“
and if you can’t see anything beautiful about yourself
get a better mirror
look a little closer
stare a little longer
because there’s something inside you
that made you keep trying
despite everyone who told you to quit
you built a cast around your broken heart
and signed it yourself
you signed it
“they were wrong
”
”
Shane L. Koyczan
“
You know, there’s this thing called pants. You should try it out.”
He cast me a cheeky grin as he turned. “You’d be devastated. Just think, you get to see this every day from here on out.”
My heart did a trippy dance. “Your naked ass? Gee. Sign me up for that.
”
”
Jennifer L. Armentrout (Origin (Lux, #4))
“
Don't talk like one of them. You're not! Even if you'd like to be. To them, you're just a freak, like me! They need you right now, but when they don't, they'll cast you out, like a leper! You see, their morals, their code, it's a bad joke. Dropped at the first sign of trouble. They're only as good as the world allows them to be. I'll show you. When the chips are down, these... these civilized people, they'll eat each other. See, I'm not a monster. I'm just ahead of the curve. -The Joker
”
”
Christoper Nolan
“
My 'morals' were sound, even a bit puritanic, but when a hidebound old deacon inveighed against dancing I rebelled. By the time of graduation I was still a 'believer' in orthodox religion, but had strong questions which were encouraged at Harvard. In Germany I became a freethinker and when I came to teach at an orthodox Methodist Negro school I was soon regarded with suspicion, especially when I refused to lead the students in public prayer. When I became head of a department at Atlanta, the engagement was held up because again I balked at leading in prayer. I refused to teach Sunday school. When Archdeacon Henry Phillips, my last rector, died, I flatly refused again to join any church or sign any church creed. From my 30th year on I have increasingly regarded the church as an institution which defended such evils as slavery, color caste, exploitation of labor and war. I think the greatest gift of the Soviet Union to modern civilization was the dethronement of the clergy and the refusal to let religion be taught in the public schools.
”
”
W.E.B. Du Bois (The Autobiography of W.E.B. Du Bois: A Soliloquy on Viewing My Life from the Last Decade of Its First Century)
“
but I want to tell them
that all of this shit
is just debris
leftover when we finally decide to smash all the things we thought
we used to be
and if you can’t see anything beautiful about yourself
get a better mirror
look a little closer
stare a little longer
because there’s something inside you
that made you keep trying
despite everyone who told you to quit
you built a cast around your broken heart
and signed it yourself
you signed it
“they were wrong”
because maybe you didn’t belong to a group or a click
maybe they decided to pick you last for basketball or everything
maybe you used to bring bruises and broken teeth
to show and tell but never told
because how can you hold your ground
if everyone around you wants to bury you beneath it
you have to believe that they were wrong
they have to be wrong
”
”
Shane L. Koyczan
“
I you can't see anything beautiful about yourself, get a better mirror. Look a little closer, stare a little longer. Because there is something inside you that made you keep trying despite everyone who told you to quit. You built a cast around your broken heart and signed it yourself, you signed it THEY WERE WRONG.
”
”
Shane L. Koyczan
“
Is not the gospel its own sign and wonder? Is not this a miracle of miracles, that 'God so loved the world that He gave His only begotten Son, that whosoever believeth in Him should not perish'? Surely that precious word, 'Whosoever will, let him come and take the water of life freely' and that solemn promise, 'Him that cometh unto Me, I will in no wise cast out,' are better than signs and wonders! A truthful Saviour ought to be believed. He is truth itself. Why will you ask proof of the veracity of One who cannot lie?
”
”
Charles Haddon Spurgeon
“
I agreed. By this time the drink was beginning to cut the acid and my hallucinations were down to a tolerable level. The room service waiter had a vaguely reptilian cast to his features, but I was no longer seeing huge pterodactyls lumbering around the corridors in pools of fresh blood. The only problem now was a gigantic neon sign outside the window, blocking our view of the mountains -- millions of colored balls running around a very complicated track, strange symbols & filigree, giving off a loud hum....
"Look outside," I said.
"Why?"
"There's a big ... machine in the sky, ... some kind of electric snake ... coming straight at us."
"Shoot it," said my attorney.
"Not yet," I said. "I want to study its habits.
”
”
Hunter S. Thompson (Fear and Loathing in Las Vegas)
“
The first thing you notice about New Orleans are the burying grounds - the cemeteries - and they're a cold proposition, one of the best things there are here. Going by, you try to be as quiet as possible, better to let them sleep. Greek, Roman, sepulchres- palatial mausoleums made to order, phantomesque, signs and symbols of hidden decay - ghosts of women and men who have sinned and who've died and are now living in tombs. The past doesn't pass away so quickly here. You could be dead for a long time.
The ghosts race towards the light, you can almost hear the heavy breathing spirits, all determined to get somewhere. New Orleans, unlike a lot of those places you go back to and that don't have the magic anymore, still has got it. Night can swallow you up, yet none of it touches you. Around any corner, there's a promise of something daring and ideal and things are just getting going. There's something obscenely joyful behind every door, either that or somebody crying with their head in their hands. A lazy rhythm looms in the dreamy air and the atmosphere pulsates with bygone duels, past-life romance, comrades requesting comrades to aid them in some way. You can't see it, but you know it's here. Somebody is always sinking. Everyone seems to be from some very old Southern families. Either that or a foreigner. I like the way it is.
There are a lot of places I like, but I like New Orleans better. There's a thousand different angles at any moment. At any time you could run into a ritual honoring some vaguely known queen. Bluebloods, titled persons like crazy drunks, lean weakly against the walls and drag themselves through the gutter. Even they seem to have insights you might want to listen to. No action seems inappropriate here. The city is one very long poem. Gardens full of pansies, pink petunias, opiates. Flower-bedecked shrines, white myrtles, bougainvillea and purple oleander stimulate your senses, make you feel cool and clear inside.
Everything in New Orleans is a good idea. Bijou temple-type cottages and lyric cathedrals side by side. Houses and mansions, structures of wild grace. Italianate, Gothic, Romanesque, Greek Revival standing in a long line in the rain. Roman Catholic art. Sweeping front porches, turrets, cast-iron balconies, colonnades- 30-foot columns, gloriously beautiful- double pitched roofs, all the architecture of the whole wide world and it doesn't move. All that and a town square where public executions took place. In New Orleans you could almost see other dimensions. There's only one day at a time here, then it's tonight and then tomorrow will be today again. Chronic melancholia hanging from the trees. You never get tired of it. After a while you start to feel like a ghost from one of the tombs, like you're in a wax museum below crimson clouds. Spirit empire. Wealthy empire. One of Napoleon's generals, Lallemaud, was said to have come here to check it out, looking for a place for his commander to seek refuge after Waterloo. He scouted around and left, said that here the devil is damned, just like everybody else, only worse. The devil comes here and sighs. New Orleans. Exquisite, old-fashioned. A great place to live vicariously. Nothing makes any difference and you never feel hurt, a great place to really hit on things. Somebody puts something in front of you here and you might as well drink it. Great place to be intimate or do nothing. A place to come and hope you'll get smart - to feed pigeons looking for handouts
”
”
Bob Dylan (Chronicles, Volume One)
“
Don't talk like you're one of them! You're not... even if you'd like to be. To them you're just a freak, like me. They need you right now, but when they don't, they'll cast you out. Like a leper. See, their morals, their "code"... it's a bad joke, dropped at the first sign of trouble. They're only as good as the world allows them to be. I'll show you. When the chips are down, these uh, these "civilized people", they'll eat each other. See, I'm not a monster. I'm just ahead of the curve.
”
”
Christopher Nolan
“
Yes, such has been my lot since childhood. Everyone read signs of non-existent evil traits in my features. But since they were expected to be there, they did make their appearance. Because I was reserved, they said I was sly, so I grew reticent. I was keenly aware of good and evil, but instead of being indulged I was insulted and so I became spiteful. I was sulky while other children were merry and talkative, but though I felt superior to them I was considered inferior. So I grew envious. I was ready to love the whole world, but no one understood me, and I learned to hate. My cheerless youth passed in conflict with myself and society, and fearing ridicule I buried my finest feelings deep in my heart, and there they died. I spoke the truth, but nobody believed me, so I began to practice duplicity. Having come to know society and its mainsprings, I became versed in the art of living and saw how others were happy without that proficiency, enjoying for free the favors I had so painfully striven for. It was then that despair was born in my heart--not the despair that is cured with a pistol, but a cold, impotent desperation, concealed under a polite exterior and a good-natured smile. I became a moral cripple; I had lost one half of my soul, for it had shriveled, dried up and died, and I had cut it off and cast it away, while the other half stirred and lived, adapted to serve every comer. No one noticed this, because no one suspected there had been another half. Now, however, you have awakened memories of it in me, and what I have just done is to read its epitaph to you. Many regard all epitaphs as ridiculous, but I do not, particularly when I remember what rests beneath them.
”
”
Mikhail Lermontov (A Hero of Our Time)
“
Your name is a -- bird in my hand
a piece of -- ice on the tongue
one single movement of the lips.
Your name is: five signs,
a ball caught in flight, a
silver bell in the mouth
a stone, cast in a quiet pool
makes the splash of your name, and
the sound is in the clatter of
night hooves, loud as a thunderclap
or it speaks straight into my forehead,
shrill as the click of a cocked gun.
Your name -- how impossible, it
is a kiss in the eyes on
motionless eyelashes, chill and sweet.
Your name is a kiss of snow
a gulp of icy spring water, blue
as a dove. About your name is: sleep.
”
”
Marina Tsvetaeva
“
She's missing," he said, in that same worried tone. He cast his hands out and looked around the empty practice field, as if he somehow expected to see her appear there. "Nobody's seen her since midmorning yesterday. I've looked everywhere for her, but there's no sign."
Missing?" Will repeated, not quite understanding. "Missing where?"
Horace looked up at him with a sudden flare of asperity. "If we knew that, she wouldn't be missing would she?"
Will put up his hands in a peacmaking gesture.
You're right!" he said. "I didn't realize. I've been a little tied up trying to get these archers organized. Surley somebody must seen her last night. Her room servants for example?
”
”
John Flanagan (The Battle for Skandia (Ranger's Apprentice, #4))
“
The real magic - the magic we'd lived with all our lives, my mother's magic of charms and cantrips, of salt by the door and a red silk sachet to placate the little gods - had turned sour on us that summer, somehow, like a spider that turns from good luck to bad at the stroke of midnight, spinning its web to catch our dreams. And for every little spell of charm, for every card dealt and every rune cast and every sign scratched against a doorway to divert the path of malchance, the wind just blew a little harder, tugging at our clothes, sniffing at us like a hungry dog, moving us here and moving us there.
”
”
Joanne Harris (The Lollipop Shoes (Chocolat, #2))
“
The clouds around us are strange, roiling and twisting even though there doesn’t seem to be any sign of a storm. Worse, the sky has taken on an orange cast, like the setting sun, only it’s too early for that.", FADE by Kailin Gow
”
”
Kailin Gow (Fade (Fade, #1))
“
Again, there were maidens who cherished the firm belief that he had come from the sea. Because within his breast could be heard the roaring of the sea. Because in the pupils of his eyes there lingered the mysterious and eternal horizon that the sea leaves as a keepsake deep in the eyes of all who are born at the seaside and forced to depart from it. Because his signs were sultry like the tidal breezes of full summer, fragrant with the smell of seaweed cast upon the shore.
