Cashmere Quotes

We've searched our database for all the quotes and captions related to Cashmere. Here they are! All 100 of them:

A man will never love you or treat you as well as a store. If a man doesn’t fit, you can’t exchange him seven days later for a gorgeous cashmere sweater. And a store always smells good. A store can awaken a lust for things you never even knew you needed. And when your fingers first grasp those shiny, new bags…
Sophie Kinsella (Confessions of a Shopaholic (Shopaholic, #1))
Wear that scarf," he said, pointing to a blue cashmere scarf hanging on a peg. "It matches your eyes." Alec looked at it. Suddenly he was filled with hate - for the scarf, for Magnus, and most of all for himself. "Don't tell me," he said. "The scarf's a hundred years old, and it was given to you by Queen Victoria right before she died, for special services to the Crown or something." Magnus sat up. "What's gotten into you?" Alec stared at him. "Am I the newest thing in this apartment?" "I think that honor goes to Chairman Meow. He's only two." "I said newest, not youngest," Alec snapped.
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
It’s not that we have to quit this life one day, it’s how many things we have to quit all at once: holding hands, hotel rooms, music, the physics of falling leaves, vanilla and jasmine, poppies, smiling, anthills, the color of the sky, coffee and cashmere, literature, sparks and subway trains... If only one could leave this life slowly!
Roman Payne (Hope and Despair)
Comfortable? I'm fucking cashmere.
Jamie McGuire (Beautiful Oblivion (The Maddox Brothers, #1))
If I must drool, I may as well drool on cashmere.
Jean-Dominique Bauby (The Diving Bell and the Butterfly)
She reached out and touched the bright colors of the cashmere scarf, her face filled with wonder as much as shock. "This . . .this is Ibrahim's scarf . . .it's a family heirloom. . . " "No, it belongs to this mobster guy named Abe. . . [...] "Mom," I said disbelievingly. "You know Abe." "Yes, Rose. I know him." "Please don't tell me. . ." Oh, man. Why couldn't I have been an illegitimate half-royal like Robert Doru? Or even the mail-man's daughter? "Please don't tell me Abe is my father. . . . " She didn't have to tell me. It was all over her face. "Oh God, " I said. "I'm Zmey's daughter. Zmey Junior. Zmeyette, even." That got her attention. She looked up at me. "What on earth are you talking about?" "Nothing," I said.
Richelle Mead (Blood Promise (Vampire Academy, #4))
But I see in the clothes a symbol of continuing life. And proof that I still want to be myself. If I must drool, I may as well drool on cashmere.
Jean-Dominique Bauby (The Diving Bell and the Butterfly)
I do not believe in God. I believe in cashmere.
Fran Lebowitz
Would you like to have dinner with me?” “You mean go on a date?” I focused on stirring instead of my suddenly racing heart. “When?” “Before the union. Have dinner with me and I’ll take you to Blood Moon for a couple of hours until it’s time for the ceremony.” His fingers moved from the pleats to the hem of my sweater, his hand slipping under the pale blue cashmere to stroke the skin of my lower back. I gasped, caught his wrist in my fingers, and pulled his hand away from its provocative exploration. “We are in class,” I hissed at him through clenched teeth.
Andrea Cremer (Nightshade (Nightshade, #1; Nightshade World, #4))
Yo!” I caught the sleeve of his cashmere coat. “Rewind to the part about a Norse god being my pappy.
Rick Riordan (The Sword of Summer (Magnus Chase and the Gods of Asgard, #1))
My father despises cats. He believes them to be Democrats. He considers them to be little mean hillary clintons covered all over with feminist legfur. Cats would have abortions, if given half a chance. Cats would have abortions for fun. Consequently our own soft sinner, a soulful snowshoe named Alice, will stay shut in the bedroom upstairs, padding back and forth on cashmere paws, campaigning for equal pay, educating me about my reproductive system, and generally plotting the downfall of all men.
Patricia Lockwood (Priestdaddy)
His scent is intensified in here perfectly, baked by summer, preserved by snow, sealed and pressurized inside glass and metal. I inhale like a professional perfumer. Top notes of mint, bitter coffee, and cotton. Mid notes of black pepper and pine. Base notes of leather and cedar. Luxurious as cashmere. If this is what his car smells like, imagine his bed. Good idea. Imagine his bed. He
Sally Thorne (The Hating Game)
After they see me, when their mothers are feeding them all that cashmere sweater and girdle ----- [expletive deleted by the New York Times], maybe they'll have a second thought - that they can be themselves and win.
Janis Joplin
I dug out the powder blue cashmere cardigan my mother Lisa gave me the Christmas before last, pulled on my oldest, softest Levi’s. Comfort clothes; the next best thing to a hug from a warm, living body. Lately there had been a shortage of hugs in my life. Lately there had been a shortage of warm, living bodies.
Josh Lanyon (Fatal Shadows (The Adrien English Mysteries, #1))
Old Money Blue hydrangea, cold cash, divine, Cashmere, cologne and white sunshine. Red racing cars, Sunset and Vine, The kids were young and pretty. Where have you been? Where did you go? Those summer nights seem long ago, And so is the girl you used to call, The Queen of New York City. But if you send for me you know I'll come, And if you call for me you know I'll run. I'll run to you, I'll run to you, I'll run, run, run. I'll come to you, I'll come to you, I'll come, come, come. Ohh, Ohh. Ahh, Ahh. The power of youth is on my mind, Sunsets, small town, I'm out of time. Will you still love me when I shine, From words but not from beauty? My father's love was always strong, My mother's glamour lives on and on, Yet still inside I felt alone, For reasons unknown to me. But if you send for me you know I'll come, And if you call for me you know I'll run. I'll run to you, I'll run to you, I'll run, run, run. I'll come to you, I'll come to you, I'll come, come, come. Ohh, Ohh. Ahh, Ahh. And if you call, I'll run, run, run, If you change your mind, I'll come, come, come. Ohh, Ohh. Ahh, Ahh. Blue hydrangea, cold cash, divine, Cashmere, cologne and hot sunshine. Red racing cars, Sunset and Vine, And we were young and pretty.
Lana Del Rey
There are people in this life for whom even the best of things don't work out. They could wear cashmere suits and still look like tramps; be very rich but badly in debt; be tall but lousy at basketball.
Martin Page (How I Became Stupid)
I'm cashmere, for God's sake," it grumbles. "I deserve better than Rubbermaid.
Clara Parkes (The Yarn Whisperer: My Unexpected Life in Knitting)
Like the bath, my old clothes could easily bring back poignant, painful memories. But I see in the clothing a symbol of continuing life. And proof that I still want to be myself. If I must drool, I may as well drool on cashmere.
Jean-Dominique Bauby (The Diving Bell and the Butterfly)
Great sweater, by the way. Cashmere?” Baffled, Eve looked down at her navy turtleneck. “I don’t know. It’s blue.
J.D. Robb (Witness in Death (In Death, #10))
A teenage boy with a Mohawk sat across from me, sneering. I’d seen that look before. Why was it a problem to knit in public? “My grandma knits.” I ignored him. “So what are you making, Grandma?” Mohawk’s voice was ugly. I arched my eyebrow. “A cashmere cock ring. Your grandma ever knit one of those?” The kid’s eyes grew wide, and he suddenly became very interested in a four-year-old issue of Teen Vogue.
Leslie Langtry ('Scuse Me While I Kill This Guy (Greatest Hits, #1))
A woman crossed the street below, beautifully dressed in what appeared to be a beige cashmere blazer, gray pants, and six-inch heels. She walked as surely as if she were in sneakers, head up and fully confident that no unanticipated pothole would take her down. I wanted to be that woman. I wanted to move through the world with my head up.
