Carriage Quotes

Are you implying that shreds of my reputation remain intact?" Will demanded with mock horror. "Clearly I have been doing something wrong. Or not something wrong, as the case may be." He banged on the side of the carriage. "Thomas! We must away at once to the nearest brothel. I seek scandal and low companionship.

My feet is my only carriage.

Because I could not stop for Death – He kindly stopped for me – The Carriage held but just Ourselves – And Immortality.

Tessa craned her head back to look at Will. “You know that feeling,” she said, “when you are reading a book, and you know that it is going to be a tragedy; you can feel the cold and darkness coming, see the net drawing tight around the characters who live and breathe on the pages. But you are tied to the story as if being dragged behind a carriage and you cannot let go or turn the course aside.” His blue eyes were dark with understanding — of course Will would understand — and she hurried on. “I feel now as if the same is happening, only not to characters on a page but to my own beloved friends and companions. I do not want to sit by while tragedy comes for us. I would turn it aside, only I struggle to discover how that might be done.” “You fear for Jem,” Will said. “Yes,” she said. “And I fear for you, too.” “No,” Will said, hoarsely. “Don’t waste that on me, Tess.

You know that feeling,” she said, “when you are reading a book, and you know that it is going to be a tragedy; you can feel the cold and darkness coming, see the net drawing tight around the characters who live and breathe on the pages. But you are tied to the story as if being dragged behind a carriage and you cannot let go or turn the course aside.

Her husband's visage captivated her from the first moment she saw him step out of the royal carriage a hundred years ago. How could it not? Flaminius was utterly gorgeous. But once she fell in love with him, she became happily enslaved.

Oh, I can never get enough," he said. "Which, incidentally, is what your sister said to me when - " The carriage door flew open. A hand shot out, grabbed Will by the back of the shirt, and hauled him inside. The door banged shut after him, and Thomas, sitting bolt upright, seized reins of the horses. A moment later the carriage had lurched forth into the night, leaving Gabriel staring, infuriated, after it.

Say something in Mandarin,” said Tessa, with a smile. Jem said something that sounded like a lot of breathy vowels and consonants run together, his voice rising and falling melodically: “Ni hen piao liang.” “What did you say?” Tessa was curious. “I said your hair is coming undone — here,” he said, and reached out and tucked an escaping curl back behind her ear. Tessa felt the blood spill hot up into her face, and was glad for the dimness of the carriage. “You have to be careful with it,” he said, taking his hand back, slowly, his fingers lingering against her cheek.

God, Elisabeth, I've been doomed since the moment I watched you smack a fiend off my carriage with a crowbar. How could you not tell? Silas has been rolling his eyes at me for weeks.

Time can play all sorts of tricks on you. In the blink of an eye, babies appear in carriages, coffins disappear into the ground, wars are won and lost, and children transform, like butterflies, into adults.

I really feel that we're not giving children enough credit for distinguishing what's right and what's wrong. I, for one, devoured fairy tales as a little girl. I certainly didn't believe that kissing frogs would lead me to a prince, or that eating a mysterious apple would poison me, or that with the magical "Bibbity-Bobbity-Boo" I would get a beautiful dress and a pumpkin carriage. I also don't believe that looking in a mirror and saying "Candyman, Candyman, Candyman" will make some awful serial killer come after me. I believe that many children recognize Harry Potter for what it is, fantasy literature. I'm sure there will always be some that take it too far, but that's the case with everything. I believe it's much better to engage in dialog with children to explain the difference between fantasy and reality. Then they are better equipped to deal with people who might have taken it too far.

As they passed the rows of houses they saw through the open doors that men were sweeping and dusting and washing dishes, while the women sat around in groups, gossiping and laughing. What has happened?' the Scarecrow asked a sad-looking man with a bushy beard, who wore an apron and was wheeling a baby carriage along the sidewalk. Why, we've had a revolution, your Majesty -- as you ought to know very well,' replied the man; 'and since you went away the women have been running things to suit themselves. I'm glad you have decided to come back and restore order, for doing housework and minding the children is wearing out the strength of every man in the Emerald City.' Hm!' said the Scarecrow, thoughtfully. 'If it is such hard work as you say, how did the women manage it so easily?' I really do not know,' replied the man, with a deep sigh. 'Perhaps the women are made of cast-iron.

I’ll tell you what is convenient,” he said after a moment. “To sleep until noon and have someone bring you your breakfast on a tray. To cancel an appointment at the very last minute. To keep a carriage waiting at the door of one party, so that on a moment’s notice it can whisk you away to another. To sidestep marriage in your youth and put off having children altogether. These are the greatest of conveniences, Anushka—and at one time, I had them all. But in the end, it has been the inconveniences that have mattered to me most.

I thought you didn't know how to drive a carriage," she shouted over the pounding of hooves. “Nonsense,” Nathaniel shouted back. “I’m a fast learner when properly motivated.

That there are such devices as firearms, as easy to operate as cigarette lighters and as cheap as toasters, capable at anybody's whim of killing Father or Fats or Abraham Lincoln or John Lennon or Martin Luther King, Jr., or a woman pushing a baby carriage, should be proof enough for anybody that being alive is a crock of shit.

But...you could have whatever you wished." "Exactly," he says, nuzzling my neck. "But," I say, "you could turn stones to rubies or ride in a fine gentleman's carriage." Kartik puts his hands on either side of my face. "To each his own magic," he says and kisses me again.

I need to feel your lips on mine." He planted his hands on the carriage wall, caging me in. "I need to feel your breath in my lungs. I need to feel your life inside me. I just need you. It's an ache. This need. Can I have you? All of you?

He tackled a woman's baby carriage. After the seven-month-old baby skidded across the pavement and began bawling his eyes out, Bill Brady started shouting at the toddler, 'What are you, a pussy? Walk it off! Walk it off!' After the mother shouted out her baby's age and how he wasn't able to walk yet, Bill Brady started barking in the vexed mother's face like she was a referee who had made a bad call.

You know these things as thoughts, but your thoughts are not your experiences, they are an echo and after-effect of your experiences: as when your room trembles when a carriage goes past. I however am sitting in the carriage, and often I am the carriage itself. Ina man who thinks like this, the dichotomy between thinking and feeling, intellect and passion, has really disappeared. He feels his thoughts. He can fall in love with an idea. An idea can make him ill.

What of it? If I die, I die. It will be no great loss to the world, and I am thoroughly bored with life. I am like a man yawning at a ball; the only reason he does not go home to bed is that his carriage has not arrived yet.

He banged on the side of the carriage. "Thomas! We must away at once to the nearest brothel. I seek scandal and low companionship.

Oh, I can never get enough," he said. "Which, incidentally, is what your sister said to me when-" The carriage door flew open. A hand shot out, grabbed Will by the back of the shirt, and hauled him inside.

The great secret, Eliza, is not having bad manners or good manners or any other particular sort of manners, but having the same manner for all human souls: in short, behaving as if you were in Heaven, where there are no thirdclass carriages, and one soul is as good as another.

Will tossed the bloody cloth aside. “And you wonder why we aren’t friends.” “I just wondered,” Gabriel said, in more subdued voice, “if perhaps you have ever had enough.” “Enough of what?” “Enough of behaving as you do.” Will crossed his arms over his chest. His eyes glistening dangerously. “Oh, I can never get enough,” he said. “Which, incidentally, is what your sister said to me when─” The carriage door flew open. A hand shot out, grabbed Will by the back of his shirt, and hauled him inside.

As the carriage whipped forward, they passed the alley she had spent so many days staring at—it was there, and then gone as they careened around a corner, nearly knocking over a costermonger pushing a donkey cart piled high with new potatoes. Tessa screamed. Will reached past her and yanked the curtain shut. "It's better if you don't look," he told her pleasantly. "He's going to kill someone. Or get us killed." "No, he won't. Thomas is an excellent driver." Tessa glared at him. "Clearly the word excellent means something else on this side of the Atlantic.

Ma'am," Magnus said, advancing. "I must counsel you not to exit the carriage while a demon-slaying is in progress.

You can knock down kingdoms on a whim. What you need is someone to make sure you don't get hit by a carriage when you cross the street.

I once saw a spindly man carrying a stone larger than his head upon his back. He stumbled beneath the weight, shirtless under the sun, wearing only a loincloth. He tottered down a busy thoroughfare. People made way for him. Not because they sympathized with him, but because they feared the momentum of his steps. You dare not impede one such as this. The monarch is like this man, stumbling along, the weight of a kingdom on his shoulders. Many give way before him, but so few are willing to step in and help carry the stone. They do not wish to attach themselves to the work, lest they condemn themselves to a life full of extra burdens. I left my carriage that day and took up the stone, lifting it for the man. I believe my guards were embarrassed. One can ignore a poor shirtless wretch doing such labor, but none ignore a king sharing the load. Perhaps we should switch places more often. If a king is seen to assume the burden of the poorest of men, perhaps there will be those who will help him with his own load, so invisible, yet so daunting.

Nice work in there, Herondale, setting the place on fire,” Gabriel observed. “Good thing we were there to clean up after you, or the whole plan would have gone down in flames, along with the shreds of your reputation.” “Are you implying that shreds of my reputation remain intact?” Will demanded with mock horror. “Clearly I have done something wrong. Or not doing something wrong as the case may be.” He banged on the side of the carriage. “Thomas! We must away at once to the nearest brothel! I seek scandal and low companionship.

Cinderella was such a dork. She left behind her glass slipper at the ball and then went right back to her step-monster's house. It seems to me she should have worn the glass slipper always, to make herself easier to find. I always hoped that after the prince found Cinderella and they rode away in their magnificent carriage, after a few miles she turned to him and said, "Could you drop me off down the road please? Now that I've finally escaped my life of horrific abuse, I'd like to see something of the world, you know?... I'll catch back up with you later, Prince, once I've found my own way.

Perhaps the easiest people to fall in love with are those about whom we know nothing. Romances are never as pure as those we imagine during long train journeys, as we secretly contemplate a beautiful person who is gazing out of the window – a perfect love story interrupted only when the beloved looks back into the carriage and starts up a dull conversation about the excessive price of the on-board sandwiches with a neighbour or blows her nose aggressively into a handkerchief.

I hate you," Haley mumbled, storming past him to grab a carriage. "You love and adore me," Jason informed her as he deftly snagged her carriage away from her and headed towards the men's department.

You’ve one mark on your record,” Tamas said. “You once punched a na-baron in the face. Broke his jaw. Tell me about that.” Olem grimaced. “Officially, sir, I was pushing him out of the way of a runaway carriage. Saved his life. Half my company saw it.” “With your fist?” “Aye.” “And unofficially?” “The man was a git. He shot my dog because it startled his horse.” “And if I ever have cause to shoot your dog?” “I’ll punch you in the face.” “Fair enough. You have the job.

Aaron wondered if the Sofanomin had also lulled him to sleep. He could feel the faint remnants of a strange dream; weird people in odd clothing, peculiar carriages that moved although no horses pulled them

HIGGINS. The great secret, Eliza, is not having bad manners or good manners or any other particular sort of manners, but having the same manner for all human souls: in short, behaving as if were in Heaven, where there are no third-class carriages, and one soul is as good as another.

Of all ridiculous things the most ridiculous seems to me, to be busy — to be a man who is brisk about his food and his work. Therefore, whenever I see a fly settling, in the decisive moment, on the nose of such a person of affairs; or if he is spattered with mud from a carriage which drives past him in still greater haste; or the drawbridge opens up before him; or a tile falls down and knocks him dead, then I laugh heartily.

That man over there says that women need to be helped into carriages, and lifted over ditches, and to have the best place everywhere. Nobody ever helps me into carriages, or over mud-puddles, or gives me any best place! And ain't I a woman? Look at me! Look at my arm! I have ploughed and planted, and gathered into barns, and no man could head me! And ain't I a woman? I could work as much and eat as much as a man - when I could get it - and bear the lash as well! And ain't I a woman? I have borne five children, and seen most all sold off to slavery, and when I cried out with my mother's grief, none but Jesus heard me! And ain't I a woman?

A swift carriage, of a dark night, rattling with four horses over roads that one can’t see--that’s my idea of happiness.

But we were talking about me and my problems." Sophronia looked Monique up and down gravely. "I don't think we're going to solve those in the space of one carriage ride.

Fair evening, Lady Pinkerton. I hope you enjoy satisfyingly deep breaths during your ride home." Part mortified, part despicably impressed, Catherine marched up the last step and slammed the carriage door shut.

All those who love Nature she loves in return, and will richly reward, not perhaps with the good things, as they are commonly called, but with the best things of this world-not with money and titles, horses and carriages, but with bright and happy thoughts, contentment and peace of mind.

Journeys are the midwives of thought. Few places are more conducive to internal conversations than a moving plane, ship or train. There is an almost quaint correlation between what is in front of our eyes and the thoughts we are able to have in our heads: large thoughts at times requiring large views, new thoughts new places. Introspective reflections which are liable to stall are helped along by the flow of the landscape. The mind may be reluctant to think properly when thinking is all it is supposed to do. At the end of hours of train-dreaming, we may feel we have been returned to ourselves - that is, brought back into contact with emotions and ideas of importance to us. It is not necessarily at home that we best encounter our true selves. The furniture insists that we cannot change because it does not; the domestice setting keeps us tethered to the person we are in ordinary life, but who may not be who we essentially are. If we find poetry in the service station and motel, if we are drawn to the airport or train carriage, it is perhaps because, in spite of their architectural compromises and discomforts, in spite of their garish colours and harsh lighting, we implicitly feel that these isolated places offer us a material setting for an alternative to the selfish ease, the habits and confinement of the ordinary, rooted world.

Because I could not stop for Death, He kindly stopped for me; The carriage held but just ourselves And Immortality. We slowly drove, he knew no haste, And I had put away My labour, and my leisure too, For his civility. We passed the school where children played, Their lessons scarcely done; We passed the fields of gazing grain, We passed the setting sun. We paused before a house that seemed A swelling of the ground; The roof was scarcely visible, The cornice but a mound. Since then 'tis centuries; but each Feels shorter than the day I first surmised the horses' heads Were toward eternity.

