Carved Movie Quotes

We've searched our database for all the quotes and captions related to Carved Movie. Here they are! All 25 of them:

The staircase that was revealed was lit with a soft red glow. I feel like I'm walking down into a porn movie," V muttered as they took the steps with care. Wouldn't that require more black candles for you," Zsadist cracked. At the bottom of the landing, they looked left and right down a corridor carved out of stone, seeing row after row of...black candles with ruby color flames. I take that back," Z said, eyeing the display. We start hearing chick-a-wow-wow shit," V cut in, "can I start calling you Z-packed?" Not if you want to keep breathing.
J.R. Ward (Lover Avenged (Black Dagger Brotherhood, #7))
Maybe I can climb one of those," Simon said, eyeing the fat white pillars that held up the slanted roof of the Hall. Runes were carved on them in overlapping patterns, but otherwise there were no visible handholds. "Work off steam that way." "Oh, come on," Clary said. "You're a vampire, not Spider-Man." Simon's only response was to jog lightly up the steps to the base of a pillar. He eyed it thoughtfully for a moment before putting his hands to it and starting to climb. Clary watched him, open-mouthed, as his fingertips and feet found impossible holds on the ridged stone. "You are Spider-Man!" she exclaimed.
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
And that's when it hits me, the punch in the stomach, the carving out of my insides. That's when I realize that none of this is a movie. I will not go out with a bang. There is no ending. There are no credits. I will wake up and I will keep waking up and this will always be waiting for me.
Amy Reed (Beautiful)
Fifty thousand ancestors, going back and back, each of them a final girl. But, that’s just it, isn’t it? They were plural, not singular, that’s where horror movies have it all wrong, that’s where the slasher lies: it’s not about a lone girl carving her way to daylight, is it? It’s about two girls making it across the ice together.
Stephen Graham Jones (Don't Fear the Reaper (The Indian Lake Trilogy, #2))
Come on, people. Doesn't anybody remember how to take a big old knife, whack open a pumpkin, scrape out the seeds, and bake it? We can carve a face onto it, but can't draw and quarter it? Are we not a nation known worldwide for our cultural zest for blowing up flesh, on movie and video screens and/or armed conflict? Are we in actual fact too squeamish to stab a large knife into a pumpkin? Wait till our enemies find out.
Barbara Kingsolver (Animal, Vegetable, Miracle: A Year of Food Life)
And this totally normal conversation unspools from there, covering the basics: family, siblings, school, favorite composers, favorite movies, favorite wood (for carving puppets), the prehistory of the sandwich, and whether the ancient Romans got their togas caught in the spokes of their unicycles
Laini Taylor (Night of Cake & Puppets (Daughter of Smoke & Bone, #1.5))
This was an old-time, black-and-white-movie kiss, with the orchestra swelling in my chest, hot tungsten lamps carving out our shadows. My bones turned to air, nothing holding me up but the fierceness of my desire.
Leah Raeder (Unteachable)
Josy was certain of a few things in his life. He wanted to be an actor. He had an agent who cared about his future. He had friends he’d somehow managed to carve into a family. He liked weed and funky socks with animals on them. He was good at radio trivia (which for some reason didn’t translate so well to bar trivia). He had a bong named Vlad the Inhaler, and maybe his parents would never come around to seeing that while his life would never be what they wanted, it was still a life worth living. And Josiah Erickson was certain that what he felt for Quincy Moore went beyond simple affection. Regardless of what happened tomorrow or any day after, he would remember this moment when he felt so full of light he thought he’d burst.
T.J. Klune (How to Be a Movie Star (How to Be, #2))
Have you ever been to the beach and wanted to feed the seagulls? The problem is you tear off a little crust from your sandwich and toss it to one, and ten more show up. Toss a little more and a flock descends. You start to wonder: if I run out of bread, will I become the meal? Turkeys are different. They startle easily and run for the barn. In the wild, they run for the hills. Of course, they’re very tasty. Benjamin Franklin thought them majestic enough to be an emblem for our country. I’m sorry, but Thanksgiving would be downright depressing. There’s our national symbol lying stuffed and roasted and ready to carve up for hungry guests. And then we have the eagles. Our forefathers were trained in the Bible. […]They would have known Isaiah 40:31. “Those who wait upon the Lord will gain new strength; they will mount up with wings like eagles, they will run and not get tired, they will walk and not become weary.” They were making war on the greatest power in the world of the time; the world was watching them. What could this band of commoners do? What troubles me about our country today is how many seagulls there are, scrambling for more. Remember the movie “Finding Nemo”? “Mine, mine, mine!” And we sure have a lot of gutless turkeys running for the barn whenever hard decisions have to be made; like how to keep our country solvent so our children won’t be in soup lines… Where are the eagles? That’s what I want to know. Please, God, we need us some eagles!
