Carpenter Tools Quotes

Suicides have a special language. Like carpenters they want to know which tools. They never ask why build.

Trying to control the future is like trying to take the master carpenter's place. When you handle the master carpenter's tools, chances are that you'll cut your hand.

Wanting to Die Since you ask, most days I cannot remember. I walk in my clothing, unmarked by that voyage. Then the almost unnameable lust returns. Even then I have nothing against life. I know well the grass blades you mention, the furniture you have placed under the sun. But suicides have a special language. Like carpenters they want to know which tools. They never ask why build. Twice I have so simply declared myself, have possessed the enemy, eaten the enemy, have taken on his craft, his magic. In this way, heavy and thoughtful, warmer than oil or water, I have rested, drooling at the mouth-hole. I did not think of my body at needle point. Even the cornea and the leftover urine were gone. Suicides have already betrayed the body. Still-born, they don't always die, but dazzled, they can't forget a drug so sweet that even children would look on and smile. To thrust all that life under your tongue!— that, all by itself, becomes a passion. Death's a sad Bone; bruised, you'd say, and yet she waits for me, year after year, to so delicately undo an old wound, to empty my breath from its bad prison. Balanced there, suicides sometimes meet, raging at the fruit, a pumped-up moon, leaving the bread they mistook for a kiss, leaving the page of the book carelessly open, something unsaid, the phone off the hook and the love, whatever it was, an infection.

But suicides have a special language. Like carpenters they want to know which tools. They never ask why build. Twice I have so simply declared myself, have possessed the enemy, eaten the enemy, have taken on his craft, his magic.

The dragonets found the carpenters to be even more fascinating than the furniture, and followed the poor men from pen to pen, crowding around to watch, tasting the wooden planks, trying to steal the tools. It made for an interesting day for everyone, as the boys tried to keep the dragonets away from the carpenters, and the dragonets tried to get at the carpenters, and the carpenters worked probably a great deal faster than they ever had in their lives, sure that the dragonets would go from tasting the wood to tasting them.

Carpenters don’t make their saws and hammers, tailors don’t make their scissors and needles, and plumbers don’t make their wrenches, but blacksmiths can make their hammers, tongs, anvils, and chisels

He said that most men were in their lives like the carpenter whose work went so slowly for the dullness of his tools that he had not time to sharpen them. Y

Life, of course, never gets anyone's entire attention. Death always remains interesting, pulls us, draws us. As sleep is necessary to our physiology, so depression seems necessary to our psychic economy. In some secret way, Thanatos nourishes Eros as well as opposes it. The two principles work in covert concert; though in most of us Eros dominates, in none of us is Thanatos completely subdued. However-and this is the paradox of suicide-to take one's life is to behave in a more active, assertive, "erotic" way than to helplessly watch as one's life is taken away from one by inevitable mortality. Suicide thus engages with both the death-hating and the death-loving parts of us: on some level, perhaps, we may envy the suicide even as we pity him. It has frequently been asked whether the poetry of Plath would have so aroused the attention of the world if Plath had not killed herself. I would agree with those who say no. The death-ridden poems move us and electrify us because of our knowledge of what happened. Alvarez has observed that the late poems read as if they were written posthumously, but they do so only because a death actually took place. "When I am talking about the weather / I know what I am talking about," Kurt Schwitters writes in a Dada poem (which I have quoted in its entirety). When Plath is talking about the death wish, she knows what she is talking about. In 1966, Anne Sexton, who committed suicide eleven years after Plath, wrote a poem entitled "Wanting to Die," in which these startlingly informative lines appear: But suicides have a special language. Like carpenters they want to know which tools. They never ask why build. When, in the opening of "Lady Lazarus," Plath triumphantly exclaims, "I have done it again," and, later in the poem, writes, Dying Is an art, like everything else. I do it exceptionally well. I do it so it feels like hell. I do it so it feels real. I guess you could say I've a call, we can only share her elation. We know we are in the presence of a master builder.

A hammer looks like a useful tool to a carpenter; the nail has a different impression altogether

Like a soldier, the carpenter sharpens his own tools. He carries his equipment in his tool box, and works under the direction of his foreman. He makes columns and girders with an axe, shapes floorboards and shelves with a plane, cuts fine openwork and bas reliefs accurately, giving as excellent a finish as his skill will allow. This is the craft of the carpenters. When the carpenter becomes skilled, he works efficiently and according to correct measures. When he has developed practical knowledge of all the skills of the craft, he can become a foreman himself.

