β
Everyone should be able to do one card trick, tell two jokes, and recite three poems, in case they are ever trapped in an elevator.
β
β
Lemony Snicket (Horseradish: Bitter Truths You Can't Avoid)
β
Life is not a matter of holding good cards, but of playing a poor hand well.
β
β
Robert Louis Stevenson
β
But Dumbledore says he doesn't care what they do as long as they don't take him off the Chocolate Frog cards.
β
β
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
β
Perhaps it's impossible to wear an identity without becoming what you pretend to be.
β
β
Orson Scott Card (Ender's Game (Ender's Saga, #1))
β
We cannot change the cards we are dealt, just how we play the hand.
β
β
Randy Pausch (The Last Lecture)
β
Most people don't grow up. Most people age. They find parking spaces, honor their credit cards, get married, have children, and call that maturity. What that is, is aging.
β
β
Maya Angelou
β
God does not play dice with the universe; He plays an ineffable game of His own devising, which might be compared, from the perspective of any of the other players [i.e. everybody], to being involved in an obscure and complex variant of poker in a pitch-dark room, with blank cards, for infinite stakes, with a Dealer who won't tell you the rules, and who smiles all the time.
β
β
Terry Pratchett (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
β
Lost opportunities, lost possibilities, feelings we can never get back. That's part of what it means to be alive. But inside our heads - at least that's where I imagine it - there's a little room where we store those memories. A room like the stacks in this library. And to understand the workings of our own heart we have to keep on making new reference cards. We have to dust things off every once in awhile, let in fresh air, change the water in the flower vases. In other words, you'll live forever in your own private library.
β
β
Haruki Murakami (Kafka on the Shore)
β
Let us toast to animal pleasures, to escapism, to rain on the roof and instant coffee, to unemployment insurance and library cards, to absinthe and good-hearted landlords, to music and warm bodies and contraceptives... and to the "good life", whatever it is and wherever it happens to be.
β
β
Hunter S. Thompson (The Proud Highway: Saga of a Desperate Southern Gentleman (Fear & Loathing Letters, #1))
β
I guess humans like to watch a little destruction. Sand castles, houses of cards, that's where they begin. Their great skills is their capacity to escalate.
β
β
Markus Zusak (The Book Thief)
β
You should date a girl who reads.
Date a girl who reads. Date a girl who spends her money on books instead of clothes, who has problems with closet space because she has too many books. Date a girl who has a list of books she wants to read, who has had a library card since she was twelve.
Find a girl who reads. Youβll know that she does because she will always have an unread book in her bag. Sheβs the one lovingly looking over the shelves in the bookstore, the one who quietly cries out when she has found the book she wants. You see that weird chick sniffing the pages of an old book in a secondhand book shop? Thatβs the reader. They can never resist smelling the pages, especially when they are yellow and worn.
Sheβs the girl reading while waiting in that coffee shop down the street. If you take a peek at her mug, the non-dairy creamer is floating on top because sheβs kind of engrossed already. Lost in a world of the authorβs making. Sit down. She might give you a glare, as most girls who read do not like to be interrupted. Ask her if she likes the book.
Buy her another cup of coffee.
Let her know what you really think of Murakami. See if she got through the first chapter of Fellowship. Understand that if she says she understood James Joyceβs Ulysses sheβs just saying that to sound intelligent. Ask her if she loves Alice or she would like to be Alice.
Itβs easy to date a girl who reads. Give her books for her birthday, for Christmas, for anniversaries. Give her the gift of words, in poetry and in song. Give her Neruda, Pound, Sexton, Cummings. Let her know that you understand that words are love. Understand that she knows the difference between books and reality but by god, sheβs going to try to make her life a little like her favorite book. It will never be your fault if she does.
She has to give it a shot somehow.
Lie to her. If she understands syntax, she will understand your need to lie. Behind words are other things: motivation, value, nuance, dialogue. It will not be the end of the world.
Fail her. Because a girl who reads knows that failure always leads up to the climax. Because girls who read understand that all things must come to end, but that you can always write a sequel. That you can begin again and again and still be the hero. That life is meant to have a villain or two.
Why be frightened of everything that you are not? Girls who read understand that people, like characters, develop. Except in the Twilight series.
