Cater To Her Quotes

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The abusive man’s high entitlement leads him to have unfair and unreasonable expectations, so that the relationship revolves around his demands. His attitude is: “You owe me.” For each ounce he gives, he wants a pound in return. He wants his partner to devote herself fully to catering to him, even if it means that her own needs—or her children’s—get neglected. You can pour all your energy into keeping your partner content, but if he has this mind-set, he’ll never be satisfied for long. And he will keep feeling that you are controlling him, because he doesn’t believe that you should set any limits on his conduct or insist that he meet his responsibilities.
Lundy Bancroft (Why Does He Do That? Inside the Minds of Angry and Controlling Men)
I used to think Romeo and Juliet was the greatest love story ever written. But now that I’m middle-aged, I know better. Oh, Romeo certainly thinks he loves his Juliet. Driven by hormones, he unquestionably lusts for her. But if he loves her, it’s a shallow love. You want proof?” Cagney didn’t wait for Dr. Victor to say yay or nay. “Soon after meeting her for the first time, he realizes he forgot to ask her for her name. Can true love be founded upon such shallow acquaintance? I don’t think so. And at the end, when he thinks she’s dead, he finds no comfort in living out the remainder of his life within the paradigm of his love, at least keeping alive the memory of what they had briefly shared, even if it was no more than illusion, or more accurately, hormonal. “Those of us watching events unfold from the darkness know she merely lies in slumber. But does he seek the reason for her life-like appearance? No. Instead he accuses Death of amorousness, convinced that the ‘lean abhorred monster’ endeavors to keep Juliet in her present state, her cheeks flushed, so that she might cater to his own dissolute desires. But does Romeo hold her in his arms one last time and feel the warmth of her blood still coursing through her veins? Does he pinch her to see if she might awaken? Hold a mirror to her nose to see if her breath fogs it? Once, twice, three times a ‘no.’” Cagney sighed, listened to the leather creak as he shifted his weight in his chair. “No,” he repeated. “His alleged love is so superficial and selfish that he seeks to escape the pain of loss by taking his own life. That’s not love, but obsessive infatuation. Had they wed—Juliet bearing many children, bonding, growing together, the masks of the star-struck teens they once were long ago cast away, basking in the comforting campfire of a love born of a lifetime together, not devoured by the raging forest fire of youth that consumes everything and leaves behind nothing—and she died of natural causes, would Romeo have been so moved to take his own life, or would he have grieved properly, for her loss and not just his own?
J. Conrad Guest (The Cobb Legacy)
This “gentle man” style of abuser tends to be highly self-centered and demanding of emotional catering. He may not be the man who has a fit because dinner is late but rather erupts because of some way his partner failed to sacrifice her own needs or interests to keep him content. He plays up how fragile he is to divert attention from the swath of destruction he leaves behind him.
Lundy Bancroft (Why Does He Do That? Inside the Minds of Angry and Controlling Men)
Even if you love a lady, don't say you will take care of her while someone else is catering for your needs.
Michael Bassey Johnson
The elderly gentleman somehow managed to look down his nose at her,even though they were of a similar height. "From what I just witnessed, you were about to assault Mr. Addleshaw." "Just because I was thinking about it, doesn't mean I was planning on seeing it through to fruition." "A lady should never contemplate slapping a gentleman, especially not one of Mr. Addleshaw's social standing." "I wasn't thinking about slapping him," Harriet muttered. "He deserved much more than a simple slap for being under the misguided belief that, simply because he has deep pockets, everyone should cater to his ridiculous whims.
Jen Turano (After a Fashion (A Class of Their Own, #1))
Carve out the time. Notice I do not say find the time. That is an absurd and dangerous phrase. Time is never lying around waiting for us to find her. She is elusive. She wants you to sculpt her like clay, to mold her into exactly the form you desire your days to take. If you refuse to do that, if you spend your mornings worrying and your afternoons catering to others, always hoping there will be a few minutes left for you, time will play you like a sucker, making you run harder and faster with each passing week. Time wants you to realize that she is the most precious and irreducible fact in your live. Make her into what you will
Jennifer Louden
Breast milk is big business." My mother uses my sarcasm as a springboard for her insanity. "We should consider opening a shop that caters to that market. We can call it 'The Milk Bar' or 'Mother's Milk'." ...Ethan slaps his hand on the counter. "We can have ice cream made from that shit." He nods into my mother, stony faces, as if he didn't just let an expletive fly.
Addison Moore (Toxic Part One (Celestra, #7))
Nowdays, Rosie the Rivetere was a former soccer mom who had just opened her own catering business when Last Night came down and her husband and kids were eaten by a parking attendant at the local megamall’s discount- appliance emporium.
Colson Whitehead (Zone One)
A physical store cannot be reconfigured on the fly to cater to each customer based on his or her particular interests.
Chris Anderson (The Long Tail: Why the Future of Business Is Selling Less of More)
It is a formidable list of jobs: the whole of the spinning industry, the whole of the dyeing industry, the whole of the weaving industry. The whole catering industry and—which would not please Lady Astor, perhaps—the whole of the nation’s brewing and distilling. All the preserving, pickling and bottling industry, all the bacon-curing. And (since in those days a man was often absent from home for months together on war or business) a very large share in the management of landed estates. Here are the women’s jobs—and what has become of them? They are all being handled by men. It is all very well to say that woman’s place is the home—but modern civilisation has taken all these pleasant and profitable activities out of the home, where the women looked after them, and handed them over to big industry, to be directed and organised by men at the head of large factories. Even the dairy-maid in her simple bonnet has gone, to be replaced by a male mechanic in charge of a mechanical milking plant.
Dorothy L. Sayers (Are Women Human? Astute and Witty Essays on the Role of Women in Society)
Her feet tingled. One whole hour to forget about the leaky kitchen sink, her father’s retirement party, and her mother’s relentless questions about it. She closed her eyes. One whole hour to completely unwind and indulge her thoughts in something beside caterers, plumbers, and homicide cases.
Lisa Harris (Dangerous Passage (Southern Crimes, #1))
There was music from my neighbor's house through the summer nights. In his blue gardens men and girls came and went like moths among the whisperings and the champagne and the stars. At high tide in the afternoon I watched his guests diving from the tower of his raft, or taking the sun on the hot sand of his beach while his two motor-boats slit the waters of the Sound, drawing aquaplanes over cataracts of foam. On week-ends his Rolls-Royce became an omnibus, bearing parties to and from the city between nine in the morning and long past midnight, while his station wagon scampered like a brisk yellow bug to meet all trains. And on Mondays eight servants, including an extra gardener, toiled all day with mops and scrubbing-brushes and hammers and garden-shears, repairing the ravages of the night before. Every Friday five crates of oranges and lemons arrived from a fruiterer in New York--every Monday these same oranges and lemons left his back door in a pyramid of pulpless halves. There was a machine in the kitchen which could extract the juice of two hundred oranges in half an hour if a little button was pressed two hundred times by a butler's thumb. At least once a fortnight a corps of caterers came down with several hundred feet of canvas and enough colored lights to make a Christmas tree of Gatsby's enormous garden. On buffet tables, garnished with glistening hors-d'oeuvre, spiced baked hams crowded against salads of harlequin designs and pastry pigs and turkeys bewitched to a dark gold. In the main hall a bar with a real brass rail was set up, and stocked with gins and liquors and with cordials so long forgotten that most of his female guests were too young to know one from another. By seven o'clock the orchestra has arrived, no thin five-piece affair, but a whole pitful of oboes and trombones and saxophones and viols and cornets and piccolos, and low and high drums. The last swimmers have come in from the beach now and are dressing up-stairs; the cars from New York are parked five deep in the drive, and already the halls and salons and verandas are gaudy with primary colors, and hair shorn in strange new ways, and shawls beyond the dreams of Castile. The bar is in full swing, and floating rounds of cocktails permeate the garden outside, until the air is alive with chatter and laughter, and casual innuendo and introductions forgotten on the spot, and enthusiastic meetings between women who never knew each other's names. The lights grow brighter as the earth lurches away from the sun, and now the orchestra is playing yellow cocktail music, and the opera of voices pitches a key higher. Laughter is easier minute by minute, spilled with prodigality, tipped out at a cheerful word. The groups change more swiftly, swell with new arrivals, dissolve and form in the same breath; already there are wanderers, confident girls who weave here and there among the stouter and more stable, become for a sharp, joyous moment the centre of a group, and then, excited with triumph, glide on through the sea-change of faces and voices and color under the constantly changing light. Suddenly one of the gypsies, in trembling opal, seizes a cocktail out of the air, dumps it down for courage and, moving her hands like Frisco, dances out alone on the canvas platform. A momentary hush; the orchestra leader varies his rhythm obligingly for her, and there is a burst of chatter as the erroneous news goes around that she is Gilda Gray's understudy from the FOLLIES. The party has begun.
F. Scott Fitzgerald (The Great Gatsby)
[Christy] joined some other girls from her floor who had gathered in the den to watch THe Princess Bride. The last time Christy had watched the movie was before she went to Switzerland. Katie had rented it and brought it over for their final girls' night. After watching it, Katie had declared she would never trust a guy who said "As you wish" to her every whim. She wanted a guy with gusto who would say, "Get it yourself," otherwise she knew she would sit around and get fat while he catered to her.
Robin Jones Gunn (As You Wish (Christy and Todd: College Years #2))
was tough but fair. You had to be both if you were a woman in the food world. She’d built the catering company after her husband died. A
Brit Bennett (The Vanishing Half)
And what percentage of people take up the option to die off?’ She looked at me, her glance telling me to be calm. ‘Oh, a hundred per cent, of course. Over many thousands of years, calculated by old time, of course. But yes, everyone takes the option, sooner or later.’ ‘So it’s just like the first time round? You always die in the end?’ ‘Yes, except don’t forget the quality of life here is much better. People die when they decide they’ve had enough, not before. The second time round it’s altogether more satisfying because it’s willed.’ She paused, then added, ‘As I say, we cater for what people want.’ I hadn’t been blaming her. I’m not that sort. I just wanted to find out how the system worked. ‘So … even people, religious people, who come here to worship God throughout eternity … they end up throwing in the towel after a few years, hundred years, thousand years?’ ‘Certainly. As I said, there are still a few Old Heaveners around, but their numbers are diminishing all the time.
Julian Barnes (A History of the World in 10½ Chapters)
A narcissist’s daughter grows up in a home that lacks nurturing, validation, and unconditional love, and she often develops into an adult who does not know who she is. She grows up to be hesitant and lost. She does not have a strong sense of self, and because she has been conditioned to cater to her mother’s needs, she will often seek relationships in which she can continue to put others before herself.
Brenda Stephens (Recovering from Narcissistic Mothers: A Daughter's Guide)
Mr. Chan," Grace said as the wind whipped strands of her hair across her face. "What are you doing here?" She shouted over the howling wind as it lashed around them. "Catering," the old man said flashing her a toothy gold grin.
Patti Roberts (Progeny of Innocence (Paradox, #2))
Speaking of chocolate, what kind of cake are we having for the shower?” “I don’t know.” Sincerely shocked, Peabody jerked around in her seat. “You didn’t get cake?” “I don’t know. Probably.” Because the idea of the shower, what she had to do, hadn’t done, should do, made her stomach jitter, Eve squirmed. “Look, I called the caterer, okay? I did it myself. I didn’t dump it on Roarke, I didn’t ask—God forbid—Summerset to handle it.” “Well, what did you ask for? What’s the theme?” The jitters escalated into a roiling. “What do you mean, theme?” “You don’t have a theme? How can you have a baby shower without a theme?” “Jesus Christ, I need a theme? I don’t even know what that means. I called the caterer. I did my job. I told her it was a baby shower. I told her how many people, more or less. I told her when and where. She started asking me all kinds of questions, which gives me a fucking headache, and I told her not to ask me all kinds of questions or she was fired. Just to do whatever needed doing. Why isn’t that enough?” Peabody’s sigh was long and heartfelt. “Give me the caterer’s info, and I’ll check in with her. Does she do the decorations, too?” “Oh, my God. I need decorations?” “I’m going to help you, Dallas. I’m going to run interference with the caterer. I’m going to come over early on the day and help get it set up.” Eve narrowed her eyes and tried to ignore the joy and relief bubbling in her breast. “And what’s this going to cost me?” “Nothing. I like baby showers.” “You’re a sick, sick woman.