If you realize that all things change, there is nothing you will try to hold on to. If you aren’t afraid of dying, there is nothing you can’t achieve. Trying to control the future is like trying to take the master carpenter’s place. When you handle the master carpenter’s tools, chances are that you’ll cut yourself.

Horror would not annoy a soldier any more than the sight of a hammer annoys a carpenter. It is sentimental to pretend that horror is not the tool of the soldier, just as the hammer is the tool of the carpenter. We live off death and the threat of death and we must take it calmly and use it well.... Eventually I came to enjoy killing, as a pianist enjoys the Czerny which keeps his fingers limber for the Beethoven.

He said that most men were in their lives like the carpenter whose work went so slowly for the dullness of his tools that he had not time to sharpen them.

A hammer looks like a useful tool to a carpenter; the nail has a different impression altogether.

A wandering carpenter, called Stone, saw on his travels a gigantic old oak tree standing in a field near an earth-altar. The carpenter said to his apprentice, who was admiring the oak: "This is a useless tree. If you wanted to make a ship, it would soon rot; if you wanted to make tools, they would break. You can't do anything useful with this tree, and that's why it has become so old.

In these story telling moments we equip our children, with crucial solution tools for life. To deprive them of these necessary teachable moments is like denying a carpenter the tools of his trade.

Soetsu Yanagi, in the "Unknown Craftsman", writes, "Man is most free when his tools are proportionate to his needs." For example, for optimal productivity, a carpenter needs woodworking tools and an environment conducive to his work, not a steam shovel or army tank.

It’s a poor carpenter blames his tools.

He is a woodworker; I’m a carpenter. We both work wood, but the way we approach it, and the tools we use, differ greatly.

Once a first paradigm through which to view nature has been found, there is no such thing as research in the absence of any paradigm. To reject one paradigm without simultaneously substituting another is to reject science itself. That act reflects not on the paradigm but on the man. Inevitably he will be seen by his colleagues as “the carpenter who blames his tools.” The

When Jesus “starts knocking the house about in a way that hurts abominably,” when his work in our lives “does not seem to make sense,” then he’s really getting somewhere. He’s pounding gaping holes in the painted drywall of our own wisdom to reveal the termite-infested 2x4s on the other side. Ripping up the carpet to point out an inch-wide crack in the foundation. What we thought would take a few months to fix and fancy up will, it turns out, require a lifetime of labor. But Christ is okay with that. He was, after all, raised in the home of a carpenter. And he’ll take his sweet time. C. S. Lewis says he “intends to come and live in it Himself,” but the truth is, he’s already moved in, put his underwear and socks in the drawers, and buckled on his tool belt. He’s here for the long haul.

When the boy asked him if this knowledge were a special knowledge only to the blind the blind man said that it was not. He said that most men were in their lives like the carpenter whose work went so slowly for the dullness of his tools that he had no time to sharpen them.

I have missed it my little Chinese book. Forty-four. What is more important, fame or integrity. What is more valuable, money or happiness. What is more dangerous, success or failure. If you look to others for fulfillment, you will never be fulfilled. If your happiness depends on money, you will never be happy. Be content with what you have and take joy in the way things are. When you realize you have all you need, the World belongs to you. Thirty-six. If you want to shrink something, you must first expand it. If you want to get rid of something, you must first allow it to flourish. If you want to take something, you must allow it to be given. The soft will overcome the hard. The slow will beat the fast. Don’t tell people the way, just show them the results. Seventy-four. If you understand that all things change constantly, there is nothing you will hold on to, all things change. If you aren’t afraid of dying, there is nothing you can’t do. Trying to control the future is like trying to take the place of the Master Carpenter. When you handle the Master Carpenter’s tools, chances are that you’ll cut your hand. Thirty-three. Knowing other people is intelligence, knowing yourself is wisdom. Mastering other people is strength, mastering yourself is power. If you realize that what you have is enough, you are rich truly rich. Stay in the center and embrace peace, simplicity, patience and compassion. Embrace the possibility of death and you will endure. Embrace the possibility of life and you will endure. This little book feeds me. It feeds me food I didn’t know existed, feeds me food I wanted to taste, and have never tasted before, food that will nourish me and keep me full and keep me alive. I read it and it feeds me. It lets me see what my life is in simple terms, it simply is what it is, and I can deal with my life on those terms. It is not complicated unless I make it so. It is not difficult unless I allow it to be. A second is no more than a second, a minute no more than a minute, a day no more than a day. They pass. All things and all time will pass. Don’t force or fear, don’t control or lose control. Don’t fight and don’t stop fighting. Embrace and endure. If you embrace, you will endure.