If you find a girl who reads, keep her close. When you find her up at 2 AM clutching a book to her chest and weeping, make her a cup of tea and hold her. You may lose her for a couple of hours but she will always come back to you. Sheβll talk as if the characters in the book are real, because for a while, they always are.
You will propose on a hot air balloon. Or during a rock concert. Or very casually next time sheβs sick. Over Skype.
You will smile so hard you will wonder why your heart hasnβt burst and bled out all over your chest yet. You will write the story of your lives, have kids with strange names and even stranger tastes. She will introduce your children to the Cat in the Hat and Aslan, maybe in the same day. You will walk the winters of your old age together and she will recite Keats under her breath while you shake the snow off your boots.
Date a girl who reads because you deserve it. You deserve a girl who can give you the most colorful life imaginable. If you can only give her monotony, and stale hours and half-baked proposals, then youβre better off alone. If you want the world and the worlds beyond it, date a girl who reads.
Or better yet, date a girl who writes.
β
β
Rosemarie Urquico
β
Having fun isn't hard when you've got a library card.
β
β
Marc Brown
β
Ethan Wyeth: I hope you're thirsty."
Gideon Wyeth:"Why?"
Ethan: "Cause your dumb and ugly, but I can do something about thirsty.
β
β
Orson Scott Card
β
I don't care if I pass your test, I don't care if I follow your rules. If you can cheat, so can I. I won't let you beat me unfairly - I'll beat you unfairly first.
- Ender
β
β
Orson Scott Card (Enderβs Game (Ender's Saga, #1))
β
If you try and lose then it isn't your fault. But if you don't try and we lose, then it's all your fault.
β
β
Orson Scott Card (Enderβs Game (Ender's Saga, #1))
β
livid, adj.
Fuck You for cheating on me. Fuck you for reducing it to the word cheating. As if this were a card game, and you sneaked a look at my hand. Who came up with the term cheating, anyway? A cheater, I imagine. Someone who thought liar was too harsh. Someone who thought devastator was too emotional. The same person who thought, oops, heβd gotten caught with his hand in the cookie jar. Fuck you. This isnβt about slipping yourself an extra twenty dollars of Monopoly money. These are our lives. You went and broke our lives. You are so much worse than a cheater. You killed something. And you killed it when its back was turned.
β
β
David Levithan (The Lover's Dictionary)
β
It's called civilization. Women invented it, and every time you men blow it all to bits, we just invent it again.
β
β
Orson Scott Card (The Folk of the Fringe)
β
In the moment when I truly understand my enemy, understand him well enough to defeat him, then in that very moment I also love him. I think itβs impossible to really understand somebody, what they want, what they believe, and not love them the way they love themselves. And then, in that very moment when I love them.... I destroy them.
β
β
Orson Scott Card (Ender's Game (Ender's Saga, #1))
β
Because never in my entire childhood did I feel like a child. I felt like a person all alongβthe same person that I am today.
β
β
Orson Scott Card (Enderβs Game (Ender's Saga, #1))
β
Life is not always a matter of holding good cards, but sometimes, playing a poor hand well.
β
β
Jack London
β
When you really know somebody you canβt hate them. Or maybe itβs just that you canβt really know them until you stop hating them.
β
β
Orson Scott Card (Speaker for the Dead (Ender's Saga, #2))
β
Iβve learned that you canβt predict [love] or plan for it. For someone like me who is obsessed with organization and planning, I love the idea that love is the one exception to that. Love is the one wild card.
β
β
Taylor Swift
β
When I got [my] library card, that was when my life began.
β
β
Rita Mae Brown
β
One should always play fairly when one has the winning cards.
β
β
Oscar Wilde
β
Crooked cards and straight whiskey,
Slow horses and fast women.
β
β
Kenneth Rexroth
β
I think I may be in love with you, Sophie," said Will. "Marriage could be in the cards.
β
β
Cassandra Clare (Clockwork Prince (The Infernal Devices, #2))
β
One of the world's most popular entertainments is a deck of cards, which contains thirteen each of four suits, highlighted by kings, queens and jacks, who are possibly the queen's younger, more attractive boyfriends.
β
β
Lemony Snicket
β
A tragedy is a tragedy, and at the bottom, all tragedies are stupid. Give me a choice and I'll take A Midsummer Night's Dream over Hamlet every time. Any fool with steady hands and a working set of lungs can build up a house of cards and then blow it down, but it takes a genius to make people laugh.