Annabel Monaghan (A Girl Named Digit (Digit, #1))
Johnny gasped. "All I ever did was love you. You're just too fucked up to know what that feels like." "Maybe," said Quentin. "But I'll settle for knowing what Italian cashmere feels like.
Coco Mellors (Cleopatra and Frankenstein)
A salaam aleikum.” The elderly Irishwoman has a foamy cloud of white hair and a zigzag cashmere poncho. You wouldn’t cross her.
David Mitchell (The Bone Clocks)
And every time it happens, it’s like a sip of hot tea. It’s macaroni and cheese; it’s cozy slippers; it’s cashmere. It’s comfort.
Rachel Harrison (Cackle)
Softness was for kittens, pillows and pretty cashmere sweaters. Sex needed to be hard, hot and oh-so-rough around the edges.
Lauren Blakely (First Night (Seductive Nights, #0.5))
You feel right to me, she said, like naked on cashmere.
Atticus Poetry (The Dark Between Stars)
A good home should gather you up in its arms like a warm cashmere blanket, soothe your hurt feelings, and prepare you to go back out into that big bad world tomorrow all ready to fight the dragons.
Ina Garten (Barefoot Contessa at Home: Everyday Recipes You'll Make Over and Over Again: A Cookbook)
Apply extreme caution when wearing red in the workplace. Even a simple demure red outfit -- a cashmere twinset -- can turn you into the office lightning rod. If you are crafty, you can use this to your advantage. To gain the upper hand in an upcoming negotiation, try wearing a flaming red silk blouse and painting your nails red.
Simon Doonan (Eccentric Glamour: Creating an Insanely More Fabulous You)
Objects mimic in a material dimension what we require in a psychological one. We need to rearrange our minds but are lured towards new shelves. We buy a cashmere cardigan as a substitute for the counsel of friends. We
Alain de Botton (The Consolations of Philosophy)
What tipped you off—about Stan, I mean?” I asked. “Couple of things,” Alex replied. “He referred to Blitzen as the dwarf and claimed you hadn’t been in. Knowing how terrified you are of Sam—” “I am not!” “—I thought it was unlikely you’d skipped the shopping spree. So, I tested his story and called your phone. When I heard my ringtone, I knew he was lying about you being here. But the biggest clue? He refused to sell me anything. I mean, come on.” He gestured to his pink cashmere sweater vest and tight lime-green pants. “A real clothing salesman would have seen dollar signs the minute I walked into the store.
Rick Riordan (9 From the Nine Worlds)
He’s not a cashmere scarf, Mercy. He has horns.” “I have a birthmark shaped like Wisconsin.” “I’m leaving.
Leigh Bardugo (Hell Bent (Alex Stern, #2))
There’s someone in town asking for directions to Bhaile Anois,” she said. “He checked in late last night at the inn.” Any and Dan exchanged uneasy glances. “What does he look like?” Amy asked. Fiona narrowed her eyes. “Sneaky, for certain,” she said. “And he’s quite a waster. Good for nothin’ but complaining. Nora over at the inn said he’s never satisfied with the temperature if his tea, and he asked for a cashmere throw in his room.” Any and Dan exchanged another glance. “IAN,” they said together, and sighed. “You know the eejit?” Fiona asked. “The eejit is our cousin,” Amy said. “Distant cousin,” Dan added. “Very, very distant.
Jude Watson (Nowhere to Run (The 39 Clues: Unstoppable, #1))
There are certain levels of sadness that introduce you to parts of yourself you never knew existed, and it’s always a much purer version of you that couldn’t be any you-er than you. You fall in love with it and forget to move on.
Ibraheem Hamdi (The Cashmere Scarf)
Sensuality relates to how we can move, shake, and beguile our (desired) beloved into a deeper sense of communion. It’s a well-timed wink, the hug of cashmere on subtle curves, or the undulation of aromatherapy for sensual living sensuality and our senses hips on a dance floor. It’s salacious confidence seen in the way we hold ourselves in our bodies and in our lives.
Elana Millman (Aromatherapy for Sensual Living: Essential Oils for the Ecstatic Soul)
You can do a great many things if you're rich which would be severely criticised if you were poor. You can go and come, you can travel alone, you can have your own establishment: I mean of course if you'll take a companion—some decayed gentlewoman, with a darned cashmere and dyed hair, who paints on velvet.
Henry James (The Portrait of a Lady, Volume 1)
All of the third-world flights docked here, families waiting days for their connections, squatting on the floor in big bacterial clumps, and it was a long trek to where the European-North American travelers came and went, making those brisk, no-nonsense flights with extra leg-room and private TV, whizzing over for a single meeting in such a manner that it was truly hard to imagine they were shitting-peeing, bleeding-weeping humans at all. Silk and cashmere, bleached teeth, Prozac, laptops, and a sandwich for their lunch named the Milano.
Kiran Desai (The Inheritance of Loss)
I was confused by this sudden glare of attention; it was as if the characters in a favorite painting, absorbed in their own concerns, had looked up out of the canvas and spoken to me. Only the day before Francis, in a swish of black cashmere and cigarette smoke, had brushed past me in a corridor. For a moment, as his arm touched mine, he was a creature of flesh and blood, but the next he was a hallucination again, a figment of the imagination stalking down the hallway as heedless of me as ghosts, in their shadowy rounds, are said to be heedless of the living.
Donna Tartt (The Secret History)
There are men who put the weight of a coffin into their deliberations as they bargain for Cashmere shawls for their wives, as they go up the staircase of a theatre, or think of going to the Bouffons, or of setting up a carriage; who are murderers in thought when dear ones, with the irresistable charm of innocence, hold up childish foreheads to be kissed with a ‘Good-night, father!’ Hourly they meet the gaze of eyes they would fain close forever, eyes that still open each morning to the light. . . God alone knows the number of those who are parricides in thought
Honoré de Balzac
Such diplomacy is not to be sneezed at, for the suit is a window to the soul: lightweight cotton when cash is tight, Italian cashmere when an inheritance lands; waistlines drawn in during illness or anxiety, and let out at times of excess. Weddings, funerals, christenings, and court appearances—all of life's landmarks are sanctified, quietly and confidentially, by one's tailor.
Ben Schott (Jeeves and the King of Clubs)
You decide you’ve had enough of the neighbors with their looks and their whispers and you rise. You keep your eyes on the priest when your own church people give you their backs on a Sunday and you rise. You rise in your Lord & Taylor cashmere coat and refuse to let shame stand beside you. And when the priest calls your only child into his chambers, rests his hand too high up on her thigh, and tells her about the place in hell that is waiting for her, you return only once more—to damn him. To damn them all. And rise.
Jacqueline Woodson (Red at the Bone)
I met him at the airport. He wore a long dark-gray pea coat, charcoal slacks, a cashmere sweater, and his usual scowl. He was standing outside, the freezing New York weather staining his cheekbones a dark shade of pink while he puffed on a blunt. On the sidewalk of the airport.
L.J. Shen (Vicious (Sinners of Saint, #1))
So true,” said Miss Violence, with a sigh. But she sighed about everything. She fit into Avilion very well – into its obsolete Victorian splendours, its air of aesthetic decay, of departed grace, of wan regret. Her attitudes and even her faded cashmeres went with the wallpaper. Laura
Margaret Atwood (The Blind Assassin)
New York in November really does have a special charm to it. The air is clear and crisp, and the leaves on the trees in Central Park are just beginning to turn golden. The sky is so clear you can see forever, and the skyscrapers lavishly reflect the sun’s rays. You feel you can keep on walking one block after another without end. Expensive cashmere coats fill the windows at Bergdorf Goodman, and the streets are filled with the delicious smell of roasted pretzels.
