Carry On Warrior Quotes

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The only meaningful thing we can offer one another is love. Not advice, not questions about our choices, not suggestions for the future, just love.
Glennon Doyle Melton (Carry On, Warrior: Thoughts on Life Unarmed)
People who need help sometimes look a lot like people who don’t need help.
Glennon Doyle Melton (Carry On, Warrior: Thoughts on Life Unarmed)
If our goal is to be tolerant of people who are different than we are, Chase, then we really are aiming quite low. Traffic jams are to be tolerated. People are to be celebrated.
Glennon Doyle Melton (Carry On, Warrior: Thoughts on Life Unarmed)
When her pain is fresh and new, let her have it. Don't try to take it away. Forgive yourself for not having that power. Grief and pain are like joy and peace; they are not things we should try to snatch from each other. They're sacred. they are part of each person's journey. All we can do is offer relief from this fear: I am all alone. That's the one fear you can alleviate.
Glennon Doyle Melton (Carry On, Warrior: Thoughts on Life Unarmed)
Reading is my inhale and writing is my exhale.
Glennon Doyle Melton (Carry On, Warrior: The Power of Embracing Your Messy, Beautiful Life)
If you feel something calling you to dance or write or paint or sing, please refuse to worry about whether you’re good enough. Just do it. Be generous. Offer a gift to the world that no one else can offer: yourself.
Glennon Doyle Melton (Carry On, Warrior: Thoughts on Life Unarmed)
Life is hard—not because we’re doing it wrong, just because it’s hard.
Glennon Doyle Melton (Carry On, Warrior: Thoughts on Life Unarmed)
Weapons may be carried by creatures who are evil, dishonest, violent or lazy. The true warrior is good, gentle and honest. His bravery comes from within himself; he learns to conquer his own fears and misdeeds. —Matthias
Brian Jacques (Mattimeo (Redwall, #3))
Kind people are brave people. Brave is not something you should wait to feel. Brave is a decision. It is a decision that compassion is more important than fear, than fitting in, than following the crowd.
Glennon Doyle Melton (Carry On, Warrior: Thoughts on Life Unarmed)
Since brokenness is the way of folks, the only way to live peacefully is to forgive everyone constantly, including yourself.
Glennon Doyle Melton (Carry On, Warrior: Thoughts on Life Unarmed)
Here's my hunch: nobody's secure, and nobody feels like she completely belongs. Those insecurities are just job hazards of being human. But some people dance anyway, and those people have more fun.
Glennon Doyle Melton (Carry On, Warrior: Thoughts on Life Unarmed)
The trainee knew he should leave, but he was unable to look away. He'd never seen anything snap out so fast or strike so hard as the male's fists. Obviously, the rumours about the instructor were all true. He was a flat-out killer. With a metal clank, a door opened at the other end of the gym, and the sound of a newborn's cries echoed up into the high ceiling. The warrior stopped in midpunch and wheeled around as a lovely female carrying young in a pink blanket came over to him. His face softened, positively melted.
J.R. Ward (Lover Awakened (Black Dagger Brotherhood, #3))
You have been offered "the gift of crisis". As Kathleen Norris reminds us, the Greek root of the word crisis is "to sift", as in, to shake out the excesses and leave only what's important. That's what crises do. They skae things up until we are forced to hold on to only what matters most. The rest falls away.
Glennon Doyle Melton (Carry On, Warrior: Thoughts on Life Unarmed)
His mouth hardened into a tight line for a moment. “I plead for nothing.” His voice deepened. “I beg for nothing.” He paused, searching her eyes. “You are my heart. I beg you to forgive me, beautiful. You come before everything to me. You even come before my own pride. I’m a Zorn warrior. I have fought many battles in war. I carry scars from lost lives I took in battle. I hunt and I do it well. I have never been captured and I have never been brought to my knees.” He reached out to caress her cheek. “Then I look into your eyes and remember your laugh. I am there, beautiful. You have caught me and I am on my knees to you.
Laurann Dohner (Kidnapping Casey (Zorn Warriors, #2))
God approaches us in the disguise of other people.
Glennon Doyle Melton (Carry On, Warrior: Thoughts on Life Unarmed)
That’s how you can tell that you’re filling yourself with the wrong things. You use a lot of energy, and in the end, you feel emptier and less comfortable than ever.
Glennon Doyle Melton (Carry On, Warrior: Thoughts on Life Unarmed)
You don’t have to act crazy anymore— We all know you were good at that, Now retire, my dear, From all that hard work you do Of bringing pain to your sweet eyes and heart. Look in a clear mountain mirror See the beautiful ancient warrior And the divine elements You always carry inside That infused this universe with sacred life So long ago
I Heard God Laughing: Poems of Hope and Joy
The same goes for envy, anger and insults - said the master. - When they are not accepted, they continue to belong to the one who carried them.
Paulo Coelho (Warrior of the Light)
Because love is not something for which to search or wait or hope or dream. It's simply something to do.
Glennon Doyle Melton (Carry On, Warrior: Thoughts on Life Unarmed)
I don’t want to take anything to the grave. I want to die used up and emptied out. I don’t want to carry around anything that I don’t have to. I want to travel light.
Glennon Doyle Melton (Carry On, Warrior: Thoughts on Life Unarmed)
The sun shows up every morning, no matter how bad youve been the night before. It shines without judgment. It never withholds. It warms the sinners, the saints, the druggies, the cheerleaders- the saved and the heathens alike. You can hide from the sun, but it wont take you personally. It´ll never, ever punish yourfor hiding. You can stay in the dark for years or decades, and when you finally step outside, it´ll be there.
Glennon Doyle Melton (Carry On, Warrior: Thoughts on Life Unarmed)
I am a warrior in the time of women warriors; the longing for justice is the sword I carry.
Sonia Johnson
Lay down Your tired & weary head my friend. We have wept too long Night is falling And you are only sleeping We have come to this journey's end It's time for us to go To meet our friends Who beckon us To jump again From across a distant sky A C-130 comes to carry us Where we shall all wait For the final green light In the light of The pale moon rising I see far on the horizon Into the world of night and darkness Feet and knees together Time has ceased But cherished memories still linger This is the way of life and all things We shall meet again You are only sleeping.
José N. Harris (Mi Vida)
The greatest weapon any warrior can carry into battle is absolute certainty of her eternal soul.