J.D. Robb
opting to complain, life gives you things to complain about this vicious circle ensures your happiness drought life responds to us according to our actions and belief thus reinforcing those beliefs to no relief there is no first cause—still, break the cycle abide in peaceful Silence or experience an inner hell “others” are often a reflecting mirror shining back revealing to us what loads are left to unstack what are friends for but a means to practice kindness and for fortifying the ego’s belief in disconnectedness people cater to me according to my own nature so they are me—there is no individual self, rest assured tweak your thoughts about her and she then treats you thus all minds are one, and all is illusory, as priorly discussed she is you, and you, her the shroud of separateness shall now henceforth wither look back at your life’s recurring patterns and themes and the façade of the ego will start to crack at the seams untranscended mindsets follow wherever we go the common denominator is what your mind has sown that which supports life is automatically supported the get-gain-obtain mentality can be safely aborted
Jarett Sabirsh (Love All-Knowing: An Epic Spiritual Poem)
Her approach, guided by Mook and informed by the demands of winning the primary, was to build a coalition focused on core strengths: African Americans, Latinos, college-educated whites, and women. But the more she catered to them, the more she pushed away other segments of the electorate.
Jonathan Allen (Shattered: Inside Hillary Clinton's Doomed Campaign)
Luz leaned her head against the window. The bus was already on the outskirts of Mexico City and the endless urban landscape had never seemed so gray and or so harsh. Most of the city was nothing like the old money enclave of Lomas Virreyes where the Vegas lived or Polanco where the city’s most expensive restaurants and clubs catered to the wealthy. The bus passed block after block of sooty concrete cut into houses and shops and shanties and parking garages and mercados and schools and more shanties where people lived surrounded by hulks of old cars and plastic things no one bothered to throw away. Sometimes there wasn’t concrete for homes, just sheets of corrugated metal and big pieces of cardboard that would last until the next rainy season. It was the detritus of millions upon millions of people who had nowhere to go and nothing to do and were angry about it. The Reforma newspaper had reported a few weeks ago that the city’s population was in excess of 28 million--more than 25 percent of the country’s entire population--and Luz believed it. All of those people were clawing at each other in a huge fishbowl suspended 7500 feet above sea level, where there was never enough oxygen and the air was thin and dirty. The city was hemmed in by mountains on all sides; mountains like Popocatépetl and Iztaccíhuatl that sometimes spewed smoke and ash and prevented the contaminatión from cars and factories and sewers from escaping. Luz privately thought of it as la sopa--a white soup that often blotted out the stars and prevented the night sky from getting dark. The bus slowed in traffic. As they crept along Luz saw a car stopped on the side of the road, pulled over by a transito traffic cop. As Luz watched, the driver handed the cop a peso bill from his wallet. The transito accepted it but kept talking, gesturing at the car. The motorist handed him another bill. La mordida--the bite--of the traffic cop, right under her nose. Los Hierros was crap.
Carmen Amato (The Hidden Light of Mexico City)
She had studied the habits of the monied with diligence. She copied their modes of dress and speech, and cultivated an air of carelessness. But she was ill at ease around the household staff and the caterers, because she feared that if anyone from her home planet were to look at her too closely, they’d see through her disguise.
Emily St. John Mandel (The Glass Hotel)
But I’m not just shocked. I’m also disappointed in May for allowing Z.G. to talk her into this. I’m angry at him for preying on her vulnerability. And I’m heartsick that May and I have to take it. This is how women end up on the street selling their bodies. But then this is how it is for women everywhere. You experience one lapse in conscience, in how low you think you’ll go, in what you’ll accept, and pretty soon you’re at the bottom. You’ve become a girl with three holes, the lowest form of prostitute, living on one of the floating brothels in Soochow Creek, catering to Chinese so poor they don’t mind catching a loathsome disease in exchange for a few humping moments of the husband-wife thing.
Lisa See (Shanghai Girls (Shanghai Girls, #1))
What else draws man to a woman than his desire to access her persona specifics; and once drawn, won’t she bare her veiled assets for her fancied man to dabble with her private accounts? But then, after a few of his jaunts to her favoured joint, what else would be left in her for her lover to explore and for her to offer? Thus, thereafter, how could she cater to his need for variety and what else she could conjure up to sustain her enticement? Oh, the poor thing, seeing his interest in her wane, won’t she turn more so eager to keep him in good humor? But then, the more she gives him; even more she satiates him, and its only time before she finds her paramour bypass her favours for lesser flavours.
B.S. Murthy (Benign Flame: Saga of Love)
Then, what is your reason?' 'I don't know!' Pei rubbed her face in frustration. 'There is no reason why I don't want to do this! I'm healthy! I'm clearly capable! Everybody I know who's ever gone to a Kresh comes back saying it's a fantastic time. I'd have ten-days to just lie around and have sex and be catered to. I like kids. I like being around kids. I imagine visiting my own would be nice. I have a partner who understands and friends who would be thrilled, and...there's no reason not to.' Speaker looked at her for a moment. 'Of course, there is. You don't want to.'...'And when it comes to a person's body, that is all the reason there ever needs to be. It doesn't matter if it's a decision about a new pair of legs, or how you like to trim your claws, or...what to do about an egg. You don't want to. That's it. That is all it ever needs to be.
Becky Chambers (The Galaxy, and the Ground Within (Wayfarers, #4))
The few remaining men can exist out their puny days dropped out on drugs or strutting around in drag or passively watching the high-powered female in action, fulfilling themselves as spectators, vicarious liver*, or breeding in the cow pasture with the toadies, or they can go off to the nearest friendly suicide center where they will be quietly, quickly, and painlessly gassed to death. Prior to the institution of automation, to the replacement of males by machines, the male should be of use to the female, wait on her, cater to her slightest whim, obey her every command, be totally subservient to her, exist in perfect obedience to her will, as opposed to the completely warped, degenerate situation we have now of men, not only not only not existing at all, cluttering up the world with their ignominious presence, but being pandered to and groveled before by the mass of females, millions of women piously worshiping the Golden Calf, the dog leading the master on a leash, when in fact the male, short of being a drag queen, is least miserable when his dogginess is recognized – no unrealistic emotional demands are made of him and the completely together female is calling the shots. Rational men want to be squashed, stepped on, crushed and crunched, treated as the curs, the filth that they are, have their repulsiveness confirmed. The sick, irrational men, those who attempt to defend themselves against their disgustingness, when they see SCUM barreling down on them, will cling in terror to Big Mama with her Big Bouncy Boobies, but Boobies won’t protect them against SCUM; Big Mama will be clinging to Big Daddy, who will be in the corner shitting in his forceful, dynamic pants. Men who are rational, however, won’t kick or struggle or raise a distressing fuss, but will just sit back, relax, enjoy the show and ride the waves to their demise.
Valerie Solanas
What Claire could do with the edible flowers that grew around the cranky apple tree in the backyard was the stuff of legend. Everyone knew that if you got Claire to cater your anniversary party, she would make aioli sauce with nasturtiums and tulip cups filled with orange salad, and everyone would leave the party feeling both jealous and aroused. And if you got her to cater your child's birthday party, she would serve tiny strawberry cupcakes and candied violets and the children would all be well behaved and would take long afternoon naps. Claire had a true magic to her cooking when she used her flowers.
Sarah Addison Allen (First Frost (Waverley Family, #2))
So, those women told me witnessing my mother’s weakness drove my own, and her watching my grandfather beat my grandmother was what drove hers. They told me I was raised thinking it was okay for a man to do that to a woman. I was raised thinking self-worth was gained by catering to a man’s needs at whatever cost. Even if it meant degrading myself time and time again. “But the apple can fall far from the tree. Fifty percent of children who grow up seeing that will never walk in their parents’ footsteps, whether it’s a boy watching his father beat his mother or a young girl watching her mother get hit. But this apple landed on the tree’s stump, Gavin. This apple took the same path as her mother.
Gail McHugh (Pulse (Collide, #2))
Cesca sipped from her coffee cup as she peered through the windshield into the darkness. Rain was falling hard on a San Francisco she didn’t recognize from her own universe, or from her time in the other Matt’s universe. The real darkness here had nothing to do with night. This San Francisco mirrored the moral corruption and decay of the society which inhabited it. She and Ariel had been here two days, scouring streets filled with perversion and hopelessness; alleyways inhabited by the homeless and mentally ill; sex shops catering to every perversion imaginable and unimaginable; sidewalks teeming with drug addicts and male prostitutes — some dressed as women; street corners inhabited by once lovely young women prematurely aging from selling their bodies to all takers — male and female; children of both sexes, from as young as seven and eight, dressed by pimps to attract pedophiles who cruised this part of the city nightly. Many of the children would be sold on the spot, never to be seen again. Sun-faded and now graffitied wall mosaics of galvanizing yet transient political cult personalities, erected by their blinded followers centuries ago, marked this alternate world’s gradual slide into an ethical, and finally moral abyss, from which it had never crawled out. "God, I can’t believe this is San Francisco,” whispered Ariel from the seat next to Cesca. “I feel like I need to run a bar of soap over my soul.
Bobby Underwood (The Dreamless Sea (Matt Ransom #9))
That’s why my mother and Prim, with their light hair and blue eyes, always look out of place. They are. My mother’s parents were part of the small merchant class that caters to officials, Peacekeepers and the occasional Seam customer. They ran an apothecary shop in the nicer part of District 12. Since almost no one can afford doctors, apothecaries are our healers. My father got to know my mother because on his hunts he would sometimes collect medicinal herbs and sell them to her shop to be brewed into remedies. She must have really loved him to leave her home for the Seam. I try to remember that when all I can see is the woman who sat by, blank and unreachable, while her children turned to skin and bones. I try to forgive her for my father’s
Suzanne Collins (The Hunger Games (Hunger Games, #1))
You can’t get caught up in perfect. It’s not about what the paddle says. If you immerse yourself every single day for three months in this journey, you’re going to grow. You’re going to learn stuff about yourself; you’re going to overcome your obstacle--be it physical or emotional. That’s what’s important. But I want to be 100 percent honest here: there are days when I’m freaking out and I don’t have the answers. I get frustrated, but I try and see it as a temporary situation and a separate entity from who I am. I step away from it. I’ve learned a ton about myself and how to manage myself and my expectations. There have been days when I’ve said to my partner, “I need you to help me today.” I put them in the teacher role, and they wind up giving me the pep talk: “We can do this, Derek. We can do it.” They’re saying it, they’re doing it, they’re believing it. Before DWTS, my work was instinctual and internal. It was something I could never put into words. But being a teacher forced me to dissect what I was doing and explain it. Some partners I could be really tough with and they’d respond to me. Others would shut down. If I got a little intense with Jennifer Grey, it was counterproductive, because she would block me out. But if I did this to Maria Menounos, she would get a fire in her belly and try harder. I have to learn to adjust myself to cater to each partner’s needs and style of learning. If the look I get from her is deer in the headlights, I know I am on the wrong path. I have to find a way to make them understand. Great teachers strive to get through. My fulfillment comes when the lightbulb goes on and they experience that aha moment. They see not just what I want them to do, but what they’re capable of.
