Cars 2 Quotes

We've searched our database for all the quotes and captions related to Cars 2. Here they are! All 100 of them:

Adrian, I'm on a date. Why are you here? On my car?
Richelle Mead (The Golden Lily (Bloodlines, #2))
Never trust a mechanic who drives new cars. They're either charging too much money for their work, or they can't keep an old car running - maybe both.
Patricia Briggs (Blood Bound (Mercy Thompson, #2))
I still search for you in crowds, in empty fields and soaring clouds. In city lights and passing cars, on winding roads and wishing stars.
Lang Leav (Lullabies (Volume 2) (Lang Leav))
I'm not like a car you can fix up. I'm never gonna run right" Bella
Stephenie Meyer (New Moon (The Twilight Saga, #2))
Nick, fetch my car, fetch my clothes, sweep the chimney, make my bed, watch my psychopath, fetch my slippers.
Sherrilyn Kenyon (Night Embrace (Dark-Hunter, #2))
Want and need were words that got eaten smaller and smaller: Freedom, autonomy, a perennial bank balance, a stainless-steel condo in a dustless city, a silky black car, to make out with Blue, eight hours of sleep, a cell phone, a bed, to kiss Blue just once, a blister-less heel, bacon for breakfast, to hold Blue's hand, one hour of sleep, toilet paper, deodorant, a soda, a minute to close his eyes. What do you want, Adam? To feel awake when my eyes are open.
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
There's nothing wild about me. I'm a solid middle-aged man." "Except that once a month you turn into a wolf and go tearing around slaughtering things," Clary said. "It could be worse," Luke said. "Men my age have been known to purchase expensive sports cars and sleep with supermodels.
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
You know about fixing cars, you're athletic, and you know when to shut up." "That last one isn't a skill." "Honey, trust me. It's a skill.
Simone Elkeles (Rules of Attraction (Perfect Chemistry, #2))
Why should any guy want to be only friends with a girl? It’s like agreeing to be near a chocolate cake and never eat it. It’s like sitting in a racing car but not driving it.
Chetan Bhagat (2 States: The Story of My Marriage)
She already has a car.” “A Ford. That’s like Toyota’s worst enemy.
Becca Fitzpatrick (Crescendo (Hush, Hush, #2))
I had this feeling that he and I , in this moment, were a car crash, and instead of putting on the brakes, I was hitting the accelerator.
Maggie Stiefvater (Linger (The Wolves of Mercy Falls, #2))
If things go wrong, I'll lead them away. Once it's clear, get back to the car. If you don't see me in five minutes, then I've probably died a very brave and heroic death. Oh and don't touch the radio--I've got it tuned right where I want it and I don't want you messing that up.
Derek Landy (Playing with Fire (Skulduggery Pleasant, #2))
You're Bes, I guess?" I said. "Yes," he said. "Your car's a mess," Liz muttered. "If one more person rhymes," Emma grumbled, "I'll throw up.
Rick Riordan (The Throne of Fire (The Kane Chronicles, #2))
What is this?' 'A Smart Car' It looked like an SUV took a dump and out came the Smart Car
Simone Elkeles (Rules of Attraction (Perfect Chemistry, #2))
Why on earth would you buy a car like this if you can't drive a stick? There are dozens of cars--new cars--that have automatic transmission. It'd be a million times easier." Adrian shrugged. "I like the color. It matches my living room.
Richelle Mead (The Golden Lily (Bloodlines, #2))
He liked cheap women, fast cars, late nights, and hard liquor, especially all together. In Jack's view, you are obliged to sin on Saturday night so you'd have something to atone for Sunday morning. Otherwise, you'd be putting the preacher out of business.
Lisa Kleypas (Blue-Eyed Devil (Travises, #2))
Wait!" he yelled. I didn't turn around, I walked faster. Then I heard him slam his fist on the hood of his car. I almost stopped. Maybe I would have if he'd followed me. But he didn't. He got in his car and he left, just like he said he would.
Jenny Han (It's Not Summer Without You (Summer, #2))
I know how you guys feel about us. I'm not stupid, and believe me, I've tried to get you out of my head. But there isn't enough liquor or art or any other distraction in the world to do it. I had to stop going to Wolfe's because it was too hard being that close to you, even if it was all just pretend fighting. I couldn't stand the touching. It was agonizing because it meant something to me-and I knew it meant nothing to you. I kept telling myself to stay away altogether, and then I'd find excuses… like the car… anything to be around you again.
Richelle Mead (The Golden Lily (Bloodlines, #2))
How is it I know this little about the boy who says he loves me -- the boy whose real name is powerful enough to keep us alive in a train car full of enemies?
Veronica Roth (Insurgent (Divergent, #2))
You know what I’ve been thinking?” Why I hadn’t crawled over the center console and into his lap yet? Because damn if I was wondering that very thing, but the car was way too small for those kind of Shenanigans.
Jennifer L. Armentrout (Onyx (Lux, #2))
hey Lynch I didn't leave that car for it to sit while you just blow III
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
Beds empty! No note! Car gone — could have crashed — out of my mind with worry — did you care? — never, as long as I’ve lived — you wait until your father gets home, we never had trouble like this from Bill or Charlie or Percy —" "Perfect Percy,” muttered Fred. “YOU COULD DO WITH TAKING A LEAF OUT OF PERCY’S BOOK!” yelled Mrs. Weasley, prodding a finger in Fred’s chest. “You could have died, you could have been seen, you could have lost your father his job —” It seemed to go on for hours. Mrs. Weasley had shouted herself hoarse before she turned on Harry, who backed away. “I’m very pleased to see you, Harry, dear,” she said.
