Castle Movie Quotes

You're wearing that hat? After all the magic I used to make your dress pretty?" ~Howl from the movie 'Howl's Moving Castle

In my opinion, the best time to be alive is always right now. People are aways whining about how they were born in the wrong century, but they really haven't thought things through. They picture the old castle they wish they could live in, but they don't think about the drafts in the winter or the pitch darkness at night, or all the spiders and the lice. They can't imagine the everyday pain of a life without movies or recorded music or... or... Interet videos about cats. And don't even get me started on women who idealize the past. Do you have any idea what it was like to be a woman even a hundred years ago? Horrible! And a hundred years before that, the situation practically defies description. We might as well have been slaves. Trussed up in hoop skirts and corsets, married off like racehorses. Good riddance to history, I say!

she saw a man standing on her back porch stoop. And it was a man, not a lawnmower or a vacuum cleaner but an actual man. Luckily, she had time to register the fact that, although he wasn’t Deputy Boeckman, he was also dressed in Castle County khaki. This saved her the embarrassment of screaming like Jamie Lee Curtis in a Halloween movie.

No. If I go out with you, it's going to be a real date-dinner, movie...the works. You are going to treat me like a queen." Austin just couldn't close his mouth fast enough. "And then I'll take you to bed and treat you like the castle whore.

BILLY CRYSTAL It’s been one of the little jewels of my career. Very often, still to this day, in airports or movie theaters, people will walk by and go, “Have fun storming the castle!” Or the really cool ones will whisper to me, “Don’t go swimming for an hour, a good hour,” and then just walk away. Those are the really cool ones.

I believe memories are ghosts. But spooks flapping along the halls of musty castles? I think those only exist in books and movies" The Life of Chuck, If It Bleeds

The basic principle of structural analysis, I was explaining, is that the terms of a symbolic system do not stand in isolation—they are not to be thought of in terms of what they 'stand for,' but are defined by their relations to each other. One has to first define the field, and then look for elements in that field that are systematic inversions of each other. Take vampires. First you place them: vampires are stock figures in American horror movies. American horror movies constitute a kind of cosmology, a universe unto themselves. Then you ask: what, within this cosmos, is the opposite of a vampire? The answer is obvious. The opposite of a vampire is a werewolf. On one level they are the same: they are both monsters that can bite you and, biting you, turn you, too, into one of their own kind. In most other ways each is an exact inversion of the other. Vampires are rich. They are typically aristocrats. Werewolves are always poor. Vampires are fixed in space: they have castles or crypts that they have to retreat to during the daytime; werewolves are usually homeless derelicts, travelers, or otherwise on the run. Vampires control other creatures (bats, wolves, humans that they hypnotize or render thralls). Werewolves can't control themselves. Yet—and this is really the clincher in this case—each can be destroyed only by its own negation: vampires, by a stake, a simple sharpened stick that peasants use to construct fences; werewolves, by a silver bullet, something literally made from money.

You cook the native foods to perfection, Robert Childan thought. What they say is true: your powers of imitation are immense. Apple pie, Coca-Cola, stroll after the movie, Glenn Miller...you could paste together out of tin and rice paper a completely artificial America. Rice-paper Mom in the kitchen, rice-paper Dad reading the newspaper. Rice-paper put at his feet. Everything.

Except Caitlyn. High school dating, drill team, school spirit—it all seemed silly to her. Why did it feel like high school was crushing her soul? She had nothing concrete she could point to. All she knew was that she didn’t belong here. She preferred old, used clothes to new ones; her iPod was full of classical music; and photos of castles and reproductions of old European art covered her bedroom walls, including a Renaissance painting of a young girl in white, named Bia. It should have been pop singers on her wall, or movie stars

I’d wanted love ever since I was a cookie-cutter little girl being brainwashed by cookie-cutter Disney movies about cookie-cutter princes and princesses falling into cookie-cutter love and then prancing off to their cookie-cutter castles to live out their cookie-cutter lives.

