Carpet And Flooring Quotes

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As leaves cover the forest floor in a carpet of vibrant rusts, orange and gold, autumn proves that sometimes death too can be a beautiful thing.
Nikita Gill
Well, son, I'll tell you: Life for me ain't been no crystal stair. It's had tacks in it, And splinters, And boards torn up, And places with no carpet on the floor -- Bare. But all the time I'se been a-climbin' on, And reachin' landin's, And turnin' corners, And sometimes goin' in the dark Where there ain't been no light. So boy, don't you turn back. Don't you set down on the steps 'Cause you finds it's kinder hard. Don't you fall now -- For I'se still goin', honey, I'se still climbin', And life for me ain't been no crystal stair.
Langston Hughes
He grinned. "You're jealous." I considered it. "No. But when you stared at that woman like she was made of diamonds, it didn't feel very good." "I stared at her because she smelled strange." "Strange how?" "She smelled like rock dust. Very strong dry smell." Curran put his arms around me. "I love it when you get all fussy and possessive." "I never get fussy and possessive." He grinned, showing his teeth. His face was practically glowing. "So you're cool if I go over and chat her up?" "Sure. Are you cool if I go and chat up that sexy werewolf on the third floor?" He went from casual and funny to deadly serious in half a blink. "What sexy werewolf?" I laughed. Curran's eyes focused. He was concentrating on something. "You're taking a mental inventory of all people working on the third floor, aren't you?" His expression went blank. I'd hit the nail on the head. I slid off him and put my head on his biceps. The shaggy carpet was nice and comfortable under my back. "Is it Jordan?" "I just picked a random floor," I told him. "You're nuts, you know that?" He put his arm around me. "Look who is talking.
Ilona Andrews (Magic Gifts (Kate Daniels, #5.6))
I felt the kindliness of the moss, which is all over everywhere once you get out of the made world. God’s flooring. All the kinds, pillowy, pin-cushiony, shag carpet. Gray sticks of moss with red heads like matchsticks. Some tiny dead part of me woke up to the moss and said, Man. Where you been.
Barbara Kingsolver (Demon Copperhead)
That night at the hotel, in our room with the long empty hall outside and our shoes outside the door, a thick carpet on the floor of the room, outside the windows the rain falling and in the room light and pleasant and cheerful, then the light out and it exciting with smooth sheets and the bed comfortable, feeling that we had come home, feeling no longer alone, waking in the night to find the other one there, and not gone away; all other things were unreal. We slept when we were tired and if we woke the other one woke too so one was not alone. Often a man wishes to be alone and a girl wishes to be alone too and if they love each other they are jealous of that in each other, but I can truly say we never felt that. We could feel alone when we were together, alone against the others ... But we were never lonely and never afraid when we were together. I know that the night is not the same as the day: that all things are different, that the things of the night cannot be explained in the day, because they do not then exist, and the night can be a dreadful time for lonely people once their loneliness has started. But with Catherine there was almost no difference in the night except that it was an even better time. If people bring so much courage to the world the world has to kill them to break them, so of course it kills them. The world breaks every one and afterward many are strong at the broken places. But those that will not break it kills. It kills the very good and the very gentle and the very brave impartially. If you are none of these you can be sure it will kill you too but there will be no special hurry.
Ernest Hemingway (A Farewell to Arms)
Mother to Son Well, son, I'll tell you: Life for me ain't been no crystal stair. It's had tacks in it, And splinters, And boards torn up, And places with no carpet on the floor - Bare. But all the time I'se been a'climbin' on, And reachin' landin's, And turnin' corners, And sometimes goin' in the dark Where there ain't been no light. So boy, don't you turn back. Don't you set down on the steps 'Cause you finds it's kinder hard. Don't you fall now - For I'se still goin', honey, I'se still climbin', And life for me ain't been no crystal stair. - Langston Hughes (112)
Sapphire (Push)
A nook person finds the dog at the party; drinks wine from a mug; sits on the floor and braids carpet tassels only to become self-conscious and unbraid them.
Durga Chew-Bose (Too Much and Not the Mood: Essays)
Where am I?" Magnus croaked. "Nazca." "Oh, so we went on a little trip." "You broke into a man's house," Catarina said. "You stole a carpet and enchanted it to fly. Then you sped off into the night air. We pursued you on foot." "Ah," said Magnus. "You were shouting some things." "What things?" "I prefer not to repeat them," Catarina said. "I also prefer not to remember the time we spent in the desert. It is a mammoth desert, Magnus. Ordinary deserts are quite large. Mammoth deserts are so called because they are larger than ordinary deserts." "Thank you for that interesting and enlightening information," Magnus croaked. "You told us to leave you in the desert, because you planned to start a new life as a cactus," Catarina said, her voice flat. "Then you conjured up tiny needles and threw them at us. With pinpoint accuracy." "Well," he said with dignity. "Considering my highly intoxicated state, you must have been impressed with my aim." "'Impressed' is not the word to use to describe how I felt last night, Magnus." "I thank you for stopping me there," Magnus said. "It was for the best. You are a true friend. No harm done. Let's say no more about it. Could you possibly fetch me - " "Oh, we couldn't stop you," Catarina interrupted. "We tried, but you giggled, leaped onto the carpet, and flew away again. You kept saying that you wanted to go to Moquegua." "What did I do in Moquegua?" "You never got there," Catarina said. "But you were flying about and yelling and trying to, ahem, write messages for us with your carpet in the sky." "We then stopped for a meal," Catarina said. "You were most insistent that we try a local specialty that you called cuy. We actually had a very pleasant meal, even though you were still very drunk." "I'm sure I must have been sobering up at that point," Magnus argued. "Magnus, you were trying to flirt with your own plate." "I'm a very open-minded sort of fellow!" "Ragnor is not," Catarina said. "When he found out that you were feeding us guinea pigs, he hit you over the head with your plate. It broke." "So ended our love," Magnus said. "Ah, well. It would never have worked between me and the plate anyway. I'm sure the food did me good, Catarina, and you were very good to feed me and put me to bed - " Catarina shook her head."You fell down on the floor. Honestly, we thought it best to leave you sleeping on the ground. We thought you would remain there for some time, but we took our eyes off you for one minute, and then you scuttled off. Ragnor claims he saw you making for the carpet, crawling like a huge demented crab.
Cassandra Clare (The Bane Chronicles)
The kitten was six weeks old. It was enchanting, a delicate fairy-tale cat, whose Siamese genes showed in the shape of the face, ears, tail, and the subtle lines of its body. [...] She sat, a tiny thing, in the middle of a yellow carpet, surrounded by five worshipppers, not at all afraid of us. Then she stalked around that floor of the house, inspecting every inch of it, climbed up on to my bed, crept under the fold of a sheet, and was at home.
Doris Lessing (On Cats)
Silence. It flashed from the woodwork and the walls; it smote him with an awful, total power, as if generated by a vast mill. It rose from the floor, up out of the tattered gray wall-to-wall carpeting. It unleashed itself from the broken and semi-broken appliances in the kitchen, the dead machines which hadn’t worked in all the time Isidore had lived here. From the useless pole lamp in the living room it oozed out, meshing with the empty and wordless descent of itself from the fly-specked ceiling. It managed in fact to emerge from every object within his range of vision, as if it—the silence—meant to supplant all things tangible. Hence it assailed not only his ears but his eyes; as he stood by the inert TV set he experienced the silence as visible and, in its own way, alive. Alive! He had often felt its austere approach before; when it came it burst in without subtlety, evidently unable to wait. The silence of the world could not rein back its greed. Not any longer. Not when it had virtually won.
Philip K. Dick (Do Androids Dream of Electric Sheep?)
We were in the autumnlands. Dim as it was, the forest glowed. The golden leaves flashing by blazed like sparks caught in the updraft of a fire. A scarlet carpet unrolled before us, rich and flawless as velvet. Rising from the forest floor, the black, tangled roots breathed a bluish mist that reduced the farthest trees' trunks to ghostly silhouettes, yet left their foliage's luminous hues untouched. Vivid moss speckled the branches like tarnished copper. The crisp spice of pine sap infused the cool air over a musty perfume of dry leaves. A knot swelled in my throat. I couldn't look away. There was too much of it, too fast. I'd never be able to drink it all in...
Margaret Rogerson (An Enchantment of Ravens)
Last night he spent an hour and a half lying on the floor of his room, because he was too tired to complete the journey from his en suite back to his bed. There was the en suite, behind him, and there was the bed, in front of him, both well within view, but somehow it was impossible to move either forward or backward, only downward, onto the floor, until his body was arranged motionless on the carpet. Well, here I am on the floor, he thought. Is life so much worse here than it would be on the bed, or even in a totally different location? No, life is exactly the same. Life is the thing you bring with you inside your own head. I might as well be lying here, breathing the vile dust of the carpet into my lungs, gradually feeling my right arm go numb under the weight of my body, because it’s essentially the same as every other possible experience.
Sally Rooney (Normal People)
Take earth for your own large room and the floor of earth carpeted with sunlight and hung round with silver wind for your dancing place.
May Swenson
Her hair had been going gray as long as he could remember; she bundled it behind in a bun held with hairpins that he frequently found on the floor when he lived boyishly close to the carpet.
John Updike (My Father's Tears and Other Stories)
IN EUROPE, I vomited into small buckets and brushed my teeth repeatedly with chalky British toothpaste. I lay prone on the bathroom floors of several museums, feeling the cold tile underneath my cheek as my brain liquefied and seeped out my ear, bubbling. Migraines left my blood spreading across unfamiliar hotel sheets, dripping on the floors, oozing into carpets, soaking through leftover croissants and Italian lace cookies.
E. Lockhart (We Were Liars)
I confess that if I were in Violet's place, with only a few minutes to open a locked suitcase, instead of on the deck of my friend Bela's yacht, writing this down, I probably would have given up hope. I would have sunk to the floor of the bedroom and pounded my fists against the carpet wondering why in the world life was so unfair and filled with inconveniences.
Lemony Snicket (The Reptile Room (A Series of Unfortunate Events, #2))
A chiropractor is a doctor who performs adjustments on the spine," Rickey told the class before bending Gary backward and "adjusting" him, ripping off the false arm and spraying red hair dye all over the classroom. Gary howled in "pain" and collapsed dramatically on the threadbare school carpet, his legs flailing a bit before hitting the floor with a terrible, final-sounding thunk. That was the first time they were sent to the principal's office together. They had to apologize to their teacher and explain to their classmates that doctor visits were unlikely to result in surprise dismemberments.
Poppy Z. Brite (Liquor (Rickey and G-Man #2))
Beautiful things demand touch. Hence the taped floors at art museums and the roped boundaries between paparazzi and celebrities on red carpets.
