Carpenter Hands Quotes

I have scars on my hands from touching certain people…Certain heads, certain colours and textures of human hair leave permanent marks on me.

Then all this became history. Your hand found mine. Life rushed to my fingers like a blood clot. Oh, my carpenter, the fingers are rebuilt. They dance with yours.

Trying to control the future is like trying to take the master carpenter's place. When you handle the master carpenter's tools, chances are that you'll cut your hand.

He shook his head pityingly. “This, more than anything else, is what I have never understood about your people. You can roll dice, and understand that the whole game may hinge on one turn of a die. You deal out cards, and say that all a man's fortune for the night may turn upon one hand. But a man's whole life, you sniff at, and say, what, this naught of a human, this fisherman, this carpenter, this thief, this cook, why, what can they do in the great wide world? And so you putter and sputter your lives away, like candles burning in a draft.” “Not all men are destined for greatness,” I reminded him. “Are you sure, Fitz? Are you sure? What good is a life lived as if it made no difference at all to the great life of the world? A sadder thing I cannot imagine. Why should not a mother say to herself, if I raise this child aright, if I love and care for her, she shall live a life that brings joy to those about her, and thus I have changed the world? Why should not the farmer that plants a seed say to his neighbor, this seed I plant today will feed someone, and that is how I change the world today?” “This is philosophy, Fool. I have never had time to study such things.” “No, Fitz, this is life. And no one has time not to think of such things. Each creature in the world should consider this thing, every moment of the heart's beating. Otherwise, what is the point of arising each day?

It's one of the things that makes us different than they are, Harry. The blood on their hands does not make it right to bloody my own. My choices are measured against my own soul. Not against the stains on theirs.

Shame, child, is for those who fail to live up to the ideal of what they believe they should be." She waved her hand. "It was shame that drove me to my queen, to beseech her aid." Her long, delicate fingers idly moved to the streaks of white in her otherwise flawless red tresses. "But she showed me the way back to myself, through exquisite pain, and now I am here to watch over my dear godson--and the rest of you, as long as it is quite convenient." Spooky death Sidhe lady," Molly said. "Now upgraded to spooky, crazy death Sidhe lady.

If or when I do start going to an analyst, I hope to God he has the foresight to let a dermatologist sit in on the consultation. A hand specialist. I have scars on my hands from touching certain people... Certain heads, certain colours and textures of human hair leave permanent marks on me. Other things, too. Charlotte once ran away from me, outside the studio, and I grabbed her dress to stop her, to keep her near me. A yellow cotton dress I loved because it was too long for her. I still have a lemon-yellow mark on the palm of my right hand. Oh God, if I'm anything by a clincal name, I'm a kind of paranoiac in reverse. I suspect people of plotting to make me happy.

Most dogs, when you hold a leash up, go nuts and run to the door. Crash, on the other hand barely looks up from his spot on the couch. His expression is saying, What the hell are you doing with that thing?

I have scars on my hand from touching certain people. Once, in the park, when Frannie was still in the carriage, I put my hand on the downy pate of her head and left it there too long. Another time, at Loew's Seventy-second Street, with Zooey during a spooky movie. He was about six or seven, and he went under the seat to avoid watching a scary scene. I put my hand on his head. Certain heads, certain colors and textures of human hair leave permanent marks on me. Other things, too. Charlotte once ran away from me, outside the studio, and I grabbed her dress to stop her, to keep her near me. A yellow cotton dress I loved because it was too long for her. I still have a lemon-yellow mark on the palm of my right hand.

Haldir had gone on and was now climbing to the high flet. As Frodo prepared to follow him, he laid his hand upon the tree beside the ladder: never before had he been so suddenly and so keenly aware of the feel and texture of a tree's skin and of the life within it. He felt a delight in wood and the touch of it, neither as forester nor as carpenter; it was the delight of the living tree itself.

Jesus is not a heavenly conductor handing out tickets to heaven. Jesus is the carpenter who repairs, renovates, and restores God’s good world.

There is some of the same fitness in a man's building his own house that there is in a bird's building its own nest. Who knows but if men constructed their dwellings with their own hands, and provided food for themselves and families simply and honestly enough, the poetic faculty would be universally developed, as birds universally sing when they are so engaged? But alas! we do like cowbirds and cuckoos, which lay their eggs in nests which other birds have built, and cheer no traveller with their chattering and unmusical notes. Shall we forever resign the pleasure of construction to the carpenter?

...but for the Girl Writing A Letter these things don't matter, she's got a beer in her free hand, she's on the road, she's real and she's in love.

An instant later, a silk hat materialised in the air beside me, considerably down and to the left, and my special, only technically unassigned cohort grinned up at me - for a moment, I rather thought he was going to slip his hand into mine.

This, more than anything else, is what I have never understood about your people. You can roll dice, and understand that the whole game may hinge on one turn of a die. You deal out cards, and say that all a man's fortune for the night may turn upon one hand. But a man's whole life, you sniff at, and say, what, this naught of a human, this fisherman, this carpenter, this thief, this cook, why, what can they do in the great wide world? And so you putter and sputter your lives away, like candles burning in a draft.

Charlotte once ran away from me, outside the studio, and I grabbed her dress to stop her, to keep her near me. A yellow cotton dress I loved because it was too long for her. I still have a lemon-yellow mark on the palm of my right hand.

When Seymour and I were five and three, Les and Bessie played on the same bill for a couple of weeks with Joe Jackson -- the redoubtable Joe Jackson of the nickel-plated trick bicycle that shone like something better than platinum to the very last row of the theater. A good many years later, not long after the outbreak of the Second World War, when Seymour and I had just recently moved into a small New York apartment of our own, our father -- Les, as he'll be called hereafter -- dropped in on us one evening on his way home from a pinochle game. He quite apparently had held very bad cards all afternoon. He came in, at any rate, rigidly predisposed to keep his overcoat on. He sat. He scowled at the furnishings. He turned my hand over to check for cigarette-tar stains on my fingers, then asked Seymour how many cigarettes he smoked a day. He thought he found a fly in his highball. At length, when the conversation -- in my view, at least -- was going straight to hell, he got up abruptly and went over to look at a photograph of himself and Bessie that had been newly tacked up on the wall. He glowered at it for a full minute, or more, then turned around, with a brusqueness no one in the family would have found unusual, and asked Seymour if he remembered the time Joe Jackson had given him, Seymour, a ride on the handle bars of his bicycle, all over the stage, around and around. Seymour, sitting in an old corduroy armchair across the room, a cigarette going, wearing a blue shirt, gray slacks, moccasins with the counters broken down, a shaving cut on the side of his face that I could see, replied gravely and at once, and in the special way he always answered questions from Les -- as if they were the questions, above all others, he preferred to be asked in his life. He said he wasn't sure he had ever got off Joe Jackson's beautiful bicycle.

A carpenter is hired- a roof repaired, a porch built. Everything that can be fixed. June, July, August. Everyday we hear their laughter. I think of the painting by van Gogh, the man in the chair. Everything wrong, and nowhere to go. His hands over his eyes.

Дланите ми се потят, червата ми се бунтуват. Хармоничната личност никаква я няма. The hands are sweating, the bowels churning. The Integrated Man is simply not at home.

When the Word became flesh and dwelt among us, he was a carpenter crafting works of wood with his hands, revealing to us the essence of his nature. The miracles he performed demonstrated that he had the power to mend and manipulate the architecture of matter, which he himself had designed. He was telling us who he was, telegraphing to the crowds that followed him, the Maker is walking in your midst.

The sun was shining on the sea, Shining with all his might: He did his very best to make The billows smooth and bright-- And this was odd, because it was The middle of the night. The moon was shining sulkily, Because she thought the sun Had got no business to be there After the day was done-- "It's very rude of him," she said, "To come and spoil the fun!" The sea was wet as wet could be, The sands were dry as dry. You could not see a cloud, because No cloud was in the sky: No birds were flying over head-- There were no birds to fly. The Walrus and the Carpenter Were walking close at hand; They wept like anything to see Such quantities of sand: "If this were only cleared away," They said, "it WOULD be grand!" "If seven maids with seven mops Swept it for half a year, Do you suppose," the Walrus said, "That they could get it clear?" "I doubt it," said the Carpenter, And shed a bitter tear. "O Oysters, come and walk with us!" The Walrus did beseech. "A pleasant walk, a pleasant talk, Along the briny beach: We cannot do with more than four, To give a hand to each." The eldest Oyster looked at him. But never a word he said: The eldest Oyster winked his eye, And shook his heavy head-- Meaning to say he did not choose To leave the oyster-bed. But four young oysters hurried up, All eager for the treat: Their coats were brushed, their faces washed, Their shoes were clean and neat-- And this was odd, because, you know, They hadn't any feet. Four other Oysters followed them, And yet another four; And thick and fast they came at last, And more, and more, and more-- All hopping through the frothy waves, And scrambling to the shore. The Walrus and the Carpenter Walked on a mile or so, And then they rested on a rock Conveniently low: And all the little Oysters stood And waited in a row. "The time has come," the Walrus said, "To talk of many things: Of shoes--and ships--and sealing-wax-- Of cabbages--and kings-- And why the sea is boiling hot-- And whether pigs have wings." "But wait a bit," the Oysters cried, "Before we have our chat; For some of us are out of breath, And all of us are fat!" "No hurry!" said the Carpenter. They thanked him much for that. "A loaf of bread," the Walrus said, "Is what we chiefly need: Pepper and vinegar besides Are very good indeed-- Now if you're ready Oysters dear, We can begin to feed." "But not on us!" the Oysters cried, Turning a little blue, "After such kindness, that would be A dismal thing to do!" "The night is fine," the Walrus said "Do you admire the view? "It was so kind of you to come! And you are very nice!" The Carpenter said nothing but "Cut us another slice: I wish you were not quite so deaf-- I've had to ask you twice!" "It seems a shame," the Walrus said, "To play them such a trick, After we've brought them out so far, And made them trot so quick!" The Carpenter said nothing but "The butter's spread too thick!" "I weep for you," the Walrus said. "I deeply sympathize." With sobs and tears he sorted out Those of the largest size. Holding his pocket handkerchief Before his streaming eyes. "O Oysters," said the Carpenter. "You've had a pleasant run! Shall we be trotting home again?" But answer came there none-- And that was scarcely odd, because They'd eaten every one.

