Cards Queen Quotes

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One of the world's most popular entertainments is a deck of cards, which contains thirteen each of four suits, highlighted by kings, queens and jacks, who are possibly the queen's younger, more attractive boyfriends.
Lemony Snicket
I can’t help being a gorgeous fiend. It’s just the card I drew.
Anne Rice (The Queen of the Damned (The Vampire Chronicles, #3))
Plus he was naturally lucky at cards. As Mam had always said, lucky at cards, or lucky at life. One or the other. Not both.
Cinda Williams Chima (The Exiled Queen (Seven Realms, #2))
If only we could have talked to you, the hive-queen said in Ender's words. But since it could not be, we ask only this: that you remember us, not as enemies, but as a tragic sisters, changed into foul shape by fate or God or evolution. If we had kissed, it would have been the miracle to make us human in each other's eyes. Instead we killed each other. But still we welcome you now as guestfriends. Come into our home, daughters of Earth; dwell in our tunnels, harvest our fields; what we cannot do, you are now our hands to do for us. Blossom, trees; ripen, fields; be warm for them, suns; be fertile for them, planets: they are our adopted daughters, and they have come home.
Orson Scott Card (Ender’s Game (Ender's Saga, #1))
I looked at the cards in my hand, the queen of hearts nestled between the king of clubs and the king of spades. No wonder she was smiling.
Megan Hart (Tempted (Alex Kennedy, #1))
Another round," she goads, and holds out a hand for the cards. "I bet a week of laundry." Across from us, Cal stops his preparatory stretching to snort. "You think Mare does laundry?" "Do you, Your Highness?" I snap back, grinning. He just pretends not to hear me.
Victoria Aveyard (King's Cage (Red Queen, #3))
Life will deal me many different hands, some good, some bad (maybe they've already been dealt), but from here on in, I'll be turning my own cards. —Alton Richard
Louis Sachar (The Cardturner: A Novel about a King, a Queen, and a Joker)
What people read revealed so much about them that she considered our card catalog a treasure house of privileged secrets; each card contained the map of an individual’s soul.
Alice Hoffman (The Ice Queen)
This is where you first failed us. You gave us minds and told us not to think. You gave us curiosity and put a booby-trapped tree right in front of us. You gave us sex and told us not to do it. You played three-card monte with our souls from day one, and when we couldn't find the queen, you sent us to Hell to be tortured for eternity. That was your great plan for humanity? All you gave us here was daisies and fairy tales and you acted like that was enough. How were we supposed to resist evil when you didn't even tell us about it?
Richard Kadrey (Aloha from Hell (Sandman Slim, #3))
And always Ender carried with him a dry white cocoon, looking for a place where the hive-queen could awaken and thrive in peace. He looked a long time.
Orson Scott Card (Ender’s Game (Ender's Saga, #1))
WHAT?!" I felt the prickling along my scalp that signaled Big Anger. I wished I was the Queen of Hearts so I could just order my little card soldiers to cut off Albert's head.
Jennifer Rardin (Once Bitten, Twice Shy (Jaz Parks, #1))
Come on,” he said to Valentine one day. “Let’s fly away and live forever.” “We can’t,” she said. “There are miracles even relativity can’t pull off, Ender.” “We have to go. I’m almost happy here.” “So, stay.” “I’ve lived too long with pain. I won’t know who I am without it.” So they boarded a starship and went from world to world. Wherever they stopped, he was always Andrew Wiggin, itinerant speaker for the dead, and she was always Valentine, historian errant, writing down the stories of the living while Ender spoke the stories of the dead. And always Ender carried with him a dry white cocoon, looking for the world where the hive-queen could awaken and thrive in peace. He looked a long time.
Orson Scott Card (Ender’s Game (Ender's Saga, #1))
Living did not mean one joy piled upon another. It was merely the hope for less pain, hope played like a playing card upon another hope, a wish for kindnesses and mercies to emerge like kings and queens in an unexpected change of the game. One could hold the cards oneself or not: they would land the same regardless.
Lorrie Moore (Bark)
Time is drowning, Hearts are burning, Heads are rolling, Nothing can save you now, Tick tock, tick tock; Creatures talking, Weak are rising, White Queen’s nearing, Nothing can save you now, Tick tock, tick tock; Cards are bleeding, Crowns are sweating, Tea is spilling, Nothing can save you now, Tick tock, tick tock; Red Queen, here’s your warning, Wonderland’s raging, Alice is coming, Highness, time is drowning, And nothing can save you now, Tick tock, tick tock, tick tock…
Emory R. Frie (Wonderland (Realms #1))
Wearing an antique bridal gown, the beautiful queen of the vampires sits all alone in her dark, high house under the eyes of the portraits of her demented and atrocious ancestors, each one of whom, through her, projects a baleful posthumous existence; she counts out the Tarot cards, ceaselessly construing a constellation of possibilities as if the random fall of the cards on the red plush tablecloth before her could precipitate her from her chill, shuttered room into a country of perpetual summer and obliterate the perennial sadness of a girl who is both death and the maiden.
Angela Carter (The Bloody Chamber and Other Stories)
Nobody gets to be Queen of England by being loveable. You will have to play your cards right.
Philippa Gregory
Come into our home, daughters of Earth; dwell in our tunnels, harvest our fields; what we cannot do, you are now our hands to do for us. Blossom, trees; ripen, fields; be warm for them, suns; be fertile for them, planets: they are our adopted daughters, and they have come home.
Orson Scott Card (Ender’s Game (Ender's Saga, #1))
It didn’t matter what cards you were dealt. The City of Sin was a game, and the only way to win was to stack the cards in your favor.
Amanda Foody (Queen of Volts (The Shadow Game, #3))
Self-respect --- I honor and love myself through my beautiful actions.