J.K. Rowling (Harry Potter and the Chamber of Secrets (Harry Potter, #2))
1. I’m lonely so I do lonely things 2. Loving you was like going to war; I never came back the same. 3. You hate women, just like your father and his father, so it runs in your blood. 4. I was wandering the derelict car park of your heart looking for a ride home. 5. You’re a ghost town I’m too patriotic to leave. 6. I stay because you’re the beginning of the dream I want to remember. 7. I didn’t call him back because he likes his girls voiceless. 8. It’s not that he wants to be a liar; it’s just that he doesn’t know the truth. 9. I couldn’t love you, you were a small war. 10. We covered the smell of loss with jokes. 11. I didn’t want to fail at love like our parents. 12. You made the nomad in me build a house and stay. 13. I’m not a dog. 14. We were trying to prove our blood wrong. 15. I was still lonely so I did even lonelier things. 16. Yes, I’m insecure, but so was my mother and her mother. 17. No, he loves me he just makes me cry a lot. 18. He knows all of my secrets and still wants to kiss me. 19. You were too cruel to love for a long time. 20. It just didn’t work out. 21. My dad walked out one afternoon and never came back. 22. I can’t sleep because I can still taste him in my mouth. 23. I cut him out at the root, he was my favorite tree, rotting, threatening the foundations of my home. 24. The women in my family die waiting. 25. Because I didn’t want to die waiting for you. 26. I had to leave, I felt lonely when he held me. 27. You’re the song I rewind until I know all the words and I feel sick. 28. He sent me a text that said “I love you so bad.” 29. His heart wasn’t as beautiful as his smile 30. We emotionally manipulated one another until we thought it was love. 31. Forgive me, I was lonely so I chose you. 32. I’m a lover without a lover. 33. I’m lovely and lonely. 34. I belong deeply to myself .
Warsan Shire
What! Sex in the car? Can't we just do it on the cool marble of the lobby floor...please?" Ana's thoughts
E.L. James (Fifty Shades Darker (Fifty Shades, #2))
Stop," I said. "Please do not further endorken yourself to me. You have great hair and a car that is most fly, and you have just saved me with your mad ninja driving skills, so do not sully your heroic hottie image in my mind by further reciting your nerdy scholastic agenda. Don't tell me what you're studying, Steve, tell me what's in your soul. What haunts you?" And he was like, "Dude, you need to cut back on the caffeine.
Christopher Moore (You Suck (A Love Story, #2))
This car sucks.” “It was your idea. I, on the other hand, think this car if perfect size. But that might be because I’m not the size of a mountain.” He snickered. “You’re the size of a little, itty bitty doll.” “If you say a vacant doll, I will hurt you.” I wound the necklace chain around my fingers. “Got that?” “Yes, ma’am.
Jennifer L. Armentrout (Onyx (Lux, #2))
Relax Beatrice, I've driven a car before.' MARCUS 'I've done a lot of things before, but that doesn't mean I'm any good at them!' TRIS
Veronica Roth (Insurgent (Divergent, #2))
Gansey threw open his door. Gripping the roof of the car, he slid himself out. Even that gesture, Ronan noted, was wild-Gansey, Gansey-on-fire. Like he pulled himself from the car because ordinary climbing out was too slow. This was going to be a night.
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
June cackled with delight, muttering, "Whoops!" as a car almost killed them.
Rick Riordan (The Son of Neptune (The Heroes of Olympus, #2))
He started to say something, maybe an apology and maybe not, and then he stopped, he leaned over and pulled me toward him - like by gravitational force. He kissed me, hard, and his skin was stubbly and rough against my cheek. My first thought was, I guess he didn't have time to shave this morning, and then - I was kissing him back, my fingers winding through his soft yellow hair and my eyes closed. He kissed like he was drowning and I was air. It was passionate, and desperate, and like nothing I had ever experienced before. This was what people meant when they said the earth stopped turning. It felt like a world outside of that car, that moment, didn't exist. It was just us.
Jenny Han (It's Not Summer Without You (Summer, #2))
I can explain myself: If you want to be safe, walk in the middle of the street. I’m not joking. You’ve been told to look both ways before crossing the street, and the sidewalk is your friend, right? Wrong. I’ve spent years walking sidewalks at night. I’ve looked around me when it was dark, when there were men following me, creeping out of alleyways, attempting to goad me into speaking to them and shouting obscenities at me when I wouldn’t, and I suddenly realised that the only place left to go was the middle of street. But why would I risk it? Because the odds are in my favour. In the States, someone is killed in a car accident on average every 12.5 minutes, while someone is raped on average every 2.5 minutes. Even when factoring in that, one, I am generously including ALL car-related accidents and not just those involving accidents, and two, that the vast majorities of rapes still go unreported […] And, thus, this is now the way I live my life: out in the open, in the middle of everything, because the middle of the street is actually the safest place to walk.
Emilie Autumn (The Asylum for Wayward Victorian Girls)
It's either food or blood, Ethan.And given thats it's just me and you in this car right now, food would be considerably less complicated, don't you think?
Chloe Neill (Friday Night Bites (Chicagoland Vampires, #2))
Gansey leaned back, head thrown to the side, drunken and silly with happiness. "I love this car," he said, loud enough to be heard over the engine. "I should buy four more of them. I'll just open the door of one to fall in to the other. One can be a living room, one can be my kitchen, I'll sleep in one..." "And the fourth? Butler's pantry?" Blue shouted. "Don't be so selfish. Guest room.
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
Upon arriving at the murder scene, they saw Deputy Sheriff Peewee Stubblefield pacing back and forth on the front walk. He stopped and smirked as Sheriff Roosevelt Baker braked the patrol car. He emitted a noise sounding more like a groan than a sigh.
Lea Charles (Easy Peasy: An Appalachian Town Diner Cozy Mystery (Ginny Dove Cozy Mystery, Series Book 2))
It was as though they had been plunged into a fabulous dream. This, thought Harry, was surely the only way to travel — past swirls and turrets of snowy cloud, in a car full of hot, bright sunlight, with a fat pack of toffees in the glove compartment...
J.K. Rowling (Harry Potter and the Chamber of Secrets (Harry Potter, #2))
I still search for you in crowds, in empty fields and soaring clouds. In city lights and passing cars, on winding roads and wishing stars. I wonder where you could be now, for years I’ve not said your name out loud. And longer since I called you mine— time has passed for you and I. But I have learnt to live without, I do not mind— I still love you anyhow.
Lang Leav (Lullabies (Volume 2) (Lang Leav))
Then, finally, we were ready to charge in and save Sadie, and she rides up in a limousine driven by an ugly dwarf in a swimsuit, and she accuses us of being late. So when she told us the dwarf was driving us to Russia, I was like, "Whatever." And I got into the car.
Rick Riordan (The Throne of Fire (The Kane Chronicles, #2))
Falling in love with a house or a car or a pair of shoes, it was a dead end. You save your love for the things that can love you back.
