Catastrophic History Of You And Me Quotes

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You can obsess and obsess over how things ended—what you did wrong or could have done differently—but there's not much of a point. It's not like it'll change anything. So really, why worry?
Jess Rothenberg (The Catastrophic History of You and Me)
The trouble is, sometimes words are like arrows. Once you shoot them, there's no going back.
Jess Rothenberg (The Catastrophic History of You and Me)
I was falling. Falling through time and space and stars and sky and everything in between. I fell for days and weeks and what felt like lifetime across lifetimes. I fell until I forgot I was falling.
Jess Rothenberg (The Catastrophic History of You and Me)
War is sweet to those who have never fought.
Jess Rothenberg (The Catastrophic History of You and Me)
No matter how much you think you know a person—no matter how pretty they act, or how popular they seem, you can never know what their lives are really like.
Jess Rothenberg (The Catastrophic History of You and Me)
My heart didn't fail, someone failed my heart.
Jess Rothenberg (The Catastrophic History of You and Me)
Sometimes, remembering hurts too much.
Jess Rothenberg (The Catastrophic History of You and Me)
There’s no such thing as too much Disney.
Jess Rothenberg (The Catastrophic History of You and Me)
Turns out, hell's not so much a burning, scalding pit of fire and misery. It's actually much, much worse than that. Hell is when the people you love the most reach right into your soul and rip it out of you. And they do it because they can.
Jess Rothenberg (The Catastrophic History of You and Me)
In the midst of happiness or despair in sorrow or in joy in pleasure or in pain: Do what is right and you will be at peace.
Jess Rothenberg (The Catastrophic History of You and Me)
The problem is, there is absolutely nothing "fun" about falling in love. Nope. Mostly it just makes you feel sick and crazy and anxious and nervous that it's going to end miserably and ruin your whole life. And guess what: Then it does.
Jess Rothenberg (The Catastrophic History of You and Me)
When you're in love, the world is brighter. Sunnier. The air smells flowerier, and your hair is silkier, and suddenly you find yourself smiling at babies and strangers and old couples walking down the beach holding hands.
Jess Rothenberg (The Catastrophic History of You and Me)
Sometimes, friends drift in and out of our lives like fashion accessories—in one season and out the next.
Jess Rothenberg (The Catastrophic History of You and Me)
For the record, I would like to point out that it is NOT being obsessive to memorize a boy's schedule so that you can accidentally bump into him. It is called being efficient.
Jess Rothenberg (The Catastrophic History of You and Me)
You did love me," I whispered. "Just not the same way I loved you.
Jess Rothenberg (The Catastrophic History of You and Me)
News flash, Bozo. Don't ever tell a girl to relax. It only makes us madder.
Jess Rothenberg (The Catastrophic History of You and Me)
Hell is when people you love the most reach right into your soul and rip it out of you. And they do it because they can.
Jess Rothenberg (The Catastrophic History of You and Me)
But the sort of sucky thing is, time doesn’t necessarily heal all wounds. Sometimes, it just makes the wounds worse.
Jess Rothenberg (The Catastrophic History of You and Me)
All of a sudden I felt invisible. Forgotten. Like the universe had played a really mean practical joke on me, even though I've never done anything to deserve it.
Jess Rothenberg (The Catastrophic History of You and Me)
He gave me a small smile, and in that smile I saw our whole catastrophic history playing out before my eyes.
Jess Rothenberg (The Catastrophic History of You and Me)
The problem with time is, sometimes there's just too much of it.
Jess Rothenberg (The Catastrophic History of You and Me)
Love is no game. People cut their ears off over this stuff. People jump off the Eiffel Tower and sell all their possessions and move to Alaska to live with the grizzly bears, and then they get eaten and nobody hears them when they scream for help. That’s right. Falling in love is pretty much the same thing as being eaten alive by a grizzly bear.
Jess Rothenberg (The Catastrophic History of You and Me)
Forever is a pretty long time. Maybe longer than you think.