Doreen Virtue (Mary, Queen of Angels Oracle Cards)
Maybe. Maybe. He said, "Does Dorian actually matter, or is he a pawn for Terrasen?" "Don't even start with that." For a moment he thought she was done, but than she spat, "Killing him, Chaol, would be a mercy. Killing him would be a gift." "I can't make the shot," Nesryn said again-a bit more sharply. "Touch him," Chaol said, "and I'll make sure those bastards down there find Aedion." Nesryn silently turned to them, slackening her bow. It was the only card he had to play, even if it made him a bastard as well. The wrath Chaol found in Aelin's eyes were world-ending. "You bring my court into this, Chaol," Aelin said with lethal softness, "and I don't care what you were to me, or what you have done to help me. You betray them, you hurt them, and I don't care how long it takes, or how far you go: I'll burn you and your gods-damned kingdom to ash. Then you'll learn just how much of a monster I can be." Too far. He'd gone too far.
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
Tell the world what scares you the most” says Brandy. She gives us each an Aubergine Dreams eyebrow pencil and says “Save the world with some advice from the future” Seth writes on the back of a card and hands the card to Brandy for her to read. On game shows, Brandy reads, some people will take the trip to France, but most people will take the washer dryer pair.” Brandy puts a big Plumbago kiss in the little square for the stamp and lets the wind lift and card and sail it off toward the towers of downtown Seattle. Seth hands her another, and Brandy reads: Game shows are designed to make us feel better about the random useless facts that are all we have left from our education” A kiss and the card’s on it’s way toward Lake Washington. From Seth: When did the future switch from being a promise to being a threat?” A kiss and it’s off on the wind toward Ballard. Only when we eat up this planet will God give us another. We’ll be remembered more for what we destroy than what we create.” Interstate 5 snakes by in the distance. From high atop the Space Needle, the southbound lanes are red chase lights, and the northbound lanes are white chase lights. I take a card and write: I love Seth Thomas so much I have to destroy him. I overcompensate by worshipping the queen supreme. Seth will never love me. No one will ever love me ever again. Beandy is waiting to rake the card and read it out loud. Brandy’s waiting to read my worst fears to the world, but I don’t give her the card. I kiss it myself with the lips I don’t have and let the wind take it out of my hand. The card flies up, up, up to the stars and then falls down to land in the suicide net. While I watch my future trapped in the suicide net Brandy reads another card from Seth. We are all self-composting” I write another card from the future and Brandy reads it: When we don’t know who to hate, we hate ourselves” An updraft lifts up my worst fears from the suicide net and lifts them away. Seth writes and Brandy reads. You have to keep recycling yourself”. I write and Brandy reads. Nothing of me is original. I am the combined effort of everybody I’ve ever known.” I write and Brandy reads. The one you love and the one who loves you are never ever the same person.
Chuck Palahniuk (Invisible Monsters)
For as much as Hillary Clinton might hate admitting this about Monica Lewinisky, Eleanor Roosevelt about Missy Le Hand, Queen Alexandra about Lillie Langtry, Lady Nelson about Emma Hamilton, or Jackie about Marilyn, the reality is that despite their intrinsic animosity toward each other, on a a deep level, the wife and the mistress generally have far more in common than they might care to admit and could, had fate dealt them different cards, even been true friends.
Wendy Leigh (The Secret Letters: of Marilyn Monroe and Jacqueline Kennedy)
I was having dinner…in London…when eventually he got, as the Europeans always do, to the part about “Your country’s never been invaded.” And so I said, “Let me tell you who those bad guys are. They’re us. WE BE BAD. We’re the baddest-assed sons of bitches that ever jogged in Reeboks. We’re three-quarters grizzly bear and two-thirds car wreck and descended from a stock market crash on our mother’s side. You take your Germany, France, and Spain, roll them all together and it wouldn’t give us room to park our cars. We’re the big boys, Jack, the original, giant, economy-sized, new and improved butt kickers of all time. When we snort coke in Houston, people lose their hats in Cap d’Antibes. And we’ve got an American Express card credit limit higher than your piss-ant metric numbers go. You say our country’s never been invaded? You’re right, little buddy. Because I’d like to see the needle-dicked foreigners who’d have the guts to try. We drink napalm to get our hearts started in the morning. A rape and a mugging is our way of saying 'Cheerio.' Hell can’t hold our sock-hops. We walk taller, talk louder, spit further, fuck longer and buy more things than you know the names of. I’d rather be a junkie in a New York City jail than king, queen, and jack of all Europeans. We eat little countries like this for breakfast and shit them out before lunch.
P.J. O'Rourke (Holidays in Hell: In Which Our Intrepid Reporter Travels to the World's Worst Places and Asks, "What's Funny about This?")
Lainey is hot in a prom queen kind of way and we used to be friends back in grade school, but that was two lifetimes ago. Now she’s a varsity soccer player and card-carrying popular girl who hangs out with the kind of mean girls and douchebags who get killed first in horror movies.
Paula Stokes (Infinite Repeat (The Art of Lainey, #0.5))
The line of betrayal was so fine in war, it was practically made of sand.
Colleen Oakes (War of the Cards (Queen of Hearts Saga, #3))
And then the queen wept with all her heart. Not for the cruel and greedy man who had warred and killed and savaged everywhere he could. But for the boy who had somehow turned into that man, the boy whose gentle hand had comforted her childhood hurts, the boy whose frightened voice had cried out to her at the end of his life, as if he wondered why he had gotten lost inside himself, as if he realized that it was too, too late to get out again.
Orson Scott Card (Maps in a Mirror: The Short Fiction of Orson Scott Card)
You don't have to come with me," Ash said. "I only brought you along because you're good with a knife. And got us the uniforms. And the explosives." Lila snorted. "Sorry I'm not pulling my weight." "This may not be your idea," Ash said doggedly, "but it's what we're going to do." "Is it? Are you really going to start playing the prince card after all?" "Don' start in about my mother the queen, because I don't want to hear it." "All right, then, as your peer and absolute equal, I can't help thinking this is a really bad idea.