Haruki Murakami (What I Talk About When I Talk About Running)
She liked solitude and the thoughts of her own interesting and creative mind. She liked to be comfortable. She liked hotel rooms, thick towels, cashmere sweaters, silk dresses, oxfords, brunch, fine stationery, overpriced conditioner, bouquets of gerbera, hats, postage stamps, art monographs, maranta plants, PBS documentaries, challah, soy candles, and yoga. She liked receiving a canvas tote bag when she gave to a charitable cause. She was an avid reader (of fiction and nonfiction), but she never read the newspaper, other than the arts sections, and she felt guilty about this. Dov often said she was bourgeois. He meant it as an insult, but she knew that she probably was. Her parents were bourgeois, and she adored them, so, of course, she had turned out bourgeois, too. She wished she could get a dog, but Dov’s building didn’t allow them.
Gabrielle Zevin (Tomorrow, and Tomorrow, and Tomorrow)
I trust Steph Curry to destroy everyone on a basketball court. Off the court, I trust him to destroy a cashmere turtleneck or a suede long coat and that’s about it.
Shea Serrano (Basketball (and Other Things): A Collection of Questions Asked, Answered, Illustrated)
His ruby red rimmed moist eyes were two glasses of cranberry. He wore a cashmere sweater the color of Earl Grey tea...
Brandi L. Bates (Soledad)
When at last a cab arrived and pulled up directly in front of me, I was astonished to discover that seventeen grown men and women believed they had a perfect right to try to get in ahead of me. A middle-aged man in a cashmere coat who was obviously wealthy and well-educated actually laid hands on me. I maintained possession by making a series of aggrieved Gallic honking noises—“Mais, non! Mais, non!”—and using my bulk to block the door. I leaped in, resisting the chance to catch the pushy man’s tie in the door and let him trot along with us to the Gare du Nord, and told the driver to get me the hell out of there. He looked at me as if I were a large, imperfectly formed turd, and with a disgusted sigh engaged first gear.
Bill Bryson (Neither Here Nor There: Travels in Europe)
Dressed in a lemon-colored gown made of cashmere, with sleeves of a silk so thin it was referred to by dressmakers as peau de papillon, or "butterfly skin," Lily was breathtakingly beautiful.
Lisa Kleypas (Dreaming of You (The Gamblers of Craven's, #2))
Ed Lim’s daughter, Monique, was a junior now, but as she’d grown up, he and his wife had noted with dismay that there were no dolls that looked like her. At ten, Monique had begun poring over a mail-order doll catalog as if it were a book–expensive dolls, with n ames and stories and historical outfits, absurdly detailed and even more absurdly expensive. ‘Jenny Cohen has this one,’ she’d told them, her finger tracing the outline of a blond doll that did indeed resemble Jenny Cohen: sweet faced with heavy bangs, slightly stocky. 'And they just made a new one with red hair. Her mom’s getting it for her sister Sarah for Hannukkah.’ Sarah Cohen had flaming red hair, the color of a penny in the summer sun. But there was no doll with black hair, let alone a face that looked anything like Monique’s. Ed Lim had gone to four different toy stores searching for a Chinese doll; he would have bought it for his daughter, whatever the price, but no such thing existed. He’d gone so far as to write to Mattel, asking them if there was a Chinese Barbie doll, and they’d replied that yes, they offered 'Oriental Barbie’ and sent him a pamphlet. He had looked at that pamphlet for a long time, at the Barbie’s strange mishmash of a costume, all red and gold satin and like nothing he’d ever seen on a Chinese or Japanese or Korean woman, at her waist-length black hair and slanted eyes. I am from Hong Kong, the pamphlet ran. It is in the Orient, or Far East. Throughout the Orient, people shop at outdoor marketplaces where goods such as fish, vegetables, silk, and spices are openly displayed. The year before, he and his wife and Monique had gone on a trip to Hong Kong, which struck him, mostly, as a pincushion of gleaming skyscrapers. In a giant, glassed-in shopping mall, he’d bought a dove-gray cashmere sweater that he wore under his suit jacket on chilly days. Come visit the Orient. I know you will find it exotic and interesting. In the end he’d thrown the pamphlet away. He’d heard, from friends with younger children, that the expensive doll line now had one Asian doll for sale – and a few black ones, too – but he’d never seen it. Monique was seventeen now, and had long outgrown dolls.
Celeste Ng (Little Fires Everywhere)
Most of them, I suspect, come to the mall not because there is something specific that they need to buy. Rather, they come in the hope that doing so will trigger a desire for something that, before going to the mall, they didn't want. It might be a desire for a cashmere sweater, a set of socket wrenches, or the latest cell phone. Why go out of their way to trigger desire? Because if they trigger one, they can enjoy the rush that comes when they extinguish that desire by buying its object. It is a rush, of course, that has little to do with their long-term happiness as taking a hit of heroin has to do with the long-term happiness of a heroin addict. My ability to form desires for consumer goods seems to have atrophied. What brought about this state of affairs? The profound realization, thanks to the practice of Stoicism, that requiring the things that those in my social circle typically crave and work hard to afford will, in the long run, make zero difference in how happy I am and will in no way contribute to my having a good life.
William B. Irvine (A Guide to the Good Life: The Ancient Art of Stoic Joy)
For example, Madame Chic’s wardrobe for winter consisted of three or four wool skirts, four cashmere sweaters, and three silk blouses. (Madame Chic rarely wore trousers.) She had a uniform of sorts and wore it well.
Jennifer L. Scott (Lessons from Madame Chic: 20 Stylish Secrets I Learned While Living in Paris)
I’d have you in silk,” he murmured, low and intimate just for me to hear as the others talked elsewhere in the room. “The same texture as your skin. I’d have you in sapphires the color of your eyes and cashmere as soft as your hair.
Giana Darling (Dangerous Temptation (Dark Dream, #1))
I became addicted to the floating nature of nothingness, to the charm of its carefree pauses and to waiting. I magnified waiting. I wrote about waiting. I basked in its warm nook and completely let go of who I am or what I really wanted.
Ibraheem Hamdi (The Cashmere Scarf)
My father despises cats. He believes them to be Democrats. He considers them to be little mean hillary clintons covered all over with feminist legfur. Cats would have abortions, if given half a chance. Cats would have abortions for fun. Consequently our own soft sinner, a soulful snowshoe named Alice, will stay shut in the bedroom upstairs, padding back and forth on cashmere paws, campaigning for equal pay, educating me about my reproductive options, and generally plotting the downfall of all men.
Patricia Lockwood (Priestdaddy: A Memoir)
She liked hotel rooms, thick towels, cashmere sweaters, silk dresses, oxfords, brunch, fine stationery, overpriced conditioner, bouquets of gerbera, hats, postage stamps, art monographs, maranta plants, PBS documentaries, challah, soy candles, and yoga.
Gabrielle Zevin (Tomorrow, and Tomorrow, and Tomorrow)
This is what writing does to you: it makes you put everything under a microscope of metaphors and similes, surrounded by memories and reminiscences. It flies you up high and leaves you without gravity, without reference, and absolutely without destination.
Ibraheem Hamdi (The Cashmere Scarf)
She liked hotel rooms, thick towels, cashmere sweaters, silk dresses, oxfords, brunch, fine stationery, overpriced conditioner, bouquets of gerbera, hats, postage stamps, art monographs, maranta plants, PBS documentaries, challah, soy candles, and yoga. She
Gabrielle Zevin (Tomorrow, and Tomorrow, and Tomorrow)
My mom’s white-blond hair is perfectly coiffed, her makeup tastefully understated, her Jil Sander cashmere turtleneck expensively minimalist. She has that sort of ageless beauty that only good genes, expensive skincare products, and a world-class surgeon can buy.