The cradle rocks above an abyss, and common sense tells us that our existence is but a brief crack of light between two eternities of darkness. Although the two are identical twins, man, as a rule, views the prenatal abyss with more calm than the one he is heading for (at some forty-five hundred heartbeats an hour). I know, however, of a young chronophobiac who experienced something like panic when looking for the first time at homemade movies that had been taken a few weeks before his birth. He saw a world that was practically unchanged-the same house, the same people- and then realized that he did not exist there at all and that nobody mourned his absence. He caught a glimpse of his mother waving from an upstairs window, and that unfamiliar gesture disturbed him, as if it were some mysterious farewell. But what particularly frightened him was the sight of a brand-new baby carriage standing there on the porch, with the smug, encroaching air of a coffin; even that was empty, as if, in the reverse course of events, his very bones had disintegrated.

We must go for walks out of doors, so that the mind can be strengthened and invigorated by a clear sky and plenty of fresh air. At times it will acquire fresh energy from a journey by carriage and a change of scene, or from socializing and drinking freely. Occasionally we should even come to the point of intoxication, sinking into drink but not being totally flooded by it; for it does wash away cares, and stirs the mind to its depths, and heals sorrow just as it heals certain diseases.

Will and Tessa were in the carriage now, and their driver was snapping the reins. 'Do you think there’s a chance for him?' 'A chance for who?' 'Will Herondale. To be happy.' Woolsey sighed gustily and put down his glass. 'Is there a chance for you to be happy if he isn’t?' Magnus said nothing. 'Are you in love with him?' Woolsey asked—all curiosity, no jealousy. Magnus wondered what it was like to have a heart like that, or rather to have no heart at all. 'No,' Magnus said. 'I have wondered that, but no. It is something else. I feel that I owe him. I have heard it said that when you save a life, you are responsible for that life. I feel I am responsible for that boy. If he never finds happiness, I will feel I have failed him. If he cannot have that girl he loves, I will feel I have failed him. If I cannot keep his parabatai by him, I will feel I failed him.

Look back. Look back at me." Richard Armitage spoke this line in the movie North and South as he watched Miss Hale drive away in a carriage.

He was not bound. No one led him by the arm. He got out of the carriage as if he were a free man.

He pulled the Carstairs family ring from his finger and held it out to Will. "Take it." Will let his eyes drift down toward it, and then up to Jem's face. A dozen awful things he could say, or do, went through his mind. One did not slough off a persona so quickly, he had found. He had pretended to be cruel for so many years that the pretense was still what he reached for first, as a man might absently turn his carriage toward the home he had lived in for all his life, despite the fact that he had recently moved. "You wish to marry me now?" he said, at last.

I always hoped that after the prince found Cinderella and they rode away in thier magnificent carriage, after a few miles she turned to him and said "could you drop me off down the road, please? Now that I've finally escaped my life of horrific abuse, I'd like to see something of the world, you know? Maybe backpack across Europe or Asia? I'll catch back up with you later, Prince, once I've found my own way.

She didn't even have to smile, and she rarely did outside her house--it was the eyes, her dancer's carriage, the way she seemed to deliberate over the smallest movement of her body.

Besides, if you ever did eat some bad food, I could still find a use for you. I've always wanted a cat-drawn carriage." Cheshire opened one eye, his pupil slitted and unamused. "I would dangle balls of yarn and fish bones out in front to keep you moving." He stopped purring long enough to say, "You are not as cute as you think you are, Lady Pinkerton.

Her carriage bespoke an exquisite misery, a wretchedness so perfect and so absolute that it manifested as dignity, as calm. More than a dark horse, she was darkness itself, the cloak of it.

Where they couldn't pick holes in our arguments they would drive horses and carriages through my character.

The sky lay over the city like a map showing the strata of things and the big full moon toppled over in a furrow like the abandoned wheel of a gun carriage on a sunset field of battle and the shadows walked like cats and I looked into the white and ghostly interior of things and thought of you and I looked on their structural outsides and thought of you and was lonesome.

The first time I met her, she threatened to throw me from a sky carriage.' 'And you liked her for that?' Evangeline asked. 'I'd just threatened to kill her.' He said it as if they'd been flirting. 'This is a terrible love story, Jacks.' 'Who said it was a love story?' His tone turned back to acid.

The wise man does not expose himself needlessly to danger, since there are few things for which he cares sufficiently; but he is willing, in great crises, to give even his life--knowing that under certain conditions it is not worth while to live. He is of a disposition to do men service, though he is ashamed to have a service done to him. To confer a kindness is a mark of superiority; to receive one is a mark of subordination... He does not take part in public displays... He is open in his dislikes and preferences; he talks and acts frankly, because of his contempt for men and things... He is never fired with admiration, since there is nothing great in his eyes. He cannot live in complaisance with others, except it be a friend; complaisance is the characteristic of a slave... He never feels malice, and always forgets and passes over injuries... He is not fond of talking... It is no concern of his that he should be praised, or that others should be blamed. He does not speak evil of others, even of his enemies, unless it be to themselves. His carriage is sedate, his voice deep, his speech measured; he is not given to hurry, for he is concerned about only a few things; he is not prone to vehemence, for he thinks nothing very important. A shrill voice and hasty steps come to a man through care... He bears the accidents of life with dignity and grace, making the best of his circumstances, like a skillful general who marshals his limited forces with the strategy of war... He is his own best friend, and takes delight in privacy whereas the man of no virtue or ability is his own worst enemy, and is afraid of solitude.

Tessa exploded "I am not asking you to maul me in the Whispering Gallery! By the Angel, Will, would you stop being so polite?!" He looked at her in amazement. "But wouldn't you rather-" "I would not rather. I don't want you to be polite! I want you to be Will! I don't want you to indicate points of architectural interest to me as if you were a Baedecker guide! I want you to say dreadfully mad, funny things, and make up songs and be-" The Will I fell in love with, she almost said. "And be Will," she finished instead. "Or I shall strike you with my umbrella." "I am trying to court you," Will said in exasperation. "Court you properly. That's what all this has been about. You know that, don't you?" "Mr. Rochester never courted Jane Eyre," Tessa pointed out. "No, he dressed up as a woman and terrified the poor girl out of her wits. Is that what you want?" "You would make a very ugly woman." "I would not. I would be stunning." Tessa laughed. "There," she said. "There is Will. Isn't that better? Don't you think so?" "I don't know," Will said, eyeing her. I'm afraid to answer that. I've heard that when I speak, it makes American women wish to strike me with umbrellas." Tessa laughed again, and then they were both laughing, their smothered giggles bouncing off the walls of the Whispering Gallery. After that, things were decidedly easier between them, and Will's smile when he helped her down from the carriage on their return home, was bright and real.

I won’t ever move on, Crimson.’ He took her hand and brought it to his heart. Scarlett’s heart beat wild and uneven in response, but Julian’s remained steady and unwavering beneath her palm. ‘I’ve made a lot of mistakes. I gave you space, because I thought that’s what you needed. But I realized as soon as I saw you today that I was wrong. So I’m in this carriage with you now, ready to go wherever you’re going, even if it means watching you with another man.

YOU are your own guru. YOU are your own soul mate. YOU are powerful. Take the reigns and drive your carriage home to love.

Yes, and the body has memory. The physical carriage hauls more than its weight. The body is the threshold across which each objectionable call passes into consciousness—all the unintimidated, unblinking, and unflappable resilience does not erase the moments lived through, even as we are eternally stupid or everlastingly optimistic, so ready to be inside, among, a part of the games.

It's alright" said a dreamy voice from beside Harry as Ron vanished into the coach's dark interior. "You're not going mad or anything. I can see them too." "Can you?" said Harry desperately, turning to Luna. He could see the bat-winged horses reflected in her wide, silvery eyes. "Oh yes," said Luna, "I've been able to see them since my first year here. They've always pulled the carriages. Don't worry. You're just as sane as I am." Smiling faintly, she climbed into the musty interior of the carriage after Ron. Not altogether reassured, Harry followed her.

Don't you know about the praying mantis that waved its arms angrily in front of an approaching carriage, unaware that they were incapable of stopping it? Such was the high opinion it had of its talents.

Man takes root at his feet, and at best he is no more than a potted plant in his house or carriage till he has established communication with the soil by the loving and magnetic touch of his soles to it.

Maria looked at the TARDIS... 'Is that really your carriage?' She asked. 'It is not very good, monsieur. It has no wheels.' 'It doesn't need them,' laughed Amy. 'It's an English carriage. They don't have wheels. 'Does Monsieur Rory push it?' 'When necessary,' laughed Amy.

Thank you for a wonderful night. Your carriage awaits downstairs. -Oliver

Hello?” I peered into the shadows. Two green circles flashed in the dark. I yelped, jumping backward and pressing myself against the wall. “And may I wish a very good morning to you, too, October.” The voice was amused, underscored by a chuckle like thick cream. “What happened? Did the prettiest little princess miss her carriage home?

Our silver van was like a magic carriage. Every time I got into it, it carried me to a place I'd never been before. At that moment, we were without a doubt the greatest travelers in the world. And I was the world's greatest traveling cat.

Nobody sees any one as he is, let alone an elderly lady sitting opposite a strange young man in a railway carriage. They see a whole--they see all sorts of things--they see themselves...

To his eyes all seemed beautiful, but to me a tinge of melancholy lay upon the countryside, which bore so clearly the mark of the waning year, Yellow leaves carpeted the lanes and fluttered down upon us as we passed, The rattle of our wheels died away as we drove through drifts of rotting vegetation--sad gifts, as it seemed to me, for Nature to throw before the carriage of the returning heir of the Baskervilles.

I have scars on my hand from touching certain people. Once, in the park, when Frannie was still in the carriage, I put my hand on the downy pate of her head and left it there too long. Another time, at Loew's Seventy-second Street, with Zooey during a spooky movie. He was about six or seven, and he went under the seat to avoid watching a scary scene. I put my hand on his head. Certain heads, certain colors and textures of human hair leave permanent marks on me. Other things, too. Charlotte once ran away from me, outside the studio, and I grabbed her dress to stop her, to keep her near me. A yellow cotton dress I loved because it was too long for her. I still have a lemon-yellow mark on the palm of my right hand.

Nobody outside of a baby carriage or a judge's chamber believes in an unprejudiced point of view.

And he will have a great aunt called Elinor who tells him there's a world not like this one. A world with neither fairies nor glass men, but with animals who carry their young in a pouch in front of their bellies, and birds with wings that beat so fast it sounds like the humming of a bumblebee, with carriages that drive along without any horses and pictures that move on their own accord... She will tell him that even the most powerful men don't carry swords in the other world, but there are much, much more terrible weapons there...She will even claim that the people there have built coaches that can fly...So the boy will think that perhaps he'll have to go alone one day, if he wants to see that world...Because it must be exciting in that other world, much more exciting than in his own...

The Gestapo chief leaned forward. I'd like to send you home, old fellow," he said. "I'll take your word that you won't cause any more trouble." I could not see father's face, only the erect carriage of his shoulders and the halo of white hair above them. But I heard his answer. "If I go home today," he said evenly and clearly, "tomorrow I will open my door again to any man in need who knocks.

Is that the constables?” Aunt Gin asked, sounding horrified. “Afraid so,” Wax said, pulling the door closed. The carriage lurched into motion, and Steris leaned out the window, waving farewell to the poor innkeeper. “Framed for murder!” Steris called to her. “It’s on page seventeen of the list I gave you! Try not to let them harass our servants too much when they arrive!

One feels even in the midst of the traffic, or waking at night, Clarissa was positive, a particular hush, or solemnity; an indescribable pause; a suspense before Big Ben strikes. There! Out it boomed. First a warning, musical; then the hour, irrevocable. The leaden circles dissolved in the air. Such fools we are, she thought, crossing Victoria Street. For Heaven only knows why one loves it so, how one sees it so, making it up, building it round one, tumbling it, creating it every moment afresh; but the veriest frumps, the most dejected of miseries sitting on doorsteps (drink their downfall) do the same; can't be dealt with, she felt positive, by Acts of Parliament for that very reason: they love life. In people's eyes, in the swing, tramp, and trudge; in the bellow and the uproar; the carriages, motor cars, omnibuses, vans, sandwich men shuffling and swinging; brass bands; barrel organs; in the triumph and the jingle and the strange high singing of some aeroplane overhead was what she loved; life; London; this moment in June.

For white men, to live is to own, or to try to own more, or to die trying to own more. Their appetites are astonishing! They own wardrobes, slaves, carriages, houses, warehouses, and ships. They own ports, cities, plantations, valleys, mountains, chains of islands. They own this world, its jungles, its skies, and its seas. Yet they complain that Dejima is a prison. They complain they are not free.

On Monday they went out for a private picnic. On Tuesday they went for a carriage drive. On Wednesday they went to pick bluebells. On Thursday they fished at the lake, returning with damp clothes and sun-glazed complexions, laughing together at a joke they didn't share with anyone else. On Friday they danced together at an impromptu musical evening, looking so well matched one of the guests remarked it was a pleasure to watch them. On Saturday Matthew woke up wanting to murder someone.

He could sit in the dust and dark of the carriage house and rot for the rest of his life. Clearly that's what he wished to do. It was not my place to get in the way of so profound a destiny.

They reached the carriage house. When she turned the knob, he got all critical again. “Why isn’t this door locked?” “It’s Parrish. There’s not much point.” “We have crime here, just as any other place does. Keep this door locked from now on.” “Like that’s going to stop you. All you’d have to do is give it one good kick, and – “ “Not from me, you ninny!” “I hate to be the one to break the bad news, but if they find my body, you’re the one with the biggest grudge.” “It’s impossible to hold a rational conversation with you.