Cinda Williams Chima (Flamecaster (Shattered Realms, #1))
It started when I was a kid. I would pout and people would give me things like burritos or baseball cards. Then I got older and people would try and give me sex instead, and I just wanted another burrito.
T.J. Klune (The Queen & the Homo Jock King (At First Sight, #2))
I can’t help being a gorgeous fiend. It’s just the card I drew. The bastard monster who made me what I am picked me on account of my good looks. That’s the long and short of it. And accidents like that occur all the time.
Anne Rice (The Queen of the Damned (The Vampire Chronicles, #3))
It is understandable you would want to come back as yourself into a wonderland with the sharpness of colour of the Queen of Hearts in a newly opened pack of cards. But coming back as yourself is resurrection. It is uncommon.
J.M. Ledgard (Submergence: A Novel)
You’re not a whore.” “Yes, I am. It’s on my business cards. See?” Thorny pulled his wallet out of his pocket and passed her a business card covered in scrolling thorned vines. Thorny, Whore for Hire. “Wow. It really does say whore on your business cards
Tiffany Reisz (The Queen)
We cut a pack of cards called historical context- our generation, Sixsmith, cut tens, jacks and queens. Adrian's cut threes, fours, and fives. That's all.
David Mitchell
Right, 'the Queen of Hearts.' Sounds to me like you’re just one bitch in a whole pack of cards, baby.
Elle Lothlorien (Alice in Wonderland)
I have a theory that he’s not actually as stupid as he likes to act, because often he’ll play the stupidity card in a really smart way .
David Clawson (My Fairy Godmother is a Drag Queen)
Hive Queen: They never know anything. They don't have enough years in their little lives to come to an understanding of anything at all. And yet they think they understand. From earliest childhood, they delude themselves into thinking they comprehend the world, while all that's really going on is that they've got some primitive assumptions and prejudices. As they get older they learn a more elevated vocabulary in which to express their mindless pseudo- knowledge and bully other people into accepting their prejudices as if they were truth, but it all amounts to the same thing. Individually, human beings are all dolts. Pequenino: While collectively... Hive Queen: Collectively, they're a collection of dolts. But in all their scurrying around and pretending to be wise, throwing out idiotic half-understood theories about this and that, one or two of them will come up with some idea that is just a little bit closer to the truth than what was already known. And in a sort of fumbling trial and error, about half the time the truth actually rises to the top and becomes accepted by people who still don't understand it, who simply adopt it as a new prejudice to be trusted blindly until the next dolt accidentally comes up with an improvement.> Pequenino: So you're saying that no one is ever individually intelligent, and groups are even stupider than individuals-- and yet by keeping so many fools engaged in pretending to be intelligent, they still come up with some of the same results that an intelligent species would come up with. Hive Queen: Exactly.
Orson Scott Card (Xenocide (Ender's Saga, #3))
So, you just told him all his cards?” East asked when we returned. “And he’s going to remember them?” asked West. “You can ask me,” my uncle said. “Despite my lack of eyesight, I can hear and speak.
Louis Sachar (The Cardturner: A Novel about a King, a Queen, and a Joker)
Hive Queen: So many of your people are becoming Christians. Believing in the god these humans brought with them. Human: You don’t believe in God? Hive Queen: The question never came up. We have always remembered how we began. Human: You evolved. We were created. Hive Queen: By a virus. Human: By a virus that God created in order to create us. Hive Queen: So you, too, are a believer. Human: I understand belief. Hive Queen: No—you desire belief. Human: I desire it enough to act as if I believed. Maybe that’s what faith is. Hive Queen: Or deliberate insanity.
Orson Scott Card (Xenocide (Ender's Saga, #3))
Queen of Hearts, the daughter of two fathers, heed my words. You will pierce the heart of one man and cut out the heart of the one you love most. Follow the crumbs to find your throne and only then shall your head rest in the grass.
Colleen Oakes (War of the Cards (Queen of Hearts Saga, #3))
I stare at his forearms. I can make out a naked woman with a snake going up her vagina. She’s holding a knife, slitting her own throat. There are three playing cards on the back of his right hand: the Queen of Spades, the Jack of Hearts and the Joker. Red flames lick his elbow. There’s a watch tattooed on his left wrist with ‘Fuck Time’ inscribed on its face. Fuck o’clock. He’s not that tall, but his body is carefully cut. The lines of his face, his cheekbones and jaw, are sharp and precise. I can see the tufts of his blond underarm hairs and under them the ladder of his ribs. He’s beautiful, in the way that a knife is beautiful.
Kirsty Eagar (Raw Blue)
This time of year," she said, "people’s consciences gnaw at them. They give away truckloads of canned goods and quote Dickens and wring their hands over the ‘less fortunate.’" We boarded the Metro and took seats perpendicular to each other. "But God forbid anyone should address why they’re poor in the first place, or try to change the structures that keep them poor. Then the ‘less fortunate’ turn into ‘welfare queens’ and ‘derelicts.’ But if I were a lobbyist whoring on behalf of some transnational corporation, I’d never hear the word ‘derelict.’" "So when it comes to taking care of poor people," I said, "if Mother Teresa is the Hallmark card, then you’re the electric bill.
Jeri Smith-Ready (Requiem for the Devil)
Ace-king is a fine hand. Ace-queen is a little weaker, but still good. With ace-jack, you're already sliding rapidly down a slippery slope. With ace-ten, you've slid down the slope, fallen off the cliff, and lie in wreckage at the bottom with hands like ace-five and ace-six.
Dan Harrington (Harrington on Hold 'em: Expert Strategy for No-Limit Tournaments, Volume I: Strategic Play)
Fuck this place and fuck your games. This is where you first failed us. You gave us minds and told us not to think. You gave us curiosity and put a booby-trapped tree right in front of us. You gave us sex and told us not to do it. You played three-card monte with our souls from day one, and when we couldn’t find the queen, you sent us to Hell to be tortured for eternity. That was your great plan for humanity? Whatever
Richard Kadrey (Aloha from Hell (Sandman Slim, #3))
Her knee caught him between the legs with pitiless accuracy, driving the wind from his chest, making him teeter for a breathless moment, then bringing him down like a sledgehammer to a house of cards. As he slid groaning to the carpet in that special, shooting agony that only a blow to the fruits can produce, it was little consolation that he had been right. His Queen was quite evidently a woman of rare and fiery passion.