Derek Hough (Taking the Lead: Lessons from a Life in Motion)
Why do we despise, ostracize and punish the drug addict when as a social collective we share the same blindness and engage in the same rationalizations? To pose that question is to answer it. We despise, ostracize and punish the addict because we don’t wish to see how much we resemble him. In his dark mirror our own features are unmistakable. We shudder at the recognition. This mirror is not for us, we say to the addict. You are different, and you don’t belong with us. Like the hardcore addict’s pursuit of drugs, much of our economic and cultural life caters to people’s craving to escape mental and emotional distress. In an apt phrase, Lewis Lapham, long-time publisher of Harper’s Magazine, derides “consumer markets selling promises of instant relief from the pain of thought, loneliness, doubt, experience, envy, and old age.” According to a Statistics Canada study, 31 per cent of working adults aged nineteen to sixty-four consider themselves workaholics, who attach excessive importance to their work and are “overdedicated and perhaps overwhelmed by their jobs.” “They have trouble sleeping, are more likely to be stressed out and unhealthy, and feel they don’t spend enough time with their families,” reports the Globe and Mail. Work doesn’t necessarily give them greater satisfaction, suggested Vishwanath Baba, a professor of Human Resources and Management at McMaster University. “These people turn to work to occupy their time and energy” — as compensation for what is lacking in their lives, much as the drug addict employs substances. At the core of every addiction is an emptiness based in abject fear. The addict dreads and abhors the present moment; she bends feverishly only towards the next time, the moment when her brain, infused with her drug of choice, will briefly experience itself as liberated from the burden of the past and the fear of the future — the two elements that make the present intolerable. Many of us resemble the drug addict in our ineffectual efforts to fill in the spiritual black hole, the void at the centre, where we have lost touch with our souls, our spirit, with those sources of meaning and value that are not contingent or fleeting. Our consumerist, acquisition-, action- and image-mad culture only serves to deepen the hole, leaving us emptier than before. The constant, intrusive and meaningless mind-whirl that characterizes the way so many of us experience our silent moments is, itself, a form of addiction— and it serves the same purpose. “One of the main tasks of the mind is to fight or remove the emotional pain, which is one of the reasons for its incessant activity, but all it can ever achieve is to cover it up temporarily. In fact, the harder the mind struggles to get rid of the pain, the greater the pain.” So writes Eckhart Tolle. Even our 24/7 self-exposure to noise, emails, cell phones, TV, Internet chats, media outlets, music downloads, videogames and non-stop internal and external chatter cannot succeed in drowning out the fearful voices within.
Gabor Maté (In the Realm of Hungry Ghosts: Close Encounters with Addiction)
Nesta, it should not have come out as it did.' 'Did Cassian tell you that?' He'd gone to Feyre, rather than here? 'No, but I can guess as much. He didn't want to keep anything from you.' 'My issue isn't with Cassian.' Nesta levelled her stare at Amren. 'I trusted you to have my back.' 'I stopped having your back the moment you decided to use that loyalty as a shield against everyone else.' Nesta snarled, but Feyre stepped between them, hands raised. 'This conversation ends now. Nesta, go back to the House. Amren, you...' She hesitated, as if considering the wisdom of ordering Amren around. Feyre finished carefully, 'You stay here.' Nesta let out a low laugh. 'You are her High Lady. You don't need to cater to her. Not when she now has less power than any of you.' Feyre's eyes blazed. 'Amren is my friend, and has been a member of this court for centuries. I offer her respect.' 'Is it respect that she offers you?' Nesta spat. 'It is respect that your mate offers you?' Feyre went still. Amren warned, 'Don't you say one more fucking word, Nesta Archeron.' Feyre asked, 'What do you mean?' And Nesta didn't care. Couldn't think around the roaring. 'Have any of them told you, their respected High lady, that the babe in your womb will kill you?' Amren barked, 'Shut your mouth!' But her order was confirmation enough. Face paling, Feyre whispered again, 'What do you mean?' 'The wings,' Nesta seethed. 'The boy's Illyrian wings will get stuck in your Fae body during the labour, and it will kill you both.' Silence rippled through the room, the world. Feyre breathed, 'Madja just said that the labour would be risky. But the Bone Carver... The son he showed me didn't have wings.' Her voice broke. 'Did he only show me what I wanted to see.' 'I don't know,' Nesta said. 'But I do know that your mate ordered everyone not to inform you of the truth.' She turned to Amren. 'Did you all vote on that, too? Did you talk about her, judge her, and deem her unworthy of the truth? What was your vote, Amren? To let Feyre die in ignorance?' Before Amren could reply, Nesta turned back to her sister. 'Didn't you question why your precious, perfect Rhysand has been a moody bastard for weeks? Because he knows you will die. He knows, and yet he still didn't tell you.' Feyre began shaking. 'If I die...' Her gaze drifted to one of her tattooed arms. She lifted her head, eyes bright with tears as she asked Amren, 'You... all of you knew this?' Amren threw a withering glare in Nesta's direction, but said, 'We did not wish to alarm you. Fear can be as deadly as any physical threat.' 'Rhys knew?' Tears spilled down Feyre's cheeks, smearing the paint splattered there. 'About the threat to our lives?' She peered down at herself, at the tattooed hand cradling her abdomen. And Nesta knew then that she had not once in her life been loved by her mother as much as Feyre already loved the boy growing within her. It broke something in Nesta- broke that rage, that roaring- seeing those tears begin to fall, the fear crumpling Feyre's paint-smeared face. She had gone too far. She... Oh, gods. Amren said, 'I think it is best, girl, if you speak to Rhysand about this.' Nesta couldn't bear it- the pain and fear and love on Feyre's face as she caressed her stomach. Amren growled at Nesta, 'I hope you're content now.' Nesta didn't respond. Didn't know what to say or do with herself. She simply turned on her heel and ran from the apartment.
Sarah J. Maas (A ​Court of Silver Flames (A Court of Thorns and Roses, #4))
Holy s——!” someone shouted from outside. A few guests reacted with good-natured titters. The children hardly noticed, they were so absorbed in their music. The song ended. All the little eyes were on Mr. Kangana, who counted them into their next song, “One, two, three—” “F——!” someone else shouted. This was not OK. I dashed through the laundry room to the back door, with the intention of shushing the raucous caterers. I turned the handle. A strong, dull, consistent pressure pushed the door toward me. Immediately sensing a terrible force of nature on the other side, I attempted to close the door. The inhuman force wouldn’t allow it. I stuck my foot against the bottom of the door. I heard an ominous creak. The hinges began pulling loose from the frame. Before I could compute any of this, the marimba music suddenly stopped. A series of pops and pings erupted from the sunroom. A child squealed in distress. I abandoned the threat at the door and hurtled to the sunroom, where I was met by the shattering of glass. The children were running, screaming, from their instruments. With none of their own parents to run to for comfort, the kindergarteners collectively burrowed into the crowd of prospective parents, who in turn were trying to squeeze through the one small door leading to the living room. It’s a small miracle nobody was trampled. My daughter, Ginny, ran to me and hugged my legs. Her back was wet… and muddy. I looked up. The shades were now eerily raised of their own accord. And then came the mud. In it sloshed, through the broken windows. Thick mud, watery mud, rocky mud, mud with beveled-glass shards, mud with window muntins, mud with grass, mud with barbecue utensils, mud with a mosaic birdbath. In a flash, the sunroom windows were gone, and in their place, a gaping, mud-oozing hole.
Maria Semple (Where'd You Go, Bernadette)
The party spills over with guests, from the ballroom to the front lawn. It’s nighttime, but the house is lit up, bright as the sun. All around me diamonds glitter. We’ve reached that tipping point where everyone is sloshed enough to smile, but not so much they start to slur. There’s almost too many people, almost too much alcohol. Almost too much wealth in one room. It reminds me of Icarus, with his wings of feather and wax. If Icarus had a five-hundred-person guest list for his graduation party. It reminds me of flying too close to the sun. I snag a flute of champagne from one of the servers, who pretends not to see. The bubbles tickle my nose as I take a detour through the kitchen. Rosita stands at the stove, stirring her world-famous jambalaya in a large cast iron pot. The spices pull me close. I reach for a spoon. “Is it ready yet?” She slaps my hand away. “You’ll ruin your pretty dress. It’ll be ready when it’s ready.” We have caterers who make food for all our events, but since this is my graduation party, Rosita agreed to make my favorite dish. She’s going to spoon some onto little puff pastry cups and call it a canape. I try to pout, but everything is too perfect for that. Only one thing is missing from this picture. I give her a kiss on the cheek. “Thanks, Rosita. Have you seen Daddy?” “Where he always is, most likely.” That’s what I’m afraid of. Then I’m through the swinging door that leads into the private side of the house. I pass Gerty, our event planner, who’s muttering about guests who aren’t on the invite list. I head up the familiar oak staircase, breathing in the scent of our house. There’s something so comforting about it. I’m going to miss everything when I leave for college. At the top of the stairs, I hear men’s voices. That isn’t unusual. I’m around the corner from Daddy’s offic
Skye Warren (The Pawn (Endgame, #1))
I DON'T WANT to talk about me, of course, but it seems as though far too much attention has been lavished on you lately-that your greed and vanities and quest for self-fulfillment have been catered to far too much. You just want and want and want. You believe in yourself excessively. You don't believe in Nature anymore. It's too isolated from you. You've abstracted it. It's so messy and damaged and sad. Your eyes glaze as you travel life's highway past all the crushed animals and the Big Gulp cups. You don't even take pleasure in looking at nature photographs these days. Oh, they can be just as pretty as always, but don't they make you feel increasingly ... anxious? Filled with more trepidation than peace? So what's the point? You see the picture of the baby condor or the panda munching on a bamboo shoot, and your heart just sinks, doesn't it? A picture of a poor old sea turtle with barnacles on her back, all ancient and exhausted, depositing her five gallons of doomed eggs in the sand hardly fills you with joy, because you realize, quite rightly, that just outside the frame falls the shadow of the condo. What's cropped from the shot of ocean waves crashing on a pristine shore is the plastics plant, and just beyond the dunes lies a parking lot. Hidden from immediate view in the butterfly-bright meadow, in the dusky thicket, in the oak and holly wood, are the surveyors' stakes, for someone wants to build a mall exactly there-some gas stations and supermarkets, some pizza and video shops, a health club, maybe a bulimia treatment center. Those lovely pictures of leopards and herons and wild rivers-well, you just know they're going to be accompanied by a text that will serve only to bring you down. You don't want to think about it! It's all so uncool. And you don't want to feel guilty either. Guilt is uncool. Regret maybe you'll consider. Maybe. Regret is a possibility, but don't push me, you say. Nature photographs have become something of a problem, along with almost everything else. Even though they leave the bad stuff out-maybe because you know they're leaving all the bad stuff out-such pictures are making you increasingly aware that you're a little too late for Nature. Do you feel that? Twenty years too late? Maybe only ten? Not way too late, just a little too late? Well, it appears that you are. And since you are, you've decided you're just not going to attend this particular party.