David Wong (This Book Is Full of Spiders (John Dies at the End, #2))
I kicked off my shoes and pulled his hand away from the wheel so I could straddle his lap and hold him. His grip on me was excruciatingly tight, but I didn't complain. We were on an insanely busy street, with endless cars rumbling past on one side and a crush of pedestrians on the other, but neither of us cared. He was shaking violently, as if he were sobbing uncontrollably, but he made no sound and shed no tears. The sky cried for him, the rain coming down hard and angry, steaming off the ground.
Sylvia Day (Reflected in You (Crossfire, #2))
1. Organize before they rise! 2. They feel no fear, why should you? 3. Use your head: cut off theirs. 4. Blades don't need reloading. 5. Ideal protection = tight clothes, short hair. 6. Get up the staircase, then destroy it. 7. Get out of the car, get onto the bike. 8. Keep moving, keep low, keep quiet, keep alert! 9. No place is safe, only safer. 10. The zombie may be gone, but the threat lives on.
Max Brooks (The Zombie Survival Guide: Complete Protection from the Living Dead)
Without a doubt... the worst part of being a single woman was having to take care of your own car.
Lisa Kleypas (Rainshadow Road (Friday Harbor, #2))
This is the ultimate bad-boy date, isn't it? Breaking into a different country." "Hey, it makes a change from hot-wiring cars together." "Been there, done that....Alex seriously, are you sure no one's going to shoot us?
L.A. Weatherly (Angel Fire (Angel, #2))
Do you think I’m pretty?” Smitty glanced away from the computer screen he’d been staring at for the last three hours, looked at his sister, and shook his head. “No.” “What do ya mean no?” “You asked. Sorry if you didn’t like the answer. I always thought you were funny lookin’. Asked momma, ‘What is that thing laying in your bed?’ And she said, ‘I found it hiding under a car, you be nice to it now.
Shelly Laurenston (The Beast in Him (Pride, #2))
Life isn't just sex and drugs and cars.
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
The inside of the old Camaro smelled like asphalt and desire, gasoline and dreams.
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
I considered calling Grace to ask her what I should say to a reticent suicidal werewolf, but I'd left my phone somewhere. Car, maybe.
Maggie Stiefvater (Linger (The Wolves of Mercy Falls, #2))
What a grin he had, what ferocious eyes, what a creature he was. He had dreamt himself an entire life and death. Ronan said, "I want to go back." "Then take it," said his father. "You know how now." And Ronan did. Because Niall Lynch was a forest fire, a rising sea, a car crash, a closing curtain, a blistering symphony, a catalyst with planets inside him. And he had given all of that to his middle son.
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
That’s not the only reason I’m stayin’, chica. I can’t leave you any more than I could walk out that door right now while my leg is busted up. I was just thinkin’ . . . should we tell your parents now or later?” “Tell them what?” I ask, eyes wide. He kisses me softly, then says proudly, “That we’re in a serious, monogamous, committed relationship.” “We are?” “Sí. And when I get out of here, I’m gonna fix the door to your car.
Simone Elkeles (Rules of Attraction (Perfect Chemistry, #2))
She gasped. “You would snitch on me?” “I would run my car over you.
Whitney G. (Reasonable Doubt: Volume 2 (Reasonable Doubt, #2))
This car was a very pretty lie.
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
He had a tremendous propensity for getting lost when driving. This was largely because of his method of “Zen” navigation, which was simply to find any car that looked as if it knew where it was going and follow it. The results were more often surprising than successful, but he felt it was worth it for the sake of the few occasions when it was both.
Douglas Adams (The Long Dark Tea-Time of the Soul (Dirk Gently, #2))
Sooner or later a black car came for everyone.
Joe Hill (NOS4A2)
Witihin seconds the headhunter had lost control of his car and it squealed, sliding sideways right into several other cars. Cool!' said the Gasman.
James Patterson (School's Out—Forever (Maximum Ride, #2))
Nick, fetch my car, fetch my clothes, sweep the chimney, make my bed, watch my psychopath, fetch my slippers.’ Yeah, I’ll fetch those slippers and stick them someplace real uncomfortable. I swear, my mother should have named me Fido. (Nick)
Sherrilyn Kenyon (Night Embrace (Dark-Hunter, #2))
My name is Tobias Eaton," Tobias says. "I don't think you want to push me off this train." The effect of the name on the people in the car is immediate and bewildering: they lower their weapons. They exchange meaningful looks. "Eaton? Really?" Edward says, eyebrows raised. "I have to admit, I did not see that coming." He clears his throat. "Fine, you can come. But when we get to the city, you've got to come with us." Then he smiles a little. "We know someone who's been looking for you, Tobias Eaton.
Veronica Roth (Insurgent (Divergent, #2))
There was something unbearably sexy about cars at night, Ronan thought. The way the fenders twisted the light and reflected the road, the way every driver became anonymous. The sight of them knocked his heartbeat askew.
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
Do you ever sing in the car?" "Generally not. But I am driving a police car." "I think people would like a singing policeman. Makes life seem more like a musical. Like Foot-tastic." "You can talk for a long time about nothing." "I certainly can, you charming man!
Maureen Johnson (The Madness Underneath (Shades of London, #2))
Are you driving this slow because you have no idea where we're going, or because you're hoping we jump out of the car & put ourselves out of our misery?
Alexandra Bracken (Never Fade (The Darkest Minds, #2))
1. Replace upstairs hall bathroom lightbulb. 2. Get online and research Ferragamo shoes, then email someone named Kell to see if he could convert Ferragamos into weapons. 3. Order a replacement coat for the one that was torn. (see closet for coat) Make sure it matches exactly. 4. Wash Cars. 5. Take out trash for Rosa 6. Most important, don't bitch.
Sherrilyn Kenyon (Invincible (Chronicles of Nick, #2))
I'd lose that smile if I were you." I jingle the car keys in his face. "Your life is in my hands, lest you forget " My imitation of his cockney accent is actually spot-on, I let myself bask in it,
A.G. Howard (Unhinged (Splintered, #2))
There was no other sound in the world like a car crash.
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
I look up, and stop breathing. Eyes glitter in the darkness. Dark shapes sit in the car, more numerous than we are. The factionless.