Liz Lawson (The Night In Question)
Don’t be afraid of aging. As the saying goes, don’t be afraid of anything but fear itself. Find “your” perfume before you turn thirty. Wear it for the next thirty years. No one should ever see your gums when you talk or laugh. If you own only one sweater, make sure it’s cashmere. Wear a black bra under your white blouse, like two notes on a sheet of music. One must live with the opposite sex, not against them. Except when making love. Be unfaithful: cheat on your perfume, but only on cold days. Go to the theater, to museums, and to concerts as often as possible: it gives you a healthy glow. Be aware of your qualities and your faults. Cultivate them in private but don’t obsess. Make it look easy. Everything you do should seem effortless and graceful. Not too much makeup, too many colors, too many accessories …  Take a deep breath and keep it simple. Your look should always have one thing left undone—the devil is in the details. Be your own knight in shining armor. Cut your own hair or ask your sister to do it for you. Of course you know celebrity hairdressers, but only as friends. Always be fuckable: when standing in line at the bakery on a Sunday morning, buying champagne in the middle of the night, or even picking the kids up from school. You never know. Either go all gray or no gray hair. Salt and pepper is for the table.
Anne Berest (How to Be Parisian Wherever You Are: Love, Style, and Bad Habits)
Her walk-in closet greeted me with the smell of lavender. Hanging rods held Chanel suits and sale-rack department store dresses side by side. Shelves displayed sweaters of every color from peach to cranberry. I brushed my hand over a pink sweater. The cashmere was soft as a cloud.
Mary Simses (The Irresistible Blueberry Bakeshop & Cafe)
I was confused by this sudden glare of attention; it was as if the characters in a favorite painting, absorbed in their own concerns, had looked up out of the canvas and spoken to me. Only the day before Francis, in a swish of black cashmere and cigarette smoke, had brushed past me in a corridor. For
Donna Tartt (The Secret History)
For Pippin Lane Hawthorne, being in her father's secret study was akin to wrapping herself up in a cashmere blanket on a chilly afternoon. It had become her safe place. It was the room in the big, rambling house where she could forget everything and everyone. Where she could focus on the Lane family curse, picking up where her father, Leo, had left off
Melissa Bourbon (Long Forgotten Stories (Book Magic, #2))
Because love is chaos. Humans are chaos. They’re messy and temporary and inconvenient and I don’t know why they care, but they care.
Temple West (Cashmere (Velvet, #2))
At the sound of his voice, the Princess of Bengal suddenly grew calm, and an expression of joy overspread her face, such as only comes when what we wish for most and expect the least suddenly happens to us. For some time she was too enchanted to speak, and Prince Firouz Schah took advantage of her silence to explain to her all that had occurred, his despair at watching her disappear before his very eyes, the oath he had sworn to follow her over the world, and his rapture at finally discovering her in the palace at Cashmere. When he had finished, he begged in his turn that the princess would tell him how she had come there, so that he might the better devise some means of rescuing her from the tyranny of the Sultan. It
Anonymous (The Arabian Nights Entertainments)
I will say this about the upper echelon in France: they know how to spend money. From what I saw living in America, wealth is dedicated to elevating the individual experience. If you’re a well-off child, you get a car, or a horse. You go to summer camps that cost as much as college. And everything is monogrammed, personalized, and stamped, to make it that much easier for other people to recognize your net worth. …The French bourgeois don’t pine for yachts or garages with multiple cars. They don’t build homes with bowling alleys or spend their weekends trying to meet the quarterly food and beverage limit at their country clubs: they put their savings into a vacation home that all their family can enjoy, and usually it’s in France. They buy nice food, they serve nice wine, and they wear the same cashmere sweaters over and over for years. I think the wealthy French feel comfortable with their money because they do not fear it. It’s the fearful who put money into houses with even bedrooms and fifteen baths. It’s the fearful who drive around in yellow Hummers during high-gas-price months becasue if they’re going to lose their money tomorrow, at least other people will know that they are rich today. The French, as with almost all things, privilege privacy and subtlety and they don’t feel comfortable with excess. This is why one of their favorite admonishments is tu t’es laisse aller. You’ve lost control of yourself. You’ve let yourself go.
Courtney Maum (I Am Having So Much Fun Here Without You)
Gabbe stepped forward. "Cam's right. I've heard the Scale speak of these shifts." She was tugging on the sleeves of her pale yellow cashmere cardigan as if she would never get warm. "They're called timequakes. They are ripples in our reality." "And the closer he gets," Roland added, with his usual understated wisdom, "the closer we are to the terminus of his Fall, the more frequent and the more severe the timequakes will become. Time is faltering in preparation for rewriting itself." "Like the way your computer freezes up more and more frequently before the hard drive crashes and erases your twenty-page term paper?" Miles said. Everyone looked at him in befuddlement. "What?" he asked. "Angels and demons don't do homework?
Lauren Kate (Rapture (Fallen, #4))
This is what you remember about him: not much, but then you have been assiduous in your forgetting. His red sweater, v-neck, cashmere; the clink of ice-cubes in a glass. He is shadow and voice, but you cannot recall his face. He is behind a closed door, in a forbidden room. He is asleep in his armchair, he is asleep in the driveway, asleep in your sandpit, face down, snoring but not harmless, even then. He is shouting, he is whispering, he is close but also remote as if at the end of a long hallway and you cannot hear him. His words never make any sense, he speaks some other language. His hands sometimes spin away from him like windmills, like pinwheels and Catherine wheels, snapping like firecrackers. There must be pain, but you cannot feel it. Your skin bruises like apples.
Melanie Finn (Away from You)
He pointed out that the mattress in the master boudoir was handspring with each spring wrapped in cashmere It’s like sleeping on air, Miss Williams, he said as he showed her the suite’s ‘menu of pillows’ on a silver-embossed card As if she was the kind of woman who’d amputate her aspirations to become one of his decorative appendages She had to politely extricate herself from his intentions without jeopardizing the business
Bernardine Evaristo (Girl, Woman, Other)
Girl, how do you think I got where I am? I came here from an island no one’s even heard of, barely spoke English, and thought I would die in the gutter.” Miss Q shook her head. “We help each other. Whenever we can, however we can, using whatever means we got. You got the Cashmere and your knowledge. I got money. If I have to choose between another coat and a sister in need, you best not think you’re gonna see me in a new coat come Sunday service.
Alyssa Cole (Let Us Dream)
I put my hand over Matilda's, caressing the little blue veins that swam just below the skin and squeezing the chunky black pearl-and-diamond ring that adorned her middle finger. Happiness washed over me. We were in a magical place between warm sky and cool grass, between a soft cashmere blanket and a glittering sky. There were so many stars they seemed to rain like confetti at a celebration, and I felt as if Matilda and I were its guests of honor.
Alex Brunkhorst (The Gilded Life of Matilda Duplaine)
Charles was dressed more casually than normal, in a heavy fleece and sweatpants. Dr. Quinn rose to the occasion in a rose-gray cashmere sweater, a sweeping wool skirt, black cashmere tights, and tall black boots. No amount of cold was going to rob her of her queenly graces. Charles had a look on his face that said, "I'm not angry, but I am disappointed." Dr. Quinn's expression said, "He's passive-aggressive. I'm not. I am aggressive. I have killed before."
Maureen Johnson (The Hand on the Wall (Truly Devious, #3))
Maybe you don't think it's helpful to hear how big the problem is and how we're making it worse without thinking about it. I agree: the size of the problem and the narrative of personal responsibility is destructive! It makes us feel guilty about everything we do, even though we had no idea and weren't responsible for setting up the cattle industry! It shouldn't be the consumer's responsibility to find out what type of fish is okay to eat, or which inexpensive cashmere sweater is okay to buy (which is not to say you should eat fish and wear cheap cashmere with abandon). Instead, it should be up to the company to produce cashmere responsible or not to catch and sell fish that shouldn't be caught and sold, since the companies making money from these activities are the experts (theoretically) who control how the product is made. That's a change we can demand companies make. We don't have to buy their products if they are unwilling to at least tell us where they come from.