Jess Rothenberg (The Catastrophic History of You and Me)
Wait for me forever. Wait for me, for always.
Jess Rothenberg (The Catastrophic History of You and Me)
There’s always that one guy who gets a hold on you. Not like your best friend’s brother who gets you in a headlock kind of hold. Or the little kid you’re babysitting who attaches himself to your leg kind of hold. I’m talking epic. Life changing. The “can’t eat, can’t sleep, can’t do your homework, can’t stop giggling, can’t remember anything but his smile” kind of hold. Like, Wesley and Buttercup proportions. Harry and Sally. Elizabeth Bennet and Mr. Darcy. The kind of hold in all your favorite ’80s songs, like the “Must Have Been Love”s, the “Take My Breath Away”s, the “Eternal Flame”s—the ones you sing into a hairbrush-microphone at the top of your lungs with your best friends on a Saturday night.
Jess Rothenberg (The Catastrophic History of You and Me)
And yes, he tells you that you're beautiful, and suddenly, you are.
Jess Rothenberg (The Catastrophic History of You and Me)
And yes, when he kisses you, the rest of the world disappears and your brain shuts off and all you can feel are his lips and nothing else matters.
Jess Rothenberg (The Catastrophic History of You and Me)
Because love is worth it after all.
Jess Rothenberg (The Catastrophic History of You and Me)
He took your sweet, funny, perfect heart... and he destroyed it. Why do you keep letting him do it over and over again?
Jess Rothenberg (The Catastrophic History of You and Me)
My heart belongs to you," I whispered. "It has always belonged to you.
Jess Rothenberg (The Catastrophic History of You and Me)
You fall, I fall, remember?
Jess Rothenberg (The Catastrophic History of You and Me)
One nice thing about heaven is that you can relive all your favorite moments and memories pretty much as many times as you want—sort of like a DVD of your whole life. Pause, rewind, fast-forward, slowwww motion, all day, every day.
Jess Rothenberg (The Catastrophic History of You and Me)
In the midst of happiness or despair in sorrow or in joy in pleasure or in pain: Do what is right and you will be at peace. In life there is no greater gift than peace, except love. May you always have love.
Jess Rothenberg (The Catastrophic History of You and Me)
I guess maybe once in a while the universe just knows a good thing when it sees it.
Jess Rothenberg (The Catastrophic History of You and Me)
I remember now." I looked into his deep, dark, familiar eyes. "And I'll never forget again.
Jess Rothenberg (The Catastrophic History of You and Me)
I gave him a look. "Are you always this charming?" "Are you always this beautiful?
Jess Rothenberg (The Catastrophic History of You and Me)
I bet,' he whispered, 'once upon a time, you made someone really, really happy.
Jess Rothenberg (The Catastrophic History of You and Me)
Every single part of me ached, sort of like the universe was exploding inside my skull, or like my body was tearing itself apart in order to rebuild everything from the inside out. To re-create some twisted semblance of me.
Jess Rothenberg (The Catastrophic History of You and Me)
to have been lived to have love and to have been loved.
Jess Rothenberg (The Catastrophic History of You and Me)
News flash: The whole thing is a huge mess and a giant nightmare and it’s all about to explode in your face and you have no idea what you’ve gotten yourself into. Love is no game. People cut their ears off over this stuff. People jump off the Eiffel Tower and sell all their possessions and move to Alaska to live with the grizzly bears, and then they get eaten and nobody hears them when they scream for help. That’s right. Falling in love is pretty much the same thing as being eaten alive by a grizzly bear. Believe me, I should know.
Jess Rothenberg (The Catastrophic History of You and Me)
This Jacob dude sounds like a real Bilbo Douche-Baggins.
