Cat Nature Quotes

We've searched our database for all the quotes and captions related to Cat Nature. Here they are! All 100 of them:

Tiger got to hunt, bird got to fly; Man got to sit and wonder 'why, why, why?' Tiger got to sleep, bird got to land; Man got to tell himself he understand.
Kurt Vonnegut Jr. (Cat’s Cradle)
Cats are intended to teach us that not everything in nature has a purpose.
Garrison Keillor
Besides, you're a cat. It's your nature to think you're the center of the universe.
Rick Riordan (The Serpent's Shadow (The Kane Chronicles, #3))
The rabbits mingled naturally. They did not talk for talking's sake, in the artificial manner that human beings - and sometimes even their dogs and cats - do. But this did not mean that they were not communicating; merely that they were not communicating by talking.
Richard Adams (Watership Down (Watership Down, #1))
There is probably no better or more reliable measure of whether a woman has spent time in ugly duckling status at some point or all throughout her life than her inability to digest a sincere compliment. Although it could be a matter of modesty, or could be attributed to shyness- although too many serious wounds are carelessly written off as "nothing but shyness"- more often a compliment is stuttered around about because it sets up an automatic and unpleasant dialogue in the woman's mind. If you say how lovely she is, or how beautiful her art is, or compliment anything else her soul took part in, inspired, or suffused, something in her mind says she is undeserving and you, the complimentor, are an idiot for thinking such a thing to begin with. Rather than understand that the beauty of her soul shines through when she is being herself, the woman changes the subject and effectively snatches nourishment away from the soul-self, which thrives on being acknowledged." "I must admit, I sometimes find it useful in my practice to delineate the various typologies of personality as cats and hens and ducks and swans and so forth. If warranted, I might ask my client to assume for a moment that she is a swan who does not realzie it. Assume also for a moment that she has been brought up by or is currently surrounded by ducks. There is nothing wrong with ducks, I assure them, or with swans. But ducks are ducks and swans are swans. Sometimes to make the point I have to move to other animal metaphors. I like to use mice. What if you were raised by the mice people? But what if you're, say, a swan. Swans and mice hate each other's food for the most part. They each think the other smells funny. They are not interested in spending time together, and if they did, one would be constantly harassing the other. But what if you, being a swan, had to pretend you were a mouse? What if you had to pretend to be gray and furry and tiny? What you had no long snaky tail to carry in the air on tail-carrying day? What if wherever you went you tried to walk like a mouse, but you waddled instead? What if you tried to talk like a mouse, but insteade out came a honk every time? Wouldn't you be the most miserable creature in the world? The answer is an inequivocal yes. So why, if this is all so and too true, do women keep trying to bend and fold themselves into shapes that are not theirs? I must say, from years of clinical observation of this problem, that most of the time it is not because of deep-seated masochism or a malignant dedication to self-destruction or anything of that nature. More often it is because the woman simply doesn't know any better. She is unmothered.
Clarissa Pinkola Estés (Women Who Run With the Wolves)
Okay, fine, we were married elsetime. Anyway, we died of whatever you die from, let’s say natural causes. But we were in love, so our souls keep finding each other in whatever forms our bodies take.
Cat Patrick (Forgotten)
Whitestorm was experienced, wise and brave. When Firestar had been made deputy, he had shown not a scrap of resentment that a lesser cat might have felt. He had supported him from the beginning, and he was the cat Firestar naturally turned to when he needed advice.
Erin Hunter (The Darkest Hour (Warriors, #6))
After the group vet appointment--during which Lyle scratched the vet, the vet tech, and some poor woman minding her own business in the waiting room--we went back to Sabrina's and re-released the cats to their natural habitat.
Sarah Dessen (Lock and Key)
Animals are inspirational. They don’t know how to lie. They are natural forces.
Charles Bukowski (On Cats)
No other animal in the world would try to defy the laws of nature, but humans are a very peculiar species.
Hiro Arikawa (The Travelling Cat Chronicles)
Like a domestic cat, purring on the sofa by day, but by night, a strutting queen, a natural killer, disdainful of her other life.
Joanne Harris (The Girl with No Shadow (Chocolat, #2))
Organizing gods is like herding cats into straight lines. They don't take naturally to it.
Neil Gaiman (American Gods (American Gods, #1))
Like delicate lace, So the threads intertwine, Oh, gossamer web Of wond'rous design! Such beauty and grace Wild nature produces... Ughh, look at the spider Suck out that bug's juices!
Bill Watterson (Homicidal Psycho Jungle Cat (Calvin and Hobbes, #9))
But she was already in. Gareth couldn't help but stand back in admiration. Hyacinth Bridgerton was clearly a natural born athlete. Either that or a cat burglar.
Julia Quinn (It's in His Kiss (Bridgertons, #7))
Negativity is totally unnatural. It is a psychic pollutant, and there is a deep link between the poisoning and destruction of nature and the vast negativity that has accumulated in the collective human psyche. No other life-form on the planet knows negativity, only humans, just as no other life-form violates and poisons the Earth that sustains it. Have you ever seen an unhappy flower or a stressed oak tree? Have you some across a depressed dolphin, a frog that has a problem with self-esteem, a cat that cannot relax, or a bird that carries hatred and resentment? The only animals that may occasionally experience something akin to negativity or show signs of neurotic behavior are those that live in close contact with humans and so link into the humans mind and its insanity.
Eckhart Tolle
THE HABIT OF NARRATION, of crafting something miraculous out of the commonplace, was hard to break. Narration came naturally after a time spent in the company of talking scarecrows or disappearing cats; it was, in its own way, a method of keeping oneself grounded, connected to the thin thread of continuity that ran through all lives, no matter how strange they might become. Narrate the impossible things, turn them into a story, and they could be controlled.
Seanan McGuire (Every Heart a Doorway (Wayward Children, #1))
Their [cats] effortless passing between the wild and domestic worlds suggests the kind of grace we need as a species to move between nature and culture.
Richard Mabey (Nature Cure)
Besides, your a cat.Its your nature to think your the center of the universe." She stared at him blankly. "But I am the center of the universe.
Rick Riordan (The Serpent's Shadow (The Kane Chronicles, #3))
October— You were sleeping so peacefully that I was loath to wake you. Duke Torquill, after demanding to know what I was doing in your apartment, has requested that I inform you of his intent to visit after ‘tending to some business at the Queen’s Court.’ I recommend wearing something clinging, as that may distract him from whatever he wishes to lecture you about this time. Hopefully, it’s your manners. You are truly endearing when you sleep. I attribute this to the exotic nature of seeing you in a state of silence. —Tybalt
Seanan McGuire (A Local Habitation (October Daye, #2))
Do you practice the laugh, or is it a natural talent? Naw, I’m betting you practice.” Jean-Claude’s face twisted. I couldn’t decide if he was trying not to laugh, or not to frown. Maybe both. I affected some people that way. The laughter seeped out of her face, very human, until only her eyes sparkled. There was nothing funny about the look in those twinkling eyes. It was the sort of look a cat gives a small bird. Her voice lifted at the end of each word, a Shirley Temple affectation. “You are either very brave, or very stupid.” “You really need at least one dimple to go with the laugh.” Jean-Claude said softly, “I’m betting on stupid.
Laurell K. Hamilton (Guilty Pleasures (Anita Blake, Vampire Hunter, #1))
If you ask me to tell you anything about the nature of what lies beyond the phaneron… my answer is “How should I know?”… I am not dismayed by ultimate mysteries… I can no more grasp what is behind such questions as my cat can understand what is behind the clatter I make while I type this paragraph.
Martin Gardner (The Whys of a Philosophical Scrivener)
It may be laid down as a general rule that if a man begins to sing, no one will take any notice of his song except his fellow human beings. This is true even if his song is surpassingly beautiful. Other men may be in raptures at his skill, but the rest of creation is, by and large, unmoved. Perhaps a cat or a dog may look at him; his horse, if it is an exceptionally intelligent beast, may pause in cropping the grass, but that is the extent of it. But when the fairy sang, the whole world listened to him. Stephen felt clouds pause in their passing; he felt sleeping hills shift and murmur; he felt cold mists dance. He understood for the first time that the world is not dumb at all, but merely waiting for someone to speak to it in a language it understands. In the fairy's song the earth recognized the names by which it called itself.