Chuck Palahniuk (Damned (Damned, #1))
What is to give light must endure burning.” —Viktor E. Frankl
Glennon Doyle Melton (Carry On, Warrior: Thoughts on Life Unarmed)
I carry within me the heart of a warrior, the mind of a pharaoh, the soul of a goddess and the wisdom of my grandmothers' grandmothers.
grace gegenheimer
I did then what I knew how to do. Now that I know better, I do better.
Glennon Doyle Melton (Carry On, Warrior: Thoughts on Life Unarmed)
That’s the thing about becoming a family: you gotta melt. You have to keep melting into each other until you become something entirely new. The only constant family rule is that everyone has to keep showing up.
Glennon Doyle Melton (Carry On, Warrior: Thoughts on Life Unarmed)
Wherever you go, there you are. Your emptiness goes with you. Maddening. Things that help: writing, reading, water, walks, forgiving myself every other minute, practicing easy yoga, taking deep breaths, and petting my dogs. These things don't fill me completely, but they remind me that it is not my job to fill myself. It's just my job to notice my emptiness and find graceful ways to live as a broken, unfilled human... If there's a silver lining to the emptiness, here it is: the unfillable is what brings people together. I've never made a friend by bragging about my strengths, but I've made countless by sharing my weakness and my emptiness.
Glennon Doyle Melton (Carry On, Warrior: Thoughts on Life Unarmed)
Peace isnt the absence of distraction or annoyance or pain. Its finding Me, finding peace and calm, in the midst of those distractions and annoyances and pains.
Glennon Doyle Melton (Carry On, Warrior: Thoughts on Life Unarmed)
Emeth came walking forward into the open strip of grass between the bonfire and the Stable. His eyes were shining, his face was solemn, his hand was on his sword-hilt, and he carried his head high. Jill felt like crying when she looked at his face. And Jewel whispered in the King's ear, "By the Lion's Mane, I almost love this young warrior, Calormene though he be. He is worthy of a better god than Tash.
C.S. Lewis (The Last Battle (Chronicles of Narnia, #7))
Don’t ask what the world needs. Ask what makes you come alive, and go do it. Because what the world needs is people who have come alive. —Howard Thurman
Glennon Doyle Melton (Carry On, Warrior: Thoughts on Life Unarmed)
These things will be hard to do, but you can do hard things.
Glennon Doyle Melton (Carry On, Warrior: Thoughts on Life Unarmed)
When you write your truth, it is a love offering to the world because it helps us feel braver and less alone.
Glennon Doyle Melton (Carry On, Warrior: The Power of Embracing Your Messy, Beautiful Life)
Loving people and animals makes us stronger in the right ways and weaker in the right ways. Even if animals and people leave, even if they die, they leave us better. So we keep loving, even though we might lose, because loving teaches us and changes us.
Glennon Doyle Melton (Carry On, Warrior: The Power of Embracing Your Messy, Beautiful Life)
Life is brutal, but it’s also beautiful. Life is Brutiful.
Glennon Doyle Melton (Carry On, Warrior: Thoughts on Life Unarmed)
I am confident because I believe that I am a child of God. I am humble because I believe that everyone else is too.
Glennon Doyle Melton (Carry On, Warrior: The Power of Embracing Your Messy, Beautiful Life)
I don't believe in advice. Everybody has the answers right inside her, since we're all made up of the same amount of God. So when a friend says, I need some advice, I switch it to, I need some love, and I try to offer that.
Glennon Doyle Melton (Carry On, Warrior: Thoughts on Life Unarmed)
Theres a remarkable amount of strength residing in those who move forward without being able to physically move. Ones that carry the weight of illness or a disability, they battle wars most know nothing about. They are the true warriors of the world, the ones who have every reason to quit but never do.
Nikki Rowe
I turned to Ren, dropping my head low to honor the fallen alpha. The circled wolves did the same. I lifted my muzzle first, my howl singing out the pain of Ren's death, mourning him. One by one my packmates joined the song. Our howls filled the library, spilling into the winter night. The death song grew as the wolves still outside raised their voices to honor the lost young warrior. The chorus of wolf cries, full of heartache, swelled in the night, carrying Ren's memory to the very stars.
Andrea Cremer (Bloodrose (Nightshade, #3; Nightshade World, #6))
When reentering society and risking rejection, the library is a good place to start. They have low expectations. I love the library. Also church. Both have to take you in.
Glennon Doyle Melton (Carry On, Warrior: Thoughts on Life Unarmed)
There are only two lives we might live: our dream or our destiny. Sometimes they are one in the same, and sometimes they're not. Often our dreams are just a path to our destinies.
Glennon Doyle Melton (Carry On, Warrior: Thoughts on Life Unarmed)
If you want to bring the world closer to peace, be a peacemaker by creating peace whenever you can. If you find yourself engaged in an argument that only stirs anger in the heart, quickly make peace and carry on.
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
Kind people are brave people. Brave is not something you should wait to feel. Brave is a decision. It is a decision that compassion is more important than fear, than fitting in, than following the crowd. Trust me, baby, it is. It is more important.
Glennon Doyle Melton (Carry On, Warrior: Thoughts on Life Unarmed)
She said, "You're a warrior. So how do you kill without rage?" "In compassion. Because of necessity." Hrahima set the empty water bowl back in Samarkar's hands. "The same way you carry water.
Elizabeth Bear (Range of Ghosts (Eternal Sky, #1))
I am Welcomed in the Home of Ravens and Other Scavengers in the Wake of Warriors," Ringil recited for him, hollowly. "I am Friend to Carrion Crows and Wolves. I am Carry Me and Kill with Me, and Die with Me Where the Road Ends. I am not the Honeyed Promise of Length of Life in Years to Come, I am the Iron Promise of Never Being a Slave.
Richard K. Morgan (The Cold Commands (A Land Fit for Heroes, #2))
When they speak to you from their fear--speak past their fear and directly to their love. Their Love will step forward eventually.
Glennon Doyle Melton (Carry On, Warrior: The Power of Embracing Your Messy, Beautiful Life)
We carry the weight of our crimes and bear the wings of our kindness.
Daniel Cuervonegro (Sins of the Maker)
These things don’t fill me completely, but they remind me that it is not my job to fill myself. It’s just my job to notice my emptiness and find graceful ways to live as a broken, unfilled human—and maybe to help myself and others feel a teeny bit better.