β
β
Stephen King
β
There are times when the world is rearranging itself, and at times like that, the right words can change the world.
β
β
Orson Scott Card (Enderβs Game (Ender's Saga, #1))
β
Abs? What are you, a workout video?" he sneered.
"Pigeon?" I said with the same amount of disdain. "An annoying bird that craps all over the sidewalk?"
"You like Pigeon," he said defensively. "It's a dove, an attractive girl, a winning card in poker, take your pick. You're my Pigeon.
β
β
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
β
Wow, Cross. I think you missed your calling. Screw demon hunting: you should clearly be writing Hallmark cards.
β
β
Rachel Hawkins (Demonglass (Hex Hall, #2))
β
So the whole war is because we can't talk to each other.
β
β
Orson Scott Card (Enderβs Game (Ender's Saga, #1))
β
This is how humans are: We question all our beliefs, except for the ones that we really believe in, and those we never think to question.
β
β
Orson Scott Card (Speaker for the Dead (Ender's Saga, #2))
β
I canβt help being a gorgeous fiend. Itβs just the card I drew.
β
β
Anne Rice (The Queen of the Damned (The Vampire Chronicles, #3))
β
I think it's impossible to really understand somebody, what they want, what they believe, and not love them the way they love themselves.
β
β
Orson Scott Card (Enderβs Game (Ender's Saga, #1))
β
Remember, the enemy's gate is down.
β
β
Orson Scott Card (Enderβs Game (Ender's Saga, #1))
β
The wise are not wise because they make no mistakes. They are wise because they correct their mistakes as soon as they recognize them.
β
β
Orson Scott Card (Xenocide (Ender's Saga, #3))
β
Happy Valentines Day to those who have found love, in whatever shape or form, and to those who are still hunting, donβt give up. If you feel bad, send yourself a card. You must be worth it...
β
β
Jeanette Winterson
β
Peter, you're twelve years old. I'm ten. They have a word for people our age. They call us children and they treat us like mice.
β
β
Orson Scott Card (Enderβs Game (Ender's Saga, #1))
β
A joker is a little fool who is different from everyone else. He's not a club, diamond, heart, or spade. He's not an eight or a nine, a king or a jack. He is an outsider. He is placed in the same pack as the other cards, but he doesn't belong there. Therefore, he can be removed without anybody missing him.
β
β
Jostein Gaarder (The Solitaire Mystery)
β
Once a little boy sent me a charming card with a little drawing on it. I loved it. I answer all my childrenβs letters β sometimes very hastily β but this one I lingered over. I sent him a card and I drew a picture of a Wild Thing on it. I wrote, βDear Jim: I loved your card.β Then I got a letter back from his mother and she said, βJim loved your card so much he ate it.β That to me was one of the highest compliments Iβve ever received. He didnβt care that it was an original Maurice Sendak drawing or anything. He saw it, he loved it, he ate it.
β
β
Maurice Sendak
β
In my view, suicide is not really a wish for life to end.'
What is it then?'
It is the only way a powerless person can find to make everybody else look away from his shame. The wish is not to die, but to hide.
β
β
Orson Scott Card (Ender's Shadow (The Shadow Series, #1))
β
One of the world's most tiresome questions is what object one would bring to a desert island,because people always answer "a deck of cards" or "Anna Karenina" when the obvious answer is "a well equipped boat and a crew to sail me off the island and back home where I can play all the card games and read all the Russian novels I want.
β
β
Lemony Snicket
β
Sometimes lies were more dependable than the truth.
β
β
Orson Scott Card (Ender's Game (Ender's Saga, #1))
β
I need you to be clever, Bean. I need you to think of solutions to problems we haven't seen yet. I want you to try things that no one has ever tried because they're absolutely stupid.
β
β
Orson Scott Card (Enderβs Game (Ender's Saga, #1))
β
Humanity does not ask us to be happy. It merely asks us to be brilliant on its behalf.
β
β
Orson Scott Card (Enderβs Game (Ender's Saga, #1))
β
I think that most of us, anyway, read these stories that we know are not "true" because we're hungry for another kind of truth: the mythic truth about human nature in general, the particular truth about those life-communities that define our own identity, and the most specific truth of all: our own self-story. Fiction, because it is not about someone who lived in the real world, always has the possibility of being about oneself. --From the Introduction
β
β
Orson Scott Card (Enderβs Game (Ender's Saga, #1))
β
It's all right," said Wolf. "You loved her. I would feel the same if someone wanted to erase Scarlet's identity and give it to Levana's army.