Do you ever think what might've happened if they weren't so damn impatient? If Romeo had stopped for a second and gotten a doctor, or waited for Juliet to wake up? Not jumped to conclusions and gone and poisoned himself thinking she was dead when she was just sleeping? I've seen that movie so many times, and every damn time, it's like screaming at the girl in the horror movie. Don't go in the basement. The killer's down there. With Romeo and Juliet, I yell, 'Don't jump to conclusions.' But do those fools ever listen to me? I always imagine what might've happened if they'd waited. Juliet would've woken up. They'd already be married. They might've moved away, far away from the Montagues and the Capulets, gotten themselves a cute castle of their own. Decorated it up nice. Maybe it would've been like The Winter's Tale. By thinking Hermione was dead, Leontes had time to stop acting like a fool and then later he was so happy to find out she was alive. Maybe the Montagues and the Capulets would find out later that their beloved kids weren't dead, and wasn't it stupid to feud, and everyone would be happy. Maybe it would've turned the whole tragedy into a comedy.

Well, alright. Let’s see... Long ago, in the castle town of a kingdom far, far away, there lived a girl named Cinderella...” I never thought I’d be telling stories featuring witches or wizards in a world where magic really existed... Still, Sue seemed happy enough, so I didn’t really mind. After that, I exhausted myself by reciting every fairy tale imaginable, and before I knew it, I found myself telling the stories of famous manga and popular anime movies. I almost leapt out of my boots when Sue yelled about wanting to embark on a hunt for the Castle in the Sky, but Leim managed to calm her down.

This is a house full of misfits, everyone unmoored from the world outside these gates. They don’t belong out there. They live in a constantly moving dreamworld of imagined horrors, spurts of gore, skulking monsters---creatures more aberrant than themselves. After all, it takes true misfits to make believable monsters.

Lyric," it said. "Melodic. Suitable for singing. A lyric poem. Of the lyre." That didn't seem to make much sense in regards to a movie theater, until I continued following "lyre" in my dictionary. "Lyre" took me into the story-poems sung by traveling minstrels back when there were castles and kings. Which took me back to that wonderful word: story. It seemed to me at an early age that all human communication - whether it's TV, movies, or books - begins with somebody wanting to tell a story. That need to tell, to plug into a universal socket, is probably one of our grandest desires. And the need to hear stories, to live lives other than our own even for the briefest moment, is the key to the magic that was born in our bones.

The list of names on the windows are taught to cast members as the credits to the beginning or end of a movie, just like showing the actors and film makers who created the film you had just seen. Susan told us that if you’re walking toward the castle, the names on the windows represent the opening credits to your day, and walking away from the castle represented the closing credits.

Found in trees. Sometimes also in old silent movie theaters, seaside zoos, magic shops, hat shops, time-travel shops, topiary gardents, cowboy boots, castle turrets, comet museums, dog pounds, mermaid ponds, dragon lairs, library stacks (the ones in the back), piles of leaves, piles of pancakes, the belly of a fiddle, the bell of a flower, or in the company of wild herds of typewriters. But mostly in trees.

In my opinion, the best time to be alive is always right now. People are aways whining about how they were born in the wrong century, but they really haven't thought things through. They picture the old castle they wish they could live in, but they don't think about the drafts in the winter or the pitch darkness at night, or all the spiders and the lice. They can't imagine the everyday pain of a life without antibiotics or anesthetics. The tedium of a world without movies or recorded music or... or... Internet videos about cats. And don't even get me started on women who idealize the past. Do you have any idea what it was like to be a woman even a hundred years ago? Horrible! And a hundred years before that, the situation practically defies description. We might as well have been slaves. Trussed up in hoop skirts and corsets, married off like racehorses. Good riddance to history, I say!

Tell me you didn’t really watch Nausicaa.” Miho tried to keep a serious face, which must have been difficult enough in her flannel Hello Kitty pajamas. But the girl was a terrible liar. She smirked. “No. Kiki just ended. So much for our Miyazaki marathon.” “We got through two movies,” Sakura said. “Tonight, that’s a marathon.” They’d wanted to watch movies tonight, just to clear their minds, and had agreed on nothing violent. All three of them loved the films of Miyazaki, who had become perhaps the most successful director in Japan while making only animated films. Kara had vetoed Howl’s Moving Castle because she’d seen it too recently, and they had all seen My Neighbor Totoro far too many times, so they had started with Spirited Away.