Veronica Roth (Insurgent (Divergent, #2))
Who else is going?" I asked. He shrugged. "Just you and me." My mood promptly shot up past 'cheerful' and went straight to 'estatic.' Me and Dimitri. Alone. In a car. This might very well be worth a surprise test. "How far is it?" Silently, I begged for it to be a really long drive. Like, one that would take a week. And would involve us staying overnight in luxury hotels. Maybe we'd get stranded in a snowbank, and only body heat would keep us alive. "Five hours" "Oh." A bit less than I'd hoped for. Still, five hours was better than nothing. It didn't rule out the snowbank possibility, either.
Richelle Mead (Frostbite (Vampire Academy, #2))
If you want to know the value of one year, just ask a student who failed a course. If you want to know the value of one month, ask a mother who gave birth to a premature baby. If you want to know the value of one hour, ask the lovers waiting to meet. If you want to know the value of one minute, ask the person who just missed the bus. If you want to know the value of one second, ask the person who just escaped death in a car accident. And if you want to know the value of one-hundredth of a second, ask the athlete who won a silver medal in the Olympics.
Marc Levy (Et si c'était vrai..., Vous revoir, édition complète 2 en 1)
She looked up, her face pink as a Christmas ham. “You ever try chasing down a car?” she gasped. “I’ll one-up you. I gave Scott my hot dog and asked if he’d go to Summer Solstice with me.” “What does the hot dog have to do with anything?” “I said he’d be a wiener if he didn’t go with me.” Vee wheezed laughter. “I’d have run harder had I known I’d get to see you call him a wiener.
Becca Fitzpatrick (Crescendo (Hush, Hush, #2))
Where are you going?" "Nowhere special. I just have some... things to do." "Why did you pause?' "I'm sorry?" "You paused. You have 'some... things to do.' "No reason, I just--" "You're up to something." "No--" "Then why'd you pause?" "Get in the car." She got in. He got in. "Seat belt," he said. Why'd you pause?" His head drooped. "Because I'm up to somthing." "And why can't I come with you?" "Because it's something sneaky." "Do you promise to tell me later?" "I do." "Well all right then." She clicked her seat belt into place. "Let's go.
Derek Landy (Playing with Fire (Skulduggery Pleasant, #2))
This place is packed," Vee complained. "Where am I supposed to park?" She steered down an alley and slowed to a stop behind a bookstore. "This looks good. Lots of parking back here." "The sign says employee parking only." "How are they going to know that we aren't employees? The Neon blends right in. All these cars speak low class." "The sign says violators will be towed." "They just say that to scare people like you and me away. It's an empty threat. Nothing to worry about." ....... Vee came to a halt. "What is THAT?" We were standing in the parking lot behind the bookstore, a few feet from the Neon, and we were staring at a large piece of metal attached to the left rear tire. "I think it's a car boot," I said. "I can see that. What's it doing on my car?" "I guess when they say all violators will be towed, they mean it.
Becca Fitzpatrick (Crescendo (Hush, Hush, #2))
Fuck!" He hit the door frame. It hurt. He did it again. "Problems?" "Yeah," said Gabriel. "Nick took the car." Michael didn't even look up from the screen. "Huh. Didn't you do the same thing this morning?" "Don't talk to me like I'm a little kid." Now his brothers eyes flicked up. "I'm sorry, was that a mature adult punching the front door?
Brigid Kemmerer (Spark (Elemental, #2))
It's a McLaren SLR 722 Roadster." "How big is it?" "It's a convertible." "Will a tiger fit?" "No. It seats only two, but the boys are man half the day now." "Is it more than $30,000?" He squirmed and hedged, "Yes, but-" "How much more?" "Much more." "How much more?" "About $400,000 more." My mouth dropped open. "Mr. Kadam!" "Miss Kelsey, I know it's extravagant, but when you drive it, you will see it's worth every cent." I folded my hands across my chest. "I won't drive it." He looked offended. "That car was meant to be driven." "Then you drive it. I'll drive the Jeep." He looked tempted. "If it will appease you, perhaps we can share it." Kishan clapped his hands. "I can't wait." Mr. Kadam wagged a finger at him. "Oh, no! Not you. We'll get you a nice sedan. Used.
Colleen Houck (Tiger's Quest (The Tiger Saga, #2))
The trouble with most forms of transport, he thought, is basically one of them not being worth all the bother. On Earth — when there had been an Earth, before it was demolished to make way for a new hyperspace bypass — the problem had been with cars. The disadvantages involved in pulling lots of black sticky slime from out of the ground where it had been safely hidden out of harm's way, turning it into tar to cover the land with, smoke to fill the air with and pouring the rest into the sea, all seemed to outweigh the advantages of being able to get more quickly from one place to another — particularly when the place you arrived at had probably become, as a result of this, very similar to the place you had left, i.e. covered with tar, full of smoke and short of fish.
Douglas Adams (The Restaurant at the End of the Universe (The Hitchhiker's Guide to the Galaxy, #2))
You're such a girl," she chided, but somehow the words came out too soft...too tender, and ended up sounding like a compliment. Jay just laughed. "So what does that make you, the guy?" He squeezed her hand even tighter, keeping it buried in his. "Or some sort of lesbian," she teased, raising one eyebrow. "Maybe we should try out a little girl-on-girl action." "Nice, Violet. Do you kiss your mom with that mouth?" His eyes glinted as he watched her. She leaned closer to him in the darkness of the car's interior. "No, but I'll kiss you with it.
Kimberly Derting (Desires of the Dead (The Body Finder, #2))
Jack, this is Vance McGruder. I couldn’t find your cell number so I’m taking a chance on reaching you at the cottage. It’s Monday afternoon and I need you here as soon as possible. I’ve arranged for a one-way, first-class ticket on Delta Air Lines on their 3:15pm flight tomorrow afternoon to Atlanta and connecting on to LAX. I’ll have a car and driver at LAX to pick you up. Call me as soon as you get this message.
Behcet Kaya (Body In The Woods (Jack Ludefance, #2))
It's just one thing after another. Cars that won't run. Planes that will never fly again. Computer systems we can barely use, let alone re-create. It's like...time is flowing backward. We're caveman archeologists in the ruins of the future.