Jade Song (Chlorine)
Often, when I have been feeling lonely, when a book as been thrust aside in boredom [...] I have lain back and stared at the shadows on the ceiling, wondering what life is all about [...] and then, suddenly, there is the echo of the swinging door, and across the carpet, walking with the utmost delicacy and precision, stalks Four or Five or Oscar. He sits down on the floor beside me, regarding my long legs, my old jumper, and my floppy arms, with a purely practical interest. Which part of this large male body will form the most appropriate lap? Usually he settles for the chest. Whereupon he springs up and there is a feeling of cold fur [...] and the tip of an icy nose, thrust against my wrist and a positive tattoo of purrs. And I no longer wonder what life is all about.
Beverley Nichols (Cats' A. B. C)
Preparing the manor means removing the disc-lift section, installing railings at a few places. Don’t forget the baby-friendly stairs, even though the newborn won’t use it for another year. Rashad has finished the carpet replacement and floor disinfecting, not that the baby will be crawling anytime soon. Other tasks include removing Meera’s books and crafts, also the sharp objects from up to a height.
Misba (The Oldest Dance (Wisdom Revolution, #2))
I took a breath. Back in that house, on a good day. Stripes of sunshine on the carpet, a board game set out on the floor, a pair of dice, two brightly colored counters. A day with more ladders than snakes.
Gail Honeyman (Eleanor Oliphant Is Completely Fine)
A doorman opened the door for me and I went in. The lobby was not quite as big as the Yankee Stadium. It was floored with a pale blue carpet with sponge rubber underneath. It was so soft it made me want to lie down and roll.
Raymond Chandler (Trouble Is My Business (Philip Marlowe, #8))
If you could imagine the color of anger, it had been splashed over every wall. Rage, something dense and seething, was hanging from every chandelier, resentment woven into thick carpets padding the room, hatred flickering underneath every lampshade. The floor was bathed in a creeping shadow, a particular darkness that had seeped up into the walls.......
Kami Garcia (Beautiful Creatures (Caster Chronicles, #1))
With these surface waters, through a series of delicately adjusted, interlocking relationship, the life of all parts of the sea is linked. What happens to a diatom in the upper, sunlit strata of the sea may well determine what happens to a cod lying on a ledge of some rocky canyon a hundred fathoms below, or to a bed of multicolored, gorgeously plumed seaworms carpeting an underlying shoal. or to a prawn creeping over the soft oozes of the sea floor in the balckness of mile-deep water.
Rachel Carson (The Sea Around Us)
Between Friday evening and Sunday afternoon, I broke into a total of six offices, one penthouse suite and a small bank, and cursed them all. I cursed the stones they were built on, the bricks in their walls, the paint on their ceilings, the carpets on their floors. I cursed the nylon chairs to give their owners little electric shocks, I cursed the markers to squeak on the whiteboard, the hinges to rust, the glass to run, the windows to stick, the fans to whir, the chairs to break, the computers to crash, the papers to crease, the pens to smear; I cursed the pipes to leak, the coolers to drip, the pictures to sag, the phones to crackle and the wires to spark. And we enjoyed it.
Kate Griffin (A Madness of Angels (Matthew Swift, #1))
While people in today’s affluent societies work an average of forty to forty-five hours a week, and people in the developing world work sixty and even eighty hours a week, hunter-gatherers living today in the most inhospitable of habitats – such as the Kalahari Desert – work on average for just thirty-five to forty-five hours a week. They hunt only one day out of three, and gathering takes up just three to six hours daily. In normal times, this is enough to feed the band. It may well be that ancient hunter-gatherers living in zones more fertile than the Kalahari spent even less time obtaining food and raw materials. On top of that, foragers enjoyed a lighter load of household chores. They had no dishes to wash, no carpets to vacuum, no floors to polish, no nappies to change and no bills to pay.
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
TIME WENT ON, life with the children unfolding in its own ecosystem, small plastic toys seeming to grow up from the carpet like mushrooms, clothes falling to the floor like autumn leaves. Every once in a while she would blaze through the house and clean everything--at which point, the process would start all over.
Erica Bauermeister (Joy for Beginners)
Monologue At 3 AM" Better that every fiber crack and fury make head, blood drenching vivid couch, carpet, floor and the snake-figured almanac vouching you are a million green counties from here, than to sit mute, twitching so under prickling stars, with stare, with curse blackening the time goodbyes were said, trains let go, and I, great magnanimous fool, thus wrenched from my one kingdom.
Sylvia Plath (The Collected Poems)
What’s happened?” screamed Mrs. Twit. They stood in the middle of the room, looking up. All the furniture, the big table, the chairs, the sofa, the lamps, the little side tables, the cabinet with bottles of beer in it, the ornaments, the electric heater, the carpet, everything was stuck upside down to the ceiling. The pictures were upside down on the walls. And the floor they were standing on was absolutely bare. What’s more, it had been painted white to look like the ceiling.
Roald Dahl (The Twits)
Niphon, standing with a glass of wine, regarded me with curious amusement as I headed straight for him.Considering I usually avoided him if it all possible, my approach undoubtedly astonished him. But not as much as when I punched him. I didn’t even need to shape-shift much bulk into my fist. I’d caught him by surprise. The wineglass fell out of his hand, hitting the carpet and spilling its contents like blood. The imp flew backward, hitting Peter’s china cabinet with a crash. Niphon slumped to the floor, eyes wide with shock. I kept coming. Kneeling, I grabbed his designer shirt and jerked him toward me. “Stay the fuck out of my life, or I will destroy you,” I hissed. Terror filled his features. “Are you out of your fucking mind? What do you—” Suddenly, the fear disappeared. He started laughing. “He did it, didn’t he? He broke up with you. I didn’t know if he could do it, even after giving him the spiel about how it’d be better for both of you. Oh my. This is lovely. All your so-called charms weren’t enough to—ahh!” I’d pulled him closer to me, digging my nails into him, and finally, I felt an emotion. Fury. Niphon’s role had been greater than I believed. My face was mere inches from his. “Remember when you said I was nothing but a backwoods girl from some gritty fishing village? You were right. And I had to survive in gritty circumstances—in situations you’d never be able to handle. And you know what else? I spent most of my childhood gutting fish and other animals.” I ran a finger down his neck. “I can do it for you too. I could slit you from throat to stomach. I could rip you open, and you’d scream for death. You’d wish you weren’t immortal. And I could do it over and over again.” That wiped the smirk off Niphon’s face.
Richelle Mead (Succubus Dreams (Georgina Kincaid, #3))
The carpeting on the stair risers caught, racing up to the first-floor level as if to tell dreadful good news.
Stephen King (The Shining (The Shining, #1))
red-trunked rhododendron trees looked like so many writhing russet snakes. In some places the forest floor was carpeted crimson with fallen rhododendron petals.
Jane Wilson-Howarth (Chasing the Tiger (Alex and James Wildlife Adventure #2))
Silence. It flashed from the woodwork and the walls; it smote him with an awful, total power, as if generated by a vast mill. It rose from the floor, up out of the tattered gray wall-to-wall carpeting. It unleashed itself from the broken and semi-broken appliances in the kitchen, the dead machines which hadn’t worked in all the time Isidore had lived here. From the useless pole lamp in the living room it oozed out, meshing with the empty and wordless descent of itself from the fly-specked ceiling. It managed in fact to emerge from every object within his range of vision, as if it—the silence—meant to supplant all things tangible.
Philip K. Dick (Do Androids Dream of Electric Sheep?)
Placidity and order and everything in its place, with a decorous and sanctioned violence going on underneath everything, like a heavy, brutal shoe tapping out the rhythm on a carpeted floor.
Margaret Atwood (The Blind Assassin)
It may be that actual tears have stained the tile floors or soaked into the carpets of such places. It may be that these tears can never be removed. And everywhere the odor of melancholy, that is the very odor of memory.
Joyce Carol Oates (A Widow's Story)
Also, the drugs they use to control my pain and mood sometimes make me see things. I guess. I’m still not entirely convinced that I was hallucinating the night the floor of my hospital room transformed into a carpet of writhing snakes.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
Floote shot his other gun. This time the bullet hit the man's chest. The vampire fell backward, crashed into a loaded display cabinet, and landed on the floor, making exactly the same sound a carpet makes when whacked to get the dust out.
Gail Carriger (Blameless (Parasol Protectorate, #3))
The age that had had the confidence and power to smash these lines through its own capital had apparently balked at tweaking God into compliance. Like the Islamic carpets that contain a deliberate flaw, the avenue was disrupted by the Divine.
Will Wiles (Care of Wooden Floors)
Mossflower lay deep in the grip of midwinter beneath a sky of leaden gray that showed tinges of scarlet and orange on the horizon. A cold mantle of snow draped the landscape, covering the flatlands to the west. Snow was everywhere, filling ditches, drifting high against hedgerows, making paths invisible, smoothing the contours of earth in its white embrace. The gaunt, leafless ceiling of Mossflower Wood was penetrated by constant snowfall, which carpeted the sprawling woodland floor, building canopies on evergreen shrubs and bushes. Winter had muted the earth; the muffled stillness was broken only by a traveler’s paws.
Brian Jacques (Mossflower (Prequel to Redwall))
Let me tell you a story about love: There was a place on the floor where they could lie together, on the floor together, backs pressed to the carpet, where they could look out the window together and see only the tops of the trees. They would do this. They would lie on the floor and say things like Now we are in the country! or Oh, what a far away place this is! Then they would stand up and look out the window the way they usually did, the houses reappearing in the window frame. She had a soft voice and strong hands. When she sang she would seem too large for the room and she would play guitar and sing which would make his chest feel huge. Sometimes he would touch her knee and smile. Sometimes she would touch his face and close her eyes.
Richard Siken (War of the Foxes)
Under the banner headline WILLIAMS CHARGED IN SLAYING, the story was very brief. It said that at 3:00 A.M., police had been summoned to Mercer House, where they found Danny Hansford, twenty-one, lying dead on the floor in the study, his blood pouring out onto an oriental carpet. He had been shot in the head and chest. There were two pistols at the scene. Several objects in the house had been broken. Williams had been taken into custody, charged with murder, and held on $25,000 bond. Fifteen minutes later, a friend of Williams had arrived at police headquarters with a paper bag containing 250 one-hundred-dollar bills, and Williams was released. That was all the newspaper said about the shooting. Williams was identified as an antiques dealer, a restorer of historic houses, and a giver of elegant parties at his “showplace” home, which Jacqueline Onassis had visited and offered to buy for $2 million. About Danny Hansford, the paper gave no information other than his age
John Berendt (Midnight in the Garden of Good and Evil)
On our first night in the house, we ripped up every square inch of the new green carpeting and dragged it to the curb. Where the carpet had been, we discovered a pristine oak plank floor that, as best as we could tell, had never suffered the scuff of a single shoe. We painstakingly sanded and varnished it to a high sheen. Then we went out and blew the better part of two week's pay for a handwoven Persian rug, which we unfurled in the living room in front of the fireplace. Over the months, we repainted every green surface and replaced every green accessory. The postal clerk's house was slowly becoming our own. Once we got the joint just right, of course, it only made sense that we bring home a large, four-legged roommate with sharp toenails, large teeth, and exceedingly limited English-language skills to start tearing it apart again.