They came from cities of the old world where the means to sustain life were hard to get or own. They were colonists and they were faced with a difficult choice: they had either to subdue this wild land or be subdued by it. We need but turn our eyes upon the imposing sweep of streets and factories and buildings to see how completely they have conquered. But in conquering they used others, used their lives. Like a miner using a pick or a carpenter using a saw, they bent the will of others to their own. Lives to them were tools and weapons to be wielded against a hostile land and climate.

A good writer is likely to know and use, or find out and use, the words for common architectural features, like "lintel," "newel post," "corbelling," "abutment," and the concrete or stone "hems" alongisde the steps leading up into churches or public buildings; the names of carpenters' or pumbers' tools, artists' materials, or whatever furniture, implements, or processes his characters work with; and the names of common household items, including those we do not usually hear named, often as we use them. Above all, the writer should stretch his vocabulary of ordinary words and idioms--words and idioms he sees all the time and knows how to use but never uses. I mean here not language that smells of the lamp but relatively common verbs, nouns, and adjectives. The serious-mined way to vocabulary is to read through a dictionary, making lists of all the common words one happens never to use. And of course the really serious-minded way is to study languages--learn Greek, Latin, and one or two modern languages. Among writers of the first rank one can name very few who were not or are not fluent in at least two. Tolstoy, who spoke Russian, French, and English easily, and other languages and dialects with more difficulty, studied Greek in his forties.

Katsuobushi is dried bonito, or skipjack tuna (Katsuwonus pelamis). Chunks of the fish are smoked and dried into hard blocks, which keep for several months. Along with kombu, katsuobushi is the other main ingredient used in making dashi. Throwing the whole block of fish in the water won't work; it must first be shaved into flakes with a tool that resembles an inverted carpenter's plane. However, almost no one actually prepares the flakes by hand anymore; home cooks buy bags of them at the grocery store or use instant powder preparations instead. Although bonito is the most popular type of dried fish for making dashi, many others are used as well, such as mackerel (sababushi), bluefin tuna (magurobushi), and sardines (niboshi).

SELECTING THE RIGHT TOOLS FOR GOOD BIBLE STUDY Probably one of the best-kept secrets in Christendom is the availability of practical Bible study helps. Many Christians are not aware of the many excellent reference tools currently available to make personal Bible study possible and exciting. This is comparable to a carpenter who sets out to build a house without knowing that a hammer and saw are available to him.

Let our words be like tools in the hands of a skilled carpenter. With God’s help, let’s build something beautiful, intimate, and renewing in our relationships using our words. Let our lives be a place where we invite true friendship to happen.

The desire for limerence drives us to seek perfection in our crafts. Sometimes, when we are absorbed in some task, the skull barrier begins to disappear. An expert rider feels at one with the rhythms of the horse she is riding. A carpenter merges with the tool in his hands. A mathematician loses herself in the problem she is solving. In these sublime moments, internal and external patterns are meshing and flow is achieved.

Whenever a tool is handled with ease and with a minimum of false motions, so that it will produce accurate and satisfactory results, it is handled in the right way. The constant aim of every carpenter, especially the apprentice, should be to eliminate false motions in everything he does.” — Carpenter’s Tools, H. H. Seigele

I admired Bolden’s abilities. I’ve long thought that a good prosecutor is a well-trained union carpenter building a sturdy house with shiny tools and freshly hewn wood. She follows blueprints to the letter, makes sure the framing is in plumb, lines up the two-by-fours, and hammers the nails straight. The best courtroom carpenters are Renaissance men and women. They double as bricklayers, installers, tapers, finishers, electricians, and even plumbers. They can build the whole damn house, and it’s a thing of beauty that will pass the toughest inspection by city inspectors . . . or juries. Until the defense lawyers come along. We’re the stealthy vandals wielding crowbars and spray paint. We tear down door frames, break windows, and spray graffiti on the walls. Our job is to destroy what the carpenters have built and feed it into the woodchipper.

