Carriage Driving Quotes

I thought you didn't know how to drive a carriage," she shouted over the pounding of hooves. “Nonsense,” Nathaniel shouted back. “I’m a fast learner when properly motivated.

Of all ridiculous things the most ridiculous seems to me, to be busy — to be a man who is brisk about his food and his work. Therefore, whenever I see a fly settling, in the decisive moment, on the nose of such a person of affairs; or if he is spattered with mud from a carriage which drives past him in still greater haste; or the drawbridge opens up before him; or a tile falls down and knocks him dead, then I laugh heartily.

On Monday they went out for a private picnic. On Tuesday they went for a carriage drive. On Wednesday they went to pick bluebells. On Thursday they fished at the lake, returning with damp clothes and sun-glazed complexions, laughing together at a joke they didn't share with anyone else. On Friday they danced together at an impromptu musical evening, looking so well matched one of the guests remarked it was a pleasure to watch them. On Saturday Matthew woke up wanting to murder someone.

Look back. Look back at me." Richard Armitage spoke this line in the movie North and South as he watched Miss Hale drive away in a carriage.

Where they couldn't pick holes in our arguments they would drive horses and carriages through my character.

YOU are your own guru. YOU are your own soul mate. YOU are powerful. Take the reigns and drive your carriage home to love.

And he will have a great aunt called Elinor who tells him there's a world not like this one. A world with neither fairies nor glass men, but with animals who carry their young in a pouch in front of their bellies, and birds with wings that beat so fast it sounds like the humming of a bumblebee, with carriages that drive along without any horses and pictures that move on their own accord... She will tell him that even the most powerful men don't carry swords in the other world, but there are much, much more terrible weapons there...She will even claim that the people there have built coaches that can fly...So the boy will think that perhaps he'll have to go alone one day, if he wants to see that world...Because it must be exciting in that other world, much more exciting than in his own...

For life today in America is based on the premise of ever-widening circles of contact and communication. It involves not only family demands, but community demands, national demands, international demands on the good citizen, through social and cultural pressures, through newspapers, magazines, radio programs, political drives, charitable appeals, and so on. My mind reels in it, What a circus act we women perform every day of our lives. It puts the trapeze artist to shame. Look at us. We run a tight rope daily, balancing a pile of books on the head. Baby-carriage, parasol, kitchen chair, still under control. Steady now!

It does good also to take walks out of doors, that our spirits may be raised and refreshed by the open air and fresh breeze: sometimes we gain strength by driving in a carriage, by travel, by change of air, or by social meals and a more generous allowance of wine.

Heidi, it's just as if we were in a high carriage and were going to drive straight into heaven.

We may, indeed, say that the hour of death is uncertain, but when we say so we represent that hour to ourselves as situated in a vague and remote expanse of time, it never occurs to us that it can have any connexion with the day that has already dawned, or may signify that death — or its first assault and partial possession of us, after which it will never leave hold of us again — may occur this very afternoon, so far from uncertain, this afternoon every hour of which has already been allotted to some occupation. You make a point of taking your drive every day so that in a month’s time you will have had the full benefit of the fresh air; you have hesitated over which cloak you will take, which cabman to call, you are in the cab, the whole day lies before you, short because you have to be at home early, as a friend is coming to see you; you hope that it will be as fine again to-morrow; and you have no suspicion that death, which has been making its way towards you along another plane, shrouded in an impenetrable darkness, has chosen precisely this day of all days to make its appearance, in a few minutes’ time, more or less, at the moment when the carriage has reached the Champs-Elysées.

Last but not least, he hated with all the hatred that was in him the rising generation, the appalling boors who find it necessary to talk and laugh at the top of their voices in restaurants and cafes, who jostle you in the street without a word of apology, and who, without expressing or even indicating regret, drive the wheels of a baby-carriage into your legs.

There it was, a sign above a shop that said 221B BAKER STREET. My mouth hung open. I looked around at the ordinary street and the white-painted buildings, looking clean in the morning rain. Where were the fog, the streetlights, the gray atmosphere? The horses pulling carriages, bringing troubled clients to Watson and Holmes? I had to admit I had been impressed with Big Ben and all, but for a kid who had devoured the adventures of Sherlock Holmes, this was really something. I was on Baker Street, driving by the rooms of Holmes and Watson! I sort of wished it were all in black and white and gray, like in the movies.

Isabel took a drive alone that afternoon; she wished to be far away, under the sky, where she could descend from her carriage and tread upon the daisies. She had long before this taken old Rome into her confidence, for in a world of ruins the ruin of her happiness seemed a less unnatural catastrophe. She rested her weariness upon things that had crumbled for centuries and yet still were upright; she dropped her secret sadness into the silence of lonely places, where its very modern quality detached itself and grew objective, so that as she sat in a sun-warmed angle on a winter's day, or stood in a mouldy church to which no one came, she could almost smile at it and think of its smallness. Small it was, in the large Roman record, and her haunting sense of the continuity of the human lot easily carried her from the less to the greater. She had become deeply, tenderly acquainted with Rome; it interfused and moderated her passion. But she had grown to think of it chiefly as the place where people had suffered. This was what came to her in the starved churches, where the marble columns, transferred from pagan ruins, seemed to offer her a companionship in endurance and the musty incense to be a compound of long-unanswered prayers. There was no gentler nor less consistent heretic than Isabel; the firmest of worshippers, gazing at dark altar-pictures or clustered candles, could not have felt more intimately the suggestiveness of these objects nor have been more liable at such moments to a spiritual visitation.

Hold fast! then you too will see the unchangeable dark distance, out of which nothing can come except one day the chariot; it rolls up, gets bigger and bigger, fills the whole world at the moment it reaches you - and you sink into it like a child sinking into the upholstery of a carriage that drives through the storm and night.

The night seemed varnished with a golden sheen. Carriages rounded the manor's drive, their horses pounding gravel as if to applaud the parade. One by one, gentry clothed in satin and velvet emerged from their boxes. They bid adieu to their drivers and flocked to the main house, glittering like jewels in the torchlight.

For some people the experience of crossing by carriage was positively terrifying. “You drive over to Suspension Bridge,” wrote Mark Twain, “and divide your misery between the chances of smashing down two hundred feet into the river below, and the chances of having a railway-train overhead smashing down onto you. Either possibility is discomforting taken by itself, but, mixed together, they amount in the aggregate to positive unhappiness.

Lascelles threw himself into the carriage, snorting with laughter and saying that he had never in his life heard of anything so ridiculous and comparing their snug drive through the London streets in Mr. Norrell's carriage to ancient French and Italian fables where fools set sail in milk-pails to fetch the moon's reflection from the bottom of a duckpond...

It was William who would climb out of his carriage unafraid and help a farmer drive a herd of cattle or sheep across a road when necessary.

How, in fact, could a nose, which only yesterday was in the middle of his face, and which could not possibly walk around or drive in a carriage, suddenly turn up in a uniform!

Friendship is like a carriage. It does not drive itself. Particularly when the road gets rocky.

The mud splashes you as you drive through it in your carriage—you are a respectable person; you go afoot and are splashed—you are a scoundrel

This is all very well, sir,” he said to the officer, “but this warrant contains no other name than mine, and so you have no right to expose thus to the public gaze the lady with whom I was travelling when you arrested me. I must beg of you to order your assistants to allow this carriage to drive on; then take me where you please, for I am ready to go with you.

Though the rain had pitter-pattered, then pelted the carriages during the drive had stopped, the ground was wet and boggy, sucking at feet as though hoping to keep anyone from ever leaving the estate.

Poppy,” he said raggedly, “I thought about you every minute of that twelve-hour carriage drive. About how to make you come back with me. I’ll do anything. I’ll buy you half of bloody London, if that will suffice.” “I don’t want half of London,” she said faintly. Her fingers tightened on the waist of his trousers. This was Harry as she had never seen him before, all defenses down, speaking to her with raw honesty. “I know I should apologize for coming between you and Bayning.” “Yes, you should,” she said. “I can’t. I’ll never be sorry about it. Because if I hadn’t done it, you’d be his now. And he only wanted you if it was easy for him. But I want you any way I can get you. Not because you’re beautiful or clever or kind or adorable, although the devil knows you’re all those things. I want you because there’s no one else like you, and I don’t ever want to start a day without seeing you.” As Poppy opened her mouth to reply, he smoothed his thumb across her lower lip, coaxing her to wait until he had finished. “Do you know what a balance wheel is?” She shook her head slightly. “There’s one in every clock or watch. It rotates back and forth without stopping. It’s what makes the ticking sound . . . what makes the hands move forward to mark the minutes. Without it, the watch wouldn’t work. You’re my balance wheel, Poppy.” He paused, his fingers compulsively following the fine curve of her jaw up to the lobe of her ear. “I spent today trying to think of what I could apologize for and maybe sound at least half sincere. And I finally came up with something.” “What is it?” she whispered. “I’m sorry I’m not the husband you wanted.” His voice turned gravelly. “But I swear on my life, if you’ll tell me what you need, I’ll listen. I’ll do anything you ask. Just don’t leave me again.

This is very unpleasant, Gertrud,’ I remarked, and I wondered what those at home would say if they knew that on the very first day of my driving-tour I had managed to lose the carriage and had had to bear the banter of publicans.