John Grogan (Marley and Me)
Don’t worry! I’m unhurt!” he yells from somewhere down there on the expensive carpeting. Wes and I lock eyes, our expressions a matching mix of humor and horror. “Blake, you broke the bed,” Wes says with a sigh. “That’s going on your bill, not mine.” “Won’t be the first time,” he says, picking himself up from the floor and straightening his tie. “At least you broke furniture and not my fiancé. We’ve had enough of hospitals.
Sarina Bowen (Us (Him, #2))
They said downstairs the Parnate made me black out. It did a blood pressure thing. My mother heard noises upstairs and found me she said down on my side chewing the rug in my room. My room’s shag-carpeted. She said I was on the floor flushed red and all wet like when I was a newborn; she said she thought at first she hallucinated me as a newborn again. On my side all red and wet.' 'A hypertensive crisis will do that. It means your blood pressure was high enough to have killed you. Sertraline in combination with an MAOI2828 will kill you, in enough quantities. And with the toxicity of that much lithium besides, I'd say you're pretty lucky to be here right now.’ 'My mother sometimes thinks she's hallucinating.’ 'Sertraline, by the way, is the Zoloft you kept instead of discarding as instructed when changing medications.’ 'She says I chewed a big hole out of the carpet. But who can say.
David Foster Wallace (Infinite Jest)
My best room, however, my withdrawing room, always ready for company, on whose carpet the sun rarely fell, was the pine wood behind my house. Thither in summer days, when distinguished guests came, I took them, and a priceless domestic swept the floor and dusted the furniture and kept the things in order.
Henry David Thoreau (Walden)
Max: Okay. One day a little boy is sitting on the floor of his living room, playing with some toy trucks. Voom!He shoots one across the carpet, but it goes too far, to the other side of the sofa. And then miraculously, it shoots right back. Surprised, the little boy peers around the sofa to find a girl around his age with a very attractive bowl cut, building a giant Lego castle. She asks him if he wants to play, before popping one of the Legos in her mouth, informing him that if he's hungry, they are made out of chocolate. And the boy had never felt happy in his whole life. They build the most incredible chocolate castle, with dragons and soldiers and moat made of milk. And then they fell asleep side by side. The boy wakes up in his living room, and even though there is no castle or no little girl, he still feels just as happy. And he knows he will see her again. Alice: Was that me? Max: That was you. The first time we met.
Lucy Keating (Dreamology)
As torturous as it feels to be here in Connor’s private space, it’s probably the closest I’ve ever been to the truth of who he was. Besides the obvious differences between his bedroom and mine—my bed is half the size, my floors are carpeted, and my walls are painted light green—there are some striking similarities.
Val Emmich (Dear Evan Hansen)
Again I waited - oh, but for a brief interval: I presently distinguished an extraordinary shuffling and stamping of feet on the staircase, on the floors, on the carpets; a sound not only of boots and' human shoes, but tapping of crutches, of crutches of wood, and knocking of iron crutches which clanged like cymbals. And behold, I perceived, all at once, on the door sill, an armchair, my large reading chair, which came waddling out. Right into the garden it went, followed by others, the chairs of my drawing room, then the comfortable settee, crawling like crocodiles on their short legs; next, all my chairs bounding like goats,and the small footstools which followed like rabbits. Oh, what a hideous surprise! I stepped back behind the shrubs, where I stayed, crouched and watching this procession of my furniture; for out they all came, one behind the other, quickly or slowly according to their form and weight. My piano - my large grand piano - passed at a canter like a horse, with a faint murmur of music from within; the smallest objects crawled on the gravel like ants - brushes, glasses and cups glistening in the rays of the moon with phosphorescence like glowworms. The curtains, tablecloths and, draperies wriggled along, with their feelers in the puddles like the cuttle-fish in the sea. Suddenly I beheld my pet bureau, a rare specimen of the last century, and which contained all my correspondence, all my love letters, the whole history of my heart, an old history of how much I have suffered! And within, besides, were, above all, certain photographs! ("Who Knows?")
Guy de Maupassant (Ghostly By Gaslight)
I let every grain of sand slip through my fingers As the wind carried them away; Some drops of rain absorbed by the sand, Some dissolved in the sea. I'd go back carrying no traces Of where I'd been, But the sand settled between my fingers, And the grains falling off from my toes. I wouldn't soil the carpet on the floor If only I'd known...
Sanhita Baruah
We took the stairs to the second floor and ran into Dillan Ruddick, the building super. He had a wet vac going, sucking up water from the soggy hall carpet. 'Thanks for saving my apartment,' I said to him. 'No problemo,' Dillan said. 'I've got it down to a science. The alarm goes off and I run straight to your apartment and grab the fire extinguishers.
Janet Evanovich (Top Secret Twenty-One (Stephanie Plum, #21))
Slipping out of his bed, I tiptoe across the carpeted floor toward his bedroom door.
Danielle Jamie (Rapture (Stepbrother, #3))
Hitler was known among his intimates as the carpet-eater, because he often threw himself on the floor in a kicking and screaming fit like an epileptic rage.
Joost A.M. Meerloo (The Rape of the Mind: The Psychology of Thought Control, Menticide, and Brainwashing)
I confess that if I were in Violet’s place, with only a few minutes to open a locked suitcase, instead of on the deck of my friend Bela’s yacht, writing this down, I probably would have given up hope. I would have sunk to the floor of the bedroom and pounded my fists against the carpet wondering why in the world life was so unfair and filled with inconveniences.
Lemony Snicket (The Reptile Room (A Series of Unfortunate Events, #2))
Ready?” she asked. Nina clutched the rope. “To be lowered like a sack of flour into the heart of witchhunter power?” “This was your idea. We can still turn around.” “Do not second-guess the sack of flour. The sack of flour is wise beyond her years.” Hanne rolled her eyes and braced her feet against the edge of the roof, and Nina stepped out into nothing. Hanne released a grunt, but the rope stayed steady. Slowly, she lowered Nina down. The first two windows she tried were locked tight, but the third gave way and she wiggled inside, landing on the carpeted floor with a thud. She was in a stairway. For a moment, she couldn’t orient herself, but she descended another story, and soon she was at the door to Brum’s office. This time, she didn’t have a key. It had been too risky to steal it again, so she would have to pick the lock. It took an embarrassingly long time. She could almost hear Kaz laughing at her. Shut up, Brekker. Talk to me when you’ve done something about that terrible haircut. Maybe he had by now. She hoped so for Inej’s sake.
Leigh Bardugo (Rule of Wolves (King of Scars, #2))
Both Calvin and Hobbes are sitting on a carpet, a "magic carpet." They're riding in the sky, among the clouds. CALVIN: Hey, let's fly into the city and buzz Dad's office. CALVIN: Ha! Won't he be surprised whenhe sees US out his 20th-floor window. HOBBES: What if he's mad that we took the hallway rug? CALVIN: What's to get mad about?" We wiped our feet first. HOBBES: Yeah, but all this city mileage may hurt the resale value.
Bill Watterson
Alex was raised in this house along with his sisters, Katherine and Cecile. Their world was this house, with its mahogany globes the size of cantaloupes on the newel posts of every stairway, with wedding cake plaster on the ceilings, the wainscoting in the parlor and the library, and antique Persian carpets of red and purple and blue and gold on the wide plank floors, rugs knotted by little hands that had long since turned to dust.
Chase Novak (Breed)
With plastic siding that was cracked and fading, the trailer squatted on stacked cinder blocks, a temporary foundation that had somehow become permanent over time. It had a single bedroom and bath, a cramped living area, and a kitchen with barely enough room to house a mini refrigerator. Insulation was almost nonexistent, and humidity had warped the floors over the years, making it seem as if he were always walking on a slant. The linoleum in the kitchen was cracking in the corners, the minimal carpet was threadbare, and he’d furnished the narrow space with items he’d picked up over the years at thrift stores. Not a single photograph adorned the walls.
Nicholas Sparks (The Best of Me)
That which for Vronsky had been almost a whole year the one absorbing desire of his life, replacing all his old desires; that which for Anna had been an impossible, terrible, and even for that reason more entrancing dream of bliss, that desire had been fulfilled. He stood before her, pale, his lower jaw quivering, and besought her to be calm, not knowing how or why. “Anna! Anna!” he said with a choking voice, “Anna, for pity’s sake!…” But the louder he spoke, the lower she dropped her once proud and gay, now shame-stricken head, and she bowed down and sank from the sofa where she was sitting, down on the floor, at his feet; she would have fallen on the carpet if he had not held her. “My God! Forgive me!” she said, sobbing, pressing his hands to her bosom. She felt so sinful, so guilty, that nothing was left her but to humiliate herself and beg forgiveness; and as now there was no one in her life but him, to him she addressed her prayer for forgiveness. Looking at him, she had a physical sense of her humiliation, and she could say nothing more. He felt what a murderer must feel, when he sees the body he has robbed of life. That body, robbed by him of life, was their love, the first stage of their love. There was something awful and revolting in the memory of what had been bought at this fearful price of shame. Shame at their spiritual nakedness crushed her and infected him. But in spite of all the murderer’s horror before the body of his victim, he must hack it to pieces, hide the body, must use what he has gained by his murder.