Susanna Clarke (Jonathan Strange & Mr Norrell)
One can choose to obsess over prescriptive rules, but they have no more to do with human language than the criteria for judging cats at a cat show have to do with mammalian biology.
Steven Pinker (The Stuff of Thought: Language as a Window into Human Nature)
I’ve always been able to tell a lot about people by whether they ask me about my scar. Most people never ask, but if it comes up naturally somehow and I offer up the story, they are quite interested. Some people are just dumb: 'Did a cat scratch you?' God bless. Those sweet dumdums I never mind. Sometimes it is a fun sociology litmus test, like when my friend Ricky asked me, 'Did they ever catch the black guy that did that to you?' Hmmm. It was not a black guy, Ricky, and I never said it was.
Tina Fey (Bossypants)
And we all vied, in saving face, to be the greatest student of human nature, the person with the quickest sense of humor.
Kurt Vonnegut Jr. (Cat’s Cradle)
We do not belong to this material world that science constructs for us. We are not in it; we are outside. We are only spectators. The reason why we believe that we are in it, that we belong to the picture, is that our bodies are in the picture. Our bodies belong to it. Not only my own body, but those of my friends, also of my dog and cat and horse, and of all the other people and animals. And this is my only means of communicating with them.
Erwin Schrödinger ('Nature and the Greeks' and 'Science and Humanism')
You know, people think mathematics is complicated. Mathematics is the simple bit. It's the stuff we can understand. It's cats that are complicated. I mean, what is it in those little molecules and stuff that make one cat behave differently than another, or that make a cat? And how do you define a cat? I have no idea.
John H. Conway
Her nature is like a demonstrative cat's; she is delicate, acutely sensitive to cold, and incredibly caressing in her ways.
Colette Gauthier-Villars (Claudine at School)
Judiciously show a cat, milk, if you wish her to thirst for it. Judiciously show a dog his natural prey, if you wish him to bring it down one day.
Charles Dickens (A Tale of Two Cities)
Who are you to decide what needs to be done? That's subjective by nature. No two people think alike." "Someone has to decide. Without, rulers, there's chaos.
Amanda Bouchet (A Promise of Fire (Kingmaker Chronicles, #1))
The natural desire to save a cat is what it means to be a citizen.
Weiwei Ai
First came bright Spirits, not the Spirits of men, who danced and scattered flowers. Then, on the left and right, at each side of the forest avenue, came youthful shapes, boys upon one hand, and girls upon the other. If I could remember their singing and write down the notes, no man who read that score would ever grow sick or old. Between them went musicians: and after these a lady in whose honour all this was being done. I cannot now remember whether she was naked or clothed. If she were naked, then it must have been the almost visible penumbra of her courtesy and joy which produces in my memory the illusion of a great and shining train that followed her across the happy grass. If she were clothed, then the illusion of nakedness is doubtless due to the clarity with which her inmost spirit shone through the clothes. For clothes in that country are not a disguise: the spiritual body lives along each thread and turns them into living organs. A robe or a crown is there as much one of the wearer's features as a lip or an eye. But I have forgotten. And only partly do I remember the unbearable beauty of her face. “Is it?...is it?” I whispered to my guide. “Not at all,” said he. “It's someone ye'll never have heard of. Her name on earth was Sarah Smith and she lived at Golders Green.” “She seems to be...well, a person of particular importance?” “Aye. She is one of the great ones. Ye have heard that fame in this country and fame on Earth are two quite different things.” “And who are these gigantic people...look! They're like emeralds...who are dancing and throwing flowers before here?” “Haven't ye read your Milton? A thousand liveried angels lackey her.” “And who are all these young men and women on each side?” “They are her sons and daughters.” “She must have had a very large family, Sir.” “Every young man or boy that met her became her son – even if it was only the boy that brought the meat to her back door. Every girl that met her was her daughter.” “Isn't that a bit hard on their own parents?” “No. There are those that steal other people's children. But her motherhood was of a different kind. Those on whom it fell went back to their natural parents loving them more. Few men looked on her without becoming, in a certain fashion, her lovers. But it was the kind of love that made them not less true, but truer, to their own wives.” “And how...but hullo! What are all these animals? A cat-two cats-dozens of cats. And all those dogs...why, I can't count them. And the birds. And the horses.” “They are her beasts.” “Did she keep a sort of zoo? I mean, this is a bit too much.” “Every beast and bird that came near her had its place in her love. In her they became themselves. And now the abundance of life she has in Christ from the Father flows over into them.” I looked at my Teacher in amazement. “Yes,” he said. “It is like when you throw a stone into a pool, and the concentric waves spread out further and further. Who knows where it will end? Redeemed humanity is still young, it has hardly come to its full strength. But already there is joy enough int the little finger of a great saint such as yonder lady to waken all the dead things of the universe into life.
C.S. Lewis (The Great Divorce)
The tree in the field is to be treated with respect. It is not to be romanticized as the old lady romanticizes her cat (that is, she reads human reactions into it). . . . But while we should not romanticize the tree, we must realize that God made it and it deserves respect because he made it as a tree. Christians who do not believe in the complete evolutionary scale have reason to respect nature as the total evolutionist never can, because we believe that God made these things specifically in their own areas. So if we are going to argue against evolutionists intellectually, we should show the results of our beliefs in our attitudes. The Christian is a man who has a reason for dealing with each created thing on a high level of respect.
Francis A. Schaeffer (Pollution and the Death of Man)
A cat’s secrets run so deep that even the cat itself is often unaware. Their mysteries are as natural as whiskers.
Wendy Beck (9th Life (The Naming of Legends, #1))
the strays keep arriving: now we have 5 cats and they are tenuous, flighty, con- ceited, naturally bright and awesomely beautiful.         one
Charles Bukowski (On Cats)
Sir Arthur Eddington summed up the situation brilliantly in his book The Nature of the Physical World, published in 1929. "No familiar conceptions can be woven around the electron," he said, and our best description of the atom boils down to "something unknown is doing we don't know what".
John Gribbin (In Search of Schrödinger's Cat: Quantum Physics and Reality)
We would not have hurt the child, even if she is our natural enemy. Nor would we have hurt you, if it could be helped. Finn was killed by a male cat, and in exchange for that information, we also agreed to try to remove the female cats from your encampment before the true melee begins.” Melee?! Were these ninja birds? Green Berets with feathers?
Rachel Vincent (Shift (Shifters, #5))
The acorn becomes an oak by means of automatic growth; no commitment is necessary. The kitten similarly becomes a cat on the basis of instinct. Nature and being are identical in creatures like them. But a man or woman becomes fully human only by his or her choices and his or her commitment to them. People attain worth and dignity by the multitude of decisions they make from day by day. These decisions require courage.
Rollo May (The Courage to Create)
These sociopaths,' he said. 'What do they feel like? Inside?' Isabel smiled. 'Unmoved,' she said. 'They feel unmoved. Look at a cat when it does something wrong. It looks quite unmoved. Cats are sociopaths, you see. It's their natural state.
Alexander McCall Smith (The Sunday Philosophy Club (Isabel Dalhousie, #1))
You can not have sex with a guy on a regular basis and not develop deeper feelings for him. It’s impossible. Mother Nature didn’t build women to be able to do things like that. We were designed to be monogamous and hold the family unit together.
Cat Johnson (Friends With Benefits)
...at dawn, the grains of sleep turn to floating black spots, then out of focus the world tilts, and the cat scratches at the door...
John Geddes (A Familiar Rain)
My house is run, essentially, by an adopted, fully clawed cat with a mean nature.
Anthony Bourdain
You look so much like a cat, it occurred to me. Do you have a tail?” Severin dropped his silverware and stared at Elle in horror. “It’s a natural, scientific inquiry,
K.M. Shea (Beauty and the Beast (Timeless Fairy Tales, #1))
Cat saliva contains a natural deodorant which is why they lick themselves a lot. It’s been proven by zoologists that cats that lick the smell off themselves survive longer and have more successful offspring. It’s also their way of hiding themselves from predators like large snakes, lizards and other larger carnivorous mammals.