Your average genre novel is like a high speed car chase ending in a massive crash, with death, destruction, and balls of flame, from which the main characters (usually) emerge mostly unscathed. Everything builds up to the crash, and it’s the anticipation that keeps us turning pages. Anthony Trollope, by contrast, is like a pleasant Sunday afternoon drive through the countryside in an open carriage behind a pair of matched horses. There’s conflict, sure; a herd of sheep blocks the road, two countrymen come to blows outside the pub, the cows in this field are looking daggers at the cows in that field. But the point of the drive is the drive itself, not the destination, because of course you’re just going to end up at home anyway.

When the couple rode by the shore one day, John became so enraged at Fidelia that he drove their carriage straight into Chesapeake Bay. When Fidelia asked where he was going, John replied with a sneer, “To hell, Madam.” To which she retorted boldly, “Drive on, sir.

Rather than the thick, unbroken, monumental snarl of trees imagined by Thoreau, the great eastern forest was an ecological kaleidoscope of garden plots, blackberry rambles, pine barrens, and spacious groves of chestnut, hickory, and oak. The first Europeans in Ohio found woodlands that resembled English parks—they could drive carriages through the trees.

No, certainly not; and I am glad you do not think of it. These schemes are not at all the thing. Young men and women driving about the country in open carriages! Now and then it is very well; but going to inns and public places together! It is not right; and I wonder Mrs. Thorpe should allow it. I am glad you do not think of going; I am sure Mrs. Morland would not be pleased. Mrs.

A driving snow-storm in the night and still raging; five or six inches deep on a level at 7 A.M. All birds are turned into snowbirds. Trees and houses have put on the aspect of winter. The traveller’s carriage wheels, the farmer’s wagon, are converted into white disks of snow through which the spokes hardly appear. But it is good now to stay in the house and read and write. We do not now go wandering all abroad and dissipated, but the imprisoning storm condenses our thoughts. I can hear the clock tick as not in pleasant weather. My life is enriched. I love to hear the wind howl. I have a fancy for sitting with my book or paper in some mean and apparently unfavorable place, in the kitchen, for instance, where the work is going on, rather a little cold than comfortable.

The carriages drove right through me, and hurrying people did not swerve aside for me and ran over me full of contempt, as over a bad place in which stale water has collected....O what a world it is! Pieces, pieces of people, parts of animals, remains of finished things, and everything still on the move, driving about as if in an uncanny wind, carried and carrying, falling and catching themselves up in their fall.

It seemed as if nothing were to break that tie — as if the years were merely to compact and cement it; and as if those years were to be all the years of their natural lives. Eighteen-forty-two turned into eighteen-forty-three; eighteen-forty-three into eighteen- forty-four; eighteen-forty-four into eighteen-forty-five. Flush was no longer a puppy; he was a dog of four or five; he was a dog in the full prime of life — and still Miss Barrett lay on her sofa in Wimpole Street and still Flush lay on the sofa at her feet. Miss Barrett’s life was the life of “a bird in its cage.” She sometimes kept the house for weeks at a time, and when she left it, it was only for an hour or two, to drive to a shop in a carriage, or to be wheeled to Regent’s Park in a bath-chair. The Barretts never left London. Mr. Barrett, the seven brothers, the two sisters, the butler, Wilson and the maids, Catiline, Folly, Miss Barrett and Flush all went on living at 50 Wimpole Street, eating in the dining-room, sleeping in the bedrooms, smoking in the study, cooking in the kitchen, carrying hot-water cans and emptying the slops from January to December. The chair-covers became slightly soiled; the carpets slightly worn; coal dust, mud, soot, fog, vapours of cigar smoke and wine and meat accumulated in crevices, in cracks, in fabrics, on the tops of picture-frames, in the scrolls of carvings. And the ivy that hung over Miss Barrett’s bedroom window flourished; its green curtain became thicker and thicker, and in summer the nasturtiums and the scarlet runners rioted together in the window-box. But one night early in January 1845 the postman knocked. Letters fell into the box as usual. Wilson went downstairs to fetch the letters as usual. Everything was as usual — every night the postman knocked, every night Wilson fetched the letters, every night there was a letter for Miss Barrett. But tonight the letter was not the same letter; it was a different letter. Flush saw that, even before the envelope was broken. He knew it from the way that Miss Barrett took it; turned it; looked at the vigorous, jagged writing of her name.

In the eyes of the Church,’ said he, ‘adultery is a crime; in those of your tribunals it is a misdemeanor. Adultery drives to the police court in a carriage instead of standing at the bar to be tried. Napoleon’s Council of State, touched with tenderness towards erring women, was quite inefficient. Ought they not in this case to have harmonized the civil and the religious law, and have sent the guilty wife to a convent, as of old?

You know, I still feel in my wrists certain echoes of the pram-pusher’s knack, such as, for example, the glib downward pressure one applied to the handle in order to have the carriage tip up and climb the curb. First came an elaborate mouse-gray vehicle of Belgian make, with fat autoid tires and luxurious springs, so large that it could not enter our puny elevator. It rolled on sidewalks in a slow stately mystery, with the trapped baby inside lying supine, well covered with down, silk and fur; only his eyes moved, warily, and sometimes they turned upward with one swift sweep of their showy lashes to follow the receding of branch-patterned blueness that flowed away from the edge of the half-cocked hood of the carriage, and presently he would dart a suspicious glance at my face to see if the teasing trees and sky did not belong, perhaps to the same order of things as did rattles and parental humor. There followed a lighter carriage, and in this, as he spun along, he would tend to rise, straining at his straps; clutching at the edges; standing there less like the groggy passenger of a pleasure boat than like an entranced scientist in a spaceship; surveying the speckled skeins of a live, warm world; eyeing with philosophic interest the pillow he had managed to throw overboard; falling out himself when a strap burst one day. Still later he rode in one of those small contraptions called strollers; from initial springy and secure heights the child came lower and lower, until, when he was about one and a half, he touched ground in front of the moving stroller by slipping forward out of his seat and beating the sidewalk with his heels in anticipation of being set loose in some public garden. A new wave of evolution started to swell, gradually lifting him again from the ground, when, for his second birthday, he received a four-foot-long, silver-painted Mercedes racing car operated by inside pedals, like an organ, and in this he used to drive with a pumping, clanking noise up and down the sidewalk of the Kurfurstendamm while from open windows came the multiplied roar of a dictator still pounding his chest in the Neander valley we had left far behind.

FOLLOWED THE drive to the rear of the house where it spread into a prettily landscaped circle between a gracious veranda and a four-car garage. (The carriage house, according to his mother. Looked like a garage to Jax.) He pulled around the circle, aimed his hood toward a quick get away and killed the engine. The beleaguered truck farted with relief, shook like a wet dog, and went silent. Jax did smile this time. Nothing like announcing your arrival

My lawsuit,” he said in his Southern accent and rolling his r’s, “is a very simple thing; they want my manufactory. I’ve employed here in Paris a dolt of a lawyer, to whom I give twenty francs every time he opens an eye, and he is always asleep. He’s a slug, who drives in his coach, while I go afoot and he splashes me. I see now I ought to have had a carriage! On the other hand, that Council of State are a pack of do-nothings, who leave their duties to little scamps every one of whom is bought up by our prefect. That’s my lawsuit!

Faster than fairies, faster than witches, Bridges and houses, hedges and ditches; And charging along like troops in a battle All through the meadows the horses and cattle: All of the sights of the hill and the plain Fly as thick as driving rain; And ever again, in the wink of an eye, Painted stations whistle by. Here is a child who clambers and scrambles, All by himself and gathering brambles; Here is a tramp who stands and gazes; And here is the green for stringing the daisies! Here is a cart runaway in the road Lumping along with man and load; And here is a mill, and there is a river: Each a glimpse and gone forever! From A Railway Carriage

Who else is to join your expedition?’ ‘I don’t know. Yes, I do, though! We’ll take Fanny and young Grayshott!’ She smiled, but said: ‘You should invite Lavinia too.’ ‘Oliver wouldn’t agree with you. Nor do I. There will be no room in the carriage for a fifth person.’ ‘She could take my place. Or even Mrs Grayshott. She would enjoy the drive.’ ‘She would find it too fatiguing. Can’t you think of anyone else to take your place?’ ‘Yes, Lady Weaverham!’ she said instantly, a gurgle of merriment in her throat. ‘No, I think, if I must find a substitute for you, I shall invite your sister’s bosom-bow – what’s her name? Buttertub? Tallow-faced female, with rabbit’s teeth.’ ‘Laura Butterbank!’ said Abby, in a failing voice. ‘Odious, infamous creature that you are!