Joy Williams (Ill Nature: Rants and Reflections on Humanity and Other Animals)
While he’d previously had the look of a pirate about him that she’d found rather appealing, she now found him to be devastatingly handsome—not simply because he’d been born far too attractive, but because she believed she saw genuine niceness residing in his very soul. When he suddenly lifted a finger to push a damp strand of hair off her cheek, his touch caused any reasonable thoughts she still retained to flee from her mind, and everything surrounding her disappeared except Bram. “You’re very beautiful.” Just like that, the world returned in a flash. “Thank you,” she said before she stepped back from him and felt a sliver of temper—not at him, but at herself—begin flowing through her veins. She’d known he was infatuated with her, as most of her admirers were. And yet, instead of nipping that immediately in the bud, she’d allowed herself to believe he was different, different because his touch sent her pulse racing and his smile turned her knees a little weak, which, in actuality, did make him a touch different, although . . . “Forgive me, Lucetta, but have I done something to upset you?” Lucetta caught Bram’s eye. “To be perfectly honest, I’m more upset with myself.” Bram’s brow furrowed. “I’m afraid I don’t understand.” “I should have addressed the misconceptions I’m certain you’re holding about me straightaway, and yet . . . I’ve let matters fester too long.” “You do recall that we only met a few hours ago, don’t you?” “Indeed, but I’m quite certain you’ve been harboring misconceptions about me from the moment you saw me step foot on stage, which I’m going to assume was a year or two ago.” The furrow deepened. “I’m still not sure what you’re trying to say.” “I’m not a lady who enjoys being told I’m beautiful, nor am I a lady who enjoys being pampered, catered to, or treated as if I’m fragile. I’m also nothing like any of the characters I’ve ever played on stage.” “You’re exactly like the character in The Lady in the Tower,” he argued. “Charming, demure, and delightful.” Resisting a sigh, she moved to a fallen tree lying off the path and took a seat. “I would never be content to remain a prisoner in a tower, waiting for my very own prince charming to rescue me, which is exactly what Serena Seamore, my character, does. I’ve been on my own, Bram, for a very long time, and I’m quite capable, thank you very much, of taking care of myself.” She held up her hand when it looked as if he wanted to argue. “What you need to remember is that I’m an actress. Playing a part is what I do, and I’m successful because I can play parts very, very well. I’ve also been given an unusual face, expressive if you will, and that expressiveness allows me to convince people I’m someone I’m not.” “Your face is lovely, not unusual.” Lucetta waved away his compliment. “I’m not getting through to you, am I.” “Of course you are.” Lucetta drew in a deep breath and slowly released it. “I’m afraid I’m not the lady you think you hold in high esteem.” “I don’t think I hold you in high esteem, I know I do.” “Oh . . . dear,” she muttered before she squared her shoulders. “I’m peculiar.” “I highly doubt that.” “Oh,
Jen Turano (Playing the Part (A Class of Their Own, #3))
You’re going to do great,” Lizzy said as they reached the mini Tiki bar. The air was cool in the high fifties and the scent of various meats on the grill filled the air. Even though they’d had the party catered, apparently Grant had insisted on grilling some things himself. “I wouldn’t have recommended you apply for it otherwise.” Athena ducked behind the bar and grinned at the array of bottles and other garnishes. She’d been friends with Lizzy the past couple months and knew her friend’s tastes by now. As she started mixing up their drinks she said, “If I fail, hopefully they won’t blame you.” Lizzy just snorted but eyed the drink mix curiously. “Purple?” “Just wait. You’ll like it.” She rolled the rims of the martini glasses in sugar as she spoke. “Where’d you learn to do this?” “I bartended a little in college and there were a few occasions on the job where I had to assist because staff called out sick for an event.” There’d been a huge festival in Madrid she’d helped out with a year ago where three of the staff had gotten food poisoning, so in addition to everything else she’d been in charge of, she’d had to help with drinks on and off. That had been such a chaotic, ridiculous job. “At least you’ll have something to fall back on if you do fail,” Lizzy teased. “I seriously hope not.” She set the two glasses on the bar and strained the purple concoction into them. With the twinkle lights strung up around the lanai and the ones glittering in the pool, the sugar seemed to sparkle around the rim. “This is called a wildcat.” “You have to make me one of those too!” The unfamiliar female voice made Athena look up. Her eyes widened as her gaze locked with Quinn freaking Brody, the too-sexy-man with an aversion to virgins. He was with the tall woman who’d just asked Athena to make a drink. But she had eyes only for Quinn. Her heart about jumped out of her chest. What was he doing here of all places? At least he looked just as surprised to see her. She ignored him because she knew if she stared into those dark eyes she’d lose the ability to speak and then she’d inevitably embarrass herself. The tall, built-like-a-goddess woman with pale blonde hair he was with smiled widely at Athena. “Only if you don’t mind,” she continued, nodding at the drinks. “They look so good.” “Ah, you can have this one. I made an extra for the lush here.” She tilted her head at Lizzy with a half-smile. Athena had planned to drink the second one herself but didn’t trust her hands not to shake if she made another. She couldn’t believe Quinn was standing right in front of her, looking all casual and annoyingly sexy in dark jeans and a long-sleeved sweater shoved up to his elbows. Why did his forearms have to look so good? “Ha, ha.” Lizzy snagged her drink as Athena stepped out from behind the bar. “Athena, this is Quinn Brody and Dominique Castle. They both work for Red Stone but Dominique is almost as new as you.” Forcing a smile on her face, Athena nodded politely at both of them—and tried to ignore the way Quinn was staring at her. She’d had no freaking idea he worked for Red Stone. He looked a bit like a hungry wolf. Just like on their last date—two months ago. When he’d decided she was too much trouble, being a virgin and all. Jackass. “It’s so nice to meet you both.” She did a mental fist pump when her voice sounded normal. “I promised Belle I’d help out inside but I hope to see you both around tonight.” Liar, liar. “Me too. Thanks again for the drink,” Dominique said cheerfully while Lizzy just gave Athena a strange look. Athena wasn’t sure what Quinn’s expression was because she’d decided to do the mature thing—and studiously ignore him.
Katie Reus (Sworn to Protect (Red Stone Security, #11))
In families in which parents are overbearing, rigid, and strict, children grow up with fear and anxiety. The threat of guilt, punishment, the withdrawal of love and approval, and, in some cases, abandonment, force children to suppress their own needs to try things out and to make their own mistakes. Instead, they are left with constant doubts about themselves, insecurities, and unwillingness to trust their own feelings. They feel they have no choice and as we have shown, for many, they incorporate the standards and values of their parents and become little parental copies. They follow the prescribed behavior suppressing their individuality and their own creative potentials. After all, criticism is the enemy of creativity. It is a long, hard road away from such repressive and repetitive behavior. The problem is that many of us obtain more gains out of main- taining the status quo than out of changing. We know, we feel, we want to change. We don’t like the way things are, but the prospect of upsetting the stable and the familiar is too frightening. We ob- tain “secondary gains” to our pain and we cannot risk giving them up. I am reminded of a conference I attended on hypnosis. An el- derly couple was presented. The woman walked with a walker and her husband of many years held her arm as she walked. There was nothing physically wrong with her legs or her body to explain her in- ability to walk. The teacher, an experienced expert in psychiatry and hypnosis, attempted to hypnotize her. She entered a trance state and he offered his suggestions that she would be able to walk. But to no avail. When she emerged from the trance, she still could not, would not, walk. The explanation was that there were too many gains to be had by having her husband cater to her, take care of her, do her bidding. Many people use infirmities to perpetuate relationships even at the expense of freedom and autonomy. Satisfactions are derived by being limited and crippled physically or psychologically. This is often one of the greatest deterrents to progress in psychotherapy. It is unconscious, but more gratification is derived by perpetuating this state of affairs than by giving them up. Beatrice, for all of her unhappiness, was fearful of relinquishing her place in the family. She felt needed, and she felt threatened by the thought of achieving anything 30 The Self-Sabotage Cycle that would have contributed to a greater sense of independence and self. The risks were too great, the loss of the known and familiar was too frightening. Residing in all of us is a child who wants to experiment with the new and the different, a child who has a healthy curiosity about the world around him, who wants to learn and to create. In all of us are needs for security, certainty, and stability. Ideally, there develops a balance between the two types of needs. The base of security is present and serves as a foundation which allows the exploration of new ideas and new learning and experimenting. But all too often, the security and dependency needs outweigh the freedom to explore and we stifle, even snuff out, the creative urges, the fantasy, the child in us. We seek the sources that fill our dependency and security needs at the expense of the curious, imaginative child. There are those who take too many risks, who take too many chances and lose, to the detriment of all concerned. But there are others who are risk-averse and do little with their talents and abilities for fear of having to change their view of themselves as being the child, the dependent one, the protected one. Autonomy, independence, success are scary because they mean we can no longer justify our needs to be protected. Success to these people does not breed success. Suc- cess breeds more work, more dependence, more reason to give up the rationales for moving on, away from, and exploring the new and the different.
Anonymous
Chocolate Macaroons ¾ cup sugar 4 large egg whites 4 cups shredded sweetened coconut 3 tablespoons matzah cake meal 3 tablespoons cocoa powder Preheat the oven to 375 degrees. Line a baking sheet with parchment. Set aside. Combine the sugar and egg whites in the top of a double boiler over simmering water (boil 2 inches of water in the bottom of the double boiler and reduce the heat to simmer). Cook the mixture, stirring until the sugar is dissolved. Stir in the coconut, cake meal, and cocoa until smooth. Spoon 24 mounds of macaroons onto the baking sheet and bake for 15 to 18 minutes, until the tops are just golden. Allow to cool completely before removing from the baking sheet. Yield: 24 macaroons. Evangeline’s Cook’s Notes Naturally this is a new recipe for the girls and me, but from what I hear they turned out pretty yummy. So yummy, I decided to try it myself. Vernon made an absolute pig of himself! Lemon Chicken 1/3 cup flour 1 teaspoon salt 1 teaspoon paprika 1 frying chicken (2½ to 3 pounds) 3 tablespoons lemon juice 3 tablespoons Crisco 1 chicken bouillon cube ¼ cup green onion, sliced 2 tablespoons brown sugar 1½ teaspoons lemon peel, grated chopped parsley for garnish In paper or plastic bag, combine flour, salt, and paprika. Brush the cut-up chicken with lemon juice. Add 2 to 3 pieces of chicken at a time to the bag and shake well. In a large skillet, brown chicken in hot Crisco. Dissolve bouillon cube in ¾cup boiling water; pour over chicken. Stir in onion, brown sugar, lemon peel, and remaining lemon juice. Cover, reduce heat, and cook chicken over low heat until tender, 40 to 50 minutes. Garnish with chopped parsley. Serves 4. Goldie’s Cook’s Notes Sally is a real doll for sharing this recipe with me. She says she found it in an old cookbook of her mother’s and that nothing but nothing her mother ever cooked came out bad. One taste of this recipe and you’ll be a believer in old cookbooks too!
Linda Evans Shepherd (The Secret's in the Sauce (The Potluck Catering Club, #1))
In Shanghai's prime, no city in the Orient, or the world for that matter, could compare with it. At the peak of its spectacular career the swamp-ridden metropolis surely ranked as the most pleasure-mad, rapacious, corrupt, strife-ridden, licentious, squalid, and decadent city in the world. It was the most pleasure-mad because nowhere else did the population pursue amusement, from feasting to whoring, dancing to powder-taking, with such abandoned zeal. It was rapacious because greed was its driving force; strife-ridden because calamity was always at the door; licentious because it catered to every depravity known to man; squalid because misery stared one brazenly in the face; and decadent because morality, as every Shanghai resident knew, was irrelevant. The missionaries might rail at Shanghai's wickedness and reformers condemn its iniquities, but there was never reason for the city to mend its errant ways, for as a popular Chinese saying aptly observed, "Shanghai is like the emperor's ugly daughter; she never has to worry about finding suitors." Other great cities - Rome, Athens, or St. Petersburg, for instance – might flatter themselves that they had been conceived for virtuous, even heroic, purposes. Not so the ugly daughter who reveled in her bastard status. Half Oriental, half Occidental: half land, half water; neither a colony nor wholly belonging to China; inhabited by the citizens of every nation in the world but ruled by none, the emperor's ugly daughter was an anomaly among cities. The strange fruit of a forced union between East and West, this mongrel princess came into the world through a grasping premise-the right of one nation to foist a poisonous drug upon another. Born in greed and humiliation, the ugly daughter grew up in the shadow of the Celestial Empire's defeat by outsiders in the Opium War. Nonetheless, within decades, she had become Asia's greatest metropolis, a brash sprawling juggernaut of a city that dominated the rest of the country with its power, sophistication, and, most of all money.