Jess Rothenberg (The Catastrophic History of You and Me)
Don't worry." He laughed. "I'm right here. I won't let you go." - Patrick
Jess Rothenberg (The Catastrophic History of You and Me)
Resulta que al final la tristeza es una adicción desenfrenada
Jess Rothenberg (The Catastrophic History of You and Me)
I knew then that I'd been right. I had felt something changing between us in the weeks before my death—slow and steady—but just hadn't wanted to admit it. A distance had been brewing, all chilly and gray. I'd chosen to sit and watch the storm clouds gather instead of running for cover at the first hint of rain. And I had paid the price for waiting. Because the storm became a hurricane.
Jess Rothenberg (The Catastrophic History of You and Me)
Not that I was obsessive or anything. Au contraire, mon frere. For the record, I would like to point out that it is NOT obsessive to memorize a boy's schedule so that you can accidentally bump into him. It is called being efficient. Why waste time and energy running around town trying to guess where a guy's going to be, when instead, you can actually know? And then you can actually be there. Pretty straightforward stuff, I tend to think.
Jess Rothenberg (The Catastrophic History of You and Me)
Patrick's entire front torso was covered with gruesome stab wounds. Like he'd been run through again and again with a sharp knife - and it hadn't been an accident. "Oh, love," I whispered. "What did you do to yourself?" Hot tears stung my eyes as I began to trace his scars with my fingertips, leaning in to kiss them softly, one by one. "Sui Caedere," he said. "I couldn't live without you.
Jess Rothenberg (The Catastrophic History of You and Me)
Just like Jacob, Larkin made me realize that no matter how much you think you know a person-no matter how pretty they are, how together they act, or how popular they seem, you can never know what their lives are really like. Not until you ask them. And not unless you're listening.
Jess Rothenberg (The Catastrophic History of You and Me)
Tell me what happens if I throw this with all my power. (Savitar) (Acheron frowned until he saw an image in his head. It was the stone traveling through the air…it sped until it hit a man in his shoulder, wounding him. No, not any man. A soldier. His arm now lame, the stone’s wound forced him to become a beggar…Eight score people would then die because the soldier could no longer protect them in battles that wouldn’t even be fought for years to come. But one of those people who died…) It goes on and on and on. One tiny decision: Do I throw the rock or do I drop it? And a thousand lives are changed by one innocuous decision. (Savitar) (He let the rock fall to the ground. Now it was harmless again and history wrote itself forward the way it was supposed to.) You and I are cursed to understand how the tiniest decision made by every being can go onward to affect the rest of the universe. And if I stop something as simple as a rock throw, it could cause catastrophic consequences.
Sherrilyn Kenyon (Acheron (Dark-Hunter, #14))
I wish I'd been accepted sooner and better. When I was younger, not being accepted made me enraged, but now, I am not inclined to dismantle my history. If you banish the dragons, you banish the heroes--and we become attached to the heroic strain in our personal history. We choose our own lives. It is not simply that we decide on the behaviors that construct our experience; when given our druthers, we elect to be ourselves. Most of us would like to be more successful or more beautiful or wealthier, and most people endure episodes of low self-esteem or even self-hatred. We despair a hundred times a day. But we retain the startling evolutionary imperative for the fact of ourselves, and with that splinter of grandiosity we redeem our flaws. These parents have, by and large, chosen to love their children, and many of them have chosen to value their own lives, even though they carry what much of the world considers an intolerable burden. Children with horizontal identities alter your self painfully; they also illuminate it. They are receptacles for rage and joy-even for salvation. When we love them, we achieve above all else the rapture of privileging what exists over what we have merely imagined. A follower of the Dalai Lama who had been imprisoned by the Chinese for decades was asked if he had ever been afraid in jail, and he said his fear was that he would lose compassion for his captors. Parents often think that they've captured something small and vulnerable, but the parents I've profiled here have been captured, locked up with their children's madness or genius or deformity, and the quest is never to lose compassion. A Buddhist scholar once explained to me that most Westerners mistakenly think that nirvana is what you arrive at when your suffering is over and only an eternity of happiness stretches ahead. But such bliss would always be shadowed by the sorrow of the past and would therefore be imperfect. Nirvana occurs when you not only look forward to rapture, but also gaze back into the times of anguish and find in them the seeds of your joy. You may not have felt that happiness at the time, but in retrospect it is incontrovertible. For some parents of children with horizontal identities, acceptance reaches its apogee when parents conclude that while they supposed that they were pinioned by a great and catastrophic loss of hope, they were in fact falling in love with someone they didn't yet know enough to want. As such parents look back, they see how every stage of loving their child has enriched them in ways they never would have conceived, ways that ar incalculably precious. Rumi said that light enters you at the bandaged place. This book's conundrum is that most of the families described here have ended up grateful for experiences they would have done anything to avoid.