Питам се до каква степен на човек му е позволено да се възхищава от ръцете на брат си, без това да накара няколко модерни психоаналитични вежди да се повдигнат. To what extent, I wonder, may one be allowed to admire one's brother's hands without raising a few modern eyebrows?

In the long ago, in the gentle days, Brother Grumlow carved wood, worked with saw and chisel. When hard times come carpenters are apt to get nailed to crosses. Grumlow took up the knife and learned to carve men. He looks soft, my brother of the blade, slight in build, light in colour, weak chin, sad eyes, all of him drooping like the moustache that hangs off his lip. Yet he has fast hands and no fear of a sharp edge. Come against him with just a dagger for company and he will cut you a new opinion.

Hannah stands to leave, but Ms. Carpenter rests a hand on her arm. ‘Hannah,’ she says, ‘I want you to know I’m proud of you. Keep going, okay? Don’t lose faith.

If you try to cut wood like a master carpenter, you will only hurt your hand.

At the moment, sitting on the edge of the bed with his eleven pages in his hands, he recognized a great similarity between stealing and writing. Both were intensely private matters.

Is not the Great Executor always there to kill? To do the killing for the Great Executor Is to chop wood for a master carpenter, And you would be very lucky indeed if you did not hurt your own hand!

On hearing himself called Polendina for the third time, Geppetto lost his head with rage and threw himself upon the carpenter. Then and there they gave each other a sound thrashing. After this fight, Mastro Antonio had two more scratches on his nose, and Geppetto had two buttons missing from his coat. Thus having settled their accounts, they shook hands and swore to be good friends for the rest of their lives.

Behind the blob, I notice another Darling lurking in the corner. He has a wooden spoon in one hand and a hammer in the other. Chefarpenter, because they couldn’t decide if he should be a chef or a carpenter.

THAT SPRING NIGHT, FIVE MONTHS AFTER THE GRENADE ATTACK, everything changed for me. As I sat and cried with my mother, I resolved that I was going to move forward and create a new life out of what I had been handed.

Where is it, Rudolf?” she whispers, pressing herself against me. “Tell me where it is! Has a piece of me been left behind everywhere? In all the mirrors I have looked into? I have seen lots of them, countless ones! Am I scattered everywhere in them? Has each of them taken some part of me? A thin impression, a thin slice of me? Have I been shaved down by mirrors like a piece of wood by a carpenter’s plane? What is still left of me?” I take her by the shoulders. “All of you is still here,” I say. “On-the contrary, mirrors add something. They make it visible and give it to you—a bit of space, a lighted bit of our-self.” “Myself?” She continues to cling to my hand. “But suppose it is not that way? Suppose myself is buried all over in thousands and thousands of mirrors? How can I get it back? Oh, I can never get it back! It is lost! Lost! It has been rubbed away like a statue that no longer has a face. Where is my face? Where is my first face? The one before all the mirrors? The one before they began to steal me!” “No one has stolen you,” I say in desperation. “Mirrors don’t steal. They only reflect.

For any sustained and more or less original work it seems most necessary that one should have the quietude and strength of Nature at hand, like a great reservoir from which to draw. The open air, and the physical and mental health that goes with it, the sense of space and freedom of the Sky, the vitality and amplitude of the Earth -- these are real things from which one can only cut oneself off at serious peril and risk to one's immortal soul.

Sailors tended to collect things on their travels. His bosun kept a small box stuffed with plant seeds from foreign ports, a whole future garden in potentia; his carpenter kept a bag of heathen votives and shrunken heads. Curiosities, both natural and artificial, were difficult for wandering seamen to resist. One of the hands on Sparhawk’s first snow had found a giant clamshell on Fiji and brought it aboard. When his shipmates quizzed him on what he planned to do with it, he said he hadn’t the slightest idea—but he knew that he should regret leaving it behind.

But what if things aren’t what they seem? As you said, there is no truth in the Digital Sea.” “Eventually we must cling to some reality,” Mekena said. “Even if we are not sure it is the most real. One can wait for a whole lifetime for the reality we want and miss the one we have in our hands.

The more he loved and was loved, the better his life got. At once it seemed to Jack like a magical solution to everything. If only everyone loved everyone else! Then there would be no trouble in the world. It seemed so easy. If we all just reached our hands out to each other, what peaks of human joy could we not achieve!

West was the only officer on the quarterdeck, and it so happened that the party of hands making dolphins and paunch-mats on the forecastle were all Shelmerstonians. West was gaping rather vacantly over the taffrail when he saw an extraordinarily handsome woman ride along the quay, followed by a groom. She dismounted at the height of the ship, gave the groom her reins, and darted straight across the brow and so below.    'Hey there,' he cried, hurrying after her, 'this is Dr Maturin's cabin. Who are you, ma'am?'    'I am his wife, sir,' she said, 'and I beg you will desire the carpenter to sling a cot for me here.' She pointed, and then bending and peering out of the scuttle she cried 'Here they are. Pray let people stand by to help him aboard: he will be lying on a door.' She urged West out of the cabin and on deck, and there he and the amazed foremast hands saw a blue and gold coach and four, escorted by a troop of cavalry in mauve coats with silver facings, driving slowly along the quay with their captain and a Swedish officer on the box, their surgeon and his mate leaning out of the windows, and all of them, now joined by the lady on deck, singing Ah tutti contenti saremo cosí, ah tutti contenti saremo, saremo cosí with surprisingly melodious full-throated happiness.

One does feel proud to belong to the human race when one sees the wonderful things human beings have fashioned with their hands. They have been creators–they must share a little the holiness of the Creator, who made the world and all that was in it, and saw that it was good. But he left more to be made. He left the things to be fashioned by men’s hands. He left them to fashion them, to follow in his footsteps because they were made in his image, to see what they made, and see that it was good. The pride of creation is an extraordinary thing. Even the carpenter who once fashioned a particularly hideous towel-rail of wood for one of our expedition houses had the creative spirit. When asked why he had put such enormous feet on it against orders, he said reproachfully: ‘I had to make it that way because it was so beautiful like that!’ Well, it seemed hideous to us, but it was beautiful to him, and he made it in the spirit of creation, because it was beautiful. Men

A familiar melody suddenly drifts through the little living room. It makes me freeze, and I don't know why. And then I hear the silky, sweet sound of Karen Carpenter's voice. "'Rainy Days and Mondays,'" Alex says. I can't find my voice. I just stare ahead, fighting back the tears. Alex sits down beside me. I know he senses that something's wrong. "I'm sorry," he says quickly. "If you don't like it, I'll turn it off." "No," I say. "No. Please don't." I wipe a tear from my eye, just as another spills onto my cheek. "My husband loved this song." I smile. "Which made him the only straight man on earth to love the Carpenters." Alex grins. "The only two straight men on earth." I smile again. For some reason, I feel someone has lifted a great weight from my shoulders, just for a moment. "James died on a Monday," I say. We sit there for a moment listening to the song together, each alone in our own thoughts, until Alex reaches over and takes my hand in his. I don't let go.

To illustrate the marked atmospheric contrast between the two cities, the writer Frank Carpenter observed that in New York, “a streetcar will not wait for you if you are not just at its stopping point. It goes on and you must stand there until the next car comes along. In Washington people a block away signal the cars by waving their hands or their umbrellas. Then they walk to the car at a leisurely pace, while the drivers wait patiently and the horses rest.” While the capital might lack “the spirit of intense energy” that animated New York, Carpenter concluded that Washington, with its broad, clean streets and fine marble buildings (and its shanties generally hidden from view), offered “the pleasanter place in which to live.

If the people never fear death, what is the purpose of threatening to kill them? If the people ever fear death, and I were to capture and kill those who are devious, who would dare to be so? If the people must be ever fearful of death, then there will always be an executioner. Now, To kill in place of the executioner Is like Hewing wood in place of the master carpenter; Few indeed will escape cutting their own hands!

[quoting British philosopher Edward Carpenter] I used to go and sit on the beach at Brighton and dream, and now I sit on the shore of human life and dream practically the same dreams. I remember about that time that I mention - or it may have been a trifle later - coming to the distinct conclusion that there were only two things really worth living for - the glory and beauty of Nature, and the glory and beauty of human love and friendship. And to-day I still feel the same. What else indeed is there? All the nonsense about riches, fame, distinction, ease, luxury and so forth - how little does it amount to! These things are so obviously second-hand affairs, useful only and in so far as they may lead to the first two, and short of their doing that liable to become odious and harmful. To become united and in line with the beauty and vitality of Nature (but, Lord help us! we are far enough off from that at present), and to become united with those we love - what other ultimate object in life is there? Surely all these other things, these games and examinations, these churches and chapels, these district councils and money markets, these top-hats and telephones and even the general necessity of earning one's living - if they are not ultimately for that, what are they for?

You can roll dice, and understand that the whole game may hinge on one turn of a die. You deal out cards, and say that all a man’s fortune for the night may turn upon one hand. But a man’s whole life, you sniff at, and say, what, this nought of a human, this fisherman, this carpenter, this thief, this cook, why, what can they do in the great wide world? And so you putter and sputter your lives away, like candles burning in a draught.

FOR NEARLY THIRTY years, the One who had crafted the universe with His voice crafted furniture with His hands. And He was good at what He did—no crooked table legs ever came out of the carpenter’s shop in Nazareth.1 But Jesus was more than a master carpenter. He was also God incognito. His miraculous powers rank as history’s best-kept secret for nearly three decades, but all that changed the day water blushed in the face of its Creator.