There were no such stipulations made when we discussed the agreement." "Nor were they expressly not made. I am making them now. You received what you requested. Or, have you forgotten?" The words sent a shiver down her spine. He was standing behind her, and she could feel the warm kiss of his breath on her bare neck, sending a river of heat through her. "I have not forgotten." The words came unbidden, and she closed her eyes. He laid a hand on her arm and, with virtually no pressure, turned her face to him. When he met her eyes, the anger that had been there was gone, replaced by something much more complex. "Neither have I. And not for lack of trying." Before she could begin to consider the meaning behind his words, he settled his mouth upon hers, robbing her of thought. "I've tried to forget that kiss... and the carriage ride... and the fencing club... but you seem to have taken up residence... in my memory." As he spoke between long, drugging kisses that consumed her senses, he guided Callie across the study and into a large chair near the fireplace. Kneeling in front of her, he cupped one cheek in a strong, warm hand, and met her gaze with a searing look. Shaking his head as though he couldn't quite understand what had come over him, he kissed her again, growling low in the back of his throat. Her hands found their way into his thick, dark hair as he caught her bottom lip in his teeth, nibbling and licking at it until she thought she might perish from the intensity of the feeling. She whimpered at the sensation, and he rewarded the sound by deepening the kiss, giving her everything she desired. He broke off the kiss as one of his hands found its way under her skirts, caressing up the inside of her leg. He shifted her against him, running his lips across her cheek to the curl of her ear, sucking and nibbling and licking as he spoke to her, the scandalous words more sensation than sound. "Such soft skin..." he said, as his fingers played along the inside of her thighs, driving her mad with desire as heat pooled at their juncture. "I've been wondering what you felt like here..." He shifted to gain better access to the skin high on the inside of her thighs, so close to the spot where she most wanted him. "Now that I know... I'm going to be consumed with thoughts of how this soft, lovely skin will feel against me..." He placed a soft, lush kiss on the column of her neck as his hand moved higher, closer to the center of her.

From original ending: It was two year more, before I saw herself. ... I was in England again-in London, and walking along Piccadilly with little Pip- when a servant came running after me to ask would I step back to a lady in a carriage who wished to speak to me. It was a little pony carriage, which the lady was driving; and the lady and I looked sadly enough on one another. 'I am greatly changed, I know; but I thought you would like to shake hands with Estella too, Pip. Lift up that pretty child and let me kiss it!' (She supposed the child, I think, to be my child). I was very glad afterwards to have had the interview; for, in her face and in her voice, and in her touch, she gave me the assurance, that suffering had been stronger than Miss Havisham's teaching, and had given her a heart to understand what my heart used to be.

She was reading Francis Godwin's Man in the Moone--its man was borne into space in a carriage drawn by swans--when she heard the sound of wheels upon the gravel. Two boxes from Martin & Allestyre were set down on the drive. 'My modest closet plays,' she said. She nearly ran down the stairs--for the recovery of her wayward crates that spring and the preparation of her plays for publication had rekindled inside Margaret a flame she'd feared had gone out. ... But now, in turning the pages, she grew concerned and then incensed: 'reins' where she had written 'veins,' 'exterior' when she had clearly meant 'interior.' The sun went down. The room grew dim. ... 'Before the printer ruined it,' she cried, 'my book was good!' 'Could it be,' he asked, soaking his bread in {lamb's} blood, 'that you were yourself the cause of this misfortune?

So Callie is a rake." She blushed. "I don't think so." Silence fell between them as he watched the wash of pink across her cheeks. He lifted her wounded arm in his hand, placing a soft kiss on the back of her hand. She breathed deeply at the feel of his lips on her skin, so warm and soft, and her eyes flew to his, intently focused on her. He held her gaze, and she felt a shock of liquid heat as his tongue circled one of her knuckles. He registered her surprise, smiling against her and turning her hand palm up, then setting his tongue and lips to work on the soft, sensitive spot at its center. Her breath quickened, and she closed her eyes to the sensation, unable to watch the erotic movement of his mouth across her skin. He lifted his lips from her hand and, when she opened her eyes again, it was to find him watching her, a wicked smile on his lips. Reaching out, he traced one finger along the line of her jaw, sending a shiver through her. When he spoke, his voice was thick and liquid, and it sent a shock of heat down her spine. "I shouldn't give up on that part of her just yet, Empress." She caught her breath at the endearment, which brought with it a hazy memory from long ago. He chased the vision away with the vivid present as he clasped her chin, bringing her face closer to his. "You forget, I've met the women several times... In carriages..." His lips hovered just above hers, sending a tremor of anticipation through her, "And in theatres..." She tried to close the distance between them and he pulled back just enough to drive her slightly mad. "And in bedchambers. In fact," he added, his words a caress along the sensitive skin of her lips, "I rather like the rakish side of her." And then he settled his lips upon hers, and she was lost. She was consumed by the softness of his mouth, the gentleness of the caress- so very different than the kisses they had shared before. This kiss consumed her, made her forget herself, their surroundings, everything but the magnificent pressure of his lips on hers. His thumb stroked her jaw as his mouth ate at hers, sending waves of pulsing pleasure through her. She gasped at the feeling, and he took advantage of her open lips to plunder her mouth with deep, drugging kisses that made her dizzy. She reached for him, her anchor in a sea of sensuality, wrapping her arms around his neck and plunging her fingers into his heavy, soft hair. He made a deep, satisfied sound at the feeling of her wrapped around him, and traced a path across her cheek and down the column of her throat with soft, moist kisses that sent explosions of pleasure through her.

As hard as he tried not to think about it, the nursery rhyme that had terrified children in the land of Skree for years sang in his head, and he lay there in the pale moonlight, his lips barely moving. Lo, beyond the River Blapp The Carriage comes, the Carriage Black By shadowed steed with shadowed tack And shadowed driver driving Child, pray the Maker let you sleep When comes the Carriage down your street Lest all your dreams be dreams of teeth And Carriages arriving To wrest you from your berth and bower In deepest night and darkest hour Across the sea to frozen tower Where Gnag the Nameless pounds you At Castle Throg across the span, A world away from kith and clan You’ll weep at how your woes began The night the shadows bound you Away, beyond the River Blapp, The Carriage came, the Carriage Black By shadowed steed with shadowed tack The night the Carriage found you

I'm sure we'll need some- oof!" She was never to finish the thoughts she was startled by a creature that came bounding swiftly around the side of the carriage. A glimpse of floppy ears and jolly brown eyes filled her vision before the enthusiastic canine pounced so eagerly that she toppled backward from her squatting position. She landed on her rump, the impact knocking her hat to the ground. A swath of hair came loose and slid over her face, while a young tan-and black retriever leapt around her as if he were on springs. She felt a huff of dog breath on at her ear and the swipe of a tongue on her cheek. "Ajax, no," she heard Ivo exclaim. Realizing what a mess she'd become, all in a matter of seconds, Pandora experienced a moment of despair, followed by resignation. Of course this would happen. Of course she would have to meet the duke and duchess after tumbling on the drive like a half-witted carnival performer. It was so dreadful that she began to giggle, while the dog nudged his head against hers. In the next moment, Pandora was lifted to her feet and caught firmly against a hard surface. The momentum threw her off balance, and she clung to St. Vincent dizzily. He kept her anchored securely against him with an arm around her back. "Down, idiot," St. Vincent commanded. The dog subsided, panting happily. "He must have slipped past the front door," Ivo said. St. Vincent smoothed Pandora's hair back from her face. "Are you hurt?" His gaze ran over her swiftly. "No... no." Helpless giggles kept bubbling up as her nervous tension released. She tried to smother the giddy sounds against his shoulder. "I was... trying so hard to be ladylike..." A brief chuckle escaped him, and his hand moved over her upper back in a calming circle. "I would imagine it's not easy to be ladylike in the midst of a dog mauling.

Ethan! What on earth are you doing?" "Excuse us,please.It is very warm in here and my wife has begun to feel a little faint." With a smile fixed on his face,giving a series of the same brief explanation,he carried her through the crush,out the front door of the mansion,along the gravel drive to where his carriage was parked. "Home,Jennings," he said to the coachman as a footman opened the door. "And don't spare the horses." Setting her swiftly on the carriage seat, he climbed in and took a place beside her. "Are you insane?" Grace stared at him with disbelief as the matched pair of grays stepped into their traces and the coach jolted forward. "We can't just leave. We're the guests of honor! What will people think?" "They will thank that I am ravenous for my wife's lovely body,and I am." "But-" "Another word,Grace, and I swear I will take you right here." Her eyes widened for an instant, then she sat back on the seat of the carriage, careful to keep facing forward, casting him only an occasional sideways glance. If his body hadn't been throbbing with such urgent need,he might have smiled.

Break down! Oh! Lord! Did you ever see such a little tittuppy thing in your life? There is not a sound piece of iron about it. The wheels have been fairly worn out these ten years at least—and as for the body! Upon my soul, you might shake it to pieces yourself with a touch. It is the most devilish little rickety business I ever beheld! Thank God! we have got a better. I would not be bound to go two miles in it for fifty thousand pounds." "Good heavens!" cried Catherine, quite frightened. "Then pray let us turn back; they will certainly meet with an accident if we go on. Do let us turn back, Mr. Thorpe; stop and speak to my brother, and tell him how very unsafe it is." "Unsafe! Oh, lord! What is there in that? They will only get a roll if it does break down; and there is plenty of dirt; it will be excellent falling. Oh, curse it! The carriage is safe enough, if a man knows how to drive it; a thing of that sort in good hands will last above twenty years after it is fairly worn out. Lord bless you! I would undertake for five pounds to drive it to York and back again, without losing a nail.