Joe Abercrombie (Last Argument of Kings (The First Law, #3))
It is understandable you would want to come back as yourself into a wonderland with the sharpness of color of the Queen of Hearts in a newly opened pack of cards. But coming back as yourself is resurrection. It is uncommon. It may even be greater than the scope of mathematics. We cannot talk with definition about our souls, but it is certain that we will decompose. Some dust of our bodies may end up in a horse, wasp, cockerel, frog, flower, or leaf, but for every one of these sensational assemblies there are a quintillion microorganisms. It is far likelier that the greater part of us will become protists than a skyscraping dormouse. What is likely is that, sooner or later, carried in the wind and in rivers, or your graveyard engulfed in the sea, a portion of each of us will be given new life in the cracks, vents, or pools of molten sulphur on which the tonguefish skate. You will be in Hades, the staying place of the spirits of the dead. You will be drowned in oblivion, the River Lethe, swallowing water to erase all memory. It will not be the nourishing womb you began your life in. It will be a submergence. You will take your place in the boiling-hot fissures, among the teeming hordes of nameless microorganisms that mimic no forms, because they are the foundation of all forms. In your reanimation you will be aware only that you are a fragment of what once was, and are no longer dead. Sometimes this will be an electric feeling, sometimes a sensation of the acid you eat, or the furnace under you. You will burgle and rape other cells in the dark for a seeming eternity, but nothing will come of it. Hades is evolved to the highest state of simplicity. It is stable. Whereas you are a tottering tower, so young in evolutionary terms, and addicted to consciousness.
J.M. Ledgard (Submergence: A Novel)
I am the queen,” she breathed quietly, before wrapping her fingers tightly around his crown.
Colleen Oakes (War of the Cards (Queen of Hearts Saga, #3))
These are dark times for the court of Wonderland. Our lives were once full of dancing, tea and tarts, fashion and feasting. Now, life is a hardship we can hardly bear.
Colleen Oakes (War of the Cards (Queen of Hearts Saga, #3))
When a brother is given the right to pass into the third life as a father, then he chooses his greatest rival or his truest friend to give him passage. You. Speaker—ever since I first learned Stark and read The Hive Queen and the Hegemon, I waited for you. I said many times to my father, Rooter, of all humans he is the one who will understand us. Then Rooter told me when your starship came, that it was you and the hive queen aboard that ship, and I knew then that you had come to give me passage, if only I did well." "You did well, Human.
Orson Scott Card (Speaker for the Dead (Ender's Saga, #2))
Look at us. A line of symmetry. Two halves of a whole. Two peas in a pod. A pair of queens. Though your card, I must observe, has aged better than mine, which has been played too often.
Erika Robuck (Call Me Zelda)
I'm not a card!" Alice cried, both to him and the skeleton. The skeleton made a mocking little half bow. "Yet you look like you are trying to become a queen; you play in the Queens' Games.
Liz Braswell (Unbirthday)
In two days, we will march on the palace, and there will be no mercy for any of us. Remind yourself why you lead this army and steel your dark heart. There is more blood ahead than you could imagine.
Colleen Oakes (War of the Cards (Queen of Hearts Saga, #3))
Why’d you have to go and say that?” Shotty asked. “Now I might look forward to seeing you.” At the time she just thought it was a clever comeback from a clever old man, but on her drive home, she heard the sadness in it, the sadness of a world where the people who cared for him were swapped out like baseball cards, the peril of attachment in a world of dependence, and the fatigue of anticipation, anywhere.
J. Ryan Stradal (The Lager Queen of Minnesota)
If she captured Tamlin’s power once, who’s to say she can’t do it again?” It was the question I hadn’t yet dared voice. “He won’t be tricked again so easily,” he said, staring up at the ceiling. “Her biggest weapon is that she keeps our powers contained. But she can’t access them, not wholly—though she can control us through them. It’s why I’ve never been able to shatter her mind—why she’s not dead already. The moment you break Amarantha’s curse, Tamlin’s wrath will be so great that no force in the world will keep him from splattering her on the walls.” A chill went through me. “Why do you think I’m doing this?” He waved a hand to me. “Because you’re a monster.” He laughed. “True, but I’m also a pragmatist. Working Tamlin into a senseless fury is the best weapon we have against her. Seeing you enter into a fool’s bargain with Amarantha was one thing, but when Tamlin saw my tattoo on your arm … Oh, you should have been born with my abilities, if only to have felt the rage that seeped from him.” I didn’t want to think much about his abilities. “Who’s to say he won’t splatter you as well?” “Perhaps he’ll try—but I have a feeling he’ll kill Amarantha first. That’s what it all boils down to, anyway: even your servitude to me can be blamed on her. So he’ll kill her tomorrow, and I’ll be free before he can start a fight with me that will reduce our once-sacred mountain to rubble.” He picked at his nails. “And I have a few other cards to play.” I lifted my brows in silent question. “Feyre, for Cauldron’s sake. I drug you, but you don’t wonder why I never touch you beyond your waist or arms?” Until tonight—until that damned kiss. I gritted my teeth, but even as my anger rose, a picture cleared. “It’s the only claim I have to innocence,” he said, “the only thing that will make Tamlin think twice before entering into a battle with me that would cause a catastrophic loss of innocent life. It’s the only way I can convince him I was on your side. Believe me, I would have liked nothing more than to enjoy you—but there are bigger things at stake than taking a human woman to my bed.” I knew, but I still asked, “Like what?” “Like my territory,” he said, and his eyes held a far-off look that I hadn’t yet seen. “Like my remaining people, enslaved to a tyrant queen who can end their lives with a single word. Surely Tamlin expressed similar sentiments to you.” He hadn’t—not entirely. He hadn’t been able to, thanks to the curse. “Why did Amarantha target you?” I dared ask. “Why make you her whore?” “Beyond the obvious?” He gestured to his perfect face. When I didn’t smile, he loosed a breath. “My father killed Tamlin’s father—and his brothers.” I started. Tamlin had never said—never told me the Night Court was responsible for that. “It’s a long story, and I don’t feel like getting into it, but let’s just say that when she stole our lands out from under us, Amarantha decided that she especially wanted to punish the son of her friend’s murderer—decided that she hated me enough for my father’s deeds that I was to suffer.” I might have reached a hand toward him, might have offered my apologies—but every thought had dried up in my head. What Amarantha had done to him … “So,” he said wearily, “here we are, with the fate of our immortal world in the hands of an illiterate human.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
Touch him,” Chaol said, “and I’ll make sure those bastards down there find Aedion.” Nesryn silently turned to them, slackening her bow. It was the only card he had to play, even if it made him a bastard as well. The wrath Chaol found in Aelin’s eyes was world-ending. “You bring my court into this, Chaol,” Aelin said with lethal softness, “and I don’t care what you were to me, or what you have done to help me. You betray them, you hurt them, and I don’t care how long it takes, or how far you go: I’ll burn you and your gods-damned kingdom to ash. Then you’ll learn just how much of a monster I can be.” Too far. He’d gone too far.