Kenilworth, Mountainside, Scotch Plains, Dunellen... they themselves seemed far from Jersey: names out of Waverley novels, promising vistas of castles, highland waterfalls, and meadows dotted with flocks of grazing sheep. But the signboards lied, the books had lied, the Times had lied; the land here was one vast and charmless suburb, and as the bus passed through it, speeding west across the state, Freirs saw before him only the flat grey monotony of highway, broken from time to time by gas stations, roadhouses, and shopping malls that stretched away like deserts. The bus was warm, and the ride was beginning to give him a headache. He could feel the backs of his thighs sweating through his chinos. Easing himself farther into the seat, he pushed up his glasses and rubbed his eyes. The scenery disappointed him, yet it was still an improvement over what they'd just come through. Back there, on the fringes of the city, every work of man seemed to have been given over to the automobile, in an endless line of showrooms and repair shops for mufflers, fenders, carburetors, ignitions, tires, brakes. Now at last he could make out hills in the distance and extended zones of green, though here and there the nearness of some larger town or development meant a length of highway lined by construction, billboards touting banks or amusement parks, and drive-in theaters, themselves immense blank billboards, their signs proclaiming horror movies, "family pictures," soft-core porn. A speedway announced that next Wednesday was ladies' night. Food stands offered pizzaburgers, chicken in the basket, fish 'n' chips.

My antidote is to constantly create a world for me and stick to it. I don’t go out much. When I do, people start planting thoughts in my head that I don’t want. I would go home and think their thoughts. Bad seeds... unimportant seeds and I lose my streak of knowing what’s true. That’s where I’m at. I’ve this need to be sensitive to my inner voice. And what feeds that are movies I like... the book I’m reading... some paintings. Instead, when I am with others, my mind is occupied with repetitious jokes, and their envy, and ego. My antidote is the equivalent of a cozy castle of reality—protecting things and people I choose," she said. "A customized balance of my favorite worlds.

There was nothing churchy about this place. Where was the pulpit, the cross, the other religious accoutrements? This was nothing but a big empty room that didn’t even have chairs. When he thought of a revival, he thought of a brightly lighted place with seats for everybody, probably a PA system for the preacher so people in the back could hear him. When he looked at this place, he thought of a hoedown—except for the candelabra, which reminded him of a medieval castle, something from a Vincent Price movie. He wished he hadn’t thought about Vincent Price.

We stalked carefully through the park in best paramilitary fashion, the lost patrol on its mission into the land of the B movie. To Deborah’s credit, she was very careful. She moved stealthily from one piece of cover to the next, frequently looking right to Chutsky and then left at me. It was getting harder to see her, since the sun had now definitely set, but at least that meant it was harder for them to see us, too—whoever them might turn out to be. We leapfrogged through the first part of the park like this, past the ancient souvenir stand, and then I came up to the first of the rides, an old merry-go-round. It had fallen off its spindle and lay there leaning to one side. It was battered and faded and somebody had chopped the heads off the horses and spray-painted the whole thing in Day-Glo green and orange, and it was one of the saddest things I had ever seen. I circled around it carefully, holding my gun ready, and peering behind everything large enough to hide a cannibal. At the far side of the merry-go-round I looked to my right. In the growing darkness I could barely make out Debs. She had moved up into the shadow of one of the large posts that held up the cable car line that ran from one side of the park to the other. I couldn’t see Chutsky at all; where he should have been there was a row of crumbling playhouses that fringed a go-kart track. I hoped he was there, being watchful and dangerous. If anything did jump out and yell boo at us, I wanted him ready with his assault rifle. But there was no sign of him, and even as I watched, Deborah began to move forward again, deeper into the dark park. A warm, light wind blew over me and I smelled the Miami night: a distant tang of salt on the edge of rotting vegetation and automobile exhaust. But even as I inhaled the familiar smell, I felt the hairs go up on the back of my neck and a soft whisper came up at me from the lowest dungeon of Castle Dexter, and a rustle of leather wings rattled softly on the ramparts. It was a very clear notice that something was not right here and this would be a great time to be somewhere else; I froze there by the headless horses, looking for whatever had set off the Passenger’s alarm. I saw and heard nothing. Deborah had vanished into the darkness and nothing moved anywhere, except a plastic shopping bag blowing by in the gentle wind. My stomach turned over, and for once it was not from hunger. My

