine.” Her catty, knowing smile got bigger, cattier and more knowing. “As you can tell, girl, I don’t mind sharing.” My hand itched to slap her. No, actually, my hand itched to slap someone else. Her, I wanted to know why she did what she did to the sisterhood but worse, what she did to herself. But instead of asking, I again turned my gaze to the tarmac, willing the cab to show the fuck up already.
Kristen Ashley (Motorcycle Man (Dream Man, #4))
Since eight o'clock she had been trying on and rejecting dresses, and now she stood dejected and irritable in lace pantalets, linen corset cover and three billowing lace and linen petticoats. Discarded garments lay about her on the floor, the bed, the chairs, in bright heaps of color and straying ribbons. The rose organdie with long pink sash was becoming, but she had worn it last summer when Melanie visited Twelve Oaks and she’d be sure to remember it. And might be catty enough to mention it.
Margaret Mitchell (Gone With the Wind)
Musicians, especially those who are women, are often dogged by the assumption that they are singing from a personal perspective. Perhaps it is a carelessness on the audience’s part, or an entrenched cultural assumption that the female experience can merely encompass the known, the domestic, the ordinary. When a woman sings a nonpersonal narrative, listeners and watchers must acknowledge that she’s not performing as herself, and if she’s not performing as herself, then it’s not her who is wooing us, loving us. We don’t get to have her because we don’t know exactly who she is. An audience doesn’t want female distance, they want female openness and accessibility, familiarity that validates femaleness. Persona for a man is equated with power; persona for a woman makes her less of a woman, more distant and unknowable, and thus threatening. When men sing personal songs, they seem sensitive and evolved; when women sing personal songs, they are inviting and vulnerable, or worse, catty and tiresome.
Carrie Brownstein (Hunger Makes Me a Modern Girl: A Memoir)
Drizzt had come to believe that these goblinkin races were not evil by nature, as the drow were not, but were bent to such acts and practices by the influence of powerful godlike forces, as were so many of the races of Toril. But no, Mielikki had denied such a theory to Catti-brie. His wife knew that drow were not evil creatures by nature, of course. She had married Drizzt, after all, and he knew with confidence that she loved him with all of her heart and soul. So how could she hold such a prejudice? No, that idea was impossible.
R.A. Salvatore (Starlight Enclave (The Way of the Drow, #1; The Legend of Drizzt, #37))
Drizzt wasn’t sure of his convictions on this matter, but what he was certain of was that he would not be guided against his conscience by a supposed goddess, any goddess. Once, he too had followed Mielikki, but he had always thought of her, of all the gods, as manifestations of that which was in the hearts of their respective followers—they were just names given to conscience—or if more, no matter, for following them meant following that which you believed to be true, not the words relayed. Or in this case, not even the words directly conveyed.
R.A. Salvatore (Starlight Enclave (The Way of the Drow, #1; The Legend of Drizzt, #37))
That's when she noticed that Serena, Jimena, and Vanessa each wore matching silver charms. Corrine caught what she was staring at. "They never take them off," she whispered. "Not in P.E., not for dances. Never. They had another friend, Catty, who wore the same amulet, but she's gone now. Someday when we're alone, I'll tell you what happened to her." Tianna looked at the face of the moon etched in the metal on the charms. Sparkling in the morning light, the charms didn't seem silver but more like a strange stone that reflected a rainbow of colors.