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
His gaze scours my face, and I realize his cool exterior is hiding a well of emotions. A vein in his temple pulses. “What’ve they done to you?” This abomination of a human being cares about me. It doesn’t add up with what I’ve learned of him. And now, one wrong word and this house of cards will tumble. That’s the kind of power I sense I wield, being the king’s wife. He’ll kill them all, and unlike me, he’ll enjoy it thoroughly.
Laura Thalassa (The Queen of Traitors (The Fallen World, #2))
Wardley started walking away, the soft whisper of his voice dancing on the wind. "I wish you had died on the battlefield. It's what I wish every day, when I wake up." Dinah let his words cut into her, a swift blade to the heart.
Colleen Oakes (War of the Cards (Queen of Hearts Saga, #3))
So what are we watching, anyway?” “Fast six.” I realized the polite thing to do would have been to ask if he liked the Fast & Furious series, but if he didn’t, I couldn’t date him anyway. “And if I haven’t seen one through five?” “Then you’re basically un-American. Besides, what’s there to know? Fast cars, pretty girls, hot guys, stealin’ stuff in ways that could never happen… aaand you’re all caught up.” His beautifully chocolate brown eyes went skyward. “Let me guess, you’re a Rock fan?” “And Paul Walker, and Tyrese… the Asian guy, and a little Vin Diesel action doesn’t go amiss either. Any way you look, you win.” “I haven’t liked the Rock since SmackDown.” I pretended to clasp my hands in prayer and closed my eyes. “Let him keep his gay card, Lord, for he knows not what he says.” He grinned. “You’re lucky you’re fine.” “Am I?” I lifted my brows. A queen did need his compliments, after all.
S.E. Harmon (Stay with Me (The PI Guys, #1))
She smelled them, that pungent smell of fear and bloodlust that she, the Queen of Hearts, was causing. With a wicked smile, she opened up her heart and mind, letting the black rage that she constantly suppressed climb up her chest and flood her body.
Colleen Oakes (War of the Cards (Queen of Hearts Saga, #3))
Passed away” seemed like an appropriate way of putting it. Over the next few days, I had this recurring image of Trapp sitting at the bridge table. He reaches into the bidding box, removes a pass card, and places it on the table. Then he slowly vanishes.
Louis Sachar (The Cardturner: A Novel about a King, a Queen, and a Joker)
There was no memory of pain or fear, though. What the hive-queen felt was sadness, a sense of resignation. She had not thought these words as she saw the humans coming to kill, but it was in words that Ender understood her: The humans did not forgive us, she thought. We will surely die.
Orson Scott Card (Ender's Game (Ender's Saga, #1))
Life is like a game where pawns can become queens, but not everyone knows how to play. Some people stay pawns their whole lives because they never learned to make the right moves. This is just the beginning. Nobody has played their cards yet because they didn’t know they were being dealt.
Alice Feeney (Rock Paper Scissors)
There, eastward, within a stone’s throw, stood the twin towers of All Souls, fantastic, unreal as a house of cards, clear-cut in the sunshine, the drenched oval in the quad beneath brilliant as an emerald in the bezel of a ring. Behind them, black and grey, New College frowning like a fortress, with dark wings wheeling about her belfry louvres; and Queen’s with her dome of green copper; and, as the eye turned southward, Magdalen, yellow and slender, the tall lily of towers; the Schools and the battlemented front of University; Merton, square-pinnacled, half-hidden behind the shadowed North side and mounting spire of St. Mary’s. Westward again, Christ Church, vast between Cathedral spire and Tom Tower; Brasenose close at hand; St. Aldate’s and Carfax beyond; spire and tower and quadrangle, all Oxford springing underfoot in living leaf and enduring stone, ringed far off by her bulwark of blue hills.
Dorothy L. Sayers (Gaudy Night (Lord Peter Wimsey, #12))
If an aristocrat became bankrupt he looked to the sunshine of royal providence [...] but when the nobility sank too low to qualify for royal notice, they became fraudsters, trading on the display of rank: the man would become a card-sharper or gigolo, while the woman sold herself. Actual work would have been unthinkable. It would have offended against the ancient order of things, which assigned that role to the middle classes and the peasantry. This concept is difficult to connect with our modern view of the world, but its very absurdity follows directly from the fact that everything in its old order was so firm and wonderful - with everything in its eternally appointed place and moving in fixed circles like the stars. There was no changing your lot in life at will: it was assigned to you forever, by birth. If you fell below your appointed station, you couldn't just swap it for another - you simply plummeted into the void.