Tatiana Schlossberg (Inconspicuous Consumption: The Environmental Impact You Don't Know You Have)
You shall learn that reality is a cover, that imagination is our true essence. That a blur is more beautiful than what it hides, that scrutiny is a curse and that those who enjoy it are more miserable than how much happier it makes them think they become!
Ibraheem Hamdi (The Cashmere Scarf)
She replaced her wardrobe with marvels of the season bought from boutiques of the Palais-Royal and rue de la Chaussee-d'Antin. Outfits for a ball detailed in the fashion pages of the January 1839 edition of Paris Elegant describe dresses of pale pink crépe garnished with lace and velvet roses and accessorized with white gloves, silk stockings, and white cashmere or taffeta shawls. In the spring of that year, misty tulle bonnets came into fashion worn with capes of Alencon lace - “little masterpieces of lightness and freshness.“ Her bed was her stage, raised on a platform and curtained with sumptuous pink silk drapes. The adjoining cabinet de toilette was also a courtesan’s natural habitat, its dressing table a jumble of lace, bows, ribbons, embossed vases, crystal bottles of scents and lotions, brushes and combs of ivory and silver. She indulged her sweet tooth with cakes from Rollet the patissier, glaceed fruit from Boissier, and on one occasion sent for twelve biscuits, macaroons, and maraschino liqueur.
Julie Kavanagh (The Girl Who Loved Camellias: The Life and Legend of Marie Duplessis)
The last year had been a series of wrong turns, bad choices, abandoned projects. There was the all-girl band in which she had played bass, variously called Throat, Slaughterhouse Six and Bad Biscuit, which had been unable to decide on a name, let alone a musical direction. There was the alternative club night that no-one had gone to, the abandoned first novel, the abandoned second novel, several miserable summer jobs selling cashmere and tartan to tourists. At her very, very lowest ebb she had taken a course in Circus Skills until it transpired that she had none. Trapeze was not the solution. The much-advertised Second Summer of Love had been one of melancholy and lost momentum. Even her beloved Edinburgh had started to bore and depress her. Living in a her University town felt like staying on at a party that everyone else had left, and so in October she had given up the flat in Rankellior Street and moved back to her parents for a long, fraught, wet winter of recriminations and slammed doors and afternoon TV in a house that now seemed impossibly small.
David Nicholls (One Day)
Yes; she’s one of the few. In my youth,” Miss Jackson rejoined, “it was considered vulgar to dress in the newest fashions; and Amy Sillerton has always told me that in Boston the rule was to put away one’s Paris dresses for two years. Old Mrs. Baxter Pennilow, who did everything handsomely, used to import twelve a year, two velvet, two satin, two silk, and the other six of poplin and the finest cashmere. It was a standing order, and as she was ill for two years before she died they found forty-eight Worth dresses that had never been taken out of tissue paper;
Edith Wharton (The Age of Innocence)
You’re right, we should keep things professional between us. Please—let’s give it a shot.” She looked down into her lap and fiddled with the tie on the front of the cashmere pants. “No more fooling around?” “Scout’s honor,” he said, raising his hand with his palm toward her, thumb extended, fingers parted between his middle and ring finger. Holly stared at his hand and frowned. “What the hell kind of Boy Scout were you?” “I wasn’t. That’s a Vulcan salute.” “Star Trek?” “Yep. Much more meaningful to a geek than any Boy Scout pledge. As Spock is my witness, I’ll do my very best to keep my hands off you.” She
Tawna Fenske (The Fix Up (First Impressions #1))
I made a choice, many years ago, about the kind of person I wanted to be, and the kind of life I wanted to live. And every day I ask myself if that’s the person I still wish to be. And every day, I say yes. Even when I’m tired. Even when things are going poorly. This is the life I want to live, and this is the way I want to live it.
Temple West (Cashmere (Velvet, #2))
We're in her bedroom,and she's helping me write an essay about my guniea pig for French class. She's wearing soccer shorts with a cashmere sweater, and even though it's silly-looking, it's endearingly Meredith-appropriate. She's also doing crunches. For fun. "Good,but that's present tense," she says. "You aren't feeding Captain Jack carrot sticks right now." "Oh. Right." I jot something down, but I'm not thinking about verbs. I'm trying to figure out how to casually bring up Etienne. "Read it to me again. Ooo,and do your funny voice! That faux-French one your ordered cafe creme in the other day, at that new place with St. Clair." My bad French accent wasn't on purpose, but I jump on the opening. "You know, there's something,um,I've been wondering." I'm conscious of the illuminated sign above my head, flashing the obvious-I! LOVE! ETIENNE!-but push ahead anyway. "Why are he and Ellie still together? I mean they hardly see each other anymore. Right?" Mer pauses, mid-crunch,and...I'm caught. She knows I'm in love with him, too. But then I see her struggling to reply, and I realize she's as trapped in the drama as I am. She didn't even notice my odd tone of voice. "Yeah." She lowers herself slwoly back to the floor. "But it's not that simple. They've been together forever. They're practically an old married couple. And besides,they're both really...cautious." "Cautious?" "Yeah.You know.St. Clair doesn't rock the boat. And Ellie's the same way. It took her ages to choose a university, and then she still picked one that's only a few neighborhoods away. I mean, Parsons is a prestigious school and everything,but she chose it because it was familiar.And now with St. Clair's mom,I think he's afraid to lose anyone else.Meanwhile,she's not gonna break up with him,not while his mom has cancer. Even if it isn't a healthy relationship anymore." I click the clicky-button on top of my pen. Clickclickclickclick. "So you think they're unhappy?" She sighs. "Not unhappy,but...not happy either. Happy enough,I guess. Does that make sense?" And it does.Which I hate. Clickclickclickclick. It means I can't say anything to him, because I'd be risking our friendship. I have to keep acting like nothing has changed,that I don't feel anything ore for him than I feel for Josh.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
Daniel stood up and loomed over Sadie. "Sing?" "Sorry?" "Do.You.Want.To.Sing.With.Me?" For a count of five, nothing happened. Then,a thousand sad wallflowers at a thousand loud dances were redeemed in that moment. Sadie positively lit up. "Yes," she said, sitting up straight. "I do." "Okay." He started for the stage. "Lose the jacket." She paused halfway out of her seat. "What?" "The jacket," he said over his shoudler. "It's freaking ugly." I watched as Sadie froze. "C'mon, Sadie. I'm aging here." Sadie slid the jacket off her shoulders. It caught at her elbows for a second, then she let it drop to the chair. Underneath, she was wearing jeans and a red cashmere sweater. She looked terrified, mortified, and really good. "Excellent," Daniel said. "Let's go.
Melissa Jensen (The Fine Art of Truth or Dare)
Cashmere starts the ball rolling with a speech about how she just can’t stop crying when she thinks of how much the people in the Capitol must be suffering because they will lose us. Gloss recalls the kindness shown here to him and his sister. Beetee questions the legality of the Quell in his nervous, twitchy way, wondering if it’s been fully examined by experts of late. Finnick recites a poem he wrote to his one true love in the Capitol, and about a hundred people faint because they’re sure he means them. By the time Johanna Mason gets up, she’s asking if something can’t be done about the situation. Surely the creators of the Quarter Quell never anticipated such love forming between the victors and the Capitol. No one could be so cruel as to sever such a deep bond.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
Yeah. I think I’ll put out for you tonight,” he said, then stalked closer, his solid body nearing hers, erasing the space between them as he cupped her cheeks in his hands, and captured her mouth in a hot, wet kiss. It wasn’t a slow kiss or a dreamy kiss. No, it was a hungry one that sent a rush of heat flooding her veins. He spun her around, lifted her up on the bar, then edged himself between her legs as he slid his tongue over hers, explored her lips and her mouth as he kissed her hard and furiously. Like she wanted to be kissed, his stubbled jaw rough against her face. He threaded his hands into her hair and he wasn’t gentle with his touch, and she thanked her lucky stars for that. Softness was for kittens, pillows and pretty cashmere sweaters. Sex needed to be hard, hot and oh-so-rough around the edges.
