Carole King Song Quotes

We've searched our database for all the quotes and captions related to Carole King Song. Here they are! All 8 of them:

There were carollers singing beside King’s College Chapel as we passed, their breath smoking with the song.
Robin Stevens (Mistletoe and Murder (Murder Most Unladylike, #5))
Rodgers and Hart, Gershwin, Bob Dylan, Ray Charles, Carole King, The Beach Boys, Stevie Wonder, Kyu Sakamoto’s “Sukiyaki Song,” “Blue Velvet,” “Green Fields.” Sometimes she would close her eyes and nod or hum to the melody.
Haruki Murakami (Norwegian Wood)
I have learned that there exist a word, onsra, in Bodo, a language spoken by the Bodo people in parts of northeastern India, that is used to describe the poignant emotion a person experiences when that person realizes that the love they have been sharing with another is destined not to endure. This word, which has no equivalent in English, has been translated as "to love for the last time." Misleading. Most English-speaking people would probably take "to love for the last time" to mean to have at long last found one's true love, enduring love. For example, in a song composed by Carole King called "Love for the Last Time." But when I first learned this translation of onsra I thought it meant something else entirely. I thought it meant to have experienced a love so overwhelming, so fierce and deep, that you could never ever ever love again.
Sigrid Nunez (What Are You Going Through)
the Hall of Offerings. Isaac motioned to a wall relief covered in hieroglyphic writing. "Let me show you something I discovered recently," Isaac said. "This hieroglyphic register is a song to Augustus, King of Egypt, heralding him as 'Lord of the Dance,' meaning 'Lord of Life.' I will translate: "The King of Egypt "Pharaoh comes to dance "He comes to sing "See how he dances "See how he sings… "I remember Isaac looked at me to gauge my reaction. In truth I was spellbound. He went on to say, 'The song of Augustus eventually spread to Medieval England where a carol, called "Lord of the Dance," was sung at Christmas and is sung to this day.
Kenneth Atchity (The Messiah Matrix)
On this side of eternity, Christmas is still a promise. Yes, the Savior has come, and with him peace on earth, but the story is not finished. Yes, there is peace in our hearts, but we long for peace in our world. Every Christmas is still a “turning of the page” until Jesus returns. Every December 25 marks another year that draws us closer to the fulfillment of the ages, that draws us closer to . . . home. When we realize that Jesus is the answer to our deepest longing, even Christmas longings, each Advent brings us closer to his glorious return to earth. When we see him as he is, King of kings and Lord of lords, that will be “Christmas” indeed! Talk about giving Christmas gifts! Just think of this abundance . . . You do not lack any spiritual gift as you eagerly wait for our Lord Jesus Christ to be revealed. (1 Cor. 1:7) And carols? You’re about to hear singing like you’ve never heard before. Listen . . . Then I heard something like the voice of a great multitude and like the sound of many waters and like the sound of mighty peals of thunder, saying, “Hallelujah! For the Lord our God, the Almighty, reigns.” (Rev. 19:6, nasb) Christmas choirs? Never was there a choir like the one about to be assembled . . . They held harps given them by God and sang . . . the song of the Lamb: “Great and marvelous are your deeds, Lord God Almighty. Just and true are your ways, King of the ages.” (Rev. 15:2–3) True, Main Street in your town may be beautifully decorated for the season, but picture this . . . The twelve gates [of the city] were twelve pearls, each gate made of a single pearl. The great street of the city was of pure gold, like transparent glass. (Rev. 21:21) Oh, and yes, we love the glow of candles on a cold winter’s night and the twinkling of Christmas lights in the dark, but can you imagine this? There will be no more night. They will not need the light of a lamp or the light of the sun, for the Lord God will give them light. And they will reign for ever and ever. (Rev. 22:5) Heaven is about to happen. The celebration is about to burst on the scene. We stand tiptoe at the edge of eternity, ready to step into the new heaven and the new earth. And I can hardly wait.
Nancy Guthrie (Come, Thou Long-Expected Jesus: Experiencing the Peace and Promise of Christmas)
Curious, Amy asked Absalom how anarchists celebrated the holidays. The girl explained her family exchanged radical pamphlets and gelignite recipes while dining on a roast swan her father had specifically poached from a royal estate. Instead of carols around a tree, they sang revolutionary songs in front of a fire into which they threw straw dollies made in the image of kings, presidents, colossi of finance and secret police chiefs. Absalom and her sisters nibbled biscuits decorated with red sugar stars and slogans of the struggle.
Kim Newman (The Secrets of Drearcliff Grange School (Drearcliff Grange #1))
Songs that felt like Wyatt: “Iris” by Goo Goo Dolls “A Murder of One” by Counting Crows “Take It Easy on Me” by Little River Band “Hold You in My Arms” by Ray LaMontagne “Wild Horses” by The Rolling Stones “Thinking Out Loud” by Ed Sheeran “Yellow” by Coldplay Songs that took me to the beach: “Watermelon Sugar” by Harry Styles “Sunshine on My Shoulders” by John Denver “Wouldn’t It Be Nice” by The Beach Boys Songs to make Sam cry: “Who Knew” by Pink “Wrecking Ball” by Miley Cyrus “1 Step Forward, 3 Steps Back” by Olivia Rodrigo “So Far Away” by Carole King “Romeo and Juliet” by Dire Straits “Stay” by Rihanna “Sam, I Am” by Missy McGee
Annabel Monaghan (Same Time Next Summer)
There were carolers singing beside King's College Chapel as we passed, their breath smoking with the song. Christmas was everywhere—in the bright window shops, in the parcels done up with string, the Christmas trees and boughs of holly, the sides of ham and poor drooping geese being carried home on shoulders and bicycles by bright-cheeked passers-by.
Robin Stevens (Mistletoe and Murder (Murder Most Unladylike, #5))