Antal Szerb (The Queen's Necklace)
Living did not mean one joy piled upon another. It was merely the hope for less pain, hope played like a playing card upon another hope, a wish for kindness and mercies to emerge like kings and queens in an unexpected change of the game. One could hold the cards oneself or not: they would land the same regardless.
Lorrie Moore (Bark)
The two cards slithered towards him across the green sea. Like an octopus under a rock, Le Chiffre watched him from the other side of the table. Bond reached out a steady right hand and drew the cards towards him. Would it be the lift of the heart which a nine brings, or an eight brings? He fanned the two cards under the curtain of his hand. The muscles of his jaw rippled as he clenched his teeth. His whole body stiffened in a reflex of self-defence. He had two queens, two red queens. They looked roguishly back at him from the shadows. They were the worst. They were nothing. Zero. Baccarat. ‘A card,’ said Bond fighting to keep hopelessness out of his voice. He felt Le Chiffre’s eyes boring into his brain.
Ian Fleming (Casino Royale (James Bond, #1))
She [Queen Isabella] will look at you as women look at men. She will judge you as women judge men. Not on the strength of their arguments, and not on their cleverness, or their prowess in battle, but rather on the force of their character; the intesity of their passion, their strength of soul, their compassion, and, ah, this above all...their conversation.
Orson Scott Card
The King and Queen of Hearts were seated on their throne when they arrived, with a great crowd assembled about them--all sorts of little birds and beasts, as well as the whole pack of cards: the Knave was standing before them, in chains, with a soldier on each side to guard him; and near the King was the White Rabbit, with a trumpet in one hand, and a scroll of parchment in the other. In the very middle of the court was a table, with a large dish of tarts upon it: they looked so good, that it made Alice quite hungry to look at them--'I wish they'd get the trial done,' she thought, 'and hand round the refreshments!' But there seemed to be no chance of this, so she began looking at everything about her, to pass away the time.
Lewis Carroll (Alice's Adventures in Wonderland)
Hold your tongue!’ said the Queen, turning purple. ‘I won’t!’ said Alice. ‘Off with her head!’ the Queen shouted at the top of her voice. Nobody moved. ‘Who cares for you?’ said Alice (she had grown to her full size by this time). ‘You’re nothing but a pack of cards!’ At this the whole pack rose up into the air, and came flying down upon her; she gave a little scream, half of fright and half of anger, and tired to beat them off, and found herself lying on the bank, with her head in the lap of her sister, who was gently brushing away some dead leaves that had fluttered down from the trees upon her face. ‘Wake up, Alice dear!’ said her sister. ‘Why, what a long sleep you’ve had!’ So Alice got up and ran off, thinking while she ran, as well she might, what a wonderful dream it had been. Lewis Carroll, Alice’s Adventure in Wonderland, 1865
Lewis Carroll (Alice’s Adventures in Wonderland / Through the Looking-Glass)
From atop his back, she could see the dazzling spires of Wonderland Palace and the red glow that the palace cast on the land around it. From here she could imagine the small lives taking place; Harris, asleep in the library, glasses sliding off the end of his nose; Sir Gorrann, tossing back some ale as he chuckled among fellow Spades; and Wardley, staring out across the land with a burdened heart, wondering how much he would give for his kingdom.
Colleen Oakes (War of the Cards (Queen of Hearts Saga, #3))
The Dingy Playing Cards” by Robert Bly Friends, it’s time to give up our hope for Rapture. Saucers will not carry us away. Raskolnikov Had to depend on the police to help him sleep. Our soul loves the dingy cards that have been dealt To the ne’er-do-wells. The old men put the old Queens down with their smoke-stained fingers. In the Cirque Du Soleil, when the acrobats Sweep out over the crowd, babies are being Born who know much more than we ever did. The yellow teeth of old jackrabbits explains a lot About the shortage of mercy; the caterpillar’s walk Reminds us of the Mongols galloping toward Khorakhan. After the funeral, once they are safe, the dead begin To miss losing at cards. We know that Cain and Abel Want to meet each other again on the plowed field. Robert, there’s not a single humiliation we could Have done without. We are still perched on a pole. What will happen to us depends a lot on the wind.
Robert Bly
Sure, there are good things, lots, sure, blow jobs, chocolate mousse, winning streaks, the warm fire in your enemy’s house, good book, hunk of cheese, flagon of ale, office raise, championship ring, the misfortunes of others, sure, good things, beyond count, queens, kings, old clocks, comfy clothes, lots, innumerable items in stock, baseball cards and bingo buttons, pot-au-feu, listen, we could go on and on like a long speech, sure it’s a great world, sights to see, canyons full of canyon, corn on the cob, the eroded great pyramids, contaminated towns, eroded hillsides, deleafed trees, those whitened limbs stark and noble in the evening light, geeeez, what gobs of good things, no shit, service elevators, what would we do without, and all the inventions of man, Krazy Glue and food fights, girls wrestling amid mounds of Jell-O, drafts of dark beer, no end of blue sea, formerly full of fish, eroded hopes, eruptions of joy, because we’re winning, have won, won, won what? the . . . the Title.
William H. Gass (Tests of Time)
You don't have to come with me," Ash said. "I only brought you along because you're good with a knife. And got us the uniforms. And the explosives." Lila snorted. "Sorry I'm not pulling my weight." "This may not be your idea," Ash said doggedly, "but it's what we're going to do." "Is it? Are you really going to start playing the prince card after all?" "Don't start in about my mother the queen, because I don't want to hear it." "All right, then, as your peer and absolute equal, I can't help thinking this is a really bad idea.
Cinda Williams Chima (Flamecaster (Shattered Realms, #1))
The Buggers have finally, finally learned that we humans value each and every individual human life. We don’t throw our forces away because every soldier is the queen of a one-member hive. But they’ve learned this lesson just in time for it to be hopelessly wrong- for we humans do, when the cause is sufficient, spend our own lives. We throw ourselves onto the grenade to save our buddies in the foxhole. We rise out of the trenches and charge the entrenched enemy and die like maggots under a blowtorch. We strap bombs on our bodies and blow ourselves up in the midst of our enemies. We are, when the cause is sufficient, insane.