Leo Tolstoy (Anna Karenina)
We entered the cool cave of the practice space with all the long-haired, goateed boys stoned on clouds of pot and playing with power tools. I tossed my fluffy coat into the hollow of my bass drum and lay on the carpet with my worn newspaper. A shirtless boy came in and told us he had to cut the power for a minute, and I thought about being along in the cool black room with Joey. Let's go smoke, she said, and I grabbed the cigarettes off the amp. She started talking to me about Wonder Woman. I feel like something big is happening, but I don't know what to do about it. With The Straight Girl? I asked in the blankest voice possible. With everything. Back in the sun we walked to the edge of the parking lot where a black Impala convertible sat, rusted and rotting, looking like it just got dredged from a swamp. Rainwater pooling on the floor. We climbed up onto it and sat our butts backward on the edge of the windshield, feet stretched into the front seat. Before she even joined the band, I would think of her each time I passed the car, the little round medallions with the red and black racing flags affixed to the dash. On the rusting Chevy, Joey told me about her date the other night with a girl she used to like who she maybe liked again. How her heart was shut off and it felt pretty good. How she just wanted to play around with this girl and that girl and this girl and I smoked my cigarette and went Uh-Huh. The sun made me feel like a restless country girl even though I'd never been on a farm. I knew what I stood for, even if nobody else did. I knew the piece of me on the inside, truer than all the rest, that never comes out. Doesn't everyone have one? Some kind of grand inner princess waiting to toss her hair down, forever waiting at the tower window. Some jungle animal so noble and fierce you had to crawl on your belly through dangerous grasses to get a glimpse. I gave Joey my cigarette so I could unlace the ratty green laces of my boots, pull them off, tug the linty wool tights off my legs. I stretched them pale over the car, the hair springing like weeds and my big toenail looking cracked and ugly. I knew exactly who I was when the sun came back and the air turned warm. Joey climbed over the hood of the car, dusty black, and said Let's lie down, I love lying in the sun, but there wasn't any sun there. We moved across the street onto the shining white sidewalk and she stretched out, eyes closed. I smoked my cigarette, tossed it into the gutter and lay down beside her. She said she was sick of all the people who thought she felt too much, who wanted her to be calm and contained. Who? I asked. All the flowers, the superheroes. I thought about how she had kissed me the other night, quick and hard, before taking off on a date in her leather chaps, hankies flying, and I sat on the couch and cried at everything she didn't know about how much I liked her, and someone put an arm around me and said, You're feeling things, that's good. Yeah, I said to Joey on the sidewalk, I Feel Like I Could Calm Down Some. Awww, you're perfect. She flipped her hand over and touched my head. Listen, we're barely here at all, I wanted to tell her, rolling over, looking into her face, we're barely here at all and everything goes so fast can't you just kiss me? My eyes were shut and the cars sounded close when they passed. The sun was weak but it baked the grime on my skin and made it smell delicious. A little kid smell. We sat up to pop some candy into our mouths, and then Joey lay her head on my lap, spent from sugar and coffee. Her arm curled back around me and my fingers fell into her slippery hair. On the February sidewalk that felt like spring.
Michelle Tea
When white people envision their perfect home, it always has hardwood floors. In fact, most white people would prefer a dirt floor over wall-to-wall carpeting, because to them it would have the same level of cleanliness and probably fewer germs.
Christian Lander (Stuff White People Like: A Definitive Guide to the Unique Taste of Millions)
Vacuum pumps driven by electric motors are forced into American households for the purpose of cleaning an obsolete form of floor covering, the carpet or the rug, whose appropriateness for use in interiors, if it did not disappear with the caravans where it originated, certainly passed out of existence with rubber heels and steam-heated houses. To count such pathetic examples of waste to the credit of the machine is like counting the rise in the number of constipation remedies a proof of the benefits of leisure.
Lewis Mumford (Technics and Civilization)
And now Snape stood again in the headmaster’s study as Phineas Nigellus came hurrying into his portrait. “Headmaster! They are camping in the Forest of Dean! The Mudblood--” “Do not use that word!” “--the Granger girl, then, mentioned the place as she opened her bag and I heard her!” “Good. Very good!” cried the portrait of Dumbledore behind the headmaster’s chair. “Now, Severus, the sword! Do not forget that it must be taken under conditions of need and valor--and he must not know that you give it! If Voldemort should read Harry’s mind and see you acting for him--” “I know,” said Snape curtly. He approached the portrait of Dumbledore and pulled at its side. It swung forward, revealing a hidden cavity behind it from which he took the sword of Gryffindor. “And you still aren’t going to tell me why it’s so important to give Potter the sword?” said Snape as he swung a traveling cloak over his robes. “No, I don’t think so,” said Dumbledore’s portrait. “He will know what to do with it. And Severus, be very careful, they may not take kindly to your appearance after George Weasley’s mishap--” Snape turned at the door. “Don’t worry, Dumbledore,” he said coolly. “I have a plan…” And Snape left the room. Harry rose up out of the Pensieve, and moments later he lay on the carpeted floor in exactly the same room: Snape might just have closed the door.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
The driver bumped his way through the door and plopped down Caitlyn’s “luggage.” Caitlyn watched Madame Snowe’s eyes go to it, widening as she took it in. Caitlyn’s cheeks heated. Her “luggage” was a Vietnam War-era army green duffel bag, bought for a dollar at a garage sale. Cloud-shaped moisture stains mottled its faded surface, and jagged stitches of black carpet thread sealed a rip on one end, Caitlyn’s clumsy needlework giving the mended hole the look of one of Frankenstein’s scars. “Is that all you brought?” Greta asked. Caitlyn nodded, wishing the floor would swallow her. “Very good. You will have no trouble unpacking, and then you can burn your bag, heh?” “Reduce, reuse, recycle!” Caitlyn said with false cheer. “We’re very big on living green in Oregon. Why buy a new suitcase when someone else’s old duffel bag will do?” “We’ll see that it gets … disposed of properly,
Lisa Cach (Wake Unto Me)
But the use of the other books seemed free; and day after day I came to the library, threw myself on one of the many sumptuous eastern carpets, which lay here and there on the floor, and read, and read, until weary; if that can be designated as weariness, which was rather the faintness of rapturous delight
George MacDonald (Phantastes)
When white people envision their perfect home, it always has hardwood floors. In fact, most white people would prefer a dirt floor over wall-to-wall carpeting, because to them it would have the same level of cleanliness and probably fewer germs. White people are petrified of germs, and when they look at a carpet all they can see is everything that has ever been spilled, tracked in, or shaken loose into the carpet fibers. But more disgusting to white people is that wall-to-wall carpeting reminds them of suburban homes, motel rooms, and the horrible apartments that they have visited or lived in over the years. It has no soul. Only germs. Hardwood floors, on the other hand, are easily cleaned and give a sense of character to a place, since they are often the original flooring in older buildings. It is a well-known white fantasy to purchase a home or apartment that has disgusting carpet and then to pull it up to reveal a beautiful hardwood floor underneath.
Christian Lander (Stuff White People Like: A Definitive Guide to the Unique Taste of Millions)
Her parents noticed, when Dominika turned five, that the little girl had a prodigious memory. She could recite lines from Pushkin, identify the concertos of Tchaikovsky. And when music was played, Dominika would dance barefoot around the Oriental carpet in the living room, perfectly in time with the notes, twirling and jumping, perfectly in balance, her eyes gleaming, her hands flashing. Vassily and Nina looked at each other, and her mother asked Dominika how she had learned all this. “I follow the colors,” said the little girl. “What do you mean, ‘the colors’?” asked her mother. Dominika gravely explained that when the music played, or when her father read aloud to her, colors would fill the room. Different colors, some bright, some dark, sometimes they “jumped in the air” and all Dominika had to do was follow them. It was how she could remember so much. When she danced, she leapt over bars of bright blue, followed shimmering spots of red on the floor. The parents looked at each other again. “I like red and blue and purple,” said Dominika. “When Batushka reads, or when Mamulya plays, they are beautiful.” “And when Mama is cross with you?” asked Vassily. “Yellow, I don’t like the yellow,” said the little girl, turning the pages of a book. “And the black cloud. I do not like that.
Jason Matthews (Red Sparrow (Red Sparrow Trilogy, #1))
Billy was displayed there in the zoo in a simulated Earthling habitat. Most of the furnishings had been stolen from the Sears & Roebuck warehouse in Iowa City, Iowa. There was a color television set and a couch that could be converted into a bed. There were end tables with lamps and ashtrays on them by the couch. There was a home bar and two stools. There was a little pool table. There was wall-to-wall carpeting in federal gold, except in the kitchen and bathroom areas and over the iron manhole cover in the center of the floor. There were magazines arranged in a fan on the coffee table in front of the couch. There was a stereophonic phonograph. The phonograph worked. The television didn't. There was a picture of one cowboy shooting another one pasted to the television tube. So it goes. There were no wall in the dome, nor place for Billy to hide. The mint green bathroom fixtures were right out in the open. Billy got off his lounge chair now, went into the bathroom and took a leak. The crowd went wild.
Kurt Vonnegut Jr. (Slaughterhouse-Five)
neither of my boys were convinced, and they spent that spring either running after or running from an imaginary threat. If they collected eggs, they dropped them, or couldn’t resist throwing one at a tree. They couldn’t reach the feeders or carry the waterers. When I told them, “We are getting a new batch of baby chicks!” they barely reacted. On the other hand, Cecelia seemed to have benefited wildly from the chickens. After we moved them to the coop, she got a brand new floor in her bedroom, the nicest in our house. The chickens were raised in her baby-room while I was pregnant. They kept escaping from the brooder and no amount of scrubbing could clean her carpet. “Chicken” was her third word.
Alison E. Buehler (Growing the Good Life: Lessons in Parenting, Gardening, Health, and Meaningful Living)
Something was in her mouth. Sami's tongue slid along the edges of something plastic. Flat, low ridges, holes-an adjustable strap. A baseball cap? Another taste. Hair spray. Gross. Someone had stuffed her baseball cap in her mouth, and from the feel of it they had taped it in place. Her arms were tied behind her and she lay face down on the floor-of what? Her car. The carpeting scraped her cheek every time they hit a bump. Panic flooded Sami's senses. She came instantly awake. Inhaling deeply through her nose, she willed herself to calm down. Her working motto flashed through her brain, panic never accomplished anything. Of course she had never been kidnapped and tied up before. In the dim light of passing cars, she glimpsed things-paper gum wrappers, an old straw, one whopper wrapper, a CD cover. That's where Sting went. Been looking for that for days. Man did she need to vacuum this car out. A metallic scent hit her nose. She'd recognize that smell until the day she died. Blood. And by the odor, someone had lost a great deal of it.
Suzanne Ferrell (Kidnapped (Edgers Family, #1))
On the wide level acres of the valley the topsoil lay deep and fertile. It required only a rich winter of rain to make it break forth in grass and flowers. The spring flowers in a wet year were unbelievable. The whole valley floor, and the foothills too, would be carpeted with lupins and poppies. Once a woman told me that colored flowers would seem more bright if you added a few white flowers to give the colors definition. Every petal of blue lupin is edged with white, so that a field of lupins is more blue than you can imagine. And mixed with these were splashes of California poppies. These too are of a burning color—not orange, not gold, but if pure gold were liquid and could raise a cream, that golden cream might be like the color of the poppies.
