Casual Friday Quotes

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The New York Times and the rest of the mainstream media will only refer to partial birth abortion as 'what its opponents refer to as partial birth abortions.' What do its supporters call it? Casual Fridays? Bean-with-bacon potato chip dip? Uh . . . Steve?
Ann Coulter (Godless: The Church of Liberalism)
A very bouncy Kyle woke Livia at some ridiculous o’clock on Friday morning. “Wakey-wakey, you sloppy, old whore. It’s time to do you up. You’re going out tonight, so you don’t get to dress in nursing home casual.” Kyle ripped off Livia’s covers.
Debra Anastasia (Poughkeepsie (Poughkeepsie Brotherhood, #1))
There was music from my neighbor's house through the summer nights. In his blue gardens men and girls came and went like moths among the whisperings and the champagne and the stars. At high tide in the afternoon I watched his guests diving from the tower of his raft, or taking the sun on the hot sand of his beach while his two motor-boats slit the waters of the Sound, drawing aquaplanes over cataracts of foam. On week-ends his Rolls-Royce became an omnibus, bearing parties to and from the city between nine in the morning and long past midnight, while his station wagon scampered like a brisk yellow bug to meet all trains. And on Mondays eight servants, including an extra gardener, toiled all day with mops and scrubbing-brushes and hammers and garden-shears, repairing the ravages of the night before. Every Friday five crates of oranges and lemons arrived from a fruiterer in New York--every Monday these same oranges and lemons left his back door in a pyramid of pulpless halves. There was a machine in the kitchen which could extract the juice of two hundred oranges in half an hour if a little button was pressed two hundred times by a butler's thumb. At least once a fortnight a corps of caterers came down with several hundred feet of canvas and enough colored lights to make a Christmas tree of Gatsby's enormous garden. On buffet tables, garnished with glistening hors-d'oeuvre, spiced baked hams crowded against salads of harlequin designs and pastry pigs and turkeys bewitched to a dark gold. In the main hall a bar with a real brass rail was set up, and stocked with gins and liquors and with cordials so long forgotten that most of his female guests were too young to know one from another. By seven o'clock the orchestra has arrived, no thin five-piece affair, but a whole pitful of oboes and trombones and saxophones and viols and cornets and piccolos, and low and high drums. The last swimmers have come in from the beach now and are dressing up-stairs; the cars from New York are parked five deep in the drive, and already the halls and salons and verandas are gaudy with primary colors, and hair shorn in strange new ways, and shawls beyond the dreams of Castile. The bar is in full swing, and floating rounds of cocktails permeate the garden outside, until the air is alive with chatter and laughter, and casual innuendo and introductions forgotten on the spot, and enthusiastic meetings between women who never knew each other's names. The lights grow brighter as the earth lurches away from the sun, and now the orchestra is playing yellow cocktail music, and the opera of voices pitches a key higher. Laughter is easier minute by minute, spilled with prodigality, tipped out at a cheerful word. The groups change more swiftly, swell with new arrivals, dissolve and form in the same breath; already there are wanderers, confident girls who weave here and there among the stouter and more stable, become for a sharp, joyous moment the centre of a group, and then, excited with triumph, glide on through the sea-change of faces and voices and color under the constantly changing light. Suddenly one of the gypsies, in trembling opal, seizes a cocktail out of the air, dumps it down for courage and, moving her hands like Frisco, dances out alone on the canvas platform. A momentary hush; the orchestra leader varies his rhythm obligingly for her, and there is a burst of chatter as the erroneous news goes around that she is Gilda Gray's understudy from the FOLLIES. The party has begun.
F. Scott Fitzgerald (The Great Gatsby)
Everyone knows that children and teens want to blend in and follow the crowd. And from whom do they learn this lesson? Adults, of course. Let's face it: Americans follow the herd. If you want to be successful, we are told in myriad ways, conformity is the way to go. Look at corporate America, with its "team player" ethic and all the strict rules delineating what you can and cannot wear on Casual Fridays. Consider the cycles of women's fashion, which dictate when square-toed, chunky-heeled shoes are out and when pointy-toed, ankle-straining stilettos are in. And what about best-seller lists and electoral horse-race polls and movie box-office postings? Everyone wants to know what everyone else is reading and seeing and thinking--so that they can go out and read and see and think the very same things themselves. If adults possess this tendency to efface themselves in this way, teenagers have it magnified to the thousandth degree. But studying and following the fashions of the times are not enough; teens also feel a need to be associated with fashionable people--the popular people. Their goal is to crack the glass ceiling that separates mere mortals from the "in" crowd. If they are unsuccessful, and most are, they console themselves with a clique of their own. Even an unpopular clique is, the thinking goes, is better than no clique at all.