I studied him a moment before slipping my arms around his waist. “I guess you look human enough,” I said casually, and he raised an eyebrow. Arrogant faery. He knows exactly how gorgeous he is . "Come on,’ I said, tugging him toward the carriage. “We should hurry or we'll miss our reservation.

For life today in America is based on the premise of ever-widening circles of contact and communication. It involves not only family demands, but community demands, national demands, international demands on the good citizen, through social and cultural pressures, through newspapers, magazines, radio programs, political drives, charitable appeals, and so on. My mind reels in it, What a circus act we women perform every day of our lives. It puts the trapeze artist to shame. Look at us. We run a tight rope daily, balancing a pile of books on the head. Baby-carriage, parasol, kitchen chair, still under control. Steady now!

Thirty minutes later we were in Aunt Gene's carriage, Pam compulsively adjusting her bonnet, me meditating upon all of the ways it might be possible to kill myself with the in-cab stylus.

Father had borrowed Uncle Gabriel’s new carriage so he could take James from Alicante to the Academy, just the two of them. Father had not asked if he could borrow Uncle Gabriel’s carriage.

The marquis de Carabas was not a good man, and he knew himself well enough to be perfectly certain that he was not a brave man. He had long since decided that the world, Above or Below, was a place that wished to be deceived, and, to this end, he had named himself from a lie in a fairy tale, and created himself--his clothes, his manner, his carriage--as a grand joke. There was a dull pain in his wrists and his feet, and he was finding it harder and harder to breathe. There was nothing more to be gained by feigning unconsciousness, and he raised his head, as best he could, and spat a gob of scarlet blood into Mr. Vandemar's face. It was a brave thing to do, he thought. And a stupid one. Perhaps they would have let him die quietly, if he had not done that. Now, he had no doubt, they would hurt him more. And perhaps his death would come the quicker for it.

I love everything that makes up a milieu, the rolling of the carriages and the noise of the workmen in Paris, the cries of a thousand birds in the country, the movement of the ships on the waters. I love also absolute, profound silence, and, in short, I love everything that is around me, no matter where I am.

When they got back into the carriage they felt greater strangers than before.

Seated opposite me in the railway carriage, the elderly lady in the fox-fur shawl was recalling some of the murders that she had committed over the years.

They took a carriage home, and there was silence for most of the journey. Finally, as they turned onto Humdinger Avenue, Jupiter spoke. “You made a friend.” “I think so.” “Anything else of interest?” Morrigan thought for a moment. “I think I made an enemy too.” “I didn’t make my first proper enemy until I was twelve.” He sounded impressed. “Maybe that’s my knack?” Jupiter chuckled.

Kestrel's eyes slipped shut. She faded in and out of sleep. When Arin spoke again, she wasn't sure whether he expected her to to hear him. 'I remember sitting with my mother in a carriage.' There was a long pause. Then Arin's voice came again in that slow, fluid way that showed the singer in him. 'In my memory, I am small and sleepy, and she is doing something strange. Every time the carriage turns into the sun, she raises her hand as if reaching for something. The light lines her fingers with fire. Then the carriage passes through shadows, and her hand falls. Again sunlight beams through the window, and again her hand lifts. It becomes and eclipse.' Kestrel listened, and it was as if the story itself was an eclipse, drawing its darkness over her. 'Just before I fell asleep,' he said, 'I realized that she was shading my eyes from the sun.' She heard Arin shift, felt him look at her. 'Kestrel.' She imagined how he would sit, lean forward. How he would look in the glow of the carriage lantern. 'Survival isn't wrong. You can sell your honor in small ways, so long as you guard yourself. You can pour a glass of wine like it's meant to be poured, and watch a man drink, and plot your revenge.' Perhaps his head tilted slightly at this. 'You probably plot even in your sleep.' There was a silence as long as a smile. 'Plot away, Kestrel. Survive. If I hadn't lived, no one would remember my mother, not like I do.' Kestrel could no longer deny sleep. It pulled her under. 'And I would never have met you.

A Gift for You I send you... A cottage retreat on a hill in Ireland. This cottage is filled with fresh flowers, art supplies, and a double-wide chaise lounge in front of a wood-burning fireplace. There is a cabinet near the front door, where your favorite meals appear, several times a day. Desserts are plentiful and calorie free. The closet is stocked with colorful robes and pajamas, and a painting in the bedroom slides aside to reveal a plasma television screen with every movie you've ever wanted to watch. A wooden mailbox at the end of the lane is filled daily with beguiling invitations to tea parties, horse-and-carriage rides, theatrical performances, and violin concerts. There is no obligation or need to respond. You sleep deeply and peacefully each night, and feel profoundly healthy. This cottage is yours to return to at any time.

The most ludicrous of all ludicrous things, it seems to me, is to be busy in the world, to be a man who is brisk at his meals and brisk at his work. Therefore, when I see a fly settle on the nose of one of those men of business in a decisive moment, or if he is splashed by a carriage that passes him in even greater haste… I laugh from the bottom of my heart. And who could keep from laughing? What, after all, do these busy bustlers achieve? Are they not just like the woman who, in a flurry because the house was on fire, rescued the fire tongs?

It does good also to take walks out of doors, that our spirits may be raised and refreshed by the open air and fresh breeze: sometimes we gain strength by driving in a carriage, by travel, by change of air, or by social meals and a more generous allowance of wine.

Those horses must have been Spanish jennets, born of mares mated with a zephyr; for they went as swiftly as the wind, and the moon, which had risen at our departure to give us light, rolled through the sky like a wheel detached from its carriage...

Enjoy yourselves. And Hap: Don't let Umber near the arrows and bows; he's liable to shoot himself in the nose." Dodd grinned and snapped the reins, and the carriage rolled away. Umber sniffed. "One of his lesser poems. Come, Hap.

When one does something, one must do it wholly and well. Those bastard existences where you sell suet all day and write poetry at night are made for mediocre minds – like those horses that are equally good for saddle and carriage, the worst kind, that can neither jump a ditch nor pull a plow.

In people's eyes, in the swing, tramp, and trudge; in the bellow and the uproar; the carriages, motor cars, omnibuses, vans, sandwich men shuffling and swinging; brass bands; barrel organs; in the triumph and the jingle and the strange high singing of some aeroplane overhead was what she loved; life; London; this moment of June.

Your carriage awaits, my lady.” I walked up to him and slipped my hand in his extended arm. “Ever the gentleman,” I teased. “Whatever it takes to make the lady smile.

Never again would I let that foul woman trick me into a carriage.

In a breaker's yard you discover anything can have a new life, be reborn as part of a car or railway carriage, or a shovel blade. You take that older life and you link it to a stranger.

In the blink of an eye, babies appear in carriages, coffins disappear into the ground, wars are won and lost, and children transform, like butterflies, into adults. The Invention of Hugo Selnick (screenplay Hugo)

Mr. Valentine…" "Yes, ma'am?" "You do think he'll follow me, don't you?" "Only to the ends of the earth," he said gravely. That drew a smile from her, and she turned to climb into the carriage.

Because, as I would always tell myself so many years later, lying here in my bed: You can't start out again in life, that's a carriage ride you only take once, but with a book in your hand, no matter how confusing and perplexing it might be, once you've finished it, you can always go back to the beginning; if you like, you can read it through again, in order to figure out what you couldn't understand before, in order to understand life, isn't that so, Fatma?

Language!” Lily said again, “Honestly, James, you really need to start growing up this year, you’re of age, you need to start acting…” “Isn’t she brilliant?!” James beamed at Remus, who was now sitting on the floor of the carriage, catching his breath

Chained inside the carriage is a sinful woman. When we set the carriage afire, her flesh will be roasted, her bones will be charred: she will die an agonizing death. Never again will you have such a perfect model for the screen. Do not fail to watch as her snow-white flesh erupts in flames. See and remember her long black hair dancing in a whirl of sparks!

Such fools we are, she thought, crossing Victoria Street. For Heaven only knows why one loves it so, how one sees it so, making it up, building it round one, tumbling it, creating it every moment afresh; but the veriest frumps, the most dejected of miseries sitting on doorsteps (drink their downfall) do the same; can't be dealt with, she felt positive, by Acts of Parliament for that very reason: they love life. In people's eyes, in the swing, tramp and trudge; in the bellow and the uproar; the carriages, motor cars, omnibuses, vans, sandwich men shuffling and swinging; brass bands; barrel organs; in the triumph and the jingle and the strange high singing of some aeroplane overhead was what she loved; life; London; this moment of June.

A palm-leaf carriage should move slowly, or else it loses its dignity.

He had felt proud and happy then, happy that she was his, proud of her grace and wifely carriage.

How did you get back?' asked Vautrin. 'I walked,' replied Eugene. 'I wouldn't like half-pleasures, myself,' observed the tempter. 'I'd want to go there in my own carriage, have my own box, and come back in comfort. All or nothing, that's my motto.' 'And a very good one,' said Madame Vauquer.

As the Dauphine stepped out of her carriage on to the ceremonial carpet that had been laid down, it was the Duc de Choiseul who was given the privilege of the first salute. Presented with the Duc by Prince Starhemberg, Marie Antoinette exclaimed: 'I shall never forget that you are responsible for my happiness!

I realized that if I had said to them, "You had that young man turned out of the carriage because he had a second-class ticket," they would have nodded and said, "Yes," and if I had gone on and said, "But you yourselves have only second-class tickets," they would not have seen that the second statement had any bearing on the first; and I cannot picture to myself the mental life of people who cannot perceive that connexion.

She didn’t know how long they stood on that roof, tangled up in each other, mouths and hands roving until she moaned and dragged him through the greenhouse, down the stairs, and into the carriage waiting outside. And then there was the ride home, where he did things to her neck and ear that made her forget her own name. They managed to straighten themselves out as they reached the castle gates, and kept a respectable distance as they walked back to her room, though every inch of her felt so alive and burning that it was a miracle she made it back to her door without pulling him into a closet.But then they were inside her rooms, and then at her bedroom door, and he paused as she took his hand to lead him in. “Are you sure?” She lifted a hand to his face, exploring every curve and freckle that had become so impossibly precious to her. She had waited once before—waited with Sam, and then it had been too late. But now, there was no doubt, no shred of fear or uncertainty, as if every moment between her and Chaol had been a step in a dance that had led to this threshold. “I’ve never been so sure of anything in my life,” she told him. His eyes blazed with hunger that matched her own, and she kissed him again, tugging him into her bedroom. He let her pull him, not breaking the kiss as he kicked the door shut behind them.

It was as if some magnetic repulsion, which before had kept our two carriages from meeting and passing, had now been reversed, and so sucked me inexorably forward, drawing me towards something my heart made clear I feared - or should fear - utterly, in the way some people are fatally attracted towards an abyss while standing on its very edge.

As the carriage rolled under the Institute’s gates, James saw his parents standing in the courtyard. “And where have you been?” Will demanded as James clambered out of the carriage. The others leaped down behind him, the girls, being in gear, needing no help to dismount. “You stole our carriage.” James wished he could tell his father the truth, but that would be breaking their sworn promise to Ragnor. “It’s only the second-best carriage,” James protested. “Remember when Papa stole Uncle Gabriel’s carriage? It’s a proud family tradition,” said Lucie, as the group of them approached the Institute steps. “I did not raise you to be horse thieves and scallywags,” said Will. “And I recall very clearly that I told you—” “Thank you for letting them borrow the carriage to come and get me,” said Cordelia. Her eyes were wide, and she looked entirely innocent. James felt an amused stab of surprise: she was an interestingly skilful liar. “I had very much wanted to come to the Institute and see what I could do to help.” Will softened immediately. “Of course. You are always welcome here, Cordelia.

Colton, looks like your vacation is over buddy. You have drills to make up for, from when you were lounging around with my mate." Meryn heard Aiden tell Colton. "Lounging? She almost blew me up!" Colton yelled. Ryuu raised an eyebrow as he extended a hand to assist her up into the carriage. "Long story, total accident.

Moments later Griffin had Finley in the carriage, and Jasper sat on the seat across from them. “What’s the matter with her?” he asked Griffin. Griffin shook his head. “Nothing. She’s just two personas struggling for dominance in one body.” The cowboy’s eyebrows shot up, but his expression was sympathetic. “Poor little thing.

So for a moment the gunslinger merely stood inside the door, first amazed, then ironically amused. Here he was in a world which struck him dumb with fresh wonders seemingly at every step, a world where carriages flew trough the air and paper seemed as cheap as sand. And the newest wonder was simply that for these people, wonder had run out: here, in a place of miracles, he saw only dull faces and plodding bodies.

THE WAIT: It is life in slow motion, it's the heart in reverse, it's a hope-and-a-half: too much and too little at once. It's a train that suddenly stops with no station around, and we can hear the cricket, and, leaning out the carriage door, we vainly contemplate a wind we feel that stirs the blooming meadows, the meadows made imaginary by this stop.

Beth stared at the bowl, a fragile piece of the past, such a delicate object in Ian’s large, blunt fingers. “Are you certain?” “Of course I’m certain.” His frown returned. “Do you not want it?” “I do want it,” Beth said hastily. She held her hands out for it. “I’m honored.” The frown faded, to be replaced by a slight quirk of his lips. “Is it better than a new carriage and horses and a dozen frocks?” “What are you talking about? It’s a hundred times better.” “It’s only a bowl.” “It’s special to you, and you gave it to me.” Beth took it carefully and smiled at the dragons chasing one another in eternal determination. “It’s the best gift in the world.” Ian took it gently back from her and replaced it in its slot. That made sense; in here it would stay safe and unbroken. But the kiss Ian gave her after that was anything but sensible. It was wicked and bruising, and she had no idea why he smiled so triumphantly.

The thousand dresses, laid out so reverently that afternoon, flecks of dust brushed off carefully in doorways, hems gathered up for the carriage trip: where are they now? Is a single one museum-displayed? Are some few yet saved in attics? Most are dust. As are the women who wore them so proudly in that transient moment of radiance.