We'd reached the parking lot. Alex stopped. "You drive to school?" I demanded. He gestured me ahead of him through the break in the chain fence. "We don't all live five blocks away," he shot back. "It's eight, actually." "Fine,eight. And sometimes I walk." I pictured the stretch between Willing and Society Hill, where I knew he lived somewhere near Sadie. It was quite a distance, and not a particularly scenic one, especially at seven thirty in the morning. "Yeah? When was the last time?" He didn't answer immediately, leading the way now between the parked cars. He passed a big Jeep that still had its dealer plates, a low-slung-two-door Lexus, and a sick black BMW that all looked like just the sort of cars he would own. "April of last year," he admitted finally. "But it pissed rain on me the whole time, so that's gotta count for something." He stopped by the dented passenger door of an old green Mustang. "Your carriage, my lady." "Really? This is your car?" The door made a very scary sound when he opened it. "It's clean," he snapped, and I realized he'd totally missed my point. "It's amazing.

If any of them give you trouble,” Ethan said to West as the three of them walked out to the front drive where the family carriage awaited, “use this.” He handed him the Bull Dog pocket revolver. “It’s a double-action model. You only need to cock the hammer once, and it will fire a round with every pull of the trigger.” West regarded the gun dubiously. “If any of those louts give me trouble, I have a shed full of farming implements to use on them. You’ll need this if you’re planning to confront Jenkyn.” “We’ll be armed with something far more powerful than bullets,” Garrett told him. West looked at Ethan with mock alarm. “You’re taking the spoon?” Reluctant amusement tugged at the corner of Ethan’s lips. “No. Dr. Gibson means we’ll be armed with words.” “Words,” West repeated doubtfully, pocketing the revolver. “I’ve always been skeptical when people say ‘The pen is mightier than the sword.’ It’s only true if the pen is glued to the handle of a German steel cutlass.” “The words will be printed in a newspaper,” Garrett said. “We’re going to the Times office.” “Oh. That’s fine, then. The Times is mightier than the pen, the sword, and Her Majesty’s entire Royal Army.

After more hours in a carriage with Archer than he ever wanted to experience again, Grey returned to Ryeton House. All he wanted to do was find Rose, climb into bed with her, and sleep for the rest of the day. Honestly, sleep. Entwine his legs with hers, sink into her arms, bury his face in the sweet warm hollow of her neck… “You coming?” Grey blinked and turned his head. He was standing in the drive with Archer and the others watching him expectantly. Archer shook his head, clearly exasperated. “Are we going inside, Your Grace, or shall we conduct our business on the street for all Mayfair to witness?” “Inside,” he mumbled. Could he be any more of an idiot? He walked toward the door, the others falling into step behind him. Archer took Bronte’s arm and led their pale, scared-looking sister into the house. Grey hadn’t had much of a chance to talk to her, to let her know that everything would be fine. She probably thought he was going to rant and rave and tell her she could never see Alexander again. Truth be told, ranting and raving was tempting. And a little fear was a small price to pay for what she’d put him through-and for thinking so ill of him to begin with. When had he ever given her reason to think him a monster?

Realizing that the footman was still glowering at him, Ian looked down at the short man and said, “Your mistress is expecting me. Tell her I’ve arrived.” “I’m here, Aaron,” Elizabeth’s voice said softly, and Ian turned. One look at her and Ian forgot the footman, the state of the house, and any knowledge of architecture he’d ever possessed. Garbed in a simple gown of sky-blue gauze, with her hair twisted into thick curls bound with narrow blue ribbons, Elizabeth was standing in the hall with the poise of a Grecian goddess and the smile of an angel. “What do you think?” she asked expectantly. “About what?” he asked huskily, walking forward, forcing his hands not to reach out for her. “About Havenhurst?” she asked with quiet pride. Ian thought it was rather small and in desperate need of repair, not to mention furnishings. In fact, he had an impulse to drag her into his arms and beg her forgiveness for all he’d cost her. Knowing such a thing would shame and hurt her, he smiled and said truthfully, “What I’ve seen is very picturesque.” “Would you like to see the rest?” “Very much,” he exaggerated, and it was worth it to see her face light up. “Where are the Townsendes?” he asked as they started up the staircase. “I didn’t see a carriage in the drive.” “They haven’t arrived yet.” Ian correctly supposed that was Jordan’s doing and made a mental note to thank his friend.

You look lovely tonight, my lady,” Kellan said for her ears alone as he took her into his arms-not too close, of course. His flattery pleased her but did not discompose her as Grey’s did. Rose smiled sincerely in response. “Thank you, sir. Might I say that you are in very fine looks as well.” “You always know exactly the right thing to say to woo me, Lady Rose.” He grinned as they moved through a turn. “Have a care, else you’re likely to break my heart.” “If it is so easily broken, perhaps you should hold it a little more dear,” she advised archly. He winced, but it was apparent that he had taken the remark with the humor she intended. “She mocks me.” “You are mistaken, sir. I am merely thinking of your best interests.” They shared a smile and were silent for a turn. “I am surprised that Ryeton allowed you to come tonight.” Rose raised a brow. “The duke does not dictate where I can and cannot go.” Grey might be her benefactor, but he was not her guardian. “That is good to hear,” Kellan replied, ignoring the edge to her tone. “So he cannot prevent you from taking a drive in Hyde Park with me tomorrow afternoon.” She chuckled. “No, I suppose not. But first, you might want to ask me if I care to take a drive with you.” “Do you?” She did. Did that make her awful? Just a few minutes ago she’d been missing Grey and thinking about how much she cared for him, and now here she was flirting with Kellan and fluttering over the prospect of going for a carriage ride. It wasn’t fickleness, she told herself. It was practicality. She was doing what she was supposed to do. Kellan had yet to lay any claim to her feelings or her heart, but she owed him the opportunity to try. She would never get over Grey and find love if she didn’t try as well. And it wouldn’t hurt Grey to see another man take interest in her. Perhaps a little jealousy would do him good.

No, I wouldn’t, for the smart caps won’t match the plain gowns without any trimming on them. Poor folks shouldn’t rig,” said Jo decidedly. “I wonder if I shall ever be happy enough to have real lace on my clothes and bows on my caps?” said Meg impatiently. “You said the other day that you’d be perfectly happy if you could only go to Annie Moffat’s,” observed Beth in her quiet way. “So I did! Well, I am happy, and I won’t fret, but it does seem as if the more one gets the more one wants, doesn’t it? There now, the trays are ready, and everything in but my ball dress, which I shall leave for Mother to pack,” said Meg, cheering up, as she glanced from the half-filled trunk to the many times pressed and mended white tarlaton, which she called her ‘ball dress’ with an important air. The next day was fine, and Meg departed in style for a fortnight of novelty and pleasure. Mrs. March had consented to the visit rather reluctantly, fearing that Margaret would come back more discontented than she went. But she begged so hard, and Sallie had promised to take good care of her, and a little pleasure seemed so delightful after a winter of irksome work that the mother yielded, and the daughter went to take her first taste of fashionable life. The Moffats were very fashionable, and simple Meg was rather daunted, at first, by the splendor of the house and the elegance of its occupants. But they were kindly people, in spite of the frivolous life they led, and soon put their guest at her ease. Perhaps Meg felt, without understanding why, that they were not particularly cultivated or intelligent people, and that all their gilding could not quite conceal the ordinary material of which they were made. It certainly was agreeable to fare sumptuously, drive in a fine carriage, wear her best frock every day, and do nothing but enjoy herself. It suited her exactly, and soon she began to imitate the manners and conversation of those about her, to put on little airs and graces,

It’s just a devilish odd coincidence. I shared a boat – and a carriage – with Balcourt’s sister and cousin." "I didn’t realise he had a sister." "Well, he does." Richard abruptly pushed away his empty bowl. "What a great stroke of luck! Could you use the acquaintance with the sister to discover more about Balcourt’s activities?" "That," Richard said grimly, "is not an option." Geoff eyed him quizzically. "I realise that any sister of Balcourt’s is most likely repugnant at best, but you don’t need to propose to the girl. Just flirt with her a bit. Take her for a drive, call on her at home, use her as an entrée into the house. You’ve done it before." "Miss Balcourt is not repugnant." Richard twisted in his chair, and stared at the door. "What the devil is keeping supper?" Geoff leant across the table. "Well, if she’s not repugnant, then-what’s the – ah." "Ah? Ah? What the deuce do you mean by ‘ah’? Of all the nonsensical…" "You" – Geoff pointed at him with fiendish glee – "are unsettled not because you find her repugnant, but because you find her not repugnant." Richard was about to deliver a baleful look in lieu of a response, when he was saved by the arrival of the footman bearing a large platter of something covered with sauce. Richard leant forward and speared what looked like it might once have been part of a chicken, as the footman whisked off with his soup dish. "Have some," Richard suggested to Geoff, ever so subtly diverting the conversation to culinary appreciation. "Thank you." Undiverted, Geoff continued, "Tell me about your Miss Balcourt." "Leaving aside the fact that she is by no means my Miss Balcourt" – Richard ignored the sardonic stare coming from across the table – "the girl is as complete an opposite to her brother as you can imagine. She was raised in England, somewhere out in the countryside. She’s read Homer in the original Greek—" "This is serious," murmured Geoff. "Is she comely?" "Comely?" "You know, nice hair, nice eyes, nice…" Geoff made a gesture that Richard would have expected more readily from Miles.