Jesus must have had man hands. He was a carpenter, the Bible tells us. I know a few carpenters, and they have great hands, all muscled and worn, with nicks and callused pads from working wood together with hardware and sheer willpower. In my mind, Jesus isn't a slight man with fair hair and eyes who looks as if a strong breeze could knock him down, as he is sometimes depicted in art and film. I see him as sturdy, with a thick frame, powerful legs, and muscular arms. He has a shock of curly black hair and an untrimmed beard, his face tanned and lined from working in the sun. And his hands—hands that pounded nails, sawed lumber, drew in the dirt, and held the children he beckoned to him. Hands that washed his disciples' feet, broke bread for them, and poured their wine. Hands that hauled a heavy cross through the streets of Jerusalem and were later nailed to it. Those were some man hands.

Who knows but if men constructed their dwellings with their own hands, and provided food for themselves and families simply and honestly enough, the poetic faculty would be universally developed, as birds universally sing when they are so engaged? But alas! we do like cowbirds and cuckoos, which lay their eggs in nests which other birds have built, and cheer no traveller with their chattering and unmusical notes. Shall we forever resign the pleasure of construction to the carpenter? What does architecture amount to in the experience of the mass of men? I never in all my walks came across a man engaged in so simple and natural an occupation as building his house. We belong to the community. It is not the tailor alone who is the ninth part of a man; it is as much the preacher, and the merchant, and the farmer. Where is this division of labor to end? and what object does it finally serve? No doubt another may also think for me; but it is not therefore desirable that he should do so to the exclusion of my thinking for myself.

I'm profoundly attracted to classical Zen literature, I have the gall to lecture on it and the literature of Mahayana Buddhism one night a week at college, but my life itself couldn't very conceivably be less Zenful than it is, and what little I've been able to apprehend - I pick that verb with care - of the Zen experience has been a by-result of following my own rather natural path of extreme Zenlessness. Largely because Seymour himself literally begged me to do so, and I never knew him to be wrong in these matters.) Happily for me, and probably for everybody, I don't believe it's really necessary to bring Zen into this. The method of marble-shooting that Seymour, by sheer intuition, was recommending to me can be related, I'd say, legitimately and un-Easternly, to the fine art of snapping a cigarette end into a small wastebasket from across a room. An art, I believe, of which most male smokers are true masters only when either they don't care a hoot whether or not the butt goes into the basket or the room has been cleared of eyewitnesses, including, quite so to speak, the cigarette snapper himself. I'm going to try hard not to chew on that illustration, delectable as I find it, but I do think it proper to append - to revert momentarily to curb marbles - that after Seymour himself shot a marble, he would be all smiles when he heard a responsive click of glass striking glass, but it never appeared to be clear to him whose winning click it was. And it's also a fact that someone almost invariably had to pick up the marble he'd won and hand it to him.

The Walrus and the Carpenter Were stalking close at hand: They grinned maniacally to see The forming of her band: 'If this were only cleared away,' They said, 'it would be grand!' 'If nine big men with nine big cocks Presumed to hold her near, Do you suppose,' the Walrus said, 'That we could get her clear?' 'I know it' said the Carpenter, And gave an awful leer. 'O Alice, come and walk with us!' The Walrus did beseech 'A pleasant walk, a pleasant talk, And mend this bloody breach: We can still slaughter nine or more, So say goodbye to each.

We decided to attend to our community instead of asking our community to attend the church.” His staff started showing up at local community events such as sports contests and town hall meetings. They entered a float in the local Christmas parade. They rented a football field and inaugurated a Free Movie Night on summer Fridays, complete with popcorn machines and a giant screen. They opened a burger joint, which soon became a hangout for local youth; it gives free meals to those who can’t afford to pay. When they found out how difficult it was for immigrants to get a driver’s license, they formed a drivers school and set their fees at half the going rate. My own church in Colorado started a ministry called Hands of the Carpenter, recruiting volunteers to do painting, carpentry, and house repairs for widows and single mothers. Soon they learned of another need and opened Hands Automotive to offer free oil changes, inspections, and car washes to the same constituency. They fund the work by charging normal rates to those who can afford it. I heard from a church in Minneapolis that monitors parking meters. Volunteers patrol the streets, add money to the meters with expired time, and put cards on the windshields that read, “Your meter looked hungry so we fed it. If we can help you in any other way, please give us a call.” In Cincinnati, college students sign up every Christmas to wrap presents at a local mall — ​no charge. “People just could not understand why I would want to wrap their presents,” one wrote me. “I tell them, ‘We just want to show God’s love in a practical way.’ ” In one of the boldest ventures in creative grace, a pastor started a community called Miracle Village in which half the residents are registered sex offenders. Florida’s state laws require sex offenders to live more than a thousand feet from a school, day care center, park, or playground, and some municipalities have lengthened the distance to half a mile and added swimming pools, bus stops, and libraries to the list. As a result, sex offenders, one of the most despised categories of criminals, are pushed out of cities and have few places to live. A pastor named Dick Witherow opened Miracle Village as part of his Matthew 25 Ministries. Staff members closely supervise the residents, many of them on parole, and conduct services in the church at the heart of Miracle Village. The ministry also provides anger-management and Bible study classes.

At sixteen I began to think of adopting a profession, and successively tried my hand at everything. I turned soldier but was not brave enough; I became a monk but was not devout enough, and besides, I could not drink hard enough. In despair, I apprenticed myself to a carpenter, but was not strong enough. I had a much greater fancy to be a school-master. True, I had not learned to read; but what of that? After some time I discovered that, owing to some deficiency or other, I was fit for nothing, and therefore set up for a poet. This is a profession to which a man who is a vagabond may always betake himself, and it is better than to thieve, as some young rogues of my acquaintance advised me to do.

Katsuobushi is dried bonito, or skipjack tuna (Katsuwonus pelamis). Chunks of the fish are smoked and dried into hard blocks, which keep for several months. Along with kombu, katsuobushi is the other main ingredient used in making dashi. Throwing the whole block of fish in the water won't work; it must first be shaved into flakes with a tool that resembles an inverted carpenter's plane. However, almost no one actually prepares the flakes by hand anymore; home cooks buy bags of them at the grocery store or use instant powder preparations instead. Although bonito is the most popular type of dried fish for making dashi, many others are used as well, such as mackerel (sababushi), bluefin tuna (magurobushi), and sardines (niboshi).

I have missed it my little Chinese book. Forty-four. What is more important, fame or integrity. What is more valuable, money or happiness. What is more dangerous, success or failure. If you look to others for fulfillment, you will never be fulfilled. If your happiness depends on money, you will never be happy. Be content with what you have and take joy in the way things are. When you realize you have all you need, the World belongs to you. Thirty-six. If you want to shrink something, you must first expand it. If you want to get rid of something, you must first allow it to flourish. If you want to take something, you must allow it to be given. The soft will overcome the hard. The slow will beat the fast. Don’t tell people the way, just show them the results. Seventy-four. If you understand that all things change constantly, there is nothing you will hold on to, all things change. If you aren’t afraid of dying, there is nothing you can’t do. Trying to control the future is like trying to take the place of the Master Carpenter. When you handle the Master Carpenter’s tools, chances are that you’ll cut your hand. Thirty-three. Knowing other people is intelligence, knowing yourself is wisdom. Mastering other people is strength, mastering yourself is power. If you realize that what you have is enough, you are rich truly rich. Stay in the center and embrace peace, simplicity, patience and compassion. Embrace the possibility of death and you will endure. Embrace the possibility of life and you will endure. This little book feeds me. It feeds me food I didn’t know existed, feeds me food I wanted to taste, and have never tasted before, food that will nourish me and keep me full and keep me alive. I read it and it feeds me. It lets me see what my life is in simple terms, it simply is what it is, and I can deal with my life on those terms. It is not complicated unless I make it so. It is not difficult unless I allow it to be. A second is no more than a second, a minute no more than a minute, a day no more than a day. They pass. All things and all time will pass. Don’t force or fear, don’t control or lose control. Don’t fight and don’t stop fighting. Embrace and endure. If you embrace, you will endure.

The landscape conveys an impression of absolute permanence. It is not hostile. It is simply there—untouched, silent and complete. It is very lonely, yet the absence of all human traces gives you the feeling you understand this land and can take your place in it. EDMUND CARPENTER Once in his life a man ought to concentrate his mind upon the remembered earth. He ought to give himself up to a particular landscape in his experience; to look at it from as many angles as he can, to wonder upon it, to dwell upon it. He ought to imagine that he touches it with his hands at every season and listens to the sounds that are made upon it. He ought to imagine the creatures there and all the faintest motions of the wind. He ought to recollect the glare of the moon and the colors of the dawn and dusk. N. SCOTT MOMADAY

I think he had a very, very good smile, for somebody whose teeth were somewhere between so-so and bad. What seems not a whit onerous to write about is the mechanics of it. His smile often went backward or forward when all the other facial traffic in the room was either not moving at all of moving the in opposite direction. His distributor wasn't standard, even in the family. He could look grave, to to say funereal, when candles on small children's birthday cakes were being blown out. On the other hand, he could look positively delighted when one of the kids showed him where he or she had scraped a shoulder swimming under the float. Technically, I think, he had no social smile whatever, and yet it seems true (maybe just a trifle extravagant) to say that nothing essentially right was ever missing in his face.

Paradiso, XXXI,108 Diodorus Siculus tells the story of a god that is cut into pieces and scattered over the earth. Which of us, walking through the twilight or retracing some day in our past, has never felt that we have lost some infinite thing? Mankind has lost a face, an irrecoverable face, and all men wish they could be that pilgrim (dreamed in the empyrean, under the Rose) who goes to Rome and looks upon the veil of St. Veronica and murmurs in belief: My Lord Jesus Christ, very God, is this, indeed, Thy likeness in such fashion wrought?* There is a face in stone beside a path, and an inscription that reads The True Portrait of the Holy Face of the Christ of Jaén. If we really knew what that face looked like, we would possess the key to the parables, and know whether the son of the carpenter was also the Son of God. Paul saw the face as a light that struck him to the ground; John, as the sun when it shines forth in all its strength; Teresa de Jesús, many times, bathed in serene light, although she could never say with certainty what the color of its eyes was. Those features are lost to us, as a magical number created from our customary digits can be lost, as the image in a kaleidoscope is lost forever. We can see them and yet not grasp them. A Jew's profile in the subway might be the profile of Christ; the hands that give us back change at a ticket booth may mirror those that soldiers nailed one day to the cross. Some feature of the crucified face may lurk in every mirror; perhaps the face died, faded away, so that God might be all faces. Who knows but that tonight we may see it in the labyrinths of dream, and not know tomorrow that we saw it.