Scarlet stiffened, heat rushing into her cheeks. He certainly wasn't insinuating . . .
"Aaaaw," squealed Iko. "Did Wolf just say that he loves Scarlet? That's so cute!"
Scarlet cringed. "He did not--that wasn't--" She balled her fists against her sides. "Can we get back to these soldiers that are being rounded up, please?"
"Is she blushing? She sounds like she's blushing."
"She's blushing," Thorne confirmed, shuffling the cards. "Actually, Wolf is also looking a little flustered--
β
β
Marissa Meyer (Cress (The Lunar Chronicles, #3))
β
No human being, when you understand his desires, is worthless. No one's life is nothing. Even the most evil of men and women, if you understand their hearts, had some generous act that redeems them, at least a little, from their sins.
β
β
Orson Scott Card (Speaker for the Dead (Ender's Saga, #2))
β
Hey, Nana...
people's feelings change easily...
what you see is a house of cards...
nothing's sure,
and nothing lasts forever.
β
β
Ai Yazawa
β
Fiction, because it is not about somebody who actually lived in the real world, always has the possibility of being about oneself.
β
β
Orson Scott Card (Ender's Game (Ender's Saga, #1))
β
I've lived too long with pain. I won't know who I am without it.
β
β
Orson Scott Card (Enderβs Game (Ender's Saga, #1))
β
Human beings may be miserable specimens, in the main, but we can learn, and, through learning, become decent people.
β
β
Orson Scott Card (Enderβs Game (Ender's Saga, #1))
β
God has not been trying an experiment on my faith or love in order to find out their quality. He knew it already. It was I who didn't. In this trial He makes us occupy the dock, the witness box, and the bench all at once. He always knew that my temple was a house of cards. His only way of making me realize the fact was to knock it down.
β
β
C.S. Lewis (A Grief Observed)
β
Youβre a bitch."
"Yeah, Iβm thinking of having that put on some business cards.
β
β
Rachel Vincent (Alpha (Shifters, #6))
β
Just because something is typed-whether it is typed on a business card or typed in a newspaper or book-this does not mean that it is true.
β
β
Lemony Snicket (The Wide Window (A Series of Unfortunate Events, #3))
β
In our twenties, when there is still so much time ahead of us, time that seems ample for a hundred indecisions, for a hundred visions and revisionsβwe draw a card, and we must decide right then and there whether to keep that card and discard the next, or discard the first card and keep the second. And before we know it, the deck has been played out and the decisions we have just made will shape our lives for decades to come.
β
β
Amor Towles (Rules of Civility)
β
You donβt have a right to the cards you believe you should have been dealt with. You have an obligation to play the hell out of the ones youβre holding and my dear one, you and I have been granted a mighty generous one.
β
β
Cheryl Strayed (Tiny Beautiful Things: Advice on Love and Life from Dear Sugar)
β
Human beings are free except when humanity needs them. Maybe humanity needs you. To do something. Maybe humanity needs meβto find out what you're good for. We might both do despicable things, Ender, but if humankind survives, then we were good tools.
β
β
Orson Scott Card (Enderβs Game (Ender's Saga, #1))
β
No hope without faith, no faith without hope, no love without trust, no trust without love. Remove one and the entire human house cards collapses.
β
β
Rick Yancey (The Infinite Sea (The 5th Wave, #2))
β
I had to leave my debit card at home when I went into a bookstore or else I would drain my account.
β
β
Chelsea M. Cameron (My Favorite Mistake (My Favorite Mistake, #1))
β
Early to bed and early to rise," Mazer intoned, "makes a man stupid and blind in the eyes.
β
β
Orson Scott Card (Enderβs Game (Ender's Saga, #1))
β
Ender Wiggin isn't a killer. He just winsβthoroughly.
β
β
Orson Scott Card (Enderβs Game (Ender's Saga, #1))
β
I also remembered that you were beautiful."
"Memory does play tricks on us."
"No. Your face is the same, but I don't remember what beautiful means anymore.
β
β
Orson Scott Card (Enderβs Game (Ender's Saga, #1))
β
You never know beforehand what people are capable of, you have to wait, give it time, it's time that rules, time is our gambling partner on the other side of the table and it holds all the cards of the deck in its hand, we have to guess the winning cards of life, our lives.