Vanished In the dark lights, We come out and play We are its children, And we’re here to stay Running through the streets, Hungry for strays No invitation, To take me away I’m not cruel, But thats still what you see Club to club, Come see this city with me Hungry for life, Without your pity I dont want it, But it comes anyway You go sexual city You till can’t say she won’t start up a fight You go the city 'Cause in the city of life she can't, she can't wait In the darkness, A killer awaits To kill a life, And the lies you make You do another, So this death can live Just keep on dancing, To the movie you’re in The smell of your sweat, Just lures me in Your heartbeat, Does sing to me Your running feet, Beats my blood My ghost inside you, Soon will be Now it’s over, You’ve taken your life The dark grows thin, And I’m left to hide I don’t regret it, But it’s sad anyway Now were both dead, And scared of the black This life of games, And diligent trust It’s the things we do, Or the things we must I’m now tired of being cussed So go sleep forever end to dust

Whenever we see design, we assume from experience that it came from a designer. We can tell the difference between sand dunes and sand castles, for instance, because we see purposeful design in the castles. None of us would happen upon a sandcastle and believe that it arrived there by chance. Furthermore, when we speak of design we mean a specific, complex design—not simply a pattern of some sort. It is the difference between “BDHIGE-HGDVNB,” which is complex but has no design, “BBBBBBBB,” which has design but is not complex, and “Be back at 8 p.m.,” which is both designed and complex. When we see complex, specific design, we recognize it as the result of an intelligent being.

True Love… it’s the most wonderful human emotion and one of the most elusive. We search for it, trying to find that one person in the whole world worthy enough to spend our lives with. When you look at the trail of broken hearts, the rivers of tears and the broken dreams, it’s quite obvious that it’s not an easy dream to achieve. Don’t we rightly call it the Quest for Love? That’s why when we think we’ve found the right person, we are giddy with happiness and relief. Finally! The answer to our prayers has come after such a long wait. We are safe. We are loved. A lot of women view marriage this way and I blame that on all the Walt Disney cartoons we watched as little girls. There’s this beautiful helpless princess locked away in a castle and here comes this handsome prince to save her from her miserable life. Classic. Then, after the grand wedding ball, the movie ends with: “And They Lived Happily Ever After.” That’s it? What happened afterwards? Nothing’s mentioned about that. We are made to think that it all ends there, that the couple’s happiness is secured and a given. They love each other, right? They went through all that trouble just to be together. So they’ll be happy. End of story.

If You Could Read My Mind" If you could read my mind, love What a tale my thoughts could tell Just like an old-time movie 'Bout a ghost from a wishin' well In a castle dark or a fortress strong With chains upon my feet You know that ghost is me And I will never be set free As long as I'm a ghost that you can't see If I could read your mind, love What a tale your thoughts could tell Just like a paperback novel The kind the drugstores sell When you reach the part where the heartaches come The hero would be me But heroes often fail And you won't read that book again Because the ending's just too hard to take I'd walk away like a movie star Who gets burned in a three-way script Enter number two A movie queen to play the scene Of bringing all the good things out in me But for now love, let's be real I never thought I could act this way And I've got to say that I just don't get it I don't know where we went wrong But the feeling's gone and I just can't get it back If you could read my mind, love What a tale my thoughts could tell Just like an old-time movie 'Bout a ghost from a wishin' well In a castle dark or a fortress strong With chains upon my feet But stories always end And if you read between the lines You'll know that I'm just tryin' to understand The feelings that you lack I never thought I could feel this way And I've got to say that I just don't get it I don't know where we went wrong But the feeling's gone and I just can't get it back Gordon Lightfoot, Sit Down Young Stranger / If You Could Read My Mind (1970)

Unlike prostitution or promiscuity, stripping was entirely public. One foot on the state would forever mark me as a disreputable character, the sort respectable people called a sleaze. On the other hand ... I didn't know any respectable people and my workday would be a mere thirty minutes long. And, I had to face it, some quirk of my psychic constitution rendered the strictures of ordinary jobs insufferable to me. Restaurant work felt like a cross between the treadmill at the gym and one of those Japanese game shows on which contestants are abused and humiliated in front of a sadistic audience. Office work was even worse, calling to mind those B movies in which some poor soul--bound and gagged, but eyes wide with terror--is slowly walled up brick-by-brick in the dungeon of some damp, rat-infested Transylvanian castle.

I want the tiny apartment and clipping coupons and living on Ramen until payday. I want to balance the checkbook together and talk about our weekly budget, and pick up a sweater in the store just to hang it back on the rack because holding your hand is way better than carrying a bag full of clothes. I want to feel giddy to be with you at the movie theater once every two months because it's become something special instead of expected. I want to build our castle one block at a time ... just you and me. No easy outs.