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It ought to make us feel ashamed when we talk like we know what we're talking about when we talk about love.
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Raymond Carver
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There was a time when I thought I loved my first wife more than life itself. But now I hate her guts. I do. How do you explain that? What happened to that love? What happened to it, is what I'd like to know. I wish someone could tell me.
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Raymond Carver (What We Talk About When We Talk About Love)
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Something’s died in me,” she goes. “It took a long time for it to do it, but it’s dead. You’ve killed something, just like you’d took an axe to it. Everything is dirt now.
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Raymond Carver (What We Talk About When We Talk About Love)
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and it ought to make us feel ashamed when we talk like we know what we're talking about when we talk about love.
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Raymond Carver (What We Talk About When We Talk About Love)
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My heart is broken,” she goes. “It’s turned to a piece of stone. I’m no good. That’s what’s as bad as anything, that I’m no good anymore.
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Raymond Carver (What We Talk About When We Talk About Love)
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All this, all of this love we're talking about, it would just be a memory. Maybe not even a memory. Am I wrong? Am I way off base? Because I want you to set me straight if you think I'm wrong. I want to know. I mean, I don't know anything, and I'm the first one to admit it.
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Raymond Carver (What We Talk About When We Talk About Love)
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Drinking’s funny. When I look back on it, all of our important decisions have been figured out when we were drinking. Even when we talked about having to cut back on drinking, we’d be sitting at the kitchen table or out at the picnic table with a six-pack or whiskey.
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Raymond Carver (What We Talk About When We Talk About Love)
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A man can go along obeying all the rules and then it don’t matter a damn anymore.
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Raymond Carver (What We Talk About When We Talk About Love)
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You see, this happened a few months ago, but it's still going on right now, and it ought to make us feel ashamed when we talk like we know what we're talking about when we talk about love.
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Raymond Carver (Where I'm Calling From: New and Selected Stories)
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The light was draining out of the room, going back through the window where it had come from.
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Raymond Carver (What We Talk About When We Talk About Love)
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They had laughed. They had leaned on each other and laughed until the tears had come, while everything else--the cold, and where he'd go in it--was outside, for a while anyway.
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Raymond Carver (What We Talk About When We Talk About Love)
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And the terrible thing, the terrible thing is, but the good thing too, the saving grace, is that if something happened to one of us--excuse me for saying this--but if something happened to one of us tomorrow, I think the other one, the other person, would grieve for a while, you know, but then the surviving party would go out and love again, have someone else soon enough. All this, all of this love we're talking about, it would just be a memory. Maybe not even a memory.
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Raymond Carver (What We Talk About When We Talk About Love)
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We opened our eyes and turned in bed to take a good look at each other. We both knew it then. We'd reached the end of something, and the thing was to find out where new to start.
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Raymond Carver (What We Talk About When We Talk About Love)
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A man without hands came to the door to sell me a photograph of my house. Except for the chrome hooks, he was an ordinary-looking man of fifty or so.
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Raymond Carver (What We Talk About When We Talk About Love)
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But I guess even the knights were vessels to someone. Isn't that the way it worked? But then everyone is always a vessel to someone.
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Raymond Carver (What We Talk About When We Talk About Love)
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In addition to being in love, we like each other and enjoy one another's company.
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Raymond Carver (What We Talk About When We Talk About Love)
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A man without hands came to the door to sell me a photograph of my house.
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Raymond Carver (What We Talk About When We Talk About Love)
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Why don’t you kids dance? he decided to say, and then said it. "Why don’t you dance?
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Raymond Carver (What We Talk About When We Talk About Love)
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Mel thought real love was nothing less than spiritual love. He'd said he'd spent five years in a seminary before quitting to go to medical school. He said he still looked back on those years in the seminary as the most important years of his life.