β
β
JosΓ© Saramago (Blindness)
β
Among my most prized possessions are words that I have never spoken.
β
β
Orson Scott Card
β
It is in that moment, when you really lay down your cards and see the relationship for what it was, that you'll find the freedom to kick it in the ass and let it go.
β
β
Greg Behrendt (It's Called a Breakup Because It's Broken: The Smart Girl's Break-Up Buddy)
β
And, whoa!" He turned to Mr.D. "Your the wine dude? No way!"
Mr.D turned hi eyes away from me and gave Nico a look of loathing. "The wine dude?"
"Dionysus, right? Oh, wow! I've got your figurine!"
"My figurine."
"In my game, Mythomagic. And holofoil card, too! And even though you've only got like five hundred attack points and everybody thinks your the lamest god card, I totally think your powers are sweet!"
"Ah." Mr.D seemed truly perplexed, which probably saved my life. "Well, that's...gratifying.
β
β
Rick Riordan (The Titanβs Curse (Percy Jackson and the Olympians, #3))
β
We are all dealt a hand at birth. A good hand can ultimately lose - just as a poor hand can win - but we must all play the cards the fate deals. The choices we face may not be the choices we want, but they are choices nonetheless.
β
β
Brigid Kemmerer (A Curse So Dark and Lonely (Cursebreakers, #1))
β
You're a monster.
Thanks. Does this mean I get a raise?
No, just a medal. The budget isn't inexhaustable.
β
β
Orson Scott Card (Ender's Game (Ender's Saga, #1))
β
Life is full of grief, to exactly the degree we allow ourselves to love other people.
β
β
Orson Scott Card (Shadow of the Giant (The Shadow Series, #4))
β
I've always known I was gay, but it wasn't confirmed until I was in kindergarten.
It was my teacher who said so. It was right there on my kindergarten report card: PAUL IS DEFINITELY GAY AND HAS VERY GOOD SENSE OF SELF.
β
β
David Levithan (Boy Meets Boy)
β
That is why it is so important to let certain things go. To release them. To cut loose. People need to understand that no one is playing with marked cards; sometimes we win and sometimes we lose. Don't expect to get anything back, don't expect recognition for your efforts, don't expect your genius to be discovered or your love to be understood. Complete the circle. Not out of pride, inability or arrogance, but simply because whatever it is no longer fits in your life. Close the door, change the record, clean the house, get rid of the dust. Stop being who you were and become who you are.
β
β
Paulo Coelho (The Zahir)
β
I'm not sure how to order."
"Easy," Josh says. "Stand in line. Tell them what you want. Accept delicious goodies. And then give them your meal card and two pints of blood."
"I heard they raised it to three pints this year," Rashmi says.
"Bone marrow," Beautiful Hallway Boy says. "Or your left earlobe.
β
β
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
β
Typically, people who exercise, start eating better and becoming more productive at work. They smoke less and show more patience with colleagues and family. They use their credit cards less frequently and say they feel less stressed. Exercise is a keystone habit that triggers widespread change.
β
β
Charles Duhigg (The Power of Habit: Why We Do What We Do in Life and Business)
β
He could see Bonzo's anger growing hot. Hot anger was bad. Ender's anger was cold, and he could use it. Bonzo's was hot, and so it used him.
β
β
Orson Scott Card (Enderβs Game (Ender's Saga, #1))
β
I will remember this, thought Ender, when I am defeated. To keep dignity, and give honor where it's due, so that defeat is not disgrace. And I hope I don't have to do it often.
β
β
Orson Scott Card (Enderβs Game (Ender's Saga, #1))
β
Love is finding that the things you like best about yourself are not in you at all, but in the person who completes you
β
β
Orson Scott Card (Sarah (Women of Genesis, #1))
β
Metaphors have a way of holding the most truth in the least space.
β
β
Orson Scott Card (Alvin Journeyman (Tales of Alvin Maker, #4))
β
She worked her toes into the sand, feeling the tiny delicious pain of the friction of tiny chips of silicon against the tender flesh between her toes. That's life. It hurts, it's dirty, and it feels very, very good.