Somewhat overly legibly, I wrote on a sheet of paper, "We're held up indefinitely by the parade. We're going to find a phone and have a cold drink somewhere. Will you join us?" I folded the paper once, then handed it to the Matron of Honor, who opened it, read it, and then handed it to the tiny old man. He read it, grinning, and then looked at me and wagged his head up and down several times vehemently. I thought for an instant that this was the full and perfectly eloquent extent of his reply, but he suddenly motioned to me with his hand, and I gathered that he wanted me to pass him my pad and pencil, I did so- without looking over at the Matron of Honor, from whom great waves of impatience were rising. The old man adjusted the pad and pencil on his lap with the greatest care, then sat for a moment, pencil poised, in obvious concentration, his grin diminished only a very trifle. Then the pencil began, very unsteadily, to move. An "i" was dotted. And then both pad and pencil were returned personally to me, with a marvellously cordial extra added wag of the head. He had written, in letters that had not quite jelled yet, the single word "Delighted." The Matron of Honor, reading over my shoulder, gave a sound faintly like a snort, but I quickly looked over at the great writer and tried to show by my expression that all of us in the car knew a poem when we saw one, and were grateful. На едно листче — някак прекалено четливо — написах: „Парадът ще ни задържи неопределено време. Искаме да потърсим телефон и да пием нещо разхладително. Ще дойдете ли с нас?“ После сгънах листчето на две и го подадох на придворната, която го прочете и предаде на дребничкия старец. Той го прочете ухилен, погледна ме и усилено закима с глава. Реших, че това е изчерпателен и напълно красноречив отговор, но той махна с ръка към мен и разбрах, че иска да му подам тефтерчето и молива. Подадох му ги, без да поглеждам придворната, която на вълни, на вълни излъчваше нетърпение. Старчето намести много внимателно тефтерчето и молива на коленете си, застина така, явно събирайки мислите си, после, почти все със същата усмивка, вдигна молива. Много неуверено моливът започна да се движи. Накрая бе сложена акуратна точка. След това с изключително сърдечно кимане тефтерчето и моливът ми бяха върнати. Още пресните букви гласяха: „С удоволствие.“ Придворната погледна през рамото ми бележката и издаде звук, подобен на пръхтене, но аз веднага обърнах лице към великия писател и се постарах да покажа с изражението си, че всички ние веднага можем да различим една истинска поема и сме му много благодарни.

In Downhill All the Way, Leonard remembers them returning from an evening spent with Vanessa in her studio in Fitzroy Street. (This was in 1930.)A drunk woman was being abused by two passers-by and was then accosted by a policeman who seemed to Leonard to be ‘deliberately trying to goad her into doing something which would justify an arrest’. He lost his temper, challenged the policeman in front of a small crowd, and made him let the woman go. What Leonard omitted to mention in his reminiscence was that he and Virginia had been to a fancy-dress party for Angelica’s eleventh birthday. Virginia was dressed as a (‘mad’) March Hare, with a pair of hare’s ears and paws. Roger Fry, at the party, had been a wonderfully characterful White Knight. And Leonard was ‘wearing a green baize apron and a pair of chisels as the Carpenter’. But as he tackled the policeman (‘Why dont you go for the men who began it? My name’s Woolf, and I can take my oath the woman’s not to blame’), ‘holding his apron and chisel in one hand’,114 he forgot all about his comical fancy-dress in his anger and his determination to see justice done.

Isn’t this a nice clean place? Loo! What d’you like best in all the world?” The answer came almost inaudibly from the white puckered lips: “Pictures.” “That exactly what you’re going to have, every day — twice a day. Think of that. Shut your eyes and have a nice sleep, and when you wake the pictures will begin. Shut your eyes! And I’ll tell you a story. Nothing’s going to happen to you. See! I’m here.” He thought she had closed her eyes, but pain gripped her suddenly again; she began whimpering and then screamed. “God!” murmured Hilary. “Another touch, doctor, quick!” The doctor injected morphia. “Leave us alone again.” The doctor slipped away, and the child’s eyes came slowly back to Hilary’s smile. He laid his fingers on her small emaciated hand. “Now, Loo, listen!   “‘The Walrus and the Carpenter were walking hand in hand, They wept like anything to see such quantities of sand. “If seven maids with seven brooms could sweep for half a year, Do you suppose,” the Walrus said, “that they could get it clear?” “I doubt it,” said the Carpenter, and shed a bitter tear!’”   On and on went Hilary, reciting ‘The Mad Hatter’s Tea-party.’ And, while he murmured, the child’s eyes closed, the small hand lost warmth. He felt its cold penetrating his own hand and thought: ‘Now, God, if you are — give her pictures!

I have to second Gran’s thanks for not giving up on me.” “I did consider it a few times,” she teased. “But you can be such an engaging fellow that I never considered it for long.” “And there was all that encouragement from my siblings,” he said. “All their little machinations to help our romance along.” He had the satisfaction of watching his wife blush very prettily. “I didn’t have anything to do with that. I had no idea they were trying to ‘push you’ anywhere.” “Of course you didn’t. You don’t have an ounce of guile in your entire body. But I knew what they were doing.” She blinked at him. “You did?” “My siblings are as transparent as that fetching night rail you put on every evening.” “If you knew, why didn’t you fight them?” “Because they were pushing me in a direction I wanted to go.” “That’s very sweet, but I’m sure you had no desire to marry until-“ “From the moment I met you, sweetheart, I could tell I was in trouble. I didn’t acknowledge it, but on some level I sensed it. When a man first sees the thing he never realized he wanted, he knows it instantly. He just doesn’t always know how to get it.” She laughed. “Oh, I think you figured out very quickly how to get it. You just kissed me until I stopped kneeing you in the privates, and after that I was putty in your hands.” “So that’s the secret, is it?” Reaching over, he hauled her onto his lap. “Now I know how I’ll be spending my afternoon.” Her eyes gleamed at him. “Meeting with the tenants?” “Guess again.” He began to unbutton her gown, which very conveniently opened in the front. “Consulting with the carpenter?” “Absolutely not.” Kissing each swath of flesh revealed with the release of a button, he started dragging up her skirts with his other hand. “Seducing your wife?” she teased, then caught her breath as he slipped his hand between her legs to find her already ready for him. “Exactly. But, if you don’t mind, I believe I shall skip the part where you knee me in the privates.” And as she burst into laughter, he set about to show her the decided advantages in marrying a rakehell.

The sun was shining on the sea, Shining with all his might: He did his very best to make The billows smooth and bright — And this was odd, because it was The middle of the night. The moon was shining sulkily, Because she thought the sun Had got no business to be there After the day was done — "It's very rude of him," she said, "To come and spoil the fun." The sea was wet as wet could be, The sands were dry as dry. You could not see a cloud, because No cloud was in the sky: No birds were flying overhead — There were no birds to fly. The Walrus and the Carpenter Were walking close at hand; They wept like anything to see Such quantities of sand: If this were only cleared away,' They said, it would be grand!' If seven maids with seven mops Swept it for half a year, Do you suppose,' the Walrus said, That they could get it clear?' I doubt it,' said the Carpenter, And shed a bitter tear. O Oysters, come and walk with us!' The Walrus did beseech. A pleasant walk, a pleasant talk, Along the briny beach: We cannot do with more than four, To give a hand to each.' The eldest Oyster looked at him, But never a word he said: The eldest Oyster winked his eye, And shook his heavy head — Meaning to say he did not choose To leave the oyster-bed. But four young Oysters hurried up, All eager for the treat: Their coats were brushed, their faces washed, Their shoes were clean and neat — And this was odd, because, you know, They hadn't any feet. Four other Oysters followed them, And yet another four; And thick and fast they came at last, And more, and more, and more — All hopping through the frothy waves, And scrambling to the shore. The Walrus and the Carpenter Walked on a mile or so, And then they rested on a rock Conveniently low: And all the little Oysters stood And waited in a row. The time has come,' the Walrus said, To talk of many things: Of shoes — and ships — and sealing-wax — Of cabbages — and kings — And why the sea is boiling hot — And whether pigs have wings.' But wait a bit,' the Oysters cried, Before we have our chat; For some of us are out of breath, And all of us are fat!' No hurry!' said the Carpenter. They thanked him much for that. A loaf of bread,' the Walrus said, Is what we chiefly need: Pepper and vinegar besides Are very good indeed — Now if you're ready, Oysters dear, We can begin to feed.' But not on us!' the Oysters cried, Turning a little blue. After such kindness, that would be A dismal thing to do!' The night is fine,' the Walrus said. Do you admire the view? It was so kind of you to come! And you are very nice!' The Carpenter said nothing but Cut us another slice: I wish you were not quite so deaf — I've had to ask you twice!' It seems a shame,' the Walrus said, To play them such a trick, After we've brought them out so far, And made them trot so quick!' The Carpenter said nothing but The butter's spread too thick!' I weep for you,' the Walrus said: I deeply sympathize.' With sobs and tears he sorted out Those of the largest size, Holding his pocket-handkerchief Before his streaming eyes. O Oysters,' said the Carpenter, You've had a pleasant run! Shall we be trotting home again?' But answer came there none — And this was scarcely odd, because They'd eaten every one.