Glennon Doyle Melton (Carry On, Warrior: Thoughts on Life Unarmed)
I have been chosen and trained to carry the gift of the gods for the good and protection of the people, and against all enemies of the clan, no matter their strength or numbers. I join myself to the fellowship of jade warriors, freely and with my whole being, and I will call them my brothers-in-arms. Should I ever be disloyal to my brother, may I die by the blade. Should I ever fail to come to the aid of my brother, may I die by the blade. Should I ever seek personal gain at the expense of my brother, may I die by the blade. Under the eyes of all the gods in Heaven, I pledge this. On my honor, my life, and my jade.
Fonda Lee (Jade City (The Green Bone Saga, #1))
I’m not big on advice, mainly because most days I learn what an idiot I was yesterday.
Glennon Doyle Melton (Carry On, Warrior: Thoughts on Life Unarmed)
I think one of the keys to happiness is accepting that I am never going to be perfectly happy. Life is uncomfortable. So I might as well get busy loving the people around me. I’m going to stop trying so hard to decide whether they are the “right people” for me and just take deep breaths and love my neighbors. I’m going to take care of my friends. I’m going to find peace in the ’burbs. I’m going to quit chasing happiness long enough to notice it smiling right at me.
Glennon Doyle Melton (Carry On, Warrior: Thoughts on Life Unarmed)
stop making parenthood harder by pretending it’s not hard.
Glennon Doyle Melton (Carry On, Warrior: Thoughts on Life Unarmed)
I’d like to be kind, and at the very least not add to people’s pain.
Glennon Doyle Melton (Carry On, Warrior: Thoughts on Life Unarmed)
Happiness is low expectations paired with a short-term memory problem.
Glennon Doyle Melton (Carry On, Warrior: Thoughts on Life Unarmed)
And he always checks that he carries three things with him: faith, hope, and love.
Paulo Coelho (Warrior of the Light)
I learned that in these disasters, all we can do is tell our In Case of Emergencies that their grief is real, and if it lasts forever, then we will grieve with them forever. As far as I was able to tell during those two years, there was nothing else worth saying. It was not going to be all right, ever. Everything doesn’t happen for a decent reason. I was Sister’s In Case of Emergency and I couldn’t fix her emergency. I couldn’t do anything at all except feed her, hold her when she cried, pray angry prayers, keep showing up, and hope that time and my home and presence would offer healing.
Glennon Doyle Melton (Carry On, Warrior: Thoughts on Life Unarmed)
King Edmund of East Anglia is now remembered as a saint, as one of those blessed souls who live forever in the shadow of God. Or so the priests tell me. In heaven, they say, the saints occupy a privileged place, living on the high platform of God’s great hall where they spend their time singing God’s praises. Forever. Just singing. Beocca always told me that it would be an ecstatic existence, but to me it seems very dull. The Danes reckon their dead warriors are carried to Valhalla, the corpse hall of Odin, where they spend their days fighting and their nights feasting and swiving, and I dare not tell the priests that this seems a far better way to endure the afterlife than singing to the sound of golden harps. I once asked a bishop whether there were any women in heaven. “Of course there are, my lord,” he answered, happy that I was taking an interest in doctrine. “Many of the most blessed saints are women.” “I mean women we can hump, bishop.” He said he would pray for me. Perhaps he did.
Bernard Cornwell (The Last Kingdom (The Saxon Stories, #1))
My head is so full of memories!" Cinderheart wailed. "I feel as though there are two lives inside me, not one. How can it be my choice to make? Doesn't Cinderpelt have a choice? I can't make her a warrior! She was a medicine cat!" Lionblaze pressed his muzzle closer. "She chose you", he murmured. "She gave you the choice". Cinderheart began to tremble. Lionblaze could sense her mind whirling. "You can only live one life, Cinderheart. It's your choice! This is your destiny, not Cinderpelt's. She lived her own life". Cinderheart gasped. Then her pelt smoothed. She lifted her chin. "Then I choose the life of a warrior". Her blue eyes shone. "And I choose you". A breeze stirred the ferns. Lionblaze glimpsed a pale gray shape appear like a shadow beside Cinderheart. Stepping back in surprise, he saw it peel away from her and drift up like a cobweb carried by the wind. A soft voice whispered, Thank you. Lionblaze's fur stood on end. "Did you see that? Cinderheart was watching the shadow disappear into the trees. "It was Cinderpelt", she breathed. "I've set her free". Lionblaze purred loudly. "Will you fight alongside me?" Cinderheart pressed her muzzle fiercely against his. "Always".
Erin Hunter (The Last Hope (Warriors: Omen of the Stars, #6))
The only meaningful thing we can offer one another is love. Not advice, not questions about our choices, not suggestions for the future, just love.
Glennon Doyle Melton (Carry On, Warrior: Thoughts on Life Unarmed)
The only constant family rule is that everyone has to keep showing up.
Glennon Doyle Melton (Carry On, Warrior: Thoughts on Life Unarmed)
You have the blood of warriors in your veins. The kind of men who protect what is theirs and love without restraint. I want that love and I want you. (Gabrielle) It’s all yours. You’re not getting much out of this deal since all I own is what I can carry in two hands. (Carlos) Great. That means I get to decorate the house the way I want. (Gabrielle)
Sherrilyn Kenyon (Whispered Lies (B.A.D. Agency, #3))
I believe that many modern women, my mother included, carry within them a whole secret New England cemetery, wherein they have quietly buried- in neat little rows- the personal dreams they have given up for their families
Elizabeth Gilbert (Committed: A Skeptic Makes Peace with Marriage)
Persevere. Bear with great patience each other’s infirmities of body or behavior. And when the thorns of contention arise, daily forgive, and be ready to accept forgiveness.
Glennon Doyle Melton (Carry On, Warrior: Thoughts on Life Unarmed)
Don’t ask, “What can I do?” She doesn’t know. Just do something.
Glennon Doyle Melton (Carry On, Warrior: Thoughts on Life Unarmed)
The warrior merely carries the sword on behalf of others. His task is a lordly one because the warrior still agrees to die for the mistakes of others.
Alexandre Sanguinetti
Peace isn’t the absence of distraction or annoyance or pain. It’s finding Me, finding peace and calm, in the midst of those distractions and annoyances and pains.
Glennon Doyle Melton (Carry On, Warrior: Thoughts on Life Unarmed)
We are all here to serve each other. At some point we have to understand that we do not need to carry a story that is unbearable. We can observe the story, which is mental; feel the story, which is physical; let the story go, which is emotional; then forgive the story, which is spiritual, after which we use the materials of it to build a house of knowledge.