James Bowen (A Street Cat Named Bob: And How He Saved My Life)
I am not the lonely human, plunked down on earth to aimlessly wander. I am a part of that earth and not going anywhere- just like the spider up in the corner, the dust on the sill, and the cat I buried in the backyard. -Jamaica Ritcher.
Jay Allison (This I Believe: The Personal Philosophies of Remarkable Men and Women)
You like all animals at that moment, although no doubt you will one day choose your favorites. Your own nature will triumph. We are all born with our natures. You popped out of your mother’s belly, I saw your eyes, and I knew that you were already you. And I think back over my own life and I realize that my own nature--the core me--essentially hasn’t changed over all these years. When I wake up in the morning, for those first few moments before I remember where I am or when I am, I still feel the same way I did when I woke up at the age of five. Sometimes I wonder if natures can be changed at all of if we are stuck with them as surely as a dog wants bones or as a cat chases mice.
Douglas Coupland (Life After God)
The whiskered goddess had two natures; as Sekhmet the lioness, she was a mighty queen of sun-fire and war, and a harbinger of raw spiritual powers. As Bast the cat, she was the gentle bringer of love and domestic joy.
Zita Steele (The Hidden Sphinx: A Tale of World War II Egypt)
Nearly everything I do is independent. It's my nature, what being fiercely independent. And publishing my written works of literature under my own imprint—Quill Pen Ink Publishing—is no different. ("Smashwords," 2018)
Cat Ellington
There is a joke about a little girl who is filling in a hole in her garden when a neighbor looks over the fence. He politely asks, "Hi! What are you up to?" "My goldfish died," replies the girl tearfully, "and I've just buried him." The neighbor asks, "Isn't that an awfully big hole for a goldfish?" The little girl tamps down the soil and replies, "That's because he's inside your stupid cat.
Steven Pinker (The Stuff of Thought: Language as a Window into Human Nature)
The brain parasite Toxoplasma gondii is another puppetmaster. It can only sexually reproduce in a cat; if it gets into a rat, it suppresses the rodent’s natural fear of cat odours and replaces it with something more like sexual attraction. The rodent scurries towards nearby cats, with fatal results, and T. gondii gets to complete its life cycle.50 The
Ed Yong (I Contain Multitudes: The Microbes Within Us and a Grander View of Life)
Would you buy potato chips that listed potato by-product or potato digest as an ingredient
Michelle T. Bernard
My husband claims I have an unhealthy obsession with secondhand bookshops. That I spend too much time daydreaming altogether. But either you intrinsically understand the attraction of searching for hidden treasure amongst rows of dusty shelves or you don't; it's a passion, bordering on a spiritual illness, which cannot be explained to the unaffected. True, they're not for the faint of heart. Wild and chaotic, capricious and frustrating, there are certain physical laws that govern secondhand bookstores and like gravity, they're pretty much nonnegotiable. Paperback editions of D. H. Lawrence must constitute no less than 55 percent of all stock in any shop. Natural law also dictates that the remaining 45 percent consist of at least two shelves worth of literary criticism on Paradise Lost and there should always be an entire room in the basement devoted to military history which, by sheer coincidence, will be haunted by a man in his seventies. (Personal studies prove it's the same man. No matter how quickly you move from one bookshop to the next, he's always there. He's forgotten something about the war that no book can contain, but like a figure in Greek mythology, is doomed to spend his days wandering from basement room to basement room, searching through memoirs of the best/worst days of his life.) Modern booksellers can't really compare with these eccentric charms. They keep regular hours, have central heating, and are staffed by freshly scrubbed young people in black T-shirts. They're devoid of both basement rooms and fallen Greek heroes in smelly tweeds. You'll find no dogs or cats curled up next to ancient space heathers like familiars nor the intoxicating smell of mold and mildew that could emanate equally from the unevenly stacked volumes or from the owner himself. People visit Waterstone's and leave. But secondhand bookshops have pilgrims. The words out of print are a call to arms for those who seek a Holy Grail made of paper and ink.
Kathleen Tessaro (Elegance)
Hamlet's Cat's Soliloquy "To go outside, and there perchance to stay Or to remain within: that is the question: Whether 'tis better for a cat to suffer The cuffs and buffets of inclement weather That Nature rains on those who roam abroad, Or take a nap upon a scrap of carpet, And so by dozing melt the solid hours That clog the clock's bright gears with sullen time And stall the dinner bell. To sit, to stare Outdoors, and by a stare to seem to state A wish to venture forth without delay, Then when the portal's opened up, to stand As if transfixed by doubt. To prowl; to sleep; To choose not knowing when we may once more Our readmittance gain: aye, there's the hairball; For if a paw were shaped to turn a knob, Or work a lock or slip a window-catch, And going out and coming in were made As simple as the breaking of a bowl, What cat would bear the houselhold's petty plagues, The cook's well-practiced kicks, the butler's broom, The infant's careless pokes, the tickled ears, The trampled tail, and all the daily shocks That fur is heir to, when, of his own will, He might his exodus or entrance make With a mere mitten? Who would spaniels fear, Or strays trespassing from a neighbor's yard, But that the dread of our unheeded cries And scraches at a barricaded door No claw can open up, dispels our nerve And makes us rather bear our humans' faults Than run away to unguessed miseries? Thus caution doth make house cats of us all; And thus the bristling hair of resolution Is softened up with the pale brush of thought, And since our choices hinge on weighty things, We pause upon the threshold of decision.
Henry N. Beard (Poetry for Cats: The Definitive Anthology of Distinguished Feline Verse)
Isavasyamidam Sarvam: every content of the universe is throbbing with the Life of the Lord. Smile with the flowers and the green grass. Smile with the shrubs, ferns and twigs. Develop friendship with all neighbours, dogs, cats, cows, human beings, trees, in fact, with all nature’s creations. You will have a perfect and rich life.
Sivananda Saraswati (THOUGHT POWER)
There were times Hadrian wondered if Royce was actually a cat that some mischievous witch had turned into a man and then lost track of. The similarities were too numerous to be coincidental. An irritatingly-superior aloof nature, fastidiousness, a habit of roaming at night, and his general propensity for solitude were all evidence.
Michael J. Sullivan (Professional Integrity (The Riyria Chronicles, #2.6))
All these philosophies(Stoicism,Epicureanism, Pyrrhonism)have a common failing. They imagine life can be ordered by human reason. Either the Mind can devise a way of life that is secure from loss ,or else it can control the emotions so that it can withstand any loss. In fact ,neither how we live nor the emotions we feel can be controlled in this way. Our lives are shaped by chance and our emotions by the body.Much of human life -and much of philosophy - is an attempt to divert ourselves from this fact.
John Gray (Feline Philosophy: Cats and the Meaning of Life)
I had learned that a dexterous, opposable thumb stood among the hallmarks of human success. We had maintained, even exaggerated, this important flexibility of our primate forebears, while most mammals had sacrificed it in specializing their digits. Carnivores run, stab, and scratch. My cat may manipulate me psychologically, but he'll never type or play the piano.
Stephen Jay Gould (The Panda's Thumb: More Reflections in Natural History)
We didn’t domesticate cats. They domesticated themselves. But not totally, you know? You take a good look at any house cat, and you can tell there’s eventually going to be a day when it goes back wild, you know? When it reverts to its true nature. You fall over and die in a house with your dog, and your dog will lie down beside your dead body, maybe right on top of it, and starve to death. But a house cat will feast on your eyes as soon as its stomach starts growling.
Sherman Alexie (Ten Little Indians)
In the great burrow, however, things happened differently. The rabbits mingled naturally. They did not talk for talking’s sake, in the artificial manner that human beings—and sometimes even their dogs and cats—do. But this did not mean that they were not communicating; merely that they were not communicating by talking.
Richard Adams (Watership Down)
For humans, tools point to the necessity of moral inquiry. Because nature makes only ambiguous prescriptions for us, we are compelled to ask, what is good? If you give a young boy a hammer for the first time and watch his face, you will see an awareness of this burden dawning on him (as he turns to the cat, for example).