”
”
Yukio Mishima (Confessions of a Mask)
“
A green hunting cap squeezed the top of the fleshy balloon of a head. The green earflaps, full of large ears and uncut hair and the fine bristles that grew in the ears themselves, stuck out on either side like turn signals indicating two directions at once. Full, pursed lips protruded beneath the bushy black moustache and, at their corners, sank into little folds filled with disapproval and potato chip crumbs. In the shadow under the green visor of the cap Ignatius J. Reilly’s supercilious blue and yellow eyes looked down upon the other people waiting under the clock at the D.H. Holmes department store, studying the crowd of people for signs of bad taste in dress. Several of the outfits, Ignatius noticed, were new enough and expensive enough to be properly considered offenses against taste and decency. Possession of anything new or expensive only reflected a person’s lack of theology and geometry; it could even cast doubts upon one’s soul.
”
”
John Kennedy Toole (A Confederacy of Dunces)
“
While deeply admiring and affirming past prophets, the Qur’an casts a critical eye on human misapplication of their revelations. “Our prophetic guides came to them with clarifying signs, yet many among them soon lapsed, spreading disorder in the land” (5:32). The perpetual dynamic of monotheistic values revived by prophets only to be subsequently squandered by humans is what concerns the Qur’an. It diagnoses a range of repeated failures, including: losing a close relationship with the Divine and reverting to idolatry; debating minutiae as an excuse to avoid bold action; imposing dogma not found in scripture and turning petty disputes over dogma into deadly violence; and elites selfishly abusing their leadership positions to mislead and manipulate.
”
”
Mohamad Jebara (The Life of the Qur'an: From Eternal Roots to Enduring Legacy)
“
Simon had the child's belief that the rest of the world exists as staging for their personal drama; destiny hung over him, casting clues and signs in his path, and he could not help feeling that ha had been vouchsafed a sign, a celestial wink.
”
”
J.K. Rowling (The Casual Vacancy)
“
Hello. We’re the ones who control your lives. We make the decisions that affect all of you. Isn’t it interesting to know that those who run your lives would have the nerve to tell you about it in this manner? Suffer, you fools. We know everything you do, and we know where you go. What do you think the cameras are for? And the global-positioning satellites? And the Social Security numbers? You belong to us. And it can’t be changed. Sign your petitions, walk your picket lines, bring your lawsuits, cast your votes, and write those stupid letters to whomever you please; you won’t change a thing. Because we control your lives. And we have plans for you. Go back to sleep. THEY
”
”
George Carlin (When Will Jesus Bring the Pork chops?)
“
My friend, still seemingly perplexed, asked me "So if it's not about genitals, what is it about trans women's bodies that you find so attractive?"
I paused for a second to consider the question. Then I replied that it is almost always their eyes.
When I look into them, I see both endless strength and inconsolable sadness.
I see someone who has overcome humiliation and abuses that would flatten the average person.
I see a woman who was made to feel shame for her desires and yet had the courage to pursue them anyway.
I see a woman who was forced against her will into boyhood, who held on to a dream that everybody in her life desperately tried to beat out of her, who refused to listen to the endless stream of people who told her that who she was and what she wanted was impossible.
When I look into a trans woman's eyes, I see a profound appreciation for how fucking empowering it can be to be female, an appreciation that seems lost on many cissexual women who sadly take their female identities and anatomies for granted, or who perpetually seek to cast themselves as victims rather than instigators.
In trans women's eyes, I see a wisdom that can only come from having to fight for your right to be recognised as female, a raw strength that only comes from unabashedly asserting your right to be feminine in an inhospitable world.
In a trans woman's eyes, I see someone who understands that, in a culture that's seemingly fuelled on male homophobic hysteria, choosing to be female and openly expressing one's femininity is not a sign of frivolousness, weakness or passivity, it is a fucking badge of courage.
Everybody loves to say that drag queens are "fabulous", but nobody seems to get the fact that trans women are fucking badass!
”
”
Julia Serano (Whipping Girl: A Transsexual Woman on Sexism and the Scapegoating of Femininity)
“
A life of ease and plenty dangled over his head like a great bulging pinata, which he might smash open if only he had a stick big enough, and the knowledge of when to strike. Simon had the child's belief that the rest of the world exists as staging for their personal drama; that destiny hung over him, casting clues and signs in his path, and he could not help feeling that he had been vouchsafed a sign, a celestial wink.
”
”
J.K. Rowling (The Casual Vacancy)
“
A pity, he thought, as he signed his name. It was a masterly piece of work. But once you began admitting explanations in terms of purpose-well, you didn’t know what the result might be. It was the sort of idea that might easily decondition the more unsettled minds among the higher castes-make them lose their faith in happiness as the Sovereign Good and take to believing, instead, that the goal was somewhere beyond, somewhere outside the present human sphere, that the purpose of life was not the maintenance of well-being, but some intensification and refining of consciousness, some enlargement of knowledge. Which was, the Controller reflected, quite possibly true. But not, in the present circumstance, admissible. He picked up his pen again, and under the words “Not to be published” drew a second line, thicker and blacker than the first; then sighed, “What fun it would be,” he thought, “if one didn’t have to think about happiness!
”
”
Aldous Huxley (Brave New World)
“
People considered “breaking” a sign of weakness. I disagreed. Bending meant you could be molded and shaped into something else. I may be full of dents, scars, and trauma, but whatever they did to me, they could not bend and form me into their idea. They turned me rigid. Titanium. I broke; I did not bend. I snapped; I did not bow. They did not twist and cast me into something different. My broken pieces could be forged together. Made stronger.
”
”
Stacey Marie Brown (Bad Lands (Savage Lands, #4))
“
The Joker: Don't talk like one of them. You're not! Even if you'd like to be. To them, you're just a freak, like me! They need you right now, but when they don't, they'll cast you out, like a leper! You see, their morals, their code, it's a bad joke. Dropped at the first sign of trouble. They're only as good as the world allows them to be. I'll show you. When the chips are down, these... these civilized people, they'll eat each other. See, I'm not a monster. I'm just ahead of the curve.
”
”
Christopher Nolan
“
Water everywhere, falling in thundering cataracts, singular drops, and draping sheets. Kellhus paused next to one of the shining braziers, peered beneath the bronze visage that loomed orange and scowling over his father, watched him lean back into absolute shadow.
“You came to the world,” unseen lips said, “and you saw that Men were like children.”
Lines of radiance danced across the intervening waters.
“It is their nature to believe as their fathers believed,” the darkness continued. “To desire as they desired … Men are like wax poured into moulds: their souls are cast by their circumstances. Why are no Fanim children born to Inrithi parents? Why are no Inrithi children born to Fanim parents? Because these truths are made, cast by the particularities of circumstance. Rear an infant among Fanim and he will become Fanim. Rear him among Inrithi and he will become Inrithi …
“Split him in two, and he would murder himself.”
Without warning, the face re-emerged, water-garbled, white save the black sockets beneath his brow. The action seemed random, as though his father merely changed posture to relieve some vagrant ache, but it was not. Everything, Kellhus knew, had been premeditated. For all the changes wrought by thirty years in the Wilderness, his father remained Dûnyain …
Which meant that Kellhus stood on conditioned ground.
“But as obvious as this is,” the blurred face continued, “it escapes them. Because they cannot see what comes before them, they assume nothing comes before them. Nothing. They are numb to the hammers of circumstance, blind to their conditioning. What is branded into them, they think freely chosen.
So they thoughtlessly cleave to their intuitions, and curse those who dare question. They make ignorance their foundation. They confuse their narrow conditioning for absolute truth.”
He raised a cloth, pressed it into the pits of his eyes. When he withdrew it, two rose-coloured stains marked the pale fabric. The face slipped back into the impenetrable black.
“And yet part of them fears. For even unbelievers share the depth of their conviction. Everywhere, all about them, they see examples of their own self-deception … ‘Me!’ everyone cries. ‘I am chosen!’ How could they not fear when they so resemble children stamping their feet in the dust? So they encircle themselves with yea-sayers, and look to the horizon for confirmation, for some higher sign that they are as central to the world as they are to themselves.”
He waved his hand out, brought his palm to his bare breast. “And they pay with the coin of their devotion.
”
”
R. Scott Bakker (The Thousandfold Thought (The Prince of Nothing, #3))
“
As long as I can remember I have been carelessly casting myself uninvited into novels where no self-respecting novelist would have me. This literary gate-crashing of mine must be a sign of a wretched thirsting after immortality.
”
”
Guy Vanderhaeghe (My Present Age)
“
Duran Duran blared from the car stereo. The woman, two silver bracelets on the hand she dangled out the window, cast a glance in my direction. I could have been a Denny's restaurant sign or a traffic signal, it would have been no different. She was your regular sort of beautiful young woman, I guess. In a TV drama, she'd be the female lead's best friend, the face that appears once in a cafe scene to say, "What's the matter? You haven't been yourself lately.
”
”
Haruki Murakami (Hard-Boiled Wonderland and the End of the World)
“
Under the rule of the Peshwas in the Maratha country,11 the Untouchable was not allowed to use the public streets if a Hindu was coming along, lest he should pollute the Hindu by his shadow. The Untouchable was required to have a black thread either on his wrist or around his neck, as a sign or a mark to prevent the Hindus from getting themselves polluted by his touch by mistake. In Poona, the capital of the Peshwa, the Untouchable was required to carry, strung from his waist, a broom to sweep away from behind himself the dust he trod on, lest a Hindu walking on the same dust should be polluted. In Poona, the Untouchable was required to carry an earthen pot hung around his neck wherever he went—for holding his spit, lest his spit falling on the earth should pollute a Hindu who might unknowingly happen to tread on it.
”
”
B.R. Ambedkar (Annihilation of Caste: The Annotated Critical Edition)
“
Far from resisting the emergence of the new caste system, Clinton escalated the drug war beyond what conservatives had imagined possible a decade earlier. As the Justice Policy Institute has observed, “the Clinton Administration’s ‘tough on crime’ policies resulted in the largest increases in federal and state prison inmates of any president in American history.”99 Clinton eventually moved beyond crime and capitulated to the conservative racial agenda on welfare. This move, like his “get tough” rhetoric and policies, was part of a grand strategy articulated by the “new Democrats” to appeal to the elusive white swing voters. In so doing, Clinton—more than any other president—created the current racial undercaste. He signed the Personal Responsibility and Work Opportunity Reconciliation Act, which “ended welfare as we know it,” replacing Aid to Families with Dependent Children (AFDC) with a block grant to states called Temporary Assistance to Needy Families (TANF). TANF imposed a five-year lifetime limit on welfare assistance, as well as a permanent, lifetime ban on eligibility for welfare and food stamps for anyone convicted of a felony drug offense—including simple possession of marijuana.
”
”
Michelle Alexander (The New Jim Crow: Mass Incarceration in the Age of Colorblindness)
“
Hours may have passed before I heard a throat clear behind us, saw Dad appear. His frame blocked out the sun, casting a cool shadow over where we lay.
I registered only once he was there that I had slowly shifted so I was lying with my head on Elliot’s stomach, in our secluded stretch of sand. I pushed to sit up, awkwardly.
“What are you guys doing?”
“Nothing,” we said in unison.
I could hear immediately how guilty our joined answer made us sound.
“Really?” Dad asked.
“Really,” I answered, but he wasn’t looking at me anymore. He and Elliot were having some kind of male Windtalker exchange that included prolonged eye contact, throat clearing, and probably some mysterious form of direct communication between their Y chromosomes.
“We were just reading,” Elliot said finally, his voice shifting deeper midway through the sentence. I’m not sure if this sign of his impending manliness was reassuring or damning as far as my dad was concerned.
“Seriously, Dad,” I said.
His eyes flickered to mine.
“Okay.” Finally he seemed to relax and squatted down next to me. “What are you reading?”
“A Wrinkle in Time.”
“Again?”
“It’s so good.