Had she really understood then that those were the best of times? That she was in heaven? She thinks she did understand, yes. Understood she had been given a great gift. Doing the crossword in a train carriage, Stephen with a can of beer ("I will only drink beer on trains, nowhere else, don't ask me why"), glasses halfway down his nose, reading out clues. The real secret was that when they looked at each other, they each thought they had the better deal.

I had rather be a canker in a hedge than a rose in his grace; and it better fits my blood to be disdained of all than to fashion a carriage to rob love from any: in this, though I cannot be said to be a flattering honest man, it must not be denied but I am a plain-dealing villain. I am trusted with a muzzle and enfranchised with a clog; therefore I have decreed not to sing in my cage. If I had my mouth, I would bite; if I had my liberty, I would do my liking: in the meantime, let me be that I am, and seek not to alter me.

Everything I see reminds me that in a few days I shall no longer see it... It's horrible... I shall see nothing more... nothing of what exists... the smallest objects that we use... glasses... plates... beds where people sleep so comfortably... carriages. It's so lovely, going out in a carriage, in the evening... How much I enjoyed all that!

She was bold, and yet she was reserved. She was sensual and girlish, but she was never coy. So I think that what she projected was a vitality and freshness that for many people came to stand for American womanhood. It's what made American women attractive: that outdoor complexion, that wonderful figure, and yet that carriage, that demureness, that suggested that she was in charge of herself and not to be had.

Remember when only a few people had mobile phones. Generally regarded as an object of derision, you would occasionally see business types clutching those ridiculous grey bricks to their faces and mutter to yourself 'what a prick.' Nowadays, an eyebrow hardly even flutters when we see a ten-year-old child happily texting away. You probably wouldn't notice anyway; you'd be too busy downloading an app that could definitively pinpoint who it was that had just farted in your tube carriage.

Hart pointed at the carriage. "Get in." Eleanor started, and the cake vendor, who'd been watching with evident enjoyment, looked worried. "No need," Eleanor said to Hart. "I'll find a hansom. I've brought Maigdlin an I have so many parcels." "Get into the carriage, El, or I'll strap you to the top of it." Eleanor rolled her eyes and took another bite of seedcake.

The clamor of traffic intensified as the coach's door swung open. Nathaniel clambered inside amid a swirl of emerald silk. He flashed Elisabeth a grin, pulling the door shut as he took a seat in the opposite corner. "Best if I don't show myself," he explained. "I don't want to inflame the public. They go absolutely mad in the presence of celebrity, you see, and I'd prefer them not to storm the carriage. There are only so many propositions of marriage a man can bear.

If we find poetry in the service station and motel, if we are drawn to the airport or train carriage, it is perhaps because, in spite of their architectural compromises and discomforts, in spite of their garish colours and harsh lighting, we implicitly feel that these isolated places offer us a material setting for an alternative to the selfish ease, the habits and confinement of the ordinary, rooted world.

April was just beginning, and after the warm spring day it turned cooler, slightly frosty, and a breath of spring could be felt in the soft, cold air. The road from the convent to town was sandy, they had to go at a walking pace; and on both sides of the carriage, in the bright, still moonlight, pilgrims trudged over the sand. And everyone was silent, deep in thought, everything around was welcoming, young, so near— the trees, the sky, even the moon—and one wanted to think it would always be so.

I'll remember you, he thinks, and as the gun carriage, with its coffin and its dented helmet pass him by, he closes his eyes. Nothing will bring them back. Not the words of comfortable men. Not the words of politicians. Or the platitudes of paid poets.

We may, indeed, say that the hour of death is uncertain, but when we say so we represent that hour to ourselves as situated in a vague and remote expanse of time, it never occurs to us that it can have any connexion with the day that has already dawned, or may signify that death — or its first assault and partial possession of us, after which it will never leave hold of us again — may occur this very afternoon, so far from uncertain, this afternoon every hour of which has already been allotted to some occupation. You make a point of taking your drive every day so that in a month’s time you will have had the full benefit of the fresh air; you have hesitated over which cloak you will take, which cabman to call, you are in the cab, the whole day lies before you, short because you have to be at home early, as a friend is coming to see you; you hope that it will be as fine again to-morrow; and you have no suspicion that death, which has been making its way towards you along another plane, shrouded in an impenetrable darkness, has chosen precisely this day of all days to make its appearance, in a few minutes’ time, more or less, at the moment when the carriage has reached the Champs-Elysées.

Lear, Macbeth. Mercutio – they live on their own as it were. The newspapers are full of them, if we were only the Shakespeares to see it. Have you ever been in a Police Court? Have you ever watched tradesmen behind their counters? My soul, the secrets walking in the streets! You jostle them at every corner. There's a Polonius in every first-class railway carriage, and as many Juliets as there are boarding-schools. ... How inexhaustibly rich everything is, if you only stick to life.

Yes; he had done it. She was in the carriage, and felt that he had placed her there, that his will and his hands had done it, that she owed it to his perception of her fatigue, and his resolution to give her rest. She was very much affected by the view of his disposition towards her, which all these things made apparent. This little circumstance seemed the completion of all that had gone before. She understood him. He could not forgive her, but he could not be unfeeling. Though condemning her for the past, and considering it with high and unjust resentment, though perfectly careless of her, and though becoming attached to another, still he could not see her suffer without the desire of giving her relief. It was a remainder of some former sentiment, it was an impulse of pure, though unacknowledged friendship; it was a proof of his own warm and amiable heart, which she could not contemplate without emotions so compounded of pleasure and pain, that she knew not which prevailed.

Alongside the ledger of atrocity, I keep another. The Palestinian doctor who would not abandon his patients, even as the bombs closed in. The Icelandic writer who raised money to get the displaced out of Gaza. The American doctors and nurses who risked their lives to go treat the wounded in the middle of a killing field. The puppet-maker who, injured and driven from his home, kept making dolls to entertain the children. The congresswoman who stood her ground in the face of censure, of constant vitriol, of her own colleagues’ indifference. The protesters, the ones who gave up their privilege, their jobs, who risked something, to speak out. The people who filmed and photographed and documented all this, even as it happened to them, even as they buried their dead. It is not so hard to believe, even during the worst of things, that courage is the more potent contagion. That there are more invested in solidarity than annihilation. That just as it has always been possible to look away, it is always possible to stop looking away. None of this evil was ever necessary. Some carriages are gilded and others lacquered in blood, but the same engine pulls us all. We dismantle it now, build another thing entirely, or we hurtle toward the cliff, safe in the certainty that, when the time comes, we’ll learn to lay tracks on air.

If you can master me, that look seemed to say, then you can master whatever else this wicked world might bring. I can see her now, standing amidst her deerhounds that had the same thin, lean bodies, and the same long nose and the same huntess eyes as their mistress. Green eyes, she had, with a kind of cruelty deep inside them. It was not a soft face, any more that her body was soft. She was a woman of strong lines and high bones, and that made for a good face and a handsome one, but hard, so hard. What made her beautiful was her hair and her carriage, for she stood as straight as spear and her hair fell around her shoulders like a cascade of tumbling red tangles. That red hair softened her looks, while her laughter snared men like salmon caught in basket traps. There have been many more beautiful women, and thousands who were better, but since the world was weaned I doubt there have been many more so unforgettable as Guinevere, eldest daughter of Leodegan, the exiled King of Henis Wyren. And it would have been better, Merlin always said, had she been drowned at birth.

You’re the bravest person I know, little Sister.” I couldn’t stop myself from snorting. I was a sniffling, teary mess—hardly the mark of bravery. Thomas had held me the entire carriage ride home just so I wouldn’t break apart. I’d siphoned his strength and missed it terribly now. Nathaniel shook his head, easily reading my thoughts. Well, I hope not the one regarding Thomas with his arms around me.

I can lie about my name, I can lie about my school, but how am I going to lie about this fucking nose? "You seem like a very nice person Mr. Porte-Noir, but why do you go around covering the middle of your face like that?" Because suddenly it has taken off, the middle of my face! Because gone is the button of my childhood years, that pretty little thing that people used to look at in my carriage, and lo and behold, the middle of my face has begun to reach out towards God. Porte-Noir and Parsons my ass, kid, you have got J-E-W written right across the middle of your face...

Nice work in their, Herondale, setting the place on fire," Gabriel observed. "Good thing we were there to clean up after you, or the whole plan would have gone down in flames, along with the shreds of your reputation." "Are you implying that shreds of my reputation remain intact?" Will demanded with mock horror. "Clearly I have been doing somethin wrong. Or no doing something wrong, as the case may be." He banged on the side of the carriage. "Thomas!" We must away from here at once to the nearest brothel! I seek scandal and low companionship." Thomas snorted and muttered somethin that sounded like "bosh", which Will ignored. Gabriel's face darkened. "Is there anything that isn't a joke to you?" Nothing that comes to mind." "You know," Gabriel said, "there was a time I thought we could be friends, Will" "There was a time I thought I was a ferret," Will said, "but it turned out to be the opium haze. Did you know it had that effect? Becausen I didn't.

Yes, and the body has a memory. The physical carriage hauls more than its weight. The body is the threshold across which each objectionable call passes into consciousness—all the unintimidated, unblinking, and unflappable resilience does not erase the moments lived through, even as we are eternally stupid or everlastingly optimistic, so ready to be inside, among, a part of the games.

Time can play all sorts of tricks on you. In the blink of an eye, babies appear in carriages, coffins disappear into the ground, wars are won and lost, and children transform, like butterflies, into adults. That's what happened to me. Once upon a time, I was a boy named Hugo Cabret, and I desperately believed that a broken automaton would save my life. Now that my cocoon has fallen away and I have emerged as a magician named Professor Alcofrisbas, I can look back and see that I was right. The automaton my father discovered did save me. But now I have built a new automaton. I spent countless hours designing it. I made every gear myself, carefully cut every brass disk, and fashioned every bt of machinery with my own hands. When you wind it up, it can do something I'm sure no other automaton in the world can do. It can tel you the incredible story of Georges Melies, his wife, their goddaughter, and a beloved clock maker whose son grew up to be a magician. The complicated machinery inside my automaton can produce one-hundred and fifty-eight different pictures, and it can wrote, letter, by letter, an entire book, twenty-six thousand one hundred and fifty-nine words. These words. THE END

The people—why the people are magnificent: in their carriages, which are numerous, in their house furniture, which is fine, in their pride and conceit, which are inimitable, in their profaneness, which is intolerable, in the want of principle, which is prevalent, in their Toryism, which is insufferable.

What a circus act we women perform every day of our lives. Look at us. We run a tightrope daily, balancing a pile of books on the head. Baby-carriage, parasol. kitchen chair, still under control. Steady now! This is not the life of a simplicity but the life of a multiplicity that the wise men warn us of.

HOME no one leaves home unless home is the mouth of a shark you only run for the border when you see the whole city running as well your neighbors running faster than you breath bloody in their throats the boy you went to school with who kissed you dizzy behind the old tin factory is holding a gun bigger than his body you only leave home when home won’t let you stay. no one leaves home unless home chases you fire under feet hot blood in your belly it’s not something you ever thought of doing until the blade burnt threats into your neck and even then you carried the anthem under your breath only tearing up your passport in an airport toilets sobbing as each mouthful of paper made it clear that you wouldn’t be going back. you have to understand, that no one puts their children in a boat unless the water is safer than the land no one burns their palms under trains beneath carriages no one spends days and nights in the stomach of a truck feeding on newspaper unless the miles travelled means something more than journey. no one crawls under fences no one wants to be beaten pitied no one chooses refugee camps or strip searches where your body is left aching or prison, because prison is safer than a city of fire and one prison guard in the night is better than a truckload of men who look like your father no one could take it no one could stomach it no one skin would be tough enough the go home blacks refugees dirty immigrants asylum seekers sucking our country dry niggers with their hands out they smell strange savage messed up their country and now they want to mess ours up how do the words the dirty looks roll off your backs maybe because the blow is softer than a limb torn off or the words are more tender than fourteen men between your legs or the insults are easier to swallow than rubble than bone than your child body in pieces. i want to go home, but home is the mouth of a shark home is the barrel of the gun and no one would leave home unless home chased you to the shore unless home told you to quicken your legs leave your clothes behind crawl through the desert wade through the oceans drown save be hunger beg forget pride your survival is more important no one leaves home until home is a sweaty voice in your ear saying- leave, run away from me now i dont know what i’ve become but i know that anywhere is safer than here

First dentistry was painless. Then bicycles were chainless, Carriages were horseless, And many laws enforceless. Next cookery was fireless, Telegraphy was wireless, Cigars were nicotineless, And coffee caffeineless. Soon oranges were seedless, The putting green was weedless, The college boy was hatless, The proper diet fatless. New motor roads are dustless, The latest steel is rustless, Our tennis courts are sodless, Our new religion--godless.

The trains [in a country] contain the essential paraphernalia of the culture: Thai trains have the shower jar with the glazed dragon on its side, Ceylonese ones the car reserved for Buddhist monks, Indian ones a vegetarian kitchen and six classes, Iranian ones prayer mats, Malaysian ones a noodle stall, Vietnamese ones bulletproof glass on the locomotive, and on every carriage of a Russian train there is a samovar. The railway bazaar with its gadgets and passengers represented the society so completely that to board it was to be challenged by the national character. At times it was like a leisurely seminar, but I also felt on some occasions that it was like being jailed and then assaulted by the monstrously typical.

Last but not least, he hated with all the hatred that was in him the rising generation, the appalling boors who find it necessary to talk and laugh at the top of their voices in restaurants and cafes, who jostle you in the street without a word of apology, and who, without expressing or even indicating regret, drive the wheels of a baby-carriage into your legs.

The men who were well enough to stand had moved across the carriage to cheer the Italians as they went past. A crutch waved out of the window; bandaged forearms made the Red Salute. It was like an allegorical picture of war; the trainload of fresh men gliding proudly up the line, the maimed men sliding slowly down, and all the while the guns on the open trucks making one's heart leap as guns always do, and reviving that pernicious feeling, so difficult to get rid of, that war *is* glorious after all.