Lauren Blakely (First Night (Seductive Nights, #0.5))
For the next nine months, Sylvia would report on campus trends, politics, tastes, style. It was an honor, but it was grueling. Sylvia was overworked. She had boyfriend problems. She longed for Europe. She broke her leg in a skiing accident. Her best friend, Marcia Brown, had gotten engaged and moved off campus - other girls were away on their junior year abroad. The whole campus seemed mired in some bleak haze- there were suicide attempts, abortions, disappearances, and hasty marriages. Sylvia coped with shopping binges in downtown Northhampton- sheer blouses, French pumps, red cashmere sweaters, white skirts, and tight black pullovers - clothes more suited to voguish amusements than studying. Everyone wanted to be one of Mademoiselle's guest editors, but Sylvia needed it - some shot of glamour to pull her out of the mud.
Elizabeth Winder (Pain, Parties, Work: Sylvia Plath in New York, Summer 1953)
Without electricity or gas, the kitchen became a twilight mausoleum of dead appliances. One day, Natasha had an idea. Wearing latex gloves she found in Sonja’s room, she scrubbed the innards of the oven and refrigerator with steel wool and bleach. She cut a broomstick to the width of the refrigerator compartment, jammed it in below the thermostat control, and pulled out the plastic shelves. In her bedroom, she gathered clothes from the floor in sweeping armfuls and deposited them before the refrigerator and the oven. Ever since she had begun working for the shuttle trader, her wardrobe exceeded her closet space. She hung silk evening dresses and cashmere sweaters on the broomstick bar, set folded jeans and blouses on the oven rack. When finished, she opened the doors to her new closet and bureau and felt pleased with her ingenuity. This is how you will survive, she told herself. You will turn the holes in your life into storage space.
Anthony Marra (A Constellation of Vital Phenomena)
And the sound of my own washer and dryer interfered with my sleep. So I just threw away my dirty underpants. All the old pairs reminded me of Trevor, anyway. For a while, tacky lingerie from Victoria’s Secret kept showing up in the mail—frilly fuchsia and lime green thongs and teddies and baby-doll nightgowns, each sealed in a clear plastic Baggie. I stuffed the little Baggies into the closet and went commando. An occasional package from Barneys or Saks provided me with men’s pajamas and other things I couldn’t remember ordering—cashmere socks, graphic T-shirts, designer jeans. I took a shower once a week at most. I stopped tweezing, stopped bleaching, stopped waxing, stopped brushing my hair. No moisturizing or exfoliating. No shaving. I left the apartment infrequently. I had all my bills on automatic payment plans. I’d already paid a year of property taxes on my apartment and on my dead parents’ old house upstate. Rent money from the tenants in that house showed up in my checking account by direct deposit every month. Unemployment was rolling in as long as I made the weekly call into the automated service and pressed “1” for “yes” when the robot asked if I’d made a sincere effort to find a job.
Ottessa Moshfegh (My Year of Rest and Relaxation)
So anyway,” he continued. That’s when we heard the loud knocking on the pickup window. I jumped through the roof--it was after 2:00 A.M. Who on earth could it be? The Son of Sam--it had to be! Marlboro Man rolled down the window, and a huge cloud of passion and steam escaped. It wasn’t the Son of Sam. Worse--it was my mother. And she was wearing her heather gray cashmere robe. “Reeee?” she sang. “Is that yoooou?” She leaned closer and peered through the window. I slid off of Marlboro Man’s lap and gave her a halfhearted wave. “Uh…hi, Mom. Yeah. It’s just me.” She laughed. “Oh, okay…whew! I just didn’t know who was out here. I didn’t recognize the car!” She looked at Marlboro Man, whom she’d met only one time before, when he picked me up for a date. “Well, hello again!” she exclaimed, extending her manicured hand. He took her hand and shook it gently. “Hello, ma’am,” he replied, his voice still thick with lust and emotion. I sank in my seat. I was an adult, and had just been caught parking at 2:00 A.M. in the driveway of my parents’ house by my robe-wearing mother. She’d seen the foggy windows. She’d seen me sitting on his lap. I felt like I’d just gotten grounded. “Well, okay, then,” my mom said, turning around. “Good night, you two!” And with that, she flitted back into the house. Marlboro Man and I looked at each other. I hid my face in my hands and shook my head. He chuckled, opened the door, and said, “C’mon…I’d better get you home before curfew.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
She melted the butter in the pan. She warmed the egg yolks by immersing them in a bowl of hot water and mixing them with vinegar, then pouring in the shining golden butter little by little. She moved the whisk ceaselessly, making the contents of the bowl whirl round and round. Having observed Chizu's troubles up close, and learned how to avoid them, she succeeded in producing the fine egg-colored foam relatively quickly. Her whole hand, from the wrist down, was dancing on a waltz. The tigers in the book, whose desires had kept them spinning round and round until they transformed into butter, had ended up in the stomachs of Little Babaji's family. Even after their deaths, Kajii's victims continued to be exposed to and consumed by the curious gaze of the general public. Rika had stopped believing that any blame lay with the victims themselves. Being sucked into the vortex of Kajii's ominous power, like she herself had been, was something that could happen to anybody. Thinking this, she went on single-mindedly whisking the butter. Through her adventures with the quatre-quarts on Valentine's Day, she'd learned that waiting on the far side of all of this seemingly endless whisking was not stasis or evaporation, but emulsification. If she couldn't tear her eyes away from Kajii, if she couldn't stop herself from spinning round and round, then maybe all that was left to do was to grip on to Kajii with all her might, so as to ensure she wasn't shaken off. 'Done!' Rika said to herself and lifted up the whisk. The sauce of warm, bright yellow that came dripping off the whisk was smooth as cashmere.
Asako Yuzuki (Butter)
freeze, so she opted for pants with a thick, nubbly sweater that added substance to her frame. As always, her necklace was in place, and she donned a lovely bright cashmere scarf to keep her neck warm. When she stepped back to appraise herself in the mirror, she felt she looked almost as good as she had before chemotherapy started. Collecting her purse, she took a couple more pills—the pain wasn’t as bad as yesterday, but no reason to risk it—and called an Uber. Pulling up to the gallery a few minutes after closing time, she saw Mark through the window, discussing one of her photographs with a couple in their fifties. Mark offered the slightest of waves when Maggie stepped inside and hurried to her office. On her desk was a small stack of mail; she was quickly sorting through it when Mark suddenly tapped on her open door. “Hey, sorry. I thought they’d make a decision before you arrived, but they had a lot of questions.” “And?” “They bought two of your prints.” Amazing, she thought. Early in the life of the gallery, weeks could go by without the sale of even a single print of hers. And while the sales did increase with the growth of her career, the real renown came with her Cancer Videos. Fame did indeed change everything, even if the fame was for a reason she wouldn’t wish upon anyone. Mark walked into the office before suddenly pulling up short. “Wow,” he said. “You look fantastic.” “I’m trying.” “How do you feel?” “I’ve been more tired than usual, so I’ve been sleeping a lot.” “Are you sure you’re still up for this?” She could see the worry in his expression. “It’s Luanne’s gift, so I have to go. And besides, it’ll help me get into the Christmas spirit.