”
”
Christina Lauren (Love and Other Words)
“
Even as I wrote my note to Fern, for instance, expressing sentiments and regrets that were real, a part of me was noticing what a fine and sincere note it was, and anticipating the effect on Fern of this or that heartfelt phrase, while yet another part was observing the whole scene of a man in a dress shirt and no tie sitting at his breakfast nook writing a heartfelt note on his last afternoon alive, the blondwood table's surface trembling with sunlight and the man's hand steady and face both haunted by regret and ennobled by resolve, this part of me sort of hovering above and just to the left of myself, evaluating the scene, and thinking what a fine and genuine-seeming performance in a drama it would make if only we all had not already been subject to countless scenes just like it in dramas ever since we first saw a movie or read a book, which somehow entailed that real scenes like the one of my suicide note were now compelling and genuine only to their participants, and to anyone else would come off as banal and even somewhat cheesy or maudlin, which is somewhat paradoxical when you consider – as I did, setting there at the breakfast nook – that the reason scenes like this will seem stale or manipulative to an audience is that we’ve already seen so many of them in dramas, and yet the reason we’ve seen so many of them in dramas is that the scenes really are dramatic and compelling and let people communicate very deep, complicated emotional realities that are almost impossible to articulate in any other way, and at the same time still another facet or part of me realizing that from this perspective my own basic problem was that at an early age I’d somehow chosen to cast my lot with my life’s drama’s supposed audience instead of with the drama itself, and that I even now was watching and gauging my supposed performance’s quality and probable effects, and thus was in the final analysis the very same manipulative fraud writing the note to Fern that I had been throughout the life that had brought me to this climactic scene of writing and signing it and addressing the envelope and affixing postage and putting the envelope in my shirt pocket (totally conscious of the resonance of its resting there, next to my heart, in the scene), planning to drop it in a mailbox on the way out to Lily Cache Rd. and the bridge abutment into which I planned to drive my car at speeds sufficient to displace the whole front end and impale me on the steering wheel and instantly kill me. Self-loathing is not the same thing as being into pain or a lingering death, if I was going to do it I wanted it instant’ (175-176)
”
”
David Foster Wallace (Oblivion: Stories)
“
There was no sign of life round the domed emplacement of the Moonraker, and the concrete, already beginning to shimmer in the early morning sun, stretched emptily away towards Deal. It looked like a newly laid aerodome or rather, he thought, with its three disparate concrete 'things', the beehive dome,the flat-iron blast-wall, and the distant cube of the firing point, each casting black pools of shadow towards him in the early sun, like a Dali desert landscape in which three objets trouves reposed at carefully calculated random.
”
”
Ian Fleming (Moonraker (James Bond, #3))
“
I sent my story to Hannah the way people pray—casting my plea into the ether. A plea to be understood. Looking for the signs.
”
”
M. Pierce (Night Owl (Night Owl, #1))
“
I looked Mikey right in the eye, and I said, “We gotta let ’em go.” It was the stupidest, most southern-fried, lamebrained decision I ever made in my life. I must have been out of my mind. I had actually cast a vote which I knew could sign our death warrant. I’d turned into a fucking liberal, a half-assed, no-logic nitwit, all heart, no brain, and the judgment of a jackrabbit.
”
”
Marcus Luttrell (Lone Survivor: The Eyewitness Account of Operation Redwing and the Lost Heroes of SEAL Team 10)
“
Jane felt that he would write from the depths of a wretchedness that would not necessarily be insincere because its outward signs were so theatrical. Pesumably attractive men and probably woman too must always be suffering in this way; they must so often have to reject and cast aside love, and perhaps even practice did not always make them ruthless and cold-blooded enough to do it without feeling any qualms.
”
”
Barbara Pym (Jane and Prudence)
“
Our faith can grow big enough to move a mountain. Jesus said, “These signs will follow those who believe: In My name they will cast out demons... they will lay hands on the sick, and they will recover” (Mark 16:17-18).
”
”
Stormie Omartian (The Power of a Praying Life: Finding the Freedom, Wholeness, and True Success God Has For You)
“
There is a book of Revelation in every one’s life, as there is in the Bible. Anne read hers that bitter night, as she kept her agonized vigil through the hours of storm and darkness. She loved Gilbert – had always loved him! She knew that now. She knew that she could no more cast him out of her life without agony than she could have cut off her right hand and cast it from her. And the knowledge had come too late – too late even for the bitter solace of being with him at the last. If she had not been so blind – so foolish – she would have had the right to go to him now. But he would never know that she loved him – he would go away from this life thinking that she did not care. Oh, the black years of emptiness stretching before her! She could not live through them – she could not! She cowered down by her window and wished, for the first time in her gay young life, that she could die, too. If Gilbert went away from her, without one word or sign or message, she could not live. Nothing was of any value without him. She belonged to him and he to her. In her hour of supreme agony she had no doubt of that. He did not love Christine Stuart – never had loved Christine Stuart. Oh, what a fool she had been not to realize what the bond was that had held her to Gilbert – to think that the flattered fancy she had felt for Roy Gardner had been love. And now she must pay for her folly as for a crime.
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L.M. Montgomery
“
Fear? That’s it, Francis. The little slum boy still fears loss of job. Fears he’ll be cast into the outer darkness and deafened by the weeping, the wailing, the gnashing. Brave, imaginative teacher encourages teenagers to sing recipes but wonders when the axe will fall, when Japanese visitors will shake their heads and report him to Washington. Japanese visitors will instantly detect in my classroom signs of America’s degeneracy and wonder how they could have lost the war. And
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Frank McCourt (Teacher Man)
“
Much of the Irish landscape is dominated by peat bogs; the anaerobic and acidic conditions in the densely packed earth mean that the past in Ireland can be subject to macabre resurrection. Peat cutters occasionally churn up ancient mandibles, clavicles, or entire cadavers that have been preserved for millennia. The bodies date as far back as the Bronze Age, and often show signs of ritual sacrifice and violent death. These victims, cast out of their communities and buried, have surfaced vividly intact, from their hair to their leathery skin. The poet Seamus Heaney, who harvested peat as a boy on his family’s farm, once described the bogs of Ireland as “a landscape that remembered everything that had happened in and to it.
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Patrick Radden Keefe (Say Nothing: A True Story of Murder and Memory in Northern Ireland)
“
Ah, yes, the "unalienable rights." Each year someone quotes that magnificent poetry. Life? What "right" to life has a man who is drowning in the Pacific? The ocean will not hearken to his cries. What "right" to life has a man who must die if he is to save his children? If he chooses to save his own life, does he do so as a matter of "right"? If two men are starving and cannibalism is the only alternative to death, which man's right is "unalienable"? And is it "right"? As to liberty, the heroes who signed the great document pledged themselves to buy liberty with their lives. Liberty is never unalienable; it must be redeemed regularly with the blood of patriots or it always vanishes. Of all the so-called natural human rights that have ever been invented, liberty is least likely to be cheap and is never free of cost. The third "right"? - the "pursuit of happiness"? It is indeed unalienable but it is not a right; it is simply a universal condition which tyrants cannot take away nor patriots restore. Cast me into a dungeon, burn me at the stake, crown me king of kings, I can "pursue happiness" as long as my brain lives - but neither gods nor saints, wise men nor subtle drugs, can insure that I will catch it.
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”
Robert A. Heinlein (Starship Troopers)
“
And well may God with the serving-folk
Cast in His dreadful lot;
Is not He too a servant,
And is not He forgot?
For was not God my gardener
And silent like a slave;
That opened oaks on the uplands
Or thicket in graveyard gave?
And was not God my armourer,
All patient and unpaid,
That sealed my skull as a helmet,
And ribs for hauberk made?
Did not a great grey servant
Of all my sires and me,
Build this pavilion of the pines,
And herd the fowls and fill the vines,
And labour and pass and leave no signs
Save mercy and mystery?
For God is a great servant,
And rose before the day,
From some primordial slumber torn;
But all we living later born
Sleep on, and rise after the morn,
And the Lord has gone away.
On things half sprung from sleeping,
All sleeping suns have shone,
They stretch stiff arms, the yawning trees,
The beasts blink upon hands and knees,
Man is awake and does and sees-
But Heaven has done and gone.
For who shall guess the good riddle
Or speak of the Holiest,
Save in faint figures and failing words,
Who loves, yet laughs among the swords,
Labours, and is at rest?
But some see God like Guthrum,
Crowned, with a great beard curled,
But I see God like a good giant,
That, laboring, lifts the world.
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”
G.K. Chesterton (The Ballad of the White Horse)
“
By such subtle signs, like an orchestra tuning up, the daily event that is central to life on the Coromandel Coast announces itself: the evening breeze. The Madras evening breeze has a body to it, its atomic constituents knitted together to create a thing of substance that strokes and cools the skin in the manner of a long, icy drink or a plunge into a mountain spring. It pushes through on a broad front, up and down the coast; unhurried, reliable, with no slack until after midnight, by which time it will have lulled them into beautiful sleep. It doesn’t know caste or privilege as it soothes the expatriates in their pocket mansions, the shirtless clerk sitting with his wife on the rooftop of his one-room house, and the pavement dwellers in their roadside squats. Digby has seen the cheery Muthu become distracted, his conversation clipped and morose, as he waits for the relief that comes from the direction of Sumatra and Malaya, gathering itself over the Bay of Bengal, carrying scents of orchids and salt, an airborne opiate that unclenches, unknots, and finally lets one forget the brutal heat of the day. “Yes, yes, you are having your Taj Mahal, your Golden Temple, your Eiffel Tower,” an educated Madrasi will say, “but can anything match our Madras evening breeze?
”
”
Abraham Verghese (The Covenant of Water)
“
I stretched out my hand to Poseidon, but he sent no sign. He was away perhaps, shaking the earth somewhere. All about us I felt another power, dark, past man's thoughts, giver of desolation or of joy, she who can cherish or cast away but abides no question.
”
”
Mary Renault (The King Must Die (Theseus, #1))
“
To make this sign, the first and little fingers are upraised and the other fingers folded in towards the palm. This was a secret sign used for recognition purposes by followers of the medieval witch cult who were traditionally worshippers of the pagan Horned God.
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Paul Rhys Mountfort (Nordic Runes: Understanding, Casting, and Interpreting the Ancient Viking Oracle)
“
(liberal individualism triumphed as long as it undermined intermediate structures such as nations, corporations, castes, but when it attacked that ultimate social structure, the family, and thus the birthrate, it signed its own death warrant; Muslim dominance was a foregone conclusion).
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Michel Houellebecq (Submission)
“
It is no coincidence that those very people who do good and who hope to do more of it are, in fact, those who reflect on death and work for the Hereafter the most, so that the Day of Judgment will be a moment of joy and light for them. It is wise to meditate on death— its throes and the various states after it. For example, one should imagine—while he or she has life and is safe—the trial of the Traverse (al-ṣirāṭ) that every soul must pass over in the Hereafter, beneath which is the awesome inferno and the screams and anguish of those evildoers who already have been cast therein.
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Hamza Yusuf (Purification of the Heart: Signs, Symptoms and Cures of the Spiritual Diseases of the Heart)
“
A horoscope is a specific map, or picture, of the heavens that is cast for the date, time, and location of your birth. The positions of the sun, moon, and planets, as well as the sign that hovers at the horizon, are all placed around the wheel of the zodiac to reveal the intricate mathematical relationships that portray your personal blueprint and potential for development. This map can reveal your physical, mental, emotional, and spiritual gifts and challenges, and you are always free to grow and change, according to your own volition. Also noteworthy are the nodal points, or the locations where the path of Earth and the path of the moon intersect, forming what is known as the “head and tail of the sky dragon,” or the north and south nodes. The location of the celestial dragon in a chart is of utmost importance, for it indicates the direction in which you are moving to achieve the fulfillment of your personal destiny, as well as the place in the past that you are emerging from. Once you are born into physical reality, you unfold your life within an imprint of cosmic energy that embodies a plan of intent and purpose, a plan designed and approved by you. Throughout
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Barbara Marciniak (Path of Empowerment: New Pleiadian Wisdom for a World in Chaos)
“
When you have met God’s conditions, He casts your sins behind His back into the ocean of His forgetfulness. It was Corrie ten Boom who added, “And when God casts our sins into the ocean, He puts up a sign: No fishing!” If almighty God has forgotten your sins, why should you try to remember them?