Leora Tanenbaum (Slut!: Growing Up Female with a Bad Reputation)
Beaver Moon - The Suicide of a Friend When somewhere life breaks like a pane of glass, and from every direction casual voices are bringing you the news, you say: I should have known. You say: I should have been aware. That last Friday he looked so ill, like an old mountain-climber lost on the white trails, listening to the ice breaking upward, under his worn-out shoes. You say: I heard rumors of trouble, but after all we all have that. You say: What could I have done? and you go with the rest, to bury him. That night, you turn in your bed to watch the moon rise, and once more see what a small coin it is against the darkness, and how everything else is a mystery, and you know nothing at all except the moonlight is beautiful- white rivers running together along the bare boughs of the trees- and somewhere, for someone, life is becoming moment by moment unbearable.
Mary Oliver (Twelve Moons)
Caddy came home on Friday evening. Perfectly Harmless Patrick brought her in his battered old car... "Crikey, Caddy!" said Indigo, and he disappeared upstairs to tell Rose. Eve murmured, "Sweet," rather doubtfully. Sarah said, not doubtfully at all, "Horrendous! The worst yet. Rock bottom." "He had a very difficult childhood," said Caddy.... "Who didn't?" asked Saffron unsympathetically. "Gosh, he's ancient, Caddy! Look, he's going bald! All that long trailing stuff is just a disguise!" "If I was going bald," said Sarah, "I would face the fact and have it all shaved off." "Well, I thought Mummy would like him," said Caddy defensively. "...Anyway, I can always take him back." "I think you're going to have to, Caddy darling," said Eve... "Hello, Rose darling! Come in and see what Caddy has brought home to show us!" She escaped, and Rose, who had already heard the news from Indigo, glanced at Patrick and began laughing. "See?" said Sarah. "Rose knows! Absolutely rock bottom! You cannot be serious, Caddy!" "Oh, stop looking at him!" said Caddy, uncomfortably. "I'll find something to cover him up with in a minute!" "How long are you leaving him there for?" asked Rose. "Just until Sunday," said Caddy, trying to sound casual. "Till Sunday!" repeated Saffron. "So is Micheal dumped?" "Of course he isn't!" said Caddy indignantly. "I've never dumped anyone!" "Start!" said Saffron. "Otherwise they just pile up, taking up the sofas...
Hilary McKay (Indigo's Star (Casson Family, #2))
But without Emily, Greg would feel—paradoxically for such a social creature—alone. Before they met, most of Greg’s girlfriends were extroverts. He says he enjoyed those relationships, but never got to know his girlfriends well, because they were always “plotting how to be with groups of people.” He speaks of Emily with a kind of awe, as if she has access to a deeper state of being. He also describes her as “the anchor” around which his world revolves. Emily, for her part, treasures Greg’s ebullient nature; he makes her feel happy and alive. She has always been attracted to extroverts, who she says “do all the work of making conversation. For them, it’s not work at all.” The trouble is that for most of the five years they’ve been together, Greg and Emily have been having one version or another of the same fight. Greg, a music promoter with a large circle of friends, wants to host dinner parties every Friday—casual, animated get-togethers with heaping bowls of pasta and flowing bottles of wine. He’s been giving Friday-night dinners since he was a senior in college, and they’ve become a highlight of his week and a treasured piece of his identity. Emily has come to dread these weekly events. A hardworking staff attorney for an art museum and a very private person, the last thing she wants to do when she gets home from work is entertain. Her idea of a perfect start to the weekend is a quiet evening at the movies, just her and Greg. It seems an irreconcilable difference: Greg wants fifty-two dinner parties a year, Emily wants zero. Greg says that Emily should make more of an effort. He accuses her of being antisocial. “I am social,” she says. “I love you, I love my family, I love my close friends. I just don’t love dinner parties. People don’t really relate at those parties—they just socialize. You’re lucky because I devote all my energy to you. You spread yours around to everyone.” But Emily soon backs off, partly because she hates fighting, but also because she doubts herself. Maybe I am antisocial, she
Susan Cain (Quiet: The Power of Introverts in a World That Can't Stop Talking)
In the weeks ahead, Oppenheimer, Acheson and Lilienthal did their best to keep the Acheson-Lilienthal plan alive, lobbying the bureaucracy and the media. In response, Baruch complained to Acheson that he was “embarrassed” that he was being undercut. Hoping that he could still influence Baruch, Acheson agreed to bring everyone together at Blair House on Pennsylvania Avenue on Friday afternoon, May 17, 1946. But as Acheson worked to contain the atomic genie, others were working to contain, if not destroy, Oppenheimer. That same week, J. Edgar Hoover was urging his agents to step up their surveillance of Oppenheimer. Though he hadn’t a shred of evidence, Hoover now floated the possibility that Oppenheimer intended to defect to the Soviet Union. Having decided that Oppenheimer was a Soviet sympathizer, the FBI director reasoned that “he would be far more valuable there as an advisor in the construction of atomic plants than he would be as a casual informant in the United States.” He instructed his agents to “follow Oppenheimer’s activities and contacts closely. . . .