Orson Scott Card (Ender's Shadow (The Shadow Series, #1))
Soon as she spreads her hand, th' aërial guard   Descend, and sit on each important card:   First Ariel perch'd upon a Matadore,   Then each, according to the rank they bore;   For Sylphs, yet mindful of their ancient race, 35   Are, as when women, wondrous fond of place.   Behold, four Kings in majesty rever'd,   With hoary whiskers and a forky beard;   And four fair Queens whose hands sustain a flow'r,   Th' expressive emblem of their softer pow'r; 40   Four Knaves in garbs succinct, a trusty band,   Caps on their heads, and halberts in their hand;   And particolour'd troops, a shining train,   Draw forth to combat on the velvet plain.
Alexander Pope (The Rape of the Lock and Other Poems)
The old woman sat in her leather recliner, the footrest extended, a dinner tray on her lap. By candlelight, she turned the cards over, halfway through a game of Solitaire. Next door, her neighbors were being killed. She hummed quietly to herself. There was a jack of spades. She placed it under the queen of hearts in the middle column. Next a six of diamonds. It went under the seven of spades. Something crashed into her front door. She kept turning the cards over. Putting them in their right places. Two more blows. The door burst open. She looked up. The monster crawled inside, and when it saw her sitting in the chair, it growled. “I knew you were coming,” she said. “Didn’t think it’d take you quite so long.” Ten of clubs. Hmm. No home for this one yet. Back to the pile. The monster moved toward her. She stared into its small, black eyes. “Don’t you know it’s not polite to just walk into someone’s house without an invitation?” she asked. Her voice stopped it in its tracks. It tilted its head. Blood—from one of her neighbor’s no doubt—dripped off its chest onto the floor. Belinda put down the next card. “I’m afraid this is a one-player game,” she said, “and I don’t have any tea to offer you.” The monster opened its mouth and screeched a noise out of its throat like the squawk of a terrible bird. “That is not your inside voice,” Belinda snapped. The abby shrunk back a few steps. Belinda laid down the last card. “Ha!” She clapped. “I just won the game.” She gathered up the cards into a single deck, split it, then shuffled. “I could play Solitaire all day every day,” she said. “I’ve found in my life that sometimes the best company is your own.” A growl idled again in the monster’s throat. “You cut that right out!” she yelled. “I will not be spoken to that way in my own home.” The growl changed into something almost like a purr. “That’s better,” Belinda said as she dealt a new game. “I apologize for yelling. My temper sometimes gets the best of me.
Blake Crouch (The Last Town (Wayward Pines, #3))
For whom are you preserving your secret? For your grandsons? They are rich enough without it; they do not know the worth of money. Your cards would be of no use to a spendthrift. He who cannot preserve his paternal inheritance, will die in want, even though he had a demon at his service. I am not a man of that sort; I know the value of money. Your three cards will not be thrown away upon me. Come!” ... He paused and tremblingly awaited her reply. The Countess remained silent; Hermann fell upon his knees. “If your heart has ever known the feeling of love,” said he, “if you remember its rapture, if you have ever smiled at the cry of your newborn child, if any human feeling has ever entered into your breast, I entreat you by the feelings of a wife, a lover, a mother, by all that is most sacred in life, not to reject my prayer. Reveal to me your secret. Of what use is it to you? . . . May be it is connected with some terrible sin, with the loss of eternal salvation, with some bargain with the devil.... Reflect,—you are old; you have not long to live—I am ready to take your sins upon my soul. Only reveal to me your secret. Remember that the happiness of a man is in your hands, that not only I, but my children, and grandchildren will bless your memory and reverence you as a saint. . . .” The old Countess answered not a word. Hermann rose to his feet. “You old hag!” he exclaimed, grinding his teeth, “then I will make you answer!” With these words he drew a pistol from his pocket. At
Alexander Pushkin (The Queen of Spades and Other Stories)
It was one thing to know with his mind that Human would not really die. It was another thing to believe it. Ender did not take the knives at first. Instead he reached past the blades and took Human by the wrists. “To you it doesn’t feel like death. But to me—I only saw you for the first time yesterday, and tonight I know you are my brother as surely as if Rooter were my father, too. And yet when the sun rises in the morning, I’ll never be able to talk to you again. It feels like death to me, Human, how ever it feels to you.” “Come and sit in my shade,” said Human, “and see the sunlight through my leaves, and rest your back against my trunk. And do this, also. Add another story to the Hive Queen and the Hegemon. Call it the Life of Human. Tell all the humans how I was conceived on the bark of my father’s tree, and born in darkness, eating my mother’s flesh. Tell them how I left the life of darkness behind and came into the half-light of my second life, to learn language from the wives and then come forth to learn all the miracles that Libo and Miro and Ouanda came to teach. Tell them how on the last day of my second life, my true brother came from above the sky, and together we made this covenant so that humans and piggies would be one tribe, not a human tribe or a piggy tribe, but a tribe of ramen. And then my friend gave me passage to the third life, to the full light, so that I could rise into the sky and give life to ten thousand children before I die.” “I’ll tell your story,” said Ender. “Then I will truly live forever.
Orson Scott Card (Speaker for the Dead (Ender's Saga, #2))
A CITY IS AS much a state of mind as a place—a set of perceptions of place. On the last train home to Mullaghbrack or Gortyfarnham or half a hundred other BallyBogMans, two farmers fall to reviewing their experiences of the big city. One has walked the streets and avenues and come away with memories of glistening steeples and dreaming spires, monuments to men of bearing and import, Palladian porticos and grand civic cupolas, pillars, piers, and palisades, and the air full of singing birds. The other has walked the same streets, yet his memories are of grey brick tenements shouldering against each other like nervous thugs; cracked fanlights, windows boarded over with card, baby carriages full of coal or potatoes, tramps in doorways, cabbage leaves underfoot, the perfume of urine and porter, pressing people with voices like flatirons. They might have visited cities continents apart, but it is the same city.
