Catch Up Friday Quotes

We've searched our database for all the quotes and captions related to Catch Up Friday. Here they are! All 26 of them:

I stood there for a moment, playing emotional catch-up.He drove down from the Navarre House just to surprise me with flowers.And not It's -Valentines's Day-and-I-feel-olbligated flowers.These were just-because flowers.
Chloe Neill (Friday Night Bites (Chicagoland Vampires, #2))
You are everything that's ever been my favourite thing," she wanted to tell him. "You're my love song, my birthday cake, the sound of ocean waves and French words and a baby's laugh. You're a snow angel, crème brulée, a kaleidoscope filled with glitter. I love you and you'll never catch up, because I've gotten a head start and my heart is racing at light speed.
Lisa Kleypas (Dream Lake (Friday Harbor, #3))
I was in the fifth grade the first time I thought about turning thirty. My best friend Darcy and I came across a perpetual calendar in the back of the phone book, where you could look up any date in the future, and by using this little grid, determine what the day of the week would be. So we located our birthdays in the following year, mine in May and hers in September. I got Wednesday, a school night. She got a Friday. A small victory, but typical. Darcy was always the lucky one. Her skin tanned more quickly, her hair feathered more easily, and she didn't need braces. Her moonwalk was superior, as were her cart-wheels and her front handsprings (I couldn't handspring at all). She had a better sticker collection. More Michael Jackson pins. Forenze sweaters in turquoise, red, and peach (my mother allowed me none- said they were too trendy and expensive). And a pair of fifty-dollar Guess jeans with zippers at the ankles (ditto). Darcy had double-pierced ears and a sibling- even if it was just a brother, it was better than being an only child as I was. But at least I was a few months older and she would never quite catch up. That's when I decided to check out my thirtieth birthday- in a year so far away that it sounded like science fiction. It fell on a Sunday, which meant that my dashing husband and I would secure a responsible baby-sitter for our two (possibly three) children on that Saturday evening, dine at a fancy French restaurant with cloth napkins, and stay out past midnight, so technically we would be celebrating on my actual birthday. I would have just won a big case- somehow proven that an innocent man didn't do it. And my husband would toast me: "To Rachel, my beautiful wife, the mother of my chidren and the finest lawyer in Indy." I shared my fantasy with Darcy as we discovered that her thirtieth birthday fell on a Monday. Bummer for her. I watched her purse her lips as she processed this information. "You know, Rachel, who cares what day of the week we turn thirty?" she said, shrugging a smooth, olive shoulder. "We'll be old by then. Birthdays don't matter when you get that old." I thought of my parents, who were in their thirties, and their lackluster approach to their own birthdays. My dad had just given my mom a toaster for her birthday because ours broke the week before. The new one toasted four slices at a time instead of just two. It wasn't much of a gift. But my mom had seemed pleased enough with her new appliance; nowhere did I detect the disappointment that I felt when my Christmas stash didn't quite meet expectations. So Darcy was probably right. Fun stuff like birthdays wouldn't matter as much by the time we reached thirty. The next time I really thought about being thirty was our senior year in high school, when Darcy and I started watching ths show Thirty Something together. It wasn't our favorite- we preferred cheerful sit-coms like Who's the Boss? and Growing Pains- but we watched it anyway. My big problem with Thirty Something was the whiny characters and their depressing issues that they seemed to bring upon themselves. I remember thinking that they should grow up, suck it up. Stop pondering the meaning of life and start making grocery lists. That was back when I thought my teenage years were dragging and my twenties would surealy last forever. Then I reached my twenties. And the early twenties did seem to last forever. When I heard acquaintances a few years older lament the end of their youth, I felt smug, not yet in the danger zone myself. I had plenty of time..
Emily Giffin (Something Borrowed (Darcy & Rachel, #1))
It is because of this sea between us. The earth has never, up to now, separated us. But, ever since yesterday, there has been something in this nonetheless real, perfectly Atlantic, salty, slightly rough sea that has cast a spell on me. And every time I think about Promethea, I see her crossing this great expanse by boat and soon, alas, a storm comes up, my memory clouds over, in a flash there are shipwrecks, I cannot even cry out, my mouth is full of saltwater sobs. I am flooded with vague, deceptive recollections, I am drowning in my imagination in tears borrowed from the most familiar tragedies, I wish I had never read certain books whose poison is working in me. Has this Friday, perhaps, thrown a spell on me? But spells only work if you catch them. I have caught the Tragic illness. If only Promethea would make me some tea I know I would find some relief. But that is exactly what is impossible. And so, today, I am sinning. I am sinking beneath reality. I am weighted down with literature. That is my fate. Yet I had the presence of mind to start this parenthesis, the only healthy moment in these damp, feverish hours. All this to try to come back to the surface of our book... Phone me quickly, Promethea, get me out of this parenthesis fast!)