John Steinbeck (East of Eden)
This is madness,” he whispered against her ear. But he made no move to let her go. Her reply was an incoherent, confused moan, and her body became slightly more pliant in his arms, allowing him to mold her even closer to his form. He knew he should stop, knew he damned well shouldn’t have started, but his blood was racing with need, and she felt so . . .so . . . So good. He groaned, his lips leaving hers to taste the slightly salty skin of her neck. There was something about her that suited him like no woman ever had before, as if his body had discovered something his mind utterly refused to consider. Something about her was . . . right. She felt right. She smelled right. She tasted right. And he knew that if he stripped off all of her clothes and took her there on the carpet on the floor of his study, she would fit underneath him, fit around him— just right. It occurred to Anthony that when she wasn’t arguing with him, Kate Sheffield might bloody well be the finest woman in England. Her arms, which had been imprisoned in his embrace, slowly edged up, until her hands were hesitantly resting on his back. And then her lips moved. It was a tiny thing, actually, a movement barely felt on the thin skin of his forehead, but she was definitely kissing him back. A low, triumphant growl emerged from Anthony’s mouth as he moved his mouth back to hers, kissing her fiercely, daring her to continue what she’d begun. “Oh, Kate,” he moaned, nudging her back until she was leaning against the edge of the desk. “God, you taste so good.
Julia Quinn (The Viscount Who Loved Me (Bridgertons, #2))
Nancy thanked him, then went to her convertible. She drove carefully through the city traffic and finally reached Hilo Street. Mrs. Stewart’s apartment house was Number 76. Nancy scanned the buildings and found that this one was the largest on the street. It was ultramodern in design and about twenty stories high. After parking her car, she smoothed her hair and got out. A red-coated doorman nodded pleasantly to the young detective as she entered the building a minute later. Nancy checked the directory and saw that Mrs. Stewart was in Apartment Three on the fourth floor. She rang the elevator button. Almost instantly, aluminum doors slid open noiselessly, and Nancy stepped inside the carpeted elevator. It was self-operated, and Nancy pushed the fourth-floor control.
Carolyn Keene (The Bungalow Mystery (Nancy Drew, #3))
Most of the houses were of logs—all of them, indeed, except three or four; these latter were frame ones. There were none of brick, and none of stone. There was a log church, with a puncheon floor and slab benches. A puncheon floor is made of logs whose upper surfaces have been chipped flat with the adze. The cracks between the logs were not filled; there was no carpet; consequently, if you dropped anything smaller than a peach, it was likely to go through. The church was perched upon short sections of logs, which elevated it two or three feet from the ground. Hogs slept under there, and whenever the dogs got after them during services, the minister had to wait till the disturbance was over. In winter there was always a refreshing breeze up through the puncheon floor; in summer there were fleas enough for all.
Mark Twain (Autobiography of Mark Twain: The Complete and Authoritative Edition, Volume 1)
Reacher was led through the door on the left and onward to an interview room. Which had no windows. Just four blank walls, and a table bolted to the floor, with two chairs on one side and one on the other. The room had not been designed by the dining room guy. That was clear. There was no blond wood or carpet. Just scuffed white paint on cinder block, and a cracked concrete floor, and a fluorescent bulb in a wire cage on the ceiling.
Lee Child (Never Go Back (Jack Reacher, #18))
Curran lunged through the window He was huge, neither a man, nor a lion. Curran’s usual warrior form stood upright. This creature moved on all fours. Enormous, bulging with muscle under a gray pelt striped with whip marks of darker gray, six hundred pounds at least. His head was lion, his eyes were human, and his fangs were monster. So that’s what the Beast Lord with no brakes looked like. He landed on the floor of my living room. Muscles twisted and crawled, stretching and snapping. The gray fur melted, fading into human skin, and Curran stood on my carpet, nude and pissed off, his eyes glowing gold. His voice was a deep snarl. “I know he’s here. I can smell him.” I felt an irresistible urge to brain him with something heavy. “Did you lose your sense of smell? Saiman’s scent is two hours old.” Golden eyes burned me. “Where is he?” “Under my bed.” The bed went airborne. It flew across the living room and slammed into the wall with a thud. That was just about enough of that. “What the hell do you think you’re doing?” “Saving you from whatever mess you got yourself into this time.” Why me? “There is no mess! It’s a professional arrangement.” “He’s paying you?” Curran snarled. “No. I’m paying him.” He roared. His mouth was human, but the blast of sound that shot out of it was like thunder. “Ran out of words, Your Majesty?” “Why him?” he growled. “Of all the men you could have, why would you hire him for that?” “Because he has the best equipment in the city and he knows how to use it!” As soon as I said it, I realized how he would take it. The beginnings of another thundering roar died in Curran’s throat. He stared at me, mute. Oh, this was too good. I threw my hands up. “The lab! I’m talking about his lab, not his dick, you idiot.
Ilona Andrews (Magic Bleeds (Kate Daniels, #4))
Marjan Aminpour slowly sipped at her hot tea and studied the changing horizon. Mornings in Ireland were so different from those of her Persian childhood, she thought, not for the first time. Were she still in the land of her birth, Marjan mused, daybreak would be marked by the crisp sounds of a 'sofreh', the embroidered cloth upon which all meals were enjoyed, flapping over a richly carpeted floor. Once spread, the 'sofreh' would be covered by jars of homemade preserves- rose petal, quince-lime, and sour cherry- as well as pots of orange blossom honey and creamy butter. The jams and honey would sit alongside freshly baked rounds of 'sangak' bread, golden and redolent with crunchy sesame seeds. Piled and teetering like a tower, the 'sangak' was a perfect accompaniment to the platters of garden mint, sweet basil, and feta cheese placed on the 'sofreh', bought fresh from the local bazaar.
Marsha Mehran (Rosewater and Soda Bread (Babylon Café #2))
The cat squirmed in my arms and landed on the carpet with a heavy thump. She strolled over to the litter tray, squatted down and urinated loudly, maintaining extremely assertive eye contact with me throughout. After the deluge, she lazily kicked over the traces with her back legs, scattering litter all over my freshly cleaned floor. A woman who knew her own mind and scorned the conventions of polite society. We were going to get along just fine.
Gail Honeyman (Eleanor Oliphant Is Completely Fine)
Most days what I felt was this: the minute you put a first name and a last name together, you've got a pair of tusks coming right at you (i.e., Watch out, buddy). but on days when I didn't disapprove of everything on principle--days when the whole cologned, cuff-shooting ruck of my co-workers didn't repulse me from the moment they disembarked from the sixth-floor elevator and began squidging their way along the carpeted track that led to the office--my thinking stabbed more along these lines: a name belittles that which is named. Give a person a name and he'll sink right into it, right into the hollows and the dips of the letters that spelled out the whole insultingly reductive contraption, so that you have to pull him up and dance him out of it, take his attendance, and fuck some life into him if you expect to get any work out of him. Multiply him by twenty-two and you will have some idea of what the office was like, except that a good third of my colleagues were female.
Garielle Lutz
As Nouri entered the sacred space, he could feel his breath catch and a shiver run down his spine. The floor was lined with fine woven carpets, the walls were graced with filigreed windows, and the dome—which spread out over their heads—was richly painted with flowers and leaves and suns and moons and stars. But what thrilled Nouri the most was the fact that wherever he looked—on the walls—on the doors—on the frieze that ran in a circle beneath the dome—were the most exquisitely calligraphed words.
Michael Golding (A Poet of the Invisible World)
Silence. It flashed from the woodwork and the walls; it smote him with an awful, total power, as if generated by a vast mill. It rose from the floor, up out of the tattered gray wall-to-wall carpeting. It unleashed itself from the broken and semi-broken appliances in the kitchen, the dead machines which hadn’t worked in all the time Isidore had lived here. From the useless pole lamp in the living room it oozed out, meshing with the empty and wordless descent of itself from the fly-specked ceiling. It managed in fact to emerge from every object within his range of vision, as if it—the silence—meant to supplant all things tangible. Hence it assailed not only his ears but his eyes; as he stood by the inert TV set he experienced the silence as visible and, in its own way, alive. Alive! He had often felt its austere approach before; when it came, it burst in without subtlety, evidently unable to wait. The silence of the world could not rein back its greed. Not any longer. Not when it had virtually won.
Philip K. Dick (Do Androids Dream of Electric Sheep?)
Once there was and once there was not a devout, God-fearing man who lived his entire life according to stoic principles. He died on his fortieth birthday and woke up floating in nothing. Now, mind you, floating in nothing was comforting, light-less, airless, like a mother’s womb. This man was grateful. But then he decided he would love to have sturdy ground beneath his feet, so he would feel more solid himself. Lo and behold, he was standing on earth. He knew it to be earth, for he knew the feel of it. Yet he wanted to see. I desire light, he thought, and light appeared. I want sunlight, not any light, and at night it shall be moonlight. His desires were granted. Let there be grass. I love the feel of grass beneath my feet. And so it was. I no longer wish to be naked. Only robes of the finest silk must touch my skin. And shelter, I need a grand palace whose entrance has double-sided stairs, and the floors must be marble and the carpets Persian. And food, the finest of food. His breakfast was English; his midmorning snack French. His lunch was Chinese. His afternoon tea was Indian. His supper was Italian, and his late-night snack was Lebanese. Libation? He had the best of wines, of course, and champagne. And company, the finest of company. He demanded poets and writers, thinkers and philosophers, hakawatis and musicians, fools and clowns. And then he desired sex. He asked for light-skinned women and dark-skinned, blondes and brunettes, Chinese, South Asian, African, Scandinavian. He asked for them singly and two at a time, and in the evenings he had orgies. He asked for younger girls, after which he asked for older women, just to try. The he tried men, muscular men, skinny men. Then boys. Then boys and girls together. Then he got bored. He tried sex with food. Boys with Chinese, girls with Indian. Redheads with ice cream. Then he tried sex with company. He fucked the poet. Everybody fucked the poet. But again he got bored. The days were endless. Coming up with new ideas became tiring and tiresome. Every desire he could ever think of was satisfied. He had had enough. He walked out of his house, looked up at the glorious sky, and said, “Dear God. I thank You for Your abundance, but I cannot stand it here anymore. I would rather be anywhere else. I would rather be in hell.” And the booming voice from above replied, “And where do you think you are?
Rabih Alameddine
Eventually, I looked up. Raymond was unpacking the other bag, which contained a disposable litter tray, a squishy cushion bed and a small box of kibble. The cat squirmed in my arms and landed on the carpet with a heavy thump. She strolled over to the litter tray, squatted down and urinated loudly, maintaining extremely assertive eye contact with me throughout. After the deluge, she lazily kicked over the traces with her back legs, scattering litter all over my freshly cleaned floor. A woman who knew her own mind and scorned the conventions of polite society. We were going to get along just fine.