How frustrated the impatient carpenter, whose tools have legs and free will.

How frustrated the impatient carpenter, whose tools have wings and free will.

In all over 400 dives were made on Nevada totaling over 1500 diving hours. The divers performed all manner of work from underwater cutting with oxy-hydrogen and electric torches to hydraulic and syphon excavating, to using dynamite to remove sections of the docking keel, to the use of hand and pneumatic tools for drilling and setting patches. They also did much interior work for pumping operations, adjusting watertight closures, etc. The successful accomplishment of all assigned diving tasks without casualty or injury was the result of excellent supervision on the part of Lieutenant Commander H. E. Haynes, who was in general charge of all diving, plus Gunner Duckworth of Widgeon, Gunner Arnold Larson of Ortolan, and Carpenter Mahan of the Salvage Division.

I thought the Vedas were a load of humbug and it didn’t matter which way you recited them. Some jobless Brahmin like my father, created them thousands of years ago. Instead of making themselves useful, the Brahmins prayed to the Gods they themselves invented for the rain, the sun, horses, cows and money and many other things. It must have been very cold, from whichever cursed places they came. Otherwise, why would they croak like frogs and appeal to the Gods after putting hundreds of assorted twigs into the fire? Perhaps I was prejudiced. I shouldn’t think that the work they were doing, as Yajnas, was useless. In fact, it served as a perfect tool to mint money and gain material favours. They were no fools-these Brahmins. They knew how to project even the mundane tasks of burning twigs as earth-shaking, scientific discoveries and claimed to tame the forces that controlled the world. And it was funny that the majority of people like the carpenters, masons and farmers who were doing something meaningful, had become supplicant to these jokers croaking under the warm sun, sweat pouring from their faces in front of a raging fire and chanting God knows what. They had a Yajna or a Puja for everything under the sun. If you had leprosy or a common cold, there was a God to whom you had to offer a special puja to appease him. You wanted your pestering wife to elope with your bothersome neighbour, there was a puja for that too. You wanted your cow to have a calf or your wife to have son, the Brahmin would help you. He would just conduct a Puja and a divine calf or son would be born. You curried favour with the Brahmins and your son would become the biggest pundit in the world by the age of sixteen. If not, he would perhaps become rowdy like me, who did not respect Brahmins or rituals. He would become a Rakshasa. I think there are many more Rakshasas among us now. Perhaps, it was because the ‘why?’ virus spread. Couldn’t the Brahmins conduct a puja so that our heads were cleared of sinful thoughts? This is something I have to ponder over when I have time.

Should’ve stayed a carpenter,” he whispered. But the sword had been the easier choice. To work wood you need all manner of tools–chisels and saws, axes great and small, nails and hammers, awls and planes. To be a killer you just need two. A blade and the will.

Because of your arrogance you have become nothing but a puppet, a court jester who believes that he has no choice other than what you remembered you could do a long time ago. Your only reason for existence now is to keep men in fear of what we see as Demons. They are the ones who control what may happen to them if they choose to take, what we are led to believe is the wrong path. The trail leads us away from his protection. You are arrogant and because of your vanity, you have become blinded to the truth. Do you not know that you cannot take a soul from a man whose future has already been set? I also know this is someone you cannot overrule have the power to overrule? Even if you tried to take me from here, your power would be overruled. You are the tool of the carpenter, not the carpenter.

Because of your arrogance you have become nothing but a puppet, a court jester who believes that he has no choice other than what you remembered you could do a long time ago. Your only reason for existence now is to keep men in fear of what we see as Demons. They are the ones who control what may happen to them if they choose to take, what we are led to believe is the wrong path. The trail leads us away from his protection. You are arrogant and because of your vanity, you have become blinded to the truth. Do you not know that you cannot take a soul from a man whose future has already been set? I also know this is someone you cannot overrule have the power to overrule? Even if you tried to take me from here, your power would be overruled. You are the tool of the carpenter, not the carpenter.

Just as carpenters need a variety of tools to build an attractive house or a piece of fine furniture, counselors require a variety of methods to help people rebuild tragedy-shattered lives, dysfunctional relationships, or destructive religious beliefs and values.

