Carry On Films Funny Quotes

but was this funny? was this funny? was this funny? why was this funny? why was Sugar Kane funny? why were men dressed as women funny? why were men made up as women funny? why were men staggering in high heels funny? why was Sugar Kane funny, was Sugar Kane the supreme female impersonator? was this funny? why was this funny? why is female funny? why were people going to laugh at Sugar Kane & fall in love with Sugar Kane? why, another time? why would Sugar Kane Kovalchick girl ukulelist be such a box office success in America? why dazzling-blond girl ukulelist alcoholic Sugar Kane Kovalchick a success? why Some Like It Hot a masterpiece? why Monroe's masterpiece? why Monroe's most commercial movie? why did they love her? why when her life was in shreds like clawed silk? why when her life was in pieces like smashed glass? why when her insides had bled out? why when her insides had been scooped out? why when she carried poison in her womb? why when her head was ringing with pain? her mouth stinging with red ants? why when everybody on the set of the film hated her? resented her? feared her? why when she was drowning before their eyes? I wanna be loved by you boop boopie do! why was Sugar Kane Kovalchick of Sweet Sue's Society Syncopaters so seductive? I wanna be kissed by nobody else but you I wanna! I wanna! I wanna be loved by you alone but why? why was Marilyn so funny? why did the world adore Marilyn? who despised herself? was that why? why did the world love Marilyn? why when Marilyn had killed her baby? why when Marilyn had killed her babies? why did the world want to fuck Marilyn? why did the world want to fuck fuck fuck Marilyn? why did the world want to jam itself to the bloody hilt like a great tumescent sword in Marilyn? was it a riddle? was it a warning? was it just another joke? I wanna be loved by you boop boopie do nobody else but you nobody else but you nobody else

Gaston was indeed a sight to behold. His chopsticks would descend awkwardly upon a morsel of food in one of the dishes before him, take hold of it and carry it precariously in the direction of his mouth. Then the horseface co-operatively met the chopsticks halfway, the mouth sung open, and plop! - the food disappeared inside. Slices of raw fish, spinach - everything was devoured in this fashion. There was nothing in his style of eating to distinguish him from the hippopotamus Tomoe had once seen in a Disney film.

Fleming could not keep a tight rein on most of his actors because the queerness of their characters defied a realistic approach. He could, and did, keep a tight rein on Judy Garland. And it is Garland’s obvious belief in what is happening to her that keeps the film credible. “You believed that she really wanted to get back to Kansas,” says Jack Haley. “She carried the picture with her sincerity.” The first confrontation between Fleming and Judy Garland came late in November when she first met the Cowardly Lion on the Yellow Brick Road. John Lee Mahin was on the set that day, and the moment stuck fast in his memory. “She slapped the Lion and he broke into tears. And she was to continue bawling him out. But Lahr was so funny that she burst into screams of laughter instead. Vic was patient at first. She went behind a tree. I could hear her saying, ‘I will not laugh. I will not laugh.’ Then she’d come out and start laughing again. They must have done the scene ten times, and eventually she was giggling so much she got hysterical. She couldn’t stop laughing. And Vic finally slapped her on the face. ‘All right now,’ he said, ‘go back to your dressing room.’ She went. And when she came back, she said, ‘O.K.’ And they did the scene.