β
β
Orson Scott Card (Children of the Mind (Ender's Saga, #4))
β
An enemy, Ender Wiggin," whispered the old man. "I am your enemy, the first one you've ever had who was smarter than you. There is no teacher but the enemy. No one but the enemy will tell you what the enemy is going to do. No one but the enemy will ever teach you how to destroy and conquer. Only the enemy shows you where you are weak. Only the enemy tells you where he is strong. And the rules of the game are what you can do to him and what you can stop him from doing to you. I am your enemy from now on. From now on I am your teacher.
β
β
Orson Scott Card (Enderβs Game (Ender's Saga, #1))
β
Once, when a religionist denounced me in unmeasured terms, I sent him a card saying, "I am sure you believe that I will go to hell when I die, and that once there I will suffer all the pains and tortures the sadistic ingenuity of your deity can devise and that this torture will continue forever. Isn't that enough for you? Do you have to call me bad names in addition?
β
β
Isaac Asimov (I. Asimov: A Memoir)
β
We have to go. I'm almost happy here.
β
β
Orson Scott Card (Enderβs Game (Ender's Saga, #1))
β
Remember this. The people you're trying to step on, we're everyone you depend on. We're the people who do your laundry and cook your food and serve your dinner. We make your bed. We guard you while you're asleep. We drive the ambulances. We direct your call. We are cooks and taxi drivers and we know everything about you. We process your insurance claims and credit card charges. We control every part of your life.
We are the middle children of history, raised by television to believe that someday we'll be millionaires and movie stars and rock stars, but we won't. And we're just learning this fact. So don't fuck with us.
β
β
Chuck Palahniuk (Fight Club)
β
It's a funny thing about the modern world. You hear girls in the toilets of clubs saying, "Yeah, he fucked off and left me. He didn't love me. He just couldn't deal with love. He was too fucked up to know how to love me." Now, how did that happen? What was it about this unlovable century that convinced us we were, despite everything, eminently lovable as a people, as a species? What made us think that anyone who fails to love us is damaged, lacking, malfunctioning in some way? And particularly if they replace us with a god, or a weeping madonna, or the face of Christ in a ciabatta roll---then we call them crazy. Deluded. Regressive. We are so convinced of the goodness of ourselves, and the goodness of our love, we cannot bear to believe that there might be something more worthy of love than us, more worthy of worship. Greeting cards routinely tell us everybody deserves love. No. Everybody deserves clean water. Not everybody deserves love all the time.
β
β
Zadie Smith (White Teeth)
β
Perhaps you are thinking: 'But a tank costs several million dollars, not including floor mats. I don't have that kind of money.'
Don't be silly. You're a consumer, right? You have credit cards, right?
Perhaps you are thinking: 'Yes, but how am I going to pay the credit-card company?'
Don't be silly. You have a tank, right?
β
β
Dave Barry
β
You know how writers are... they create themselves as they create their work. Or perhaps they create their work in order to create themselves.
β
β
Orson Scott Card
β
It does not matter how small the sins are provided that their cumulative effect is to edge the man away from the Light and out into the Nothing. Murder is no better than cards if cards can do the trick. Indeed the safest road to Hell is the gradual one--the gentle slope, soft underfoot, without sudden turnings, without milestones, without signposts.
β
β
C.S. Lewis (The Screwtape Letters)
β
Why are we worn out? Why do we, who start out so passionate, brave, noble, believing, become totally bankrupt by the age of thirty or thirty-five? Why is it that one is extinguished by consumption, another puts a bullet in his head, a third seeks oblivion in vodka, cards, a fourth, in order to stifle fear and anguish, cynically tramples underfoot the portrait of his pure, beautiful youth? Why is it that, once fallen, we do not try to rise, and, having lost one thing, we do not seek another? Why?
β
β
Anton Chekhov (The Complete Short Novels)
β
My youngest brother had a wonderful schtick from some time in high school, through to graduating medicine. He had a card in his wallet that read, βIf I am found with amnesia, please give me the following books to read β¦β And it listed half a dozen books where he longed to recapture that first glorious sense of needing to find out βwhat happens nextβ β¦ the feeling that keeps you up half the night. The feeling that comes before the plotβs been learned.
β
β
Guy Gavriel Kay
β
Home is anywhere that you know all your friends and all your enemies.
β
β
Orson Scott Card (Hart's Hope)
β
Changing the world is good for those who want their names in books. But being happy, that is for those who write their names in the lives of others, and hold the hearts of others as the treasure most dear.