Lynne Ewing (The Lost One (Daughters of the Moon, #6))
Chelsea, of course, was the first one to speak up. “Okay, am I the only one who noticed how gi-mungous Mimi Nichols’s dress makes her ass look? Of course, you can barely notice it since her freakishly giant boobs are practically hanging out the top of it.” Chelsea glanced at Jules and grinned. “No offense, of course,” she offered, raising her eyebrows at Jules’s chest. Claire giggled, and Jules wrinkled up her face in disgust at Chelsea’s teasing barb. “You’re just jealous,” she retorted, eyeing Chelsea’s chest in return. “Touche, Jules. Touche!” Chelsea admitted. Claire wanted so badly to join in on the catty conversation, but she was terrible at finding other people’s flaws . . . at least intentionally. Still, she gave it her best shot. “And what about Jennifer Cummings?” she asked accusingly, trying to mimic one of Chelsea’s cutting looks. They looked around at one another, wondering what it was that they weren’t getting. Chelsea was the only one brave enough to ask, “What about her, Claire?” “She does not even look kind of cute!” Claire stated, her face a mask of mock horror. They all stared at her, not sure what to say. And then once again, of course, it was Chelsea who broke the stunned silence. “I swear, Claire-bear, I am going to call your mom and tell her you need to start riding the short bus. You really need to start practicing your bitchy comments. What are you gonna do when we’re not here to get your back?” Claire rolled her eyes, too oblivious to be insulted, which was why she was the perfect friends for Chelsea, who was too insulting to be obvious. “Geez, Chels, I don’t even ride the bus.” Jules couldn’t help herself; despite her best efforts to hold on to her detached cool, she started laughing. And pretty soon they were all laughing, even Claire, who still didn’t realize what they were laughing at. “You guys are so mean!” Violet charged accusingly. “Can’t you just have fun and stop picking everyone part?” Chelsea looked disgusted. “You’ve gone soft, haven’t you? Jay has made you soft!” Violet rolled her eyes, smiling despite her best efforts. “Whatever. Everyone’s soft compared to you.” “Ouch!” Chelsea pretended to be wounded. But again, she just couldn’t pull it off.
Kimberly Derting (The Body Finder (The Body Finder, #1))
All these years I thought I had been protecting a space alien from the government." She laughed and it was dry and filled with sadness. "And now I find out that I've been protecting something evil." Catty started shaking. "What did you read?" Kendra looked down at the manuscript. Her finger ran across a line as she translated it. "The child of a fallen goddess and an evil spirit will take possession of the Secret Scroll without fear of its curse." "You think that's me?" Catty asked nervously. Could she be the daughter of a fallen goddess and an evil spirit?
Lynne Ewing (The Secret Scroll (Daughters of the Moon, #4))
He studied the woman before him, not as lovely as she once was, ordinary in appearance, scarred by living, abandoned by many, breathtakingly to be near and altogether unforgettable. "I have no friends," she spoke forth hauntingly. "I am alone." He couldn't believe it. But then he could for the rare creature near enough to touch was out of their league. She wasn't envied for the shallowness of appearance or the superficiality of status or possessions; she was envied for being uncommon and for possessing indomitable strength, something only a lifetime of suffering could shape.
Donna Lynn Hope
I feared that you were the destined heir to the Secret Scroll because of the prophecy." "What prophecy?" Catty hated the tremor that had crept into her voice. "Only the child of a fallen goddess and an evil spirit will inherit the Scroll, Zoe recited. Catty's heart sunk. Her mother was a Follower, her father an evil member of the Inner Circle. She suddenly felt damned. How could she overcome such a birthright? Zoe took Catty's hand. "You must never worry that you are evil because of your heritage. The manuscript can only be given to someone with a pure heart and the strength to fight the Atrox.
Lynne Ewing (The Secret Scroll (Daughters of the Moon, #4))
Catti-brie had to believe that now, recalling the scene in light of the drow's words. She had to believe that her love for Wulfgar had been real, very real, and not misplaced, that he was all she had thought him to be. Now she could. For the first time since Wulfgar's death, Cattie-brie could remember him without pangs of guilt, without the fears that, had he lived, she would not have married him. Because Drizzt was right; Wulfgar would have admitted the error despite his pride, and he would have grown, as he always had before. That was the finest quality of the man, an almost childlike quality, that viewed the world and his own life as getting better, as moving toward a better way in a better place. What followed was the most sincere smile on Cattie-brie's face in many, many months. She felt suddenly free, suddenly complete with her past, reconciled and able to move forward with her