Andrew Solomon (Far from the Tree: Parents, Children, and the Search for Identity)
When it comes right down to it, the challenge of mindfulness is to realize that “this is it” Right now is my life. The question is, What is my relationship to it going to be? Does my life just automatically “happen” to me? Am I a total prisoner of my circumstances or my obligations, of my body or my illness, or of my history? Do I become hostile or defensive or depressed if certain buttons get pushed, happy if other buttons are pushed, and frightened if something else happens? What are my choices? Do I have any options? We will be looking into these questions more deeply when we take up the subject of our reactions to stress and how our emotions affect our health. For now the important point is to grasp the value of bringing the practice of mindfulness into the conduct of our daily lives. Is there any waking moment of your life that would not be richer and more alive for you if you were more fully awake while it was happening?
Jon Kabat-Zinn (Full Catastrophe Living: Using the Wisdom of Your Body and Mind to Face Stress, Pain, and Illness)
Love hurts us all, no matter how old or young we are.
Jess Rothenberg (The Catastrophic History of You and Me)
The worst will happen. Think of me, children, when that day comes. I have foreseen it and predicted it. Our age is corrupt. It stinks. Think of me - I smelled it out. I am not deceived. I sense the coming catastrophe. It will be like nothing that has ever happened. Everything will be swallowed up, which will be no loss-except in my case. Everything that exists will fall apart. It is rotten. I have sensed it, tasted it and cast it away from me. When it comes, it will bury us all. I pity you children, for you will not be able to live your lives. Whereas I have had a beautiful life
Klaus Mann (Mephisto)
I was falling. Falling through time and space and stars and sky and everything in between. I fell for days and weeks and what felt like lifetimes across lifetimes. I fell until I forgot I was falling.
Jess Rothenberg (The Catastrophic History of You and Me)
who will save your soul if you won’t save your own?
Jess Rothenberg (The Catastrophic History of You and Me)
I skipped toward him and gave him a tiny kiss on the cheek. “Yup.” He looked at me like I was crazy. “What was that for?” I smiled. “For being an excellent partner in crime.
Jess Rothenberg (The Catastrophic History of You and Me)
Love's super-sneaky like that.
Jess Rothenberg (The Catastrophic History of You and Me)
Anti-party’ cliques were uncovered almost everywhere. Mao prodded the provincial leaders on. ‘Better me than you as dictator,’ he declared in March 1958, invoking words from Lenin.
Frank Dikötter (Mao's Great Famine: The History of China's Most Devastating Catastrophe, 1958-1962)
Oh sure, and you know who listens to them? Pansy, overeducated know-it-alls, and you know who listens to them? Nobody! Who’s going to care about some PBS-NPR fringe minority that’s out of touch with the mainstream? The more those elitist eggheads shouted “The Dead Are Walking,” the more most real Americans tuned them out. So, let me see if I understand your position. The administration’s position. The administration’s position, which is that you gave this problem the amount of attention that you thought it deserved. Right. Given that at any time, government always has a lot on its plate, and especially at this time because another public scare was the last thing the American people wanted. Yep. So you figured that the threat was small enough to be “managed” by both the Alpha teams abroad and some additional law enforcement training at home. You got it. Even though you’d received warnings to the contrary, that it could never just be woven into the fabric of public life and that it actually was a global catastrophe in the making. [Mister Carlson pauses, shoots me an angry look, then heaves a shovelful of “fuel” into his cart.] Grow up.