Gail Honeyman (Eleanor Oliphant Is Completely Fine)
Sunday morning dawned bright and cloudless. Ernest awoke early as always. He put on the red "Emporor's robe" and padded softly down the carpeted stairway. The early sunlight lay in pools on the living room floor. He had noticed that the guns were locked up in the basement. But the keys, as he well knew, were on the window ledge above the kitchen sink. He tiptoed down the basement stairs and unlocked the storage room. It smelled as dank as a grave. He chose a double-barreled Boss shotgun with a tight choke. He had used it for years of pigeon shooting. He took some shells from one of the boxes in the storage room, closed and locked the door, and climbed the basement stairs. If he saw the bright day outside, it did not deter him. He crossed the living room to the front foyer, a shrinelike entryway five by seven feet, with oak-paneled walls and a floor of linoleum tile. He had held for years to the maxim: "il faut (d'abord) durer". Now it had been succeeded by another: "il faut (apres tout) mourir". The idea, if not the phrase, filled all his mind. He slipped in two shells, lowered the gun butt carefully to the floor, leaned forward, pressed the twin barrels against his forehead just above the eyebrows, and tripped both triggers.
Carlos Baker (Hemingway: a Life Story)
He took two quick steps forward, wrapped a hand around the back of my neck, and held me for his kiss. I hadn’t expected it—not while he was still so close to changing. I’m sure that’s why I didn’t pull out of his hold. The first touch of his lips was soft, tentative, asking where his hands had demanded. The man was diabolical. I could have resisted force, but the question of his kiss was an entirely different matter. I leaned into him because he asked with the light touch and the gentle withdrawal of his lips that begged me to follow where he led. The heat of his body, welcome in the over-cooled house, rewarded me as I leaned closer to him, as did the hard planes of his body, so I was drawn to press even tighter against him. He danced like that, too. Leading instead of pulling. It had to have been deliberate, something he worked at, because he was as dominant as they came—Alphas are. But Adam was more than just dominant: he was smart, too. And he didn’t play fair. Which is how he ended up against the wall with me plastered all over him when someone . . . Darryl, quietly cleared his throat. I jerked free and hopped back to the middle of the hallway. “I’ll just get Jesse’s clothes now,” I told the carpet on the floor and then took my red face into Jesse’s room and shut the door. I didn’t mind getting caught kissing, but that had been a lot more carnal than a kiss. Sometimes good hearing isn’t a blessing. “Sorry,” Daryl said, though his voice carried more amusement than apology. “I bet,” growled Adam. “Damn it. This has got to stop.” Darryl gave a full-throated laugh that lasted quite a while. I’d never heard him laugh like that. Darryl was pretty uptight usually. “Sorry,” he said again, sounding more apologetic this time. “Looked to me like you’d rather it not stop.” “Yeah.” Adam sounded tired. “I should have gone after her a long time ago.
Patricia Briggs (Iron Kissed (Mercy Thompson, #3))
I take another step toward the serpent. And then another. This close, I am stunned all over again by the creature's sheer size. I raise a wary hand and place it against the black scales. They feel dry and cool against my skin. Its golden eyes have no answer, but I think of Cardan lying beside me on the floor of the royal rooms. I think of his quicksilver smile. I think of how he would hate to be trapped like this. How unfair it would be for me to keep him this way and call it love. You already know how to end the curse. 'I do love you,' I whisper. 'I will always love you.' I tuck the golden bridle into my belt. Two paths are before me, but only one leads to victory. But I don't want to win like this. Perhaps I will never live without fear, perhaps power will slip from my grasp, perhaps the pain of losing him will hurt more than I can bear. And yet, if I love him, there's only one choice. I draw the borrowed sword at my back. Heartsworn, which can cut through anything. I asked Severin for the blade and carried it into battle, because no matter how I denied it, some part of me knew what I would choose. The golden eyes of the serpent are steady, but there are surprised sounds from the assembled Folk. I hear Madoc's roar. This wasn't supposed to be how things ended. I close my eyes, but I cannot keep them that way. In one movement, I swing Heartsworn in a shining arc at the serpent's head. The blade falls, cutting through scales, through flesh and bone. Then the serpent's head is at my feet, golden eyes dulling. Blood is everywhere. The body of the serpent gives a terrible coiling shudder, then goes limp. I sheath Heartsworn with trembling hands. I am shaking all over, shaking so hard that I fall to my knees in the blackened grass, in the carpet of blood. I hear Lord Jarel shout something at me, but I can't hear it. I think I might be screaming.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
He was taking a nap,” Kate explained. “He’s a very sound sleeper.” But once awake, Newton refused to be left out of the action, and with a slightly more awake bark, he leaped up onto the chair, landing on Kate’s lap. “Newton!” she squealed. “Oh, for the love of—” But Anthony’s mutterings were cut short by a big, sloppy kiss from Newton. “I think he likes you,” Kate said, so amused by Anthony’s disgusted expression that she forgot to be self-conscious about her position on his lap. “Dog,” Anthony ordered, “get down on the floor this instant.” Newton hung his head and whined. “Now!” Letting out a big sigh, Newton turned about and plopped down onto the floor. “My goodness,” Kate said, peering down at the dog, who was now moping under the table, his snout lying sorrowfully on the carpet, “I’m impressed.” “It’s all in the tone of voice,” Anthony said archly, snaking a viselike arm around her waist so that she could not get up. Kate looked at his arm, then looked at his face, her brows arching in question. “Why,” she mused, “do I get the impression you find that tone of voice effective on women as well?” He shrugged and leaned toward her with a heavy-lidded smile. “It usually is,” he murmured. “Not this one.” Kate planted her hands on the arms of the chair and tried to wrench herself up. But he was far too strong. “Especially this one,” he said, his voice dropping to an impossibly low purr. With his free hand, he cupped her chin and turned her face to his. His lips were soft but demanding, and he explored her mouth with a thoroughness that left her breathless. -Kate & Anthony
Julia Quinn (The Viscount Who Loved Me (Bridgertons, #2))
Anything . . . supernatural?” I asked. “No. Yes.” Jackaby rubbed his eyes. “Everything. The walls, the floor, even the ceiling . . .” “What?” I said. “Ha!” He shook his head and spun in place, marveling at the dark, dusty cobwebs hanging over us. “It’s been scrubbed clean, every inch.” I looked around. “This might be why you and Jenny rarely see eye to eye about housekeeping,” I said. “Not scrubbed clean of dust or droppings,” he said. “There are plenty of those, of course.” I decided not to look too closely for confirmation about the droppings. “Scrubbed clean of magical residue. I can’t pick out any unique otherworldly auras in this space.” “Couldn’t that just mean that this place doesn’t have any?” “Hardly. When you were young, did you ever spill red wine on your parents’ carpet?” I blinked. “Er—yes? I knocked a bottle of merlot off of the table once.” “And what did your mother do to clean it up?” “Nothing. My mother never did the cleaning. She always had a maid handle that sort of thing.” “Precisely—white vinegar! Nothing better for a stain. Except that the carpet is never quite like it used to be, is it? Even if you can’t see the red anymore, there’s always something about that spot. It’s a little too clean for the rest of the rug, and it keeps that lingering vinegar smell, right? Now a healthy suspension of sodium bicarbonate might help with that, but there’s always something left behind.” “You know a lot about cleaning carpets for someone whose floor looks like a topical map of the East Indies.” “I know the Viennese waltz, too, but I don’t waste my time doing it every day. Focus, Rook. 
William Ritter (Ghostly Echoes (Jackaby, #3))
Returning to the library, Marcus saw Lillian lying on her back on the carpeted floor. His first thought was that she must have drifted into oblivion, but as he approached, he saw that she was holding a long wooden cylinder in her free hand, and squinting through one end. “I found it,” she exclaimed in triumph. “The kaleidoscope. It’s verrrry interesting. But not quite what I ’spected.” Silently he reached out, plucked the instrument from her hand, and gave her the other end to look through. Lillian promptly gasped in amazement. “Oh, that’s lovely…How does it work?” “One end is fitted with strategically placed panels of silvered glass, and then…” His voice faded as she turned the thing toward him. “My lord,” she pronounced in solemn concern, viewing him through the cylinder, “you have three…hundred…eyes.” She dissolved into a fit of giggles that shook her until she dropped the kaleidoscope.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
GOD I am ready for you to come back. Whether in a train full of dying criminals or on the gleaming saddle of a locust, you are needed again. The earth is a giant chessboard where the dark squares get all the rain. On this one the wet is driving people mad—the bankers all baying in the woods while their markets fail, a florist chewing up flowers to spit mouthfuls here and there as his daughter’s lungs seize shut from the pollen. There is a flat logic to neglect. Sweet nothings sour in the air while the ocean hoots itself to sleep. I live on the skull of a giant burning brain, the earth’s core. Sometimes I can feel it pulsing through the dirt, though even this you ignore. The mind wants what it wants: daily newspapers, snapping turtles, a pound of flesh. The work I’ve been doing is a kind of erasing. I dump my ashtray into a bucket of paint and coat myself in the gray slick, rolling around on the carpets of rich strangers while they applaud and sip their scotch. A body can cause almost anything to happen. Remember when you breathed through my mouth, your breath becoming mine? Remember when you sang for me and I fell to the floor, turning into a thousand mice? Whatever it was we were practicing cannot happen without you. I thought I saw you last year, bark wrapped around your thighs, lurching toward the shore at dawn. It was only mist and dumb want. They say even longing has its limits: in a bucket, an eel will simply stop swimming long before it starves. Wounded wolves will pad away from their pack to die lonely and cold. Do you not know how scary it can get here? The talons that dropped me left long scars around my neck that still burn in the wind. I was promised epiphany, earth- honey, and a flood of milk, but I will settle for anything that brings you now, you still-hungry mongrel, you glut of bone, you, scentless as gold.
Kaveh Akbar (Calling a Wolf a Wolf)
A home is the only space that aspires to be a constant. But a home is also a space that always represents everything we can be, and because of this, the perfect home is an insatiable thirst. Buoyed by a façade of stability, you start accumulating things. The strategically placed bookshelf in your study behind you during online meetings as a nod to your intellect. The scented candles and artwork on the wall that guests compliment you on at dinner parties. A portrait of a smiling family casually sitting on top of the piano, to flaunt domestic bliss. The instruments and amps scattered across a carpeted floor, a cabinet full of jazz records. You want to leave your past behind, a decade of putting roses in a beer can in lieu of a vase. You want an ever-expanding place that deserves these things. But what if you live in a city where there was never any space for this to begin with, where permanence can never be promised?