A long time ago, I collected the flower petals stained with my first blood; I thought there was something significant about that, there was importance in all the little moments of experience, because when you live forever, the first times matter. The first time you bleed, first time you cry — I don’t remember that — first time you see your wings, because new things defile you, purity chips away. your purity. nestled flowers in your belly, waiting to be picked. do you want innocence back? small and young smiles that make your eyes squint and cheeks flare the feeling of your face dripping down onto the grass, the painted walls you tore down, the roads you chipped away, they’ll eat away at you, the lingering feelings of a warm hand on your waist, the taps of your feet as you dance, the beats of your timbrel.’ ‘and now you are like Gods, sparkling brilliant with jewelry that worships you, and you’re splitting in order to create.’ ‘The tosses of your wet hair, the rushes of chariots speeding past, the holy, holy, holy lord god of hosts, the sweetness of a strawberry, knocks against the window by your head, the little tunes of your pipes, the cuts sliced into your fingers by uptight cacti fruits, the brisk scent of a sea crashing into the rocks, the sweat of wrestling, onions, cumin, parsley in a metal jug, mud clinging to your skin, a friendly mouth on your cheeks and forehead, chimes, chirps of chatter in the bazaar, amen, amen, amen, the plump fish rushing to take the bread you toss, scraping of a carpenter, the hiss of chalk, the wisps of clouds cradling you as you nap, the splashes of water in a hot pool, the picnic in a meadow, the pounding of feet that are chasing you, the velvet of petals rustling you awake, a giant water lily beneath you, the innocent kiss, the sprawl of the universe reflected in your eyes for the first time, the bloody wings that shred out of your back, the apples in orchards, a basket of stained flowers, excited chants of a colosseum audience, the heat of spinning and bouncing to drums and claps, the love braided into your hair, the trickles of a piano, smell of myrrh, the scratches of a spoon in a cup, the coarseness of a carpet, the stringed instruments and trumpets, the serene smile of not knowing, the sleeping angel, the delight of a creator, the amusement of gossip and rumors, the rumbling laughter between shy singing, the tangling of legs, squash, celery, carrot, and chayote, the swirled face paint, the warmth of honey in your tea, the timid face in the mirror, mahogany beams, the embrace of a bed of flowers, the taste of a grape as its fed to you, the lip smacks of an angel as you feed him a raspberry, the first dizziness of alcohol, the cool water and scent of natron and the scratch of the rock you beat your dirty clothes against, the strain of your arms, the columns of an entrance, the high ceilings of a dark cathedral, the boiling surface of bubbling stew, the burn of stained-glass, the little joyous jump you do seeing bread rise, the silky taste of olive oil, the lap of an angel humming as he embroiders a little fox into his tunic, the softness of browned feathers lulling you to sleep, the weight of a dozen blankets and pillows on your small bed, the proud smile on the other side of a window in a newly-finished building, the myrtle trees only you two know about, the palm of god as he fashions you from threads of copper, his praises, his love, his kiss to your hair, your father.

They grew some of their own vegetables, but Semple was never in eighteen years allowed out into the truck gardens. Instead, he watched out the north window of the violent ward through the thick cyclone mesh and felt himself out there, going down the rows of corn, cutting suckers or tugging up the dark-leafed weeds, feeling the strain low in his back and hearing the dry rustle of stalks in the July wind; the sun reddening his neck and rills of sweat cutting lines through the dust on his cheeks; bent over, his hands green stained and sore, blistered and cut from the weeds and the sharp-edged corn plant leaves; feet hot and swollen in state-issue shoes cracked and dirty; but smelling it, the corn, the dirt, the hand-mashed weeds, the sticky white milk gumming and clotting his fingers; the smell on cloudy days when everything was heavy with the expectancy of rain and sullen with the summer heat, the smell denser then, making him straighten up, his nose high, waiting for it, for something, a man in silhouette against the background of corn, like all the other men in cornfields and gardens and on farms, even the men in cities between the buildings on crowded streets lifting their noses to the heavy clouds and feeling the expectancy of the rain, waiting for the first thick drops to sound against the corn, to strike his face. And then the gallop home through sheets of rain, ducking into doorways, newspapers over heads, laughter coming up out of the heart at this common happening, and men together, in doorways, cafeterias, kitchens, barns, tractor sheds, or even in the lee of haystacks, looking at each other happily with wet red faces because it was raining hard. Loving it and feeling joy from such a thing. He stood at the window and made it happen, even under a blue sky. And would, early in his eighteen years, turn front eh window expressing how he felt in snapping wild-eyed growls and grunts, his hands jerking out of control and his legs falling out from under him, thrashing between the beds, bumping along the floors, his contorted face frightening the other madmen into shrieks and fits and dribbles; happy, so happy inside that it all burst in one white hot uncontrollable surge; the two white-coated attendants coming with their stockings full of powdered soap rolled into fists to club him without marking him, knocking him into enough submission that they could drag him twitching still across the open floor and out to the restraining sheets.

They grew some of their own vegetables, but Semple was never in eighteen years allowed out into the truck gardens. Instead, he watched out the north window of the violent ward through the thick cyclone mesh and felt himself out there, going down the rows of corn, cutting suckers or tugging up the dark-leafed weeds, feeling the strain low in his back and hearing the dry rustle of stalks in the July wind; the sun reddening his neck and rills of sweat cutting lines through the dust on his cheeks; bent over, his hands green stained and sore, blistered and cut from the weeds and the sharp-edged corn plant leaves; feet hot and swollen in state-issue shoes cracked and dirty; but smelling it, the corn, the dirt, the hand-mashed weeds, the sticky white milk gumming and clotting his fingers; the smell on cloudy days when everything was heavy with the expectancy of rain and sullen with the summer heat, the smell denser then, making him straighten up, his nose high, waiting for it, for something, a man in silhouette against the background of corn, like all the other men in cornfields and gardens and on farms, even the men in cities between the buildings on crowded streets lifting their noses to the heavy clouds and feeling the expectancy of the rain, waiting for the first thick drops to sound against the corn, to strike his face. And then the gallop home through sheets of rain, ducking into doorways, newspapers over heads, laughter coming up out of the heart at this common happening, and men together, in doorways, cafeterias, kitchens, barns, tractor sheds, or even in the lee of haystacks, looking at each other happily with wet red faces because it was raining hard. Loving it and feeling joy from such a thing. He stood at the window and made it happen, even under a blue sky. And would, early in his eighteen years, turn from the window expressing how he felt in snapping wild-eyed growls and grunts, his hands jerking out of control and his legs falling out from under him, thrashing between the beds, bumping along the floors, his contorted face frightening the other madmen into shrieks and fits and dribbles; happy, so happy inside that it all burst in one white hot uncontrollable surge; the two white-coated attendants coming with their stockings full of powdered soap rolled into fists to club him without marking him, knocking him into enough submission that they could drag him twitching still across the open floor and out to the restraining sheets.

Therefore, if anyone is in Christ, the new creation has come: The old has gone, the new is here! —2 Corinthians 5:17 (NIV) It’s amazing what a few gallons of butter-yellow paint can do for your soul. As I stepped out of a difficult year that included financial hardship and a painful divorce, I wanted my home to reflect not only my survival, but also my hope and renewed joy. I got rid of every painting and hung up blank white canvases waiting for colors and inspiration. Old photos were taken down and new ones were framed. My dingy linoleum floors were covered by bright laminate wood, and the dining room chairs were newly dressed in dark, childproof upholstery. As my home was undergoing its slow rebirth, I asked advice from carpenters who had come to my church on a missions trip from North Carolina. “I’m thinking of building a loft bed for my boys,” I said. I wanted them to have space for all their toys. “Is it safe to use my old bed frame to build it?” “Why don’t you wait till we get back to New York City next month?” they responded. I waited and painted my sons’ walls the color of sunny skies, and when the team finally returned they had a surprise waiting for me: the loft bed! I was overwhelmed by their generosity and love. As they installed the bed, I could feel God’s hand in it. He’d done so much to transform me on the inside and now He was helping me transform everything else. Lord, thank You for the gift of renewal. —Karen Valentin Digging Deeper: Rom 12:2; 1 Pt 1:13

I have many questions and wonders with us. I am curious to know what is going to happen. I am ready to go with this relationship and see where it is going to go. It’s not in our hands, Kimmer. I think we can go forward. . . . I’m scared, but risk is part of love. I feel that the Lord is either going to continue to open the doors for us, or he will shut them. I’m placing this in his hands and trusting him. Thank you for treating me so kindly and making me feel so special and adored. Kim Carpenter, I adore and cherish you.

But that reminds me – and stop me if you've heard this one – of the day Jesus was watching the gates for St. Peter. Anyway, Jesus is giving him a hand one day when a man walks shuffling up to the path of Heaven. “ ‘What have you done to enter the kingdom of Heaven?’ Jesus asks him. “And the man says, ‘Well, not much really. I’m just a poor carpenter who led a quiet life. The only remarkable thing about my life was my son.’ “ ‘Your son?’ Jesus asks, getting interested. “ ‘Yes, he was quite a son,’ the man says. ‘He went through a most unusual birth and later a great transformation. He also became quite well known throughout the world and is still loved by many today.’ “Christ looks at the man, embraces him tightly, and says ‘Father, father!’ “And the old man hugs him back and says, ‘Pinocchio?

The human mind is more like a hand than a Swiss Army knife. A human hand isn't designed to do any one thing in particular. But it is an exceptionally flexible and effective device for doing many things, including things we might never have imagined.