Nicholas Sparks (The Wish)
He walked me to the door, and we stood on the top step. Wrapping his arms around my waist, he kissed me on the nose and said, “I’m glad I came back.” God, he was sweet. “I’m glad you did, too,” I replied. “But…” I paused for a moment, gathering courage. “Did you have something you wanted to say?” It was forward, yes--gutsy. But I wasn’t going to let this moment pass. I didn’t have many more moments with him, after all; soon I’d be gone to Chicago. Sitting in coffee shops at eleven at night, if I wanted. Working. Eventually going back to school. I’d be danged if I was going to miss what he’d started to say a few minutes earlier, before my mom and her cashmere robe showed up and spoiled everything. Marlboro Man looked up at me and smiled, apparently pleased that I’d shown such assertiveness. An outgoing middle child all my life, with him I’d become quiet, shy--an unrecognizable version of myself. He’d captured my heart so unexpectedly, so completely, I’d been rendered utterly incapable of speaking. He had this uncanny way of sucking the words right out of me and leaving nothing but pure, unadulterated passion in their place. He grabbed me even more tightly. “Well, first of all,” he began, “I really…I really like you.” He looked into my eyes in a seeming effort to transmit the true meaning of each word straight into my psyche. All muscle tone disappeared from my body. Marlboro Man was so willing to put himself out there, so unafraid to put forth his true feelings. I simply wasn’t used to this. I was used to head games, tactics, apathy, aloofness. When it came to love and romance, I’d developed a rock-solid tolerance for mediocrity. And here, in two short weeks, Marlboro Man had blown it all to kingdom come. There was nothing mediocre about Marlboro Man.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Helen wriggled in protest as his hand stole to the back of her skirts. She was wearing a ready-made traveling dress, which fit nicely after a few minor alterations made by one of Mrs. Allenby’s assistants. It was a simple design of light blue silk and cashmere, with a smart little waist-jacket. There was no bustle, and the skirts had been drawn back snugly to reveal the shape of her body. The skirts descended in a pretty fall of folds and pleats, with a large decorative bow placed high on her posterior. To her vexation, Rhys wouldn’t leave the bow alone. He was positively mesmerized by it. Every time she turned her back to him, she could feel him playing with it. “Rhys, don’t!” “I can’t help it. It calls to me.” “You’ve seen bows on dresses before.” “But not there. And not on you.” Reluctantly Rhys let go of her and pulled out his pocket watch. “The train should have departed by now. We’re five minutes late.” “What are you in a rush for?” she asked. “Bed,” came his succinct reply. Helen smiled. She stood on her toes and pressed a quick kiss to his cheek. “We have a lifetime of nights together.” “Aye, and we’ve already missed too many of them.” Helen turned and bent to pick up her small valise, which had been set on the floor. At the same time, she heard the sound of fabric ripping. Before Helen had straightened and twisted to look at the back of her skirts, she already knew what had happened. The bow hung limply, at least half of its stitches torn. Meeting her indignant glance, Rhys looked as sheepish as a schoolboy caught with a stolen apple. “I didn’t know you were going to bend over.” “What am I going to say to the lady’s maid when she sees this?” He considered that for a moment. “Alas?” he suggested. Helen’s lips quivered with unwilling amusement.
Lisa Kleypas (Marrying Winterborne (The Ravenels, #2))
Frankie was making me work for my forgiveness. It had taken several days, a thousand phone messages, and a seriously overpriced Vogue Hommes International shoved through his mail slot to get him even to speak to me. He was sitting across the table from me now, arms crossed over his chest (to be fair, he did that a lot when wearing that particular cashmere sweater; it covered the repaired moth hole at the point of the V-neck), glowering a little. I nudged the cannoli another millimeter toward him. It was chocolate chip,his fave. "So I screwed up twice." I was wrapping up my tale of guilt and woe. "Edward I don't mind so much now. We just were too different for it to work out in the end..." I chanced a glance at Frankie's sulky face to see if he found that at all humorous. Apparently not.,. I sighed and went for honesty. "Alex...That one has walloped me." Frankie darted out a finger and scooped a little of the filling from the cannoly. I resisted the urge to fling myself across the table and hug him until he squeaked. "The sharks were good," he acknowledged, and not even too reluctantly. "Insane but good." "Yeah.And Ferdinand. I'll introduce you sometime." Frankie wrinkled his perfect nose. "I'll take my stingray as a shagreen wallet, thank you." I laughed.Not that I appreciated the thought of Ferdinand as an accessory,but I was just so happy to have my Frankie back. He read my mind and waved a cannoli-tipped finger at me. "Ah.You are not forgiven yet, madam." I subsided in my chair. "I'm sorry," I told him quietly. "I'm really really sorry. If I could go back and do any of it differently, the very first thing would be to tell you everything as it was happening." "Hmph." Frankie took a bite of cannoli, delicately wiped his mouth, had a sip of espresso,wiped his mouth. And examined the painted til ceiling.
Melissa Jensen (The Fine Art of Truth or Dare)
Blitzen!” Junior suddenly appeared. He crutched toward me with his rocket-powered walker and a lot of friends. “Get him, boys!” “Ha! Eat light, Junior!” I unleashed the power of the mini bed. Sadly, instead of a turn-you-to-stone laser beam, a weak glow enveloped Junior like a soft blanket. The charge had run out. A thin crust formed around him. It was nowhere near as dramatic as instant petrification, but it was startling enough to make the other dwarves pause. And that made me think about how I looked to them. A dwarf who handcrafts a weapon that I know what it’s like to be petrified. It stinks. So I had every intention of cutting Alviss free on his next pass-by and then dipping him in the river to restore him. But before I could, the stalactite attached to the rope broke. Alviss’s momentum carried him over the cliff edge. He landed with a splash in the water below. “Oops.” I peered down, then waved my hand dismissively. “Ah, he’ll be fine.” “Blitzen!” Junior suddenly appeared. He crutched toward me with his rocket-powered walker and a lot of friends. “Get him, boys!” “Ha! Eat light, Junior!” I unleashed the power of the mini bed. Sadly, instead of a turn-you-to-stone laser beam, a weak glow enveloped Junior like a soft blanket. The charge had run out. A thin crust formed around him. It was nowhere near as dramatic as instant petrification, but it was startling enough to make the other dwarves pause. And that made me think about how I looked to them. A dwarf who handcrafts a weapon that petrifies other dwarves? Not cool. “Listen!” I yelled. “My argument is with Junior, not you. When he decrustifies, tell him I want to talk.” I put the mini bed on the ground and showed them my empty hands while slowly backing away. It would have been a very powerful moment if I hadn’t backed off the cliff into the river. As I thrashed through the churning water toward shore, three things occurred to me. One, Junior would never, ever forgive me. Two, my cashmere hoodie was ruined. And three . . . Mimir owed me a lot more than a quarter.