life. She looked at the drow, wide-eyed, with a curiosity that seemed to surprise Drizzt. She could go on, but what exactly did that mean? Slowly, Cattie-brie began shaking her head, and Drizzt came to understand that the movement had something to do with him. He lifted a slender hand and brushed some stray hair back from her cheek, his ebony skin contrasting starkly with her light skin, even in the quiet light of night. "I do love you," the drow admitted. The blunt statement did not catch Catti-brie by surprise, not at all. "As you love me," Drizzt went on, easily, confident that his words were on the mark. "And I, too, must look ahead now, must find my place among my friends, beside you, without Wulfgar." "Perhaps in the future," Catti-brie said, her voice barely a whisper. "Perhaps," Drizzt agreed. "But for now..." "Friends," Catti-brie finished. Drizzt moved his hand back from her cheek, held it in the air before her face, and she reached up and clasped it firmly. Friends
R.A. Salvatore (Siege of Darkness (Forgotten Realms: Legacy of the Drow, #3; Legend of Drizzt, #9))
Catti-brie didn't blink, barely drew breath. She was thinking how noble this drow had been. So many other men would not have asked questions, would have taken advantage of the situation. And would that have been such a bad thing? the young woman had to ask herself now. Her feelings for Drizzt were deep and real, a bond of friendship and love. Would it have been such a bad thing if he had made love to her in that room? Yes, she decided, for both of them, because, while it was her body that had been offered, it was Khazid'hea that was in control. Things were awkward enough between them now, but if Drizzt had relented to the feelings that Catti-brie knew he held for her, if he had not been so noble in that strange situation and had given in to the offered temptation, likely neither of them would have been able to look the other in the eye afterward. Like they were doing now, on a quiet plateau high in the mountains, with a chill and crisp breeze and the stars glowing even more brightly above them. "Ye're a good man, Drizzt Do'Urden," the grateful woman said with a heartfelt smile. "Hardly a man," Drizzt replied, chuckling, and glad for the relief of the tension. Only a temporary relief, though. The chuckle and the smile died away almost immediately, leaving them in the same place, the same awkward moment, caught somewhere between romance and fear.
R.A. Salvatore (Siege of Darkness (Forgotten Realms: Legacy of the Drow, #3; Legend of Drizzt, #9))
On her first day of school a small group of children, led by the always-catty Sofia Jean Fleener, began needling her about her pudgy arms and her overly round face. When she replied with a lispy, "Thticks and thtones may break my boneth," Sofia Jean pounced upon that as well, and Elspeth did what many children might do in that situation. She cried. The next day, the teasing began anew, but this time Elspeth did not cry. Instead, she made a split-second decision to punch Sofia Jean firmly in the solar plexus, while the other children looked on in horror. This time Sofia Jean was the one doing all the crying, and Elspeth decided right then and there that she much preferred this result to the previous day's outcome.
Gerry Swallow (Blue in the Face: A Story of Risk, Rhyme, and Rebellion)
Then Lennon meanders off into catty talk about Dylan’s new single, “Gotta Serve Somebody,” accusing him of wanting to be a waiter for Christ. Lennon eviscerates Jerry Wexler’s whole Slow Train Coming production that the single conjures: Dylan’s singing is pathetic, he says, the lyrics embarrassing. Surveying the 1979 rock scene, Lennon remarks how the Mighty Dylan, McCartney, and Jagger seem to be sliding down a mountain, blood with mud in their nails. This leads to a reflection on how competitive he used to feel with fellow rock stars, and how silly it all seems from his new vantage. Even a couple of years back he remembers the anxious panic such competition induced. Now there doesn’t seem to be much use to listen to their albums. He still sends out for them, but they all sound pointless.
Tim Riley (Lennon)
I don't know, now, when I first looked at Hella and found her stale, found her body uninteresting, her presence grating. It seemed to happen all at once-- I suppose that only means that it had been happening for a long time. I trace it to something as fleeting as the tip of her beast lightly touching my forearm as she leaned over me to serve my supper. I felt my flesh recoil. Her underclothes, drying in the bathroom, which I had often thought of as sell even rather improbably sweet and as being washed much too often, now began to seem unaesthetic and unclean. A body which had to be covered with such crazy, catty-cornered bits of stuff began to seem grotesque. I sometimes watched her naked body move and wished that it were harder and firmer, I was fantastically intimidated by her breasts, and when I entered her I began to feel that I would never get out alive. All that once delighted me seemed to have turned sour on my stomach.