The news that they were to have supper at the home of Lord and Lady Westcliff was received with a variety of reactions from the Hathaways. Poppy and Beatrix were pleased and excited, whereas Win, who was still trying to regain her strength after the journey to Hampshire, was merely resigned. Leo was looking forward to a lengthy repast accompanied by fine wine. Merripen, on the other hand, flatly refused to go. “You are part of the family,” Amelia told him, watching as he secured loose paneling boards in one of the common rooms. Merripen’s grip on a carpenter’s hammer was deft and sure as he expertly sank a handmade nail into the edge of a board. “No matter how you may try to deny all connection to the Hathaways—and one could hardly blame you for that—the fact is, you’re one of us and you should attend.” Merripen methodically pounded a few more nails into the wall. “My presence won’t be necessary.” “Well, of course it won’t be necessary. But you might enjoy yourself.” “No I wouldn’t,” he replied with grim certainty, and continued his hammering. “Why must you be so stubborn? If you’re afraid of being treated badly, you should recall that Lord Westcliff is already acting as host to a Roma, and he seems to have no prejudice—” “I don’t like gadjos.” “My entire family—your family—are gadjos. Does that mean you don’t like us?” Merripen didn’t reply, only continued to work. Noisily. Amelia let out a taut sigh. “Merripen, you’re a dreadful snob. And if the evening turns out to be terrible, it’s your obligation to endure it with us.” Merripen reached for another handful of nails. “That was a good try,” he said. “But I’m not going.

heartful.   PR: You really did it. Music is an amazing art, to me. I love to recount to myself the number of human beings it takes, each skilled in a different area, to make possible a symphony concert. The composers, and those who copied and preserved the compositions, the instrument makers, skilled at their crafts—tubas, trumpets, timpani, woodwinds, strings—the music teachers who taught the performers, the performers who studied their instruments and practiced and rehearsed, all the builders who erected the concert hall—carpenters, electricians, etc.—the architect who designed it, the conductor who studied, who learned the language of music, the languages of all the instruments, the members of the audience who bought tickets, got dressed, came to the concert hall to be transported, to be informed, by sound, came for an experience that had nothing to do with physical survival. Most amazing. Always makes me certain absolutely without doubt that something is going on with the human species, something good. Two heroes to me are my middle school music teacher and my son’s middle school music teacher. What courage! All those twelve- and thirteen-year-old children, each with a noise-making instrument in his hands and these two enormously courageous teachers are attempting to teach them how to make music together. At my son’s first sixthgrade band concert, the music teacher turned to the audience of glowing, proud parents and said, “I’m not certain what’s going to happen here, but I’m just hoping that we’ll all begin at the same time.” It brought tears to my eyes, literally. And they did it! One step forward, in my opinion, in understanding what it means to be human.

This, more than anything else, is what I have never understood about your people. You can roll dice, and understand that the whole game may hinge on one turn of a die. You deal out cards, and say that all a man’s fortune for the night may turn upon one hand. But a man’s whole life, you sniff at, and say, what, this naught of a human, this fisherman, this carpenter, this thief, this cook, why, what can they do in the great wide world? And so you putter and sputter your lives away, like candles burning in a draft.

to go and have a night in a hotel somewhere. I’d have been happy to have them both, even with Pat’s clinginess and Crystal’s present obstreperousness. But Vicky kept putting me off. In fact, we’d almost had words about it – Vicky grumbled that Crystal didn’t want to sleep in her own bed any more, and couldn’t understand why Mummy and Daddy didn’t let her sleep with them, like Auntie Anna had. ‘Does Peter still never get up with the kids in the night?’ I asked, knowing the answer. Vicky snorted. ‘Um…let me think…No. Well, occasionally at weekends. But you know, being a carpenter’s a pretty stressful job…’ She turned and went into a cubicle. ‘You should ask him to help a bit more. Maybe just on alternate nights. You’ve got to do something, if you feel this wretched.’ The sound of Vicky sighing floated over the top of the cubicle door, followed by the sound of the toilet flushing. ‘I’m sure it’ll get better eventually,’ she said, emerging wearily. ‘In about sixteen years’ time.’ I took out my make-up bag and reapplied my lipstick. I knew it wasn’t very charitable of me, but sometimes I couldn’t shake the thought that, apart from on the subject of Peter, Vicky was making a fuss about nothing: her kids were healthy and gorgeous. What else could she possibly ask for? Even if she looked a bit jaded, she didn’t have any stretch marks or cellulite, and her stomach was flatter than mine. ‘Come on, then,’ said Vicky, shouting over the noise of the hand-dryer. ‘Once more unto the breach, dear friend, once more.’ By

The most important technology of the industrial age was the ability to produce parts that were perfectly identical and interchangeable. Blacksmiths and carpenters couldn’t do it; in fact, humans can’t do it routinely in any profession. Only machines can. It was the U.S. Army’s Ordnance Department that developed this ability to have machines make parts for other machines, spending nearly fifty years on this effort—an inconceivable period of research for a private corporation in the nineteenth century.

QUALITY: The Carpenter’s House An elderly carpenter was about to retire. He told his employer-contractor of his plans to leave the house building business and live a more leisurely life with his wife, enjoying his extended family. He would miss the paycheck, but he needed to retire. They could get by. His contractor was sorry to see his good worker go.  He asked the carpenter to build just one more house before retiring. The carpenter accepted, even though he didn’t really want to do so. His heart was not in his work anymore. He put in a half-hearted effort, taking shortcuts and using inferior building materials. The quality of the finished building was much below his usual standards. When the project finished, the contractor came to see the house. He took a look around, then he took out the front-door key and handed it to the contractor. "My friend, this house is yours. This is my gift to you as a thank you for all these years of hard work." The contractor said. The old man was shocked and embarrassed. If only he had known, things would have been done in a different way. He would have taken care of every detail and this house would be the most beautiful house that he’d ever built.  Like the old carpenter, many of us do not give the job our best effort. Then we find ourselves living in the poor quality house we have built.

He, on the other hand, could think of multiple reasons. He was staring down thirty—from the wrong side of the decade. Although he still had all his working parts, he was banged up something fierce. His knees were good; his trigger finger steady. In short, he was a fixer-upper project and she was no carpenter.

13 The carpenter stretcheth out his rule; he marketh it [the idol he is making] out with a line; he fitteth it with planes, and he marketh it out with the compass [your craftsmen exercise great care and skill in manufacturing your idols], and maketh it after the figure of a man, according to the beauty of a man; that it may remain in the house [your craftsmen put great care into making your idols; implication: if you were as careful worshipping God as you are in making idols . . .]. 14 He heweth him down cedars, and taketh the cypress and the oak, which he strengtheneth [cultivates and grows] for himself among the trees of the forest: he planteth an ash [tree], and the rain doth nourish it. 15 Then shall it be for a man to burn: for he will take thereof, and warm himself; yea, he kindleth it, and baketh bread; yea, he maketh a god, and worshippeth it [you use most of the tree’s wood for normal daily needs; how can you possibly turn around and worship wood from the same tree in the form of idols!]; he maketh it a graven image, and falleth down thereto. 16 He burneth part thereof in the fire; with part thereof he eateth flesh; he roasteth roast, and is satisfied: yea, he warmeth himself, and saith, Aha, I am warm, I have seen the fire [normal uses]: 17 And the residue thereof [with the rest of the tree] he maketh a god, even his graven image: he falleth down unto it, and worshippeth it, and prayeth unto it, and saith, Deliver [save] me; for thou art my god [Isaiah is saying how utterly ridiculous it is to assign part of a tree to have powers over yourselves]. 18 They [idol worshipers; see 45:20] have not known [German: know nothing] nor understood [German: understand nothing]: for he hath shut their eyes [German: they are blind], that they cannot see [are spiritually blind]; and their hearts, that they cannot understand [they are as blind and unfeeling, insensitive, as the idols they make and worship]. 19 And none considereth in his heart [if idol worshipers would just stop and think], neither is there knowledge nor understanding [they don’t have enough common sense] to say, I have burned part of it [the tree spoken of in verse 44] in the fire; yea, also I have baked bread upon the coals thereof; I have roasted flesh, and eaten it: and shall I make the residue thereof an abomination [is it reasonable to make the leftover portion into an abominable idol]? shall I fall down to the stock of a tree [is it rational to worship a chunk of wood]? 20 He [the idol worshiper] feedeth on ashes [German: takes pleasure in ashes, perhaps referring to ashes left over from some forms of idol worship]: a [German: his own] deceived heart hath turned him aside [German: leads him astray], that he cannot deliver [save] his soul, nor say [wake up and think], Is there not a lie in my right hand [covenant hand—am I not making covenants with false gods]? 21 ¶ Remember these, O Jacob and Israel; for thou art my servant: I have formed thee [the exact opposite of idol worshipers who form their gods]; thou art my servant: O Israel, thou shalt not be forgotten of me.

Madness is an insidious disease. We do not see the danger until it is too late. It creeps into the cracks and crevices of the mind and makes itself at home, like carpenter ants in the framing of a home. We do not know the floor has rotted away until one ill-timed step destroys the façade of normalcy. But carpenter ants do not destroy a home. They change it. As matter cannot be destroyed, they consume the structures we have built and rearrange it for their own use. While a home beset by such insects might seem uninhabitable for those who look at the situation from the outside, to the ants it was the intended outcome. We might inspect the foundation and find it derelict and dilapidated. We might scoff and say that anyone who lives within such a place is idiotic, and that they should have not neglected it in such a way. And, in extreme cases, they should move. Consider this metaphor in relation to one’s mind. That place in which we spend the entirety of our mortal lives. What happens when your home is beset by insects then? One cannot move out of one’s own mind, try as we might. We are trapped within these structures of ours, for better or worse and come what may. We must make do with what we are given and what we have left. Whereas you or I in our daily lives might seek a new homestead in such an infestation, in this labyrinth of the psyche, we cannot. There are different ways that a consciousness, once gnawed and riddled with holes, might come to adapt to such a state of being. Consider three men with this dilemma, if you will. The first man may seek to repair the damage—replace the eaten portions and shore up the foundations. This man is pragmatic, but shortsighted. He treats the symptoms, but not the cause. The second may seek to exterminate the infestation—to seek the illness at the root and rip it out. This man is wise, but must need act quickly before the house collapses around him. The third man merely laughs—he accepts his new state of being and does nothing to repair his home. He declares himself King of the Ants, lifts up hammer and sledge, and tears the remaining walls apart with his own two hands. You might think that man the fool. You might think him a harmless, laughing lunatic. It is a mistake that leads to ruin. For that man is the most dangerous of them all. -M. L. Harrow

Reading books can be intensely pleasurable. Reading is one of the great human delights. The American reading public, or a significant chunk of it anyway, can't take its readerly pleasure straight but has to cut it with a sizable splash of duty. Read what gives you delight - at least most of the time - and do so without shame. Masterpieces should be kept for High Holidays of the Spirit - for our own Christmases and Easters, not for any old Wednesday. Most people read quickly because they want not to read but to have read. Attention enables you to have the kind of Dionysian experience beautifully described by the old-fashioned term "rapt" - completely absorbed, engrossed, fascinated, perhaps even "carried away" - that underlies life's deepest pleasures, from the scholar's study to the carpenter's craft to the lover's obsession. This is why attentiveness is worth cultivating: such raptness is deeply satisfying. Bodies have a natural propensity to interfere with still and quiet attentiveness. Slow and patient reading properly belongs to our leisure hours. I've always been a lover of silence and this love is bound up with my passion for books. Stefan Zweig A book is a handful of silence that assuages torment and unrest. Stefan Zweig We readers must learn to build our own "cone of silence"; the world won't do it for us.