Max Brooks (World War Z: An Oral History of the Zombie War)
Our life is like a journey…’ – and so the journey seems to me less an adventure and a foray into unusual realms than a concentrated likeness of our existence: residents of a city, citizens of country, beholden to a class or a social circle, member of a family and clan and entangled by professional duties, by the habits of an ‘everyday life’ woven from all these circumstances, we often feel too secure, believing our house built for all the future, easily induced to believe in a constancy that makes ageing a problem for one person and each change in external circumstances a catastrophe for another. We forget that this is a process, that the earth is in constant motion and that we too are affected by ebbs and tides, earthquakes and events far beyond our visible and tangible spheres: beggars, kings, figures in the same great game. We forget it for our would-be peace of mind, which then is built on shifting sand. We forget it so as not to fear. And fear makes us stubborn: we call reality only what we can grasp with our hands and what affects us directly, denying the force of the fire that’s sweeping our neighbour’s house, but not yet ours. War in other countries? Just twelve hours, twelve weeks from our borders? God forbid – the horror that sometimes seizes us, you feel it too when reading history books, time or space, it doesn’t matter what lies between us and it. But the journey ever so slightly lifts the veil over the mystery of space – and a city with a magical, unreal name, Samarkand the Golden, Astrakhan or Isfahan, City of Rose Attar, becomes real the instant we set foot there and touch it with our living breath.
Annemarie Schwarzenbach (All the Roads Are Open: The Afghan Journey (The Swiss List))
Everyone knows me but no one can tell me. No one knows me even though everyone has heard my name. Everyone talking together makes something that seems like me but is not me. Everyone doing things in the world makes me. I am blood in the streets, the catastrophe you can never forget. I am the tide running under the world that no one sees or feels. I happen in the present but am told only in the future, and then they think they speak of the past, but really they are always speaking about the present. I do not exist and yet I am everything. You know what I am. I am History. Now make me good.
Kim Stanley Robinson (The Ministry for the Future)
The definition of morality; Morality is the idiosyncrasy of decadents, actuated by a desire to avenge themselves with success upon life. I attach great value to this definition. 8 [Pg 141] Have you understood me? I have not uttered a single word which I had not already said five years ago through my mouthpiece Zarathustra. The unmasking of Christian morality is an event which unequalled in history, it is a real catastrophe. The man who throws light upon it is a force majeure, a fatality; he breaks the history of man into two. Time is reckoned up before him and after him. The lightning flash of truth struck precisely that which theretofore had stood highest: he who understands what was destroyed by that flash should look to see whether he still holds anything in his hands. Everything which until then was called truth, has been revealed as the most detrimental, most spiteful, and most subterranean form of life; the holy pretext, which was the "improvement" of man, has been recognised as a ruse for draining life of its energy and of its blood. Morality conceived as Vampirism.... The man who unmasks morality has also unmasked the worthlessness of the values in which men either believe or have believed; he no longer sees anything to be revered in the most venerable man—even in the types of men that have been pronounced holy; all he can see in them is the most fatal kind of abortions, fatal, because they fascinate. The concept "God" was invented as the opposite of the concept life—everything detrimental, poisonous, and slanderous, and all deadly hostility to life, wad bound together in one horrible unit in Him. The concepts "beyond" and "true world" were invented in order to depreciate the only world that exists—in order that no goal or aim, no sense or task, might be left to earthly reality. The concepts "soul," "spirit," and last of all the concept "immortal soul," were invented in order to throw contempt on the body, in order to make it sick and "holy," in order to cultivate an attitude of appalling levity towards all things in life which deserve to be treated seriously, i.e. the questions of nutrition and habitation, of intellectual diet, the treatment of the sick, cleanliness, and weather. Instead of health, we find the "salvation of the soul"—that is to say, a folie circulate fluctuating between convulsions and penitence and the hysteria of redemption. The concept "sin," together with the torture instrument appertaining to it, which is the concept "free will," was invented in order to confuse and muddle our instincts, and to render the mistrust of them man's second nature! In the concepts "disinterestedness" and "self-denial," the actual signs of decadence are to be found. The allurement of that which is [Pg 142] [Pg 143] The Project Gutenberg eBook of Ecce Homo, by Friedrich Nietzsche. detrimental, the inability to discover one's own advantage and self-destruction, are made into absolute qualities, into the "duty," the "holiness," and the "divinity" of man. Finally—to keep the worst to the last—by the notion of the good man, all that is favoured which is weak, ill, botched, and sick-in-itself, which ought to be wiped out. The law of selection is thwarted, an ideal is made out of opposition to the proud, well-constituted man, to him who says yea to life, to him who is certain of the future, and who guarantees the future—this man is henceforth called the evil one. And all this was believed in as morality!