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”
Derek Prince (Husbands and Fathers: Rediscover the Creator's Purpose for Men)
“
In Psalms 103:12, we are told how far away God wants to cast our sins from us: “as far as the east is from the west.” Note that he didn’t say as far as north is from the south because when you go south long enough, you eventually start going north again, but when you go east, you always go east.
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Mark Biltz (Decoding the Imminent Heavenly Signs Blood Moons)
“
The remarkable thing about the world of insects, however, is precisely that there is no veil cast over these horrors. These are mysteries performed in broad daylight before our very eyes; we can see every detail, and yet they are still mysteries. If, as Heraclitus suggests, god, like an oracle, neither “declares nor hides, but sets forth by signs,” then clearly I had better be scrying the signs. The earth devotes an overwhelming proportion of its energy to these buzzings and leaps in the grass. Theirs is the biggest wedge of the pie: Why? I ought to keep a giant water bug in an aquarium on my dresser, so I can think about it.
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”
Annie Dillard (Pilgrim at Tinker Creek)
“
In December, Angela Lansbury had been signed to play Raymond’s mother, the arch-villainess Eleanor Shaw Iselin. Apparently, Sinatra originally wanted Lucille Ball for the role, a fascinating casting notion, as Tom Santopietro points out: “As Ball aged, she grew into an increasingly hardened performer, losing all traces of the vulnerability that so informed her brilliant multiyear run on television’s I Love Lucy. The resulting quality of toughness would have suited the role of [Eleanor] very well, although it is anyone’s guess whether or not Ball would have felt comfortable delving into the dark recesses of [her] warped character.
”
”
James Kaplan (Sinatra: The Chairman)
“
Election has nothing to do with the eternal salvation of individuals but refers instead to God's way of saving nations. It was a major mistake of the Reformation to have decided to follow Augustine in this matter, taking election to refer to grace and salvation. It manages to make bad news out of good news. It casts a deep shadow over the character of God. At it worst, it can lead to awful consequences in terms of pride, arrogance, superiority, and intolerance as the ideology of election takes hold. It causes the church to become, not a sign of the unity of humanity in the love of God, but the sign of favorites in the midst of the enemies of God.
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Clark H. Pinnock (A Wideness in God's Mercy: The Finality Of Jesus Christ In A World Of Religions)
“
mk.16.15 And he said unto them, Go ye into all the world, and preach the gospel to every creature. mk.16.16 He that believeth and is baptized shall be saved; but he that believeth not shall be damned. mk.16.17 And these signs shall follow them that believe; In my name shall they cast out devils; they shall speak with new tongues;
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”
Anonymous (King James Version with Apocrypha)
“
No other trace; the wind, razor-sharp, had of course filed away even what scant tracks the hardpan might once have held. No man-scat, no cast-off trash, never a sign of where those things might have been buried. Nothing. Only these cold campfires along the ancient highway moving southeast and the relentless range-finder in his own head.
”
”
Stephen King (The Gunslinger (The Dark Tower, #1))
“
The casting of the brash United States Army Air Force officer Colonel Robert E. Hogan and the pompous German Luftwaffe officer Colonel Wilhelm Klink was inspired. For this series—a comedy with the serious backdrop of war—to succeed, the lead players had to be the perfect fit. The dynamic portrayal of this military odd couple had to be articulate, accurate, and precise. For the show to work, for the concept to be accepted, for one of the most outlandish premises in television history to be believed, the actors signed to play the two leading characters not only had to bring these extreme individuals to life with broad, fictional strokes, they had to make them real in the details.
”
”
Carol M. Ford (Bob Crane The Definitive Biography)
“
There seemed no sign of common bodily illness about him, nor of the recovery from any. He looked like a man cut away from the stake, when the fire has overrunningly wasted all the limbs without consuming them, or taking away one particle from their compacted aged robustness. His whole high, broad form, seemed made of solid bronze, and shaped in an unalterable mould, like Cellini’s cast Perseus. Threading its way out from among his grey hairs, and continuing right down one side of his tawny scorched face and neck, till it disappeared in his clothing, you saw a slender rod-like mark, lividly whitish. It resembled that perpendicular seam sometimes made in the straight, lofty trunk of a great tree, when the upper lightning tearingly darts down it, and without wrenching a single twig, peels and grooves out the bark from top to bottom ere running off into the soil, leaving the tree still greenly alive, but branded. Whether that mark was born with him, or whether it was the scar left by some desperate wound, no one could certainly say.
”
”
Herman Melville
“
Ancient tradition has a saying: 'The infinitely distant is the return.' Among the maxims of Zen that point in the same direction is the statement that the 'great revelation,' acquired through a series of mental and spiritual crises, consists in the recognition that 'no one and nothing 'extraordinary' exists in the beyond'; only the real exists. Reality is, however, lived in a state in which 'there is no subject of the experience nor any object that is experienced,' and under the sign of a type of absolute presence, 'the immanent making itself transcendent and the transcendent immanent.' The teaching is that at the point at which one seeks the Way, one finds oneself further from it, the same being valid for the perfection and 'realization' of the self. The cedar in the courtyard, a cloud casting its shadow on the hills, falling rain, a flower in bloom, the monotonous sound of waves: all these 'natural' and banal facts can suggest absolute illumination, the satori. As mere facts they are without meaning, finality, or intention, but as such they have an absolute meaning. Reality appears this way, in the pure state of 'things being as they are.' The moral counterpart is indicated in sayings such as: 'The pure and immaculate ascetic does not enter nirvana, and the monk who breaks the rules does not go to hell,' or: 'You have no liberation to seek from bonds, because you have never been bound.
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”
Julius Evola (Ride the Tiger: A Survival Manual for the Aristocrats of the Soul)
“
Futurity has often been framed in curative terms, a time frame that casts disabled people (as) out of time, or as obstacles to the arc of progress. In our disabled state, we are not part of the dominant narratives of progress, but once rehabilitated, normalized, and hopefully cured, we play a starring role: the sign of progress, the proof of development, the triumph over the mind or body.
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”
Alison Kafer (Feminist, Queer, Crip)
“
Every few weeks she would shut herself up in her room, put on her scribbling suit, and "fall into a vortex" as she expressed it, writing away at her novel with all her heart and soul, for till that was finished she could find no peace. Her "scribbling suit" consisted of a black woollen pinafore on which she could wipe her pen at will, and a cap of the same material, adorned with a cheerful red bow, into which she bundled her hair when the decks were cleared for action. This cap was a beacon to the inquiring eyes of her family, who during these periods kept their distance, merely popping in their heads semi-occasionally, to ask, with interest, "Does genius burn, Jo?" They did not always venture even to ask this question, but took an observation of the cap, and judged accordingly. If this expressive article of dress was drawn low upon the forehead, it was a sign that hard work was going on; in exciting moments it was pushed rakishly askew; and when despair seized the author it was plucked wholly off, and cast upon the floor. At such times the intruder silently withdrew; and not until the red bow was seen gayly erect upon the gifted brow, did any one dare address Jo.
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”
Louisa May Alcott (Little Women)
“
If you’re on a budget, check out thrift stores or garage sales. Look for signs of quality, like copper bottoms, cast iron, or stainless steel. Someone with limited money would do far better buying used than buying cheap stuff from Walmart. If you are determined to buy new, check out places like T.J.Maxx, the HomeGoods store, Ross—anywhere that’s likely to have top-quality items for low prices.
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”
Kelly Williams Brown (Adulting: How to Become a Grown-up in 468 Easy(ish) Steps)
“
And then wonder took him, and a great joy; and he cast his sword up in the sunlight and sang as he caught it. And all eyes followed his gaze, and behold! upon the foremost ship a great standard broke, and the wind displayed it as she turned towards the Harlond. There flowered a White Tree, and that was for Gondor; but Seven Stars were about it, and a high crown above it, the signs of Elendil that no lord had borne for years beyond count. And the stars flamed in the sunlight, for they were wrought of gems by Arwen daughter of Elrond; and the crown was bright in the morning, for it was wrought of mithril and gold.
Thus came Aragorn son of Arathorn, Elessar, Isildur's heir, out of the Paths of the Dead, borne upon a wind from the Sea to the kingdom of Gondor; and the mirth of the Rohirrim was a torrent of laughter and a flashing of swords, and the joy and wonder of the City was a music of trumpets and a ringing of bells. But the hosts of Mordor were seized with bewilderment, and a great wizardry it seemed to them that their own ships should be filled with their foes; and a black dread fell on them, knowing that the tides of fate had turned against them and their doom was at hand.
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J.R.R. Tolkien
“
A man as talented and handsome as yourself ought not be a servant!” he said in a shocked tone. “He ought to be the ruler of a vast estate! What is beauty for, I should like to know, if not to stand as a visible sign of one’s superiority to everyone else? But I see how it is! Your enemies have conspired together to deprive you of all your possessions and to cast you down among the ignorant and lowly!
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Susanna Clarke (Jonathan Strange & Mr Norrell)
“
The trial, despite the subserviency of the court to the Nazi authorities, cast a great deal of suspicion on Goering and the Nazis, but it came too late to have any practical effect. For Hitler had lost no time in exploiting the Reichstag fire to the limit. On the day following the fire, February 28, he prevailed on President Hindenburg to sign a decree “for the Protection of the People and the State” suspending the seven sections of the constitution which guaranteed individual and civil liberties. Described as a “defensive measure against Communist acts of violence endangering the state,” the decree laid down that: Restrictions on personal liberty, on the right of free expression of opinion, including freedom of the press; on the rights of assembly and association; and violations of the privacy of postal, telegraphic and telephonic communications; and warrants for house searchers, orders for confiscations as well as restrictions on property, are also permissible beyond the legal limits otherwise prescribed. In addition, the decree authorized the Reich government to take over complete power in the federal states when necessary and imposed the death sentence for a number of crimes, including “serious disturbances of the peace” by armed persons.8 Thus with one stroke Hitler was able not only to legally gag his opponents and arrest them at his will but, by making the trumped-up Communist threat “official,” as it were, to throw millions of the middle class and the peasantry into a frenzy of fear that unless they voted for National Socialism at the elections a week hence, the Bolsheviks might take over.
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William L. Shirer (The Rise and Fall of the Third Reich: A History of Nazi Germany)
“
To sign away our democratic rights to future tyrants and dictators, because they cast themselves in the role of "strong fathers," thus reminding us of our own, is tantamount to committing collective suicide. Even if we have, since childhood, been waiting for the great, redeeming figure who will solve all our problems, as adults we can be aware that such a redeemer will, in reality, turn out to be something quite different. For it is more than likely that people who completely repress and falsify the mistreatment they once received will be a danger to others, a danger that increases the greater power they hold. This can be clearly illustrated by the lives of Hitler, Stalin, and countless of their followers. Among them will not be found a single person who became a tormentor of others who did not approve of the abuse he himself once received.