My dear fellow " Said Albert, turning to Franz " here is an admirable adventure; we will fill our carriage with pistols, blunderbusses, and double-barreled shotguns. Luigi Vampa comes to take us, and we take him - we bring him back to Rome , and present him to him holiness the Pope, who asks how he can repay so great a service; Then we merely ask for a cariage and a pair of horses, and we will see the Carnival in the carriage , and doubtless the Roman people will crown us at the capitol , and proclaim us, like Curtius and the veiled Horatius, the preservers of there country." Whilst Albert proposed this scheme, signor Pastrini's face assumed an expression impossible to describe.

...we could see the parapet of Ryougoku Bridge, arching above the waves that flickered in the faint mid-autumn twilight and against the sky, as though an immense black Chinese ink stroke had been brushed across it. The silhouettes of the traffic, horses and carriages soon faded into the vaporous mist, and now all that could be seen were the dots of reddish light from the passengers' lanterns, rapidly passing to and fro in the darkness like small winter cherries.

A longer pause, and the carriage came to a halt. “I see very little difference,” he finally said into the quiet. “My life is duty. Essentially.” Miranda wasn’t certain if she hurt more for him or for herself. “What part of your duty am I?” He squeezed her hand. “You’re the ray of sun at the center of the storm.” It choked her up, that image.

64. Surprising and Distressing Things While one is cleaning a decorative comb, something catches in the teeth and the comb breaks. A carriage overturns. One would have imagined that such a solid, bulky object would remain forever on its wheels. It all seems like a dream -- astonishing and senseless. A child or grown-up blurts out something that is bound to make people uncomfortable. All night long one has been waiting for a man who one thought was sure to arrive. At dawn, just when one has forgotten about him for a moment and dozed off, a crow caws loudly. One wakes up with a start and sees that it is daytime -- most astonishing. One of the bowmen in an archery contest stands trembling for a long time before shooting; when finally he does release his arrow, it goes in the wrong direction.

What is the meaning of life?” “Snow will only appear during winter,” he said quietly, “and can only exist in the cold wind. Therefore, its life exists only during the depths of winter.” He pulled his hand back into the carriage and held it next to the copper oven. The snow began to melt, turning into water, which flowed through the creases of his palm. “Snow can only live in the winter. When it nears a fire, it dies. That is its life. It may yearn for summer, but… it can only desire it. In my hand, the snow becomes water, because this is not its world….

You’re Piers Brandon, the Marquess of Granville, diplomat and secret agent in the Crown’s service.” She ran a fingertip down the noble slope of his nose. “And I’m Char—” Her words were lost in a gasp. With the speed and strength of a whip, he had her turned on her back, sprawled beneath him on the tufted carriage seat. “You will be Lady Charlotte Brandon, the Marchioness of Granville, diplomat’s wife and mother of my heir.” ....... “You’ll be mine,” he murmured. “I swear it, Charlotte. I will make you mine.

Sometimes the road to happily ever after isn’t smooth and easy. You have to fight through trials and obstacles to get there. There are dragons and big, bad wolves in disguise to defeat. Riding in a carriage with a prince wouldn’t get you over those bumps and twists. Sometimes the road to your happily ever after is on the back of a bike with a badass knight that would kick the prince’s ass if he came near you.

While Mary brushed my pistachio silk carriage dress, Mama tugged the laces of my corset as tight as they would go. She grunted and I groaned, and we sounded like the giant hogs I'd seen at the zoo-except that, rather than play in the mud and eat to my heart's content, I was forced to sit daintily in the parlor without lunch. For two hours. With my mother for company.

How to make her run? No problem there. For a fearful shadow lies constantly over the residents of Uneasy Street. It casts itself through the ostensibly friendly handshake, or the gorgeously wrapped package. It beams out from the baby's carriage, the barber's chair, the beauty parlor. Every neighbor is suspect, every outsider, every period; even one's own husband or wife of sweetheart. There is no ease on Uneasy Street. The longer one's tenancy, the more untenable it becomes.

Miss Clover," said Minister Fairweller to the Viscount after a long moment, "is not here. She has gone to a speech with her father, in Werttemberg. I could set you up with a carriage, if you'd like." The girls' mouths dropped open. Viscount Duquette did not see. "Well!" he said,clicking his heels together. "It is nice to see that someone behaves like a gentleman around here!" The girls found Clover about an hour later, hidinga mong the untrimmed unicorn and lion topiaries, weeping on a stone bench. They flocked to her, wrapped an extra shawl around her shoulders, and told her the story. "Werttemberg, though," said Eve. That's two countries away!" Clover wept and laughed at the same time.

I forbid you from frequenting taverns, public houses, or other establishments of vice.” She snorted in amusement. “Establishments of vice? That’s a rather puritanical view of things, isn’t it? I assure you, I was quite safe.” “You were with Ralston!” he said, as though she were simpleminded. “He was perfectly respectable,” she said, the words coming out before she remembered that the carriage ride home was anything but respectable. “Imagine—my sister and the Marquess of Ralston together. And he turns out to be the respectable one,” Benedick said wryly, sending heat flaring on Callie’s cheeks, but not for the reason he thought. “No more taverns.

Did you bring the charms?” Wulf asked Diesel. Diesel took the charms from his pocket and held them in his palm so Wulf could see. “They have an excellent selection of baby carriages at Target,” I whispered to Diesel. “Not now,” Diesel said. “Get a grip.” “Was I bad? DO I need to get punished? Maybe I need a good paddling.” Wulf looked like he was thinking about rolling his eyes, and Diesel wrapped an arm around my shoulders and dragged me to him. “We’ll get to that later,” Diesel said. “I’d be happy to paddle the wench if you’re too bust.” Hatchet said. Diesel cut his eyes to him, and Hatchet took a step back. -Lizzy, Diesel, and Hatchet, page 304.

Meg reached out to Erik before he could turn away. "Are you...?" He didn't let her finish. Instead he reached inside the carriage and placed his hand tenderly behind her neck drawing her to his face. He placed hi lips softly, yet passionately on her. Hardly had he withdrawn from hers then he whispered, "Forgive me, Meg. Forgive me for wanting...?" "Ssshhh. You're here. I'm here." She raised her handkerchief and wiped the lone tear that had escaped his mask.

So? If I die, then I die! The loss to the world won’t be great. Yes, and I’m fairly bored with myself already. I am like a man who is yawning at a ball, whose reason for not going home to bed is only that his carriage hasn’t arrived yet. But the carriage is ready . . . farewell! I run through the memory of my past in its entirety and can’t help asking myself: Why have I lived? For what purpose was I born? . . . There probably was one once, and I probably did have a lofty calling, because I feel a boundless strength in my soul . . . But I didn’t divine this calling. I was carried away with the baits of passion, empty and unrewarding. I came out of their crucible as hard and cold as iron, but I had lost forever the ardor for noble aspirations, the best flower of life. Since then, how many times have I played the role of the ax in the hands of fate! Like an instrument of execution, I fell on the head of doomed martyrs, often without malice, always without regret . . . My love never brought anyone happiness, because I never sacrificed anything for those I loved: I loved for myself, for my personal pleasure. I was simply satisfying a strange need of the heart, with greediness, swallowing their feelings, their joys, their suffering—and was never sated. Just as a man, tormented by hunger, goes to sleep in exhaustion and dreams of sumptuous dishes and sparkling wine before him. He devours the airy gifts of his imagination with rapture, and he feels easier. But as soon as he wakes: the dream disappears . . . and all that remains is hunger and despair redoubled! And, maybe, I will die tomorrow! . . . And not one being on this earth will have ever understood me totally. Some thought of me as worse, some as better, than I actually am . . . Some will say “he was a good fellow,” others will say I was a swine. Both one and the other would be wrong. Given this, does it seem worth the effort to live? And yet, you live, out of curiosity, always wanting something new . . . Amusing and vexing!

Before the power of Nature, its inescapable presence and fixed dominion, all men and women are as mice in the talons of the hawk. In a city, I could well imagine—surrounded by streets and commerce and carriages, everyone dressed Sunday-fine, with the forests and fields only a thin shadow on a distant horizon—a body might trick itself into believing that mankind held the world in its white-knuckled hand. But on our homestead, the wilderness ran right up to the front door.

There it was, a sign above a shop that said 221B BAKER STREET. My mouth hung open. I looked around at the ordinary street and the white-painted buildings, looking clean in the morning rain. Where were the fog, the streetlights, the gray atmosphere? The horses pulling carriages, bringing troubled clients to Watson and Holmes? I had to admit I had been impressed with Big Ben and all, but for a kid who had devoured the adventures of Sherlock Holmes, this was really something. I was on Baker Street, driving by the rooms of Holmes and Watson! I sort of wished it were all in black and white and gray, like in the movies.

It was getting dark by the time I went out, and nobody who knows the country will need to be told how black is the darkness of a November night under high laurel bushes and yew-trees. I walked into the heart of the shrubberies two or three times, not seeing a step before me, till I came out upon the broader carriage-road, where the trees opened a little, and there was a faint grey glimmer of sky visible, under which the great limes and elms stood darkling like ghosts; but it grew black again as I approached the corner where the ruins lay. ("The Open Door")

Isabel took a drive alone that afternoon; she wished to be far away, under the sky, where she could descend from her carriage and tread upon the daisies. She had long before this taken old Rome into her confidence, for in a world of ruins the ruin of her happiness seemed a less unnatural catastrophe. She rested her weariness upon things that had crumbled for centuries and yet still were upright; she dropped her secret sadness into the silence of lonely places, where its very modern quality detached itself and grew objective, so that as she sat in a sun-warmed angle on a winter's day, or stood in a mouldy church to which no one came, she could almost smile at it and think of its smallness. Small it was, in the large Roman record, and her haunting sense of the continuity of the human lot easily carried her from the less to the greater. She had become deeply, tenderly acquainted with Rome; it interfused and moderated her passion. But she had grown to think of it chiefly as the place where people had suffered. This was what came to her in the starved churches, where the marble columns, transferred from pagan ruins, seemed to offer her a companionship in endurance and the musty incense to be a compound of long-unanswered prayers. There was no gentler nor less consistent heretic than Isabel; the firmest of worshippers, gazing at dark altar-pictures or clustered candles, could not have felt more intimately the suggestiveness of these objects nor have been more liable at such moments to a spiritual visitation.

The man who is possessed of wealth, who lolls on his sofa, or rolls in his carriage, cannot judge of the wants or feelings of the day laborer. The government we mean to erect is intended to last for ages. ... unless wisely provided against, what will become of your government? In England, at this day, if elections were open to all classes of people, the property of the landed proprietors would be insecure. An agrarian law would soon take place. If these observations be just, our government ought to secure the permanent interests of the country against innovation. Landholders ought to have a share in the government, to support these invaluable interests, and to balance and check the other. They ought to be so constituted as to protect the minority of the opulent against the majority. The senate, therefore, ought to be this body; and to answer these purposes...

What grief is not taken away by time? What passion will survive an unequal battle with it? I knew a man in the bloom of his still youthful powers, filled with true nobility and virtue, I knew him when he was in love, tenderly, passionately, furiously, boldly, modestly, and before me, almost before my eyes, the object of his passion - tender, beautiful as an angel - was struck down by insatiable death. I never saw such terrible fits of inner suffering, such furious scorching anguish, such devouring despair as shook the unfortunate lover. I never thought a man could create such a hell for himself, in which there would be no shadow, no image, nothing in the least resembling hope... They tried to keep an eye on him; they hid all instruments he might have used to take his own life. Two weeks later he suddenly mastered himself: he began to laugh, to joke; freedom was granted him, and the first thing he did was buy a pistol. One day his family was terribly frightened by the sudden sound of a shot. They ran into the room and saw him lying with his brains blown out. A doctor who happened to be there, whose skill was on everyone's lips, saw signs of life in him, found that the wound was not quite mortal, and the man, to everyone's amazement, was healed. The watch on him was increased still more. Even at the table they did not give him a knife to and tried to take away from him anything that he might strike himself with; but a short while later he found a new occasion and threw himself under the wheels of a passing carriage. His arms and legs were crushed; but again they saved him. A year later I saw him in a crowded room; he sat at the card table gaily saying 'Petite ouverte,' keeping one card turned down, and behind him, leaning on the back of his chair, stood his young wife, who was sorting through his chips.

For Marius to arrive at this flourishing condition had required years. Hard years, and difficult ones; those to get through, these to climb. Marius had never given up for a single day. He had undergone everything, in the shape of privation; he had done everything, except get into debt. He gave himself this credit, that he had never owed a sou to anybody. For him a debt was the beginning of slavery. He felt even that a creditor is worse than a master; for a master owns only your person, a creditor owns your dignity and can belabour that. Rather than borrow, he did not eat. He had had many days of fasting. Feeling that all extremes meet, and that if we do not take care, abasement of fortune may lead to baseness of soul, he watched jealously over his pride. Such a habit or such a carriage as, in any other condition, would have appeared deferential, seemed humiliating and he braced himself against it. He risked nothing, not wishing to take a backward step. He had a kind of stern blush upon his face. He was timid even to rudeness. In all his trials he felt encouraged and sometimes even upborne by a secret force within. The soul helps the body, and at certain moments uplifts it. It is the only bird which sustains its cage.

How many vampires do you think have the stamina for immortality? They have the most dismal notions of immortality to begin with. For in becoming immortal they want all the forms of their life to be fixed as they are and incorruptible: carriages made in the same dependable fashion, clothing of the cut which suited their prime, men attired and speaking in the manner they have always understood and valued. When, in fact, all things change except the vampire himself; everything except the vampire is subject to constant corruption and distortion. Soon, with an inflexible mind, and often even with the most flexible mind, this immortality becomes a penitential sentence in a madhouse of figures and forms that are hopelessly unintelligible and without value.