Stella Dong (Shanghai : The Rise and Fall of a Decadent City 1842-1949)
Scoffing, I gave her my best, yeah right look.  It wasn’t that we hated our job, but these types of catered events and the people invited usually treated the staff like something to wipe their feet on.  Both McKayla and myself had scratched and clawed our way out of the gutter and had too much pride to accept that type of attitude from anyone, but we also needed the income.
Michelle Hughes (1st (Love for Sale, #1))
She and her late husband, Leander Cross, a prominent surgeon of the darker nation, were, in my childhood, perhaps the leading host of the Gold Coast party circuit, a circuit my parents traveled often, because it was, in those days, what one did: glittering dinner at one house on the Friday, champagne brunch at another on the Sunday, caterers, cooks, even temporary butlers at the ready as the best of black Washington charged about in mad imitation of white people's foolishness.
Stephen L. Carter
Essential feminism suggests anger, humorlessness, militancy, unwavering principles, and a prescribed set of rules for how to be a proper feminist woman, or at least a proper white, heterosexual feminist woman—hate pornography, unilaterally decry the objectification of women, don’t cater to the male gaze, hate men, hate sex, focus on career, don’t shave. I kid, mostly, with that last one. This is nowhere near an accurate description of feminism, but the movement has been warped by misperception for so long that even people who should know better have bought into this essential image of feminism. Consider Elizabeth Wurtzel, who, in a June 2012 Atlantic article, says, “Real feminists earn a living, have money and means of their own.” By Wurtzel’s thinking, women who don’t “earn a living, have money and means of their own,” are fake feminists, undeserving of the label, a disappointment to the sisterhood. She takes the idea of essential feminism even further in a September 2012 Harper’s Bazaar article, where she suggests that a good feminist works hard to be beautiful. She says, “Looking great is a matter of feminism. No liberated woman would misrepresent the cause by appearing less than hale and happy.” It’s too easy to dissect the error of such thinking. She is suggesting that a woman’s worth is, in part, determined by her beauty, which is one of the very things feminism works against. The most significant problem with essential feminism is how it doesn’t allow for the complexities of human experience or individuality. There seems to be little room for multiple or discordant points of view. Essential feminism has, for example, led to the rise of the phrase “sex-positive feminism,” which creates a clear distinction between feminists who are positive about sex and feminists who aren’t—which, in turn, creates a self-fulfilling essentialist prophecy.
Roxane Gay (Bad Feminist: Essays)
My preference was the demolition of the lobby altogether. [Of all of my books], only Sula has this ‘entrance.’ The others refuse the ‘presentation,’ refuse the seductive safe harbor; the line of demarcation between…them and us. Refuse, in effect, to cater to the diminished expectations of the reader, or his or her alarm heightened by the emotional luggage one carries into the black-topic text….
Toni Morrison (Sula)
We paused to nod in deference to a just-arrived mom of six who placed third in her age group in the Ironman and has a successful catering business, No Small Affair. Everyone suspects she's on meth but still, the woman commands respect.
Elisabeth Egan
Yet, at the age of twenty-two, I was easily persuaded by this smooth soft stud that used her feminine beauty, plus masculine aggression, to turn me into a dyke that catered to her for the next three years. Rae
Jessica N. Watkins (Secrets of a Side Bitch 2)
She was still in the hotel bed of the AMTEX Hotel, the only place in town that catered to foreign visitors. The only refuge in a dangerous country besides the American Military’s Kandahar Airbase just across the street. She looked around the room quickly and noted that she was alone and exactly where she’d been when she tried to jump into Jamey’s dream. It fricking worked! She smiled. Finally, she’d entered Jamey’s dream. And he’d jumped out with her. Thank God.
Kim Hornsby (The Dream Jumper's Secret (Dream Jumper, #2))
Amy, what are you saying?" She turned her head and met his piercing stare.  "That I want you to take me to England with you." She saw him straighten up and wipe a hand down his face, blinking once, as though her request had not only surprised, but stunned him.  Then he turned away, raking a hand through his hair, putting a few steps between them.  "Amy, I am promised to another.  Much as I wish to help you, I'm not sure this would be wise.  You know that I . . . that I have feelings for you, but I am honor bound to keep my commitment to Juliet, and having you near would only make things difficult.  I'm sorry, but we must try to forget all that has happened between us." "Oh, Charles, I would never hinder your plans or do anything to jeopardize what is between you and Juliet.  After all that you've been through, you deserve to be happy.  But please don't leave me here to molder where I'm neither loved nor appreciated; please take me away, and let me have this chance at a new beginning, I beg of you." "Doing what, Amy?" "I would make a wonderful lady's maid." He stared at her.  "After all these years of catering to your sisters' every whim, is that what you want?" "At least I'd be getting paid for it!  At least there would be no shame in it, or in who I am!  What other chance do I have, Charles?  And even you must see that it's not an unreasonable request.  Why, your sister could teach me all that I don't already know, and once I'm accomplished, I will leave, Charles, I'll go work for someone far away from you.  I'll remove myself from your life so that I don't make things difficult for either one of us.  But please, Charles, don't go off to England and leave me here, I simply couldn't bear it." He
Danelle Harmon (The Beloved One (The De Montforte Brothers, #2))
Although she has a tendency to be overly impressed by those with academic qualifications, Diana admires people who perform rather than pontificate. Richard Branson, the head of Virgin airlines, Baron Jacob Rothschild, the millionaire banker who restored Spencer House, and her cousin Viscount David Linley who runs a successful furniture and catering business, are high on her list. “She likes the fact that David has been able to break out of the royal mould and do something positive,” says a friend. “She envies too his good fortune in being able to walk down a street without a detective.” For years her low intellectual self-esteem manifested itself in instinctive deference towards the judgments of her husband and senior courtiers. Now that she is clearer herself about her direction, she is prepared to argue about policy in a way that would have been unthinkable several years ago. The results are tangible. Foreign Office diplomats, notoriously hidebound in their perceptions, are beginning to realize her true worth. They were impressed by the way she handled her first solo visit to Pakistan and subsequently discussed trips to Egypt and Iran, the Islamic republic where the Union Jack was routinely burned until a few years ago. This is, as she would say, a “very grown-up” part of her royal life.
Andrew Morton (Diana: Her True Story in Her Own Words)
Mary Johnson may have been the first African American woman. She arrived sometime before 1620 as the maid of a Virginia planter. Like white women, the black residents of the early southern colonies found opportunities in the general chaos around them. Johnson and her husband were indentured servants, and once they earned their freedom, they acquired a 250-acre farm and five indentured servants of their own. By the mid–seventeenth century, a free black population had begun to emerge in both the North and the South. African American women, who weren’t bound by the same social constraints as white women, frequently set up their own businesses, running boardinghouses, hair salons, or restaurants. Catering was a particularly popular career, as was trading. In Charleston, South Carolina, black women took over the local market, selling vegetables, chickens, and other produce they acquired from the growing population of slaves, who generally had small plots beside their cabins. The city came to depend on the women for its supply of fresh food, and whites complained long and loud about the power and independence of the trading women. In 1686, South Carolina passed a law prohibiting the purchase of goods from slaves, but it had little effect. A half century later, Charleston officials were still complaining about the “exorbitant price” that black women charged for “many articles necessary for the support of the inhabitants.” The trading women had sharp tongues, which they used to good effect. The clerk of the market claimed that the “insolent and abusive Manner” of the slave women made him “afraid to say or do Anything.” It’s hard to believe the marketers, some of whom were slaves, were as outspoken as their clientele made them out to be, but the war between the black female traders and their customers continued on into the nineteenth century. (One petition in 1747 said that because of the market “white people…are entirely ruined and rendered miserable.”) The
Gail Collins (America's Women: 400 Years of Dolls, Drudges, Helpmates, and Heroines)
By the spring of 1963, Las Vegas was made up of an odd convergence of gamblers, gangsters, and government. All three forces, intentionally or unintentionally, catered to every kind of human weakness. Although the aboveground nuclear blasts were gone, the town was still full of glitzy, beckoning casinos; flamboyant, roguish celebrities; down-and-out and entrepreneurial prostitutes; and notorious, brutal criminals. By now it had gained its much deserved reputation as “Sin City”—universally considered a town where “just about anything goes.” And surrounding it were the infamous “holes in the desert.” Many of Las Vegas’s problems were known to be buried in those same holes. So, naturally, as a woman who relished audacity, this would be the place to which my mother would move my sister and me. As it turned out, that was the other part of her telephone call’s “exciting news.
Gary Spetz (Searching for Alpha Centauri: A Boyhood Memoir)
Once you are in love, you remain always in love, sometimes fulfilled and most of the times unfulfilled and broken but you remain in love. Beauty of love is to find a way when you feel there is no way to get out of the dark room. I find it more beautiful and accomplished when you are broken but you still remain in love , i find it more astonishing when he/she left you alone but you still accompany him everywhere, I find it more hedonistic when you manage to have a beautiful smile which has struggled through tears.You may say that your beloved has cheated you, your prince charming lied you, your princess sell down the river, though you have done more than that you could do and one question which is even more painful than being slaughtered is WHY SHE/HE DID THIS TO ME which remains always unanswered. This makes your life wretchedness and see who is responsible ....No not your beloved/prince/princess its you only who is in search of something which will make no difference in your life. Let them go if they want to go, if they are happy with someone else, don't beg for the love, let the love come to you automatically.You deserve to be happy, respected and much better in your life. It is difficult to remain in love when someone suddenly disappear from your life but trust me once you understand that you have really loved them, once you understand that their state of being happy is what you always wished for is more important than that they are with you unhappy or betraying you, once you understand that life has always something better for you, once you understand the value of being lively and happy ,,,,,YOU WON'T HATE HER/HIM AGAIN IN LIFE FOR STABBING YOUR BACK ....FORGIVENESS IS THE BEST MEDICINE FOR THE PEACE OF YOUR HEART & DO REMEMBER YOUR HEART DESERVES PEACE NOT THE PIECES. Love is the best thing you can cater to yourself instead of asking from someone else.
PREETI BAJPAI
They never made movies about the granddaughter of the Devil, and after spending the last four months catering to her majesty’s every gurgled whim, I had begun to realize why. Even the great Wizard of Gerber couldn’t tame the wretched evil hiding within the creature’s cherubic shell. There’d be no happy ending to that flick.
Tim Marquitz (Collateral Damage (Demon Squad, #8))
I have clients that feel like family, I make far more money than I've got a right to, considering the workload, and I have amazing benefits. What could be bad?" "I suppose I meant if you are satisfied creatively." I'd never really thought about that. The Farbers give me free rein, but they have a repertoire of my dishes that they love and want to have regularly in the rotation, and everything has to be kid friendly; even if we are talking about kids with precocious tastes, they are still kids. Lawrence is easy: breakfasts, lunches, and healthy snacks for his days; he eats most dinners out with friends, or stays home with red wine and popcorn, swearing that Olivia Pope stole the idea from him. And I'm also in charge of home-cooked meals for Philippe and Liagre, his corgis, who like ground chicken and rice with carrots, and home-baked peanut butter dog biscuits. Simca was a gift from him, four years ago. She was a post-Christmas rescue puppy, one of those gifts that a family was unprepared for, who got left at a local shelter where Lawrence volunteers. He couldn't resist her, but knew that Philippe and Liagre barely tolerate each other, and he couldn't imagine bringing a female of any species into their manly abode. Luckiest thing that ever happened to me, frankly. She's the best pup ever. I named her Simca because it was Julia Child's nickname for her coauthor Simone Beck. She is, as the other Eloise, my own namesake, would say, my mostly companion. Lawrence's dinner parties are fun to do- he always has a cool group of interesting people, occasionally famous ones- but he is pretty old-school, so there isn't a ton of creativity in those menus, lots of chateaubriand and poached salmon with the usual canapés and accompaniments.