It is foolish to be in thrall to fame and fortune, engaged in painful striving all your life with never a moment of peace and tranquillity. Great wealth will drive you to neglect your own well-being in pursuit of it. It is asking for harm and tempting trouble. Though you leave behind at your death a mountain of gold high enough to prop up the North Star itself, it will only cause problems for those who come after you. Nor is there any point in all those pleasures that delight the eyes of fools. Big carriages, fat horses, glittering gold and jewels – any man of sensibility would view such things as gross stupidity. Toss your gold away in the mountains; hurl your jewels into the deep. Only a complete fool is led astray by avarice. Everyone would like to leave their name unburied for posterity – but the high-born and exalted are not necessarily fine people, surely. A dull, stupid person can be born into a good house, attain high status thanks to opportunity and live in the height of luxury, while many wonderfully wise and saintly men choose to remain in lowly positions, and end their days without ever having met with good fortune. A fierce craving for high status and position is next in folly to the lust for fortune. We long to leave a name for our exceptional wisdom and sensibility – but when you really think about it, desire for a good reputation is merely revelling in the praise of others. Neither those who praise us nor those who denigrate will remain in the world for long, and others who hear their opinions will be gone in short order as well. Just who should we feel ashamed before, then? Whose is the recognition we should crave? Fame in fact attracts abuse and slander. No, there is nothing to be gained from leaving a lasting name. The lust for fame is the third folly. Let me now say a few words, however, to those who dedicate themselves to the search for knowledge and the desire for understanding. Knowledge leads to deception; talent and ability only serve to increase earthly desires. Knowledge acquired by listening to others or through study is not true knowledge. So what then should we call knowledge? Right and wrong are simply part of a single continuum. What should we call good? One who is truly wise has no knowledge or virtue, nor honour nor fame. Who then will know of him, and speak of him to others? This is not because he hides his virtue and pretends foolishness – he is beyond all distinctions such as wise and foolish, gain and loss. I have been speaking of what it is to cling to one’s delusions and seek after fame and fortune. All things of this phenomenal world are mere illusion. They are worth neither discussing nor desiring.

In the near distance he could hear the trundling sound of carriage wheels starting down the gravel drive.

CHAPTER I. LADIES IN LAW COLLEGES. A law-student of the present day finds it difficult to realize the brightness and domestic decency which characterized the Inns of Court in the sixteenth, seventeenth, and eighteenth centuries. Under existing circumstances, women of character and social position avoid the gardens and terraces of Gray's Inn and the Temple. Attended by men, or protected by circumstances that guard them from impertinence and scandal, gentlewomen can without discomfort pass and repass the walls of our legal colleges; but in most cases a lady enters them under conditions that announce even to casual passers the object of her visit. In her carriage, during the later hours of the day, a barrister's wife may drive down the Middle Temple Lane, or through the gate of Lincoln's Inn, and wait in King's Bench Walk or New Square,

One day in 1885, the twenty-three-year old Henry Ford got his first look at the gas-powered engine, and it was instant love. Ford had apprenticed as a machinist and had worked on every conceivable device, but nothing could compare to his fascination with this new type of engine, one that created its own power. He envisioned a whole new kind of horseless carriage that would revolutionize transportation. He made it his Life’s Task to be the pioneer in developing such an automobile. Working the night shift at the Edison Illuminating Company as an engineer, during the day he would tinker with the new internal-combustion engine he was developing. He built a workshop in a shed behind his home and started constructing the engine from pieces of scrap metal he salvaged from anywhere he could find them. By 1896, working with friends who helped him build a carriage, he completed his first prototype, which he called the Quadricycle, and debuted it on the streets of Detroit. At the time there were many others working on automobiles with gas-powered engines. It was a ruthlessly competitive environment in which new companies died by the day. Ford’s Quadricycle looked nice and ran well, but it was too small and incomplete for large-scale production. And so he began work on a second automobile, thinking ahead to the production end of the process. A year later he completed it, and it was a marvel of design. Everything was geared toward simplicity and compactness. It was easy to drive and maintain. All that he needed was financial backing and sufficient capital to mass-produce it. To manufacture automobiles in the late 1890s was a daunting venture. It required a tremendous amount of capital and a complex business structure, considering all of the parts that went into production. Ford quickly found the perfect backer: William H. Murphy, one of the most prominent businessmen in Detroit. The new company was dubbed the Detroit Automobile Company, and all who were involved had high hopes. But problems soon arose. The car Ford had designed as a prototype needed to be reworked—the parts came from different places; some of them were deficient and far too heavy for his liking. He kept trying to refine the design to come closer to his ideal. But it was taking far too long, and Murphy and the stockholders were getting restless. In 1901, a year and a half after it had started operation, the board of directors dissolved the company. They had lost faith in Henry Ford.

Under the Empress Elizabeth, who abolished the death penalty for most offences in 1753, the crimes for which a man could be exiled to Siberia included fortune-telling, vagrancy, 'begging with false distress', prizefighting, wife-beating, illicit tree-felling, 'recklessly driving a cart without use of reins' and for a brief puritanical period in the 1750s, even taking snuff. Until the mid-eighteenth century, these exiles were always branded, usually on the face or right hand, to prevent them ever making their way back to the world. The convicts would spend up to two years shuffling in columns to their exile along the great Siberian trunk road known as the Trakt. The jingle of their chains and the ritual cries of “Fathers, have pity on us!” as the condemned men held out their caps for food was, for all travellers, who passed them in their high-wheeled carriages, the sound of Siberia. By tradition at Tobolsk, 1100 miles from Moscow, the prisoners’ leg irons were removed – a mercy, but also a sign that they had gone too far into the wilderness for escape to be survivable.

The days that followed were what Matthew would remember for the rest of his life as a week of unholy torture. He had been to hell and back at a much earlier time in his life, having known physical pain, deprivation, near-starvation, and bone-chilling fear. But none of those discomforts came close to the agony of standing by and watching Daisy Bowman being courted by Lord Llandrindon. It seemed the seeds he had sown in Llandrindon’s mind about Daisy’s charms had successfully taken root. Llandrindon was at Daisy’s side constantly, chatting, flirting, letting his gaze travel over her with offensive familiarity. And Daisy was similarly absorbed, hanging on his every word, dropping whatever she happened to be doing as soon as Llandrindon appeared. On Monday they went out for a private picnic. On Tuesday they went for a carriage drive. On Wednesday they went to pick bluebells. On Thursday they fished at the lake, returning with damp clothes and sun-glazed complexions, laughing together at a joke they didn’t share with anyone else. On Friday they danced together at an impromptu musical evening, looking so well matched that one of the guests remarked it was a pleasure to watch them. On Saturday Matthew woke up wanting to murder someone.

Everybody has their taste in noises as well as in other matters; and sounds are quite innoxious, or most distressing, by their sort rather than their quantity. When Lady Russell not long afterwards, was entering Bath on a wet afternoon, and driving through the lng course of streets from the Old Bridge to Camden Place, amidst the dash of other carriages, the heavy rumble of carts and drays, the bawling of newsmen, muffin-men and milkmen, and the ceaseless clink of pattens, she made no complaint. No, these were noises which belonged to the winter pleasures; her spirits rose under their influence; and like Mrs Musgrove, she was feeling, though not saying, that after being long in the country, nothing could be so good for her as a little quiet cheerfulness.

The decision was presented in stark terms: ‘If you come they’ll be safe; if not, they’ll all be hanged’.7 O’Connell accepted the retainer. That day he set out for Cork, choosing to drive a gig, a light carriage with one horse. The road was bad and he was forced to stop for rest in Macroom for a few hours, before continuing his journey overnight. He arrived in Cork at ten o’clock in the morning.

You’ll be taken up to the palace in chains if you’re caught driving a carriage, and if you go walking alone you might end up in a far worse situation.

Phineas Gage is a railroad worker who was impaled through the skull by a pipe. Despite losing an eye, he went on to drive carriages in Chile and died 11 years after the injury.

Reengineering consultants like to tell the story of how, in the seventeenth century, cows roamed around Boston Common and the neighboring areas. Over time, these cow paths became well-worn, and as shops and homes were constructed, people used the same paths for their carts and carriages. Eventually cobblestones were installed, and by the twentieth century most of the paths had been paved over with asphalt, with no more cows to be seen. As anyone who’s tried to drive in Boston can appreciate, having traffic flow designed by cows may not be the best way to lay out a modern city.

I mean that it's like the way you feel about things,' she explained, 'when you hear the rain outside, while you're reading a book. You know what I mean? Oh, I can't put it into words! When you get a sudden feeling of life going on outside ... far away from where you sit ... over wide tracts of country ... as if you were driving in a carriage and all the things you passed were ... life itself ... parapets of bridges, with dead leaves blowing over them ... trees at crossroads ... park-railings ... lamp-lights on ponds ... I don't mean of course,' she went on, 'that philosophy is the same as life ... but—Oh! Can't you see what I mean?