Matthew B. Crawford (Shop Class as Soulcraft: An Inquiry Into the Value of Work)
Like other kinds of intelligence, the storyteller's is partly natural, partly trained. It is composed of several qualities, most of which, in normal people, are signs of either immaturity or incivility: wit (a tendency to make irreverent connections); obstinacy and a tendency toward churlishness (a refusal to believe what all sensible people know is true); childishness (an apparent lack of mental focus and serious life purpose, a fondness for daydreaming and telling pointless lies, a lack of proper respect, mischievousness, an unseemly propensity for crying over nothing); a marked tendency toward oral or anal fixation or both (the oral manifested by excessive eating, drinking, smoking, and chattering; the anal by nervous cleanliness and neatness coupled with a weird fascination with dirty jokes); remarkable powers of eidetic recall, or visual memory (a usual feature of early adolescence and mental retardation); a strange admixture of shameless playfulness and embarrassing earnestness, the latter often heightened by irrationally intense feelings for or against religion; patience like a cat's; a criminal streak of cunning; psychological instability; recklessness, impulsiveness, and improvidence; and finally, an inexplicable and incurable addiction to stories, written or oral, bad or good.
John Gardner (On Becoming a Novelist)
It has been said that nature does not know extinction. In effect, it knows only change: nothing ever truly disappears, for there is always something—some part, some particle, some formidable semblance—left behind. You can boil water into vapor, but it hasn’t disappeared. Curiosity killed the cat, but condensation brought it back.
Ronald Malfi (Floating Staircase)
This morning I woke up at four and lay awake for an hour or so in a bad state. It is raining again. I got up finally and went about the daily chores, waiting for the sense of doom to lift — and what did it was watering the house plants. Suddenly joy came back because I was fulfilling a simple need, a living one. Dusting never has this effect (and that may be why I am such a poor housekeeper!), but feeding the cats when they are hungry, giving Punch clean water, makes me suddenly feel calm and happy. Whatever peace I know rests in the natural world, in feeling myself a part of it, even in a small way.
May Sarton (Journal of a Solitude)
I’m not a natural when it comes to social interactions. I’m the type to stare dead into your face with a frozen smile after being asked a question while my brain processes the fact that I didn’t even hear the question. It’s usually because my heart is thumping too loud in my ears.
H.D. Carlton (Haunting Adeline (Cat and Mouse, #1))
A meadow is nothing but a field of suffering. Every second some creature is dying in the gorgeous green expanse, ants eat wriggling earthworms, birds lurk in the sky to pounce on a weasel or a mouse. You see that black cat, standing motionless in the grass. She is only waiting for an opportunity to kill. I detest all that naïve respect for nature. Do you think that a doe in the jaws of a tiger feels less horror than you? People thought up the idea that animals don’t have the same capability for suffering as human, because otherwise they couldn’t bear the knowledge that they are surrounded by a world of nature that is horror and nothing but horror.
Milan Kundera (Immortality)
Boys by nature require these silences; they must not be startled by too many words, spoken too quickly. What they actually say is not that important. The important parts exist in the silences between the words. I know what we’re both looking for, which is escape. They want to escape from adults and other boys, I want to escape from adults and other girls. We’re looking for desert islands, momentary, unreal, but there.
Margaret Atwood (Cat's Eye)
TESLA’S CAT [Nikola Tesla’s favorite childhood companion] was the family’s black cat, Macak. Macak followed young Nikola everywhere, and they spent many happy hours rolling on the grass. It was Macak the cat who introduced Tesla to electricity on a dry winter evening. “As I stroked Macak’s back,” he recalled, “I saw a miracle that made me speechless with amazement. Macak’s back was a sheet of light and my hand produced a shower of sparks loud enough to be heard all over the house.” Curious, he asked his father what caused the sparks. Puzzled at first, [his father] finally answered, “Well, this is nothing but electricity, the same thing you see through the trees in a storm.” His father’s answer, equating the sparks with lightning, fascinated the young boy. As Tesla continued to stroke Macak, he began to wonder, “Is nature a gigantic cat? If so, who strokes its back? It can only be God,” he concluded.
W. Bernard Carlson (Tesla: Inventor of the Electrical Age)
For many people, the love or the loss of an animal often becomes a gateway into a deeper spiritual journey. The most pragmatic of men will begin to question the fundamental nature of being when he is visited by an apparition of his deceased cat or dog companion.
Elizabeth S. Eiler (Other Nations: A Lightworker's Case Book for Healing, Spiritually Empowering, and Communing with the Animal Kingdom)
Humans cannot become cats. Yet if they set aside any notion of being superior beings, they may come to understand how cats can thrive without anxiously inquiring how to live. Cats have no need of philosophy. Obeying their nature, they are content with the life it gives them. In humans, on the other hand, discontent with their nature seems to be natural. With predictably tragic and farcical results, the human animal never ceases striving to be something that it is not.
John Gray (Feline Philosophy: Cats and the Meaning of Life)
The rapid nightfall of mid-December had quite beset the little village as they approached it on soft feet over a first thin fall of powdery snow. Little was visible but squares of a dusky orange-red on either side of the street, where the firelight or lamplight of each cottage overflowed through the casements into the dark world without. Most of the low latticed windows were innocent of blinds, and to the lookers-in from outside, the inmates, gathered round the tea-table, absorbed in handiwork, or talking with laughter and gesture, had each that happy grace which is the last thing the skilled actor shall capture--the natural grace which goes with perfect unconsciousness of observation. Moving at will from one theatre to another, the two spectators, so far from home themselves, had something of wistfulness in their eyes as they watched a cat being stroked, a sleepy child picked up and huddled off to bed, or a tired man stretch and knock out his pipe on the end of a smouldering log.
Kenneth Grahame (The Wind in the Willows)
He walked through the woods like a young Adam, naming creation. I learned to shape my mouth to the words—sasumuneash for cranberry, tunockuquas for frog. So many things grew and lived here that were strange to us, because they had not been in England. We named the things of this place in reference to things that were not of this place—cat briar for the thickets of vine whose thorns were narrow and claw-like; lambskill for the low-growing laurel that had proved poisonous to some of our hard-got tegs. But there had been no cats or lambs here until we brought them. So when he named a plant or a creature, I felt that I heard the true name of the thing for the first time.
Geraldine Brooks (Caleb's Crossing)
How did you expect me to live without you? Once you've known happiness it's impossible to get used to not having it. I was desperate! I thought I should die! I'll tell you all about it, you'll see... And you-- you stayed away from me!' He had been carefully avoiding her for the past three years, out of that natural cowardice that characterises the stronger sex; and Emma went on, moving her head in winsome little gestures, more affectionate than an amorous cat.
Gustave Flaubert (Madame Bovary)
When animals make a stupid mistake, you laugh at them. A cat misjudges a leap. A dog looks overly quizzical about a simple object. These are funny things. But when a person doesn’t understand something, if they miscalculate and hit the brakes too late, blame is assigned. They are stupid. They are wrong. Teachers and cops are there to sort it out, with a trail of paperwork to illustrate the stupidity. The faults. The evidence and incidents of these things. We have entire systems in place to help decide who is what. Sometimes the systems don’t work. Families spend their weekend afternoons at animal shelters, even when they’re not looking for a pet. They come to see the unwanted and unloved. The cats and dogs who don’t understand why they are these things. They are petted and combed, walked and fed, cooed over and kissed. Then they go back in their cages and sometimes tears are shed. Fuzzy faces peering through bars can be unbearable for many. Change the face to a human one and the reaction changes. The reason why is because people should know better. But our logic is skewed in this respect. A dog that bites is a dead dog. First day at the shelter and I already saw one put to sleep, which in itself is a misleading phrase. Sleep implies that you have the option of waking up. Once their bodies pass unconsciousness to something deeper where systems start to fail, they revolt a little bit, put up a fight on a molecular level. They kick. They cry. They don’t want to go. And this happens because their jaws closed over a human hand, ever so briefly. Maybe even just the once. But people, they get chances. They get the benefit of the doubt. Even though they have the higher logic functioning and they knew when they did it THEY KNEW it was a bad thing.