Nietszche
The year 1944 was the year of the greatest burdens in this mighty struggle. It was a year that again proved conclusively that the bourgeois social order is no longer capable of braving the storms of the present or of the coming age. State after state that does not find its way to a truly social reorganization will go down the path to chaos. The liberal age is a thing of the past. The belief that you can counter this invasion of the people by parliamentary-democratic half-measures is childish and just as naive as Metternich’s methods when the national drives for unification were making their way through the nineteenth century. The lack of a truly social, new form of life results in the lack of the mental will to resist not only in the nations but also in the lack of the moral power of resistance of their leaders. In all countries we see that the attempted renaissance of a democracy has proved fruitless. The confused tangle of political dilettantes and military politicians of a bygone bourgeois world who order each other around is, with deadly certainty, preparing for a plunge into chaos and, insofar as Europe is concerned, into an economic and ethnic catastrophe. And, after all, one thing has already been proved: this most densely populated continent in the world will either have to live with an order that gives the greatest consideration to individual abilities, guarantees the greatest accomplishments, and, by taming all egotistical drives, prevents their excesses, or states such as we have in central and western Europe will prove unfit for life, which means that their nations are thereby doomed to perish! In this manner-following the example of royal Italy-Finland, Romania, Bulgaria, and Hungary collapsed during this year. This collapse is primarily the result of the cowardice and lack of resolve of their leaders. They and their actions can be understood only in light of the corrupt and socially amoral atmosphere of the bourgeois world. The hatred which many statesmen, especially in these countries, express for the present German Reich is nothing other than the voice of a guilty conscience, an expression of an inferiority complex in view of our organization of a human community that is suspicious to them because we successfully pursue goals that again do not correspond to their own narrow economic egotism and their resulting political shortsightedness. For us, my German Volksgenossen, this, however, represents a new obligation to recognize ever more clearly that the existence or nonexistence of a German future depends on the uncompromising organization of our Volksstaat, that all the sacrifices which our Volk must make are conceivable only under the condition of a social order which clears away all privileges and thereby makes the entire Volk not only bear the same duties but also possess the same vital rights. Above all, it must mercilessly destroy the social phantoms of a bygone era. In their stead, it must place the most valuable reality there is, namely the Volk, the masses which, tied together by the same blood, essence, and experiences of a long history, owe their origin as an individual existence not to an earthly arbitrariness but to the inscrutable will of the Almighty. The insight into the moral value of our conviction and the resulting objectives of our struggle for life give us and, above all, give me the strength to continue to wage this fight in the most difficult hours with the strongest faith and with an unshakable confidence. In such hours, this conviction also ties the Volk to its leadership. It assured the unanimous approval of the appeal that I was forced to direct to the German Volk in a particularly urgent way this year. New Year’s Proclamation to the National Socialists and Party Comrades Fuhrer Headquarters, January 1, 1945
Adolf Hitler (Collection of Speeches: 1922-1945)
Seriously?’ I said, quite delighted. I was being arrested for crimes against the very legislation designed to make History safe for historians. Thank you, Professor Hawking, the patron saint of time travellers everywhere. And possibly I was a little punch-drunk as well. Show me one single person who’s ever been arrested three times in thirty minutes. And all by different people for different crimes in different times. Am I a legend or what? Three times, people.