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Alice Miller (Breaking Down the Wall of Silence: The Liberating Experience of Facing Painful Truth)
“
A New Theory of Biology,” was the title of the paper which Mustapha Mond had just finished reading. He sat for some time, meditatively frowning, then picked up his pen and wrote across the title-page: “The author’s mathematical treatment of the conception of purpose is novel and highly ingenious, but heretical and, so far as the present social order is concerned, dangerous and potentially subversive. Not to be published.” He underlined the words. “The author will be kept under supervision. His transference to the Marine Biological Station of St. Helena may become necessary.” A pity, he thought, as he signed his name. It was a masterly piece of work. But once you began admitting explanations in terms of purpose—well, you didn’t know what the result might be. It was the sort of idea that might easily decondition the more unsettled minds among the higher castes—make them lose their faith in happiness as the Sovereign Good and take to believing, instead, that the goal was somewhere beyond, somewhere outside the present human sphere; that the purpose of life was not the maintenance of well-being, but some intensification and refining of consciousness, some enlargement of knowledge. Which was, the Controller reflected, quite possibly true. But not, in the present circumstance, admissible.
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Aldous Huxley (Brave New World)
“
Though small, the shrine has a long history. In 1333—the Third Year of the Genko era—Lord Takeshigé Kikuchi ascended to it in order to implore the divine favor before going into battle. Victory was his, and in gratitude he had the shrine rebuilt. According to tradition, he himself carved the Worship Image, reciting a triple prayer after each stroke. This represented the god as standing on the mountain peak with one hand raised, gazing at the armed host he had blessed. It was an image of victory.
Now, however, the morning after the rising, early on the auspicious Ninth Day of the Ninth Month, the time of the Chrysanthemum Festival, there were gathered around the shrine forty-six hunted survivors of a defeated force. Some standing, some sitting, they stared blankly about them, though the penetrating autumn chill made their wounds sting. The clear light of the rising sun cast a striped pattern as it shone down through the branches of the few old cedars that surrounded the shrine. Birds were singing. The air was fresh and clear. As for signs of last night’s sanguinary combat, these were visible in the soiled and bloodstained garments, the haggard visages, and the eyes that burned like live embers.
Among the forty-six were Unshiro Ishihara, Kageki Abé, Kisou Onimaru, Juro Furuta, Tsunetaro Kobayashi, the brothers Gitaro and Gigoro Tashiro, Tateki Ura, Mitsuo Noguchi, Mikao Kashima, and Kango Hayami. Every man was silent, sunk deep in thought, looking off at the sea, or at the mountains, or at the smoke still rising from Kumamoto.
Such were the men of the League at rest on the slope of Kimpo, some with fingers yellowed from brushing the petals of wild chrysanthemums that they had plucked while staring across the water at Shimabara Peninsula.
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Yukio Mishima (Runaway Horses (The Sea of Fertility, #2))
“
In May 1925, President Calvin Coolidge signed the National Origins Act into law. The new law effectively closed the United States to most Jewish immigrants.
During the debate, Coolidge told the American people:
"Restricted immigration is not an offensive but purely a defensive action... We cast no aspersions on any race or creed, but we must remember that every object of our institutions of society and government will fail unless America be kept American.
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Phyllis Goldstein (A Convenient Hatred: The History of Antisemitism)
“
How mad and monstrous it all seemed! Could it be that written on his hand, in characters that he could not read himself, but that another could decipher, was some fearful secret of sin, some blood-red sign of crime? Was there no escape possible? Were we no better than chessmen, moved by an unseen power, vessels the potter fashions at his fancy, for honour or for shame? His reason revolted against it, and yet he felt that some tragedy was hanging over him, and that he had been suddenly called upon to bear an intolerable burden. Actors are so fortunate. They can choose whether they will appear in tragedy or in comedy, whether they will suffer or make merry, laugh or shed tears. But in real life it is different. Most men and women are forced to perform parts for which they have no qualifications. Our Guildensterns play Hamlet for us, and our Hamlets have to jest like Prince Hal. The world is a stage, but the play is badly cast.
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Oscar Wilde (Lord Arthur Savile's Crime and Other Stories)
“
South where I grew up. In large measure, this reflected a racial and gender caste system that denied most other opportunities to African American women. That system was designed to ensure a ready supply of cheap black labor, especially for the Southern ruling classes that emerged out of slavery’s old planter class. But the privilege of exploiting black labor extended even to fairly lowly whites; textile mill hands and poor farmers, for example, frequently employed their black
”
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Timothy B. Tyson (Blood Done Sign My Name: A True Story)
“
Let’s talk about ‘Coexist’ bumper stickers for a second. You’ve definitely seen them around. They’re those blue strips with white lettering that assemble a collection of religious icons and mystical symbols (e.g., an Islamic crescent, a Star of David, a Christian cross, a peace sign, a yin-yang) to spell out a simple message of inclusion and tolerance. Perhaps you instinctively roll your eyes at these advertisements of moral correctness. Perhaps you find the sentiment worthwhile, but you’re not a wear-your-politics-on-your-fender type of person. Or perhaps you actually have ‘Coexist’ bumper stickers affixed to both your Prius and your Beamer. Whatever floats your boat, man; far be it from us to cast stones. But we bring up these particular morality minibillboards to illustrate a bothersome dichotomy. If we were to draw a Venn diagram of (a) the people who flaunt their socially responsible “coexist” values for fellow motorists, and (b) the people who believe that, say, an evangelical Christian who owns a local flower shop ought to be sued and shamed for politely declining to provide floral arrangements for a same-sex wedding, the resulting circles would more or less overlap.
The coexist message: You people (i.e., conservatives) need to get on board and start coexisting with groups that might make you uncomfortable. It says so right here on my highly enlightened bumper sticker. But don’t you dare ask me to tolerate the ‘intolerance’ of people with whom I disagree. Because that’s different.
”
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Mary Katharine Ham
“
And on the night before he suffers the worst that wayward human culture can do, this is what he does: he takes bread and wine into his hands, lifts them up, and blesses them. Bread and wine, not wheat and grapes. Bread and wine are culture, not just nature. They are good for food and a delight to the eyes. Jesus takes culture, blesses it, breaks it, and gives it to his friends. Taken, broken, blessed, and given, these cultural goods, these “creatures of bread and wine” as the old prayer book had it, become sign and presence of God in the world.
”
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W. David O. Taylor (For the Beauty of the Church: Casting a Vision for the Arts)
“
No matter, no matter how, they are doing the best they can, with the miserable means at their disposal, a voice, a little light, poor devils, that's what they're paid for, they say, No sign of hardening, no sign of softening, impossible to say, no matter, it's a good average, we only have to continue, one day he'll understand, one day he'll thrill, the little spasm will come, a change in the eye, and cast him up among us. To be on the watch and never sight, to listen for the moan that never comes, that's not a life worth living either. And yet it's theirs.
”
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Samuel Beckett (The Unnamable)
“
Our boys are failing in school. Has it occurred to no one that we have checked them at every turn, perversely insisting that they must not form brotherhoods, that they must not identify their manhood with practical and intellectual skills that transform the world, and that they must not ever have the opportunity, apart from girls, to attach themselves in friendship to men who could teach them? For good reason boys of that awkward age used to build tree houses and hang signs barring girls. They knew, if only instinctively, that the fire of the friendship could not subsist otherwise. But what similar thing can they do now without inviting either reproach or suspicion? Thus what is perfectly natural and healthy, indeed very much needed for certain people at certain times or for certain purposes, is cast as irrational and bigoted, or dubious and weak; and thus some boys will cobble together their own brotherhoods that eschew tenderness altogether, criminal brotherhoods that land them in prison. This is all right by us, it seems. Better to harass the Boy Scouts on Monday, and on Tuesday build another wing for the Ministry of Corrections.
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Anthony Esolen (Defending Marriage: Twelve Arguments for Sanity)
“
A meal is sacramental when the rich and poor, powerful and marginalized, sinners and saints share equal status around the table. A local church is sacramental when it is a place where the last are first and the first are last and where those who hunger and thirst are fed. And the church universal is sacramental when it knows no geographic boundaries, no political parties, no single language or culture, and when it advances not through power and might, but through acts of love, joy, and peace and missions of mercy, kindness, humility. In this sense, church gives us the chance to riff on Jesus’ description of the kingdom, to add a few new metaphors of our own. We might say the kingdom is like St. Lydia’s in Brooklyn where strangers come together and remember Jesus when they eat. The kingdom is like the Refuge in Denver, where addicts and academics, single moms and suburban housewives come together to tell each other the truth. The kingdom is like Thistle Farms where women heal from abuse by helping to heal others. The kingdom is like the church that would rather die than cast two of its own out the doors because they are gay. The kingdom is like St. Luke’s Episcopal Church in Cleveland, Tennessee, where you are loved just for showing up. And even still, the kingdom remains a mystery just beyond our grasp. It is here, and not yet, present and still to come. Consummation, whatever that means, awaits us. Until then, all we have are metaphors. All we have are almosts and not quites and wayside shrines. All we have are imperfect people in an imperfect world doing their best to produce outward signs of inward grace and stumbling all along the way. All we have is this church—this lousy, screwed-up, glorious church—which, by God’s grace, is enough.
”
”
Rachel Held Evans (Searching for Sunday: Loving, Leaving, and Finding the Church)
“
A teacher in Oklahoma reflected on the post-graduation aftermath of student social divisions. “The in crowd always hangs together, even after graduation. They are the ones who will become debutantes after their freshman year in college. The others tend to drift away. They don’t get invited to the parties, they are laughed at because they aren’t wearing designer clothes, etc.,” she said. But when it comes down to the popular students versus the outcasts, the latter “are more sure of themselves (even with the ridicule), and usually turn out to be more successful and well-adjusted. I would take the outcasts in a heartbeat.” So would I.
”
”
Alexandra Robbins
“
It so chanced that the doubloon of the Pequod was a most wealthy example of these things. On its round border it bore the letters, REPUBLICA DEL ECUADOR: QUITO. So this bright coin came from a country planted in the middle of the world, and beneath the great equator, and named after it; and it had been cast midway up the Andes, in the unwaning clime that knows no autumn. Zoned by those letters you saw the likeness of three Andes’ summits; from one a flame; a tower on another; on the third a crowing cock; while arching over all was a segment of the partitioned zodiac, the signs all marked with their usual cabalistics, and the keystone sun entering the equinoctial point at Libra.
”
”
Herman Melville (Moby-Dick or, The Whale)
“
Only a fool says in his heart
There is no Creator, no King of kings,
Only mules would dare to bray
These lethal mutterings.
Over darkened minds as these
The Darkness bears full sway,
Fruitless, yet, bearing fruit,
In their fell, destructive way.
Sterile, though proliferate,
A filthy progeny sees the day,
When Evil, Thought and Action mate:
Breeding sin, rebels and decay.
The blackest deeds and foul ideals,
Multiply throughout the earth,
Through deadened, lifeless, braying souls,
The Darkness labours and gives birth.
Taking the Lord’s abundant gifts
And rotting them to the core,
They dress their dish and serve it out
Foul seeds to infect thousands more.
‘The Tree of Life is dead!’ they cry,
‘And that of Knowledge not enough,
Let us glut on the ashen apples
Of Sodom and Gomorrah.’
Have pity on Thy children, Lord,
Left sorrowing on this earth,
While fools and all their kindred
Cast shadows with their murk,
And to the dwindling wise,
They toss their heads and wryly smirk.
The world daily grinds to dust
Virtue’s fair unicorns,
Rather, it would now beget
Vice’s mutant manticores.
Wisdom crushed, our joy is gone,
Buried under anxious fears
For lost rights and freedoms,
We shed many bitter tears.
Death is life, Life is no more,
Humanity buried in a tomb,
In a fatal prenatal world
Where tiny flowers
Are ripped from the womb,
Discarded, thrown away,
Inconvenient lives
That barely bloomed.
Our elders fare no better,
Their wisdom unwanted by and by,
Boarded out to end their days,
And forsaken are left to die.
Only the youthful and the useful,
In this capital age prosper and fly.
Yet, they too are quickly strangled,
Before their future plans are met,
Professions legally pre-enslaved
Held bound by mounting student debt.