Hélène Cixous (The Book of Promethea)
You are everything that’s ever been my favorite thing,” she wanted to tell him. “You are my love song, my birthday cake, the sound of ocean waves and French words and a baby’s laugh. You’re a snow angel, crème brulée, a kaleidoscope filled with glitter. I love you and you’ll never catch up, because I’ve gotten a head start and my heart is racing at light speed.
Lisa Kleypas (Dream Lake (Friday Harbor, #3))
You are everything that’s ever been my favorite thing,” she wanted to tell him. “You are my love song, my birthday cake, the sound of ocean waves and French words and a baby’s laugh. You’re a snow angel, crème brulée, a kaleidoscope filled with glitter. I love you and you’ll never catch up, because I’ve gotten a head start and my heart is racing at light speed.” Someday
Lisa Kleypas (Dream Lake (Friday Harbor, #3))
Here, you! The boss wants you. Buck up!' Mr Stafford was talking into the telephone. He replaced the receiver as Henry entered. 'Oh, Rice, here's a woman wants her husband shadowed while he's on the road. He's an actor. I'm sending you. Go to this address, and get photographs and all particulars. You'll have to catch the eleven o'clock train on Friday.' 'Yes, sir.' 'He's in "The Girl
P.G. Wodehouse (The Man with Two Left Feet and Other Stories (Jeeves, #0.5))
I just turned thirty and only now am I starting to appreciate all the things I used to think were boring. You know Will? Will Moore, the American, built like a brick wall?” She nodded. “I don’t know if you saw yesterday when you stopped by, but he and I live together now. And keep this between you and me, but most of the time we’d both prefer to stay in and play Scrabble than go out clubbing with the rest of the squad,” I said and winked. Then I tried not to grimace because I’d just winked at her. Why the hell am I winking? She gave a light chuckle, “Yeah, I think I guessed that from the episode outside your neighbor’s apartment.” I didn’t let her comment faze me, instead I plastered on a carefree smile. “I’ll have you know women all over the country would be queuing up to catch a glimpse of me in my PJs. You should count yourself lucky.” “Oh really?” she challenged. “Who are these women? The same ones who go to Daniel O’Donnell concerts and play bingo on a Friday night?” I glared at her playfully. “Yeah, yeah, laugh it up. I don’t know why any man would sleep naked when they could be wearing a pair of flannel jimjams.
L.H. Cosway (The Cad and the Co-Ed (Rugby, #3))
Okay. Fine. Why are you disappointed in me, Cletus?” “Because I provided means and opportunity. All you had to do was exploit the situation.” “What are you talking about?” “On Friday? With the blankets and coffee? You think that was all by accident? That was arranged.” “Arranged?” I blinked at him while he tore off another piece of his doughnut. It smelled like it was strawberry flavored. “Yes. Arranged.” Leaning back in my chair, I crossed my arms and examined Cletus. I decided he was odd. “You’re odd.” “Yes. I am. But that doesn’t negate the fact that you fumbled my pass. If we’re going to make this thing happen with Jethro, I need you to bring your A-game.” “This is about Jethro?” I sat up straighter. “Of course. What’d you think I was talking about?” Apparently I wasn’t catching on quickly enough because he sighed loudly and rolled his eyes with great effect. “Do you want my help or not?” “Yes, yes, yes,” I said quickly, leaning forward at full attention. “Yes. I want your help.” “Fine then. We need to coordinate our attack.” Cletus punctuated this statement by popping the remainder of the first doughnut in his mouth. “Good. Yes. Attack synchronization.” My phone rang as he chewed. I glanced at the screen, saw it was Marta, and sent it to voicemail. Marta called back immediately, earning me a severe frown from Cletus. “You should get that.” He gestured to my phone. “You get that and I’ll ruminate while eating this other doughnut.