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Raymond Carver (What We Talk About When We Talk About Love)
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Well, the husband was very depressed for the longest while. Even after he found out that his wife was going to pull through, he was still very depressed. Not about the accident, though. I mean, the accident was one thing, but it wasn't everything. I'd get up to his mouth-hole, you know, and he'd say no, it wasn't the accident exactly but it was because he couldn't see her through his eye-holes. He said that was what was making him feel bad. Can you imagine? I'm telling you, the man's heart was breaking because he couldn't turn his goddamn head and see his goddamn wife.
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Raymond Carver (What We Talk About When We Talk About Love)
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Things change, he says. I don't know how they do. But they do without your realizing it or wanting them to.
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Raymond Carver (What We Talk About When We Talk About Love)
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It's funny how we can be in love with someone one day, and the next we can easily fall in love with someone else.
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Raymond Carver (What We Talk About When We Talk About Love)
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But I guess even the knights were vessels to someone. Isn't that the way it worked? But then everyone is always a vessel to someone. Isn't that right, Terri? But what I liked about the knights, besides their ladies, was that they had that suit of armor, you know, and they couldn't get hurt very easily. No cars in those days, you know? No drunk teenagers to tear into your ass."
Vassals," Terri said.
What?" Mel said.
Vassals," Terri said. "They were called vassals.
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Raymond Carver (What We Talk About When We Talk About Love)
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I could hear my heart beating. I could hear everyone's heart. I could hear the human noise we sat there making, not one of us moving, not even when the room went dark.
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Raymond Carver (What We Talk About When We Talk About Love)
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He understood that it only took one lunatic and a torch to bring everything to ruin.
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Raymond Carver (What We Talk About When We Talk About Love)
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It seems to me we’re just beginners at love.
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Raymond Carver (What We Talk About When We Talk About Love)
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Iba a contaros algo -empezó Mel-. Bueno, iba a demostrar algo. Veréis: sucedió hace unos meses, pero sigue sucediendo en este mismo instante, y es algo que debería hacer que nos avergoncemos cuando hablamos como si supiéramos de qué hablamos cuando hablamos de amor.
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Raymond Carver (What We Talk About When We Talk About Love)
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It made him feel older, having married friends.
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Raymond Carver (What We Talk About When We Talk About Love)
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There were things he wanted to say, grieving things, consoling things, things like that.
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Raymond Carver (What We Talk About When We Talk About Love)
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Physical love, that impulse that drives you to someone special, as well as love of the other person’s being, his or her essence, as it were. Carnal love and, well, call it sentimental love, the day-to-day caring about the other person.
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Raymond Carver (What We Talk About When We Talk About Love / Beginners (A Vintage Short))
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He ran his fingers through my hair. He did it slowly, as if thinking about something else. He ran his fingers through my hair. He did it tenderly, as a lover would.
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Raymond Carver (What We Talk About When We Talk About Love)
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I thought we’d be like that too when we got old enough. Dignified. And in a place. And people would come to our door.
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Raymond Carver (What We Talk About When We Talk About Love)
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I said I’m sorry.” “Sorry isn’t good enough.
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Raymond Carver (What We Talk About When We Talk About Love)
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When I look back on it, all of our important decisions have been figured out when we were drinking.
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Raymond Carver (What We Talk About When We Talk About Love)
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All this, all of this love we’re talking about, it would just be a memory. Maybe not even a memory
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Raymond Carver (What We Talk About When We Talk About Love)
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Things change. I don’t know how they do. But they do without your realizing it or wanting them to.
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Raymond Carver (What We Talk About When We Talk About Love)
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A small wax and sawdust log burned on the grate. A carton of five more sat ready on the hearth. He got up from the sofa and put them all in the fireplace. He watched until they flamed. Then he finished his soda and made for the patio door. On the way, he saw the pies lined up on the sideboard. He stacked them in his arms, all six, one for every ten times she had ever betrayed him.
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Raymond Carver (What We Talk About When We Talk About Love)
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He left through the patio door. He was not certain, but he thought he had proved something. He hoped he had made something clear. The thing was, they had to have a serious talk soon. There were things that needed talking about, important things that had to be discussed. They’d talk again. Maybe after the holidays were over and things got back to normal. He’d tell her the goddamn ashtray was a goddamn dish, for example.