Francine Rivers
Standing in the corner, leaning aginst the wall, is a fifth man. If Grange is a Hummer, this guy's an 18-wheel Mack truck, thinks Roddy. Parked, with its engine idling. He reminds Roddy of Ivan Drago from that Rocky movie. The guy must stand six five and tip the scales at 270. Pure, rock-hard muscle. His crew-cut blond hair is slickly gelled; his face--especially those cheekbones and that lantern jaw--could be carved from granite. He, no doubt, spends counteless hours at some muscle emporium. Pure muscle, but probably clumsy; he would go down fast if Roddy drove a flurry of punches into his gut and face. A gold earring pierces the guy's left earlobe. The drape of the jacket on his Schwarzenegger shoulders shows a bulge on the left side. The guy's packing some serious hardware. Mack Truck stares blankly and stands rock-still, hands clasped in front of his gargantuan body.
Mark Rubinstein (Mad Dog House)
Michelangelo said that all he did was see the statue inside the block of marble and carve away the excess stone until the statue was revealed. Likewise, an algorithm carves away the excess transistors in the computer until the intended function is revealed, whether it’s an airliner’s autopilot or a new Pixar movie. An
Pedro Domingos (The Master Algorithm: How the Quest for the Ultimate Learning Machine Will Remake Our World)
I preferred movies with dancing in them, singing, ceremonial masks, carved artifacts for making music: feathers, brass buttons, conch shells, drums. I liked watching these people when they were happy, not when they were miserable, starving, emaciated, straining themselves to death over some simple thing, the digging of a well, the irrigation of land, problems the civilized na-tions had long ago solved. I thought someone should just give them the technology and let them get on with it.
Margaret Atwood
I don’t like stories. I like moments. I like night better than day, moon better than sun, and here-and-now better than any sometime-later. I also like birds, mushrooms, the blues, peacock feathers, black cats, blue-eyed people, heraldry, astrology, criminal stories with lots of blood, and ancient epic poems where human heads can hold conversations with former friends and generally have a great time for years after they’ve been cut off. I like good food and good drink, sitting in a hot bath and lounging in a snowbank, wearing everything I own at once, and having everything I need close at hand. I like speed and that special ache in the pit of the stomach when you accelerate to the point of no return. I like to frighten and to be frightened, to amuse and to confound. I like writing on the walls so that no one can guess who did it, and drawing so that no one can guess what it is. I like doing my writing using a ladder or not using it, with a spray can or squeezing the paint from a tube. I like painting with a brush, with a sponge, and with my fingers. I like drawing the outline first and then filling it in completely, so that there’s no empty space left. I like letters as big as myself, but I like very small ones as well. I like directing those who read them here and there by means of arrows, to other places where I also wrote something, but I also like to leave false trails and false signs. I like to tell fortunes with runes, bones, beans, lentils, and I Ching. Hot climates I like in the books and movies; in real life, rain and wind. Generally rain is what I like most of all. Spring rain, summer rain, autumn rain. Any rain, anytime. I like rereading things I’ve read a hundred times over. I like the sound of the harmonica, provided I’m the one playing it. I like lots of pockets, and clothes so worn that they become a kind of second skin instead of something that can be taken off. I like guardian amulets, but specific ones, so that each is responsible for something separate, not the all-inclusive kind. I like drying nettles and garlic and then adding them to anything and everything. I like covering my fingers with rubber cement and then peeling it off in front of everybody. I like sunglasses. Masks, umbrellas, old carved furniture, copper basins, checkered tablecloths, walnut shells, walnuts themselves, wicker chairs, yellowed postcards, gramophones, beads, the faces on triceratopses, yellow dandelions that are orange in the middle, melting snowmen whose carrot noses have fallen off, secret passages, fire-evacuation-route placards; I like fretting when in line at the doctor’s office, and screaming all of a sudden so that everyone around feels bad, and putting my arm or leg on someone when asleep, and scratching mosquito bites, and predicting the weather, keeping small objects behind my ears, receiving letters, playing solitaire, smoking someone else’s cigarettes, and rummaging in old papers and photographs. I like finding something lost so long ago that I’ve forgotten why I needed it in the first place. I like being really loved and being everyone’s last hope, I like my own hands—they are beautiful, I like driving somewhere in the dark using a flashlight, and turning something into something completely different, gluing and attaching things to each other and then being amazed that it actually worked. I like preparing things both edible and not, mixing drinks, tastes, and scents, curing friends of the hiccups by scaring them. There’s an awful lot of stuff I like.