Penny Reid (Grin and Beard It (Winston Brothers, #2))
-1 PETER 5:3 Over and over I have attempted to be an example by doing rather than telling. I feel that God's great truths are "caught" and not always "taught." In the book of Deuteronomy, Moses (the author) says the following about God's commandments, statutes, and judgments: "You shall teach them diligently to your sons and shall talk of them when you sit in your house and when you walk by the way and when you lie down and when you rise up" (6:7). In other words, at all times we are to be examples. It is amazing how much we can teach by example in every situation: at home, at the beach, while jogging, when resting, when eating-in every part of the day. It's amazing how often I catch our children and grandchildren imitating the values we exhibited in our home-something as little as a lighted candle to warm the heart, to a thank you when food is being served in a restaurant. Little eyes are peering around to see how we behave when we think no one is looking. Are we consistent with what we say we believe? If we talk calmness and patience, how do we respond when standing in a slow line at the market? How does our conversation go when there is a slowdown on Friday evening's freeway drive? Do we go by the rules on the freeway (having two people or more in the car while driving in the carpool lane, going the speed limit, and obeying all traffic signs)? How can we show God's love? By helping people out when they are in need of assistance, even when it is not convenient. We can be good neighbors. Sending out thank you cards after receiving a gift shows our appreciation for the gift and the person. Being kind to animals and the environment when we go to the park for a campout or picnic shows good stewardship. We are continually setting some kind of example whether we know it or not. PRAYER Father God, let my life be an example to those around me, especially the little ones who are learning the ways of faith. May I exhibit proper conduct even when no one is around. I want to be obedient to Your guiding principles. Thank You for Your example. Amen.
Emilie Barnes (The Tea Lover's Devotional)
HER HUSBAND’S ALMOST HOME. He’ll catch her this time. There isn’t a scrap of curtain, not a blade of blind, in number 212—the rust-red townhome that once housed the newlywed Motts, until recently, until they un-wed. I never met either Mott, but occasionally I check in online: his LinkedIn profile, her Facebook page. Their wedding registry lives on at Macy’s. I could still buy them flatware. As I was saying: not even a window dressing. So number 212 gazes blankly across the street, ruddy and raw, and I gaze right back, watching the mistress of the manor lead her contractor into the guest bedroom. What is it about that house? It’s where love goes to die. She’s lovely, a genuine redhead, with grass-green eyes and an archipelago of tiny moles trailing across her back. Much prettier than her husband, a Dr. John Miller, psychotherapist—yes, he offers couples counseling—and one of 436,000 John Millers online. This particular specimen works near Gramercy Park and does not accept insurance. According to the deed of sale, he paid $3.6 million for his house. Business must be good. I know both more and less about the wife. Not much of a homemaker, clearly; the Millers moved in eight weeks ago, yet still those windows are bare, tsk-tsk. She practices yoga three times a week, tripping down the steps with her magic-carpet mat rolled beneath one arm, legs shrink-wrapped in Lululemon. And she must volunteer someplace—she leaves the house a little past eleven on Mondays and Fridays, around the time I get up, and returns between five and five thirty, just as I’m settling in for my nightly film. (This evening’s selection: The Man Who Knew Too Much, for the umpteenth time. I am the woman who viewed too much.) I’ve noticed she likes a drink in the afternoon, as do I. Does she also like a drink in the morning? As do I? But her age is a mystery, although she’s certainly younger than Dr. Miller, and younger than me (nimbler, too); her name I can only guess at. I think of her as Rita, because she looks like Hayworth in Gilda. “I’m not in the least interested”—love that line. I myself am very much interested. Not in her body—the pale ridge of her spine, her shoulder blades like stunted wings, the baby-blue bra clasping her breasts: whenever these loom within my lens, any of them, I look away—but in the life she leads. The lives. Two more than I’ve got.
A.J. Finn (The Woman in the Window)
supposed to be attending all of Jackson’s meetings. How is it that you didn’t find this out before yesterday?” Rob shrugged. “And if you had known, what would you have done about it?” “I would have talked to Keith. Convinced him not to pay for that new hard drive.” Victor stood up from the couch. “But it doesn’t matter. We still have the doctored video of Jackson’s crew.” He picked up his book bag and pulled a small box from it. “I need another favor,” he said to Kayla. He handed her the box and waited for her to open it. “Those are the watches we’re supposed to use on Friday. They put out UV light, allowing us to see the answers written on the back of our hands.