Our leaders all harangue for peace
Yet perpetrate the horror,
Of economic greed shored up
Through manufactured war.
Our armies now welter
In foreign civilian gore.
How many of our kin are slain
For hollow martial honour?
As if we could forget, ignore,
The scourge of nuclear power,
Alas, victors are rarely tried
For their woeful crimes of war.
Hope and pray we never see
A repeat of Hiroshima.
No more!
Crimes are legion,
The deeds of devil-spawn!
What has happened to the souls
Your Divine Image was minted on?
They are now recast:
Crooked coins of Caesar and
The Whore of Babylon.
How often mankind shuts its ears
To Your music celestial,
Mankind would rather march
To the anthems of Hell.
If humanity cannot be reclaimed
By Your Mercy and great Love
Deservedly we should be struck
By Vengeance from above.
Many dread the Final Day,
And the Crack of Doom
For others the Apocalypse
Will never come too soon.
‘Lift up your heads, be glad’,
Fools shall bray no more
For at last the Master comes
To thresh His threshing floor.
”
”
E.A. Bucchianeri (Vocation of a Gadfly (Gadfly Saga, #2))
“
Are you really going to carry me up those stairs?"
"Yeah."
Gennie cast a look at the winding staircase and tightened her hold. "I'd just like to mention it wouldn't be terribly romantic if you were to trip and drop me."
"The woman casts aspersions on my machismo."
"On your balance," she corrected as he started up. She shivered as her wet skin began to chill, then abruptly laughed. “Grant, did it occur to you what those assorted pile of clothes would look like if someone happened by?”
“They’d probably look a great deal like what they are,” he considered. “And it should discourage anyone from trespassing. I should have thought of it before-much better than a killer-dog sign.”
She sighed, partially from relief as they reached the landing. “You’re hopeless. Anyone would think you were Clark Kent.”
Grant stopped in the doorway to the bathroom to stare at her. “Come again?”
“You know, concealing a secret identity. Though you’re anything but mild-mannered,” she added as she toyed with a damp curl that hung over his ear. “You’ve set up this lighthouse as some kind of Fortress of Solitude.”
The long intense look continued. “What was Clark Kent’s Earth mother’s name?”
“Is this a quiz?”
“Do you know?”
She arched a brow because his eyes were suddenly serious. “Martha.”
“I’ll be damned,” he murmured. He laughed, then gave her a quick kiss that was puzzlingly friendly considering they were naked and pressed together. “You continue to surprise me, Genvieve. I think I’m crazy about you.
”
”
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
“
Soldiers nervously patrolled the streets, cheered by many people who had wished for the government’s defeat. Some of them, emboldened by the violence of the past few days, stopped all men with long hair or beards, unequivocal signs of a rebel spirit, and all women dressed in slacks, which they cut to ribbons because they felt responsible for imposing order, morality, and decency. The new authorities announced that they had nothing to do with actions of this sort and had never given orders to cut beards or slacks, and that it was probably the work of Communists disguised as soldiers attempting to cast aspersions on the armed forces and make the citizenry hate them. Neither beards nor slacks were forbidden, they said, although of course they preferred men to shave and wear their hair short, and women to wear dresses. Word
”
”
Isabel Allende (The House of the Spirits)
“
In 2010, the dominance of inclusive fitness theory was finally broken. After struggling as a member of the small but still muted contrarian school for a decade, I joined two Harvard mathematicians and theoretical biologists, Martin Nowak and Corina Tarnita, for a top-to-bottom analysis of inclusive fitness. Nowak and Tarnita had independently discovered that the foundational assumptions of inclusive fitness theory were unsound, while I had demonstrated that the field data used to support the theory could be explained equally well, or better, with direct natural selection—as in the sex-allocation case of ants just described. Our joint report was published on August 26, 2010, as the cover article of the prestigious journal Nature. Knowing the controversy involved, the Nature editors had proceeded with unusual caution. One of them familiar with the subject and the mode of mathematical analysis came from London to Harvard to hold a special meeting with Nowak, Tarnita, and myself. He approved, and the manuscript was next examined by three anonymous experts. Its appearance, as we expected, caused a Vesuvian explosion of protest—the kind cherished by journalists. No fewer than 137 biologists committed to inclusive fitness theory in their research or teaching signed a protest in a Nature article published the following year. When I repeated part of my argument as a chapter in the 2012 book The Social Conquest of Earth, Richard Dawkins responded with the indignant fervor of a true believer. In his review for the British magazine Prospect, he urged others not to read what I had written, but instead to cast the entire book away, “with great force,” no less.
”
”
Edward O. Wilson (The Meaning of Human Existence)
“
I remember Massensen, and Ikkin, and Gwafa, and Mennad. Massensen defeated three great-horned iron bulls on the Melos Plain in the Jadmar Rebellion. Ikkin Dancing Spear killed the Jadmar’s war chief, the giant Amazul. Gwafa demolished the Nekril, the will-casting coven that laid siege to Aghbalu. Mennad gave his life saving the Prism in Pericol when he was there to sign the Ilytian Papers. All these heroes were one man. Massensen took a new name every time he performed another act that would make any other man a legend. Where others would take a name that celebrated their heroic act to remind people of it forever, Massensen did the opposite. He took a new, plainer name each time, and refused to become even a watch captain. He believed that all glory should be reflected to Orholam, and that his own fame should be shared with his companions and his Prism.
”
”
Brent Weeks (The Blood Mirror (Lightbringer, #4))
“
Suppose he really is in love. What about her? She never has anything good to say about him.”
“Yet she blushes whenever he enters a room. And she stares at him a good deal. Or hadn’t you noticed that, either?”
“As a matter of fact, I have.” Gazing up at him, she softened her tone. “But I do not want her hurt, Isaac. I must be sure she is desired for herself and not her fortune. Her siblings had a chance of not gaining their inheritance unless the others married, so I always knew that their mates loved them, but she…” She shook her head. “I had to find a way to remove her fortune from the equation.”
“I still say you’re taking a big risk.” He glanced beyond her to where Celia was talking to the duke. “Do yo really think she’d be better off with Lyons?”
But she doesn’t love him…If you’d just give her a chance-
“I do not know,” Hetty said with a sigh. “I do not know anything anymore.”
“Then you shouldn’t meddle. Because there’s another outcome you haven’t considered. If you try to manipulate matters to your satisfaction, she may balk entirely. Then you’ll find yourself in the sticky position of having to choose between disinheriting them all or backing down on your ultimatum. Personally, I think you should have given up that nonsense long ago, but I know only too well how stubborn you can be when you’ve got the bit between your teeth.”
“Oh?” she said archly. “Have I been stubborn with you?”
He gazed down at her. “You haven’t agreed to marry me yet.”
Her heart flipped over in her chest. It was not the first time he had mentioned marriage, but she had refused to take him seriously.
Until now. It was clear he would not be put off any longer. He looked solemnly in earnest. “Isaac…”
“Are you worried that I am a fortune hunter?”
“Do not be absurd.”
“Because I’ve already told you that I’ll sign any marriage settlement you have your solicitor draw up. I don’t want your brewery or your vast fortune. I know it’s going to your grandchildren. I only want you.”
The tender words made her sigh like a foolish girl. “I realize that. But why not merely continue as we have been?”
His voice lowered. “Because I want to make you mine in every way.”
A sweet shiver swept along her spine. “We do not need to marry for that.”
“So all you want from me is an affair?”
“No! But-“
“I want more than that. I want to go to sleep with you in my arms and wake with you in my bed. I want the right to be with you whenever I please, night or day.” His tone deepened. “I love you, Hetty. And when a man loves a woman, he wants to spend his life with her.”
“But at our age, people will say-“
“Our age is an argument for marriage. We might not have much time left. Why not live it to the fullest, together, while we’re still in good health? Who cares about what people say? Life is too short to let other people dictate one’s choices.”
She leaned heavily on his arm as they reached the steps leading up to the dais at the front of the ballroom. He did have a point. She had been balking at marrying him because she was sure people would think her a silly old fool.
But then, she had always been out of step with everyone else. Why should this be any different? “I shall think about it,” she murmured as they headed to the center of the dais, where the family was gathering.
“I suppose I’ll have to settle for that. For now.” He cast her a heated glance. “But later this evening, once we have the chance to be alone, I shall try more effective methods to persuade you. Because I’m not giving up on this. I can be as stubborn as you, my dear.”
She bit back a smile. Thank God for that.
”
”
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
“
How mad and monstrous it all seemed! Could it be that written on his hand, in
characters that he could not read himself, but that another could decipher, was some
fearful secret of sin, some blood-red sign of crime? Was there no escape possible?
Were we no better than chessmen, moved by an unseen power, vessels the potter
fashions at his fancy, for honour or for shame? His reason revolted against it, and yet
he felt that some tragedy was hanging over him, and that he had been suddenly called
upon to bear an intolerable burden. Actors are so fortunate. They can choose
whether they will appear in tragedy or in comedy, whether they will suffer or make
merry, laugh or shed tears. But in real life it is different. Most men and women are
forced to perform parts for which they have no qualifications. Our Guildensterns play
Hamlet for us, and our Hamlets have to jest like Prince Hal. The world is a stage, but
the play is badly cast.
”
”
Oscar Wilde (Lord Arthur Savile's Crime and Other Stories)
“
How mad and monstrous it all seemed! Could it be that written on his hand, in characters that he could not read himself, but that another could decipher, was some fearful secret of sin, some blood-red sign of crime? Was there no escape possible? Were we no better than chessmen, moved by an unseen power, vessels the potter fashions at his fancy, for honour or for shame? His reason revolted against it, and yet he felt that some tragedy was hanging over him, and that he had been suddenly called upon to bear an intolerable burden. Actors are so fortunate. They can choose whether they will appear in tragedy or in comedy, whether they will suffer or make merry, laugh or shed tears. But in real life it is different. Most men and women are forced to perform parts for which they have no qualifications. Our Guildensterns play Hamlet for us, and our Hamlets have to jest like Prince Hal. The world is a stage, but
the play is badly cast.
”
”
Oscar Wilde (Lord Arthur Savile's Crime and Other Stories)
“
In the midst of these tormenting anxieties the holy spouse Joseph appealed to the tribunal of the Lord in prayer and placing himself in His presence, he said: “Most high Lord and God, my desires and sighs are not unknown to Thee. I find myself cast about by the violent waves of sorrow (Psalms 31:10) which through my senses have come to afflict my heart. I have given myself over with entire confidence to the Spouse whom Thou hast given me. I have confided entirely in her holiness; and the signs of this unexpected change in her are giving rise to tormenting and fearful doubts lest my confidence be misplaced. Nothing have I until now seen in her which could give occasion for any doubt in her modesty and her extraordinary virtue; yet at the same time I cannot deny that she is pregnant. To think that she has been unfaithful to me, and has offended Thee, would be temerity in view of such rare purity and holiness: to deny what my own eyes perceive is impossible. But
”
”
Mary of Agreda (The Mystical City of God: A Popular Abridgement of the Divine History and Life of the Virgin Mother of God)
“
Our joint report was published on August 26, 2010, as the cover article of the prestigious journal Nature. Knowing the controversy involved, the Nature editors had proceeded with unusual caution. One of them familiar with the subject and the mode of mathematical analysis came from London to Harvard to hold a special meeting with Nowak, Tarnita, and myself. He approved, and the manuscript was next examined by three anonymous experts. Its appearance, as we expected, caused a Vesuvian explosion of protest—the kind cherished by journalists. No fewer than 137 biologists committed to inclusive fitness theory in their research or teaching signed a protest in a Nature article published the following year. When I repeated part of my argument as a chapter in the 2012 book The Social Conquest of Earth, Richard Dawkins responded with the indignant fervor of a true believer. In his review for the British magazine Prospect, he urged others not to read what I had written, but instead to cast the entire book away, “with great force,” no less.