Mariam Petrosyan (Дом, в котором...)
Okay, so tell me your three favorite things about UCLA so far.” Liz Buxbaum, Liz Buxbaum, and Liz Buxbaum. “The food, the scooters, and the libraries.” “The libraries?” I could see I’d shocked her with that one. “There’s just something about studying in these libraries that feels so innately… collegiate, right?” I really was a little in love with them. “Like, you walk into Powell, and it feels like every movie you’ve ever seen about college. The dark wood, the desk lamps, the intricate carvings on the arched ceilings—how can you not be inspired to read and learn in a place like that?
Lynn Painter (Nothing Like the Movies (Better Than the Movies #2))
One question.” I managed to gather the two words as his struggling breath entangled in my hair. “This isn’t fair. There is so much I want to know.” He laced his fingers into mine as he dipped his head down to my ear. “I want to know how you like your coffee, and what your favorite song is. I want to know what annoys you, and the worst thing you’ve ever done. I want to know your greatest fear, and whether or not you talk in your sleep. If you prefer chocolate over vanilla, and if you cried watching The Notebook … if you’ve ever seen The Notebook, or like movies at all. What gives you the greatest high, and what can take all the pain away …” Ollie drew in a deep breath, and at the same time, my heart skipped in my chest. “But what I need to know is … are you willing to open yourself up to me so I can find out?” “Is that your question?” I stammered, lost in all his words. “Yes.” He exhaled. “That’s my final question.” Turning to face him, his eyes filled with hope and wonder, but his absent smile expected the inescapable truth. We both knew there wasn’t anything inside me to open up, an empty shell. So, what exactly did I have to lose? And, so, it was there, in the middle of the romance section of the maze-like library at Dolor University outside of Guildford in the United Kingdom where I decided I was willing to show him I was nothing more than a hollow soul. “I will only disappoint you.” “I doubt it.” “And I’m difficult,” I warned. “Good.” Ollie grinned. “I wasn’t expecting anything less, Mia. I’m only asking you to knock down a wall. Not even a wall—fuck, carve me out a door. I only want to know you.” He grabbed my hand, and a calmness washed over me. I didn’t have the tools to destroy a wall, let alone carve out a door. The barriers had endured ten years. Tough and sturdy and placed for a reason. Each one had a purpose, and even though I’d forgotten why they stood there in the first place, I was scared what would happen if I started carving out holes. The walls became my friends—they were safe. But I nodded, anyway, because the small glimmer of hope in his eyes spread like an infection. “And to clarify, no, I’ve never seen The Notebook, and I don’t plan on it, either.” Ollie threw his head back and a raspy laugh echoed in our maze. A laugh I had quickly grown to adore.
Nicole Fiorina, Stay With Me
I Can't Make You Love Me.' Bonnie Raitt." "Oh,Fiorella." I glared at him a little as I climbed down. "Was that delightful list for your benefit or mine?" Frankie grabbed my hand and, when I didn't pull away fast enough, tugged me onto his lap,where he wrapped his arms so tightly around me that I couldn't escape. Sometimes his strength still surprises me.He tickled my cheek with his nose. "Don't hate me just because I'm hateful." "I never do." Here's the thing. Frankie's taken a lot of hits in his life. He never stays down for long. "Excuse me!" The mannequin's evil twin was glaring down at us fro her sky-high bootie-heeled heights. Her NM badge told us her name was Victoria. "You cannot do that here!" she snapped. "Do what?" Frankie returned, matching lockjaw snooty for lockjaw snooty. She opened and closed her mouth, then hissed, "Canoodle!" I felt Frankie's hiccup of amusement. "Were we canoodling, snookums?" he asked me. "I rather thought we were about to copulate like bunnies." I couldn't help it; I laughed out loud. Victoria's mouth thinned into a pale line. The whole thing might have ended with our being escorted out the store's hallowed doors by security. Sadie, as she so often did, momentarily saved us from ourselves. She stomped out of the dressing room and planted herself in front of us. Ignoring the angry salesgirl completely, she muttered, "I look like a carved pumpkin!" Frankie took in the skirt, layered shirts, and jacket. "You do not, but I might have been having an overly Michael Kors moment. This will not do for a date.Take it off." He nudged me, then added, "Right here.Every last stitch of it." As soon as Sadie was back in her own clothing and coat-which got an unwilling frown of respect from Victoria; apparently even Neiman Maruc doesn't carry that line-we moved on. Sadie did better in Frankie's second choice-a lip-printed sweater dress from Betsey Johnson,but wouldn't buy it. "We're just going to a movie!" she protested. "Besides,Jared's not...not..." She gestured down at her lippy hips. "He's practical and sensible and quiet." "Oh,my God!" Frankie slapped both palms to the side of his face,and turned to me. "Sadie has a date with a Prius!" He had to invoke the sanctity of Truth or Dare before he could even get her into Urban Outfitters. "Sometimes I love you less than other times," she grumbled as he filled her arms with his last choices. "No,you don't," he said cheerfully, and sent her off to change.