Varian Johnson (To Catch a Cheat: A Jackson Greene Novel)
Hi,” I say quietly. I’m surprised that noise crept past the emotion in my throat because I still feel like it’s going to choke me. “Hi,” he says quietly. He looks over at Jill, and she gives him a thumbs-up. She doesn’t get up, though. I see her wipe a tear from her cheek. “Did you meet my friend, Hayley?” I ask. He nods. Paul keeps trying to catch my eyes with his, but I won’t let him. “I’m Friday,” I say. I’m your mother, and I love you more than anything, anywhere, anytime. The words rush to my lips, but I bite them back. “What’s your name?” Jacob runs over to his mother and says something to her. She reaches into the big bag at her feet and takes out a box. She hands it to him, and he runs back over. He never did tell me his name, but that’s okay. I’d rather he have a little stranger danger. And I’m a stranger, after all. Jacob sits down on the sidewalk and opens his box. He takes out a clunky piece of chalk and says, “Do you want to draw with me?” I sit down beside him and say, “What color should I use?” He gives me a blue piece of chalk. “This one.” So I sit for hours and draw with my son in chalk on the sidewalk. We draw rainbows and dragons, and we even make some flowers for his mom. I look around and see that the sidewalk is completely full of our art. There’s not an available space to be had. “You’re a really good drawer,” he says. He grins up at me, and I see the space where his missing tooth should be. “So are you.” I reach out a tentative hand and touch the top of his head. I close my eyes and breathe, letting my hand riffle through the silky strands. I pull back way sooner than I want to because he’s looking at me funny. I look over and see Paul sitting and talking quietly with Jill. He gets up and yells over to us. “We’re going to get some lunch! We’ll be right back!” I give him a thumbs-up and get up to chase Hayley and Jacob over to the swings. “Push me!” Hayley cries. “Push me!” Jacob calls at the same time. He laughs, and I put my hand in the center of both their backs, standing between them, and give them both a shove. It’s only a minute or two later when Paul and Jill come back carrying hot dogs and drinks. The kids race to the table. I jam my hands into my pockets and walk over a little more slowly. Paul and Jill sit side by side on one side of the picnic table, and Hayley and Jacob sit on the other. “Sit beside me!” Hayley cries. “No, me!” Jacob says. I put my legs over the bench and sit between them, and Paul hands me a hot dog. Jacob scoots so close to me that I can feel his thigh against mine. The heat of his little body seeps into the cold of mine and warms me everywhere. I close my eyes for a moment and just breathe, enjoying the feel of having my living, breathing child pressed into my side.
Tammy Falkner (Proving Paul's Promise (The Reed Brothers, #5))
He tips his glass and drinks. So does Matt. And everyone in the crowd. Except me. “What’s wrong?” Matt asks. “Nothing,” I say. I motion my mother forward, and she puts a box in my hands. It’s small, but it’s weighty at the same time. “I have a present for you.” “I thought our honeymoon was our present to each other,” he reminds me with a scowl. We’re leaving for the Carolina coast for a week with the kids tonight. I can’t wait. I motion for him to take my package. “The vacation is our gift. This is just extra.” I blink back the tears that are already forming in my eyes. He makes a face and opens up the box. He looks inside and then gets confused. He pulls the tiny little item out of the box. It’s a onesie that has tattoo designs all over it, and on the back, it has the name Reed. “What’s this?” he asks, confused. Then his eyes grow wide. Friday gasps when she realizes what’s going on, and the rest of the crowd rumbles and fidgets. “Is this…?” he asks. He stops, because he’s choked with emotion. “Yes,” I say. Tears roll down my face, and I don’t care. I lean close to him. “You knocked me up.” He takes me in his arms and pulls me close, and a sob rolls through him. “Are you serious?” “Completely serious, Matt,” I say. “But wait.” I look down and shake the onesie out. A second one falls out, and Matt catches it in the air. “Two?” he asks. I nod, so broken by his reaction that I can’t speak. “Two tiny little heartbeats,” I say as soon as I can. “Holy fuck,” he breathes into my ear. He squeezes me so tightly that I chirp. “I love you so fucking much,” he says to me. He takes a second to breathe me in and compose himself, then he drops to his knees and lays his forehead on my belly. He says something quietly to his unborn children, and I’m not even sure what it was, but I do know it was between him and them. Or him and God. I’m not sure which. Then he stands and looks up at the crowd. Half of them are as teary-eyed as we are. “Do you know what this means?” he asks our friends and family. They rumble, but he can’t hear one voice over another. He points to Logan. “This means my sperm are better swimmers than yours, little brother!” he says. He signs while he talks, and Logan flips him off. But he’s laughing. He wraps his arms around Emily and lays his hands on the small swell of her belly. I slap his shoulder. “What if it’s my eggs that are amazing and not your sperm?” “What if it’s just us?” he asks quietly, and he kisses me. “Us together.” “I told you I believe in miracles, Matt,” I say when I can finally lift my head. “You’re my miracle,” he says. “You. Just you.