Mindy McGinnis (The Female of the Species)
People die. I don’t want to be the reason some live and some don’t. It’s best to just . . . be a mammal. Eat as much fresh fruit as you can. Spend time with trees. Hug the people you love. Accept that death is as natural as the rest of life. Dogs understand that. Cats understand that. Only humans have a hard time with it. And when it’s over, at least there’s someone there. At least you aren’t alone.
Joe Hill (Ushers)
Seeing him brought in, has, I think, saved me from losing my mind; for that I do not thank him-sanity, after all is only reason applied to human affairs, and when this reason, applied over years, has resulted in disaster, destruction, despair, misery, starvation, and rot, the mind is correct to abandon it. This decision to discard reason, I see now, is not the last but the first reasonable act; and this insanity we are taught to fear consists in nothing but responding naturally and instinctively rather than with the culturally acquired, mannered thing called reason; an insane man talks nonsense because like a bird or a cat he is too sensible to talk sense.
Gene Wolfe (The Fifth Head Of Cerberus)
If the finest genius studies at one of our colleges, and is not installed in an office within one year afterwards in the cities or suburbs of Boston or New York, it seems to his friends and to himself that he is right in being disheartened, and in complaining the rest of his life. A sturdy lad from New Hampshire or Vermont, who in turn tries all the professions, who teams it, farms it, peddles, keeps a school, preaches, edits a newspaper, goes to Congress, buys a township, and so forth, in successive years, and always, like a cat, falls on his feet, is worth a hundred of these city dolls. He walks abreast with his days, and feels no shame in not 'studying a profession,' for he does not postpone his life, but lives already.
Ralph Waldo Emerson (Nature and Selected Essays (Penguin Classics))
Later, long after my grandfather was dead, I would regret that I could never be the kind of man that he was. Though I adored him as a child and found myself attracted to the safe protectorate of his soft, uncritical maleness, I never wholly appreciated him. I did not know how to cherish sanctity, and I had no way of honoring, of giving small voice to the praise of such natural innocence, such a generous simplicity. Now I know that a part of me would like to have traveled the world as he traveled it, a jester of burning faith, a fool and a forest prince brimming with the love of God. I would like to walk his southern world, thanking God for oysters and porpoises, praising God for birdsongs and sheet lightning, and seeing God reflected in pools of creekwater and the eyes of stray cats. I would like to have talked to yard dogs and tanagers as if they were my friends and fellow travelers along the sun-tortured highways, intoxicated with a love of God, swollen with charity like a rainbow, in the thoughtless mingling of its hues, connecting two distant fields in its glorious arc. I would like to have seen the world with eyes incapable of anything but wonder, and a tongue fluent only in praise.
Pat Conroy (The Prince of Tides)
Louis found me in the rear parlor, the one more distant from the noises of the tourists in the Rue Royale, and with its windows open to the courtyard below. I was in fact looking out the window, looking for the cat again, though I didn't tell myself so, and observing how our bougainvillea had all but covered the high walls that enclosed us and kept us safe from the rest of the world. The wisteria was also fierce in its growth, even reaching out from the brick walls to the railing of the rear balcony and finding its way up to the roof. I could never quite take for granted the lush flowers of New Orleans. Indeed, they filled me with happiness whenever I stopped to really look at them and surrender to their fragrance, as though I still had the right to do so, as though I still were part of nature, as though I were still a mortal man.
Anne Rice (Merrick (The Vampire Chronicles, #7))
Another form of bargaining, which many people do, and she did too, is to replay the final painful moments over and over in her head as if by doing so she could eventually create a different outcome. It is natural to replay in your mind the details. Deep in your heart you know what is true. Your mouth speaks the words, “My cat has died,” but you still don’t really want to believe it. You go over and over and over it in your mind. Your heart replays the scene for you for the express purpose of teaching you to accept what has happened. While your heart tries to “rewire” your mind to accept it, your mind keeps looking for a different answer. It doesn’t like the truth. Like anything else, when you hear it enough, you finally accept that it is true.
Kate McGahan (Jack McAfghan: Return from Rainbow Bridge: A Dog's Afterlife Story of Loss, Love and Renewal (Jack McAfghan Pet Loss Series Book 3))
A panther poised in the cypress tree about to jump is a panther poised in a cypress tree about to jump. The panther is a poem of fire green eyes and a heart charged by four winds of four directions. The panther hears everything in the dark: the unspoken tears of a few hundred human years, storms that will break what has broken his world, a bluebird swaying on a branch a few miles away. He hears the death song of his approaching prey: I will always love you, sunrise. I belong to the black cat with fire green eyes. There, in the cypress tree near the morning star.
Joy Harjo (Conflict Resolution for Holy Beings: Poems)
THERE IS ONE MORE POINT to be made about animal minds and evolution. Evolution is not a progressive force. Although it was once thought that there was a scale of nature or a Great Chain of Being, with all the forms of life ascending in some orderly, preordained fashion—from jellyfish to fish to birds to dogs and cats to us—this is not the case. We are not the culmination of all these “lesser” beings; they are not lesser and we are not the pinnacle of evolution.
Virginia Morell (Animal Wise: The Thoughts and Emotions of Our Fellow Creatures)
Over her years of caring for unwanted animals, Lady Penelope Campion had learned a few things. Dogs barked; rabbits hopped. Hedgehogs curled up into pincushions. Cats plopped in the middle of the drawing room carpet and licked themselves in indelicate places. Confused parrots flew out open windows and settled on ledges just out of reach. And Penny leaned over window sashes in her nightdress to rescue them- even if it meant risking her own neck. She couldn't change her nature, any more than the lost, lonely, wounded, and abandoned creatures filling her house could change theirs.
Tessa Dare (The Wallflower Wager (Girl Meets Duke, #3))
I have always believed a window into a person’s true nature is how they treat animals, children, and the elderly. A person who mistreats animals isn’t worth knowing. A person who mistreats children—especially those who abuse and kill them—should be shot without wasting any taxpayer money for a trial and for feeding them in prison. When a perpetrator of heinous crimes can live in a climate-controlled environment and eat three meals a day while good people go hungry, something is very wrong. Americans are paying for serial killers, rapists, and child abusers to live better than they do.
Rita Mae Brown (Cat of the Century (Mrs. Murphy, #18))
Humans are a force of nature—we are, in some senses, THE force of nature—and we influence animals whether we intend to or not. So the real question, going forward, is not WHETHER we should shape animals’ bodies and lives, but HOW we should do so—with what tools, under what circumstances, and to what end… Unless we plan to move all humanity to Mars and leave Earth to rewild itself, we may need to help our furry and feathered friends survive in a world that has us in it. As Kraemer puts it: ‘I’m of the persuasion that we are changing the habitat of wildlife so rapidly that we may have to help those species evolve.
Emily Anthes (Frankenstein's Cat: Cuddling Up to Biotech's Brave New Beasts)
For several thousand years man has been in contact with animals whose character and habits have been deformed by domestication. He has ended by believing that he understands them. All he means by this is that he is able to rely on certain reflex actions which he himself has implanted in them. He will flatter himself at times on the grasp of animal psychology which has brought him the love of the dog and the purr of the cat; and on the strength of such assumptions he approaches the beasts of the jungle. The old tag about nature being an open book is just not true. What nature offers on a first examination may appear to be simple but it is never as simple as it appears.