”
”
Edward O. Wilson (The Meaning of Human Existence)
“
How long does it last?" Said the other customer, a man wearing a tan shirt with little straps that buttoned on top of the shoulders. He looked as if he were comparing all the pros and cons before shelling out $.99. You could see he thought he was pretty shrewd.
"It lasts for as long as you live," the manager said slowly. There was a second of silence while we all thought about that. The man in the tan shirt drew his head back, tucking his chin into his neck. His mind was working like a house on fire
"What about other people?" He asked. "The wife? The kids?"
"They can use your membership as long as you're alive," the manager said, making the distinction clear.
"Then what?" The man asked, louder. He was the type who said things like "you get what you pay for" and "there's one born every minute" and was considering every angle. He didn't want to get taken for a ride by his own death.
"That's all," the manager said, waving his hands, palms down, like a football referee ruling an extra point no good. "Then they'd have to join for themselves or forfeit the privileges."
"Well then, it makes sense," the man said, on top of the situation now, "for the youngest one to join. The one that's likely to live the longest."
"I can't argue with that," said the manager.
The man chewed his lip while he mentally reviewed his family. Who would go first. Who would survive the longest. He cast his eyes around to all the cassettes as if he'd see one that would answer his question. The woman had not gone away. She had brought along her signed agreement, the one that she paid $25 for.
"What is this accident waiver clause?" She asked the manager.
"Look," he said, now exhibiting his hands to show they were empty, nothing up his sleeve, "I live in the real world. I'm a small businessman, right? I have to protect my investment, don't I? What would happen if, and I'm not suggesting you'd do this, all right, but some people might, what would happen if you decided to watch one of my movies in the bathtub and a VCR you rented from me fell into the water?"
The woman retreated a step. This thought had clearly not occurred to her before.
”
”
Michael Dorris (A Yellow Raft in Blue Water)
“
This, I think, is the first time I dared myself to stare back at him. Usually, I'd cast a glance then look away—look away cause I didn't want to swim in the lovely clear pool of his eyes unless I'd been invited to—and I never waited long enough to know whether I was even wanted there; look away because I was too scared to stare anyone back; look away because I didn't want to give anything away; look away because I couldn't acknowledge how much he mattered. Look away because that steely gaze of his always reminded me of how tall he stood and how far below him I ranked. Now in the signs of the moment I stood back not to defy him or to show that I wasn't shy any longer but to surrender, to tell him this is who I am, this is who you are, this is what I want, there is nothing but truth between us now, and where there's truth there are no barriers, no shifty glances, and if nothing comes out of this, let it never be said that either of us was unaware of what might happen. I hadn't a hope left. And maybe I stared back because there wasn't a thing to lose now. I stared back with the all-knowing I-dare-you-to-kiss-me glance of someone who both challenges and flees with one and the same gesture.
”
”
André Aciman (Call Me By Your Name (Call Me By Your Name, #1))
“
This, I think, is the first time I dared myself to stare back at him. Usually, I'd cast a glance then look away—look away cause I didn't want to swim in the lovely clear pool of his eyes unless I'd been invited to—and I never waited long enough to know whether I was even wanted there; look away because I was too scared to stare anyone back; look away because I didn't want to give anything away; look away because I couldn't acknowledge how much he mattered. Look away because that steely gaze of his always reminded me of how tall he stood and how far below him I ranked. Now in the signs of the moment I stood back not to defy him or to show that I wasn't shy any longer but to surrender, to tell him this is who I am, this is who you are, this is what I want, there is nothing but truth between us now, and where there's truth there are no barrier,s no shifty glances, and if nothing comes out of this, let it never be said that either of us was unaware of what might happen. I hadn't a hope left. And maybe I stared back because there wasn't a thing to lose now. I stared back with the all-knowing I-dare-you-to-kiss-me glance of someone who both challenges and fleas with one and the same gesture.
”
”
André Aciman (Call Me By Your Name (Call Me By Your Name, #1))
“
A yellow-and-brown streak glided from the purple rustling stems to the bank, stretched its neck to the water, drank, and lay still—a big cobra with fixed, lidless eyes. ‘I have no stick—I have no stick,’ said Kim. ‘I will get me one and break his back.’ ‘Why? He is upon the Wheel as we are—a life ascending or descending—very far from deliverance. Great evil must the soul have done that is cast into this shape.’ ‘I hate all snakes,’ said Kim. No native training can quench the white man’s horror of the Serpent. ‘Let him live out his life.’ The coiled thing hissed and half opened its hood. ‘May thy release come soon, brother!’ the lama continued placidly. ‘Hast thou knowledge, by chance, of my River?’ ‘Never have I seen such a man as thou art,’ Kim whispered, overwhelmed. ‘Do the very snakes understand thy talk?’ ‘Who knows?’ He passed within a foot of the cobra’s poised head. It flattened itself among the dusty coils. ‘Come, thou!’ he called over his shoulder. ‘Not I,’ said Kim. ‘I go round.’ ‘Come. He does no hurt.’ Kim hesitated for a moment. The lama backed his order by some droned Chinese quotation which Kim took for a charm. He obeyed and bounded across the rivulet, and the snake, indeed, made no sign.
”
”
Rudyard Kipling (Kim (with an Introduction by A. L. Rowse))
“
The rock came loose, but Jake’s satisfied grunt turned into a howl of outraged pain as a set of huge teeth in the next stall clamped into Jake’s ample rear end. “You vicious bag of bones,” he shouted, jumping to his feet and throwing himself half over the rail in an attempt to land a punch on Attila’s body. As if the horse anticipated retribution, he sidled to the edge of his stall and regarded Jake from the corner of his eye with an expression that looked to Jake like complacent satisfaction. “I’ll get you for that,” Jake promised, and he started to shake his fist when he realized how absurd it was to threaten a dumb beast.
Rubbing his offended backside, he turned to Mayhem and carefully put his own rump against the outside wall of the barn. He checked the hoof to make certain it was clean, but the moment his fingers touched the place where the rock had been lodged the chestnut jerked in pain. “Bruised you, did it?” Jake said sympathetically. “It’s not surprisin’, considering the size and shape of the rock. But you never gave a sign yesterday that you were hurtin’,” he continued. Raising his voice and infusing it with a wealth of exaggerated admiration, the patted the chestnut’s flank and glanced disdainfully at Attila while he spoke to Mayhem. “That’s because you’re a true aristocrat and a fine, brave animal-not a miserable, sneaky mule who’s not fit to be your stallmate!”
If Attila cared one way or another for Jake’s opinion, he was disappointingly careful not to show it, which only made Jake’s mood more stormy when he stomped into the cottage.
Ian was sitting at the table, a cup of steaming coffee cradled between his palms. “Good morning,” he said to Jake, studying the older man’s thunderous frown.
“Mebbe you think so, but I can’t see it. Course, I’ve spent the night freezin’ out there, bedded down next to a horse that wants to make a meal of me, and who broke his fast with a bit of my arse already this mornin’. And,” he finished irately as he poured coffee from the tin pot into an earthenware mug and cast a quelling look at his amused friend, “your horse is lame!” Flinging himself into the chair beside Ian, he gulped down the scalding coffee without thinking what he was doing; his eyes bulged, and sweat popped out on his forehead.
Ian’s grin faded. “He’s what?”
“Picked up a rock, and he’s favoring his left foreleg.”
Ian’s chair legs scraped against the wooden floor as he shoved his chair back and started to go to the barn.
“There’s no need. It’s just a bruise.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
42The angels said to Mary: ‘Mary, God has chosen you and made you pure: He has truly chosen you above all women. 43Mary, be devout to your Lord, prostrate yourself in worship, bow down with those who pray.’ 44This is an account of things beyond your knowledge that We reveal to you [Muhammad]: you were not present among them when theyc cast lots to see which of them should take charge of Mary, you were not present with them when they argued [about her]. 45The angels said, ‘Mary, God gives you news of a Word from Him, whose name will be the Messiah, Jesus, son of Mary, who will be held in honour in this world and the next, who will be one of those brought near to God. 46He will speak to people in his infancya and in his adulthood. He will be one of the righteous.’ 47She said, ‘My Lord, how can I have a son when no man has touched me?’ [The angel] said, ‘This is how God creates what He will: when He has ordained something, He only says, "Be", and it is. 48He will teach him the Scripture and wisdom, the Torah and the Gospel, 49He will send him as a messenger to the Children of Israel: "I have come to you with a sign from your Lord: I will make the shape of a bird for you out of clay, then breathe into it and, with God’s permission, it will become a real bird; I will heal the blind and the leper, and bring the dead back to life with God’s permission; I will tell you what you may eat and what you may store up in your houses.
”
”
Anonymous (The Qur'an)
“
A striking example from the history of writing is the origin of the syllabary devised in Arkansas around 1820 by a Cherokee Indian named Sequoyah, for writing the Cherokee language. Sequoyah observed that white people made marks on paper, and that they derived great advantage by using those marks to record and repeat lengthy speeches. However, the detailed operations of those marks remained a mystery to him, since (like most Cherokees before 1820) Sequoyah was illiterate and could neither speak nor read English. Because he was a blacksmith, Sequoyah began by devising an accounting system to help him keep track of his customers’ debts. He drew a picture of each customer; then he drew circles and lines of various sizes to represent the amount of money owed. Around 1810, Sequoyah decided to go on to design a system for writing the Cherokee language. He again began by drawing pictures, but gave them up as too complicated and too artistically demanding. He next started to invent separate signs for each word, and again became dissatisfied when he had coined thousands of signs and still needed more. Finally, Sequoyah realized that words were made up of modest numbers of different sound bites that recurred in many different words—what we would call syllables. He initially devised 200 syllabic signs and gradually reduced them to 85, most of them for combinations of one consonant and one vowel. As one source of the signs themselves, Sequoyah practiced copying the letters from an English spelling book given to him by a schoolteacher. About two dozen of his Cherokee syllabic signs were taken directly from those letters, though of course with completely changed meanings, since Sequoyah did not know the English meanings. For example, he chose the shapes D, R, b, h to represent the Cherokee syllables a, e, si, and ni, respectively, while the shape of the numeral 4 was borrowed for the syllable se. He coined other signs by modifying English letters, such as designing the signs , , and to represent the syllables yu, sa, and na, respectively. Still other signs were entirely of his creation, such as , , and for ho, li, and nu, respectively. Sequoyah’s syllabary is widely admired by professional linguists for its good fit to Cherokee sounds, and for the ease with which it can be learned. Within a short time, the Cherokees achieved almost 100 percent literacy in the syllabary, bought a printing press, had Sequoyah’s signs cast as type, and began printing books and newspapers. Cherokee writing remains one of the best-attested examples of a script that arose through idea diffusion. We know that Sequoyah received paper and other writing materials, the idea of a writing system, the idea of using separate marks, and the forms of several dozen marks. Since, however, he could neither read nor write English, he acquired no details or even principles from the existing scripts around him. Surrounded by alphabets he could not understand, he instead independently reinvented a syllabary, unaware that the Minoans of Crete had already invented another syllabary 3,500 years previously.
”
”
Jared Diamond (Guns, Germs, and Steel)
“
He closes his eyes. What does God see? Cromwell in the fifty-fourth year of his age, in all his weight and gravitas, his bulk wrapped in wool and fur? Or a mere flicker, an illusion, a spark beneath a shoe, a spit in the ocean, a feather in a desert, a wisp, a phantom, a needle in a haystack? If Henry is the mirror, he is the pale actor who sheds no lustre of his own, but spins in a reflected light. If the light moves he is gone.