A year and a half had indeed made some changes in Veda's appearance. She was still no more than medium height, but her haughty carriage made her seem taller. The hips were as slim as ever, but had taken on some touch of voluptuousness. The legs were Mildred's, to the last graceful contour. But the most noticeable change was what Monty brutally called the Dairy: two round, swelling protuberances that had appeared almost overnight on the high, arching chest. They would have been large, even for a woman: but for a child of thirteen they were positively startling. Mildred had a mystical feeling about them: they made her think tremulously of Love, Motherhood, and similar milky concepts.

Oi,” Wayne said, hustling up beside him. “A good plan that one was, eh?” “It was the same plan you always have,” Wax said. “The one where I get to be the decoy.” “Ain’t my fault people like to shoot at you, mate,” Wayne said as they reached the coach. “You should be happy; you’re usin’ your talents, like me granners always said a man should do.” “I’d rather not have ‘shootability’ be my talent.” “Well, you gotta use what you have,” Wayne said, leaning against the side of the carriage as Cob the coachman opened the door for Wax. “Same reason I always have bits of rat in my stew.

My delightful, my love, my life, I don’t understand anything: how can you not be with me? I’m so infinitely used to you that I now feel myself lost and empty: without you, my soul. You turn my life into something light, amazing, rainbowed—you put a glint of happiness on everything—always different: sometimes you can be smoky-pink, downy, sometimes dark, winged—and I don’t know when I love your eyes more—when they are open or shut. It’s eleven p.m. now: I’m trying with all the force of my soul to see you through space; my thoughts plead for a heavenly visa to Berlin via air . . . My sweet excitement . . . Today I can’t write about anything except my longing for you. I’m gloomy and fearful: silly thoughts are swarming—that you’ll stumble as you jump out of a carriage in the underground, or that someone will bump into you in the street . . . I don’t know how I’ll survive the week. My tenderness, my happiness, what words can I write for you? How strange that although my life’s work is moving a pen over paper, I don’t know how to tell you how I love, how I desire you. Such agitation—and such divine peace: melting clouds immersed in sunshine—mounds of happiness. And I am floating with you, in you, aflame and melting—and a whole life with you is like the movement of clouds, their airy, quiet falls, their lightness and smoothness, and the heavenly variety of outline and tint—my inexplicable love. I cannot express these cirrus-cumulus sensations. When you and I were at the cemetery last time, I felt it so piercingly and clearly: you know it all, you know what will happen after death—you know it absolutely simply and calmly—as a bird knows that, fluttering from a branch, it will fly and not fall down . . . And that’s why I am so happy with you, my lovely, my little one. And here’s more: you and I are so special; the miracles we know, no one knows, and no one loves the way we love. What are you doing now? For some reason I think you’re in the study: you’ve got up, walked to the door, you are pulling the door wings together and pausing for a moment—waiting to see if they’ll move apart again. I’m tired, I’m terribly tired, good night, my joy. Tomorrow I’ll write you about all kinds of everyday things. My love.

Why, once Jakes went out to cover a revolution in one of the Balkan capitals. He overslept in his carriage, woke up at the wrong station, didn't know any different, got out, went straight to a hotel, and cabled off a thousand-word story about barricades in the streets, flaming churches, machine guns answering the rattle of his typewriter as he wrote. Well they were pretty surprised at his office, getting a story like that from the wrong country, but they trusted Jakes and splashed it in six national newspapers. That day every special in Europe got orders to rush to the new revolution. Everything seemed quiet enough, but it was as much their jobs were worth to say so, with Jakes filing a thousand words of blood and thunder a day. So they chimed in too. Government stocks dropped, financial panic, state of emergency declared, army mobilized, famine, mutiny — and in less than a week there was an honest to god revolution under way, just as jakes had said. There's the power of the press for you.

The silence. End of all poetry, all romances. Earlier, frightened, you began to have some intimation of it: so many pages had been turned, the book was so heavy in one hand, so light in the other, thinning toward the end. Still, you consoled yourself. You were not quite at the end of the story, at that terrible flyleaf, blank like a shuttered window: there were still a few pages under your thumb, still to be sought and treasured. Oh, was it possible to read more slowly? - No. The end approached, inexorable, at the same measured pace. The last page, the last of the shining words! And there - the end of the books. The hard cover which, when you turn it, gives you only this leather stamped with old roses and shields. Then the silence comes, like the absence of sound at the end of the world. You look up. It's a room in an old house. Or perhaps it's a seat in a garden, or even a square; perhaps you've been reading outside and you suddenly see the carriages going by. Life comes back, the shadows of leaves. Someone comes to ask what you will have for dinner, or two small boys run past you, wildly shouting; or else it's merely a breeze blowing a curtain, the white unfurling into a room, brushing the papers on a desk. It is the sound of the world. But to you, the reader, it is only a silence, untenanted and desolate.

There is talk of a new astrologer [Nicolaus Copernicus] who wants to prove that the earth moves and goes around instead of the sky, the sun, the moon, just as if somebody were moving in a carriage or ship might hold that he was sitting still and at rest while the earth and the trees walked and moved. But that is how things are nowadays: when a man wishes to be clever he must . . . invent something special, and the way he does it must needs be the best! The fool wants to turn the whole art of astronomy upside-down. However, as Holy Scripture tells us, so did Joshua bid the sun to stand still and not the earth. [Martin Luther stating his objection to heliocentrism due to his Scripture's geocentrism]

Wherever in life it may be, whether amongst its tough, coarsely poor, and untidily moldering mean ranks, or its monotonously cold and boringly tidy upper classes, a man will at least once meet with a phenomenon which is unlike anything he has happened to see before, which for once at least awakens in him a feeling unlike those he is fated to feel all his life. Wherever, across whatever sorrow sour life is woven of, a resplendent joy will gaily race by, just as a splendid carriage with golden harness, picture-book horses, and a shining brilliance of glass sometimes suddenly and unexpectedly goes speeding by some poor, forsaken hamlet that has never seen anything but a country cart, and for a long time the muzhiks stand gaping open-mouthed, not putting their hats back on, though the wondrous carriage has long since sped away and vanished from sight.

Countries are forged by war; perhaps girls are, too. New England and I will be reborn together in this war between the witches and the Brothers. Between Maura and me. I am newly wrought -- a girl of steel and snow and heartrending good-byes. My magic is renewed by my heartbreak. It spills out my fingertips, swirling around me. The wind picks up, bitter cold now. The rain turns abruptly to snow, haloing the gas streetlamps like iron angels. Enormous snowflakes begin to fall -- fast, faster -- obscuring my sister, hiding her and Brenna and the carriage and the gray stone building that has become my home. I am all alone in a sea of whirling white. It feels right that it should be so.

In winter we’ll travel in a little pink carriage With cushions of blue. We’ll be fine. A nest of mad kisses waits In each corner too. You’ll shut your eyes, not to see, through the glass, Grimacing shadows of evening, Those snarling monsters, a crowd going past Of black wolves and black demons. Then you’ll feel your cheek tickled quite hard… A little kiss, like a maddened spider, Will run over your neck… And you’ll say: “Catch it!” bowing your head, – And we’ll take our time finding that creature – Who travels so far… Arthur Rimbaud, "A Winter Dream," Rimbaud: Selected Works. (A. S. Kline, 2002, 2003)

Where was Bewcastle? But then he was there, standing on the terrace some distance away, and such was the power of his presence that everyone seemed to sense it an fell back away from Alleyne even as they stopped talking. There was still all sorts of noise, of course - horses, carriage wheels, voices, the water spouting out of the fountain - but it seemed to Alleyne as if complete silence fell. Bewcastle had already seen him. His gaze was steady and silver-eyed and inscrutable. His hand reached for the gold-handled, jewel-studded quizzing glass he always wore with formal attire and raised it halfway to his eyes in a characteristic gesture. Then he came striding along the terrace with uncharacteristic speed and did not stop coming until he had caught Alleyne up in a tight, wordless embrace that lasted perhaps a whole minute while Alleyne dipped his forehead to his brother's shoulder and felt at last that he was safe. It was an extraordinary moment. He had been little more than a child when his father died, but Wulfric himself had been only seventeen. Alleyne had never thought of him as a father figure. Indeed, he had often resented the authority his brother wielded over them with such unwavering strictness, and often with apparant impersonality and lack of humor. He had always thought of his eldest brother as aloof, unfeeling, totally self sufficient. A cold fish. And yet it was in Wulfric's arm that he felt his homecoming most acutely. He felt finally and completely and unconditionally loved. An extraordinary moment indeed.

Some of you, we all know, are poor, find it hard to live, are sometimes, as it were, gasping for breath. I have no doubt that some of you who read this book are unable to pay for all the dinners which you have actually eaten, or for the coats and shoes which are fast wearing or are already worn out, and have come to this page to spend borrowed or stolen time, robbing your creditors of an hour. It is very evident what mean and sneaking lives many of you live, for my sight has been whetted by experience; always on the limits, trying to get into business and trying to get out of debt, a very ancient slough, called by the Latins aes alienum, another's brass, for some of their coins were made of brass; still living, and dying, and buried by this other's brass; always promising to pay, promising to pay, tomorrow, and dying today, insolvent; seeking to curry favor, to get custom, by how many modes, only not state-prison offences; lying, flattering, voting, contracting yourselves into a nutshell of civility or dilating into an atmosphere of thin and vaporous generosity, that you may persuade your neighbor to let you make his shoes, or his hat, or his coat, or his carriage, or import his groceries for him; making yourselves sick, that you may lay up something against a sick day, something to be tucked away in an old chest, or in a stocking behind the plastering, or, more safely, in the brick bank; no matter where, no matter how much or how little.

CALVIN: Hey, I got some mail! It's a Valentine card. HOBBES: From Susie Derkins! CALVIN: It says "Please be my Valentine." HOBBES: You're Susie's Valentine! CALVIN: I'm not her Valentine just because I got this in the mail, am I? Does the Post Master General know about this? HOBBES: Calvin and Susie, sitting in a tree-ee! Kay-eye-ess-ess-eye-en-gee! CALVIN: I don't have the KISS her, do I?! Is that what Valentines do??! Oh, gross! HOBBES: First comes lo-ove, then comes marriage, then comes a baby in a baby carriage! CALVIN: This can't be happening! I need a lawyer! She can't make me be her Valentine! HOBBES: Here she comes! Here comes Susie! SUSIE: Hi, Calvin. CALVIN: Get away from me! I'm not your Valentine! Take your card back! Eww! Girls! YECCHH! SUSIE: That card wasn't for YOU, you Moron. Didn't you read the back of the envelope? CALVIN: "Calvin, please give this to Hobbes." HOBBES?! HOBBES: Me? Really? Hot dog! Smooch City, here I come!

Is she pleasing to the eye?" Gabriel went to an inset sideboard to pour himself a brandy. "She's bloody ravishing," he muttered. Looking more and more interested, his father asked, "What is the problem with her, then?" "She's a perfect little savage. Constitutionally incapable of guarding her tongue. Not to mention peculiar: She goes to balls but never dances, only sits in the corner. Two of the fellows I went drinking with last night said they'd asked her to waltz on previous occasions. She told one of them that a carriage horse had recently stepped on her foot, and she told the other that the butler had accidentally slammed her leg in the door." Gabriel took a swallow of brandy before finishing grimly, "No wonder she's a wallflower." Sebastian, who had begun to laugh, seemed struck by that last comment. "Ahhh," he said softly. "That explains it." He was silent for a moment, lost in some distant, pleasurable memory. "Dangerous creatures, wallflowers. Approach them with the utmost caution. They sit quietly in corners, appearing abandoned and forlorn, when in truth they're sirens who lure men to their downfall. You won't even notice the moment she steals the heart right out of your body- and then it's hers for good. A wallflower never gives your heart back." "Are you finished amusing yourself?" Gabriel asked, impatient with his father's flight of fancy. "Because I have actual problems to deal with." Still smiling, Sebastian reached for some chalk and applied it to the tip of his cue stick. "Forgive me. The word makes me a bit sentimental.

The river of life, of mysterious laws and mysterious choice, flows past a deserted embankment; and along that other deserted embankment Charles now begins to pace, a man behind the invisible gun carriage on which rests his own corpse. He walks towards an imminent, self-given death? I think not; for he has at which to build; has already begun, though he would still bitterly deny it, thought there are tears in his eyes to support his denial, to realize that life, however advantageously Sarah may in some ways seem to fit the role of Sphinx, is not a symbol, is not one riddle and one failure to guess it, is not to inhabit one face alone or to be given up after one losing throw of the dice; but is to be, however inadequately, emptily, hopelessly into the city's iron heart, endured. And out again, upon the unplumb'd, salt, estranging sea.

Darling Daddy, This is Rose. Very good news. Caddy is going to marry Micheal. In case you have forgotten because you have not been home for so long he is the one with the ponytail and the earring that you do not like. And Caddy says she will have a white lace dress and three bridesmaids, Saffron and Sarah and me, and a big party for everyone, all her old boyfriends too. Fireworks. A band. A big tent called a marquee. But where will we put it? Carriages with white horses for us all to go to the church. Afterward Caddy and Micheal will go for a holiday to Australia to visit the Great Barrier Reef. Caddy has it all worked out and Mummy says Yes She Can Of Course You Can Darling Of Course You Must Do That. Saffron said That Will Cost a Few Weeks Housekeeping and Mummy said Yes But We Do Not Need to Worry About That. DADDY WILL PAY. Love, Rose.