Jodi Taylor (A Catalogue of Catastrophe (Chronicles of St. Mary's #13))
The truth, at times, can be the hardest pill to swallow. When we are confronted by something new, something that threatens to shake us from our comfortable tree, shatters our illusions, we resist. It takes courage to swim against the tide of popular opinion. Most of us would rather hold on to the safety buoy than strike out into unchartered seas. If you are one of these, don't bother to read this true account of the Frankenstein myth, hold tightly to your buoy and be carried to the shores of the known and familiar, you will be safe. I do not wish to make you feel uncomfortable in your skin, that is not my aim. My goal is to set the story straight and not pander to the fickle minded. This version of events is so far removed from the common misguided perceptions held by us all, and will so challenge the accepted beliefs generated by cheap fiction, that there will be many who will call me charlatan or fraud. They do not possess the will, or wherewithal, to want to know the truth or even suspend their judgement so that the record might be set straight for posterity. Possibly, they might be the last remnants of the flat earth society and still trying to convince the rest of us where we are going wrong. If nothing else, I salute their commitment and tenacity. This book is not for them. There it is. I have forewarned you against reading this account of the tortured genius of Baron von Frankenstein. If you are not ready for the truth, stay safe and warm in your insulated ivory towers and remain ignorant of the catastrophe that befell him and the people of the town of Frankenstein. It is not my loss...
Paul Lord
«E lui ti dice che sei bella e tutt’a un tratto lo sei. Ma ho una notizia da darvi: è un gran casino, in realtà, un gigantesco incubo che vi esploderà in mano. Non avete idea del pasticcio in cui vi siete ficcate. L’amore non è un gioco. Le persone ci si tagliano le orecchie. Ci si buttano dalla Torre Eiffel, oppure vendono tutto quello che hanno per trasferirsi tipo in Alaska e vivere con gli orsi grizzly, e poi finiscono sbranate e nessuno le sente urlare aiuto. Ecco com’è: innamorarsi è piú o meno come essere divorati da un grizzly. E credetemi, io lo so».
Jess Rothenberg (The Catastrophic History of You and Me)
Everyone knows me but no one can tell me. No one knows me even though everyone has heard my name, Everyone talking together makes something that seems like me but is not me. Everyone doing things in the world makes me. I am the blood in the streets, the catastrophe you can never forget. I am the tide running under the world that no one sees or feels. I happen in the present but am told only in the future, and then they think they speak of the past, but really they are always speaking about the present. I do not exist and yet I am everything. You know what I am. I am History. Now make me good.