Hans Brick (Jungle, Be Gentle)
But what a universe, anyhow! No use blaming human-beings for what they were. Everything was made so that it had to torture something else. Sirius himself was no exception, of course. Made that way! Nothing was responsible for being by nature predatory on other things, dog on rabbit and Argentine beef, man on nearly everything, bugs and microbes on man, and of course man himself on man. (Nothing but man was really cruel, vindictive, except perhaps the loathly cat). Everything desperately struggling to keep its nose above water for a few breaths before its strength inevitably failed and down it went, pressed under by something else. And beyond, those brainless, handless idiotic stars, lazing away so importantly for nothing. Here and there some speck of a planet dominated by some half-awake intelligence like humanity. And here and there on such planets, one or two poor little spirits waking up and wondering what in the hell everything was for, what it was all about, what they could make of themselves; and glimpsing in a muddled way what their potentiality was, and feebly trying to express it, but always failing, always missing fire, and very often feeling themselves breaking up as he himself was doing. Just now and then they might feel the real thing, in some creative work, or in sweet community with another little spirit, or with others. Just now and then they seemed somehow to create or to be gathered up into something lovelier than their individual selves, something which demanded their selves’ sacrifice and yet have their selves new life. But how precariously, torturingly; and only just for a flicker of time! Their whole life-time would only be a flicker in the whole of titanic time. Even when all the worlds have frozen or exploded, and all the suns gone dead and cold there’ll still be time. Oh God, what for?
Olaf Stapledon (Sirius)
My father’s retellings could be dramatic and my mother would often chide him, especially before bedtime when she feared he’d give me nightmares. But his stories never frightened me. I was an overly brash child who delighted in believing every stray cat a djinn, every shadow beneath the waves a mermaid. But it went beyond imaginings. I’d grown up feeling terribly unusual, out of place and never at peace with the fate afforded young girls. In a hidden corner of my heart, I nursed embarrassing dreams. That I was not the child of my parents, but the daughter of a tribe of female warriors who flew upon winged horses. Or I was heir to a hidden sea kingdom below the waves, and the whispered sighs I heard from the water when we sailed and the strange lightning in the distance were not natural weather phenomena but magic, my true family calling to me.
S.A. Chakraborty (The Adventures of Amina al-Sirafi (Amina al-Sirafi, #1))
The greatest gift that humans have is the ability to think. Of all the creatures in the world, humans are physically the most ill-equipped. A human cannot fly like a bird, outrun a leopard, swim like an alligator, nor climb trees like a monkey. A human doesn’t have the eyes of an eagle, nor the claws and teeth of a wild cat. Physically, humans are helpless and defenseless; a tiny insect can kill them. But nature is reasonable and kind. Nature’s greatest gift to humankind is the ability to think. Humans can create their own environment, whereas animals have to adapt to their environment.
Shiv Khera (You Can Win: A Step-by-Step Tool for Top Achievers)
In the writings of many contemporary psychics and mystics (e.g., Gopi Krishna, Shri Rajneesh, Frannie Steiger, John White, Hal Lindsay, and several dozen others whose names I have mercifully forgotten) there is a repeated prediction that the Earth is about to be afflicted with unprecedented calamities, including every possible type of natural catastrophe from Earthquakes to pole shifts. Most of humanity will be destroyed, these seers inform us cheerfully. This cataclysm is referred to, by many of them, as "the Great Purification" or "the Great Cleansing," and is supposed to be a punishment for our sins. I find the morality and theology of this Doomsday Brigade highly questionable. A large part of the Native American population was exterminated in the 19th century; I cannot regard that as a "Great Cleansing" or believe that the Indians were being punished for their sins. Nor can I think of Hitler's death camps, or Hiroshima or Nagasaki, as "Great Purifications." And I can't make myself believe that the millions killed by plagues, cancers, natural catastrophes, etc., throughout history were all singled out by some Cosmic Intelligence for punishment, while the survivors were preserved due to their virtues. To accept the idea of "God" implicit in such views is logically to hold that everybody hit by a car deserved it, and we should not try to get him to a hospital and save his life, since "God" wants him dead. I don't know who are the worst sinners on this planet, but I am quite sure that if a Higher Intelligence wanted to exterminate them, It would find a very precise method of locating each one separately. After all, even Lee Harvey Oswald -- assuming the official version of the Kennedy assassination -- only hit one innocent bystander while aiming at JFK. To assume that Divinity would employ earthquakes and pole shifts to "get" (say) Richard Nixon, carelessly murdering millions of innocent children and harmless old ladies and dogs and cats in the process, is absolutely and ineluctably to state that your idea of God is of a cosmic imbecile.
Robert Anton Wilson
What is the use of beauty in woman? Provided a woman is physically well made and capable of bearing children, she will always be good enough in the opinion of economists. What is the use of music? -- of painting? Who would be fool enough nowadays to prefer Mozart to Carrel, Michael Angelo to the inventor of white mustard? There is nothing really beautiful save what is of no possible use. Everything useful is ugly, for it expresses a need, and man's needs are low and disgusting, like his own poor, wretched nature. The most useful place in a house is the water-closet. For my part, saving these gentry's presence, I am of those to whom superfluities are necessaries, and I am fond of things and people in inverse ratio to the service they render me. I prefer a Chinese vase with its mandarins and dragons, which is perfectly useless to me, to a utensil which I do use, and the particular talent of mine which I set most store by is that which enables me not to guess logogriphs and charades. I would very willingly renounce my rights as a Frenchman and a citizen for the sight of an undoubted painting by Raphael, or of a beautiful nude woman, -- Princess Borghese, for instance, when she posed for Canova, or Julia Grisi when she is entering her bath. I would most willingly consent to the return of that cannibal, Charles X., if he brought me, from his residence in Bohemia, a case of Tokai or Johannisberg; and the electoral laws would be quite liberal enough, to my mind, were some of our streets broader and some other things less broad. Though I am not a dilettante, I prefer the sound of a poor fiddle and tambourines to that of the Speaker's bell. I would sell my breeches for a ring, and my bread for jam. The occupation which best befits civilized man seems to me to be idleness or analytically smoking a pipe or cigar. I think highly of those who play skittles, and also of those who write verse. You may perceive that my principles are not utilitarian, and that I shall never be the editor of a virtuous paper, unless I am converted, which would be very comical. Instead of founding a Monthyon prize for the reward of virtue, I would rather bestow -- like Sardanapalus, that great, misunderstood philosopher -- a large reward to him who should invent a new pleasure; for to me enjoyment seems to be the end of life and the only useful thing on this earth. God willed it to be so, for he created women, perfumes, light, lovely flowers, good wine, spirited horses, lapdogs, and Angora cats; for He did not say to his angels, 'Be virtuous,' but, 'Love,' and gave us lips more sensitive than the rest of the skin that we might kiss women, eyes looking upward that we might behold the light, a subtile sense of smell that we might breathe in the soul of the flowers, muscular limbs that we might press the flanks of stallions and fly swift as thought without railway or steam-kettle, delicate hands that we might stroke the long heads of greyhounds, the velvety fur of cats, and the polished shoulder of not very virtuous creatures, and, finally, granted to us alone the triple and glorious privilege of drinking without being thirsty, striking fire, and making love in all seasons, whereby we are very much more distinguished from brutes than by the custom of reading newspapers and framing constitutions.
Théophile Gautier (Mademoiselle de Maupin)
Disappointed in his hope that I would give him the fictional equivalent of “One Hundred Ways of Cooking Eggs” or the “Carnet de la Ménagère,” he began to cross-examine me about my methods of “collecting material.” Did I keep a notebook or a daily journal? Did I jot down thoughts and phrases in a cardindex? Did I systematically frequent the drawing-rooms of the rich and fashionable? Or did I, on the contrary, inhabit the Sussex downs? or spend my evenings looking for “copy” in East End gin-palaces? Did I think it was wise to frequent the company of intellectuals? Was it a good thing for a writer of novels to try to be well educated, or should he confine his reading exclusively to other novels? And so on. I did my best to reply to these questions — as non-committally, of course, as I could. And as the young man still looked rather disappointed, I volunteered a final piece of advice, gratuitously. “My young friend,” I said, “if you want to be a psychological novelist and write about human beings, the best thing you can do is to keep a pair of cats.” And with that I left him. I hope, for his own sake, that he took my advice.