Blockbusters’ tactics included hiring African American women to push carriages with their babies through white neighborhoods, hiring African American men to drive cars with radios blasting through white neighborhoods, paying African American men to accompany agents knocking on doors to see if homes were for sale, or making random telephone calls to residents of white neighborhoods and asking to speak to someone with a stereotypically African American name like “Johnnie Mae.” Speculators also took out real estate advertisements in African American newspapers, even if the featured properties were not for sale. The ads’ purpose was to attract potential African American buyers to walk around white areas that were targeted for blockbusting

Lo, beyond the River Blapp The Carriage comes, the Carriage Black By shadowed steed with shadowed tack And shadowed driver driving Child, pray the Maker let you sleep When comes the Carriage down your street Lest all your dreams be dreams of teeth And Carriages arriving To wrest you from your berth and bower In deepest night and darkest hour Across the sea to frozen tower

Driveway was formed with the verb to drive in the late 1800s. This was before the automobile, and drive was something you did with a carriage or team of animals. A driveway might also be called a carriageway, horseway, or cartway. At the time, no one would have thought of its primary purpose as a place to park anything. Its purpose was to provide room for vehicles to move, not stand still. That’s what a barn or carriage house was for. It wasn’t until later, with the development of private home driveways leading from the street to a house or garage and the spread of automobiles, that it became standard to park in a driveway.

Indeed, it was perhaps the most iconic scene from any novel of its day, immortalised in engravings and artworks from the period and later. Werther, as Geothe’s narrator, describes the moment of desire in the first person: "I walked across the court to a well-built house, and, ascending the flight of steps in front, opened the door, and saw before me the most charming spectacle I had ever witnessed. Six children, from eleven to two years old, were running about the hall, and surrounding a lady of middle height, with a lovely figure, dressed in a robe of simple white, trimmed with pink ribbons. She was holding a rye loaf in her hand and was cutting slices for the little ones all around, in proportion to their age and appetite. She performed her task in a graceful and affec-tionate manner; each claimant awaiting his turn with outstretched hands, and boisterously shouting his thanks. Some of them ran away at once, to enjoy their evening meal; whilst others, of a gentler disposition, retired to the courtyard to see the strangers, and to survey the carriage in which their Charlotte was to drive away." The focus here is not on Lotte herself, of whom we learn only that she is ‘a lady of middle height, with a lovely figure, dressed in a robe of simple white’. Instead, for Werther what is important is what Barthes would call ‘the arrangements of objects’: Lotte’s relation to the children, the rye loaf, and the knife, all appear as scene-setting props which make desire possible. Lotte emerges from amidst these objects and Werther is ‘initiated’ as ‘the scene’ (described by Werther as the ‘most charming spectacle’) ‘consecrates the object [he is] going to love.’ It is that scene, that arrangement of objects, which makes desire – even love – possible. The technologies of our space, place and time set the scene for love to appear – make the emergence of desire possible. We don’t fall in love with an object in isolation but with how it appears in a curate scene determined by a variety of technologies. The Tinder profile card could hardly be a more perfect example from today.

The other traffic issue concerned the park’s users. Vaux and Olmsted came up with three categories of roadway that they simply called the “Walk” (for pedestrians), the “Ride” (for horseback riding), and the “Drive” (for carriages). All together, there are today about seventy miles of Walk, Ride, and Drive wending through the park. In the master plan, none of these paths ever touched. If the Drive crossed the Walk, a bridge was constructed to pass pedestrian traffic below the carriages. Similarly, the Ride was kept separate from the other paths so that horseback riders would never have to rear up suddenly when confronted with an obstacle.

You decide to stop using the word “anachronism” when a seventeenth-century carriage drives through the gates of Buckingham Palace carrying twentieth-century Russian or African diplomats to be welcomed by a queen. “Anachronism” implies something long dead, and nothing is dead here. History, as they say, is alive and well and living in London.

I thought you didn't know how to drive a carriage," she [Elisabeth] shouted over the pounding of hooves. "Nonsense," Nathaniel shouted back. "I'm a fast learner when properly motivated.

brain, as men did. Cassandra was, of course, Florence Nightingale. She wrote: Why have women passion, intellect, moral activity, and a place in society where no one of the three can be exercised?…Now, why is it more ridiculous for a man than for a woman to do worsted work and drive out every day in the carriage? Why should we laugh if we were to see a panel of men sitting around a drawing room table in the morning, and think it all right if they were women? Is man’s time more valuable than women’s?…Women

Are you certain you’re unharmed?” he asked as the carriage surged into motion. “My nerves are a little rattled, as can be expected, but other than that, I’m fine.” She caught his eye. “I’m incredibly grateful that you and everyone else worked so hard to find me, and were able to rid me of Silas once and for all.” A smile tugged at her lips. “I’m sure after a few weeks have passed, or . . . maybe a few years, when it’s not so very fresh to me, I’ll be able to laugh about it and tell people I was able to participate in my very own gothic-style story, quite like one our favorite author, Mr. Grimstone, might pen.” The mention of Mr. Grimstone had him leaning forward. “We have much to discuss.” Lucetta immediately took to looking wary. “Why do I have the feeling we’re no longer talking about me and . . . my abduction?” “Because we need to talk about us, and talk about where we go from here before we get back to Abigail’s house and everyone distracts us.” Lucetta’s wariness immediately increased. “I’m not certain there’s any need for that, Bram. The danger to me has passed, which means I’m free to return to the theater, and . . . you and I are free to go on our merry ways—and our separate merry ways, at that.” Bram settled back against the carriage seat. “I never took you for a coward, Lucetta.” Temper flashed in her eyes. “I’m not a coward.” “Then why aren’t you willing to at least see where whatever this is between us leads?” “There’s nothing between us.” “Your lips said differently a few days ago, and . . . you enjoy my company—you can’t deny that.” “Perhaps I do enjoy your company, but we’ll leave my lips out of further discussion, if you please. The truth of the matter is that I don’t trust you, I don’t like secrets, which you’re obviously keeping, and . . . I have no desire to become attached to a gentleman who spends time in a dungeon, of all places, and has a mausoleum marking the entrance to his drive.” “Ah, well, yes, but you see, those are some of the things I’d like to discuss with you.” He sent her what he hoped was a most charming smile, but one that only had her arching a brow his way again. Clearing his throat, he sat forward. “To continue, I have to admit that I’ve thought out my explanation regarding all of the things I need to explain in a certain order. So . . . if you’ll humor me, I wrote down a list, and . . .” Digging a hand into his jacket pocket, he pulled out the list and read it through, nodding before he lifted his head. “First, I need to say that—” he blew out a breath—“I’ve bungled practically everything with you so far, starting when I almost drowned you in the moat, er . . . twice.” “You won’t get an argument from me on that.” “I neglected to warn you about my goat.” Her lips twitched right at the corners. “That might be being a little hard on yourself, Bram. You couldn’t have known someone would turn Geoffrey loose on me up in the tower room.” “True, but I should have mentioned that I owned a goat with a curious dislike for ladies in skirts.” “I don’t believe Geoffrey is really at the root of the issues I have with you and Ravenwood, Bram.” He caught her eye and nodded. “I’m at the root of your issues, Lucetta—me and all of my secrets—which is why . . .” He consulted his notes again before he lifted his head. “I’m going to tell you everything, and then . . . ” He glanced one last time at his notes before he looked her way. “After you hear me out, I’d greatly appreciate it if you’d consider allowing me to . . . court you.” “Court me?” She began inching toward the carriage door, which was rather disturbing considering the carriage was traveling at a fast clip down the road. Stiffening his resolve, and ignoring the disbelief in her eyes, he nodded. “It would be my greatest honor to court you, especially since I should have asked to court you before I kissed you, and certainly before I offered to marry you . . . twice.” “You

Of all ridiculous things, it seems to me what is most ridiculous is to be busy in this world, to be a man who hastens to his food and hastens to his work. That is why, when at some critical moment I see a fly land on the nose of one of these businessmen, or he gets soaked by some carriage driving by in even greater haste than his own, or he has to wait while the river bridge goes up in front of him, or a tile falls from the roof and kills him, I laugh heartily. Who, after all, could fail to laugh? What is it, actually, that they achieve, these furiously busy people? Is there any difference between them and the woman who, in her confusion when a fire broke out in the house, salvaged the fire-tongs? Do they really salvage anything more from the great conflagration of life? (Either/Or, 1843) Kierkegaard

I’m sorry I turned this evening into such a disaster.” “Hey, stop trying to usurp all the credit. We all did our part to make this evening as uncomfortable as possible.” He smiled, but it was another sad effort. I pulled his head down and kissed his cheek to show him that all—all—was forgiven. “I mean it, Taro. None of us can be proud of our behavior tonight. Don’t be thinking you deserve special punishment. And don’t be too wild tonight. All right? Take care.” He looked down at me curiously, but I could see he was relaxing a little. The lines of tension about his form were easing slightly. I wasn’t sure why, but it was good to see. “Lee, what do you think I do when I’m not with you?” And he grinned, something closer to his usual self. I could have hugged him. “I don’t think about it,” I said. Major lie. “I don’t participate in orgies, you know.” “Of course not.” Actually, that was a shocker. I would have bet money that he did. Though, really, I didn’t tend to think about it. Much. But what was the point of being the Stallion if you didn’t indulge in indiscriminate sex? “I don’t smoke drugs.” “I never thought for a moment that you did.” And that was the honest truth. “I don’t get smashed and hijack public carriages and get . . . smashed.” Hell, I never even considered that possibility. People did that? That explained some of the driving I had seen. Was that legal? He chuckled, the evil bastard. “Take a look in the mirror, gorgeous.” “Huh?” “Have a good evening, darling. Pass my apologies on to your mother.” With a wink and a graceful turn he grabbed up his cloak and was out the door. I pulled in a long breath and blew it out again. What a hellish evening. Should have known that would happen when it turned out I needed so much work to be considered acceptable. Anything you couldn’t do as yourself was likely to blow up in your face.