Joy Harjo (Poet Warrior: A Memoir)
Defrosting is excruciatingly painful. You have been numb for so long. As feeling comes back to your soul, you start to tingle, and it’s uncomfortable and strange. But then the tingles start feeling like daggers. Sadness, loss, fear, anger, anxiety—all of these things that you have been numbing with the booze—you feel them for the first time. And it’s horrific at first, to tell you the damn truth. But welcoming the pain and refusing to escape from it is the only way to recovery. You can’t go around it, you can’t go over it, you have to
Glennon Doyle Melton (Carry On, Warrior: Thoughts on Life Unarmed)
Stephen Herondale would have killed me if he’d ever met me. I would not have been safe living among people like you, or like him. I am the wife and mother of warriors who fought and died and never dishonored themselves as you have. I have worn gear, wielded blades, and slain demons, and all I wished was to overcome evil so that I could live and be happy with those I loved. I’d hoped I had made this a better, safer world for my children. Because of Valentine’s Circle, the Herondale line, the line that was my son’s children’s children, is finished. That happened through you and your Circle and your husband. Stephen Herondale died with hate in his heart and the blood of my people on his hands. I can imagine no more horrible way for mine and Will’s line to end. I will have to carry for the rest of my life the wound of what Valentine’s Circle has done to me, and I will live forever.
Cassandra Clare (The Last Stand of the New York Institute (The Bane Chronicles, #9))
We’ve spent our time together talking about everything but what matters. We’ve never brought to each other the heavy things we were meant to help each other carry. We’ve only introduced each other to our representatives, while our real selves tried to live life alone. We thought that was safer. We thought that this way our real selves wouldn’t get hurt. But as I read these messages, it becomes clear that we are all hurting anyway. And we think we are alone. At our cores, we are our tender selves peeking out at a world of shiny representatives, so shame has been layered on top of our pain. We’re suffocating underneath all the layers. *
Glennon Doyle Melton (Love Warrior)
If I want my world to be less vicious, then I must become more gentle. If I want my children to embrace other children for who they are, to treat other children with the dignity and respect every child of God deserves, then I had better treat other adults the same way. And I better make sure that my children know beyond a shadow of a doubt that in God's and their father's and my eyes, they are okay. They are loved as they are. Without a single unless. Because the kids who bully are those who are afraid that a secret part of themselves is not okay.
Glennon Doyle Melton (Carry On, Warrior: Thoughts on Life Unarmed)
daughters-in-law, notice the beauty of the rug that your mother-in-law spent a lifetime weaving. Remember that her pattern is mostly firmly established-no need to suggest improvements. Be kinder than necessary, being mindful that the piece of art it took her a lifetime to weave-her masterpiece-she gave to you to keep you warm at night.
Glennon Doyle Melton (Carry On, Warrior: The Power of Embracing Your Messy, Beautiful Life)
Parenting is hard. Just like lots of important jobs are hard. Why is it that the second a mother admits that it’s hard, people feel the need to suggest that maybe she’s not doing it right? Or that she certainly shouldn’t add more to her load. Maybe the fact that it’s so hard means she IS doing it right, in her own way, and she happens to be honest.
Glennon Doyle Melton (Carry On, Warrior: Thoughts on Life Unarmed)
Then I remember what my most important parenting job is, and that is to teach my children how to deal with being human. Because most likely, that’s where they’re headed. No matter what I do, they’re headed toward being messed-up humans faster than three brakeless railroad cars. There is really only one way to deal gracefully with being human, and that is this: Forgive yourself.
Glennon Doyle Melton (Carry On, Warrior: Thoughts on Life Unarmed)
Bumblestripe, Lionblaze, Cinderheart, and Purdy bore Mousefur among them, the old she-cat silenced forever, her jaws hanging slightly open as if she had something more to say. Firestar was carried by Sandstorm, Graystripe, Squirrelflight, and Millie. Dovewing heard the gray tabby she-cat murmur, “We were born as kittypets, but look at us now, my precious friend.
Erin Hunter (Dovewing's Silence (Warriors Novellas))
My mother has told me once and for all the useful parts. She will add nothing unless powered by necessity, a riverbank that guides her life. She plants vegetable gardens rather than lawns; she carries the odd-shaped tomatoes home from the field and eats food left for the gods.
Maxine Hong Kingston (The Woman Warrior)
Chase, we don’t believe that homosexuality is a sin. The Bible was inspired by God, but it was written, translated, and interpreted by imperfect people just like us. This means that the passing of this sacred scripture from generation to generation and from culture to culture has been a bit like the “telephone game” you play at school. After thousands of years, it’s impossible to judge the original spirit of some scripture. We believe that when in doubt, mercy triumphs judgment. So your parents are Christians who study and pray and then carefully choose what we follow in the Bible, based on whether or not it matches our understanding of Jesus’s overall message.
Glennon Doyle Melton (Carry On, Warrior: Thoughts on Life Unarmed)
Let’s be Atticus Finch in To Kill a Mockingbird. Atticus’s children, Scout and Jem, carefully watch their father’s behavior as the house next door to theirs burns to the ground. As the fire creeps closer and closer to the Finches’ home, Atticus appears so calm that Scout and Jem finally decide that “it ain’t time to worry yet.” We need to be Atticus. Hands in our pockets. Calm. Believing. So that our children will look at us and even with a fire raging in front of them, they’ll say, “Huh. Guess it’s not time to worry yet.
Glennon Doyle Melton (Carry On, Warrior: Thoughts on Life Unarmed)
Bella. "Nathan Malone is dead." He caught her shoulders, shook her. "No!" she screamed back. And she couldn't hit him. She wanted to, and she couldn't. "look at me," he yelled. "Look at me, Bella. What happened killed the man you loved. All that is left is this. The man you see now.The name name I carry now. Anything else is no possible." "No!" She pulled away from him, stumbled to her feet, and shook with the rage pounding through her. "The name may be dead, but you are not dead. "You weren't just a SEAL," she cried. "You weren't just a friend, or a son, or a grandson, or a brother. You weren't just a warrior." She clenched her fists, pressed to her stomach as the agony swell up through every cell of her body. "You are my husband. My lover. It doesn't matter if your name is Nathan, Noah, or hey fucking you, you are my my lover. My soul. My heart.