Dan Wells (Fragments (Partials Sequence, #2))
When Alex leaves a little later, Carlos steps forward. “Need help?” I shake my head. “Are you ever gonna talk to me again? Dammit, Kiara, enough with the silent treatment. I’d rather have you say your little two-word sentences than stop talkin’ altogether. Hell, just flip me off again.” I toss my backpack in the backseat and start the engine. “Where are you goin’?” Carlos asks, stepping in front of my car. I beep. “I’m not movin’,” he says. My response is another beep. It’s not an intimidating, deep beep like most cars, but it’s the best my car can give. He places both hands on the hood. “Move,” I say. He moves all right. With pantherlike quickness, Carlos jumps through the open passenger window, feet first. “You should get the door fixed,” he says.
Simone Elkeles (Rules of Attraction (Perfect Chemistry, #2))
The Eating Guidelines 1. Eat when you are hungry. 2. Eat sitting down in a calm environment. This does not include the car. 3. Eat without distractions. Distractions include radio, television, newspapers, books, intense or anxiety-producing conversations or music. 4. Eat what your body wants. 5. Eat until you are satisfied. 6. Eat (with the intention of being) in full view of others. 7. Eat with enjoyment, gusto, and pleasure.
Geneen Roth (Women, Food and God: An Unexpected Path to Almost Everything)
I'm the one who got hit by that car, not you,' I tell him. 'Don't act like you're the victim here. You made choices I didn't ask you to make. I'm not sure anyone asked you to make them.' I'm screaming the words, not caring that the entire world can probably hear me. 'You think I like limping everywhere I go? I don't. I'm the victim! Be honest with me! You didn't care about me enough to trust me. I gave you my heart, but it wasn't enough.
Simone Elkeles (Return to Paradise (Leaving Paradise, #2))
Oh! Thanks for the public service announcement about what not to do in college, Mr. Eighteen-year-old-frat-boy-with-eleventy-billion-'serious'-girlfriends-under-his-belt! Get in the fucking car. You're a mean drunk. You haven't seen me mean, mama's boy! I told you we're close! Yeah, so are me and my asshole! Doesn't mean I'm going to call it twice a day! You're a bitch! Take. Me. Home. I'd love to, if you'd get in the fucking car!
Jamie McGuire (Walking Disaster (Beautiful, #2))
Susan hardly had begun to slow down when Tera appeared from between a couple of buildings and loped over to the car. I leaned forward, opened the door, and she got into the backseat. I threw her the extra clothes I had picked up, and she began to dress without comment. It worked," I said. "We did it." Of course it worked," Tera said. "Men are foolish. They will stare at anything female and naked.
Jim Butcher (Fool Moon (The Dresden Files, #2))
Dirk turned on the car wipers, which grumbled because they didn't have quite enough rain to wipe away, so he turned them off again. Rain quickly speckled the windscreen. He turned on the wipers again, but they still refused to feel that the exercise was worthwhile, and scraped and squeaked in protest.
Douglas Adams (The Long Dark Tea-Time of the Soul (Dirk Gently, #2))
My friend and business partner, Gerald Peyton was 12 minutes late to the funeral. I’d reminded him it started at 2 p.m. “Yeah, yeah, Frank,” he said. “I’ll be there. Just be sure you make it.” Well, here I sat on my thumbs, and he was the no-show. He stopped at a bar and got sloshed, I thought.
Ed Lynskey (Death Car (P.I. Frank Johnson Mystery #7))
I don’t see any police cars.” “They probably had to park a couple blocks over. Anyway, as I was saying, I noticed illegal substances in the hands of a few guests.” “So?” she snapped. “It’s a party.” “Alcohol is illegal under the age of twenty-one.” “Great!” Marcie shouted. “What am I going to do?” She paused, then raised her voice again. “You probably called them!” “Who, me?” Vee said. “And lose the free food? No way.
Becca Fitzpatrick (Crescendo (Hush, Hush, #2))
Okay. That was nice. Clothes. You need clothes before I do something I might not regret. What was your size again, Steve? (Sunshine) Talon. (Talon) Talon. Size. Clothes. Cover him up. I’m going to go get Talon clothes. Keys. Need keys for car. Purse. Money for clothes. Shoes. Must have shoes to shop and keep feet warm. (Sunshine) What about a coat? It is wintertime. (Talon) Coats are good in the winter. (Sunshine)
Sherrilyn Kenyon (Night Embrace (Dark-Hunter, #2))
When it’s time to leave, we put on our shoes, kiss Daddy good-bye, and tumble out the front door. Waiting for us on the street in front of his car is Peter with a bouquet of cellophane-wrapped pink carnations. “Happy birthday, kid,” he says. Kitty’s eyes bulge. “Are those for me?” He laughs. “Who else would they be for? Hurry and get in the car.” Kitty turns to me, her eyes bright, her smile as wide as her face. I’m smiling too. “Are you coming too, Lara Jean?” I shake my head. “No, there’s only room for two.” “You’re my only girl today, kid,” Peter says, and Kitty runs to him and snatches the flowers out of his hand. Gallantly, he opens the door for her. He shuts it and turns and winks at me. “Don’t be jealous, Covey.” I’ve never liked him more than in this moment.
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
So?" she said, giving me a slow, wicked smile when we accelerated forward. " You told Will you found a woman who likes to have sex in public?" "Not in my cab!" the cabbie yelled so loud we both jumped and then broke into laughter. He pumped the brakes, jolting us. "Not in my cab!" "Don't worry, mate," I told him. I turned to her and murmured, "She doesn't let me fuck her in cars. Or on Tuesdays." "She doesn't," she whispered, though she did let me kiss her again. "Shame," I said into her mouth. "I'm good in cars. And especially good on Tuesdays.