The large oak door to the house opened, and Alex looked up to see her father, silhouetted by the bright lights of the entryway. He looked nothing like a duke—without an overcoat or a waistcoat, without a cravat. His shirt was tucked into his buckskin breeches, but his sleeves were rolled up on his bronzed arms, and Alex chuckled to think of what London’s aristocracy would think to see him, one of the most powerful men in England, wandering about dressed like a “savage.” A flash of white appeared as he grinned down at the group on the drive. He called back into the house, “My word! It appears someone’s left a group of orphans at the door!” The four women laughed at his silly jest as he came bounding down the steps, taking Alex into his arms for a warm hug and a kiss on the forehead, and welcoming Vivi and Ella in turn. He then turned to help the duchess down from the carriage. When her feet touched the ground, she looked up at her husband and said, “Rather too old to be an orphan, I think.” Wrapping his arms around her, the duke replied lovingly, “Nonsense. You grow younger with each day,” and kissed her soundly on the mouth. Vivi and Ella turned away, blushing and leaving Alex shaking her head and teasing, “Your behavior really is too uncivilized. Shouldn’t you be setting a better example for the next generation?” “It looks like an excellent example to me.” The words sent a tingle up Alex’s spine as she recognized the warm, friendly voice. She turned to find Blackmoor, clad as casually as her father, coming down the steps to greet them. In the darkness, she couldn’t be sure, but he seemed to be looking straight at her. Her stomach turned over as she watched him approach, and she blushed deeply to think that he was discussing her parents’ actions so openly. “You could have this yourself, Gavin, if you would only take a wife!” her mother pointed out, kissing him on both cheeks in welcome. Vivi

How long do you intend for us to wait? Obviously you’re not perfect, but--” “‘Not perfect’ is having a bald spot or pockmarks. My problems are a bit more significant than that.” Beatrix answered in an anxious tumble of words. “I come from a family of flawed people who marry other flawed people. Every one of us has taken a chance on love.” ‘I love you too much to risk your safety.” “Love me even more, then,” she begged. “Enough to marry me no matter what the obstacles are.” Christopher scowled. “Don’t you think it would be easier for me to take what I want, regardless of the consequences? I want to hold you every night. I want to make love to you so badly I can’t even breathe. But I won’t allow any harm to come to you, especially from my hands.” “You wouldn’t hurt me. Your instincts wouldn’t let you.” “My instincts are those of a madman.” Beatrix wrapped her arms around her bent knees. “You’re willing to accept my problems,” she said dolefully, “but you won’t allow me to accept yours.” She buried her face in her arms. “You don’t trust me.” “You know that’s not the issue. I don’t trust myself.” In her volatile state, it was difficult not to cry. The situation was so vastly unfair. Maddening. “Beatrix.” Christopher knelt beside her, drawing her against him. She stiffened. “Let me hold you,” he said near her ear. “If we don’t marry, when will I see you?” she asked miserably. “On chaperoned visits? Carriage drives? Stolen moments?” Christopher smoothed her hair and stared into her swimming eyes. “It’s more than we’ve had until now.” “It’s not enough.” Beatrix wrapped her arms around him. “I’m not afraid of you.” Gripping the back of his shirt, she gave it a little shake for emphasis. “I want you, and you say you want me, and the only thing standing in our way is you. Don’t tell me that you survived all those battles, and suffered through so much, merely to come home for this--” He laid his fingers against her mouth. “Quiet. Let me think.” “What is there to--” “Beatrix,” he warned.

Instead of the carriage Beatrix had expected, there was a single horse on the drive, Christopher’s large bay gelding. Beatrix turned to give him a questioning look. “Don’t I get a horse? A pony cart? Or am I to trot along behind you?” His lips twitched. “We’ll ride together. If you’re willing. I have a surprise for you.” “How unconventional of you.” “Yes, I thought that would please you.” He helped her to mount the horse, and swung up easily behind her. No matter what the surprise was, Beatrix thought as she leaned back into his cradling arms, this moment was bliss. She savored the feel of him, all his strength around her, his body adjusting easily to every movement of the horse. He bade her to close her eyes as they went into the forest. Beatrix relaxed against his chest. The forest air turned sweeter as it cooled, infused with scents of resin and dark earth. “Where are we going?” she asked against his coat. “We’re almost there. Don’t look.” Soon Christopher reined in the horse and dismounted, helping her down. Viewing their surroundings, Beatrix smiled in perplexity. It was the secret house on Lord Westcliff’s estate. Light glowed through the open windows. “Why are we here?” “Go upstairs and see,” Christopher said, and went to tether the horse. Picking up the skirts of her blue dress, Beatrix ascended the circular staircase, which had been lit with strategically placed lamps in the wall brackets where ancient torches had once hung. Reaching the circular room upstairs, Beatrix crossed the threshold. The room had been transformed.

Have you no sense?" he snarled. "I tell you that you are 'in danger' and to stay inside the abbey, and that causes you to go tripping about the countryside?" She tried to step back. "I merely-" "No." He yanked her into his chest, his face within inches of hers, his breath hot on her lips. "No explanations, no excuses. I've had enough of your carelessness, madam." Her eyes widened and for a second she was almost afraid. Something in Raphael's face twisted and changed. "What you do to me-" He slammed his mouth onto hers, forcing her lips apart and thrusting in his tongue. She mewled helplessly as he bent her back over his arm. Her senses were filled with the taste of coffee and the scent of cloves and she couldn't think. He lifted his mouth from hers so abruptly she could only stare up at him, dazed. Then she heard the sounds of wheels on gravel. A carriage jolted down the drive at a fast clip and halted in front of the house. Raphael swung her to the side and partially behind him, his grip on her arm still firm.

God.' She'd tasted of oranges and honey and he'd felt her shake beneath his hands. He'd wanted to strip her right there in the carriage with his men riding outside. She was driving him mad. He couldn't look at her anymore without feeling the pull. And yet he could not send her away- everything inside him rebelled at the thought. She had to stay with him so that he could protect her. So that she could illuminate his darkness just a little.

To be clear, it wasn’t necessarily the rewards themselves that dampened the children’s interest. Remember: When children didn’t expect a reward, receiving one had little impact on their intrinsic motivation. Only contingent rewards—if you do this, then you’ll get that—had the negative effect. Why? “If-then” rewards require people to forfeit some of their autonomy. Like the gentlemen driving carriages for money instead of fun, they’re no longer fully controlling their lives. And that can spring a hole in the bottom of their motivational bucket, draining an activity of its enjoyment.

You have a very fine set of horses, Mr. Addleshaw, although the one with the black star on his nose does tend to shy a little when other carriages approach." "When other carriages approach, or when you're driving on the wrong side of the street?" he countered.

This is how we progress as humans. We went from horseless carriages to self-driving, self-organizing transport in a hundred and fifty years. We went from powered flight to putting a man on the moon in sixty years. We’ve always progressed in leaps and bounds. It is our ability, no, our duty, to do what is efficient, and to do what is best, to evolve not just our vehicles and our cities and our homes, but also the social structures that hold us back

Damn and blast Lucas Denning for needling her, for that’s exactly what he’d done. Eve drew up sharply in the mews and dropped her escort’s arm. “Deene, where are your footmen, where is your driver?” “Probably enjoying a merry pint or two despite the hour of the day.” He started toward the landau while Eve resisted the urge to clobber him with her parasol. When he turned back to her a few paces away, he wore a smile that could only be described as taunting. “Eve Windham, I am competent to drive you the less than two hours it will take to get to The Downs. For that matter, you are competent to drive me as well. You know this team, they’re perfect gentlemen, and it’s a calm day. Get into the carriage.” The gleam in his blue eyes suggested he knew exactly what manner of challenge he’d just posed, both in referring to her driving skill and in ordering her into the carriage. She

A Russian hardly commits any action without the previous ceremony. If he is to serve as coachman, and drive your carriage, his crossing occupies two minutes before he is mounted. When he descends, the same motion is repeated. If a church is in view, you see him at work with his head and hand, as if seized with St Vitus's dance. If he makes any earnest protestation, or enters a room, or goes out, you are entertained with the same manual and capital exercise. When beggars return thanks for alms, the operation lasts a longer time, and then between the crossing, by way of interlude, they generally touch their forehead to the earth.

And proceeded past Trevor Williams, former hunter, seated before the tremendous heap of all the animals he had dispatched in his time: hundreds of deer, thirty-two black bear, three bear cubs, innumerable coons, lynx, foxes, mink, chipmunks, wild turkeys, woodchucks, and cougars; scores of mice and rats, a positive tumble of snakes, hundreds of cows and calves, one pony (carriage-struck), twenty thousand or so insects, each of which he must briefly hold, with loving attention, for a period ranging from several hours to several months, depending on the quality of loving attention he could muster and the state of fear the beast happened to have been in at the time of its passing. Being thus held (the product of time and loving attention and being found sufficient, that is), that particular creature would heave up, then drive or fly or squirm away, diminishing Mr. Williams heap by one.