Stacey Ballis (How to Change a Life)
The phone rang. She looked, and her heart sank. Speak of the devil. But if she had a choice between discussing her own funeral with the catering lady and talking to
Jennifer Stevenson (Amanda (Coed Demon Sluts, #4))
It is not good for a woman to be alone,” the vicar said grimly. He had a large, squarish face with a strong, thin mouth and heavy nose. He must have been quite fine as a young man. Charlotte was ashamed of how deeply she disliked him. One should not feel that way about a man of the Church. “It leaves her vulnerable to all kinds of dangers,” he went on.
Anne Perry (The Cater Street Hangman (Charlotte & Thomas Pitt, #1))
And Charlotte, she knew, would be no rival, because Charlotte always spoilt any visual effect she might have made as soon as she opened her mouth! Why did Charlotte always have to say what she thought, instead of what she certainly had enough wit to know people wished?
Anne Perry (The Cater Street Hangman (Charlotte & Thomas Pitt, #1))
Yes, I was surprised about her myself. I had always considered her to be proper enough, if somewhat light-headed. It shows how one can be deceived.” “Because she was killed?” Caroline said with a lift of amazement in her voice. “Precisely.
Anne Perry (The Cater Street Hangman (Charlotte & Thomas Pitt, #1))
The private jet was a luxury unknown to Ella. From the discreet flight attendant catering to their every need to the plush seats and room to walk around, she was overwhelmed and out of her element. Add the concussion and events of the last forty-eight hours, and no sooner had she settled into the comfy chair and buckled in than she tipped her head back and fell asleep.
Carly Phillips (Dare to Take (Dare to Love, #6))
Forgive me, Mother.” He bowed. “My argument is with my father.” “Well,” the duke announced himself and paused for dramatic effect in the doorway of the private parlor. “No need to look further. You can have at me now.” “You are having Anna Seaton investigated,” the earl said, “and it could well cost her her safety.” “Then marry her,” the duke shot back. “A husband can protect a wife, particularly if he’s wealthy, titled, smart, and well connected. Your mother has assured me she does not object to the match.” “You don’t deny this? Do you have any idea the damage you do with your dirty tricks, sly maneuvers, and stupid manipulations? That woman is terrified, nigh paralyzed with fear for herself and her younger relation, and you go stomping about in her life as if you are God Almighty come to earth for the purpose of directing everybody else’s personal life.” The duke paced into the room, color rising in his face. “That is mighty brave talk for a man who can’t see fit to take a damned wife after almost ten years of looking. What in God’s name is wrong with you, Westhaven? I know you cater to women, and I know you are carrying on with this Seaton woman. She’s comely, convenient, and of child-bearing age. I should have thought to have her investigated, I tell you, so I might find some way to coerce her to the altar.” “You already tried coercion,” Westhaven shot back, “and it’s only because Gwen Allen is a decent human being her relations haven’t ruined us completely in retaliation for your failed schemes. I am ashamed to be your son and worse than ashamed to be your heir. You embarrass me, and I wish to hell I could disinherit you, because if I don’t find you a damned broodmare, I’ve every expectation you will disinherit me.” “Gayle!” His mother was on her feet, her expression horror-stricken. “Please, for the love of God, apologize. His Grace did not have Mrs. Seaton investigated.” “Esther…” His Grace tried to get words out, but his wife had eyes only for her enraged son. “He most certainly did,” Westhaven bit out. “Up to his old tricks, just as he was with Gwen and with Elise and with God knows how many hapless debutantes and scheming widows. I am sick to death of it, Mother, and this is the last straw.” “Esther,” His Grace tried again. “Hush, Percy,” the duchess said miserably, still staring at her son. “His Grace did not have your Mrs. Seaton investigated.” She paused and dropped Westhaven’s gaze. “I did.” “Esther,” the duke gasped as he dropped like a stone onto a sofa. “For the love of God, help me.
Grace Burrowes (The Heir (Duke's Obsession, #1; Windham, #1))
You have to come for dinner soon. Alana seems to have perfected this insane braised chicken with chorizo and chickpeas that is perfect for this weather," he says, bragging about his wife. Alana is a terrific chef, best known for her role assisting Patrick Conlon on Master Chef Battle, and her own new show, Abundance, both staples on my TiVo. I've known her since I catered a cocktail party for her former boss Maria De Costa, the talk show host, about fifteen years ago, and we have stayed in casual touch ever since. When she moved into the neighborhood, we got a little closer, but since Aimee got sick I haven't been as good about staying in touch. But considering that was around the time she met RJ, she's been too really busy to notice.
Stacey Ballis (Out to Lunch)
Wordlessly, Deniz gave her mother a sidelong glance, her incredulity apparent. For the first time it crossed her mind that the woman who had given birth to her, the woman she had seen every day of her life and expected to cater to her every need and whim, might have been a different person before she and her brothers were born. It was an uncomfortable thought. To this day her mother had been a terra cognita where Deniz knew each blissful valley, each placid lake and each wintry mountain. She didn't like the possibility that there might have been parts of that continent still unmapped.
Elif Shafak (Havva'nın Üç Kızı)
Question was—why did one of the catering staff have her hand down her own shirt? And was that fondling going on under there? Carson studied the strange display. No, not fondling. Looked like she was fumbling with…a bra strap? Her hair fell onto her face like a curtain, further shielding her features from him, as she fiddled with the bra in determination. He squinted. Then choked back a laugh when he realized what was happening. The girl’s bra strap had ripped—and she was attempting to tie the two ends together. Priceless. He couldn’t help it. A chuckle slid out of his throat. Unfortunately, the chuckle came out at the exact moment the preacher demanded to know if anyone had a reason why the bride and groom shouldn’t be together. Garrett and Shelby instantly swiveled their heads in his direction, shock clearly etched in their faces. “What? No,” Carson said quickly, keeping his voice low. He turned to the preacher. “No. I’m not speaking. I’m forever holding my peace. These two belong together. Please, just go on.” “I’m going to kick your ass for this,” Garrett muttered before turning his attention back to the ceremony. Shelby just glared at him. Fuck. Wonderful. Now everyone and their mother would think Carson objected to this union. Damn caterer and her broken bra.
Elle Kennedy (Heat of Passion (Out of Uniform, #2))
How could she have prototyped her idea? She could have tried catering first—an easy business to start up and shut down (no rent, few employees, super-portable, no regular hours). She could have gotten a job bussing tables at an Italian deli to have a good look at the dirty end of the job, not just the sexy menu planning. She could have interviewed three happy and three grumpy deli-café owners to learn which group she was more like.
Bill Burnett (Designing Your Life: How to Build a Well-Lived, Joyful Life)
And to cap it all off, Gaveston was put in charge of the catering and managed to ruin it all with undercooked chicken. Understandably, the new queen was rather upset by the day’s events, while her uncles, Louis and Charles, stormed out of the coronation banquet and returned to France, after ‘seeing that the king frequented Piers’s couch more than the queen’s.’2 (Visiting England, they must have been prepared for the worst on the culinary front.)
Ed West (England in the Age of Chivalry . . . And Awful Diseases: The Hundred Years' War and Black Death)
The rules of professional conduct required a lawyer to represent his or her client to the best of his or her ability and abide by the client's decisions. Would she have used any legal means to exonerate a client, even if it meant endangering another attorney's license? Jessie feared her answer to the question. She was a litigator, a gladiator, like every other attorney. When representing her clients, she had done, and would do, everything legally permissible to protect them. Even if, like Jeremy, it meant catering to the whims of a madman
Jodé Millman (Hooker Avenue)
Mary Ellen called dibs on sending off the DJ, but by her expression when she met back up with us near the pool, we could tell something bad had happened. "Well, the DJ isn't going anywhere, but we certainly are," she said. "What do you mean? He isn't leaving?" "While we were dealing with this train wreck of a wedding, Alfie's daughters convinced the DJ to stick around and play for a party they've arranged inside the mansion." "You've got to be kidding me," I said. "Nope. He told me that he doesn't work for me and that we should just go. I'd almost say screw them and let's just leave, but we've got to pack up, so we might as well see what those little she-devils are up to." We stepped into the foyer to find the entire men's soccer team for the nearby university toting bottles of liquor up the giant circular staircase. Right behind them were the evil daughters, who informed us the party was just beginning for them. Not only did they pay the DJ to stay, but they also took all the remaining liquor from the caterers. Apparently, the girls were resetting the house for a party of their own while Alfie and Camila were gone for the night. "We are so not getting paid enough to deal with this," said Mary Ellen. "Agreed." I watched five frat stars stumble out of the kitchen with more half-eaten cake in their hands. After all, these girls were of age, they technically "lived there," and it wasn't our gig anymore. "Let's make sure everything from the wedding is accounted for and then get the hell out of this house of horrors," she said. As we left we could hear the bombastic strains of the DJ blasting "Gold Digger" again. This time, no one cried.
Mary Hollis Huddleston (Without a Hitch)
Get a Dual Perspective "Having a dual perspective means thinking not just in terms of what you want to say and hear but also in terms of the other person’s interests." - Conversationally Speaking, page 9 A dual perspective requires humility. Humility is to consider others better than yourself. Humble people ask questions like, “How can I benefit this person?” or “How can I empathize with this person’s feelings?” People ought to consider their conversation partner’s interests and seek every way to cater your words to their betterment. Here’s a practical way to accentuate a dual perspective… Ask the other person what activities interest him/her and find an activity you both enjoy. Seek to benefit the other person and then look for mutual benefit. For instance, your acquaintance expresses his interest in golf, theatre, and investing to you. If you despise theatre and investing, talk about golf. Common interests fuel conversation. If all the activities your conversation partner enjoys are boring to you, suck it up. Practice humility and engage in their interests. You may learn something new! Not every conversation will provide mutual benefit and not every conversation should provide mutual benefit. Even still, you should always seek this mutual outcome. Conversation requires engagement from two parties. The quicker you arrive at a topic you both enjoy, the easier it is to continue conversation. This dual perspective mindset initially benefits others and will normally reciprocate benefit to you.
Alan Garner
The caterer was chatting, standing wide-legged and easy, knife moving this way and that as she talked, taking up her space a little too aggressively, the way women who have been raised with a lot of brothers tend to in a group of men. It was clear she had never considered using the knife for anything but food preparation; there was no awareness of its edge and balance as it related to the soft skin of the men around her.
Nicola Griffith (Always (Aud Torvingen #3))
Happiness is irrelevant, you can't cater to happy, ask any parent. It's ephemeral. Keep her safe, that's the important part.
Jessa Hastings (Magnolia Parks (Magnolia Parks Universe, #1))
She hadn’t lived since her childhood either. Why had she not contracted the mark back then and died with her mother? If this was to be the end, it should have come sooner. It might have spared her years of misery and loneliness. And she was so very alone. As she lay staring at the raftered ceiling, she knew more keenly than ever how alone she was. The rest of the staff, tucked safely away inside the inn or the stable loft, slept peacefully oblivious to her midnight turmoil. No one would come looking for her. No one would care when she died. In an instant, her panting breaths twisted into feeble laughter. She was alone, just as she always had been, and fighting against things she had no power to overcome. Everything had changed, but nothing had changed at all. The laughter grew in strength until she gasped, on the verge of hysterics. It didn’t matter whether she was alone or surrounded by scores of friends and loved ones. She would die either way. That naked truth infused her with a blissful, ludicrous peace. Death was the one constant of the deathmark, the one thing she could count on. For Nell, who had lived her whole life trying to protect herself, who had never been able to count on anyone or anything, that realization was most liberating. She would die. But she wasn’t dead yet. The events of her life fluttered through her mind—her distant, naïve childhood, the bleak orphanage, the years at Baker’s Inn. She had wasted time catering to fear. She had been timid, docile, no better than a mule. She had done everything in her power to protect herself from ridicule and punishment, but where had that caution brought her? Sentenced to death, with a million regrets piled on her shoulders. “No more.” She forced those words through her lips, determination etched between her brows. “I will fear no more.” Spoken aloud, the oath seemed binding. Death would come—she had no power to stop it—but until the day it collected her, she would live as she saw fit.