Kim Stanley Robinson (The Ministry for the Future)
The only reason I have alluded to this is that the ascetic ideal has, for the present, even in the most spiritual sphere, only one type of real enemy and injurer: these are the comedians of this ideal – because they arouse mistrust. Everywhere else where spirit is at work in a rigorous, powerful and honest way, it now completely lacks an ideal – the popular expression for this abstinence is ‘atheism’ –: except for its will to truth. But this will, this remnant of an ideal, if you believe me, is that ideal itself in its strictest, most spiritual formulation, completely eso- teric, totally stripped of externals, and thus not so much its remnant as its kernel. Unconditional, honest atheism (– its air alone is what we breathe, we more spiritual men of the age!) is therefore not opposed to the ascetic ideal as it appears to be; instead, it is only one of the ideal’s last phases of development, one of its final forms and inherent logical conclusions, – it is the awe-inspiring catastrophe of a two-thousand-year discipline in truth-telling, which finally forbids itself the lie entailed in the belief in 127 ‘the religion of suffering’. 118 Third essay God. (The same process of development in India, completely independ- ently, which therefore proves something; the same ideal forcing the same conclusion; the decisive point was reached five centuries before the European era began, with Buddha or, more precisely: already with the Sankhya philosophy subsequently popularized by Buddha and made into a religion.) What, strictly speaking, has actually conquered the Christian God? The answer is in my Gay Science (section 357):128 ‘Christian moral- ity itself, the concept of truthfulness which was taken more and more seriously, the confessional punctiliousness of Christian conscience, trans- lated and sublimated into scientific conscience, into intellectual rigour at any price. Regarding nature as though it were a proof of God’s goodness and providence; interpreting history in honour of divine reason, as a con- stant testimonial to an ethical world order and ethical ultimate purpose; explaining all one’s own experiences in the way pious folk have done for long enough, as though everything were providence, a sign, intended, and sent for the salvation of the soul: now all that is over, it has conscience against it, every sensitive conscience sees it as indecent, dishonest, as a pack of lies, feminism, weakness, cowardice, – this severity makes us good Europeans if anything does, and heirs to Europe’s most protracted and bravest self-overcoming!’ . . . All great things bring about their own demise through an act of self-sublimation: that is the law of life, the law of necessary ‘self-overcoming’ in the essence of life, – the lawgiver himself is always ultimately exposed to the cry: ‘patere legem, quam ipse tulisti’.129 In this way, Christianity as a dogma was destroyed by its own morality, in the same way Christianity as a morality must also be destroyed, – we stand on the threshold of this occurrence. After Christian truthfulness has drawn one conclusion after another, it will finally draw the strongest con- clusion, that against itself; this will, however, happen when it asks itself, ‘What does all will to truth mean?’ . . . and here I touch on my problem again, on our problem, my unknown friends (– because I don’t know of any friend as yet): what meaning does our being have, if it were not that that will to truth has become conscious of itself as a problem in us? . . . Without a doubt, from now on, morality will be destroyed by the will to truth’s becoming-conscious-of-itself: that great drama in a hundred acts reserved for Europe in the next two centuries, the most terrible, most questionable drama but perhaps also the one most rich in hope . . .
nietsczhe
At this time, our personal dosimeters—accumulators that registered doses of contamination a person got during his working time—were checked. Usually, these small badges were fastened to the outer part of our clothes, on our chests. Periodically, the dosimeters were examined in the laboratory, where they were burned in a special way, doses were measured, and then the badges were returned to their owners. With this procedure, the dosimeter “forgot” its previous history and was ready to register doses again. We fought against dosimeters constantly and secretly. The point was that a person having received a dose of 25 roentgen (25 R/h) should, according to the medical terms, leave Chernobyl immediately. With this, he got five months’ salary. Good money in this time. Why 25 R/h was the limit, it is difficult for me to say. I am not a specialist. I just remembered for myself that if you got more than 100 R/h, you got radiation sickness. When the authorities came to this decision, those working at the station became diametrically opposed to it. One pole—not very numerous—consisted of those who wanted to leave the Zone as soon as possible and with the five-month salary. These people, who aspired later to the reputation of Chernobyl heroes, usually tried to “forget” their accumulators and other types of dosimeters in dangerous, high-radiation places, and then would return secretly to get them. During the checking, the desired dose of 25 R/h was discovered; and if everything was done well and there was no evidence of swindle, the “hero” went back to his motherland with money and respect. There he started his struggle for privileges with more energy than a person who had actually gotten such a high dose could possibly have. The major part of the Kurchatovers—and it did them credit—took the opposite pole. People who did research in areas with doses of hundreds and thousands roentgen per hour tried to leave their dosimeters in safe places, or to shield the instruments so that they couldn't register that fatal 25 R/h. Then they could stay in Chernobyl. This was the secret war with our accumulators. The authorities knew everything about it, but did nothing. They needed specialists like air.
Alexander Borovoi (My Chernobyl: The Human Story of a Scientist and the nuclear power Plant Catastrophe)