Aldous Huxley (Collected Essays)
Contemporary writers use animal-transformation themes to explore issues of gender, sexuality, race, culture, and the process of transformation...just as storytellers have done, all over the world, for many centuries past. One distinct change marks modern retellings, however, reflecting our changed relationship to animals and nature. In a society in which most of us will never encounter true danger in the woods, the big white bear who comes knocking at the door [in fairy tales] is not such a frightening prospective husband now; instead, he's exotic, almost appealing. Whereas once wilderness was threatening to civilization, now it's been tamed and cultivated; the dangers of the animal world have a nostalgic quality, removed as they are from our daily existence. This removal gives "the wild" a different kind of power; it's something we long for rather than fear. The shape-shifter, the were-creature, the stag-headed god from the heart of the woods--they come from a place we'd almost forgotten: the untracked forests of the past; the primeval forests of the mythic imagination; the forests of our childhood fantasies: untouched, unspoiled, limitless. Likewise, tales of Animal Brides and Bridegrooms are steeped in an ancient magic and yet powerfully relevant to our lives today. They remind us of the wild within us...and also within our lovers and spouses, the part of them we can never quite know. They represent the Others who live beside us--cat and mouse and coyote and owl--and the Others who live only in the dreams and nightmares of our imaginations. For thousands of years, their tales have emerged from the place where we draw the boundary lines between animals and human beings, the natural world and civilization, women and men, magic and illusion, fiction and the lives we live.
Terri Windling (The Beastly Bride: Tales of the Animal People)
Nay, 'twill be this hour ere I have done weeping. All the kind of the Launces have this very fault. I have received my proportion, like the prodigious son, and am going with Sir Proteus to the Imperial's court. I think Crab, my dog, be the sourest-natured dog that lives. My mother weeping, my father wailing, my sister crying, our maid howling, our cat wringing her hands, and all our house in a great perplexity, yet did not this cruel-hearted cur shed one tear. He is a stone, a very pebble stone, and has no more pity in him than a dog. A Jew would have wept to have seen our parting. Why, my grandam, having no eyes, look you, wept herself blind at my parting. Nay, I'll show you the manner of it. This shoe is my father. No, this left shoe is my father. No, no, this left shoe is my mother. Nay, that cannot be so neither. Yes, it is so, it is so -- it hath the worser sole. This shoe with the hole in it is my mother, and this my father. A vengeance on't! There 'tis. Now, sir, this staff is my sister, for, look you, she is as white as a lily and as small as a wand. This hat is Nan, our maid. I am the dog. No, the dog is himself, and I am the dog -- O, the dog is me, and I am myself. Ay, so, so. Now come I to my father: 'Father, your blessing.' Now should not the shoe speak a word for weeping. Now should I kiss my father -- well, he weeps on. Now come I to my mother. O, that she could speak now like a wood woman! Well, I kiss her -- why, there 'tis: here's my mother's breath up and down. Now come I to my sister; mark the moan she makes. Now the dog all this while sheds not a tear nor speaks a word!
William Shakespeare (The Two Gentlemen of Verona)
When an animal dies, another of the same species may cling to the body, eat the body, or look bored. Bees expel dead bodies from the hive or, if that is impossible, embalm them in honey. Elephants "say" a ritualistic good-bye, and touch their dead before slowly walking away. Corvids often accept the death of a companion without much fuss, but they at times have “funerals,” where scores of birds lament over the corpse of a deceased crow. But it is a bit odd that people should investigate whether animals “comprehend death,” as if human beings understood what it means to die. Is death a prelude to reincarnation? A portal to Heaven or Hell? Complete extinction? Union with all life? Or something else? All of these views can at times be comforting, yet people usually fear death, quite regardless of what they claim to believe. In the natural world, killing seems a casual affair. Human beings, of course, kill on a massive scale, but most of us can only kill, if at all, by softening the impact of the deed through rituals such as drink or prayer. The strike of a spider, a heron, or a cat is swift and, seemingly, without inhibition or remorse. They pounce with a confidence that could indicate ignorance, indifference, or else profound knowledge. Could this be, perhaps, because animals cannot conceive of killing, since they are not aware of death? Could it be because they understand death well, far better than do human beings? If animals envision the world not in terms of abstract concepts but sensuous images, the soul might appear as a unique scent, a rhythmic motion, or a tone of voice. Death would be the absence of these, though without that absolute finality that we find so severe. Perhaps the heron that snaps a fish thinks his meal lives on, as he one day will, in the form of currents in the pond.
Boria Sax (The Raven and the Sun: Poems and Stories)
I wanted to throw up. But I would have had to get out of bed to run to the bathroom. And I felt like I never wanted to leave that bed again. I love animals. I've been raised all my life around them. I love nature. But what did I really know about it? I have been more animals than many people ever see in a lifetime. I have flown with the wings of an osprey. I've raced through the ocean in the body of a dolphin. I've seen the world through the eyes of an owl at night, and smelled the wind with all the keen senses of a wolf. I've flown upside down and backward in the body of a fly. Sometimes I go out into the far fields at night and become a horse and run through the grass. And everything I've been, every animal, is either killer or killed. In a million, million battles all around the world, on every continent, in every square inch of space, there was killing. From the great cats in Africa that cold-bloodedly search out the young and weak gazelles, to the terrible wars that are fought out in anthills and termite colonies. All of nature was at war. And, at the top of all that destruction, humans killed each other as well as other species, and now those same people have been enslaved and destroyed by the Yeerks. Nature at its finest. Cute, cuddly animals who slaughtered to live. The color of nature wasn't green. It was red. Blood-red.
K.A. Applegate (The Secret (Animorphs, #9))
Desperately trying to remember her manners, she curtseyed and murmured, "Your Grace." The smile lines at his eyes deepened subtly. "You appear to be in need of rescue. Why don't you come inside with me, away from this riffraff? The duchess is eager to meet you." As Pandora hesitated, thoroughly intimidated, he assured her. "I'm quite trustworthy. In fact, I'm very nearly an angel. You'll come to love me in no time." "Take heed," Lord St. Vincent advised Pandora sardonically, fastening the loose sides of his vest. "My father is the pied piper of gullible women." "That's not true," the duke said, "The non-gullible ones follow me as well." Pandora couldn't help chuckling. She looked up into silvery-blue eyes lit with sparks of humor and playfulness. There was something reassuring about his presence, the sense of a man who truly liked women. When she and Cassandra were children, they had fantasized about a handsome father who would lavish them with affection and advice, and spoil them just a little, but not too much. A father who might have let them stand on his feet to dance. This man looked very much like the one Pandora had imagined. She moved forward and took his arm. "How was your journey, my dear?" the duke asked as he escorted her into the house. Before Pandora could reply, Lord St. Vincent spoke from behind them. "Lady Pandora doesn't like small talk, Father. She would prefer to discuss topics such as Darwin, or women's suffrage." "Naturally an intelligent young woman would wish to skip over mundane chitchat," the duke said, giving Pandora such an approving glance that she fairly glowed. "However," he continued thoughtfully, "most people need to be guided into a feeling of safety before they dare reveal their opinions to someone they've only just met. There's a beginning to everything, after all. Every opera has its prelude, every sonnet its opening quatrain. Small talk is merely a way of helping a stranger to trust you, by first finding something you can both agree on." "No one's ever explained it that way before," Pandora said with a touch of wonder. "It actually makes sense. But why must it be so often about weather? Isn't there something else we all agree on? Runcible spoons- everyone likes those, don't they? And teatime, and feeding ducks." "Blue ink," the duke added. "And a cat's purr. And summer storms- although I suppose that brings us back to weather." "I wouldn't mind talking about weather with you, Your Grace," Pandora said ingenuously. The duke laughed gently. "What a delightful girl.