Lora Leigh (Wild Card (Elite Ops, #1))
I just want us to remember than when we became parents, we didn't change species. We're still humans. I mean, we're bad-ass humans, for sure, but humans nonetheless. We make mistakes, all day, and that's good. We want our children to see that. We want them to learn how to handle mistakes because that's an important thing to learn. We expect to make mistakes, we say we're sorry, we forgive ourselves, we shrug and smile, and we try again. Repeat. Repeat. Repeat.
Glennon Doyle Melton (Carry On, Warrior: Thoughts on Life Unarmed)
Ivypool backed away. She twisted and ducked under him as he leaped, but his claws sank into her tail and pinned her to the ground. Thistleclaw and Snowtuft attacked from opposite sides, snarling, slicing her ears. She struggled away from them, crashing into hard muscle. Hawkfrost was behind her now. He stabbed his claws into her shoulders. With a gasp, Ivypool saw his teeth flashing beside her throat. Then a black pelt flashed over the top of the gorse. Paws landed with a thump beside her. "Get off her!" Hollyleaf yowled. Ivypool's world spun as the black warrior slammed into Hawkfrost and sent him reeling into the gorse. Free from Hawkfrost's claws, Ivypool turned on Thistleclaw and Snowtuft. She began slashing with her front paws, remembering in a crystalline moment every moon of training. Hollyleaf reared up beside her, matching her blow for blow, as though she instinctively knew where Ivypool would strike next. Blood sprayed the forest floor as Ivypool sliced Snowtuft's muzzle and tore Thistleclaw's nose. Turning she kicked with hind legs and knocked Thistleclaw backward, then sank her teeth into Snowtuft's neck. The white warrior screeched and ripped free from her jaws. Ivypool tasted his blood as he hared away through the bracken. She met Thistleclaw's gaze. Fear sparked in his eyes as she spat out a bloody clump of Snowtuft's fur. "Run," she hissed. "Because if you stay, I will kill you". Mouth open, Thistleclaw fled, disappearing through the gorse. A shriek exploded behind Ivypool. She turned and saw Hollyleaf swipe at Hawkfrost's muzzle. The force of the blow sent the Dark Forest warrior crashing away. He dropped with a thump and scrabbled to his paws. Blood dripping from his cheek, one eye swollen shut, he glanced at Hollyleaf and tore his way through the gorse. Ivypool stared at the black she-cat. "You saved my life!" Hollyleaf staggered and fell to the ground. "Hollyleaf!" Ivypool darted to her side and saw blood pulsing from a wound in her neck. Panic formed a hard lump in Ivypool's belly. Grasping Hollyleaf's scruff in her teeth, she began to half drag, half carry her Clanmate toward the ThunderClan border. Jayfeather would know what to do. "I'll get you home," Ivypool growled through gritted teeth. "I promise I'll get you home".
Erin Hunter (The Last Hope (Warriors: Omen of the Stars, #6))
self-forgiveness. It’s more like a constant attitude. It’s just being hopeful. It’s refusing to hold your breath. It’s loving yourself enough to offer yourself a million more tries. It’s what we want our kids to do every day for their whole lives, right? We want them to embrace being human instead of fighting against it. We want them to offer themselves grace. Forgiveness and grace are like oxygen: we can’t offer it to others unless we put our masks on first. We have to put our grace masks on and breathe in deep.
Glennon Doyle Melton (Carry On, Warrior: Thoughts on Life Unarmed)
It's only when movement becomes the most natural state in our lives that we can finally begin to enjoy the motion. And it's only when standing still becomes impossible that we can finally embrace the kinds of changes that are inevitable in our lives. We were not designed to stand still. If we were, we'd have at least three legs. We were designed to move. Our bodies are bodies that have walked across vast continents. Our bodies are bodies that have carried objects of art and war over great distances. We are no less mobile than our ancestors. We are athletes. We are warriors. We are human.
John Bingham (Running for Mortals: A Commonsense Plan for Changing Your Life With Running)
Children are not cruel. Children are mirrors. They want to be "grownup," so they act how grown-ups act when we think they're not looking. They do not act how we tell them to act at school assemblies. They act how we really act. They believe what we believe. They say what we say. And we have taught them that gay people are not okay. That overweight people are not okay. That Muslim people are not okay. That they are not equal. That they are to be feared. And people hurt the things they fear. We know that. What they are doing in the schools, what we are doing in the media -- it's all the same. The only difference is that children bully in the hallways and the cafeterias while we bully from behind pulpits and legislative benches and sitcom one-liners.
Glennon Doyle Melton (Carry On, Warrior: Thoughts on Life Unarmed)
I have never battled a gargoyle before.” Zacharel shook his head, a dark lock of hair tumbling into one emerald eye. Damp from the melting snow, the hair stuck to his skin. He didn’t seem to notice. “But I am certain these will murder Paris before willingly carrying him inside.” As if he were the only intelligent life form left in existence, William splayed his arms. “And the problem with that? He’ll still be inside, exactly where he wants to be. And by the way,” he added, blinking at Paris with lashes so long they should have belonged to a girl. “Your new permanent eyeliner is very pretty. You’ll make a good-looking corpse.” Do not react. He did, and the teasing about his ash/ambrosia tattoos would never end. “Thanks.” “I prefer the lip liner, though. A nice little feminine touch that really makes your eyes pop.” “Again, thanks,” he gritted. He wants us! Stupid demon. William grinned. “Maybe we can make out later. I know you want me.” Tell him yes! Not another word out of you, or— “Paris? Warrior?” Zacharel said. “Are you listening to me?” “No.” Zach nodded, apparently not the least offended. “I enjoy your honesty, though I believe you suffer from what the humans call ADD.” “Oh, yeah. I definitely have attention deficient demon.
Gena Showalter (The Darkest Seduction (Lords of the Underworld, #9))
Education is like Christmas. We’re all just opening our gifts, one at a time. And it is a fact that each and every child has a bright shiny present with her name on it, waiting there underneath the tree. God wrapped it up, and he’ll let us know when it’s time to unwrap it. In the meantime, we must believe that our children are okay. Every last one of them. The straight-A ones and the ones with autism and the naughty ones and the chunky ones and the shy ones and the loud ones and the so-far-behind ones.