Christina Lauren (Beautiful Stranger (Beautiful Bastard, #2))
Why do you want a letter from me? Why don't you take the trouble to find out for yourselves what Christianity is? You take time to learn technical terms about electricity. Why don't you do as much for theology? Why do you never read the great writings on the subject, but take your information from the secular 'experts' who have picked it up as inaccurately as you? Why don't you learn the facts in this field as honestly as your own field? Why do you accept mildewed old heresies as the language of the church, when any handbook on church history will tell you where they came from? Why do you balk at the doctrine of the Trinity - God the three in One - yet meekly acquiesce when Einstein tells you E=mc2? What makes you suppose that the expression "God ordains" is narrow and bigoted, while your own expression, "Science demands" is taken as an objective statement of fact? You would be ashamed to know as little about internal combustion as you know about Christian beliefs. I admit, you can practice Christianity without knowing much theology, just as you can drive a car without knowing much about internal combustion. But when something breaks down in the car, you go humbly to the man who understands the works; whereas if something goes wrong with religion, you merely throw the works away and tell the theologian he is a liar. Why do you want a letter from me telling you about God? You will never bother to check on it or find out whether I'm giving you personal opinions or Christian doctrines. Don't bother. Go away and do some work and let me get on with mine.
Dorothy L. Sayers
He opens his window and motions for me to open mine. When I do, he tries to say something. His voice barely carries through the sound of the rain coming down hard between us. I lean out the car window. "What?"  He leans out his window, meeting me halfway. We're both wet and soaked, but neither of us seems to care. "Don't run away from me when I need to tell you somethin' important." "What?" I say, hoping he doesn't notice the tears running down my face, and praying they're getting mixed up with the rain.  "Tonight was . . . well, it was perfect for me, too. You've turned my world upside down. I've fallen in love with you, chica, and it scares the fuckin' shit outta me. I've been shakin' all night, because I knew it. I've tried to deny it, to make you think I wanted you as a fake girlfriend, but that was a lie."  "I love you, Kiara," he says before his lips move forward and meet mine.
Simone Elkeles (Rules of Attraction (Perfect Chemistry, #2))
I think I can understand that feeling about a housewife’s work being like that of Sisyphus (who was the stone rolling gentleman). But it is surely in reality the most important work in the world. What do ships, railways, miners, cars, government etc exist for except that people may be fed, warmed, and safe in their own homes? As Dr. Johnson said, “To be happy at home is the end of all human endeavour”. (1st to be happy to prepare for being happy in our own real home hereafter: 2nd in the meantime to be happy in our houses.) We wage war in order to have peace, we work in order to have leisure, we produce food in order to eat it. So your job is the one for which all others exist…
C.S. Lewis (Letters of C. S. Lewis (Edited, with a Memoir, by W. H. Lewis))
But what is the way forward? I know what it isn't. It's not, as we once believed, plenty to eat and a home with all the modern conveniences. It's not a 2,000-mile-long wall to keep Mexicans out or more accurate weapons to kill them. It's not a better low-fat meal or a faster computer speed. It's not a deodorant, a car, a soft drink, a skin cream. The way forward is found on a path through the wilderness of the head and heart---reason and emotion. Thinking, knowing, understanding.
Laurence Gonzales (Everyday Survival: Why Smart People Do Stupid Things)
For the past few years, I've been on a quest for a good old-fashioned date, the kind where the guy calls, makes the plans, picks you up in a car that's not his dad's or his other girlfriend's, and takes you somewhere that shows he put thought into what you might like, not what he might get off on like the latest how-many-naked-boobs-can-we-cram-into-this-movie-to-disguise-the-complete-lack-of-plot movie. I'm looking for the kind of date that starts with good conversation , has a sweet and satisfying middle, and ends with long, slow kisses and the dreamy feeling that you're walking on clouds.
Karen Marie Moning (Bloodfever (Fever, #2))
I would ask what it is you think you're doing, but... you are a teenager. I should have known better than to leave you in the car unattended. Next time, I'll seal you in there...probably with bricks. Maybe even mortar." Nick ignored his dry tone. "Just so long as you make sure nothing can get inside to kill me, I'm good with that." Ash frowned. "What are you talking about?" "The kid dead on the ground. Fourteen, Ash. Fourteen. I'm fourteen." "Yeah..." "Ash, I'm fourteen" "Got it. You're fourteen. I'm so proud you can count that high. It's a testament to the modern American educational system. But I should probably point out that you're no the only one. I'm told you go to a school with a whole class of -get this- kids who are fourteen." Nick rolled his eyes at the sarcasm. No wonder his mom wanted to hurt him for it. He finally understood. "Yeah, but they're not dead. Someone's killing fourteen-year-old boys, which I happen to be one. The cops said so. This is the second one in a day who's been murdered." "Yeah well given the lippiness of the average teenager, I can understand the urge" "You're not funny." "And you need to calm down. The only person you need to fear killing you when I'm around is me.
Sherrilyn Kenyon (Invincible (Chronicles of Nick, #2))
Nick sat on the stairs, completely comatose. He stared straight ahead as if he'd been frozen in place. "Nick? You all right?" He didn't respond. Kyrian moved around him until he stood in front of him. He snapped his fingers in front of Nick's face. "Kid?" Nick blinked before he met Kyrian's gaze. "I'm not worthy," he said in a breathless tone. Baffled by his comment, Kyrian stared at him. "What?" Nick gestured towards his cars. "Dude that's a Ferrari, Lamborghini, Bugatti, Alfa Romeo, Aston Martin, and a Bentley. And I'm not talking the cheap models. Those are the top of the top of the top of the line, fully loaded. I swear, that's real gold trim in the Bugatti. There's more money in metal in here than my brain can even tabulate. Oh my God! I shouldn't even be breathing the same air." Kyrian laughed at his awed tone. "It's all right, Nick. I need you to clean them." "Are you out of your ever-loving mind? What if I scratch them?" "You won't" "Nah I might. Those aren't cars, Kyrian. Those are works of art. I'm talking serious modes of transportation." "I know, and I drive them all the time." "No, no, no, no, no. I can't touch something so fine. I can't" Kyrian cuffed him on the shoulder. "Yes, you can. They don't bite, and they need to be washed.