Kate Stradling (Deathmark)
Celine had the long-awaited-for-child status, which meant her parents catered to my cousin’s every whim,
Jennifer J. Chow (Death by Bubble Tea (LA Night Market #1))
She covered the bread dough with plastic wrap and put it in the sun, she pulled out her blender and added the ingredients for the pots de crème: eggs, sugar, half a cup of her morning coffee, heavy cream, and eight ounces of melted Schraffenberger chocolate. What could be easier? The food editor of the Calgary paper had sent Marguerite the chocolate in February as a gift, a thank-you- Marguerite had written this very recipe into her column for Valentine's Day and reader response had been enthusiastic. (In the recipe, Marguerite had suggested the reader use "the richest, most decadent block of chocolate available in a fifty-mile radius. Do not- and I repeat- do not use Nestlé or Hershey's!") Marguerite hit the blender's puree button and savored the noise of work. She poured the liquid chocolate into ramekins and placed them in the fridge. Porter had been wrong about the restaurant, wrong about what people would want or wouldn't want. What people wanted was for a trained chef, a real authority, to show them how to eat. Marguerite built her clientele course by course, meal by meal: the freshest, ripest seasonal ingredients, a delicate balance of rich and creamy, bold and spicy, crunchy, salty, succulent. Everything from scratch. The occasional exception was made: Marguerite's attorney, Damian Vix, was allergic to shellfish, one of the selectmen could not abide tomatoes or the spines of romaine lettuce. Vegetarian? Pregnancy cravings? Marguerite catered to many more whims than she liked to admit, and after the first few summers the customers trusted her. They stopped asking for their steaks well-done or mayonnaise on the side. They ate what she served: frog legs, rabbit and white bean stew under flaky pastry, quinoa.
Elin Hilderbrand (The Love Season)
With her eyes, which in this other half of the city are a stranger’s eyes, she sees how every conceivable need is catered for by some product or other in the shops, the freedom to consume seems like an India rubber wall to her, separating people from any yearnings that might transcend their personal and momentary wishes. Is she about to be another customer?
Jenny Erpenbeck (Kairos)
He had always been a natural storyteller, born out of his sense of ease with other people and himself. Right now, though, he seemed nearly unaware of his surroundings, in a state different from his usual one, in which he catered to his listeners and drew belly laughs. Miriam understood: He wasn’t telling this story for her.
Tara M. Stringfellow (Memphis)
Food allergies are no joking matter. We have a friend who left a Paris restaurant on a gurney because a waiter took it upon himself to interpret her stated Capsicum annuum (bell peppers) allergy as merely an intolerance. Another friend is fatally allergic to Arachis hypogaea (peanuts). Serious allergy sufferers carry epinephrine pens that can inhibit some allergic reactions. They never take risks, because the appearance of EMTs—emergency medical technicians—and a stretcher kills the vibe of any celebration. And any veteran chef who’s seen a severe allergy attack unfold at a party will work in good faith to make damn sure it never happens again. But more and more Americans dress up mild intolerances and preferences for food in allergy drag, perhaps to absolve themselves of the rudeness of expecting to be served a customized plate. Chefs and waiters share stories of such behavior constantly: guests who are “allergic” to dairy until the chocolate pudding comes out for dessert. The “celiac” who needs his first course and second course gluten-free and then asks for a second slice of cake. “It’s every party now,” Robb Garceau, now executive chef at Neuman’s Kitchen, told us. “Guest says: ‘I need a vegan first course!’ So we build a special salad just for her. And then we send her a vegan main. But she’s seen somebody else’s salmon. Captain tells me: ‘She wants the fish course.’ And I’m like: ‘What?! You were vegan half an hour ago!
Matt Lee (Hotbox: Inside Catering, the Food World's Riskiest Business)
The company she worked for catered to the luxury end of the market (people with more money than sense, the owner was fond of saying) and it always surprised her that those people seemed never to have mastered the basic art of clearing up after themselves.
Sarah Morgan (The Book Club Hotel)
My dear," he admonished her when she brought up the fact that she might, in the future, go back to work as a lawyer, "how do you expect to do two jobs?"... "You already have a job," he explained. "From now on, your life with your husband is your job." He corrected himself. "It's more than a job. It's a career. Your husband makes the money, and you create the life. And it's going to take effort. You'll rise each morning and exercise, not simply to look attractive but to build endurance. Most ladies prefer yoga. Then you will dress. You'll arrange your schedule and send e-mails. You'll attend a meeting for a charity in the morning, or perhaps visit an art dealer or make a studio visit. You'll have lunch, and then there are meetings with decorators, caterers, and stylists; you'll have your hair colored twice a month and blow-dried three times a week. You'll do private tours of museums and read, I hope, three newspapers a day: The New York Times, The New York Post, and The Wall Street Journal. At the end of the day, you'll prepare for an evening out, which may include two or three cocktail parties and a dinner. Some will be black-tie charity events where you'll be expected to wear a gown and never the same dress twice. You'll need to have your hair and makeup done. You'll also plan vacations and weekend outings. You may purchase a country house, which you will also have to organize, staff, and decorate. You will meet the right people and court them in a manner both subtle and shameless. And then, my dear, there will be children. So," Billy concluded, "let's get busy.
Candace Bushnell (One Fifth Avenue)
She was reluctant to admit that Buckeye had become what her sons called “a hick town.” The Sears and Roebuck no longer delivered, there were no new shiny, neon shopping malls, and the peach farmers, whose abounding yields had once been the town’s glory, had either moved or were slowly dying off. The few shopkeepers who eked out a living now catered to tourists who came in late Friday afternoons on their way to the emerging gambling oasis in Laughlin, Nevada. Indian mocassins and peach jam in jars with fake old-fashioned labels were loaded into their foreign cars before they sped through the invisible town to the highway lined with crooked Joshua trees.
Linda Feyder (All's Fair and Other California Stories)
And even now, even with all of life’s craziness and noise, even with my own job and Bree’s thriving catering business, each night before I fall asleep, I make it a point to turn to my wife and silently say, Only you, only ever you. And her love slips quietly around me, holding me, anchoring me, reminding me that the loudest words are the ones we live.
Mia Sheridan (Archer's Voice)
Not at all. Murderer isn’t a job description, Freddie. It tends to be something you do on the side.” He opens another bottle of wine. “Maybe one of the caterers knew Caroline. Maybe he had reason to kill her.” “Or she,” Marigold points out. “The murderer might be a woman.
Sulari Gentill (The Woman in the Library)
Betty never had a problem catering to the customers’ Asian fetishes. For Halloween, she dressed as a geisha.” Cherry is looking at the photo upside down. “You can’t do that kind of thing now, but back in the nineties, in a strip club? It made her a lot of money.
Jennifer Hillier (Things We Do in the Dark)
Those retailers are simply fated to live in the inflexible world of racks and aisles, where products must obey the uncompromising physics of atoms, not bits. One of those unfortunate rules of corporeal matter is that it cannot transcend time and space. Obviously, a physical item can be in only one place at any given time. For instance, a can of tuna cannot exist simultaneously in multiple categories, even though the interests and browsing paths of each shopper might suggest many: “fish,” “canned food,” “sandwich makings,” “low-fat,” “on sale,” “best-selling,” “back-to-school,” “under $2,” and so on. A physical store cannot be reconfigured on the fly to cater to each customer based on his or her particular interests.
Chris Anderson (The Long Tail: Why the Future of Business Is Selling Less of More)
Then, what is your reason?' 'I don't know!' Pei rubbed her face in frustration. 'There is no reason why I don't want to do this! I'm healthy! I'm clearly capable! Everybody I know who's ever gone to a Kresh comes back saying it's a fantastic time. I'd have ten-days to just lie around and have sex and be catered to. I like kids. I like being around kids. I imagine visiting my own would be nice. I have a partner who understands and friends who would be thrilled, and...there's no reason not to.' Speaker looked at her for a moment. 'Of course, there is. You don't want to.'...'And when it comes to a person's body, that is all the reason there ever needs to be. It doesn't matter if it's a decision about a new pair of legs, or how you like to trim our claws, or...what to do about an egg. You don't want to. That's it. That is all it ever needs to be.
Becky Chambers
Then there was a more alarming conversation from two days ago. Dina: We need to talk. Alison: I know. I’m really worried about you. Dina: Did you check on that thing I asked about? Alison: Yes. There is nothing there. Nothing. Are you sure that’s what all this is about? Dina: I don’t know. They never said for sure. But if I don’t find whatever it is they want, they’re going to kill me. I’m really scared. Alison: Me too. I don’t know how to help. Maybe we should tell my mom. Dina: OMG no. No parents! Alison: We might have to call the police. Dina: NO. NO POLICE. Alison: Then what do we do? Dina: IDK. Can you sleep over at my house tomorrow night? After work? We can talk then. Alison: Sure. “What the hell did these kids get into?” Gretchen muttered. “And who is ‘they?’” asked Josie. “There’s no way to know just from these texts,” said Noah. “We need to get out on the street and start talking to more people.” “We need to find Alison Mills,” said Gretchen. “I’ll get back on the search today if you two want to follow up on the hotel leads—in particular their coworkers and boss, who, according to these text messages, is this Max person Dina was into.” Josie plopped into her chair. She pulled up the internet browser on her computer and went to the Eudora Hotel’s website. Within seconds, she found the name of the catering and events manager. “Max Combs.
Lisa Regan (Local Girl Missing (Detective Josie Quinn, #15))
For that particular session, everyone said they picked it because of the word entitled in the descriptor. They’d all encountered people who acted entitled at Pixar—people who insisted on having their own piece of equipment, even if it could be shared, or who groused that they couldn’t bring their dogs to work. “This is a job,” one animator said. “A great job. We are well paid. These people need to wake up.” What was most striking to those in attendance at the “Great Workplace” session was how much they had in common. The Systems guy told a story about answering a frantic call for tech support. He rushed over to assess the problem, only to be told by the aggrieved artist that the machine should be fixed during lunch—because that’s when it would be most convenient for her. “I need to eat lunch, too,” he told the group, as everyone nodded their heads. The chef told a similar story about a last-minute request to cater a working lunch that came without any acknowledgement of the hassle (and hustle) it would require of her staff.
Ed Catmull (Creativity, Inc.: Overcoming the Unseen Forces That Stand in the Way of True Inspiration)
Alice was deemed too young for the events that catered to their guests, and too nervous to sing or perform as an excuse to be among them, so her interactions with Lord Fenton were reserved for a few picnics and . . . one grass fire.
Anonymous
That’s how it gonna be all your life,” Julia Cater told her son, and she was preaching old black wisdom, for through the generations that was how black women enabled their sons to survive so that they could grow into black men. Hiram
James A. Michener (Chesapeake)
Taverns, and the dozens of dramshops that catered to seamen and the laboring classes, were often run by widows who received free licenses from the Common Council, an inexpensive form of relief. Women were also prominent in the retail shops that boomed after the late 1720s. The Widow Lebrosses carried Canary wine and olive oil in her store at Hanover Square, the city’s shopping center, while the Widow Vanderspiegel and her son sold imported window glass. Mrs. Edwards started a cosmetics business in 1736, offering “An admirable Beautifying Wash, for Hands Face and Neck, it makes the Skin soft, smooth and plump, it likewise takes away Redness, Fredkles, Sun-Burnings, or Pimples.” The continuing role of women in trade, English as well as Dutch, promoted a certain feistiness among their ranks that ran contrary to prescriptions for proper female behavior.