James Baldwin (Giovanni’s Room)
We've known each other for years." "In every sense of the word." Tanya gave him a nudge and they shared another laugh. In every sense of the word... Daisy felt a cold stab of jealousy at their intimate moment. It didn't make sense. Her relationship with Liam wasn't real. But the more time she spent with him, the more the line blurred and she didn't know where she stood. "Daisy is a senior software engineer for an exciting new start-up that's focused on menstrual products," Liam said. "She's in line for a promotion to product manager. The company couldn't run without her." Daisy grimaced. "I think that's a bit of an exaggeration." "Take the compliment," Tanya said. "Liam doesn't throw many around... At least, he didn't used to." At least, he didn't used to... Was the bitch purposely trying to goad her with little reminders about her shared past with Liam? Daisy's teeth gritted together. Well, she got the message. Tanya was a cool, bike-riding, smooth-haired venture capitalist ex who clearly wasn't suffering in any way after her journey. She was probably so tough she didn't need any padding in her seat. Maybe she just sat on a board or the bare steel frame. Liam ran a hand through his hair, ruffling the dark waves into a sexy tangle. Was he subconsciously grooming himself for Tanya? Or was he just too warm? "What are you riding now?" "Triumph Street Triple 675. I got rid of the Ninja. Not enough power." "You like the naked styling?" Liam asked. Tanya smirked. "Naked is my thing, as you know too well." Naked is my thing... As you know too well... Daisy tried to shut off the snarky voice in her head, but something about Tanya set her possessive teeth on edge. "Do you want to join us inside?" Liam asked. "We're going to have a coffee before we finish the loop." Say no. Say no. Say no. "Sounds good." Tanya took a few steps and looked back over her shoulder. "Do you need a hand, Daisy?" Only to slap you.
Sara Desai (The Dating Plan (Marriage Game, #2))
I really like you." He spoke softly and the words floated around her in a dreamy way. "More than I've ever liked anyone and if you knew everything about me, you'd know that means a lot." She started to ask him to explain, but before she could he bent down. She thought he was going to kiss her, but he let his lips tease, hovering inches from hers. Their breath mingled. When his lips finally touched hers, a pleasant shock went through her. All the worries that had been building inside her seemed to vanish and there was only Chris and the sensations of her body. She had imagined so often what it must feel like to kiss a guy, but even in her wildest fantasies a kiss had never felt as good as the ones Chris gave her. When he pulled back, she opened her eyes quickly and caught a look of intense longing in his eyes, and then it was gone. Was it only her imagination? "Chris..." She started to ask him what was bothering him, but he closed her mouth with another kiss.
Lynne Ewing (The Secret Scroll (Daughters of the Moon, #4))
Don't you ever want to be alone sometimes?" "Sure." He stepped around the counter and stopped close to her. She glanced up and saw herself reflected in his pupils. His fingers played on her shoulders. 'I'd like to be alone with you," he whispered slowly. "We could stay here and watch videos." His hands smoothed down her arms and then he held both of her hands. He didn't seem to mind that they were dirty. "That's not what I had in mind," she answered. "But I don't want you to miss the party." His words rustled across her right ear. He took one more step and this time he was close enough to kiss her. His thigh rubbed against hers. She shivered with pleasure. "Please come." The word fell on her ears like a caress and he looked at her in a dreamy sort of way that made her feel giddy. "Come to the party with me, Catty." He leaned over and traced one finger gently over her chin and down her throat. She leaned back and let him kiss her. "Come to the party," he said between his kisses.