Sherrilyn Kenyon (Invincible (Chronicles of Nick, #2))
SPIDER-MAN (thinking): I can bench press a car. I can climb up the side of a wall. Fight twenty guys to a standstill. Swing across chasms thirty stories deep. Feel a bullet coming my way and move fast enough to get clear. But something in her makes me gentle. Makes me shy. Makes me strong. Makes me happy to be alive. And maybe that's it. Maybe that's what it really comes down to. She makes me. Makes me whole . . . She completes me . . . So here's the thing, God . . . I know I complain a lot, and I know that you and me, we've got issues, but right now, just for tonight . . . Thank you for her. Thank you. Amazing Spider-Man #53 (Volume 2)
J. Michael Straczynski
In a werewolf pack, you cannot interfere with the mate choice of a clan fellow. You cannot intentionally harm that werewolf’s chosen mate. You are not, however, required to help that person should he find himself in a life - threatening situation. Somehow, Zeb had managed to stumble into several such situations in the few months since he ’d been engaged to Jolene. He’d had several hunting “accidents” while visiting the McClaine farm, even though he didn’t hunt. The brakes on his car had failed while he was driving home from the farm—twice. Also, a running chainsaw mysteriously fell on him from a hayloft. He would never get that pinkie toe back.
Molly Harper (Nice Girls Don't Date Dead Men (Jane Jameson, #2))
STEALING THE CAR, I WOULDN’T HAVE BEEN SURPRISED IF THEY’D EXPELLED YOU, YOU WAIT TILL I GET HOLD OF YOU, I DON’T SUPPOSE YOU STOPPED TO THINK WHAT YOUR FATHER AND I WENT THROUGH WHEN WE SAW IT WAS GONE —” Mrs. Weasley’s yells, a hundred times louder than usual, made the plates and spoons rattle on the table, and echoed deafeningly off the stone walls. People throughout the hall were swiveling around to see who had received the Howler, and Ron sank so low in his chair that only his crimson forehead could be seen. “— LETTER FROM DUMBLEDORE LAST NIGHT, I THOUGHT YOUR FATHER WOULD DIE OF SHAME, WE DIDN’T BRING YOU UP TO BEHAVE LIKE THIS, YOU AND HARRY COULD BOTH HAVE DIED —” Harry had been wondering when his name was going to crop up. He tried very hard to look as though he couldn’t hear the voice that was making his eardrums throb. “— ABSOLUTELY DISGUSTED — YOUR FATHER’S FACING AN INQUIRY AT WORK, IT’S ENTIRELY YOUR FAULT AND IF YOU PUT ANOTHER TOE OUT OF LINE WE’LL BRING YOU STRAIGHT BACK HOME.” A ringing silence fell.
J.K. Rowling (Harry Potter and the Chamber of Secrets (Harry Potter, #2))
What shall I give? and which are my miracles? 2. Realism is mine--my miracles--Take freely, Take without end--I offer them to you wherever your feet can carry you or your eyes reach. 3. Why! who makes much of a miracle? As to me, I know of nothing else but miracles, Whether I walk the streets of Manhattan, Or dart my sight over the roofs of houses toward the sky, Or wade with naked feet along the beach, just in the edge of the water, Or stand under trees in the woods, Or talk by day with any one I love--or sleep in the bed at night with any one I love, Or sit at the table at dinner with my mother, Or look at strangers opposite me riding in the car, Or watch honey-bees busy around the hive, of a summer forenoon, Or animals feeding in the fields, Or birds--or the wonderfulness of insects in the air, Or the wonderfulness of the sundown--or of stars shining so quiet and bright, Or the exquisite, delicate, thin curve of the new moon in spring; Or whether I go among those I like best, and that like me best--mechanics, boatmen, farmers, Or among the savans--or to the _soiree_--or to the opera. Or stand a long while looking at the movements of machinery, Or behold children at their sports, Or the admirable sight of the perfect old man, or the perfect old woman, Or the sick in hospitals, or the dead carried to burial, Or my own eyes and figure in the glass; These, with the rest, one and all, are to me miracles, The whole referring--yet each distinct and in its place. 4. To me, every hour of the light and dark is a miracle, Every inch of space is a miracle, Every square yard of the surface of the earth is spread with the same, Every cubic foot of the interior swarms with the same; Every spear of grass--the frames, limbs, organs, of men and women, and all that concerns them, All these to me are unspeakably perfect miracles. To me the sea is a continual miracle; The fishes that swim--the rocks--the motion of the waves--the ships, with men in them, What stranger miracles are there?
Walt Whitman (Leaves of Grass)
Boys are like elastic bands. It doesn't mean that boys are made of elastic, which is a plus because nobody wants a boyfriend made out of rubber. On the other hand, if they were made out of rubber, you could save yourself a lot of time and effort and heartache by just rustling one up out of a car tire. Boys are different from girls. Girls like to be cozy all the time but boys don't. First of all, they like to get all close to you like a coiled-up rubber band, but after a while, they get fed up with being too coiled and need to stretch away to their full stretchiness. Then, after a bit of on-their-own strategy, they ping back to be close to you. So in conclusion on the boy front, you have to play hard to get and also let them be elastic bands.
Louise Rennison (On the Bright Side, I'm Now the Girlfriend of a Sex God (Confessions of Georgia Nicolson, #2))
All these years I thought a piece of my life was missing. But it was there all along. It was there when I sat beside you in your car and you began to drive. It was there when I sang backwards and you laughed or I made a picnic and you ate every crumb. It was there when you told me you liked my brown suit, when you opened the door for me, when you asked once if I would like to take the long road home. It came later in my garden. When I looked at the sun and saw it glow on my hands. When a rosebud appeared where there had not been one before. It was in the people who stopped and talked of this and that over the garden wall. And just when I thought my life was done, it came time and time again at the hospice. It has been everywhere, my happiness – when my mother sang for me to dance, when my father took my hand to keep me safe – but it was such a small, plain thing that I mistook it for something ordinary and failed to see. We expect our happiness to come with a sign and bells, but it doesn’t.