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
Vulnerability is usually attacked, not with fists but with shaming. Many children learn quickly to cover up any signs of weakness, sensitivity, and fragility, as well as alarm, fear, eagerness, neediness, or even curiosity. Above all, they must never disclose that the teasing has hit its mark. Carl Jung explained that we tend to attack in others what we are most uncomfortable with in ourselves. When vulnerability is the enemy, it is attacked wherever it is perceived, even in a best friend. Signs of alarm may provoke verbal taunts such as “fraidy cat” or “chicken.” Tears evoke ridicule. Expressions of curiosity can precipitate the rolling of eyes and accusations of being weird or nerdy. Manifestations of tenderness can result in incessant teasing. Revealing that something caused hurt or really caring about something is risky around someone uncomfortable with his vulnerability. In the company of the desensitized, any show of emotional openness is likely to be targeted. The vulnerability engendered by peer orientation can be overwhelming even when children are not hurting one another. This vulnerability is built into the highly insecure nature of peer-oriented relationships. Vulnerability does not have to do only with what is happening but with what could happen — with the inherent insecurity of attachment. What we have, we can lose, and the greater the value of what we have, the greater the potential loss. We may be able to achieve closeness in a relationship, but we cannot secure it in the sense of holding on to it — not like securing a rope or a boat or a fixed interest-bearing government bond. One has very little control over what happens in a relationship, whether we will still be wanted and loved tomorrow. Although the possibility of loss is present in any relationship, we parents strive to give our children what they are constitutionally unable to give to one another: a connection that is not based on their pleasing us, making us feel good, or reciprocating in any way. In other words, we offer our children precisely what is missing in peer attachments: unconditional acceptance.
Gabor Maté (Hold On to Your Kids: Why Parents Need to Matter More Than Peers)
He waved cheerfully, then opened the door, tripped over the threshold, and as his balance was already impaired, nearly went face down on the floor for the second time that day. He caught himself, hung on to the side of the counter, and waited for the pub kitchen to stop revolving. With the careful steps of the drunk, he walked over to the cupboard to get out a pan for frying, a pot for boiling. Shawn was singing in his break-your-heart voice, about the cold nature of Peggy Gordon. And with one eye closed, his body swaying gently, he dripped lemon juice into a bowl. “Oh, fuck me, Shawn. You are half pissed.” “More than three-quarters if the truth be known.” He lost track of the juice and added a bit more to be safe. “And how are you, Aidan, darling?” “Get way from there before you poison someone.” Insulted, Shawn swiveled around and had to brace a hand on the counter to stay upright. “I’m drunk, not a murderer. I can make a g.d. fish cake in me sleep. This is my kitchen, I’ll thank you to remember, and I give the orders here.” He poked himself in the chest with his thumb on the claim and nearly knocked himself on his ass. Gathering dignity, he lifted his chin. “So go on with you while I go about my work.” “ What have you done to yourself?” “The devil cat caught me hand. Forgetting his work, Shawn lifted a hand to scowl at the red gashes. Oh, but I’ve got plans for him, you can be sure of that.” “At the moment, I’d lay odds on the cat. Do you know anything about putting fish cakes together?” Aidan asked Darcy. “Not a bloody thing,” she said cheerfully. “Then go and call Kathy Duffy, would you, and ask if she can spare us an hour or so, as we have an emergency?” “An emergency?” Shawn looked glassily around. “Where?
Nora Roberts (Tears of the Moon (Gallaghers of Ardmore, #2))
Julius explained that the palace rooms where they stood were called Wunderkammers, or wonder rooms. Souvenirs of nature, of travels across continents and seas; jewels and skulls. A show of wealth, intellect, power. The first room had rose-colored glass walls, with rubies and garnets and bloodred drapes of damask. Bowls of blush quartz; semiprecious stone roses running the spectrum of red down to pink, a hard, glittering garden. The vaulted ceiling, a feature of all the ten rooms Julius and Cymbeline visited, was a trompe l'oeil of a rosy sky at down, golden light edging the morning clouds. The next room was of sapphire and sea and sky; lapis lazuli, turquoise and gold and silver. A silver mermaid lounged on the edge of a lapis lazuli bowl fashioned in the shape of an ocean. Venus stood aloft on the waves draped in pearls. There were gold fish and diamond fish and faceted sterling silver starfish. Silvered mirrors edged in silvered mirror. There were opals and aquamarines and tanzanite and amethyst. Seaweed bloomed in shades of blue-green marble. The ceiling was a dome of endless, pale blue. A jungle room of mica and marble followed, with its rain forest of cats made from tiger's-eye, yellow topaz birds, tortoiseshell giraffes with stubby horns of spun gold. Carved clouds of smoky quartz hovered over a herd of obsidian and ivory zebras. Javelinas of spotted pony hide charged tiny, life-sized dik-diks with velvet hides, and dazzling diamond antlers mingled with miniature stuffed sable minks. Agate columns painted a medley of dark greens were strung with faceted ropes of green gold. A room of ivory: bone, teeth, skulls, and velvet. A room crowded with columns all sheathed in mirrors, reflecting world maps and globes and atlases inlaid with silver, platinum, and white gold; the rubies and diamonds that were sometimes set to mark the location of a city or a town of conquest resembled blood and tears. A room dominated by a fireplace large enough to hold several people, upholstered in velvets and silks the colors of flame. Snakes of gold with orange sapphire and yellow topaz eyes coiled around the room's columns. Statues of smiling black men in turbans offering trays of every gem imaginable-emerald, sapphire, ruby, topaz, diamond-stood at the entrance to a room upholstered in pistachio velvet, accented with malachite, called the Green Vault. Peridot wood nymphs attended to a Diana carved from a single pure crystal of quartz studded with tiny tourmalines. Jade tables, and jade lanterns. The royal jewels, blinding in their sparkling excess: crowns, tiaras, coronets, diadems, heavy ceremonial necklaces, rings, and bracelets that could span a forearm, surrounding the world's largest and most perfect green diamond. Above it all was a night sky of painted stars, with inlaid cut crystal set in a serious of constellations.
Whitney Otto (Eight Girls Taking Pictures (Thorndike Press Large Print Basic Series))
A slave, Marcus Cato said, should be working when he is not sleeping. It does not matter whether his work in itself is good in itself—for slaves, at least. This sentiment still survives, and it has piled up mountains of useless drudgery. I believe that this instinct to perpetuate useless work is, at bottom, simply fear of the mob. The mob (the thought runs) are such low animals that they would be dangerous if they had leisure; it is safer to keep them too busy to think. A rich man who happens to be intellectually honest, if he is questioned about the improvement of working conditions, usually says something like this: "We know that poverty is unpleasant; in fact, since it is so remote, we rather enjoy harrowing ourselves with the thought of its unpleasantness. But don’t expect us to do anything about it. We are sorry fort you lower classes, just as we are sorry for a cat with the mange, of your condition. We feel that you are much safer as you are. The present state of affairs suits us, and we are not going to take the risk of setting you free, even by an extra hour a day. So, dear brothers, since evidently you must sweat to pay for our trips to Italy, sweat and be damned to you.” This is particularly the attitude of intelligent, cultivated people; one can read the substance if it in a hundred essays. Very few cultivated people have less than (say) four hundred pounds a year, and naturally they side with the rich, because they imagine that any liberty conceded to the poor is a threat to their own liberty. foreseeing some dismal Marxian Utopia as the alternative, the educated man prefers to keep things as they are. Possibly he does not like his fellow-rich very much, but he supposes that even the vulgarest of them are less inimical to his pleasures, more his kind of people, than the poor, and that he had better stand by them. It is this fear of a supposedly dangerous mob that makes nearly all intelligent people conservative in their opinions. Fear of the mob is a superstitious fear. It is based on the idea that there is some mysterious, fundamental difference between rich and poor, as though they were two different races, like negroes and white men. But in reality there is no such difference. The mass of the rich and the poor are differentiated by their incomes and nothings else, and the average millionaire is only the average dishwasher dressed in a new suit. Change places, and handy dandy, which is the justice, which is the thief? Everyone who has mixed on equal terms with the poor knows this quite well. But the trouble is that intelligent, cultivated people, the very people who might be expected to have liberal opinions, never do mix with the poor. For what do the majority of educated people know about poverty? In my copy of Villon’s poems the editor has actually thought it necessary to explain the line “Ne pain ne voyent qu'aux fenestres” by a footnote; so remote is even hunger from the educated man’s experience. From this ignorance a superstitious fear of the mob results quite naturally. The educated man pictures a horde of submen, wanting only a day’s liberty to loot his house, burn his books, and set him to work minding a machine or sweeping out a lavatory. “Anything,” he thinks, “any injustice, sooner than let that mob loose.
George Orwell (Down and Out in Paris and London)