Tammy Falkner (Maybe Matt's Miracle (The Reed Brothers, #4))
I slap the paper down on his desk and hold my flat palm over it. “What the fuck is this?” He looks down at it. “That was a perfectly good invitation, until somebody fucked it up with hearts,” he growls. I look down at it. “I kind of like the hearts,” I admit. “Next time, I’ll use hearts,” he says. He smiles. “You’re looking for a roommate?” I ask. I toy with my lip piercing until his gaze lands there, and then I force myself to stop. “Since when?” “Since I found out you’re homeless,” he says. “I’m not homeless,” I protest. “Where are you living after today?” he asks. I’m not at all sure about that, but he doesn’t need to know it. “Shut up,” I say instead. He pushes the paper toward me. “I have an extra room. You need a place to stay. Let’s not make it more than it is, okay?” “That’s all you’d expect?” I ask, hating how quiet my voice suddenly gets. “You could be pregnant, Friday,” he says. “What else would I want from you?” My breath catches. He is so right. I have been looking at this like it’s all about us, but it’s not. It’s all about this baby I have to protect for nine months, a baby he’s now fully aware of, even if he’s not aware of the details. “How much?” I ask. “How much can you afford?” he asks. He knows full well how much money I make; he pays me. But he isn’t aware of the money I make doing commissioned portraits and other artwork. He waves a hand in the air. “Don’t worry about what it costs,” he says. “Pay me whatever you can. The room is just sitting there empty. And if you live with me, I won’t have to worry about you being homeless.” I snort. “Like you’d worry anyway.” His brow rises. “I worry. I worry about you all the fucking time. But if you live with me, I won’t have to. So take pity on me and just take the fucking room, dammit.” “Okay.” He looks surprised. “Okay?” “Yes.” He grins. “Okay.
Tammy Falkner (Proving Paul's Promise (The Reed Brothers, #5))
You’re a little bit whipped,” Sam says from behind me. I turn around and scowl at him. “I am not.” “Yes, you are. I think it’s cute.” He grins at me as he balances himself in the doorway, dangling from the overhang like a monkey. “You have a crush.” “I do not have a crush,” I say. “Oh, you totally have a crush,” he sings out. I can’t let him tease me like that, so I chase him out of Matt’s old room and down the hallway into the living room. He jumps over the back of the couch, and I go over it after him. I catch him around the waist and knock him to the floor. He’s wiry and quick, and I don’t remember him being quite as strong as he is now, but I pin him to the floor anyway. I must be getting old because it’s harder to hold him down than it used to be. A lot harder. Sam’s a collegiate athlete, and he’s even being scouted by a couple of pro teams, so he’s in peak physical shape all the time. Unlike me. Thankfully, I have size on my side. A knock sounds at the door. I yell, “Come in!” without letting Sam up. He grunts and shoves at me, but I sit on him. The door opens and a man walks in carrying a box. I freeze, because he looks familiar. “Get off me, you big fucker,” Sam says. The man raises his brow at us and looks back at Friday, who is dragging a suitcase. I let Sam up, and he swipes the hair back from his brow. He’s sweating. I’m not. But I also wasn’t the one trying to scramble up from the floor.
Tammy Falkner (Proving Paul's Promise (The Reed Brothers, #5))
I can’t tell you how many times I’ve woken up in a cold sweat thinking I’m being chased by a grunting, disfigured man wielding a hatchet. Usually we're at an abandoned campground, which leads me to believe this is a subconscious mashup of Friday the 13th and The Texas Chainsaw Massacre. He never catches me. The only thing that ever happens is I'm running and he's chasing. It's pretty horrible. I know it’s not real, but it feels real, and you know how feelings are. They make everything real.
Anne Clendening (Bent: How Yoga Saved My Ass)
Leigh mentioned that you’re a vet in Winnipeg, here to take some courses to update your skills?” “Yes.” Valerie grimaced. “That was the idea, but if they don’t catch this guy in the next day or two, I’ll have to give up the courses until next semester and if that happens, I might as well head home.” “What?” Anders turned on her sharply. Valerie bit her lip, not very happy at the thought herself. She would have liked to get to know him better, but if she couldn’t do the course now, she’d have to do it next term and it wouldn’t be fair to be away from the clinic that long. Sighing at the very thought, she said, “That’s what my academic advisor said when I talked to him today. I’ve missed the first two weeks of class already. He said if I’m not back by Monday, then I might as well give it up and reapply for next term.” Anders frowned, his gaze shooting to Lucian. It was Leigh who said worriedly, “You can’t go home, Valerie. Not with him still out there.” “Actually, it’s probably better if I did,” Valerie said and pointed out, “He can’t know I’m from Winnipeg, so I’d be safe there, and Anders wouldn’t have to waste his time playing babysitter so he could help hunt for him.” Dead silence met this announcement as the others all exchanged glances. “But your courses,” Anders said finally. “You wanted to upgrade.” “And I still do, but I can’t do that if I can’t attend classes,” she pointed out reasonably. Another moment of silence passed with everyone exchanging glances she didn’t understand and then Lucian said abruptly, “Then you’ll have to attend classes.” When Valerie stared at him with surprise, he added, “Anders will accompany you.” “Oh.” She hesitated briefly and then shook her head. “I don’t think they’ll let him attend with me.” “They might,” Dani said slowly. “I’ve heard of people auditing classes. I even knew someone who audited a couple of mine. She had to get permission from the instructor, and the department chair, and I think her program counselor first though.” “Then he’ll get permission,” Lucian said as if it were the simplest thing in the world. When Anders frowned at this news, he added solemnly, “It’s that or we put her and Roxy on a plane home to Winnipeg.” For some reason, those words sounded ominous to Valerie, and certainly Anders reacted as if they were. His mouth tightened grimly, and he nodded once. It was Friday now, but apparently come Monday, she was attending class and Anders was coming with her.