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Orson Scott Card (Children of the Mind (Ender's Saga, #4))
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The tricky part of illness is that, as you go through it, your values are constantly changing. You try to figure out what matters to you, and then you keep figuring it out. It felt like someone had taken away my credit card and I was having to learn how to budget. You may decide you want to spend your time working as a neurosurgeon, but two months later, you may feel differently. Two months after that, you may want to learn to play the saxophone or devote yourself to the church. Death may be a one-time event, but living with terminal illness is a process.
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Paul Kalanithi (When Breath Becomes Air)
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Every great magic trick consists of three parts or acts. The first part is called "The Pledge". The magician shows you something ordinary: a deck of cards, a bird or a man. He shows you this object. Perhaps he asks you to inspect it to see if it is indeed real, unaltered, normal. But of course... it probably isn't. The second act is called "The Turn". The magician takes the ordinary something and makes it do something extraordinary. Now you're looking for the secret... but you won't find it, because of course you're not really looking. You don't really want to know. You want to be fooled. But you wouldn't clap yet. Because making something disappear isn't enough; you have to bring it back. That's why every magic trick has a third act, the hardest part, the part we call "The Prestige".
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Christopher Priest (The Prestige)
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Music isn't just a pleasure, a transient satisfaction. It's a need, a deep hunger; and when the music is right, it's joy. Love. A foretaste of heaven. A comfort in grief.
Is it too much to think that perhaps God speaks to us sometimes through music?
How, then, could I be so ungrateful as to refuse the message?
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Orson Scott Card
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...I've made it my business to observe fathers and daughters. And I've seen some incredible, beautiful things. Like the little girl who's not very cute - her teeth are funny, and her hair doesn't grow right, and she's got on thick glasses - but her father holds her hand and walks with her like she's a tiny angel that no one can touch. He gives her the best gift a woman can get in this world: protection. And the little girl learns to trust the man in her life. And all the things that the world expects from women - to be beautiful, to soothe the troubled spirit, heal the sick, care for the dying, send the greeting card, bake the cake - allof those things become the way we pay the father back for protecting us...
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Adriana Trigiani (Big Stone Gap (Big Stone Gap, #1))
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Love the quick profit, the annual raise,
vacation with pay. Want more
of everything ready-made. Be afraid
to know your neighbors and to die.
And you will have a window in your head.
Not even your future will be a mystery
any more. Your mind will be punched in a card
and shut away in a little drawer.
When they want you to buy something
they will call you. When they want you
to die for profit they will let you know.
So, friends, every day do something
that wonβt compute. Love the Lord.
Love the world. Work for nothing.
Take all that you have and be poor.
Love someone who does not deserve it.
Denounce the government and embrace
the flag. Hope to live in that free
republic for which it stands.
Give your approval to all you cannot
understand. Praise ignorance, for what man
has not encountered he has not destroyed.
Ask the questions that have no answers.
Invest in the millenium. Plant sequoias.
Say that your main crop is the forest
that you did not plant,
that you will not live to harvest.
Say that the leaves are harvested
when they have rotted into the mold.
Call that profit. Prophesy such returns.
Put your faith in the two inches of humus
that will build under the trees
every thousand years.
Listen to carrion β put your ear
close, and hear the faint chattering
of the songs that are to come.
Expect the end of the world. Laugh.
Laughter is immeasurable. Be joyful
though you have considered all the facts.
So long as women do not go cheap
for power, please women more than men.
Ask yourself: Will this satisfy
a woman satisfied to bear a child?
Will this disturb the sleep
of a woman near to giving birth?
Go with your love to the fields.
Lie down in the shade. Rest your head
in her lap. Swear allegiance
to what is nighest your thoughts.
As soon as the generals and the politicos
can predict the motions of your mind,
lose it. Leave it as a sign
to mark the false trail, the way
you didnβt go.
Be like the fox
who makes more tracks than necessary,
some in the wrong direction.
Practice resurrection.
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Wendell Berry
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She turned back to the cards and tapped the Ace of Cups. "You're on the verge of a new beginning, a rebirth of great power and emotion. Your life will change, but it will be change that takes you in the direction that, while difficult, will ultimatley illuminate the world."
"Whoa," I said.