Karen Cheung (The Impossible City: A Hong Kong Memoir)
He pulled out a thick iron ring with dozens of keys. He turned it, staring as the keys slid and rang. Arin shut them up inside his fist. “My house,” he said thickly. He looked at Kestrel. “Keys can be copied.” His eyes pleaded with her. “I have no idea how many sets Irex’s family had. Cheat could have had this one, somehow, even before Firstwinter.” She saw how what he said might be true. She didn’t think anyone could fake the horror on Arin’s face when he first saw Kestrel on the floor. Or the way he looked now: as if what had happened to her was happening to him. “Believe me, Kestrel.” She did…and she didn’t. Arin undid the ring, slipped off two keys, and set them in Kestrel’s hand. “These are for your suite. Keep them.” She gazed at the dull metal on her palm. She recognized one key. The other…“Is this one for the garden door?” “Yes, but”--Arin looked away--“you wouldn’t want to use it.” Kestrel had guessed that Arin lived in the west wing suite, and that it had been his father’s as hers had been his mother’s. But it wasn’t until then that she understood what the two gardens were for: a way for husband and wife to visit each other without the entire household knowing. Kestrel stood, because Arin was standing and she had had enough of crouching on the floor. “Krestrel…” Arin’s question was something he clearly hated to ask. “How badly are you hurt?” “As you see.” Her eye was swelling shut, and the carpet had skinned her cheek raw. “My face. Nothing more.” “I could kill him a thousand times and still want to do it again.” She looked at Cheat’s slumped body as it soaked the carpet with blood. “Somebody had better clean that up. It won’t be me. I’m not your slave.” Quietly, he said, “You’re really not.” “I might believe you if you gave me the whole set of keys.” The corner of his mouth twitched. “Ah, but would you have any respect for my intelligence?
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
Hermione!” She stirred, then sat up quickly, pushing her hair out of her face. “What’s wrong? Harry? Are you all right?” “It’s okay, everything’s fine. More than fine. I’m great. There’s someone here.” “What do you mean? Who--?” She saw Ron, who stood there holding the sword and dripping onto the threadbare carpet. Harry backed into a shadowy corner, slipped off Ron’s rucksack, and attempted to blend in with the canvas. Hermione slid out of her bunk and moved like a sleepwalker toward Ron, her eyes upon his pale face. She stopped right in front of him, her lips slightly parted, her eyes wide. Ron gave a weak, hopeful smile and half raised his arms. Hermione launched herself forward and started punching every inch of him that she could reach. “Ouch--ow--gerroff! What the--? Hermione--OW!” “You--complete--arse--Ronald--Weasley!” She punctuated every word with a blow: Ron backed away, shielding his head as Hermione advanced. “You--crawl--back--here--after--weeks--and--weeks--oh, where’s my wand?” She looked as though ready to wrestle it out of Harry’s hands and he reacted instinctively. “Protego!” The invisible shield erupted between Ron and Hermione: The force of it knocked her backward onto the floor. Spitting hair out of her mouth, she leapt up again. “Hermione!” said Harry. “Calm--” “I will not calm down!” she screamed. Never before had he seen her lose control like this; she looked quite demented. “Give me back my wand! Give it back to me!” “Hermione, will you please--” “Don’t you tell me what to do, Harry Potter!” she screeched. “Don’t you dare! Give it back now! And YOU!” She was pointing at Ron in dire accusation: It was like a malediction, and Harry could not blame Ron for retreating several steps. “I came running after you! I called you! I begged you to come back!” “I know,” Ron said, “Hermione, I’m sorry, I’m really--” “Oh, you’re sorry!” She laughed, a high-pitched, out-of-control sound; Ron looked at Harry for help, but Harry merely grimaced his helplessness. “You come back after weeks--weeks--and you think it’s all going to be all right if you just say sorry?” “Well, what else can I say?” Ron shouted, and Harry was glad that Ron was fighting back. “Oh, I don’t know!” yelled Hermione with awful sarcasm. “Rack your brains, Ron, that should only take a couple of seconds--” “Hermione,” interjected Harry, who considered this a low blow, “he just saved my--” “I don’t care!” she screamed. “I don’t care what he’s done! Weeks and weeks, we could have been dead for all he knew--” “I knew you weren’t dead!” bellowed Ron, drowning her voice for the first time, and approaching as close as he could with the Shield Charm between them. “Harry’s all over the Prophet, all over the radio, they’re looking for you everywhere, all these rumors and mental stories, I knew I’d hear straight off if you were dead, you don’t know what it’s been like--” “What it’s been like for you?” Her voice was now so shrill only bats would be able to hear it soon, but she had reached a level of indignation that rendered her temporarily speechless, and Ron seized his opportunity. “I wanted to come back the minute I’d Disapparated, but I walked straight into a gang of Snatchers, Hermione, and I couldn’t go anywhere!” “A gang of what?” asked Harry, as Hermione threw herself down into a chair with her arms and legs crossed so tightly it seemed unlikely that she would unravel them for several years.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
I lift the lid of the chest. Inside, the air is musty and stale, held hostage for years in its three-foot-by-four-foot tomb. I lean in to survey the contents cautiously, then pull out a stack of old photos tied with twine. On top is a photo of a couple on their wedding day. She's a young bride, wearing one of those 1950's netted veils. He looks older, distinguished- sort of like Cary Grant or Gregory Peck in the old black-and-white movies I used to watch with my grandmother. I set the stack down and turn back to the chest, where I find a notebook, filled with handwritten recipes. The page for Cinnamon Rolls is labeled "Dex's Favorite." 'Dex.' I wonder if he's the man in the photo. There are two ticket stubs from 1959, one to a Frank Sinatra concert, another to the movie 'An Affair to Remember.' A single shriveled rosebud rests on a white handkerchief. A corsage? When I lift it into my hand, it disintegrates; the petals crinkle into tiny pieces that fall onto the living room carpet. At the bottom of the chest is what looks like a wedding dress. It's yellowed and moth-eaten, but I imagine it was once stark white and beautiful. As I lift it, I can hear the lace swishing as if to say, "Ahh." Whoever wore it was very petite. The waist circumference is tiny. A pair of long white gloves falls to the floor. They must have been tucked inside the dress. I refold the finery and set the ensemble back inside. Whose things are these? And why have they been left here? I thumb through the recipe book. All cookies, cakes, desserts. She must have loved to bake. I tuck the book back inside the chest, along with the photographs after I've retied the twine, which is when I notice a book tucked into the corner. It's an old paperback copy of Ernest Hemingway's 'The Sun Also Rises.' I've read a little of Hemingway over the years- 'A Moveable Feast' and some of his later work- but not this one. I flip through the book and notice that one page is dog-eared. I open to it and see a line that has been underscored. "You can't get away from yourself by moving from one place to another." I look out to the lake, letting the words sink in. 'Is that what I'm trying to do? Get away from myself?' I stare at the line in the book again and wonder if it resonated with the woman who underlined it so many years ago. Did she have her own secret pain? 'Was she trying to escape it just like me?
Sarah Jio (Morning Glory)
This morning I noticed something very interesting. I was having breakfast in the garden of the Dreesen Hotel, where Hitler is stopping, when the great man suddenly appeared, strode past me, and went down to the edge of the Rhine to inspect his river yacht. X, one of Germany’s leading editors, who secretly despises the regime, nudged me: “Look at his walk!” On inspection it was a very curious walk indeed. In the first place, it was very ladylike. Dainty little steps. In the second place, every few steps he cocked his right shoulder nervously, his left leg snapping up as he did so. I watched him closely as he came back past us. The same nervous tic. He had ugly black patches under his eyes. I think the man is on the edge of a nervous breakdown. And now I understand the meaning of an expression the party hacks were using when we sat around drinking in the Dreesen last night. They kept talking about the “Teppichfresser,” the “carpet-eater.” At first I didn’t get it, and then someone explained it in a whisper. They said Hitler has been having some of his nervous crises lately and that in recent days they’ve taken a strange form. Whenever he goes on a rampage about Beneš or the Czechs he flings himself to the floor and chews the edges of the carpet, hence the Teppichfresser. After seeing him this morning, I can believe it.
William L. Shirer (Berlin Diary: The Journal of a Foreign Correspondent 1934-41)
The funny thing: I’d worried, if anything, that Boris was the one who was a little too affectionate, if affectionate is the right word. The first time he’d turned in bed and draped an arm over my waist, I lay there half-asleep for a moment, not knowing what to do: staring at my old socks on the floor, empty beer bottles, my paperbacked copy of The Red Badge of Courage. At last—embarrassed—I faked a yawn and tried to roll away, but instead he sighed and pulled me closer, with a sleepy, snuggling motion. Ssh, Potter, he whispered, into the back of my neck. Is only me. It was weird. Was it weird? It was; and it wasn’t. I’d fallen back to sleep shortly after, lulled by his bitter, beery unwashed smell and his breath easy in my ear. I was aware I couldn’t explain it without making it sound like more than it was. On nights when I woke strangled with fear there he was, catching me when I started up terrified from the bed, pulling me back down in the covers beside him, muttering in nonsense Polish, his voice throaty and strange with sleep. We’d drowse off in each other’s arms, listening to music from my iPod (Thelonious Monk, the Velvet Underground, music my mother had liked) and sometimes wake clutching each other like castaways or much younger children. And yet (this was the murky part, this was what bothered me) there had also been other, way more confusing and fucked-up nights, grappling around half-dressed, weak light sliding in from the bathroom and everything haloed and unstable without my glasses: hands on each other, rough and fast, kicked-over beers foaming on the carpet—fun and not that big of a deal when it was actually happening, more than worth it for the sharp gasp when my eyes rolled back and I forgot about everything; but when we woke the next morning stomach-down and groaning on opposite sides of the bed it receded into an incoherence of backlit flickers, choppy and poorly lit like some experimental film, the unfamiliar twist of Boris’s features fading from memory already and none of it with any more bearing on our actual lives than a dream. We never spoke of it; it wasn’t quite real; getting ready for school we threw shoes, splashed water at each other, chewed aspirin for our hangovers, laughed and joked around all the way to the bus stop. I knew people would think the wrong thing if they knew, I didn’t want anyone to find out and I knew Boris didn’t either, but all the same he seemed so completely untroubled by it that I was fairly sure it was just a laugh, nothing to take too seriously or get worked up about. And yet, more than once, I had wondered if I should step up my nerve and say something: draw some kind of line, make things clear, just to make absolutely sure he didn’t have the wrong idea. But the moment had never come. Now there was no point in speaking up and being awkward about the whole thing, though I scarcely took comfort in the fact.