Lynsay Sands (Immortal Ever After (Argeneau, #18))
Disconnecting the call before Mimi could lambaste her further, she tossed the phone on the bed and darted for the bathroom. Her toe caught on the bedpost, sending a shot of pain through her foot and up her leg. Howling with righteous indignation, she called the bed a few choice names as she hobbled her way to the tub. Performing the world’s fastest strip down, she jumped into the shower and nearly slipped. “Holy fright,” she barked, catching herself on the handrail. Her brain was still groggy with sleep, her toe ached like a mofo, and she’d almost head-butted herself with the shower. This was clearly not her day. Like, at all. She needed a strong cup of coffee, STAT. And better karma. And apparently, a new alarm clock. Lathering the shampoo into her long, unruly curls, Evangeline replayed her evening. She had read for an hour before turning off the bedside lamp, and she distinctly remembered flipping the alarm to the on position. Having purchased the alarm clock radio at a secondhand store in what she thought was a great deal, she now figured it was past its prime, and she’d need to buy a new one when she got paid on Friday. Because who wouldn’t love to spend what little she earned on a new small appliance? After playing the lather-and-rinse game with the conditioner, she washed her body before carefully stepping from the shower to grab a towel. The last thing she needed was to do the splits across the linoleum floor. Her dang toe still throbbed to the tempo of an agitated mariachi band. After a quick towel drying that left her hair dripping rivulets down her back, she chose a blousy blue top, black gaucho pants, and a pair of ballet flats, which she managed to slip into without ripping, breaking, or slipping on anything.
Andris Bear (Enter the Witch: A Cozy Paranormal Mystery (Witches of Whisper Grove Book 1))
there.” Disconnecting the call before Mimi could lambaste her further, she tossed the phone on the bed and darted for the bathroom. Her toe caught on the bedpost, sending a shot of pain through her foot and up her leg. Howling with righteous indignation, she called the bed a few choice names as she hobbled her way to the tub. Performing the world’s fastest strip down, she jumped into the shower and nearly slipped. “Holy fright,” she barked, catching herself on the handrail. Her brain was still groggy with sleep, her toe ached like a mofo, and she’d almost head-butted herself with the shower. This was clearly not her day. Like, at all. She needed a strong cup of coffee, STAT. And better karma. And apparently, a new alarm clock. Lathering the shampoo into her long, unruly curls, Evangeline replayed her evening. She had read for an hour before turning off the bedside lamp, and she distinctly remembered flipping the alarm to the on position. Having purchased the alarm clock radio at a secondhand store in what she thought was a great deal, she now figured it was past its prime, and she’d need to buy a new one when she got paid on Friday. Because who wouldn’t love to spend what little she earned on a new small appliance? After playing the lather-and-rinse game with the conditioner, she washed her body before carefully stepping from the shower to grab a towel. The last thing she needed was to do the splits across the linoleum floor. Her dang toe still throbbed to the tempo of an agitated mariachi band. After a quick towel drying that left her hair dripping rivulets down her back, she chose a blousy blue top, black gaucho pants, and a pair of ballet flats, which she managed to slip into without ripping, breaking, or slipping on anything.
Andris Bear (Enter the Witch: A Cozy Paranormal Mystery (Witches of Whisper Grove Book 1))
Curse you then. However beat and done with it all I am, I must haul myself up, and find the particular coat that belongs to me; must push my arms into the sleeves; must muffle myself up against the night air and be off. I, I, I, tired as I am, spent as I am, and almost worn out with all this rubbing of my nose along the surfaces of things, even I, an elderly man who is getting rather heavy and dislikes exertion, must take myself off and catch some last train. Again I see before me the usual street. The canopy of civilization is burnt out. The sky is dark as polished whalebone. But there is a kindling in the sky whether of lamplight or of dawn. There is a stir of some sort—sparrows on plane tree somewhere chirping. There is a sense of the break of day. I will not call it dawn. What is dawn in the city to an elderly man standing in the street looking up rather dizzily at the sky? Dawn is some sort of whitening of the sky; some sort of renewal. Another day; another Friday; another twentieth of March, January, or September. Another general awakening. The stars draw back and are extinguished. The bars deepen themselves between the waves. The film of mist thickens on the fields. A redness gathers on the roses, even on the pale rose that hangs by the bedroom window. A bird chirps. Cottagers light their early candles. Yes, this is the eternal renewal, the incessant rise and fall and fall and rise again. And in me too the wave rises. It swells; it arches its back. I am aware once more of a new desire, something rising beneath me like the proud horse whose rider first spurs and then pulls him back. What enemy do we now perceive advancing against us, you whom I ride now, as we stand pawing this stretch of pavement? It is death. Death is the enemy. It is death against whom I ride with my spear couched and my hair flying back like a young man’s, like Percival’s, when he galloped in India. I strike spurs into my horse. Against you I will fling myself, unvanquished and unyielding, O Death! The waves broke on the shore.