Glennon Doyle Melton (Carry On, Warrior: Thoughts on Life Unarmed)
HONESTY is reached through the doorway of grief and loss. Where we cannot go in our mind, our memory, or our body is where we cannot be straight with another, with the world, or with our self. The fear of loss, in one form or another, is the motivator behind all conscious and unconscious dishonesties: all of us are afraid of loss, in all its forms, all of us, at times, are haunted or overwhelmed by the possibility of a disappearance, and all of us therefore, are one short step away from dishonesty. Every human being dwells intimately close to a door of revelation they are afraid to pass through. Honesty lies in understanding our close and necessary relationship with not wanting to hear the truth. The ability to speak the truth is as much the ability to describe what it is like to stand in trepidation at this door, as it is to actually go through it and become that beautifully honest spiritual warrior, equal to all circumstances, we would like to become. Honesty is not the revealing of some foundational truth that gives us power over life or another or even the self, but a robust incarnation into the unknown unfolding vulnerability of existence, where we acknowledge how powerless we feel, how little we actually know, how afraid we are of not knowing and how astonished we are by the generous measure of grief that is conferred upon even the most average life. Honesty is grounded in humility and indeed in humiliation, and in admitting exactly where we are powerless. Honesty is not found in revealing the truth, but in understanding how deeply afraid of it we are. To become honest is in effect to become fully and robustly incarnated into powerlessness. Honesty allows us to live with not knowing. We do not know the full story, we do not know where we are in the story; we do not know who is at fault or who will carry the blame in the end. Honesty is not a weapon to keep loss and heartbreak at bay, honesty is the outer diagnostic of our ability to come to ground in reality, the hardest attainable ground of all, the place where we actually dwell, the living, breathing frontier where there is no realistic choice between gain or loss.
David Whyte
I wanted to tell Ren the truth. I wanted to say that he was the best friend I’d ever had. That I was sorry about the way I had treated him. I wanted to tell him…that I loved him. But I couldn’t say anything. My throat was closed up, probably swollen from snake venom. All I could do was look at him as he knelt over me. That’s okay. Looking at his gorgeous face one last time is enough for me. I’ll die a happy woman. I was so tired. My eyelids were too heavy to keep open. I closed my eyes and waited for death to come. Ren cleared a space and sat down near me. Pillowing my head on his arm, he pulled me onto his lap and into his arms. I smiled. Even better. I can’t open my eyes to see him anymore, but I can feel his arms around me. My warrior angel can carry me in his arms up to heaven. He squeezed my closer to his body and whispered something in my ear that I couldn’t make out. Then darkness overtook me.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
It was drizzling. As people rushed along, they began opening umbrellas over their heads, and all at once the streets were crowded, too. Arched umbrella roofs collided with one another. The men were courteous, and when passing Tereza they held their umbrellas high over their heads and gave her room to go by. But the women would not yield; each looked straight ahead, waiting for the other woman to acknowledge her inferiority and step aside. The meeting of the umbrellas was a test of strength. At first Tereza gave way, but when she realized her courtesy was not being reciprocated, she started clutching her umbrella like the other women and ramming it forcefully against the oncoming umbrellas. No one ever said "Sorry." For the most part no one said anything, though once or twice she did hear a "Fat cow!" or "Fuck you!" The women thus armed with umbrellas were both young and old, but the younger among them proved the more steeled warriors. Tereza recalled the days of the invasion and the girls in miniskirts carrying flags on long staffs. Theirs was a sexual vengeance: the Russian soldiers had been kept in enforced celibacy for several long years and must have felt they had landed on a planet invented by a science fiction writer, a planet of stunning women who paraded their scorn on beautiful long legs the likes of which had not been seen in Russia for the past five or six centuries. She had taken many pictures of those young women against a backdrop of tanks. How she had admired them! And now these same women were bumping into her, meanly and spitefully. Instead of flags, they held umbrellas, but they held them with the same pride. They were ready to fight as obstinately against a foreign army as against an umbrella that refused to move out of their way.
Milan Kundera (The Unbearable Lightness of Being)
To what a world does the illustrious bard carry me! To wander over pathless wilds, surrounded by impetuous whirlwinds, where, by the feeble light of the moon, we see the spirits of our ancestors; to hear from the mountain-tops, mid the roar of torrents, their plaintive sounds issuing from deep caverns, and the sorrowful lamentations of a maiden who sighs and expires on the mossy tomb of the warrior by whom she was adored. I meet this bard with silver hair; he wanders in the valley; he seeks the footsteps of his fathers, and, alas! he finds only their tombs. Then, contemplating the pale moon, as she sinks beneath the waves of the rolling sea, the memory of bygone days strikes the mind of the hero, days when approaching danger invigorated the brave, and the moon shone upon his bark laden with spoils, and returning in triumph. When I read in his countenance deep sorrow, when I see his dying glory sink exhausted into the grave, as he inhales new and heart-thrilling delight from his approaching union with his beloved, and he casts a look on the cold earth and the tall grass which is so soon to cover him, and then exclaims, "The traveller will come, -- he will come who has seen my beauty, and he will ask, 'Where is the bard, where is the illustrious son of Fingal?' He will walk over my tomb, and will seek me in vain!
Johann Wolfgang von Goethe (The Sorrows of Young Werther)
I can only speak from my personal experience, but I’ve been married for ten years and barely any gay people have tried to break up my marriage. I say barely any because that Nate Berkus is a little shady. I am defenseless against his cuteness and eye for accessories. He is always convincing me to buy beautiful trinkets with our grocery money, and this drives your sweet father a bit nuts. So you might want to keep your eye on Berkus. But with the exception of him, I’m fairly certain that the only threats to your father’s and my marriage are our pride, insecurity, anger, and wanderlust. Do not be afraid of people who seem different from you, baby. Different always turns out to be an illusion. Look hard.
Glennon Doyle Melton (Carry On, Warrior: Thoughts on Life Unarmed)
God created woman as a Warrior. I think about the tragedies the women in my life have faced. How every time a child gets sick or a man leaves or a parent dies or a community crumbles, the women are the ones who carry on, who do what must be done for their people in the midst of their own pain. While those around them fall away, the women hold the sick and nurse the weak, put food on the table, carry their families’ sadness and anger and love and hope. They keep showing up for their lives and their people with the odds stacked against them and the weight of the world on their shoulders. They never stop singing songs of truth, love, and redemption in the face of hopelessness. They are inexhaustible, ferocious, relentless cocreators with God, and they make beautiful worlds out of nothing. Have women been the Warriors all along?