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Raymond Carver (What We Talk About When We Talk About Love)
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هیچ موضوعی غمگین تر از این نیست که کسی را عاشقانه ستایش کنی، ولی از این که او این عشق را به سخره بگیرد، بهراسی!
باید گفت، حتی اگر بی نتیجه باشد.
چرا که در آن حالت حداقل هر لحظه، تمام وجودت، ترسو بودنت را فریاد نخواهدزد و محکومت نخواهد کرد...
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Raymond Carver (What We Talk About When We Talk About Love)
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I could hear my heart beating. I could hear everyone’s heart. I could hear the human noise we sat there making, not one of us moving, not even when the room went dark.”
Uddrag fra: Raymond Carver. “What We Talk About When We Talk About Love”. Apple Books.
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Raymond Carver
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Es octubre, un día húmedo. Desde la ventana del hotel veo demasiadas cosas de esta ciudad del Medio Oeste. Veo cómo se encienden las luces de algunos edificios, veo cómo el humo de las altas chimeneas se alza en columnas espesas. Me gustaría no tener que mirar.
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Raymond Carver (What We Talk About When We Talk About Love)
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It seems to me we're just beginners at love. We say we love each other and we do, I don't doubt it. I love Terri and Terri loves me, and you guys love each other too. You know the kind of love I'm talking about now. Physical love, that impulse that drives you to someone special, as well as love of the other person's being, his or her essence, as it were. Carnal love and, well, call it sentimental love, the day-to-day caring about the other person. But sometimes I have a hard time accounting for the fact that I must have loved my first wife too. But I did, I know I did. There was a time when I thought I loved my first wife more than life itself. But now I hate her guts. I do. How do you explain that? What happened to that love? What happened to it, is what I'd like to know. I wish someone could tell me. You guys been together eighteen months and you love each other. It shows all over you. You glow with it. But you both loved other people before you met each other. You've both been married before, just like us. And you probably loved other people before that too, even. Terri and I have been together for five years, been married for four. And the terrible thing is, but the good thing too, the saving grace, you might say, is that if something happened to one of us- excuse me for saying this- but if something happened to one of us tomorrow, I think the other one, the other person, would grieve for a while, you know, but then the surviving party would go out and love again, have someone else soon enough. All this, all of this love we're talking about, it would just be a memory. Maybe not even a memory. Am I wrong? Am I way off base? Because I want you to set me straight if you think I'm wrong. I want to know. I mean, I don't know anything, and I'm the first one to admit it.
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Raymond Carver (What We Talk About When We Talk About Love)
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Nesta, it should not have come out as it did.'
'Did Cassian tell you that?' He'd gone to Feyre, rather than here?
'No, but I can guess as much. He didn't want to keep anything from you.'
'My issue isn't with Cassian.' Nesta levelled her stare at Amren. 'I trusted you to have my back.'
'I stopped having your back the moment you decided to use that loyalty as a shield against everyone else.'
Nesta snarled, but Feyre stepped between them, hands raised. 'This conversation ends now. Nesta, go back to the House. Amren, you...' She hesitated, as if considering the wisdom of ordering Amren around. Feyre finished carefully, 'You stay here.'
Nesta let out a low laugh. 'You are her High Lady. You don't need to cater to her. Not when she now has less power than any of you.'
Feyre's eyes blazed. 'Amren is my friend, and has been a member of this court for centuries. I offer her respect.'
'Is it respect that she offers you?' Nesta spat. 'It is respect that your mate offers you?'
Feyre went still.
Amren warned, 'Don't you say one more fucking word, Nesta Archeron.'
Feyre asked, 'What do you mean?'
And Nesta didn't care. Couldn't think around the roaring. 'Have any of them told you, their respected High lady, that the babe in your womb will kill you?'
Amren barked, 'Shut your mouth!'