Virginia Woolf
Friday reaches for her purse, but I stretch out and catch her hand in mine. “Please don’t go,” I say. “Please.” She nods, biting her lower lip between her teeth. “Okay,” she breathes. She sits down beside me and fidgets. I lean over and place Kit in her arms and then press a kiss to her temple. “Let me love you,” I say softly. Then I sit back and I watch her as she arranges Kit in her lap so that she can look into the baby’s face. Silence sinks over the room like a wet, heavy blanket. “He was perfect,” she says quietly. “He looked like me. He had dark-blue eyes and freckles and he wasn’t but a minute old. Then I never got to see him again. Not close up. They took him from me, and I didn’t even get to hold him.” “Where is he now?” My throat clogs so tight with emotion that I have to cough past it. “He’s with a wonderful family that adopted him when he was a day old.” She finally looks up at me, and her eyes shimmer with tears. One drops down her cheek, and she doesn’t brush it away. “They send me pictures every six months. He’s beautiful. He plays baseball, and he loves trains.” “We all do what we have to do to survive,” I say. She snorts. I pass her a tissue because it almost comes out like a sob. “I was fifteen and completely alone.” She unwraps Kit and counts her toes and fingers. “She’s going to play guitar like her mom,” she says. “Look at these fingers.” Kit grips Friday’s finger in her sleep, and Friday wraps her back up. I don’t say anything because I don’t think she wants me to. “His name is Jacob,” she says. She smiles. “I have his footprints and his date of birth on my inner thigh. Pete did it for me.” Fucking Pete. He knew all this time and didn’t tell me. “Little fucker,” I grumble. “Pete knows the value of a well-placed secret.” I’m glad she had someone to tell her secrets to. I hope someday, it’ll be me. “I treasure your secrets. I’ll hold them close to my heart and keep them between us and only us, always.” She smiles. “I know.” She takes a deep breath, and I feel like she’s just relieved some of her burden. “You’ve never seen him?” “No. I’m allowed to. It was an open adoption. But I never have.” “Why not?” “I’m afraid that if I ever get my hands on him I won’t be able to let him go.” Her voice breaks again. “Or worse—what if I see him and he hates me? I wouldn’t be able to stand myself. It’s hard enough knowing that he doesn’t know who I am. If he hates me, too, I won’t be able to take it.” “Thank you for telling me,” I say softly.
Tammy Falkner (Proving Paul's Promise (The Reed Brothers, #5))
reaches for her purse, but I stretch out and catch her hand in mine. “Please don’t go,” I say. “Please.” She nods, biting her lower lip between her teeth. “Okay,” she breathes. She sits down beside me and fidgets. I lean over and place Kit in her arms and then press a kiss to her temple. “Let me love you,” I say softly. Then I sit back and I watch her as she arranges Kit in her lap so that she can look into the baby’s face. Silence sinks over the room like a wet, heavy blanket. “He was perfect,” she says quietly. “He looked like me. He had dark-blue eyes and freckles and he wasn’t but a minute old. Then I never got to see him again. Not close up. They took him from me, and I didn’t even get to hold him.” “Where is he now?” My throat clogs so tight with emotion that I have to cough past it. “He’s with a wonderful family that adopted him when he was a day old.” She finally looks up at me, and her eyes shimmer with tears. One drops down her cheek, and she doesn’t brush it away. “They send me pictures every six months. He’s beautiful. He plays baseball, and he loves trains.” “We all do what we have to do to survive,” I say. She snorts. I pass her a tissue because it almost comes out like a sob. “I was fifteen and completely alone.” She unwraps Kit and counts her toes and fingers. “She’s going to play guitar like her mom,” she says. “Look at these fingers.” Kit grips Friday’s finger in her sleep, and Friday wraps her back up. I don’t say anything because I don’t think she wants me to. “His name is Jacob,” she says. She smiles. “I have his footprints and his date of birth on my inner thigh. Pete did it for me.” Fucking Pete. He knew all this time and didn’t tell me. “Little fucker,” I grumble. “Pete knows the value of a well-placed secret.” I’m glad she had someone to tell her secrets to. I hope someday, it’ll be me. “I treasure your secrets. I’ll hold them close to my heart and keep them between us and only us, always.” She smiles. “I know.” She takes a deep breath, and I feel like she’s just relieved some of her burden. “You’ve never seen him?” “No. I’m allowed to. It was an open adoption. But I never have.” “Why not?” “I’m afraid that if I ever get my hands on him I won’t be able to let him go.” Her voice breaks again. “Or worse—what if I see him and he hates me? I wouldn’t be able to stand myself. It’s hard enough knowing that he doesn’t know who I am. If he hates me, too, I won’t be able to take it.” “Thank you for telling me,” I say softly.