Donna Tartt (The Goldfinch)
For most people moving is a tiring experience. When on the verge of moving out to a new home or into a new office, it's only natural to focus on your new place and forget about the one you’re leaving. Actually, the last thing you would even think about is embarking on a heavy duty move out clean. However, you can be certain that agents, landlords and all the potential renters or buyers of your old home will most definitely notice if it's being cleaned, therefore getting the place cleaned up is something that you need to consider. The process of cleaning will basically depend to things; how dirty your property and the size of the home. If you leave the property in good condition, you'll have a higher the chance of getting back your bond deposit or if you're selling, attracting a potential buyer. Below are the steps you need to consider before moving out. You should start with cleaning. Remove all screws and nails from the walls and the ceilings, fill up all holes and dust all ledges. Large holes should be patched and the entire wall checked the major marks. Remove all the cobwebs from the walls and ceilings, taking care to wash or vacuum the vents. They can get quite dusty. Clean all doors and door knobs, wipe down all the switches, electrical outlets, vacuum/wipe down the drapes, clean the blinds and remove all the light covers from light fixtures and clean them thoroughly as they may contain dead insects. Also, replace all the burnt out light bulbs and empty all cupboards when you clean them. Clean all windows, window sills and tracks. Vacuum all carpets or get them professionally cleaned which quite often is stipulated in the rental agreement. After you've finished the general cleaning, you can now embark on the more specific areas. When cleaning the bathroom, wash off the soap scum and remove mould (if any) from the bathroom tiles. This can be done by pre-spraying the tile grout with bleach and letting it sit for at least half an hour. Clean all the inside drawers and vanity units thoroughly. Clean the toilet/sink, vanity unit and replace anything that you've damaged. Wash all shower curtains and shower doors plus all other enclosures. Polish the mirrors and make sure the exhaust fan is free of dust. You can generally vacuum these quite easily. Finally, clean the bathroom floors by vacuuming and mopping. In the kitchen, clean all the cabinets and liners and wash the cupboards inside out. Clean the counter-tops and shine the facet and sink. If the fridge is staying give it a good clean. You can do this by removing all shelves and wash them individually. Thoroughly degrease the oven inside and out. It's best to use and oven cleaner from your supermarket, just take care to use gloves and a mask as they can be quite toxic. Clean the kitchen floor well by giving it a good vacuum and mop . Sometimes the kitchen floor may need to be degreased. Dust the bedrooms and living room, vacuum throughout then mop. If you have a garage give it a good sweep. Also cut the grass, pull out all weeds and remove all items that may be lying or hanging around. Remember to put your garbage bins out for collection even if collection is a week away as in our experience the bins will be full to the brim from all the rubbish during the moving process. If this all looks too hard then you can always hire a bond cleaner to tackle the job for you or if you're on a tight budget you can download an end of lease cleaning checklist or have one sent to you from your local agent. Just make sure you give yourself at least a day or to take on the job. Its best not to rush through the job, just make sure everything is cleaned thoroughly, so it passes the inspection in order for you to get your bond back in full.
Tanya Smith
So Christiana went to speak to Dicky about taking us out and about, but when she found him in the office, the idiot was dead." Daniel bit his lip at her vexed tone. There was absolutely no grief in her voice at all, just irritation with the inconvenience of it all. But then George had never been one to inspire the finer feelings in those he encountered. Clearing his throat, he asked, "Did he fall and strike his head, or-" "No.He was simply sitting in his chair dead," she said with exasperation, and then added with disgust, "He was obviously a victim of his own excess. We suspected his heart gave out. Certainly the glass and decanter of whiskey next to him suggested he didn't take the best care of himself. I ask you,who drinks hard liquor first thing in the morning?" Daniel shook his head, finding it difficult to speak. She was just so annoyed as she spoke of the man's death, as if he'd deliberately done it to mess up her plans. After a moment, he asked, "Are you sure he is dead?" Suzette gave him another one of those adorable "Don't be ridiculous" looks. "Well, obviously he isn't. He is here now," she pointed out, and then shook her head and added almost under her breath, "Though I could have sworn...The man didn't even stir when he fell off the chair and slammed his head on the floor. Nor when I dropped him and his head crashed to the hardwood floor again, or when we rolled him in the carpet and dragged him upstairs, or when we dropped him in the hall and he rolled out of the carpet, or-" "Er," Daniel interrupted, and then coughed into his hand to hide a laugh, before asking, "Why exactly were you carting him about in a carpet?" "Well,don't be dense," she said with exasperation. "We couldn't let anyone know he was dead, could we?" "Couldn't you?" he asked uncertainly. Suzette clucked with irritation. "Of course not.We would have had to go into mourning then.How would I find a husband if we were forced to abstain from polite society to observe mourning?
Lynsay Sands (The Heiress (Madison Sisters, #2))
Moms?’ ‘I am right here with my attention completely focused on you.’ ‘How can you tell if somebody’s sad?’ A quick smile. ‘You mean whether someone’s sad.’ A smile back, but still earnest: ‘That improves it a lot. Whether someone’s sad, how can you tell so you’re sure?’ Her teeth are not discolored; she gets them cleaned at the dentist all the time for the smoking, a habit she despises. Hal inherited the dental problems from Himself; Himself had horrible dental problems; half his teeth were bridges. ‘You’re not exactly insensitive when it comes to people, Love-o,’ she says. ‘What if you, like, only suspect somebody’s sad. How do you reinforce the suspicion?’ ‘Confirm the suspicion?’ ‘In your mind.’ Some of the prints in the deep shag he can see are shoes, and some are different, almost like knuckles. His lordotic posture makes him acute and observant about things like carpet-prints. ‘How would I, for my part, confirm a suspicion of sadness in someone, you mean?’ ‘Yes. Good. All right.’ ‘Well, the person in question may cry, sob, weep, or, in certain cultures, wail, keen, or rend his or her garments.’ Mario nods encouragingly, so the headgear clanks a little. ‘But say in a case where they don’t weep or rend. But you still have a suspicion which they’re sad.’ She uses a hand to rotate the pen in her mouth like a fine cigar. ‘He or she might alternatively sigh, mope, frown, smile halfheartedly, appear downcast, slump, look at the floor more than is appropriate.’ ‘But what if they don’t?’ ‘Well, he or she may act out by seeming distracted, losing enthusiasm for previous interests. The person may present with what appears to be laziness, lethargy, fatigue, sluggishness, a certain passive reluctance to engage you. Torpor.’ ‘What else?’ ‘They may seem unusually subdued, quiet, literally “low.” ’ Mario leans all his weight into his police lock, which makes his head jut, his expression the sort of mangled one that expresses puzzlement, an attempt to reason out something hard. Pemulis called it Mario’s Data-Search Face, which Mario liked. ‘What if sometime they might act even less low than normal. But still these suspicions are in your mind.
David Foster Wallace
for later. Keep it safe. If the child has collapsed into a tantrum in a place where he might hurt himself, move him to an area where he will be safe—an open, carpeted area, away from the glass coffee table. A child in the midst of a tantrum often flails, grabs for things to throw, or reaches for people to hit. Keep the child away from everything, including your body.       Sometimes very young children feel totally out of control and will need you to contain them. Sit on the floor and gently but firmly hold your child’s back to your front, on the floor between your legs, both arms crossed in front of him. This is not an angry hold, but rather one that says I am keeping you safe. Soon (or maybe not so soon!) he will stop resisting you, relax a bit, and take it down a notch to crying. This hold should not become a physical battle. It is, instead, a form of support and safety that you provide for your child. Do not leave the child alone. There are those who believe in sending the child to his room to have the meltdown. I believe the child is better served by your not abandoning him to his out-of-control feelings and behavior. Stay close by. Even though you are not talking to him, he knows you are there, and your presence is comforting. He might command you to “Go away” or “Leave me alone,” but he doesn’t mean it. Sit in a chair across the room and pick up a magazine. If the child is holding on to your leg, try to ignore it. In fact, try to ignore him altogether as best as you can. You can say: “You are really angry right now. I will wait until you are done.” Or, “Let me know when you are done.”       If the child is trying to hurt you, hit you, or grab at you, stand up and step away. Tell him: “I will not let you hurt me. Let me know when you are done, and we can talk.”       When you are standing, your legs are the only target he can reach. He’ll wrap his arms around your calves in a death grip. Ignore it. It will end eventually, I promise. The End Save. You can usually tell when the tantrum is winding down. When you hear and see that your child is starting to come back down to earth—his crying has calmed to sobs, his breaths are broken and quick, he is sniffling a bit—it is a good time to step in and accompany him on his journey back. Scoop him up and say something diverting, like: “C’mon, Sam, let’s go see if there are any squirrels outside.” By this point, most children are ready to be saved. They just don’t know how to do so gracefully. A paradigm shift offers the child the chance to reenter the world and save face.
Betsy Brown Braun (Just Tell Me What to Say: Simple Scripts for Perplexed Parents)
Evie shook her head in confusion, staring from her husband’s wrathful countenance to Gully’s carefully blank one. “I don’t understand—” “Call it a rite of passage,” Sebastian snapped, and left her with long strides that quickly broke into a run. Picking up her skirts, Evie hurried after him. Rite of passage? What did he mean? And why wasn’t Cam willing to do something about the brawl? Unable to match Sebastian’s reckless pace, she trailed behind, taking care not to trip over her skirts as she descended the flight of stairs. The noise grew louder as she approached a small crowd that had congregated around the coffee room, shouts and exclamations renting the air. She saw Sebastian strip off his coat and thrust it at someone, and then he was shouldering his way into the melee. In a small clearing, three milling figures swung their fists and clumsily attempted to push and shove one another while the onlookers roared with excitement. Sebastian strategically attacked the man who seemed the most unsteady on his feet, spinning him around, jabbing and hooking with a few deft blows until the dazed fellow tottered forward and collapsed to the carpeted floor. The remaining pair turned in tandem and rushed at Sebastian, one of them attempting to pin his arms while the other came at him with churning fists. Evie let out a cry of alarm, which somehow reached Sebastian’s ears through the thunder of the crowd. Distracted, he glanced in her direction, and he was instantly seized in a mauling clinch, with his neck caught in the vise of his opponent’s arm while his head was battered with heavy blows. “No,” Evie gasped, and started forward, only to be hauled back by a steely arm that clamped around her waist. “Wait,” came a familiar voice in her ear. “Give him a chance.” “Cam!” She twisted around wildly, her panicked gaze finding his exotic but familiar face with its elevated cheekbones and thick-lashed golden eyes. “They’ll hurt him,” she said, clutching at the lapels of his coat. “Go help him— Cam, you have to—” “He’s already broken free,” Cam observed mildly, turning her around with inexorable hands. “Watch— he’s not doing badly.” One of Sebastian’s opponents let loose with a mighty swing of his arm. Sebastian ducked and came back with a swift jab. “Cam, why the d-devil aren’t you doing anything to help him?” “I can’t.” “Yes, you can! You’re used to fighting, far more than he—” “He has to,” Cam said, his voice quiet and firm in her ear. “He’ll have no authority here otherwise. The men who work at the club have a notion of leadership that requires action as well as words. St. Vincent can’t ask them to do anything that he wouldn’t be willing to do himself. And he knows that. Otherwise he wouldn’t be doing this right now.” Evie covered her eyes as one opponent endeavored to close in on her husband from behind while the other engaged him with a flurry of blows. “They’ll be loyal to him only if he is w-willing to use his fists in a pointless display of brute force?” “Basically, yes.
Lisa Kleypas (Devil in Winter (Wallflowers, #3))