Melissa Jensen (The Fine Art of Truth or Dare)
During: ●   Meals: Fundraising in the time of Zoom is an even more intense experience. It can be difficult to carve out enough time to get out of your house, or even away from your computer, for a proper meal. I suggest doing meal prep or planning every Sunday. Meals should be light and calorically restricted to keep your mind and body active — you shouldn’t bring any afternoon grogginess to a pitch because you ate a burger for lunch. ●    Exercise: Add blocks to your calendar to carve out exercise time. Getting your blood pumping and providing an alternative to staring at your own face on Zoom is key to providing context and awareness. Exercise helps reset the body and the mind. ●    Emotional support: A great fundraise is still an experience in rejection (seriously, most meetings result in a “no”). Make sure you have a weekly check-in with someone (not your cofounder) who can help rationalize and normalize this crazy process. ●        Breaks: Schedule time to take breaks. Watch a movie. Take a hike. Go swimming. Do something to get your mind off the fundraise for at least 30 minutes every day. ●      Meditating: There is nothing in this world that I believe in more than meditation. I started meditating twelve months ago, and since then have nearly 10X’d our business. It’s never too late to start!
Ryan Breslow (Fundraising)
By bringing Nikkie to power, Yeroen had carved out an influential role for himself. With Luit’s death, however, his leverage evaporated. All of a sudden, Nikkie didn’t need the old male anymore. Finally he could be boss on his own, or so he must have thought. Soon after I had left for America, however, Yeroen began to cultivate a tie with Dandy, a younger male. This took several years, but eventually led to Dandy challenging Nikkie as leader. The ensuing tensions drove Nikkie to a desperate escape attempt. He actually drowned trying to make it across the moat around the island. The local newspaper dubbed it a suicide, but to me it seemed more likely a panic attack with a fatal outcome. Since this was the second death on Yeroen’s hands, I must admit that I’ve always had trouble looking at this scheming male without seeing a murderer. A year after this tragic incident, my successor decided to show the chimps a movie. The Family of Chimps was a documentary filmed at the zoo when Nikkie was still alive. With the apes ensconced in their winter hall, the movie was projected onto a white wall. Would they recognize their deceased leader? As soon as a life-sized Nikkie appeared on the wall, Dandy ran screaming to Yeroen, literally jumping into the old male’s lap! Yeroen had a nervous grin on his face. Nikkie’s miraculous “resurrection” had temporarily restored their old pact.
Frans de Waal (Our Inner Ape: A Leading Primatologist Explains Why We Are Who We Are)
Some families sing Christmas carols and bicker over the last piece of pie. We make enough pie for everyone to have their own, fight over it anyway, and risk our lives for each other on a random Monday. She’s not growing up in a Hallmark movie. I want her to know that I love her enough to do more than just bake the damn pie. That my love isn’t afraid of scary places.
Brandy Hynes (Carving Graves (KORT, #2))
Traditions are conditioned reflexes. Throughout Part 2 of this book, you will find suggestions for establishing family traditions that will trigger happy anticipation and leave lasting, cherished memories. Traditions around major holidays and minor holidays. Bedtime, bath-time, and mealtime traditions; sports and pastime traditions; birthday and anniversary traditions; charitable and educational traditions. If your family’s traditions coincide with others’ observances, such as celebrating Thanksgiving, you will still make those traditions unique to your family because of the personal nuances you add. Volunteering at the food bank on Thanksgiving morning, measuring and marking their heights on the door frame in the basement, Grandpa’s artistic carving of the turkey, and their uncle’s famous gravy are the traditions our kids salivated about when they were younger, and still do on their long plane rides home at the end of November each year. (By the way, our dog Lizzy has confirmed Pavlov’s observations; when the carving knife turns on, cue the saliva, tail wagging, and doggy squealing.) But don’t limit your family’s traditions to the big and obvious events like Thanksgiving. Weekly taco nights, family book club and movie nights, pajama walks, ice cream sundaes on Sundays, backyard football during halftime of TV games, pancakes in Mom and Dad’s bed on weekends, leaf fights in the fall, walks to the sledding hill on the season’s first snow, Chinese food on anniversaries, Indian food for big occasions, and balloons hanging from the ceiling around the breakfast table on birthday mornings. Be creative, even silly. Make a secret family noise together when you’re the only ones in the elevator. When you share a secret that “can’t leave this room,” everybody knows to reach up in the air and grab the imaginary tidbit before it can get away. Have a family comedy night or a talent show on each birthday. Make holiday cards from scratch. Celebrate major family events by writing personalized lyrics to an old song and karaoking your new composition together. There are two keys to establishing family traditions: repetition and anticipation. When you find something that brings out excitement and smiles in your kids, keep doing it. Not so often that it becomes mundane, but on a regular and predictable enough basis that it becomes an ingrained part of the family repertoire. And begin talking about the traditional event days ahead of time so by the time it finally happens, your kids are beside themselves with excitement. Anticipation can be as much fun as the tradition itself.