Glennon Doyle Melton (Love Warrior)
Pain splits us into two. When someone who is suffering says, “I’m fine, I’m fine,” it is not because she is fine, it is because her inner self told her outer self to say the words “I am fine.” Sometimes she will even slip and say, “We’re fine.” Others assume she’s referring to herself and her people, but she is not. She is referring to both of her selves: her hurt self and her representative, the one fit for public consumption. Pain transforms one woman into two so that she has someone to walk with, someone to sit with her in the dark when everyone else leaves. I am not alone. I have my hurt self, but I also have this representative of me. She will continue on. Maybe I can permanently hide my hurt self and send our rep out into the world and she can smile and wave and carry on as if this never happened. We can breathe when we get home. In public, we will just pretend forever. I
Glennon Doyle Melton (Love Warrior)
While Brambleclaw paused to taste the air, she crouched down beside one of the puddles and touched the ice with her tongue, grateful for the tingling freshness. “Come on,” the Clan deputy meowed. “This way.” Hollyleaf tried to jump up, only to stop with a strangled cry of dismay. Her tongue had frozen to the ice; a sharp pain shot through it as she tried to wrench herself free. “What’s the matter?” Lionblaze asked. “My tongue . . .” Hollyleaf could hardly get the words out. “It’th thtuck!” Lionblaze snorted as he suppressed a mrrow of laughter. Birchfall stooped down until he was nose to nose with Hollyleaf; irritation swelled inside her when she saw amusement dancing in his eyes. “It’th not funny!” she mumbled as clearly as she could with her tongue plastered to the ice. “Stand back.” Brackenfur’s calm voice came from behind Hollyleaf. “Let me have a look.” He leaned beside Birchfall, gently shouldering the younger cat out of the way. “Well, you’re certainly stuck,” he went on. Hollyleaf could tell that he was struggling not to laugh, too. “I suppose we could break off the ice. Then you’d have to carry it until it melts.” “Hey, you’ve discovered a new way to fetch water for the elders!” Hazeltail put in. Her pelt itching with frustration, Hollyleaf tried again to wrench her tongue free, only getting another stab of pain for her efforts. “It hurt-th! Do thomething!” She pictured herself crouched on the hard ground with her tongue stretched out, and suddenly she felt laughter bubbling up inside her. I guess I do look pretty funny. She couldn’t remember the last time she had found anything to laugh at.
Erin Hunter (Sunrise (Warriors: Power of Three #6))
All of the Indians must have tragic features: tragic noses, eyes, and arms. Their hands and fingers must be tragic when they reach for tragic food. The hero must be a half-breed, half white and half Indian, preferably from a horse culture. He should often weep alone. That is mandatory. If the hero is an Indian woman, she is beautiful. She must be slender and in love with a white man. But if she loves an Indian man then he must be a half-breed, preferably from a horse culture. If the Indian woman loves a white man, then he has to be so white that we can see the blue veins running through his skin like rivers. When the Indian woman steps out of her dress, the white man gasps at the endless beauty of her brown skin. She should be compared to nature: brown hills, mountains, fertile valleys, dewy grass, wind, and clear water. If she is compared to murky water, however, then she must have a secret. Indians always have secrets, which are carefully and slowly revealed. Yet Indian secrets can be disclosed suddenly, like a storm. Indian men, of course, are storms. The should destroy the lives of any white women who choose to love them. All white women love Indian men. That is always the case. White women feign disgust at the savage in blue jeans and T-shirt, but secretly lust after him. White women dream about half-breed Indian men from horse cultures. Indian men are horses, smelling wild and gamey. When the Indian man unbuttons his pants, the white woman should think of topsoil. There must be one murder, one suicide, one attempted rape. Alcohol should be consumed. Cars must be driven at high speeds. Indians must see visions. White people can have the same visions if they are in love with Indians. If a white person loves an Indian then the white person is Indian by proximity. White people must carry an Indian deep inside themselves. Those interior Indians are half-breed and obviously from horse cultures. If the interior Indian is male then he must be a warrior, especially if he is inside a white man. If the interior Indian is female, then she must be a healer, especially if she is inside a white woman. Sometimes there are complications. An Indian man can be hidden inside a white woman. An Indian woman can be hidden inside a white man. In these rare instances, everybody is a half-breed struggling to learn more about his or her horse culture. There must be redemption, of course, and sins must be forgiven. For this, we need children. A white child and an Indian child, gender not important, should express deep affection in a childlike way. In the Great American Indian novel, when it is finally written, all of the white people will be Indians and all of the Indians will be ghosts.
Sherman Alexie
...each day I sit down in purposeful concentration to write in a notebook, some sentences on a buried truth, an unnamed reality, things that happened but are denied. It is hard to describe the stillness it takes, the difficulty of this act. It requires an almost perfect concentration which I am trying to learn and there is no way to learn it that is spelled out anywhere or so I can understand it but I have a sense that it's completely simply, on the order of being able to sit still and keep your mind dead center in you without apology or fear. I squirm after some time but it ain't boredom, it's fear of what's possible, how much you can know if you can be quiet enough and simple enough. I move around, my mind wanders, I lose the ability to take words and roll them through my brain, move with them into their interiors, feel their colors, touch what's under them, where they come from long ago and way back. I get frightened seeing what's in my own mind if words get put to it. There's a light there, it's bright, it's wide, it could make you blind if you look direct into it and so I turn away, afraid; I get frightened and I run and the only way to run is to abandon the process altogether or compromise it beyond recognition. I think about Celine sitting with his shit, for instance; I don't know why he didn't run, he should've. It's a quality you have to have of being near mad and at the same time so quiet in your heart that you could pass for a spiritual warrior; you could probably break things with the power in your mind. You got to be able to stand it, because it's a powerful and disturbing light, not something easy and kind, it comes through your head to make its way onto the page and you get fucking scared so your mind runs away, it wanders, it gets distracted, it buckles, it deserts, it takes a Goddamn freight train if it can find one, it wants calming agents and sporifics, and you mask that you are betraying the brightest and the best light you will ever see, you are betraying the mind that can be host to it... ...Your mind does stupid tricks to mask that you are betraying something of grave importance. It wanders so you won't notice that you are deserting your own life, abandoning it to triviality and garbage, how you are too fucking afraid to use your own brain for what it's for, which is to be a host to the light, to use it, to focus it; let it shine and carry the burden of what is illuminated, everything buried there; the light's scarier than anything it shows, the pure, direct experience of it in you as if your mind ain't the vegetable thing it's generally conceived to be or the nightmare thing you know it to be but a capacity you barely imagined, real; overwhelming and real, pushing you out to the edge of ecstasy and knowing and then do you fall or do you jump or do you fly?