Tammy Falkner (Proving Paul's Promise (The Reed Brothers, #5))
Growing up in the Edgemoor neighborhood of Bellingham, Maggie and her brothers and sisters had explored the trails of Chuckanut Mountain and played along the shores of Bellingham Bay. The quiet neighborhood offered views of both the San Juans and the Canadian mountains. It was also situated next to Fairhaven, where you could browse through unique shops and galleries, or eat at restaurants where the waiters could always tell you about the freshest catch and where it had been brought from.
Lisa Kleypas (Christmas Eve at Friday Harbor (Friday Harbor, #1))
I knew you forever and you were always old, soft white lady of my heart. Surely you would scold me for sitting up late, reading your letters, as if these foreign postmarks were meant for me. You posted them first in London, wearing furs and a new dress in the winter of eighteen-ninety. I read how London is dull on Lord Mayor's Day, where you guided past groups of robbers, the sad holes of Whitechapel, clutching your pocketbook, on the way to Jack the Ripper dissecting his famous bones. This Wednesday in Berlin, you say, you will go to a bazaar at Bismarck's house. And I see you as a young girl in a good world still, writing three generations before mine. I try to reach into your page and breathe it back… but life is a trick, life is a kitten in a sack. This is the sack of time your death vacates. How distant your are on your nickel-plated skates in the skating park in Berlin, gliding past me with your Count, while a military band plays a Strauss waltz. I loved you last, a pleated old lady with a crooked hand. Once you read Lohengrin and every goose hung high while you practiced castle life in Hanover. Tonight your letters reduce history to a guess. The count had a wife. You were the old maid aunt who lived with us. Tonight I read how the winter howled around the towers of Schloss Schwobber, how the tedious language grew in your jaw, how you loved the sound of the music of the rats tapping on the stone floors. When you were mine you wore an earphone. This is Wednesday, May 9th, near Lucerne, Switzerland, sixty-nine years ago. I learn your first climb up Mount San Salvatore; this is the rocky path, the hole in your shoes, the yankee girl, the iron interior of her sweet body. You let the Count choose your next climb. You went together, armed with alpine stocks, with ham sandwiches and seltzer wasser. You were not alarmed by the thick woods of briars and bushes, nor the rugged cliff, nor the first vertigo up over Lake Lucerne. The Count sweated with his coat off as you waded through top snow. He held your hand and kissed you. You rattled down on the train to catch a steam boat for home; or other postmarks: Paris, verona, Rome. This is Italy. You learn its mother tongue. I read how you walked on the Palatine among the ruins of the palace of the Caesars; alone in the Roman autumn, alone since July. When you were mine they wrapped you out of here with your best hat over your face. I cried because I was seventeen. I am older now. I read how your student ticket admitted you into the private chapel of the Vatican and how you cheered with the others, as we used to do on the fourth of July. One Wednesday in November you watched a balloon, painted like a silver abll, float up over the Forum, up over the lost emperors, to shiver its little modern cage in an occasional breeze. You worked your New England conscience out beside artisans, chestnut vendors and the devout. Tonight I will learn to love you twice; learn your first days, your mid-Victorian face. Tonight I will speak up and interrupt your letters, warning you that wars are coming, that the Count will die, that you will accept your America back to live like a prim thing on the farm in Maine. I tell you, you will come here, to the suburbs of Boston, to see the blue-nose world go drunk each night, to see the handsome children jitterbug, to feel your left ear close one Friday at Symphony. And I tell you, you will tip your boot feet out of that hall, rocking from its sour sound, out onto the crowded street, letting your spectacles fall and your hair net tangle as you stop passers-by to mumble your guilty love while your ears die.
Anne Sexton
and on Fridays, we have snake fries for dinner. You have to go out and catch your own snake. Then you fry it up and —
Ann M. Martin (Baby-sitters' Summer Vacation (The Baby-Sitters Club Super Special, #2))