Rhonda then pointed to the Empress. "Power and leadership lie ahead of you, which you will handle with grace and intelligence. The seeds are already in place, though there's an edge of uncertainty-an enigmatic set of influences that hang around you like a mist." Her attention was on the Moon as she said those words. "But my overall impression is that those unknown factors won't deter you from your destiny."
Lissa's eyes were wide. "You can teel that just from the cards?"
...
After several moments of heavy silence, she said, "You will destroy that which is undead."
i waited about thirty seconds for her to continue, but she didn't. "Wait, that's it?"
...
Her eyes flickered over the cards, looked at Dimitri, then looked back at the cards. Her expression was blank. "You will lose what you value most, so treasure it while you can." She pointed to the Wheel of Fortune card. "The wheel is turning, always turning.
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Richelle Mead (Shadow Kiss (Vampire Academy, #3))
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He shook his head pityingly. βThis, more than anything else, is what I have never understood about your people. You can roll dice, and understand that the whole game may hinge on one turn of a die. You deal out cards, and say that all a man's fortune for the night may turn upon one hand. But a man's whole life, you sniff at, and say, what, this naught of a human, this fisherman, this carpenter, this thief, this cook, why, what can they do in the great wide world? And so you putter and sputter your lives away, like candles burning in a draft.β
βNot all men are destined for greatness,β I reminded him.
βAre you sure, Fitz? Are you sure? What good is a life lived as if it made no difference at all to the great life of the world? A sadder thing I cannot imagine. Why should not a mother say to herself, if I raise this child aright, if I love and care for her, she shall live a life that brings joy to those about her, and thus I have changed the world? Why should not the farmer that plants a seed say to his neighbor, this seed I plant today will feed someone, and that is how I change the world today?β
βThis is philosophy, Fool. I have never had time to study such things.β
βNo, Fitz, this is life. And no one has time not to think of such things. Each creature in the world should consider this thing, every moment of the heart's beating. Otherwise, what is the point of arising each day?
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Robin Hobb (Royal Assassin (Farseer Trilogy, #2))
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Closing The Cycle
One always has to know when a stage comes to an end. If we insist on staying longer than the necessary time, we lose the happiness and the meaning of the other stages we have to go through. Closing cycles, shutting doors, ending chapters - whatever name we give it, what matters is to leave in the past the moments of life that have finished.
Did you lose your job? Has a loving relationship come to an end? Did you leave your parents' house? Gone to live abroad? Has a long-lasting friendship ended all of a sudden?
You can spend a long time wondering why this has happened. You can tell yourself you won't take another step until you find out why certain things that were so important and so solid in your life have turned into dust, just like that. But such an attitude will be awfully stressing for everyone involved: your parents, your husband or wife, your friends, your children, your sister, everyone will be finishing chapters, turning over new leaves, getting on with life, and they will all feel bad seeing you at a standstill.
None of us can be in the present and the past at the same time, not even when we try to understand the things that happen to us. What has passed will not return: we cannot for ever be children, late adolescents, sons that feel guilt or rancor towards our parents, lovers who day and night relive an affair with someone who has gone away and has not the least intention of coming back.
Things pass, and the best we can do is to let them really go away. That is why it is so important (however painful it may be!) to destroy souvenirs, move, give lots of things away to orphanages, sell or donate the books you have at home. Everything in this visible world is a manifestation of the invisible world, of what is going on in our hearts - and getting rid of certain memories also means making some room for other memories to take their place.
Let things go. Release them. Detach yourself from them. Nobody plays this life with marked cards, so sometimes we win and sometimes we lose. Do not expect anything in return, do not expect your efforts to be appreciated, your genius to be discovered, your love to be understood. Stop turning on your emotional television to watch the same program over and over again, the one that shows how much you suffered from a certain loss: that is only poisoning you, nothing else.
Nothing is more dangerous than not accepting love relationships that are broken off, work that is promised but there is no starting date, decisions that are always put off waiting for the "ideal moment." Before a new chapter is begun, the old one has to be finished: tell yourself that what has passed will never come back. Remember that there was a time when you could live without that thing or that person - nothing is irreplaceable, a habit is not a need. This may sound so obvious, it may even be difficult, but it is very important.
Closing cycles. Not because of pride, incapacity or arrogance, but simply because that no longer fits your life. Shut the door, change the record, clean the house, shake off the dust. Stop being who you were, and change into who you are.
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Paulo Coelho