Just reach a hand across. Let's be equals and partners. I don't need you to rescue me, just like you don't think you need rescuing by me. My rescuer is a Jewish carpenter. I want to be a colaborer in Christ with you, not your reclamation project.

In the plateau the able-bodied unemployed workmen are supported by a combination of cash and commodity doles for which they render no service. Thus, being able to work, they do not. They live in idleness on government largesse while around them on every hand lie countless tasks whose doing the national welfare urgently requires. A public policy is scarcely sane when it supports idleness in the midst of a region which desperately needs public improvements. If the taxpayer is going to pay men who are jobless through no fault of their own, every element of common sense requires that he pay them for working rather than for not working. The men would benefit morally, physically and spiritually from constructive employment. Condescending charity in any form is harmful to the moral fiber of a people. If persisted in long enough, it sees pride and self-respect drain away to be replaced by cynicism, arrogance and wheedling dependence. It undermines good citizenship and contributes toward the thing a democracy can least afford — a class of unproductive and dependent citizens. At the present time practically every skilled man in the plateau has regular employment. The few genuinely competent carpenters, masons, mechanics, metal workers and electricians find regular work for their hands. They have jobs at good wages with mining companies and at other essential building and maintenance tasks. While the tiny corps of skilled men are energetically at work, the great army of their unskilled fellows drift about in dejected idleness. Irrefutable logic requires that work be found for their hands and energies also.

The sixth chapter of Mark describes Jesus as “just a carpenter.” I suppose he could have come in a flashier way, and his refusal to do so is telling. Of course, this doesn’t mean we should question the intentions of everyone wearing a white collar or taking a stage. It simply means that we have been handed the gift of knowing for sure that our identity needn’t hinge on what the world values. God

I know for certain there are a couple of pieces of wood in the barn back at Carnton. Enough for a child’s nativity.” “A child’s nativity? I’m not making a child’s nativity, Captain Winston. I’m building a life-sized booth and manger that will stand in the front yard by the house at Carnton. The children will all take turns playing Mary and Joseph and the shepherds over the course of the auction.” He stared. “You’re making a real nativity?” She nodded. “You are?” He smiled. She didn’t. “My father was a master carpenter, Captain Winston, and he taught me a thing or two about woodworking.” Jake tried to curb his grin but couldn’t. The image of her with a hammer and saw sparked amusement. “But you’re—” He gestured. “A woman?” “Well . . . yes, ma’am. You’re obviously a woman. But you’re also . . .” He stared, not wanting to say it. And definitely making certain he didn’t look down. “With child,” she finally supplied, an eyebrow rising. “Yes, ma’am. With child.” “Which precludes me from being able to build something?” He laughed softly. “Which makes a project that would already be a challenge even more so.” Her eyes narrowed the slightest bit. “For one, it won’t be a challenge. I’ll only need your help toward the end, when it comes to nailing the larger pieces together. And secondly, I’ve already drawn out the plans. I have all the measurements and the list of required supplies.” She pulled a piece of paper from her reticule and handed it to him. He unfolded it, and his smile faded. He looked over at her. “You’re serious.” This time she was the one to laugh, though the action held no humor. “Yes, Captain. I’m serious.

Peace is white sun reflections on summer pear trees, and ocean mist droplets defying gravity by air currents. Peace is caffeinated goodbye-kissing and velvet smiles laced with credence. Trumpet horns sound off the coming of Blue Jays, Swallows and Chickadee’s. And there is no sadness echoing within or without. There is a taste of God in every grass blade and car horn raging in the city. The stop lights are all green, and there are children playing in the fountains. A dog laps my hand, and finally—I remembered what it’s all about.

I had an auto-repair man once, who, on these intelligence tests, could not possibly have scored more than 80, by my estimate. I always took it for granted that I was far more intelligent than he was. Yet, when anything went wrong with my car I hastened to him with it, watched him anxiously as he explored its vitals, and listened to his pronouncements as though they were divine oracles - and he always fixed my car.Well, then, suppose my auto-repair man devised questions for an intelligence test. Or suppose a carpenter did, or a farmer, or, indeed, almost anyone but an academician. By every one of those tests, I’d prove myself a moron, and I’d be a moron, too. In a world where I could not use my academic training and my verbal talents but had to do something intricate or hard, working with my hands, I would do poorly. My intelligence, then, is not absolute but is a function of the society I live in and of the fact that a small subsection of that society has managed to foist itself on the rest as an arbiter of such matters.Consider my auto-repair man, again. He had a habit of telling me jokes whenever he saw me. One time he raised his head from under the automobile hood to say: “Doc, a deaf-and-mute guy went into a hardware store to ask for some nails. He put two fingers together on the counter and made hammering motions with the other hand. The clerk brought him a hammer. He shook his head and pointed to the two fingers he was hammering. The clerk brought him nails. He picked out the sizes he wanted, and left. Well, doc, the next guy who came in was a blind man. He wanted scissors. How do you suppose he asked for them?”Indulgently, I lifted my right hand and made scissoring motions with my first two fingers. Whereupon my auto-repair man laughed raucously and said, “Why, you dumb jerk, He used his voice and asked for them.” Then he said smugly, “I’ve been trying that on all my customers today.”“Did you catch many?” I asked.“Quite a few,” he said, “but I knew for sure I’d catch you.”“Why is that?” I asked.“Because you’re so goddamned educated, doc, I knew you couldn’t be very smart.

It was Rogers who hurried to the carpenter shop beneath the forecastle and reappeared triumphantly, holding a hacksaw. He insisted on taking the first turn at cutting through the forged steel link. Soon, he tired of the task and handed the saw to a seaman. Then he wandered off, whistling to himself. Psychiatrists who later examined Rogers or studied his own account of these events have been struck by the marked disturbance of his thinking. A disturbed or psychotic personality suffering from this “thought disorder” has tremendous difficulty separating the relevant from the irrelevant, recalls and remembers everything, describes events in almost incredible detail. Rogers’ description of what happened to him when he left the bridge clearly displays this condition: “There had been a canary down in the hold of the ship. It belonged to the boatswain. I had seen the canary there. I was looking for a pair of shoes. I had lost mine overboard. “I got the canary and put a towel around the bird and came up. He was the only living thing down there. I got halfway up and the heat was terrific. I went all the way with the flashlight and I noticed there was a space of about four feet on the bulkhead that was beginning to glow, turning red.” Clutching the canary, he shuffled back to the deck and delivered the “news that the place was glowing hot down there and it’s a shame to use a five-and-ten-cent method to saw through the chain.” Suddenly the steel link snapped. In all, five hours had passed since the Tampa first offered help.

Mister Sunshine. The archangel Uriel. His gaze was focused exclusively on Michael, and his expression was anguished. 'You need not do this,' he said, his voice low, urgent. 'You have given enough and more than enough already.' 'Uriel,' Michael said, nodding his head deeply. 'I know.' The angel held up his hand. 'If you do this, I can take no action to protect you,' he said. 'And this creature will be free to inflict upon you such pain as even you could not imagine.' A sudden, sunny smile lit Michael’s face. 'My friend ...' Uriel blinked, and rocked slightly, as if the words had struck him with physical force. '... thank you,' Michael continued. 'But I’m not the Carpenter who set the standard.

It is good, at certain hours of the day and night, to look closely at the world of objects at rest. Wheels that have crossed long, dusty distances with their mineral and vegetable burdens, sacks from the coal bins, barrels, and baskets, handles and hafts for the carpenter's tool chest. From them flow the contacts of man with the earth, like a text for all troubled lyricists. The used surfaces of things, the wear that the hands give to things, the air, tragic at times, pathetic at others, of such things - all lend a curious attractiveness to the reality of the world that should not be underprized.

If pacifism is not God’s will for all Christians, then it is not His will any. On the other hand, if the one who taught us to love our enemies is the eternal Son who became flesh in the carpenter who died and rose and now reigns as Lord of the universe, then the peaceful way of nonviolence is for all who believe and obey him. Do we have the courage to summon the entire church to forsake the way of violence?

Then what is your story, Cleo Carpenter--- if that's even your real name?" He bent his head lower, and she smelled mint on his breath. It intoxicated her. Drew her toward him. His fingers trailed down her cheek, her neck, and toyed with a strand of her hair. "What's your story, Cleo? Why are you here? Why are you hiding?" "Please don't ask. Don't ask questions that you won't like the answers to." Cleo's whisper was silenced as Deacon lowered his mouth to hers. His kiss was tender at first. Hesitant. Not what she would have expected from a man like Deacon Tremblay, who had probably kissed many women in his lifetime. Cultured women. Women more beautiful than her. Less broken. "Cleo..." His murmur rumbled in her ear as his lips moved along her jaw. "Don't leave me. Not yet. Not now." "But---" He stopped her again, this time with more fervor in his caress. Cleo whimpered for a moment before giving in to him. Hands at her waist, Deacon drew her closer, his chest pressing against hers. She couldn't help lifting her hands to his shoulders, then around his neck, her fingers threading their way into his dark curls. Deacon pulled back, then changed his mind and kissed her again before finally giving her a moment to breathe. But breathing didn't feel possible. No more was he Deacon Tremblay in the media, or Deacon Tremblay the sought-after bachelor--- well, maybe he still was that a little, and if she was being honest, it gave her a thrill--- but mostly he was just Deacon. Deacon who needed her. And she needed him.