Rick Riordan (9 From the Nine Worlds)
We kissed again, and I shivered in the cold night air. Wanting to get me out of the cold, he led me to his pickup and opened the door so we could both climb in. The pickup was still warm and toasty, like a campfire was burning in the backseat. I looked at him, giggled like a schoolgirl, and asked, “What have you been doing all this time?” “Oh, I was headed home,” he said, fiddling with my fingers. “But then I just turned around; I couldn’t help it.” His hand found my upper back and pulled me closer. The windows were getting foggy. I felt like I was seventeen. “I’ve got this problem,” he continued, in between kisses. “Yeah?” I asked, playing dumb. My hand rested on his left bicep. My attraction soared to the heavens. He caressed the back of my head, messing up my hair…but I didn’t care; I had other things on my mind. “I’m crazy about you,” he said. By now I was on his lap, right in the front seat of his Diesel Ford F250, making out with him as if I’d just discovered the concept. I had no idea how I’d gotten there--the diesel pickup or his lap. But I was there. And, burying my face in his neck, I quietly repeated his sentiments. “I’m crazy about you, too.” I’d been afflicted with acute boy-craziness for over half my life. But what I was feeling for Marlboro Man was indescribably powerful. It was a primal attraction--the almost uncontrollable urge to wrap my arms and legs around him every time I looked into his eyes. The increased heart rate and respiration every time I heard his voice. The urge to have twelve thousand of his babies…and I wasn’t even sure I wanted children. “So anyway,” he continued. That’s when we heard the loud knocking on the pickup window. I jumped through the roof--it was after 2:00 A.M. Who on earth could it be? The Son of Sam--it had to be! Marlboro Man rolled down the window, and a huge cloud of passion and steam escaped. It wasn’t the Son of Sam. Worse--it was my mother. And she was wearing her heather gray cashmere robe. “Reeee?” she sang. “Is that yoooou?” She leaned closer and peered through the window. I slid off of Marlboro Man’s lap and gave her a halfhearted wave. “Uh…hi, Mom. Yeah. It’s just me.” She laughed. “Oh, okay…whew! I just didn’t know who was out here. I didn’t recognize the car!” She looked at Marlboro Man, whom she’d met only one time before, when he picked me up for a date. “Well, hello again!” she exclaimed, extending her manicured hand. He took her hand and shook it gently. “Hello, ma’am,” he replied, his voice still thick with lust and emotion. I sank in my seat. I was an adult, and had just been caught parking at 2:00 A.M. in the driveway of my parents’ house by my robe-wearing mother. She’d seen the foggy windows. She’d seen me sitting on his lap. I felt like I’d just gotten grounded. “Well, okay, then,” my mom said, turning around. “Good night, you two!” And with that, she flitted back into the house. Marlboro Man and I looked at each other. I hid my face in my hands and shook my head. He chuckled, opened the door, and said, “C’mon…I’d better get you home before curfew.” My sweaty hands still hid my face. He walked me to the door, and we stood on the top step. Wrapping his arms around my waist, he kissed me on the nose and said, “I’m glad I came back.” God, he was sweet. “I’m glad you did, too,” I replied. “But…” I paused for a moment, gathering courage. “Did you have something you wanted to say?” It was forward, yes--gutsy. But I wasn’t going to let this moment pass. I didn’t have many more moments with him, after all; soon I’d be gone to Chicago. Sitting in coffee shops at eleven at night, if I wanted. Working. Eventually going back to school. I’d be danged if I was going to miss what he’d started to say a few minutes earlier, before my mom and her cashmere robe showed up and spoiled everything.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Tis frigid as the depths of — oh!” Harry had one arm out of his overcoat when he spotted Batten at the kitchen table, and the sight stopped him cold. “Oh, my God, Magnum.” His Higgins impression was, of course, impeccable. The worry in his cashmere grey eyes shifted to abrupt delight.
A.J. Aalto (Last Impressions (The Marnie Baranuik Files #3))
princely sum for that attractive lighting, but it was rarely used for its intended purpose. In hindsight, reading light would have been more useful. She scooted over to claim the center of the king bed with its high-thread count sheets and cashmere blankets; it sounded like she would have the luxury all to herself tonight. Again.
Melissa F. Miller (Irreparable Harm (Sasha McCandless, #1))
Garden, looking in the shops, the two girls browsing the sales. Charlie bought herself a black silky top and bought me a new jumper, 50 per cent cashmere, which was exactly my kind of thing. Towards the end of the afternoon, Charlie said she was
Mark Edwards (Because She Loves Me)
In the schoolhouse north of Cashmere, along the river, Angelene sat near the window that looked out onto a large cottonwood. She drew courage from that tree, which seemed to have been planted there for the sole purpose of being her friend.
Amanda Coplin
Do you sleep in your suits, too?" He dragged his gaze from the sweater she held up to her and completed a slow perusal starting at her totally reasonable three-and-a-half-inch metallic silver heels, up her bare calves, across the fitted pear-green pencil skirt, over her winter-white cashmere sweater and stopping briefly on her lips before reaching her eyes. She'd been stark naked, pressed up against a sixteenth-floor window, having one of the best orgasms of her life from a lover-s tongue and hadn't been as turned on as she was at that moment. Fire licked its way across her skin, flicking at all of her sensitive spots until her entire body vibrated. "Do I sleep in my suits? Do you really want to know?" he asked, his voice low with just enough dominating arrogance in it to make her shiver.
Avery Flynn (His Undercover Princess (Tempt Me, #1))
She shivered under his touch, desire dampening her panties and making her clench her thighs together in an attempt to find some relief. His devilish hands relaxed their grip on her hips and slid around to cup her ass, pulling her close. Thick, hard evidence of his desire pressed against her belly. God, she wanted this man, and not just to silent the stressful thoughts always swirling in her head. She wanted him, not just the divine moment of oblivion that blocked out everything else. The realization scared her and brought some unwanted reality into the room. "We shouldn't be doing this." "Why?" He made quick work of the buttons on her petal-pink cashmere sweater and parted her cardigan. Sean gave a soft growl as he stared at her silver satin pushup bra that presented her boobs like an all-you-can-lick buffet. "Because I'm your employee?" He licked his lips and slid his thumb across the satin covering her hard nipple. "Yes," she said, sighing. An answer to his question or a response to even the lightest of touches? Both. "Easy fix." He snapped the front closure of her bra and her tits tumbled out. "I quit." Bending forward, he lifted one heavy globe and took the hard nub into his hot mouth. Fire sizzled through her veins and it felt so good she couldn't wait to burn. "You can't quit." She reached down for the top button of his jeans and flicked it open. "We need you. I need you." He released her nipple and she groaned in frustration. Then he found the hem of her skirt and inched it higher and the soft groan that floated out of her mouth was for a whole other reason. "Hire me back in about an hour or, better yet, a few days." The cool air caressed her upper thighs as he raised her skirt, but it wasn't enough to relieve the molten heat engulfing her. "I like how you think.
Avery Flynn (Hollywood on Tap (Sweet Salvation Brewery, #2))
But as her body moves, all the yarn in the room suddenly gains tension. There's a swift swishing sound as the lines pull taut. She feels everything in the room move at once, from the big ropey lines supporting her weight, down to the tiny interlocking stitches pressed against her skin. "She rests in mid-air, suspended above her bed by the network of yarn slicing around the room. It holds her, and at the same time it caresses her. She feels its touch through the stitches on her arms, her legs, her stomach. It feels as if her weight is held in its giant hand, and it contemplates her like Yorick's skull. Hundreds of strings and lines of yarn, ranging from individual strands up to thick knitted cables now move on her. She is wrapped by long meaty loops that move around her legs, and her arms, and her neck; and thin little strings that slip between her fingers. A loop circles her hair and pulls it gently into a pony tail, and it lifts to supports her head. "She hangs quietly and meditatively for a while, feeling the caress of the yarn, gently tightening and loosening, and sliding over her body. It feels along her body. And as it feels her, she feels it. She can feel its affection through the way the yarn touches her. The caresses slide up and down her arms, her legs, between her fingers, and around her neck. "She can feel all the different textures of the different yarns. The scratchy itch of cheap wool, and the smooth toughness of nylon and polyester strings. In places there's even some slick and soft rayon and silk. And she's sure she can tell just by the touch of it, that her foot has been wrapped in a small scarf she made of an extremely fine cashmere. "But the thing doesn't just want to hold her.
A. Andiron (Binding Off: When a passion for knitting becomes passionate knitting)