Christine,” he mumbled between their lips, “we must be married soon.” She couldn’t find the words to answer him. She’d never imagined anyone would ever want to marry her. And now Guy had asked her not once, but twice. And he wanted it to be soon. Surely if anything were a miracle, this was it. She smiled, and the movement caused him to pause and pull back a fraction so that their noses touched. “What?” he asked breathlessly. “You’ve finally made me a believer in miracles.” “I have?” “It’s a miracle that you want to marry me.” “I have witnessed miracles,” he said, letting his fingers linger at the nape of her neck, driving her mad with his caress. “And my desire to marry you is the furthest thing from one. Any man would want you; I’m just glad God brought you to me first.” She leaned in, wanting once more to feel the warmth and closeness of his lips. But he pulled away, his brows creased. “Christine,” he said, “you’re a treasure worth more than anything I’ve ever had or could hope to have. And I want to spend the rest of my life showing you that.” His affirmation was difficult for her to understand. “Perhaps if you tell me often enough, I’ll finally believe you,” she whispered. “Does this mean you’ll agree to marry me?” His eyes overflowed with anticipation of her reply. What reason did she possibly have to say no? Not when she loved him. Yes, she loved him. She raised her chin, hoping he’d claim another kiss. And when he did, she arched into him and met his passion with her own. At the carriage door opening, Guy broke away from her. Neither of them had noticed the vehicle rolling to a stop or the handle rattling. With the rain pattering around him, Ridley stood hunched under an umbrella, his lips twitching against a smile. Once again he’d caught them in a passionate embrace. Guy cleared his throat and shifted on the seat in an attempt to put space between them. Christine slipped her hand over Guy’s and then straightened her shoulders and faced Ridley. “I’m getting married to Reverend Bedell.” Ridley nodded. “Very soon I hope.

Bethany stepped out of the carriage, eyes fixed in rapt wonder at Ellingsworth manor. Gossamer paper lanterns hung from the trees, linking the drive like stars from the heaves. Strains of enchanting music emanated from the house…

How do you think people are going to feel when they find out you’ve deceived them?” he asked. “When they find out you’ve been playing them all for fools for weeks on end?” I didn’t answer until we were safely out in the parking lot. Then I turned to face him. “Gee, I don’t know, Mark. I imagine they’ll be furious and hate me for it. Is that the point you’re trying to make? I get it. Though, for the record, I never wanted to deceive anyone.” “Then why pretend to be dead in the first place?” “I already told you I can’t tell you.” “Then let me tell you something, Calloway--O’Connor--whatever your name is,” Mark said in a furious voice. “I am going to write the tell-all article of your nightmares.” “Gee,” I said. “Now there’s a surprise.” I began to walk quickly through the parking lot in the direction of the street. If I didn’t get away from him soon, I was going to do something completely disgusting, like disgrace myself and cry. “Don’t walk away from me. Where are you going?” Mark said. “To the bus stop.” “What do you mean to the bus stop? Nobody leaves the prom on the bus.” “Now the heck do you think I got here?” I all but shouted, rounding on him as a flood of frustration overcame my desire to cry. “In a carriage that will turn into a pumpkin at midnight?” “Why didn’t Crawford pick you up?” “Because I wasn’t his date,” I said succinctly. “Elaine was. Is.” Mark dragged a hand through his hair. “My car’s right over there,” he said. “I’ll drive you home.” “No way,” I said. “And listen to you tell me what a lying jerk I am all the way across town? I think I’d rather walk.” Before I could take so much as a step back, Mark crossed the distance between us and yanked me into his arms. In the next moment, his mouth crashed down onto mine. Twice before I’d thought he was going to kiss me, but he hadn’t. I guess he must have figured he had nothing to lose now. The kiss was full of frustration, almost as full of frustration as of desire. It was a kiss that begged for mercy, took no prisoners, searched for answers, and made promises it could never keep, all at the same time. In other words, it would have knocked my socks off if I’d been wearing any at the time. It certainly made my knees weak, a thing that probably would have annoyed the hell out of me if it hadn’t been quite so exhilarating. “That’s the last thing I’m ever going to say to you,” Mark said when the kiss was over. In a silence that felt like a blackout at the end of the world, I let him drive me home.

After bidding her family good-bye, Beatrix went out to the front drive with Christopher. He had changed from his uniform, with its gleaming jangle of medals, and wore simple tweed and broadcloth, with a simple white cravat tied at his neck. She much preferred him this way, in rougher, simpler clothing- the splendor of Christopher in military dress was nearly too dazzling to bear. The sun was a rich autumn gold, lowering into the black nest of treetops. Instead of the carriage Beatrix had expected, there was a single horse on the drive, Christopher's large bay gelding. Beatrix turned to give him a questioning look. "Don't I get a horse? A pony cart? Or am I to trot along behind you?" His lips twitched. "We'll ride together, if you're willing. I have a surprise for you." "How unconventional of you." "Yes, I thought that would please you." He helped her to mount the horse, and swung up easily behind her. No matter what the surprise was, Beatrix thought as she leaned back into his cradling arms, this moment was bliss. She savored the feel of him, all his strength around her, his body adjusting easily to every movement of the horse. He bade her to close her eyes as they went into the forest. Beatrix relaxed against his chest. The forest air turned sweeter as it cooled, infused with scents of resin and dark earth.

They also thought to drive away his distemper by harsh and surly carriages to him; sometimes they would deride, sometimes they would chide, and sometimes they would quite neglect him.

Needham has announced that the former lands of Falconwell are to be included in the dowry of his eldest daughter." Shock rocked Bourne back on his heels. "Penelope?" "You know the lady?" "It's been years since I saw her last- nearly twenty of them." Sixteen. She had been there on the day he'd left Surrey for the last time, after his parents' burial, fifteen years old and slipped back to a new world with no family. She'd watched him climb into his carriage, and her serious blue gaze had not wavered in tracking his coach down the long drive away from Falconwell. She hadn't looked away until he had turned onto the main road. He knew because he'd watched her, too. She'd been his friend. When he had still believed in friends.

told them, Worse and worse: he also set to talking to them again; but they began to be hardened. They also thought to drive away his distemper by harsh and surly carriages to him: sometimes they would deride, sometimes they would chide, and sometimes they would quite neglect him. Wherefore he began to retire himself to his chamber, to pray for and pity them, and also to condole his own misery; he would also walk solitarily in the fields, sometimes reading, and sometimes praying: and thus for

Ever the optimist, Rosie," said Ellie wryly. "For myself, I'd as soon be out of the way when Aunt Mabel first hears how things have fallen out." Happiness had overshadowed any such fears during their journey, but now she was aware of a growing nervousness. Forrest apparently sensed it, for he gave her hand an encouraging squeeze. "Come now," he said bracingly as the carriage turned up the drive. "What is the worst she can do? She will no longer have the authority to send you to your room, you know— which, by the bye, will be my chamber now." He waggled his brows suggestively at her, causing her to giggle. "In that case, if she does, I shall obey her with alacrity, my lord," she told her husband with a bewitching smile.

Kathleen.” He made no attempt to hide the lust in his gaze. “If you hold still, I’ll help you with your skirt. But if you run from me, you’re going to be caught.” He took an unsteady breath before adding softly, “And I’ll make you come for me again.” Her eyes turned huge. He took a deliberate step forward. She bolted across the nearest threshold and fled to the carriage room. Devon was at her heels instantly, following her past the workshop with its long carpenter’s benches and tool cupboards. The carriage room smelled pleasantly of sawdust, axle grease, lacquer varnish, and leather polish. It was quiet and shadowy, illuminated only by a row of skylights over massive hinge-strapped doors that could be opened onto the estate’s carriage drive. Kathleen darted through rows of vehicles used for different purposes; carts, wagons, a light brougham, a landau with a folding top, a phaeton, a hooded barouche for summer. Devon circled around and intercepted her beside the family coach, a huge, stately carriage that could only be pulled by six horses. It had been designed as a symbol of power and prestige, with the Ravenel family crest--a trio of black ravens on a white and gold shield--painted on the sides. Halting abruptly, Kathleen stared at him through the semidarkness. Taking the overskirt from her, Devon dropped it to the floor, and pinned her against the side of the carriage. “My riding skirt,” she exclaimed in dismay. “You’ll ruin it.” Devon laughed. “You were never going to wear it anyway.” He began to unbutton her riding jacket, while she sputtered helplessly.

Through the gates, flanked with statues of winged boars, and up the sweeping drive the carriages trundled, swaying dangerously in what was fast becoming a gale.

Now the château was empty except for herself and the butler, who had been instructed by him to see her out of the château and to then escort her wherever she wished to go in the city. [She] had delayed her departure with one excuse or another, as she waited for everyone to leave. There was an unfinished piece of business. She hoped she would encounter no trouble from the butler, who had reported the count's instructions with what she thought was thinly disguised enthusiasm. Whatever his orders, she knew she could bribe him if need be. When she saw the carriage pull away and disappear at the end of the drive, she hurried down the back stairs, carrying a large leather bag. She hesitated, listening for the butler. She heard him in the kitchen. No doubt stealing the wine. She entered the drawing room next to the study and crossed to the wall safe. She fumbled twice, but managed to get it open, and began stuffing its contents into the bag. There were securities and cash and jewelry, and even a few deeds. As she hurried to pack it all in, she felt a glimmer of bitter satisfaction. He might throw her out, but he had not succeeded in stealing everything that belonged to her. There was more than enough in the safe to enable her to leave Paris and avoid poverty. It wasn't what she deserved, but it was something.