Money: hand-over-fist money, sweat-of-brow money, burnout money. Finger-to-the-bone money, under-the-table money, black money, dirty money, filthy lucre, money-changing-in-the-temple, thirty-pieces-of-silver money, blasphemous, usurious, treacherous money; profits, taxes, bribes, licenses, fees, levies, octrois, tariffs; middlemen, policemen, watchmen; painters, carpenters, dyers, writers, weavers; doctors, teachers, preachers, judges, accountants, barristers; wives, widows, cooks, servants, slaves, prostitutes, concubines; lewd men, austere men, gamblers, hoarders; Catholics, Roundheads, conformists, Baptists, Muslims, Hindus, Jews, Parsis, Armenians; black men, brown men, yellow men, white; reformers, saviours, visionaries, criminals; all in pursuit of money, money, money.

Yeah, who needs an extra two hundred dollars for three hours of work?” Kristen said, flipping a hand dismissively. “Not Miguel apparently.” I froze. “Two hundred dollars?” Sloan sprayed the counter with lemon-scented all-purpose cleaner. “Sometimes it’s more—right, Kristen? It depends on the style?” Kristen stared at her best friend like she was telling her to shut up. Then she dragged her eyes back to me. “The stairs run four to five hundred dollars apiece, plus shipping. I split the profits fifty-fifty, minus the materials, with my carpenter. So yeah. Sometimes it’s more.” “Do you have a picture of the stairs?” I asked. Kristen unenthusiastically handed me her phone and I scrolled through a website gallery of ridiculous tiny steps with Stuntman Mike posed on them in different outfits. These were easy. Well within my ability. “You know, I think I do have time for this. I’ll do it if you don’t have anyone else.” A few of these and I could pay off my Lowe’s card. This was real money. Kristen shook her head. “I think I’d rather take my chances with the organ thieves.” Sloan gasped, and Brandon froze and looked at Kristen and me. “Is that right?” I said, eyeballing her. “How about we talk about this over coffee.” Kristen narrowed her eyes and I arched an eyebrow. “Fine,” she said like it was physically painful. “You can build the damn stairs. But only until I find a different guy. And I will be looking for a different guy.” Sloan looked back and forth between us. “Is there something you guys want to tell us?” “I caught him staring at my ass,” Kristen said without skipping a beat. I shrugged. “She did. I have no excuse. It’s a great ass.” Brandon chuckled and Sloan eyed her best friend. Kristen tried to look mad, but I could tell she took the compliment.

Blavatsky’s new Scripture, Isis Unveiled (1877), was written by invisible Spirit hands. Half a million words long, it began by denouncing the scientific materialism of Darwin and Huxley, and went on to expound its key doctrine, namely that all wisdom is One, that science is not opposed to religion, and that religious differences are man-made. Anyone who has nursed the thought that ‘deep down all religions are saying the same thing’ is more than halfway towards Theosophy. It appealed, said Peter Washington somewhat dismissively in his Madame Blavatsky’s Baboon, to: the world of autodidacts, penny newspapers, weekly encyclopedias, evening classes, public lectures, workers’ educational institutes, debating unions, libraries of popular classics, socialist societies and art clubs – that bustling, earnest world where the readers of Ruskin and Edward Carpenter could improve themselves, where middle-class idealists could help them to do so, and where nudism and dietary reform linked arms with universal brotherhood and occult wisdom.7

Evil people hide in plain sight, and those they prey upon become confused, but don't know why." Pastor Denny Dennis, His Hand is Not Shortened

Behold, the Lord's hand is not shortened that it cannot save, or his ear dull, that it cannot hear" (Isaiah 59:1a)

Architects are completely taken in by their own alibi, and while the ship sinks, they who once had the competency of carpenters are nowadays occupying themselves with paper-hanging: the ship is going down, but the important thing is to seize the last hand in the Casino Capitalism Party Room.

But tell me one thing, why do Bengalis still use surnames that indicate their caste? We used to do it in Kerala fifty years ago, now we don’t do it any more. But you people still use Mukherjee and Chatterjee and so on.’ I did not have an answer to his question, but I knew that the question was a well-meaning one, asked out of innocent curiosity by one member of the communist society to another presumed member. He did not know that I actually hailed from the Hindi heartland, where people wear their caste names like medals. Casteism in Uttar Pradesh is so rampant that it can lead to embarrassing situations in day-to-day life because of two certain surnames—Sharma and Verma. There are two varieties of Sharma, one the Brahmins and the other the craftsman community, such as carpenters, called Vishwakarmas. And there are two varieties of Vermas, one the Kayasthas and other the mallah or the boatman community. The uppercaste Sharmas and Vermas never miss a chance to point out that they are not to be confused with the other set of Sharmas and Vermas. I was witness to such an incident, while in college in Kanpur. Among my many friends, there were two Sharmas, one Anil Sharma, a boy from a well-to-do family, and another Sunil Sharma, who rarely spoke about his family. One winter afternoon, while I was having a smoke with Sunil at the parking lot, Anil came by. I introduced them to each other. ‘Meet Sunil Sharma,’ I told Anil. Anil somewhat hesitated to shake Sunil’s hand but when he finally did, the first thing he asked was, ‘Are you the Brahmin Sharma or the Vishwakarma Sharma?’ Sunil’s face went red with embarrassment, but he mustered a smile and said, ‘Vishwakarma Sharma.’ ‘No wonder. I could tell that,’ Anil grinned and took leave, leaving me red-faced. But that was then. Today, Anil could have been lynched for that arrogant grin, because power has gone to the hitherto-suppressed classes. Either way, the fact remains that caste rules. Compared to Uttar Pradesh, Kerala might be a paradise, where caste is nearly irrelevant in public life, but are there not people who still take pride in being called a Nair or a Nambiar or a Menon? I wanted to ask Mr Sankarankutty that, but I let it be. His question was, after all, a well-meaning one. By now, I had completely forgotten that a whisky bottle was sitting there. The conversation with him had distracted me from my hypochondria and I felt perfectly fine. After he left, I reached for my skipping rope and jumped five hundred times non-stop. I knew I was in perfect shape to climb even a mountain.

Velutha wasn’t supposed to be a carpenter. He was called Velutha—which means White in Malayalam—because he was so black. His father, Vellya Paapen, was a Paravan. A toddy tapper. He had a glass eye. He had been shaping a block of granite with a hammer when a chip flew into his left eye and sliced right through it. As a young boy, Velutha would come with Vellya Paapen to the back entrance of the Ayemenem House to deliver the coconuts they had plucked from the trees in the compound. Pappachi would not allow Paravans into the house. Nobody would. They were not allowed to touch anything that Touchables touched. Caste Hindus and Caste Christians. Mammachi told Estha and Rahel that she could remember a time, in her girlhood, when Paravans were expected to crawl backwards with a broom, sweeping away their footprints so that Brahmins or Syrian Christians would not defile themselves by accidentally stepping into a Paravan’s footprint. In Mammachi’s time, Paravans, like other Untouchables, were not allowed to walk on public roads, not allowed to cover their upper bodies, not allowed to carry umbrellas. They had to put their hands over their mouths when they spoke, to divert their polluted breath away from those whom they addressed. When the British came to Malabar, a number of Paravans, Pelayas and Pulayas (among them Velutha’s grandfather, Kelan) converted to Christianity and joined the Anglican Church to escape the scourge of Untouchability. As added incentive they were given a little food and money. They were known as the Rice-Christians. It didn’t take them long to realize that they had jumped from the frying pan into the fire. They were made to have separate churches, with separate services, and separate priests. As a special favour

A passionate thirst unlike any I’d ever known flared in my veins. Without thinking, I ran across the room toward Elias, letting the blanket fall to the floor. His eyes widened at my approach, and I threw my arms around him, bouncing off my toes and wrapping my legs around his waist as I crashed into him. He caught me, his hands splayed across my back as I pressed my lips to his, inhaling sharply and nodding against him.

in the hands of a few; any meaningful distinction between private and public sectors had disappeared; captains of commerce lived in a ceaseless anxiety that drove them to expand their empires ruthlessly; ordinary citizens lived in ceaseless fear of being fired and ceaseless confusion about which powerful private interest owned which formerly public institution on any given day; and the economy was fueled largely by the elite’s insatiable demand for luxury. (In Vilnius, by November of that dismal autumn, five criminal oligarchs were responsible for employing thousands of carpenters, bricklayers, craftsmen, cooks, prostitutes, barkeeps, auto mechanics, and bodyguards.) The main difference between America and Lithuania, as far as Chip could see, was that in America the wealthy few subdued the unwealthy many by means of mind-numbing and soul-killing entertainments and gadgetry and pharmaceuticals, whereas in Lithuania the powerful few subdued the unpowerful many by threatening violence.

Here’s the venue layout. We have three main stages here, here and here. We’ve got Johnny Cash, Lillie Langtry and Karen Carpenter headlining. George Handel and Glen Miller are putting together some fusion thing for the chill-out tent.” “Johnny Cash,” said Pius. “Isn’t he in Hell?” “We got him on secondment.” “You’ve got the damned performing at our festival?” “No, The Damned are still alive and touring down on Earth,” said Joan, grinning. No one else smiled. “Whoosh,” said Evelyn, passing a hand over her head.

Our family lives by three sayings. The first is that we 'do the right thing.' If you were to walk up to one of my kids on the street and say, 'Remember...' they will respond with, 'do the right thing.' Our second saying is, 'It's important to give it all you got.' We have learned that life is precious, so while we're here we need to give all we have. And our third saying is, 'I got gaps, and together we fill them.' Think about that for a moment. We all have things that we're good at and not-so-good at, but together we fill each other's gaps. When we work together and complement each other by filling in the gaps, we can achieve our dreams hand in hand. I believe that as our family lives out those three things, we can give to others what has been given to us.

The desire for limerence drives us to seek perfection in our crafts. Sometimes, when we are absorbed in some task, the skull barrier begins to disappear. An expert rider feels at one with the rhythms of the horse she is riding. A carpenter merges with the tool in his hands. A mathematician loses herself in the problem she is solving. In these sublime moments, internal and external patterns are meshing and flow is achieved.