Kai Bird (American Prometheus)
scale. This was a welcome departure from what Zuckerberg maligned as the “top-down way” that Google organized the internet, which made the user feel like a casual reader alone in the Library of Congress. Facebook, by contrast, felt like a Friday night house party. The top-down way was also how editors molded news at the New York Times and the Washington Post.
Jill Abramson (Merchants of Truth: The Business of News and the Fight for Facts)
A low-context culture is a place where little is left to assumption so things are spelled out explicitly. In contrast, high-context cultures are places where people have significant history together and so a great deal of understanding can be assumed. Things operate in high-context cultures as if everyone there is an insider and knows how to behave. Written instructions and explicit directions are minimal because most people know what to do and how to think. Our families are probably the most tangible examples we have of high-context environments. After years of being together, we know what the unspoken rules are of what to eat, how to celebrate holidays, and how to communicate with each other. Many of our workplaces are the same. We know when to submit check requests, how to publicize an event, and how to dress on “casual” Fridays. New employees joining these kinds of organizations can really feel lost without adequate orientation. And many religious services are also very high context. People routinely stand, bow, or recite creeds that appear very foreign and confusing to someone just joining a religious community for the first time. Discerning whether a culture provides direct and explicit communication versus one that assumes a high degree of shared understanding is a strategic point of knowledge. And leaders need to bear in mind the areas of their own organizational and national culture that are high context and how that affects outsiders when they enter. Table
David Livermore (Leading with Cultural Intelligence: The New Secret to Success)
To the casual observer there was nothing unusual about these six hours. To the casual observer this Friday was a normal Friday. Six hours of routine. Six hours of the expected. Six hours. One Friday. Enough time for a shepherd to examine his flocks, a housewife to clean and organize her house, a physician to receive a baby from a mother’s womb and cool the fever of one near death. Six hours. From 9:00 am to 3:00 PM. Six hours. One Friday. Six hours filled with, as are all hours, the mystery of life.
Max Lucado (Six Hours One Friday: Living in the Power of the Cross)
That’s probably what attracted me to archaeology. No makeup, no fluffing or mousseing. Every day is casual Friday. Less than casual.
Kathy Reichs (Break No Bones (Temperance Brennan, #9))
To me, drug use was still not something you did casually on a Friday night after a week of classes. It was a lifestyle choice, and a terrible one at that, inextricably linked to poverty and prison. It was a black hole from which you’d never escape.
Bruce Jackson (Never Far from Home: My Journey from Brooklyn to Hip Hop, Microsoft, and the Law)
Thus, drawing a circle around yourself or making the sign of the cross allowed you to remain safe. A scrutiny of nineteenth-century folk traditions that casually commingled the Wild Hunt, diabolical huntsman, and wild hunter, provides us with additional methods: when the demonic horde is heard, an individual should lie beneath a harrow; cover himself with dirt; stand or lie in the righthand rut of the road; keep quiet; avoid joining in with the noises; avoid clicking his tongue; avoid saying the name of the Furious Army on Mondays, Wednesdays, or Fridays, or even speaking about it; fold his handkerchief into the shape of a cross; place his head in a cart wheel; lay down on the ground with his arms in the shape of a cross; and so on.
Claude Lecouteux (Phantom Armies of the Night: The Wild Hunt and the Ghostly Processions of the Undead)
Mooning over what was, so far, just a casual fuck, was too juvenile for words. And the little leap of pleasure I got when he finally called on Friday night? Was not to be spoken of ever.
Ann Somerville (Unnatural Selection (Unnatural Selection #1))
casual encounters (such as, say, the kind that might happen around a volleyball court on a Friday night) are just as important to belonging and trust as contact with family and close friends.
Charles Montgomery (Happy City: Transforming Our Lives Through Urban Design)
Once you can casually ask, ‘Who’s going to be the DD on Friday?’ it’s easy to see how this behaviour becomes much easier to adopt, and it’s also much easier for the sober person to defend their sobriety when anyone offers them a drink. In Belgium and the Netherlands, he (or she) simply explains I can’t drink tonight, I’m Bob’ – a Dutch acronym* for Bewust Onbeschonken Bestuurder or ‘deliberately sober driver’. In both cases, creating a name for a behaviour implicitly creates a norm for it.
Rory Sutherland (Alchemy: The Dark Art and Curious Science of Creating Magic in Brands, Business, and Life)
He looks… well, damn. Casual Friday looks really fucking good on him.
Lauren Asher (The Fine Print (Dreamland Billionaires, #1))
He was shorter than Villette or Brady or even Falkner. His skin was a shade or two lighter than the dark wood of the table, and bits of silver caught the light in the pruned brambles of his hair. He wore a wine-red v-neck sweater and brushed khakis: Giorgio Armani on Casual Friday.
Emma Bull (Shadow Unit 1)
damn. Casual Friday looks really fucking good on him.
Lauren Asher (The Fine Print (Dreamland Billionaires, #1))