Harley A. Rotbart (No Regrets Parenting: Turning Long Days and Short Years into Cherished Moments with Your Kids)
The reviews of Kentucky boosted Brennan to an even higher level in the Hollywood echelon. The Hollywood Reporter (December 15) summed up the sentiment of the time: “Walter Brennan, who has already carved a large niche for himself in the movie hall of fame, has himself a really grand and glorious triumph as a Kentucky gentleman and horse breeder. A real persona and thoroughly lovable one, he wraps up the picture neatly with his capable acting and beautiful characterization and is a tribute to the South. And Hollywood gossip columnist Louella Parsons did not mind campaigning for Brennan, calling his performance a “standout” that “might well earn him an Academy Award.
Carl Rollyson (A Real American Character: The Life of Walter Brennan (Hollywood Legends))
sun hit the Taj’s marble dome full force, setting the whole structure and the minarets at each corner of the white plinth on fire. Whatever this was, I thought, it did not belong among us. A shimmering ark brought down to Earth. For an instant, I floated away, above myself, and thought I was looking at an exquisitely carved mountain of moon rock. It was more than the mind could take in at once. More than any camera could take in, for sure. Postcards and movies did not do this place justice; no photograph could.
Jay Antani (The Leaving of Things)
Annie was trying to listen but she was unable to shake the image of herself dressed in a knock-off Lady Lightning outfit, sitting alone at a table at a mid-level comic book convention, drinking a diet soda and staring at her cell phone, which did not ring. “Annie?” Daniel said. “I want to talk to you about the movie.” Annie imagined herself in Japan, shilling caffeinated tapioca pearls, living in a closet-size apartment, dating a washed-up sumo wrestler. “Annie?” Daniel said again. Annie imagined herself doing dinner theater in a converted barn, playing Myra Marlowe in A Bad Year for Tomatoes, getting fat on carved roast beef and macaroni and cheese from the buffet during intermission. “I want to help you, Annie,” Daniel continued, undeterred by Annie’s blank-faced analysis of her future. “And I think I can.
Kevin Wilson (The Family Fang)
It was her eyes and the way her hands trembled as she dropped the pineapple and spit out what she had already chewed. “What the fuck? Cherish, what?” I came around the counter and paused when I saw the Del Devil tattoo that we all had, wrapped around one of the pineapples. Except, that bitch was a piece of skin that I was sure belonged to one of the Del Devils. My heart was beating out my chest because they just delivered this bitch to my house. With shaky hands, Cherish picked up the card. This your king? Mwhahahaha! Carving credit: Bajan Butcher. I didn’t know what was more disturbing. The fact that he sent me a piece of Red’s skin, and his fingers throughout the basket, or the fact that this nigga had quoted a movie and then had his laugh typed out. If all of that shit wasn’t enough, the nigga gave credit, and when I read the Bajan Butcher, I knew I needed to get the fuck out of dodge. The Bajan butcher was someone you only wanted to hear about. You didn’t want any smoke with that man, and if you were on his radar, you
Jahquel J. (Quasim III: King Inferno (Season Four: Inferno Gods Book 3))
In movies and novels, the yakuza are always reaching for a sword or a gun, but that's bullshit. Professionals were different in those days. Their job, the job they depended on for a living, was to shake the dice and give their customers a good time, which meant it was actually quite rare for them to quarrel. There were bosses who didn't see eye to eye, of course, but if they'd started carving each other up just because they didn't get on well, the police would have clamped down on them, and their business would have folded. So in a way you could say we were more accomodating generally than ordinary people.
Junichi Saga (Confessions of a Yakuza: A Life in Japan's Underworld)