Mike Wallace (Gotham: A History of New York City to 1898)
Look, man,” I say, “in the long run, you're going to be better off. She wasn't good for you, Trey.” My best friend looks at me and downs the shot of bourbon in his glass. His eyes are red and rheumy, a look of misery etched upon his face. Trey sniffs loudly and slams his glass down on the bar, drawing the attention of a few of the people sitting around us. “I loved her, man,” he says. I nod and pat him on the shoulder. “I know you did, man.” We're sitting at the bar in the Yellow Rose Lounge, a quiet place where people can go to have a drink and conversation. Furnished in dark woods, with soft, dim lighting, it's more peaceful than your average watering hole. The music is kept low enough that you don't have to shout to be heard, and the flat panel televisions showing highlights from various games are kept on mute. The Yellow Rose is a lounge that caters to business professionals and people who want to have a quiet drink, a mellow conversation, or be alone with their thoughts. There are plenty of bars in Austin that cater
R.R. Banks (Accidentally Married (Anderson Brothers, #1))
It didn’t necessarily mean that he’d been awake all night washing away his mother’s blood. She looked under the bed and felt behind the wardrobe. No porn. No girlie posters on the walls. In fact there were no pictures on the walls at all, only a framed certificate from his catering course. What did he do for sex? Probably used the Internet, like most of the UK’s male population. It came to Vera that more than likely he was a virgin. In contrast, Miranda’s room was surprisingly big. Opulent and glamorous in an old-fashioned way. It held a double bed, piled with pillows and silk-covered cushions, in various shades of purple. These seemed to have been artfully arranged – another sign, Vera thought, that Miranda hadn’t been to bed the night before. There was a small wrought-iron grate, just for decoration now. Where the fire would once have been laid stood a candle in a big blue candle-holder, identical to the one on the table on the terrace. Was that significant? Vera tried to remember if she’d seen one like it in the main house. On one side of the chimneybreast, bookshelves had been built into the alcove, and on the other stood a big Victorian wardrobe. There was a dressing table with an ornate framed mirror under the window, and an upholstered stool in front of it. No PC. So what did Miranda do for sex? The question came, unbidden, into her head. Vera sat on the stool and gave a wry smile into the mirror. She knew her team had sometimes asked the same question about her. But not recently. As you got older, folk seemed to think you could do without. This is where Miranda would have sat to prepare herself to meet the residents. Again Vera was reminded of an ageing actress. Her dressing table was scattered with make-up. The woman hadn’t shared her son’s obsession with order and cleanliness. And beyond the mirror there was a view to the coast. It wasn’t possible to see the terrace from here – it was in the shadow of the big house. But the beach was visible. What had Miranda been thinking as she put on her face, as she brushed her hair and held it in place with spray? That her life as a writer was over? Or did she still hope for the big break, the posters on the Underground and the reviews in the Sunday papers? Was she still writing? It seemed to Vera that this question was so important, so fundamental, that she’d been a fool not to consider it before. If Miranda had written a new book, and Tony Ferdinand had offered to help her find a home for it, of course Miranda would be shattered to find him dead. The stabbed body would symbolize her shattered dreams. It wouldn’t be easy for a middle-aged
Ann Cleeves (The Glass Room (Vera Stanhope, #5))
She had always disliked him, and by the end of this morning she hated him with a vehemence that depressed and frightened her.
Anne Perry (The Cater Street Hangman (Charlotte & Thomas Pitt, #1))
My best friend looks at me and downs the shot of bourbon in his glass. His eyes are red and rheumy, a look of misery etched upon his face. Trey sniffs loudly and slams his glass down on the bar, drawing the attention of a few of the people sitting around us. “I loved her, man,”he says. I nod and pat him on the shoulder. “I know you did, man.”We're sitting at the bar in the Yellow Rose Lounge, a quiet place where people can go to have a drink and conversation. Furnished in dark woods, with soft, dim lighting, it's more peaceful than your average watering hole. The music is kept low enough that you don't have to shout to be heard, and the flat panel televisions showing highlights from various games are kept on mute. The Yellow Rose is a lounge that caters to business professionals and people who want to have a quiet drink, a mellow conversation, or be alone with their thoughts. There are plenty of bars in Austin that cater to the hellraisers and I've been known to patronize those places now and then. But, it's also nice to have a place like the Yellow Rose for times when I need some quiet solitude. Or, when I need help nursing a friend through a bad, bitter breakup. The bartender pours Trey another shot –which he immediately downs. “Might as well leave the bottle,”I say. The bartender pauses and gives me a considering look, knowing he shouldn't leave a bottle with customers. I think it's a law or something. Reaching into my pocket, I drop a couple of hundreds down on the bar, which seems to relieve him of his inner-conflict. He quickly scoops up the cash, sets the bottle down, and strolls down to the other end of the bar. I pour Trey another shot, which he downs almost instantly and then holds his glass up for another. Not wanting to see him pass out or die from alcohol poisoning, I know I need to pace him. I set the bottle back down on the bar in front of me and turn to my friend.
R.R. Banks (Accidentally Married (Anderson Brothers, #1))
My best friend looks at me and downs the shot of bourbon in his glass. His eyes are red and rheumy, a look of misery etched upon his face. Trey sniffs loudly and slams his glass down on the bar, drawing the attention of a few of the people sitting around us. “I loved her, man,” he says. I nod and pat him on the shoulder. “I know you did, man.” We're sitting at the bar in the Yellow Rose Lounge , a quiet place where people can go to have a drink and conversation. Furnished in dark woods, with soft, dim lighting, it's more peaceful than your average watering hole. The music is kept low enough that you don't have to shout to be heard, and the flat panel televisions showing highlights from various games are kept on mute. The Yellow Rose is a lounge that caters to business professionals and people who want to have a quiet drink, a mellow conversation, or be alone with their thoughts. There are plenty of bars in Austin that cater to the hellraisers and I've been known to patronize those places now and then. But, it's also nice to have a place like the Yellow Rose for times when I need some quiet solitude. Or, when I need help nursing a friend through a bad, bitter breakup. The bartender pours Trey another shot –which he immediately downs. “Might as well leave the bottle,” I say. The bartender pauses and gives me a considering look, knowing he shouldn't leave a bottle with customers. I think it's a law or something. Reaching into my pocket, I drop a couple of hundreds down on the bar, which seems to relieve him of his inner-conflict. He quickly scoops up the cash, sets the bottle down, and strolls down to the other end of the bar. I pour Trey another shot, which he downs almost instantly and then holds his glass up for another. Not wanting to see him pass out or die from alcohol poisoning, I know I need to pace him. I set the bottle back down on the bar in front of me and turn to my friend.
R.R. Banks (Accidentally Married (Anderson Brothers, #1))
Adela also liked Jane’s cheerful, red-cheeked husband with his bluff Yorkshire humour. Charlie Latimer had a knack of cajoling the staff into doing Jane’s bidding in the kitchen while entertaining them with lurid catering stories from his time in the army. He had twice the patience that Adela did. She wrote to Clarrie full of confidence that the café would not only survive under its new management, but also thrive. As Adela’s thoughts turned increasingly to India and Belgooree, she hungered for news, but her mother had not written since shortly after the Independence celebrations. Sam was reassuring. ‘Your mother will be run off her feet in the gardens at this time of year,’ he said. ‘The factory will be at full production.’ Adela put her hands around his face and kissed him in affection. ‘You sound like a tea planter already,’ she teased. He caught her round the waist and tugged her closer. ‘I can’t wait.’ He grinned and kissed her robustly back. On the afternoon of Bonnie’s birthday party, Adela felt even more queasy than usual. She had been busy all morning helping to decorate the café and had hardly stopped to eat or drink.
Janet MacLeod Trotter (The Secrets of the Tea Garden (India Tea #4))
Besides, here in Europe they pay wait staff a living wage. They don’t have to live on tips like they do back home.” “That kind of defeats the purpose of good service, doesn’t it?” Val II said snippily. Frank patted her hand in agreement. “No. It defeats the ability of people to work for slave wages. And their lives don’t depend on the moods and whims of the people they have to cater to.” “Oh, what do you know about it?” Frank said angrily. “Plenty. I waited my way through college, Frank. What about you?
Margaret Lashley (Absolute Zero: Misadventures From A Broad (Val Fremden Mysteries, #0))
There are fifty of your sisters in distress and about the same number of troops aboard Prince of Wales -" "Princely wails indeed." Nash disdained to notice the remark. "However, even with every man catered for, there was constant danger of insurrection. The captain, with whom I've been traveling as a passenger at my own expense, took counsel from me and wisely approved certain measures that, pour force majeure, eased the situation. However," he continued with heavy emphasis, "if such mutinous behaviour can erupt when the numbers are evenly balanced, what will it be when there's already not enough to go around?" He paused. "In short, you and two hundred others of your kind are about to be set upon by
James Talbot (A Willful Woman: Adversity is her opportunity in this prison camp dominated by men (The Alchemy of Distance Book 2))
My best friend looks at me and downs the shot of bourbon in his glass. His eyes are red and rheumy, a look of misery etched upon his face. Trey sniffs loudly and slams his glass down on the bar, drawing the attention of a few of the people sitting around us. “I loved her, man,” he says. I nod and pat him on the shoulder. “I know you did, man.” We're sitting at the bar in the Yellow Rose Lounge, a quiet place where people can go to have a drink and conversation. Furnished in dark woods, with soft, dim lighting, it's more peaceful than your average watering hole. The music is kept low enough that you don't have to shout to be heard, and the flat panel televisions showing highlights from various games are kept on mute. The Yellow Rose is a lounge that caters to business professionals and people who want to have a quiet drink, a mellow conversation, or be alone with their thoughts. There are plenty of bars in Austin that cater to the hellraisers and I've been known to patronize those places now and then. But, it's also nice to have a place like the Yellow Rose for times when I need some quiet solitude. Or, when I need help nursing a friend through a bad, bitter breakup. The bartender pours Trey another shot – which he immediately downs. “Might as well leave the bottle,” I say. The bartender pauses and gives me a considering look, knowing he shouldn't leave a bottle with customers. I think it's a law or something. Reaching into my pocket, I drop a couple of hundreds down on the bar, which seems to relieve him of his inner-conflict. He quickly scoops up the cash, sets the bottle down, and strolls down to the other end of the bar. I pour Trey another shot, which he downs almost instantly and then holds his glass up for another. Not wanting to see him pass out or die from alcohol poisoning, I know I need to pace him. I set the bottle back down on the bar in front of me and turn to my friend
R.R. Banks (Accidentally Married (Anderson Brothers, #1))
I’m giving you the opportunity to be involved in a very high-quality private catering event. Isn’t that something you’re supposed to be training for?’ Nathan hissed. ‘I don’t care what Maude may or may not feel. This is business.’ The door was opened by an attractive middle-aged woman wearing a crisp grey pencil skirt, forest-green blouse and black stilettos, standing in the doorway. ‘Ah, Mr DaCosta? The catering? Perfect timing.’ Lila suddenly felt dowdy in her catering whites. ‘And your colleague? Welcome. I’m Sarah, the housekeeper; I’ll show you where to set up.’ They followed Sarah into the house, her high heels clicking on a perfect white marble floor. Lila wondered if she ever lost her balance on such a slippery surface, especially in those heels. A housekeeper wearing what looked suspiciously like Louboutins wasn’t quite what Lila had expected. She was cross with Nathan and wished she’d never come, even though the extra money was useful. Still, she thought to herself, she was here now, and Nathan was her boss. So she was stuck here. ‘Just checking it’s a party of twenty?’ Nathan asked her as they traversed the long hall, hung with old-fashioned oil portraits intermixed with modern paintings. Just that wall of art would probably pay for my flat, Lila thought, admiring
Kennedy Kerr (Secrets of Magpie Cove (Magpie Cove, #2))