When I was in Italy, he thinks, I saw Virgins painted on every wall, I saw in every fresco the sponged blood-colour of Christ's robe. I saw the sinuous tempter that winds from a branch, and Adam's face as he was tempted. I saw that the serpent was a woman, and about her face were curls of silver-gilt; I saw her writhe about the green bough, saw it sway under her coils. I saw the lamentation of Heaven over Christ crucified, angels flying and crying at the same time. I saw torturers nimble as dancers hurling stones at St Stephen, and I saw the martyr's bored face as he waited for death. I saw a dead child cast in bronze, standing over its own corpse: and all these pictures, images, I took into myself, as some kind of prophecy or sign. But I have known men and women, better than me and closer to grace, who have meditated on every splinter of the cross, till they forget who and what they are, and observe the Saviour's blood, running in the soaked fibres of the wood. Till they believe themselves no longer captive to misfortune nor crime, nor in thrall to a useless sacrifice in an alien land. Till they see Christ's cross is the tree of life, and the truth breaks inside them, and they are saved.
He sands his paper. Puts down his pen. I believe, but I do not believe enough. I said to Lambert, my prayers are with you, but in the end I only prayed for myself, that I might not suffer the same death.
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Hilary Mantel (The Mirror & the Light (Thomas Cromwell, #3))
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The contrast between the two, the sweetness and the badness, wrenches the heart of the lover as such sweetness on its own would not, and the lover shudders all the more at dread of the beloved’s recklessness, for the sake of the sweetness that is there, and the shudder only makes more violent the shuddering that announces love (Phaedrus 251). I do not think, but for that sweetness, the friend of whom I spoke would have become impassioned as he did and he would have recognized that such a one, entirely wanting in the desire to become better than what he knows himself to be, was not worthy of his love. She who signs herself “I Don’t Know How (Or If) to Love Him” repeated the word “exciting” three times. A VBB (and let us remember that there are also, though perhaps they are rarer, VBGs) creates around himself or herself a separate world in which all that happens is exciting, for exciting it must be. Excitement is the air they breathe, and they cannot exist without it. And when they pull others into their world, then these others leave the world of common air and now they breathe the rare air of excitement, which they are not accustomed to, and in their confused state they are more apt to think that the excitement they breathe is the excitement of love. She asks whether she should continue to love her VBB, but I do not think she really loves him, just as he, and this for a certainty, does not love her. For I think even the best man of his day of whom I just wrote did not love that boy as he thought he did. Perhaps if your questioner thinks more on the true nature of the excitement she feels, she will be able to see the wisdom of the course of action that you and I both urge on her, and then she will find the strength to break the spell that her VBB casts upon her. Last, let her think on this, that though love is a profound disturbance, not all profound disturbances are love.
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Rebecca Goldstein (Plato at the Googleplex: Why Philosophy Won't Go Away)
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Thorn in My Side “Cast your cares on the LORD and He will sustain you” (Psalm 55:22). I have a certain person in my life who causes me grief on a regular basis. It seems in order for his day to be complete he must have conflict. If there’s not conflict, then he creates it. And I seem to be his favourite target. I refer to this person as the “thorn in my side”. He is a constant reminder to me that fear and anxiety are real feelings. Some days, I think that my life would be absolutely stress free without him and the problems he creates. However, through studying God’s Word, I have been able to see him in a different light. Although I don’t enjoy the trials he puts me through, I’ve realized that because of these things I have come to rely more on God. I find myself leaning on God’s wisdom and knowledge to help me reply to this man. I find myself praying for the Holy Spirit to fill me with peace when I must confront him. I find myself praying to God for forgiveness – the need to be forgiven for what I think and do, and the need to forgive this man. And recently, I find myself praying for this man. Jesus commanded that we pray for our enemies: “But I tell you: Love your enemies and pray for those who persecute you” (Matthew 5:44). I am truly learning what this means in my life. Although this man causes me great sorrow and pain, it is through these actions that I have come closer to God. It is through his acts that I have developed a deeper relationship with my Lord. And although I don’t know that I can ever thank him for the anxiety and hurt, I am thankful that through this I have come to know Jesus closer. Paradoxically, prayer is the activity done in total solitude that reminds me that I am never alone. It is the counter to my illusion of self-sufficiency, a plea for help after much bravado and floundering. Prayer is my signed Declaration of Dependence. ~ Dr. Ramon Presson Complaining
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Kimberley Payne (Feed Your Spirit: A Collection of Devotionals on Prayer (Meeting Faith Devotional Series Book 2))
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The triumph of the transsexual and of transvestitism casts a strange light, retrospectively, upon the sexual liberation espoused by an earlier generation. It now appears that this liberation - which, according to its own discourse, meant the bursting forth of the body's full erotic force, a process especially favorable to the principles of femininity and of sexual pleasure - may actually have been no more than an intermediate phase on the way to the confusion of categories that we have been discussing. The sexual revolution may thus turn out to have been just a stage in the genesis of transsexuality. What is at issue here, fundamentally, is the problematic fate of all revolutions.
The cybernetic revolution, in view of the equivalence of brain and computer, places humanity before the crucial question 'Am I a man or a machine? ' The genetic revolution that is taking place at the moment raises the question 'Am I a man or just a potential clone? ' The sexual revolution, by liberating all the potentialities of desire, raises another fundamental question, 'Am I a man or a woman?' (If it has done nothing else, psychoanalysis has certainly added its weight to this principle of sexual uncertainty.) As for the political and social revolution, the prototype for all the others, it will turn out to have led man by an implacable logic - having offered him his own freedom, his own free will - to ask himself where his own will lies, what he wants in his heart of hearts, and what he is entitled to expect from himself. To these questions there are no answers. Such is the paradoxical outcome of every revolution: revolution opens the door to indeterminacy, anxiety and confusion. Once the orgy was over, liberation was seen to have left everyone looking for their generic and sexual identity - and with fewer and fewer answers available, in view of the traffic in signs and the multiplicity of pleasures on offer. That is how we became transsexuals - just as we became transpoliticals: in other words, politically indifferent and undifferentiated beings, androgynous and hermaphroditic - for by this time we had embraced, digested and rejected the most contradictory ideologies, and were left wearing only their masks: we had become, in our own heads - and perhaps unbeknownst to ourselves - transvestites of the political realm.
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Jean Baudrillard (The Transparency of Evil: Essays in Extreme Phenomena)
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What can he tell them? He, who knows nothing. Ibn al Mohammed has not planned atrocities nor committed them. He has never been in the presence of terrorists. Yet Satan’s agents suspect him. He is dark-complected. His hair and beard are black. His name is Muslim. Body tall and slender, hands large, their fingers long and tapered. Dark eyes sunken in a narrow face. Irises like obsidian. He prays on hands and knees, forehead touching the floor. Thoughtlessly aligned, his cage obliges him to face a white plastic wall to bow toward Mecca. No matter; Ibn al Mohammed requires no sight of ocean or sky to know his place in the universe. He knows himself as one chosen, beloved of God. A man whose devotion will allow him to be saved.
Standing at the bars, he stares at the plastic wall. Modesty panel, they call it. The detainee wills nothing, attempts nothing, merely stares at blankness as his mind opens toward such signs as might appear. Something, nothing. However little, however great, whatever God vouchsafes is sufficient. The least sign is enough. A crease in the plastic. A shadow cast against its insensate skin, then fleeing, gone. A raindrop: trickling through the roof, one small drop might touch the wall, leave a transparent streak, a tear without sorrow to confirm his understanding of what is and must be. Recognition. Acceptance. By such a sign he will know he is not forsaken. That God notices and prepares a place.
He will not serve in the harvest. He will eat the food, drink the water, ride the bus. He will not pick the berries so prized by his captors. Droids will cajole and threaten; perhaps they will beat him. If so, they incriminate themselves. He relishes their degradation together with God’s tasking, this new test of will and faith. To suffer in silence, as meek as a lamb. Ibn al Mohammed will remove himself from himself. Self fading into background, his presence will diminish. His body will persist; corporeally, he must endure. But his self will become absent. Mind and its thought, heart and all emotion will disperse smoke-like into nothingness and in its vanishing forestall injury, indignity, all pain.
Does God approve? Does God see? A mere token will assure Ibn al Mohammed for a lifetime. Standing at the bars, he watches. Minutes pass. How long must he wait? God speaks at His leisure to those with patience to attend. What does it mean, to have enough patience to attend to God? It is a discipline to expect nothing because you deserve nothing and merit only death. Ibn al Mohammed has waited all his life. What has he seen? His father taken away. His mother and sisters scrounging in a desert. He himself is confined in-cage. Squats on a stool, shits in a pail. Rain rattles across sheet tin, pock-pock-pock-pock. Food is delivered on a tray. A damp bed beneath his body, a white wall before his eyes.
What does Ibn al Mohammed see? He sees nothing. [pp. 203-204]
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John Lauricella i 2094 i
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But Muslims now find themselves in a world shaped by western theories and western values. If we are to consider how Islamic communities conducted their affairs throughout the greater part of their history, it may be convenient to compare and contrast this way of life with the contemporary western model. Today the Muslims are urged to embrace democracy and are condemned for political corruption, while western scholars debate whether Islam can ever accommodate the democratic ideal. On the whole, they think not. Democracy, they believe, is a sign of political maturity and therefore of superiority. Western societies, since they are seen as democratic, exemplify this superiority. So there is one question that has to be pressed home: what, precisely, is meant by democracy? Let me put forward an imaginary Arab who knows nothing of western ways but would like to learn about them. He is aware that the literal meaning of the word democracy is "mob rule", but understands that this is not what westerners mean by it. He wonders how this meaning has, in practice, been modified and, since his questions are directed to an Englishman, he is not altogether surprised to be told that Britain is the exemplary democracy. He learns that the people—all except children, lunatics and peers of the realm—send their representatives to Parliament to speak for them. He is assured that these representatives never accept bribes to vote against their consciences or against the wishes of their constituents. He enquires further and is astonished to learn that the political parties employ what are known as Whips, who compel members to vote in accordance with the party line, even if this conflicts both with their consciences and with the views of the people who elected them. In this case it is not money but ambition for office that determines the way they vote. "But is this not corruption?" he asks naively. The Englishman is shocked. "But at least the party in power represents the vast majority of the electorate?" This time the Englishman is a little embarrassed. It is not quite like that. The governing party, which enjoys absolute power through its dominance in the House of Commons, represents only a minority of the electorate. "Are there no restraints on this power?" There used to be, he is told. In the past there was a balance between the Crown, the House of Lords and the Commons, but that was seen as an undemocratic system so it was gradually eroded. The "sovereignty" of the Lower House is now untrammelled (except, quite recently, by unelected officials in Brussels). "So this is what democracy means?" Our imaginary Arab is baffled. He investigates further and is told that, in the 1997 General Election, the British people spoke with one voice, loud and clear. A landslide victory gave the Leader of the Labour Party virtually dictatorial powers. Then he learns that the turn-out of electors was the lowest since the war. Even so, the Party received only forty-three per cent of the votes cast. He wonders if this can be the system which others wish to impose on his own country. He is aware that various freedoms, including freedom of the press, are essential components of a democratic society, but no one can tell him how these are to be guaranteed if the Ruler, supported by a supine—"disciplined"—House of Commons enjoys untrammelled authority. He knows a bit about rulers and the way in which they deal with dissent, and he suspects that human nature is much the same everywhere. Barriers to oppression soon fall when a political system eliminates all "checks and balances" and, however amiable the current Ruler may be, there is no certainty that his successors, inheriting all the tools of power, will be equally benign. He turns now to an American and learns, with some relief since he himself has experienced the oppression of absolutism, that the American system restrains the power of the President by that of the Congress and the Supreme Court; moreover, the electe
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Anonymous