Rachel Joyce (The Love Song of Miss Queenie Hennessy (Harold Fry, #2))
There are moments in every relationship that define when two people start to fall in love. A first glance A first smile A first kiss A first fall… (I remove the Darth Vader house shoes from my satchel and look down at them.) You were wearing these during one of those moments. One of the moments I first started to fall in love with you. The way you gave me butterflies that morning Had absolutely nothing to do with anyone else, and everything to do with you. I was falling in love with you that morning because of you. (I take the next item out of the satchel. When I pull it out and look up, she brings her hands to her mouth in shock.) This ugly little gnome With his smug little grin… He's the reason I had an excuse to invite you into my house. Into my life. You took a lot of aggression out on him over those next few months. I would watch from my window as you would kick him over every time you walked by him. Poor little guy. You were so tenacious. That feisty, aggressive, strong-willed side of you…. The side of you that refused to take crap from this concrete gnome? The side of you that refused to take crap from me? I fell in love with that side of you because of you. (I set the gnome down on the stage and grab the CD) This is your favorite CD ‘Layken’s shit.’ Although now I know you intended for shit to be possessive, rather than descriptive. The banjo started playing through the speakers of your car and I immediately recognized my favorite band. Then when I realized it was your favorite band, too? The fact that these same lyrics inspired both of us? I fell in love with that about you. That had absolutely nothing to do with anyone else. I fell in love with that about you because of you. (I take a slip of paper out of the satchel and hold it up. When I look at her, I see Eddie slide her a napkin. I can’t tell from up here, but that can only mean she’s crying.) This is a receipt I kept. Only because the item I purchased that night was on the verge of ridiculous. Chocolate milk on the rocks? Who orders that? You were different, and you didn’t care. You were being you. A piece of me fell in love with you at that moment, because of you. This? (I hold up another sheet of paper.) This I didn’t really like so much. It’s the poem you wrote about me. The one you titled 'mean?' I don’t think I ever told you… but you made a zero. And then I kept it to remind myself of all the things I never want to be to you. (I pull her shirt from my bag. When I hold it into the light, I sigh into the microphone.) This is that ugly shirt you wear. It doesn’t really have anything to do with why I fell in love with you. I just saw it at your house and thought I’d steal it.
Colleen Hoover (Point of Retreat (Slammed, #2))
And yet, you didn’t bother telling me yourself,” I snapped, still outraged. “I couldn’t! They made me promise not to.” Somehow, his betrayal hurt worse than all the others. I had come to trust him implicitly. How could he do this to me? “No one believed I’d be able to talk the Warriors down, so everyone just made contingency plans without me.” Never mind that I Hadn’t been able to talk them down. “Someone should have told me. You should have told me.” There was legitimate pain and regret in his voice. “I’m telling you, I wanted to. But I was trapped. You of all people should know what it’s like being caught between groups, Sage. Besides, don’t you remember what I said just before you got in the car with Trey?” I did actually. Almost word for word. No matter what happens, I want you to know that I never doubted what you’re going to do. It’s smart, and it’s brave. I slouched further into my seat and felt like I was on the verge of tears. Adrian was right. I did know what it was like to have your loyalty stretched between different groups. I understood the position he’d been in. It was just, some selfish part of me wished that I’d been the one his loyalty has been strongest to.
Richelle Mead (The Golden Lily (Bloodlines, #2))
What rhymes with insensitive?” I tap my pen on the kitchen table, beyond frustrated with my current task. Who knew rhyming was so fucking difficult? Garrett, who’s dicing onions at the counter, glances over. “Sensitive,” he says helpfully. “Yes, G, I’ll be sure to rhyme insensitive with sensitive. Gold star for you.” On the other side of the kitchen, Tucker finishes loading the dishwasher and turns to frown at me. “What the hell are you doing over there, anyway? You’ve been scribbling on that notepad for the past hour.” “I’m writing a love poem,” I answer without thinking. Then I slam my lips together, realizing what I’ve done. Dead silence crashes over the kitchen. Garrett and Tucker exchange a look. An extremely long look. Then, perfectly synchronized, their heads shift in my direction, and they stare at me as if I’ve just escaped from a mental institution. I may as well have. There’s no other reason for why I’m voluntarily writing poetry right now. And that’s not even the craziest item on Grace’s list. That’s right. I said it. List. The little brat texted me not one, not two, but six tasks to complete before she agrees to a date. Or maybe gestures is a better way to phrase it... “I just have one question,” Garrett starts. “Really?” Tuck says. “Because I have many.” Sighing, I put my pen down. “Go ahead. Get it out of your systems.” Garrett crosses his arms. “This is for a chick, right? Because if you’re doing it for funsies, then that’s just plain weird.” “It’s for Grace,” I reply through clenched teeth. My best friend nods solemnly. Then he keels over. Asshole. I scowl as he clutches his side, his broad back shuddering with each bellowing laugh. And even while racked with laughter, he manages to pull his phone from his pocket and start typing. “What are you doing?” I demand. “Texting Wellsy. She needs to know this.” “I hate you.” I’m so busy glaring at Garrett that I don’t notice what Tucker’s up to until it’s too late. He snatches the notepad from the table, studies it, and hoots loudly. “Holy shit. G, he rhymed jackass with Cutlass.” “Cutlass?” Garrett wheezes. “Like the sword?” “The car,” I mutter. “I was comparing her lips to this cherry-red Cutlass I fixed up when I was a kid. Drawing on my own experience, that kind of thing.” Tucker shakes his head in exasperation. “You should have compared them to cherries, dumbass.” He’s right. I should have. I’m a terrible poet and I do know it. “Hey,” I say as inspiration strikes. “What if I steal the words to “Amazing Grace”? I can change it to…um…Terrific Grace.” “Yup,” Garrett cracks. “Pure gold right there. Terrific Grace.” I ponder the next line. “How sweet…” “Your ass,” Tucker supplies. Garrett snorts. “Brilliant minds at work. Terrific Grace, how sweet your ass.” He types on his phone again. “Jesus Christ, will you quit dictating this conversation to Hannah?” I grumble. “Bros before hos, dude.” “Call my girlfriend a ho one more time and you won’t have a bro.” Tucker chuckles. “Seriously, why are you writing poetry for this chick?” “Because I’m trying to win her back. This is one of her requirements.” That gets Garrett’s attention. He perks up, phone poised in hand as he asks, “What are the other ones?” “None of your fucking business.” “Golly gee, if you do half as good a job on those as you’re doing with this epic poem, then you’ll get her back in no time!” I give him the finger. “Sarcasm not appreciated.” Then I swipe the notepad from Tuck’s hand and head for the doorway. “PS? Next time either of you need to score points with your ladies? Don’t ask me for help. Jackasses.” Their wild laughter follows me all the way upstairs. I duck into my room and kick the door shut, then spend the next hour typing up the sorriest excuse for poetry on my laptop. Jesus. I’m putting more effort into this damn poem than for my actual classes.
Elle Kennedy (The Mistake (Off-Campus, #2))