All factors of production operate in concrete specific ways to produce use values. Tropical soils grow mangoes. Carpenters work wood. Precision lathes fashion metal tools. But in capitalist economies the essential object is not production of use values for consumption. It is production of goods as value objects for the abstract social goal of value augmentation or profit making. Capitalist value augmentation, in other words, requires a factor of production that has both a concrete specific and abstract general aspect. That factor of production is human labor power. Only it can be shifted from one concrete specific form of production to another: Or, alternatively, rendered indifferent to production of specific use values in favor of producing any good as a vehicle for value augmentation. Labor power cannot be rendered indifferent to production of specific use values unless it is “freed” from access to its means of livelihood and extra-economic social relations confining it to task and/or place. Capital, in other words, requires the conversion of the direct producers into a proletarian class. This is its sine qua non.

Maybe I dont either. Only, Jesus, some day you are bound to fall in love. They just wouldn't beat you that way. It would be like if God had got Jesus born and saw that He had the carpenter tools and then never gave Him anything to build with them. Dont you believe that?

It is good, at certain hours of the day and night, to look closely at the world of objects at rest. Wheels that have crossed long, dusty distances with their mineral and vegetable burdens, sacks from the coal bins, barrels, and baskets, handles and hafts for the carpenter's tool chest. From them flow the contacts of man with the earth, like a text for all troubled lyricists. The used surfaces of things, the wear that the hands give to things, the air, tragic at times, pathetic at others, of such things - all lend a curious attractiveness to the reality of the world that should not be underprized.

But limitations can also be possibilities. In fact, ours directly indicate the fundamental power of the medium: because the constraints of photography align so intimately with those that we all experience every moment, the photograph is absolutely unique in its ability to convey the human conundrum. Working with a camera allows the maker to approach the predicament - and to tentatively resolve it - in ways unmatched by the use of any other tool, and not just in degree but in kind.

I want to imagine a whole forest of useless trees, branches densely interwoven, providing an impenetrable habitat for birds, snakes, lizards, squirrels, insects, fungi, and lichen. And eventually, through this generous, shaded, and useless environment might come a weary traveler from the land of usefulness, a carpenter who has laid down his tools. Maybe after a bit of dazed wandering, he might take a cue from the animals and have a seat beneath an oak tree. Maybe, for the first time ever, he’d take a nap.

The Internet is home to many a treatise about the Best This or the Cool New Way to Do That.16 But this obsession with tools is misguided. Unless you’re a carpenter, a mechanic, or a surgeon, choosing the perfect tool is usually a distraction, yet another way to stay busy instead of doing the work you want to be doing.

Paradox is not just a logician’s art. It is every man’s tool to understand the real world we inhabit for a short time, and how it shapes our everlasting life. Paradox is a tool so common that a carpenter once used it to explain the depth of our existence.

Having top-of-the-line tools is imperative, but being the top-notch carpenter who masterfully uses those tools is even more critical.

Kathleen.” He made no attempt to hide the lust in his gaze. “If you hold still, I’ll help you with your skirt. But if you run from me, you’re going to be caught.” He took an unsteady breath before adding softly, “And I’ll make you come for me again.” Her eyes turned huge. He took a deliberate step forward. She bolted across the nearest threshold and fled to the carriage room. Devon was at her heels instantly, following her past the workshop with its long carpenter’s benches and tool cupboards. The carriage room smelled pleasantly of sawdust, axle grease, lacquer varnish, and leather polish. It was quiet and shadowy, illuminated only by a row of skylights over massive hinge-strapped doors that could be opened onto the estate’s carriage drive. Kathleen darted through rows of vehicles used for different purposes; carts, wagons, a light brougham, a landau with a folding top, a phaeton, a hooded barouche for summer. Devon circled around and intercepted her beside the family coach, a huge, stately carriage that could only be pulled by six horses. It had been designed as a symbol of power and prestige, with the Ravenel family crest--a trio of black ravens on a white and gold shield--painted on the sides. Halting abruptly, Kathleen stared at him through the semidarkness. Taking the overskirt from her, Devon dropped it to the floor, and pinned her against the side of the carriage. “My riding skirt,” she exclaimed in dismay. “You’ll ruin it.” Devon laughed. “You were never going to wear it anyway.” He began to unbutton her riding jacket, while she sputtered helplessly.

A carpenter needs tools that are sharpened to cut.