Cinderella was such a dork. She left behind her glass slipper at the ball and then went right back to her stemonster's house. It seems to me she sho8ld have worn the glass slipper always, to make herself easier to find. I always hoped that after the prince found Cinderella and they rode away in their magnificant carriage, after a few miles she turned to him and said, "Could you drop me off down the road please? Now that I've finally escaped my life of horrific abuse, I'd like to see something of the world, you know? ...I'll catch back up with you later, Prince, once I've found my own way. Anyone tell you that you grew up to be sort of cute? In like a misfit type of way? The secret tactic f a good bargainer is to know when to compromise You have to trust the words. They do not create anything more than themselves. And while sometimes delights can be tiresome, mostly they re ..Pure, They're burnished by their own hopes This must be part of Mother Nature's master plan- making these boys so irresistibly cute, in such a naughty way, that the purity of their intentions becomes irrelevant. I am trying to embrace danger

Dear Amelia, I hear there are giant jellyfish in the Arctic, tentacles longer than train carriages. Haystacks fly over cities in whirlwinds, and fish frogs and turtles rain on towns. There are spaces of perfect nothing that they call black holes. Nothing's impossible- that's what you think I'm trying to say. But I'm not. There are things that are impossible - unimaginable even- and here they are: That I broke you. Betrayed you. Said I'd given up on you. Sent you flying to a park in a thunderstorm. That I've been wrong about you all along- saw something in your face each time you faded to your past, when the opposite was true. That all this time you've been lost and that I won't get a second chance to find you. Amelia your name is a song. It's a name you can't say without smiling or crying, without casting both shadows and light. But there are too many places to hide or get lost in a name like Amelia. So this is me shouting that name. They say nobody ever escapes from a black hole. They don't know the strength in my Amelia. The strength in your grip when you want to stay out dancing- the strength in your wicked smile. Riley

But I must start at the beginning, if I can find it. Beginnings are elusive things. Just when you think you have hold of one, you look back and see another, earlier beginning, and an earlier one before that. Even if you start with "Chapter One: I am Born," you still have the problem of antecedents, of cause and effect. Why is young David fatherless? Because, Dickens tells us, his father died of a delicate constitution. Yes, but where did this mortal delicacy come from? Dickens doesn't say, so we're left to speculate. A congenital defect, perhaps, inherited from his mother, whose own mother had married beneath her to spite her cruel father, who'd been beaten as a child by a nursemaid who was forced into service when her faithless husband abandoned her for a woman he chanced to meet when his carriage wheel broke in front of the milliner's where she'd gone to have her hat trimmed. If we begin there, young David is fatherless because his great-great-grandfather's nursemaid's husband's future mistress's hat needed adornment.

Later on we read what Krishna says, “Even those who worship other deities are really worshipping me” (note 31). It is God incarnate whom man is worshipping. Would God be angry if you called Him by the wrong name? He would be no God at all! Can’t you understand that whatever a man has in his own heart is God — even if he worships a stone? What of that! We will understand more clearly if we once get rid of the idea that religion consists in doctrines. One idea of religion has been that the whole world was born because Adam ate the apple, and there is no way of escape. Believe in Jesus Christ — in a certain man’s death! But in India there is quite a different idea. [There] religion means realisation, nothing else. It does not matter whether one approaches the destination in a carriage with four horses, in an electric car, or rolling on the ground. The goal is the same. For the [Christians] the problem is how to escape the wrath of the terrible God. For the Indians it is how to become what they really are, to regain their lost Selfhood. ...

Pat-a-cake, pat-a-cake, baker’s man . . .” Evie chanted as she played with Stephen in the Challons’ private railway carriage. They occupied one side of a deep upholstered settee, with Sebastian lounging in the other corner. The baby clapped his tiny hands along with his grandmother, his rapt gaze fastened on her face. “Make me a cake as fast as you can . . .” The nursery rhyme concluded, and Evie cheerfully began again. “Pat-a-cake, pat-a-cake—” “My sweet,” Sebastian interrupted, “we’ve been involved in the manufacture of cakes ever since we set foot on the train. For my sanity, I beg you to choose another game.” “Stephen,” Evie asked her grandson, “do you want to play peekaboo?” “No,” came the baby’s grave answer. “Do you want to play ‘beckoning the chickens?’” “No.” Evie’s impish gaze flickered to her husband before she asked the child, “Do you want to play horsie with Gramps?” “Yes!” Sebastian grinned ruefully and reached for the boy. “I knew I should have kept quiet.” He sat Stephen on his knee and began to bounce him, making him squeal with delight.

in 1851, an aged black woman, who had been born a slave in New York, tall, thin, wearing a gray dress and white turban, listened to some male ministers who had been dominating the discussion. This was Sojourner Truth. She rose to her feet and joined the indignation of her race to the indignation of her sex: That man over there says that woman needs to be helped into carriages and lifted over ditches. . . . Nobody ever helps me into carriages, or over mud-puddles or gives me any best place. And a’nt I a woman? Look at my arm! I have ploughed, and planted, and gathered into barns, and no man could head me! And a’nt I a woman? I would work as much and eat as much as a man, when I could get it, and bear the lash as well. And a’nt I a woman? I have borne thirteen children and seen em most all sold off to slavery, and when I cried out with my mother’s grief, none but Jesus heard me! And a’nt I a woman? Thus were women beginning to resist, in the 1830s and 1840s and 1850s, the attempt to keep them in their “woman’s sphere.” They were taking part in all sorts of movements, for prisoners, for the insane, for black slaves, and also for all women.

Mr. Severin, may I ask something personal?" "Of course." "Why did you offer to be my oyster?" A hot blush climbed her face. "Is it because I'm pretty?" His head lifted. "Partly," he admitted without a hint of shame. "But I also liked what you said- that you never nag or slam doors, and you're not looking for love. I'm not either." He paused, his vibrant gaze holding hers. "I think we would be a good match." "I didn't mean I don't want love," Cassandra protested. "I only meant I'd be willing to let love grow in time. To be clear, I want a husband who could also love me back." Mr. Severin took his time about replying. "What if you had a husband who, although not handsome, was not altogether bad-looking and happened to be very rich? What if he were kind and considerate, and gave you whatever you asked for- mansions, jewels, trips abroad, your own private yacht and luxury railway carriage? What if he were exceptionally good at..." He paused, appearing to think better of what he'd been about to say. "What if he were your protector and friend? Would it really matter so much if he couldn't love you?" "Why couldn't he?" Cassandra asked, intrigued and perturbed. "Is he missing a heart altogether?" "No, he has one, but it's never worked that way.

A man opposite me shifted his feet, accidentally brushing his foot against mine. It was a gentle touch, barely noticeable, but the man immediately reached out to touch my knee and then his own chest with the fingertips of his right hand, in the Indian gesture of apology for an unintended offence. In the carriage and the corridor beyond, the other passengers were similarly respectful, sharing, and solicitous with one another. At first, on that first journey out of the city into India, I found such sudden politeness infuriating after the violent scramble to board the train. It seemed hypocritical for them to show such deferential concern over a nudge with a foot when, minutes before, they'd all but pushed one another out of the windows. Now, long years and many journeys after that first ride on a crowded rural train, I know that the scrambled fighting and courteous deference were both expressions of the one philosophy: the doctrine of necessity. The amount of force and violence necessary to board the train, for example, was no less and no more than the amount of politeness and consideration necessary to ensure that the cramped journey was as pleasant as possible afterwards. What is necessary! That was the unspoken but implied and unavoidable question everywhere in India. When I understood that, a great many of the characteristically perplexing aspects of public life became comprehensible: from the acceptance of sprawling slums by city authorities, to the freedom that cows had to roam at random in the midst of traffic; from the toleration of beggars on the streets, to the concatenate complexity of the bureaucracies; and from the gorgeous, unashamed escapism of Bollywood movies, to the accommodation of hundreds of thousands of refugees from Tibet, Iran, Afghanistan, Africa, and Bangladesh, in a country that was already too crowded with sorrows and needs of its own. The real hypocrisy, I came to realise, was in the eyes and minds and criticisms of those who came from lands of plenty, where none had to fight for a seat on a train. Even on that first train ride, I knew in my heart that Didier had been right when he'd compared India and its billion souls to France. I had an intuition, echoing his thought, that if there were a billion Frenchmen or Australians or Americans living in such a small space, the fighting to board the train would be much more, and the courtesy afterwards much less. And in truth, the politeness and consideration shown by the peasant farmers, travelling salesmen, itinerant workers, and returning sons and fathers and husbands did make for an agreeable journey, despite the cramped conditions and relentlessly increasing heat. Every available centimetre of seating space was occupied, even to the sturdy metal luggage racks over our heads. The men in the corridor took turns to sit or squat on a section of floor that had been set aside and cleaned for the purpose. Every man felt the press of at least two other bodies against his own. Yet there wasn't a single display of grouchiness or bad temper

Six express tracks and twelve locals pass through Palimpsest. The six Greater Lines are: Stylus, Sgraffito, Decretal, Foolscap, Bookhand, and Missal. Collectively, in the prayers of those gathered prostrate in the brass turnstiles of its hidden, voluptuous shrines, these are referred to as the Marginalia Line. They do not run on time: rather, the commuters of Palimpsest have learned their habits, the times of day and night when they prefer to eat and drink, their mating seasons, their gathering places. In days of old, great safaris were held to catch the great trains in their inexorable passage from place to place, and women grappled with them with hooks and tridents in order to arrive punctually at a desk in the depth, of the city. As if to impress a distracted parent on their birthday, the folk of Palimpsest built great edifices where the trains liked to congregate to drink oil from the earth and exchange gossip. They laid black track along the carriages’ migratory patterns. Trains are creatures of routine, though they are also peevish and curmudgeonly. Thus the transit system of Palimpsest was raised up around the huffing behemoths that traversed its heart, and the trains have not yet expressed displeasure. To ride them is still an exercise in hunterly passion and exactitude, for they are unpredictable, and must be observed for many weeks before patterns can be discerned. The sport of commuting is attempted by only the bravest and the wildest of Palimpsest. Many have achieved such a level of aptitude that they are able to catch a train more mornings than they do not. The wise arrive early with a neat coil of hooked rope at their waist, so that if a train is in a very great hurry, they may catch it still, and ride behind on the pauper’s terrace with the rest of those who were not favored, or fast enough, or precise in their calculations. Woe betide them in the infrequent mating seasons! No train may be asked to make its regular stops when she is in heat! A man was once caught on board when an express caught the scent of a local. The poor banker was released to a platform only eight months later, when the two white leviathans had relinquished each other with regret and tears.

I did dream about you," she confessed. Derek smoothed his hand over her chestnut hair and brought her head closer to his. "What was I doing in your dreams?" he asked against her lips. "Chasing me," she admitted in a mortified whisper. A delicious grin curved his mouth. "Did I catch you?" Before she could reply his lips were on hers. His mouth twisted gently, his tongue hunting for an intimate taste of her. Closing her eyes, Sara made no protest as he took her wrists in his hands and twined her arms around his neck. He stretched one of his legs out to rest his foot on the seat. Caught in the lee of his powerful thighs, she had no choice but to let her body rest on the hard length of his. Leisurely he fondled and kissed her, wringing succulent delight from every nerve. As he began to slide his hand into her bodice, the thick wool fabric of her gown resisted his efforts. Foiled in his attempt to reach her breasts, he pushed a lock of hair aside and dragged his mouth over her throat. She stiffened, unable to hold back a whimper of pleasure. The carriage swayed and jolted suddenly, forcing their bodies closer with the impact. Derek felt himself approaching a flashpoint beyond which there was no return. With a tortured groan he pried Sara's voluptuous body away from his and held her away, while he struggled to emerge from a scarlet fog of desire. "Angel," he said hoarsely, nudging her toward the opposite seat. "You... you'd better go over there." Bemused, Sara nearly toppled to the floor from his gentle push. "But why?" Derek lowered his head and tunneled his fingers into his black hair. He started as he felt her hand brush the nape of his neck. "Don't touch me," he said, more roughly than he intended. Raising his head, he stared into Sara's perplexed face with a crooked smile. "Sorry," he muttered. "But if you don't move away, sweet, you're going to be lifting your heels for me right here.

On Turgenev: He knew from Lavrov that I was an enthusiastic admirer of his writings; and one day, as we were returning in a carriage from a visit to Antokolsky's studio, he asked me what I thought of Bazarov. I frankly replied, 'Bazaraov is an admirable painting of the nihilist, but one feels that you did not love him as mush as you did your other heroes.' 'On the contrary, I loved him, intensely loved him,' Turgenev replied, with an unexpected vigor. 'When we get home I will show you my diary, in which I have noted how I wept when I had ended the novel with Bazarov's death.' Turgenev certainly loved the intellectual aspect of Bazarov. He so identified himself with the nihilist philosophy of his hero that he even kept a diary in his name, appreciating the current events from Bazarov's point of view. But I think that he admired him more than he loved him. In a brilliant lecture on Hamlet and Don Quixote, he divided the history makers of mankind into two classes, represented by one or the other of these characters. 'Analysis first of all, and then egotism, and therefore no faith,--an egotist cannot even believe in himself:' so he characterized Hamlet. 'Therefore he is a skeptic, and never will achieve anything; while Don Quixote, who fights against windmills, and takes a barber's plate for the magic helmet of Mambrino (who of us has never made the same mistake?), is a leader of the masses, because the masses always follow those who, taking no heed of the sarcasms of the majority, or even of persecutions, march straight forward, keeping their eyes fixed upon a goal which is seen, perhaps, by no one but themselves. They search, they fall, but they rise again and find it,--and by right, too. Yet, although Hamlet is a skeptic, and disbelieves in Good, he does not disbelieve in Evil. He hates it; Evil and Deceit are his enemies; and his skepticism is not indifferentism, but only negation and doubt, which finally consume his will.' These thought of Turgenev give, I think, the true key for understanding his relations to his heroes. He himself and several of his best friends belonged more or less to the Hamlets. He loved Hamlet, and admired Don Quixote. So he admired also Bazarov. He represented his superiority admirably well, he understood the tragic character of his isolated position, but he could not surround him with that tender, poetical love which he bestowed as on a sick friend, when his heroes approached the Hamlet type. It would have been out of place.