Lynne Ewing (The Secret Scroll (Daughters of the Moon, #4))
Dog Talk … I have seen Ben place his nose meticulously into the shallow dampness of a deer’s hoofprint and shut his eyes as if listening. But it is smell he is listening to. The wild, high music of smell, that we know so little about. Tonight Ben charges up the yard; Bear follows. They run into the field and are gone. A soft wind, like a belt of silk, wraps the house. I follow them to the end of the field where I hear the long-eared owl, at wood’s edge, in one of the tall pines. All night the owl will sit there inventing his catty racket, except when he opens pale wings and drifts moth-like over the grass. I have seen both dogs look up as the bird floats by, and I suppose the field mouse hears it too, in the pebble of his tiny heart. Though I hear nothing. Bear is small and white with a curly tail. He was meant to be idle and pretty but learned instead to love the world, and to romp roughly with the big dogs. The brotherliness of the two, Ben and Bear, increases with each year. They have their separate habits, their own favorite sleeping places, for example, yet each worries without letup if the other is missing. They both bark rapturously and in support of each other. They both sneeze to express plea- sure, and yawn in humorous admittance of embarrassment. In the car, when we are getting close to home and the smell of the ocean begins to surround them, they both sit bolt upright and hum. With what vigor and intention to please himself the little white dog flings himself into every puddle on the muddy road. Somethings are unchangeably wild, others are stolid tame. The tiger is wild, the coyote, and the owl. I am tame, you are tame. The wild things that have been altered, but only into a semblance of tameness, it is no real change. But the dog lives in both worlds. Ben is devoted, he hates the door between us, is afraid of separation. But he had, for a number of years, a dog friend to whom he was also loyal. Every day they and a few others gathered into a noisy gang, and some of their games were bloody. Dog is docile, and then forgets. Dog promises then forgets. Voices call him. Wolf faces appear in dreams. He finds himself running over incredible lush or barren stretches of land, nothing any of us has ever seen. Deep in the dream, his paws twitch, his lip lifts. The dreaming dog leaps through the underbrush, enters the earth through a narrow tunnel, and is home. The dog wakes and the disturbance in his eyes when you say his name is a recognizable cloud. How glad he is to see you, and he sneezes a little to tell you so. But ah! the falling-back, fading dream where he was almost there again, in the pure, rocky weather-ruled beginning. Where he was almost wild again, and knew nothing else but that life, no other possibility. A world of trees and dogs and the white moon, the nest, the breast, the heart-warming milk! The thick-mantled ferocity at the end of the tunnel, known as father, a warrior he himself would grow to be. …
Mary Oliver (Dog Songs: Poems)
It struck Drizzt as a simple truth, a plain reminder of how unknown the world about him really was, even to those, like Deudermont, who had spent the bulk of their lives on the sea. This watery world, and the great creatures that inhabited it, moved to rhythms that he could never truly understand. That realization, along with the fact that the horizon from every angle was nothing but flat water, reminded Drizzt of how small they really were, of how overwhelming nature could be. For all his training, for all his fine weapons, for all his warrior heart, the ranger was a tiny thing, a mere speck on a blue-green tapestry. Drizzt found that notion unsettling and comforting all at once. He was a small thing, an insignificant thing, a single swallow to the fish that had easily paced the Sea Sprite. And yet, he was a part of something much bigger, a single tile on a mosaic much huger than his imagination could even comprehend. He draped an arm comfortably across Catti-brie's shoulder, connected himself to the tile that complimented his own, and she leaned against him.
R.A. Salvatore (Passage to Dawn (Forgotten Realms: Legacy of the Drow, #4; Legend of Drizzt, #10))
warmer tan; I looked less creepy in the summer. Maybe that was why the girls had been digging into me so hard. I looked rather witchy. The unease that made them mock me was probably their souls warning them, urging them to notice I was different and dangerous. At my worst, it feels like the fire that could easily shoot from my palm is raging inside of me. My heart picks up, more than when I’m scared. It pounds, I can’t hear. My blood dances, taunting me, begging me to hurt whoever’s hurt me. And I know that I can. I feel that I can. But I don’t. I breathe and pray and let the magic cool. I didn’t want to be this way—consumed by rage and thoughts of death. I’d much rather be normal and not feel so distant from everyone around me. It would be nice to join the art club and not have to worry about what I’d do to the catty girls there. Before the powers, I’d thought that was where my life was headed—being the quiet girl with the natural artistic abilities. The nuns had thought drawing and painting would bring me out of my shell, make me finally want to talk to someone, connect
M. Lathan (Hidden (Hidden #1))
A bedraggled and thoroughly frustrated Catti-brie entered her chambers much later to find her husband dancing with their little girl. Or maybe they were training. Drizzt did a broad jump. Brie hopped, both feet off the ground. She touched down lightly and sprang again, and a third time, which put her up beside her father. “You,” Drizzt said. Brie laughed. She jumped up as high as she could and turned in midair. She got about a quarter of the way around before she ran out of air beneath her, thumping down and holding her balance. Drizzt leaped up gracefully and spun about, a full spin, landing and dropping into a squat that put his face right before that of his giggling daughter. “You!” she said. Up sprang Drizzt, executing a backflip that landed him on his feet, but only momentarily, as he plopped down on his butt before Brie with a surprised look on his face. Brie laughed and went up as if to jump, but didn’t leave the ground at all, and instead just fell back to a sitting position facing her father. The two broke out in laughter. “Boom!” said Drizzt. “Boo boo!” said Brie.