Andrea Dworkin (Mercy)
Takamasa Saegusa: 'Seigen, a mere member of the Toudouza, had the effrontery to sully the sacred dueling ground. For that reason, our lord had already decided to subject him to tu-uchi before long. Cut off his head immediately, and stick it on a pike!' Gennosuke could hardly believe his ears. Such an insult to Irako Seigen was unwarranted. It was pride. For Gennosuke, Irako Seigen was pride itself. Takamasa Saegusa: 'Fujiki Gennosuke! It is the way of the samurai to take the head of the defeated enemy on the battleground. Do not hesitate! If you are a samurai, you must carry out the duty of a samurai!' Samurai... Saegusa, Lord of Izu, continued shouting, but Gennosuke did not attend. That word 'samurai' alone reverberated through his body. If one aims at the juncture between the base of the skull and the spine, decapitation is not that difficult, but Gennosuke could muster no more strength than a baby. He grew pale and trembled with the strain. He could only hack with his sword as if he were sawing wood. He felt nauseated, as if his own cells one after another were being annihilated. But this... Lord Tokugawa Tadanaga: 'I approve.' Takamasa Saegusa: 'Fujiki Gennosuke, for this splendid action you have received words of thanks from our lord. As a sign of his exceptional approval, you shall be given employment at Sunpu Castle. This great debt will by no means be forgotten. From this day forward you must offer your life to our lord!' Prostrating himself, Gennosuke vomited.
Takayuki Yamaguchi (シグルイ 15(Shigurui, #15))
To My Priestess Sisters To my priestess sisters: the keepers of mysteries, the medicine women, the story keepers and story tellers, the holy magicians, the wild warriors, the original ones, the ones who carry the ancients within the marrow of your bones, the ones forged in the fires, the ones who have bathed in thier own blood, the heroines who wear thier scars as stars, the ones who give birth to their visions and dreams, the ones who weep and howl upon the holy altars, the avatars, the mothers, maidens and crones, the mystics, the oracles, the artists, the musicians, the virgins, the sensual and sexual, the women of our world- I honor you. I stand for you and with you. I celebrate both your autonomy and our sisterhood of One. We are many. We are fierce. We are tender. We are the change agents and we are radically holding and clearing space for the bursting forth of the holy seeds of the collective conscience and consciousness. We are manifestors and flames of purification and transformation. We are living our lives in authenticity, vulnerability, transparency and unapologetically. We are committed to integrity, impeccability, accountability, responsibility and passionate love. We are here on purpose, with purpose and give no energy to conformity, acceptance or approval. We are the daughters of the earth and the courageous of the cosmos. Priestess, keep living your life passionately, raising the cosmic vibrations and lowering your standards for no one. You are brazenly blessed and a force of nature. Nurture yourself and one another. You are a crystalline bridge between realms and uniting heaven and earth. You are a priestess and you are divinely anointed, appointed and unstoppable.
Mishi McCoy
It was raining and I had to walk on the grass. I’ve got mud all over my shoes. They’re brand-new, too.” “I’ll carry you across the grass on the return trip, if you like,” Colby offered with twinkling eyes. “It would have to be over one shoulder, of course,” he added with a wry glance at his artificial arm. She frowned at the bitterness in his tone. He was a little fuzzy because she needed glasses to see at distances. “Listen, nobody in her right mind would ever take you for a cripple,” she said gently and with a warm smile. She laid a hand on his sleeve. “Anyway,” she added with a wicked grin, “I’ve already given the news media enough to gossip about just recently. I don’t need any more complications in my life. I’ve only just gotten rid of one big one.” Colby studied her with an amused smile. She was the only woman he’d ever known that he genuinely liked. He was about to speak when he happened to glance over her shoulder at a man approaching them. “About that big complication, Cecily?” “What about it?” she asked. “I’d say it’s just reappeared with a vengeance. No, don’t turn around,” he said, suddenly jerking her close to him with the artificial arm that looked so real, a souvenir of one of his foreign assignments. “Just keep looking at me and pretend to be fascinated with my nose, and we’ll give him something to think about.” She laughed in spite of the racing pulse that always accompanied Tate’s appearances in her life. She studied Colby’s lean, scarred face. He wasn’t anybody’s idea of a pinup, but he had style and guts and if it hadn’t been for Tate, she would have found him very attractive. “Your nose has been broken twice, I see,” she told Colby. “Three times, but who’s counting?” He lifted his eyes and his eyebrows at someone behind her. “Well, hi, Tate! I didn’t expect to see you here tonight.” “Obviously,” came a deep, gruff voice that cut like a knife. Colby loosened his grip on Cecily and moved back a little. “I thought you weren’t coming,” he said. Tate moved into Cecily’s line of view, half a head taller than Colby Lane. He was wearing evening clothes, like the other men present, but he had an elegance that made him stand apart. She never tired of gazing into his large black eyes which were deep-set in a dark, handsome face with a straight nose, and a wide, narrow, sexy mouth and faintly cleft chin. He was the most beautiful man. He looked as if all he needed was a breastplate and feathers in his hair to bring back the heyday of the Lakota warrior in the nineteenth century. Cecily remembered him that way from the ceremonial gatherings at Wapiti Ridge, and the image stuck stubbornly in her mind. “Audrey likes to rub elbows with the rich and famous,” Tate returned. His dark eyes met Cecily’s fierce green ones. “I see you’re still in Holden’s good graces. Has he bought you a ring yet?” “What’s the matter with you, Tate?” Cecily asked with a cold smile. “Feeling…crabby?” His eyes smoldered as he glared at her. “What did you give Holden to get that job at the museum?” he asked with pure malice. Anger at the vicious insinuation caused her to draw back her hand holding the half-full coffee cup, and Colby caught her wrist smoothly before she could sling the contents at the man towering over her. Tate ignored Colby. “Don’t make that mistake again,” he said in a voice so quiet it was barely audible. He looked as if all his latent hostilities were waiting for an excuse to turn on her. “If you throw that cup at me, so help me, I’ll carry you over and put you down in the punch bowl!” “You and the CIA, maybe!” Cecily hissed. “Go ahead and try…!” Tate actually took a step toward her just as Colby managed to get between them. “Now, now,” he cautioned. Cecily wasn’t backing down an inch. Neither was Tate.
Diana Palmer (Paper Rose (Hutton & Co. #2))