The Sun King had dinner each night alone. He chose from forty dishes, served on gold and silver plate. It took a staggering 498 people to prepare each meal. He was rich because he consumed the work of other people, mainly in the form of their services. He was rich because other people did things for him. At that time, the average French family would have prepared and consumed its own meals as well as paid tax to support his servants in the palace. So it is not hard to conclude that Louis XIV was rich because others were poor. But what about today? Consider that you are an average person, say a woman of 35, living in, for the sake of argument, Paris and earning the median wage, with a working husband and two children. You are far from poor, but in relative terms, you are immeasurably poorer than Louis was. Where he was the richest of the rich in the world’s richest city, you have no servants, no palace, no carriage, no kingdom. As you toil home from work on the crowded Metro, stopping at the shop on the way to buy a ready meal for four, you might be thinking that Louis XIV’s dining arrangements were way beyond your reach. And yet consider this. The cornucopia that greets you as you enter the supermarket dwarfs anything that Louis XIV ever experienced (and it is probably less likely to contain salmonella). You can buy a fresh, frozen, tinned, smoked or pre-prepared meal made with beef, chicken, pork, lamb, fish, prawns, scallops, eggs, potatoes, beans, carrots, cabbage, aubergine, kumquats, celeriac, okra, seven kinds of lettuce, cooked in olive, walnut, sunflower or peanut oil and flavoured with cilantro, turmeric, basil or rosemary … You may have no chefs, but you can decide on a whim to choose between scores of nearby bistros, or Italian, Chinese, Japanese or Indian restaurants, in each of which a team of skilled chefs is waiting to serve your family at less than an hour’s notice. Think of this: never before this generation has the average person been able to afford to have somebody else prepare his meals. You employ no tailor, but you can browse the internet and instantly order from an almost infinite range of excellent, affordable clothes of cotton, silk, linen, wool and nylon made up for you in factories all over Asia. You have no carriage, but you can buy a ticket which will summon the services of a skilled pilot of a budget airline to fly you to one of hundreds of destinations that Louis never dreamed of seeing. You have no woodcutters to bring you logs for the fire, but the operators of gas rigs in Russia are clamouring to bring you clean central heating. You have no wick-trimming footman, but your light switch gives you the instant and brilliant produce of hardworking people at a grid of distant nuclear power stations. You have no runner to send messages, but even now a repairman is climbing a mobile-phone mast somewhere in the world to make sure it is working properly just in case you need to call that cell. You have no private apothecary, but your local pharmacy supplies you with the handiwork of many thousands of chemists, engineers and logistics experts. You have no government ministers, but diligent reporters are even now standing ready to tell you about a film star’s divorce if you will only switch to their channel or log on to their blogs. My point is that you have far, far more than 498 servants at your immediate beck and call. Of course, unlike the Sun King’s servants, these people work for many other people too, but from your perspective what is the difference? That is the magic that exchange and specialisation have wrought for the human species.

By shutting her eyes, by losing consciousness, Albertine had stripped off, one after another, the different human personalities with which we had deceived me ever since the day when I had first made her acquaintance. She was animated now only by the unconscious life of plants, of trees, a life more different from my own, more alien, and yet one that belonged more to me. Her psonality was not constantly escaping, as when we talked, by the outlets of her unacknowledged thoughts and of her eyes. She had called back into herself everything of her that lay outside, had withdrawn, enclosed, reabsorbed herself into her body. In keeping her in front of my eyes, in my hands, I had an impression of possessing her entirely which I never had when she was awake. Her life was submitted to me, exhaled towards me its gentle breath. I listened to this murmuring, mysterious emanation, soft as a sea breeze, magical as a gleam of moonlight, that was her sleep. So long as it lasted, I was free to dream about her and yet at the same time to look at her, and when that sleep grew deeper, to touch, to kiss her. What I felt then was a love as pure, as immaterial, as mysterious, as if I had been in the presence of those inanimate creatures which are the beauties of nature. And indeed, as soon as her sleep became at all deep, she ceased to be merely the plant that she had been; her sleep,on the margin of which I remained musing, with a fresh delight of which I never tired, which I could have gone on enjoying indefinitely, was to me a whole lanscape. Her sleep brought within my reach something as serene, as sensually delicious as those nights of full moon on the bay of Balbec, calm as a lake over which the branches barely stir, where, stretched out upon the stand, one could listen for hours on end to the surf breaking and receding. On entering the room, I would remain standing in the doorway, not venturing to make a sound, and hearing none but that of her breath rising to expire upon her lips at regular intervals, like the reflux of the sea, but drowsier and softer. And at the moment when my ear absorbed that divine sound, I felt that there was condensed in it the whole person, the whole life of the charming captive outstretched there before my eyes. Carriages went rattling past in the street, but her brow remained as smooth and untroubled, her breath as light, reduced to the simple expulsion of the necessary quantity of air. Then, seeing that her sleep would not be disturbed, I would advance cautiously, sit down on the chair that stood by the bedside, then on the bed itself.

Kate?” Anthony yelled again. He couldn’t see anyone; a dislodged bench was blocking the opening. “Can you hear me?” Still no response. “Try the other side,” came Edwina’s frantic voice. “The opening isn’t as crushed.” Anthony jumped to his feet and ran around the back of the carriage to the other side. The door had already come off its hinges, leaving a hole just large enough for him to stuff his upper body into. “Kate?” he called out, trying not to notice the sharp sound of panic in his voice. Every breath from his lips seemed overloud, reverberating in the tight space, reminding him that he wasn’t hearing the same sounds from Kate. And then, as he carefully moved a seat cushion that had turned sideways, he saw her. She was terrifyingly still, but her head didn’t appear to be stuck in an unnatural position, and he didn’t see any blood. That had to be a good sign. He didn’t know much of medicine, but he held on to that thought like a miracle. “You can’t die, Kate,” he said as his terrified fingers yanked away at the wreckage, desperate to open the hole until it was wide enough to pull her through. “Do you hear me? You can’t die!” A jagged piece of wood sliced open the back of his hand, but Anthony didn’t notice the blood running over his skin as he pulled on another broken beam. “You had better be breathing,” he warned, his voice shaking and precariously close to a sob. “This wasn’t supposed to be you. It was never supposed to be you. It isn’t your time. Do you understand me?” He tore away another broken piece of wood and reached through the newly widened hole to grasp her hand. His fingers found her pulse, which seemed steady enough to him, but it was still impossible to tell if she was bleeding, or had broken her back, or had hit her head, or had . . . His heart shuddered. There were so many ways to die. If a bee could bring down a man in his prime, surely a carriage accident could steal the life of one small woman. Anthony grabbed the last piece of wood that stood in his way and heaved, but it didn’t budge. “Don’t do this to me,” he muttered. “Not now. It isn’t her time. Do you hear me? It isn’t her time!” He felt something wet on his cheeks and dimly realized that it was tears. “It was supposed to be me,” he said, choking on the words. “It was always supposed to be me.” And then, just as he was preparing to give that last piece of wood another desperate yank, Kate’s fingers tightened like a claw around his wrist. His eyes flew to her face, just in time to see her eyes open wide and clear, with nary a blink. “What the devil,” she asked, sounding quite lucid and utterly awake, “are you talking about?” Relief flooded his chest so quickly it was almost painful. “Are you all right?” he asked, his voice wobbling on every syllable. She grimaced, then said, “I’ll be fine.” Anthony paused for the barest of seconds as he considered her choice of words. “But are you fine right now?” She let out a little cough, and he fancied he could hear her wince with pain. “I did something to my leg,” she admitted. “But I don’t think I’m bleeding.” “Are you faint? Dizzy? Weak?” She shook her head. “Just in pain. What are you doing here?” He smiled through his tears. “I came to find you.” “You did?” she whispered. He nodded. “I came to— That is to say, I realized . . .” He swallowed convulsively. He’d never dreamed that the day would come when he’d say these words to a woman, and they’d grown so big in his heart he could barely squeeze them out. “I love you, Kate,” he said chokingly. “It took me a while to figure it out, but I do, and I had to tell you. Today.” Her lips wobbled into a shaky smile as she motioned to the rest of her body with her chin. “You’ve bloody good timing.

She opened the book. “Don’t,” said Arin. “Please.” But she had already seen the inscription. For Arin, it read, from Amma and Etta, with love. This was Arin’s home. This house had been his, this library his, this book his, dedicated to him by his parents, some ten years ago. Kestrel breathed slowly. Her fingers rested on the page, just below the black line of writing. She lifted her gaze to meet Irex’s smirk. Her mind chilled. She assessed the situation as her father would a battle. She knew her objective. She knew her opponent’s. She understood what she could afford to lose, and what she could not. Kestrel closed the book, set it on a table, and turned her back to Arin. “Lord Irex,” she said, her voice warm. “It is but a book.” “It is my book,” Irex said. There was a choked sound behind her. Without looking, Kestrel said in Herrani, “Do you wish to be removed from the room?” Arin’s answer was low. “No.” “Then be silent.” She smiled at Irex. In their language, she said, “This is clearly not a case of theft. Who would dare steal from you? I’m certain he meant only to look at it. You can’t blame him for being curious about the luxuries your house holds.” “He shouldn’t have even been inside the library, let alone touching its contents. Besides, there were witnesses. A judge will rule in my favor. This is my property, so I will decide the number of lashes.” “Yes, your property. Let us not forget that we are also discussing my property.” “He will be returned to you.” “So the law says, but in what condition? I am not eager to see him damaged. He holds more value than a book in a language no one has any interest in reading.” Irex’s dark eyes flicked to look behind Kestrel, then returned to her. They grew sly. “You take a decided interest in your slave’s well-being. I wonder to what lengths you will go to prevent a punishment that is rightfully mine to give.” He rested a hand on her arm. “Perhaps we can settle the matter between us.” Kestrel heard Arin inhale as he understood Irex’s suggestion. She was angry, suddenly, at the way her mind snagged on the sound of that sharp breath. She was angry at herself, for feeling vulnerable because Arin was vulnerable, and at Irex for his knowing smile. “Yes.” Kestrel decided to twist Irex’s words into something else. “This is between us, and fate.” Having uttered the formal words of a challenge to a duel, Kestrel stepped back from Irex’s touch, drew her dagger, and held it sideways at the level of her chest like a line drawn between him and her. “Kestrel,” Irex said. “That isn’t what I had in mind when I said we might solve the matter.” “I think we’ll enjoy this method more.” “A challenge.” He tsked. “I’ll let you take it back. Just this one.” “I cannot take it back.” At that, Irex drew his dagger and imitated Kestrel’s gesture. They stood still, then sheathed their blades. “I’ll even let you choose the weapons,” Irex said. “Needles. Now it is to you to choose the time and place.” “My grounds. Tomorrow, two hours from sunset. That will give me time to gather the death-price.” This gave Kestrel pause. But she nodded, and finally turned to Arin. He looked nauseated. He sagged in the senators’ grip. It seemed they weren’t restraining him, but holding him up. “You can let go,” Kestrel told the senators, and when they did, she ordered Arin to follow her. As they left the library, Arin said, “Kestrel--” “Not a word. Don’t speak until we are in the carriage.

Don't misunderstand, but how dare you risk your life? What the devil did you think, to leap over like that? You could have stayed safe on this side and just helped me over." Even to her ears, her tone bordered on the hysterical. Beneath her fingers, the white lawn started to redden. She sucked in a shaky breath. "How could you risk your life-your life, you idiot!" She leaned harder on the pad, dragged in another breath. He coughed weakly, shifted his head. "Don't you dare die on me!" His lips twisted, but his eyes remained closed. "But if I die"-his words were a whisper-"you won't have to marry, me or anyone else. Even the most censorious in the ton will consider my death to be the end of the matter. You'll be free." "Free?" Then his earlier words registered. "If you die? I told you-don't you dare! I won't let you-I forbid you to. How can I marry you if you die? And how the hell will I live if you aren't alive, too?" As the words left her mouth, half hysterical, all emotion, she realized they were the literal truth. Her life wouldn't be worth living if he wasn't there to share it. "What will I do with my life if you die?" He softly snorted, apparently unimpressed by-or was it not registering?-her panic. "Marry some other poor sod, like you were planning to." The words cut. "You are the only poor sod I'm planning to marry." Her waspish response came on a rush of rising fear. She glanced around, but there was no one in sight. Help had yet to come running. She looked back at him, readjusted the pressure on the slowly reddening pad. "I intend not only to marry you but to lead you by the nose for the rest of your days. It's the least I can do to repay you for this-for the shock to my nerves. I'll have you know I'd decided even before this little incident to reverse my decision and become your viscountess, and lead you such a merry dance through the ballrooms and drawing rooms that you'll be gray within two years." He humphed softly, dismissively, but he was listening. Studying his face, she realized her nonsense was distracting him from the pain. She engaged her imagination and let her tongue run free. "I've decided I'll redecorate Baraclough in the French Imperial style-all that white and gilt and spindly legs, with all the chairs so delicate you won't dare sit down. And while we're on the subject of your-our-country home, I've had an idea about my carriage, the one you'll buy me as a wedding gift..." She rambled on, paying scant attention to her words, simply let them and all the images she'd dreamed of come tumbling out, painting a vibrant, fanciful, yet in many ways-all the ways that counted-accurate word pictures of her hopes, her aspirations. Her vision of their life together. When the well started to run dry, when her voice started to thicken with tears at the fear that they might no longer have a chance to enjoy all she'd described, she concluded with, "So you absolutely can't die now." Fear prodded; almost incensed, she blurted, "Not when I was about to back down and agree to return to London with you." He moistened his lips. Whispered, "You were?" "Yes! I was!" His fading voice tipped her toward panic. Her voice rose in reaction. "I can't believe you were so foolish as to risk your life like this! You didn't need to put yourself in danger to save me." "Yes, I did." The words were firmer, bitten off through clenched teeth. She caught his anger. Was anger good. Would temper hold him to the world? A frown drew down his black brows. "You can't be so damned foolish as to think I wouldn't-after protecting you through all this, seeing you safely all this way, watching over you all this time, what else was I going to do?