R.A. Salvatore (Starlight Enclave (The Way of the Drow, #1; The Legend of Drizzt, #37))
I never thought I would feel what it's like to be in love again." She looked up at him, startled. Had he said in love? She couldn't control the foolish smile spreading across her cheeks. "Maybe we can be together someday," he whispered. "Someday?" she whispered. "You don't stay in this form forever," he said. "And if the Atrox is defeated..." He didn't complete the sentence. He leaned forward and started to press his lips against hers. "If the Atrox defeated what?" she asked, her lips brushing the words against his mouth. "Then we can be together." He started to press against her but pulled back suddenly. "You're too young to understand how much you mean to me." "Well, I'm not centuries old yet," she added defensively. "Not yet," he chuckled and pulled her close against him. He felt like flesh and bone. She opened her eyes. His skin looked young. His eyes were bright and clear. "Have you finished checking?" he asked, his breath caressing her cheeks. She closed her eyes and he kissed her. She parted her lips and felt his tongue brush lightly against hers. She leaned against him, forgetting all her problems and let herself feel the comfort of his arms around her. Maybe everything would turn out all right.
Lynne Ewing (The Secret Scroll (Daughters of the Moon, #4))
I don't know, now, when I first looked at Hella and found her stale, found her body uninteresting, her presence grating. It seemed to happen all at once- I suppose that only meant that it had been happening for a long time. I trace it to something as fleeting as the tip of her breast lightly touching my forearm as she leaned over me to serve my supper. I felt my flesh recoil. Her underclothes, drying in the bathroom, which I had often thought of as smelling even rather improbably sweet and as being washed much too often, now began to seem unaesthetic and unclean. A body which had to be covered with such crazy, catty-cornered bits of stuff began to seem grotesque. I sometimes watched her naked body move and wished that it were harder and firmer, I was fantastically intimidated by her breasts, and when I entered her I began to feel that I would never get out alive. All that had once delighted me seemed to have turned sour on my stomach... She ceased to ask me what the matter was, for it was borne in on her that I either did not know or would not say. She watched me. I felt her watching and it made me wary and it made me hate her. My guilt, when I looked into her closing face, was more than I could bear... I was able, for some reason, to make love in the mornings. It may have been due to nervous exhaustion; or wandering about at night engendered in me a curious, irrepressible excitement. But it was not the same, something was gone: the astonishment, the power, and the joy were gone, the peace was gone. p158
James Baldwin (Giovanni’s Room)
BITCH THE POT Tea and gossip go together. At least, that’s the stereotypical view of a tea gathering: a group of women gathered around the teapot exchanging tittle-tattle. As popularity of the beverage imported from China (‘tea’ comes from the Mandarin Chinese cha) increased, it became particularly associated with women, and above all with their tendency to gossip. Francis Grose’s Classical Dictionary of the Vulgar Tongue lists various slang terms for tea, including ‘prattle-broth’, ‘cat-lap’ (‘cat’ being a contemporary slang for a gossipy old woman), and ‘scandal broth’. To pour tea, meanwhile, was not just to ‘play mother’, as one enduring English expression has it, but also to ‘bitch the pot’ – to drink tea was to simply ‘bitch’. At this time a bitch was a lewd or sensual woman as well as a potentially malicious one, and in another nineteenth-century dictionary the phraseology is even more unguarded, linking tea with loose morals as much as loquaciousness: ‘How the blowens [whores] lush the slop. How the wenches drink tea!’ The language of tea had become another vehicle for sexism, and a misogynistic world view in which the air women exchanged was as hot as the beverage they sipped. ‘Bitch party’ and ‘tabby party’ (again the image of cattiness) were the terms of choice for such gossipy gatherings. Men, it seems, were made of stronger stuff, and drank it too. Furthermore, any self-respecting man would ensure his wife and daughters stayed away from tea. The pamphleteer and political writer William Cobbett declared in 1822: The gossip of the tea-table is no bad preparatory school for the brothel. The girl that has been brought up, merely to boil the tea kettle, and to assist in the gossip inseparable from the practice, is a mere consumer of food, a pest to her employer, and a curse to her husband, if any man be so unfortunate as to affix his affections upon her. In the twenty-first century, to ‘spill the T’ has become a firm part of drag culture slang for gossiping. T here may stand for either ‘truth’ or the drink, but either way ‘weak tea’ has come to mean a story that doesn’t quite hold up – and it’s often one told by women. Perhaps it’s time for bitches to make a fresh pot.