But her order was confirmation enough. Face paling, Feyre whispered again, 'What do you mean?'
'The wings,' Nesta seethed. 'The boy's Illyrian wings will get stuck in your Fae body during the labour, and it will kill you both.'
Silence rippled through the room, the world.
Feyre breathed, 'Madja just said that the labour would be risky. But the Bone Carver... The son he showed me didn't have wings.' Her voice broke. 'Did he only show me what I wanted to see.'
'I don't know,' Nesta said. 'But I do know that your mate ordered everyone not to inform you of the truth.' She turned to Amren. 'Did you all vote on that, too? Did you talk about her, judge her, and deem her unworthy of the truth? What was your vote, Amren? To let Feyre die in ignorance?' Before Amren could reply, Nesta turned back to her sister. 'Didn't you question why your precious, perfect Rhysand has been a moody bastard for weeks? Because he knows you will die. He knows, and yet he still didn't tell you.'
Feyre began shaking. 'If I die...' Her gaze drifted to one of her tattooed arms. She lifted her head, eyes bright with tears as she asked Amren, 'You... all of you knew this?'
Amren threw a withering glare in Nesta's direction, but said, 'We did not wish to alarm you. Fear can be as deadly as any physical threat.'
'Rhys knew?' Tears spilled down Feyre's cheeks, smearing the paint splattered there. 'About the threat to our lives?' She peered down at herself, at the tattooed hand cradling her abdomen.
And Nesta knew then that she had not once in her life been loved by her mother as much as Feyre already loved the boy growing within her.
It broke something in Nesta- broke that rage, that roaring- seeing those tears begin to fall, the fear crumpling Feyre's paint-smeared face.
She had gone too far. She... Oh, gods.
Amren said, 'I think it is best, girl, if you speak to Rhysand about this.'
Nesta couldn't bear it- the pain and fear and love on Feyre's face as she caressed her stomach.
Amren growled at Nesta, 'I hope you're content now.'
Nesta didn't respond. Didn't know what to say or do with herself. She simply turned on her heel and ran from the apartment.
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Sarah J. Maas (A Court of Silver Flames (A Court of Thorns and Roses, #4))
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E dovrebbe farci vergognare di noi stessi quando parliamo come se sapessimo di cosa parliamo quando parliamo d'amore.
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Raymond Carver (What We Talk About When We Talk About Love)
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Tuhaf bir şekilde her şey olabilecekken, her şeyin zaten olduğunu fark ettik.
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Raymond Carver (What We Talk About When We Talk About Love)
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Ho pensato un attimo al mondo fuori della mia casa e poi non ho pensato piú a niente tranne al fatto che era meglio che mi sbrigassi ad addormentarmi.
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Raymond Carver (What We Talk About When We Talk About Love)
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So much water so close to home.
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Raymond Carver (What We Talk About When We Talk About Love)
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There was this funny thing of anything could happen now that we realized everything had
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Raymond Carver (What We Talk About When We Talk About Love)
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can’t say anything just yet. Then I go, “Holly, these things, we’ll look back on them too. We’ll go, ‘Remember the motel with all the crud in the pool?’ ” I go, “You see what I’m saying, Holly?
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Raymond Carver (What We Talk About When We Talk About Love)
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Things change, he says. I don’t know how they do. But they do without your realizing it or wanting them to.
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Raymond Carver (What We Talk About When We Talk About Love)
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We had a Victrola and some records, Doctor. We’d play the Victrola every night and listen to the records and dance there in the living room. We’d do that every night. Sometimes it’d be snowing outside and the temperature down below zero. The temperature really drops on you up there in January or February. But we’d listen to the records and dance in our stocking feet in the living room until we’d gone through all the records.
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Raymond Carver (What We Talk About When We Talk About Love / Beginners (A Vintage Short))
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In addition to being in love, we like each other and enjoy one another’s company. She’s easy to be with.
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Raymond Carver (What We Talk About When We Talk About Love / Beginners (A Vintage Short))