Susie Dent (Word Perfect: Etymological Entertainment For Every Day of the Year)
Each of you has a special power to fight the Atrox. Jimena's premonitions will tell us when someone needs our help. Serena with her mind-reading will know when someone is being tempted by the Atrox. Vanessa's invisibility will enable her to go among the Followers unseen and tell us what they are planning. And Catty can travel into the past or future to confirm our suspicions so that the Followers cannot deceive us. Together you are an unstoppable force.
Lynne Ewing (Goddess of the Night)
She told Catty about Serena's late-night visit while they made breakfast burritos with red and green chili peppers, eggs, and cheese, and drank champurrados, a frothy mixture of water, cornmeal, chocolate, and cinnamon.
Lynne Ewing (Goddess of the Night)
Catty and Vanessa were vamping it up on the corner of Fairfax and Beverly, in bell-bottoms with exaggerated lacy bells that they must have pulled from Catty's mother's closet. Vanessa gave them the peace sign. "Feeling' groovy." She winked. She had gorgeous skin, movie-star blue eyes, and flawless blond hair. She was wearing a headband and blue-tinted glasses. Catty was forever getting Vanessa into trouble, but they remained best friends. "Love and peace," Catty greeted them. Catty was stylish in an artsy sort of way. Right now, she wore a hand-knit cap with pom-pom ties that hung down to her waist, and her puddle-jumping Doc Martens were so wrong with the bell-bottoms that they looked totally right. Her curly brown hair poked from beneath the fuchsia cap and her brown eyes were framed by granny glasses, probably another steal from her mother. "You like our retro look?" Vanessa giggled at all the cars honking at them.
Lynne Ewing (Into the Cold Fire (Daughters of the Moon, #2))
Catty had the freakiest power. She could actually go back and forth in time. She missed a lot of school because she was always twisting time. But her mother didn't care, because she knew that Catty was different. She wasn't Catty's biological mother. She'd found Catty walking along the side of the road in the Arizona desert when Catty was six years old. She was going to turn her over to the authorities in Yuma, but when she saw Catty make time change, she decided Catty was an extraterrestrial, and that it was her duty to protect her from government officials who would probably dissect her. She still didn't know that Catty was a goddess. Somehow it was easier for people to believe in space aliens than in goddesses.
Lynne Ewing (Into the Cold Fire (Daughters of the Moon, #2))
Catti-brie was, he feared, more powerful than she knew. That was often a dangerous thing.
R.A. Salvatore (Maestro (Homecoming, #2; The Legend of Drizzt, #32))
Once Akash set me up with invisibility and taught me some basic killing skills, I deleted StealthViper999—who, I had to admit, was neither stealthy nor viper-like—and created a new avatar, who I called InvisibleDeath. For obvious reasons. At this point, it was Friday afternoon, and most weekends, Reese spends every waking minute (when he’s not at a soccer game) on MetaWorld. So I was all amped up to get my revenge ASAP. But that particular Friday, Reese got a 57 on his math test. Even by my brother’s incredibly low standards, it was such a bad grade that Ms. Santiago made him take the test home to get it signed by a parent. REESE I don’t know what the big deal was. A 57’s still “Very Good.” CLAUDIA I should explain about the Culvert Prep grading system. A few years ago, a bunch of parents complained that letter grades were hurting their kids’ self-esteem. So now, instead of A, B, C, D, and F, our grading scale is “Amazing,” “Spectacular,” “Excellent,” “Very Good,” and “Okay.” Which is totally stupid. Because nothing changed except the names, so if you get a “Very Good” on your report card, your parents have to come in for a special conference with your teacher. And if you get more than one “Okay,” they basically tell you to start looking for another school. Also, I know which parents did the complaining—and I don’t want to be catty or name names, but I can tell you the one thing their kids ABSOLUTELY DO NOT NEED is more self-esteem. Anyway, when Reese brought home his 57 that Friday, Mom and Dad reacted in their usual way, which
Geoff Rodkey (The Tapper Twins Go to War (with Each Other) (The Tapper Twins #1))