Ian McDonald (King of Morning, Queen of Day)
What are we doing for supper tonight?” Avery asked, turning around in my desk chair and separating me from my memories. I grunted and tossed a package of ramen over my shoulder. She groaned. “Not again. Please. You need real food, Summer.” “Noodles are real food. They’re a relative to real pasta, which came from Italy and we know how kick-ass Italian food is. Boom. They’re gourmet badassness.” She tossed them to the corner. “They’re not, and I’m pulling my friendship card.” No way. She couldn’t. I rotated around in my chair to stare at her. “Not the friendship card.” “Totally the friendship card.” I pretended to gasp and shudder. Okay, I really did shudder. I’d never admit it, but the ramen wasn’t doing it for me either... "I was thinking we could go to a restaurant or something.” “What is this you speak of? A dwelling where they serve many varieties of solids?” Her lip twitched in a grin. “Yeah, that. You and me, we’re going to dress up, and we’re going to dine like queens.” “Can I wear a tiara?” “Without a doubt.” She winked at me as she got up and went to the door. “Thirty minutes, then we’re leaving.
Tijan (Anti-Stepbrother)
At once, Raj set about finding some dry clothes for Ben and the Queen. However, all he had were his unsold costumes from Halloween. “This is your size, Your Majesty,” said Raj, handing her a lobster costume. “One has never dressed as a lobster before. What fun!” she said, taking the costume behind the card carousel to change. Next, Raj picked up one of his princess outfits. Before he could say a thing, Ben snapped, “NO!” “What do you mean, no?” asked Raj. “No means no! I am never, ever, ever dressing up as a princess!” “But you would look so pretty!” Raj implored. “NO!” “Well, the lobster outfits are too big for you.” The Queen reappeared with hers on. “Red is so your colour!” remarked Raj. “Oh, why thank you, Mr Raj. Now come on, Ben. You can’t stay in those wet things – you will catch your death of cold!” “But—” “No buts, Benjamin! Put it on! That’s an order from your Queen!” Ben harumphed and disappeared behind the card carousel. Moments later, he reappeared awkwardly. He was dressed as a princess with the grumpiest look on his face. “You know I said how pretty you would look as a princess?” began Raj. “Yep.” “I was wrong.” Then,
David Walliams (Gangsta Granny Strikes Again!)
Isis in Darkness, he writes. The Genesis. It exalts him simply to form the words. He will exist for her at last, he will be created by her, he will have a place in her mythology after all. It will not be what he once wanted: not Osiris, not a blue-eyed god with burning wings. His are humbler metaphors. He will only be the archaeologist; not part of the main story, but the one who stumbles upon it afterwards, making his way for his own obscure and battered reasons through the jungle, over the mountains, across the desert, until he discovers at last the pillaged and abandoned temple. In the ruined sanctuary, in the moonlight, he will find the Queen of Heaven and Earth and the Underworld lying in shattered white marble on the floor. He is the one who will sift through the rubble, groping for the shape of the past. He is the one who will say it has meaning. That too is a calling, that also can be a fate. He picks up a filing-card, jots a small footnote on it in his careful writing, and replaces it neatly in the mosaic of paper he is making across his desk. His eyes hurt. He closes them and rests his forehead on his two fisted hands, summoning up whatever is left of his knowledge and skill, kneeling beside her in the darkness, fitting her broken pieces back together.
Margaret Atwood (Wilderness Tips)
The Prime Minister, who was in close contact with the Queen and Prince Charles, captured the feelings of loss and despair when he spoke to the nation earlier in the day from his Sedgefield constituency. Speaking without notes, his voice breaking with emotion, he described Diana as a ‘wonderful and warm human being.’ ‘She touched the lives of so many others in Britain and throughout the world with joy and with comfort. How difficult things were for her from time to time, I’m sure we can only guess at. But people everywhere, not just here in Britain, kept faith with Princess Diana. They liked her, they loved her, they regarded her as one of the people. She was the People’s Princess and that is how she will stay, how she will remain in all our hearts and memories for ever.’ While his was the first of many tributes which poured in from world figures, it perfectly captured the mood of the nation in a historic week which saw the British people, with sober intensity and angry dignity, place on trial the ancient regime, notably an elitist, exploitative and male-dominated mass media and an unresponsive monarchy. For a week Britain succumbed to flower power, the scent and sight of millions of bouquets a mute and telling testimony to the love people felt towards a woman who was scorned by the Establishment during her lifetime. So it was entirely appropriate when Buckingham Palace announced that her funeral would be ‘a unique service for a unique person’. The posies, the poems, the candles and the cards that were placed at Kensington Palace, Buckingham Palace and elsewhere spoke volumes about the mood of the nation and the state of modern Britain. ‘The royal family never respected you, but the people did,’ said one message, as thousands of people, most of whom had never met her, made their way in quiet homage to Kensington Palace to express their grief, their sorrow, their guilt and their regret. Total strangers hugged and comforted each other, others waited patiently to lay their tributes, some prayed silently. When darkness fell, the gardens were bathed in an ethereal glow from the thousands of candles, becoming a place of dignified pilgrimage that Chaucer would have recognized. All were welcome and all came, a rainbow of coalition of young and old of every colour and nationality, East Enders and West Enders, refugees, the disabled, the lonely, the curious, and inevitably, droves of tourists. She was the one person in the land who could connect with those Britons who had been pushed to the edges of society as well as with those who governed it.
Andrew Morton (Diana: Her True Story in Her Own Words)
I make a great fried egg sandwich. Want to try it?" Chloe stared at her with an encouraging smile until Josey finally laughed and nodded. "Okay." "Great!" Chloe put on a pair of disposable gloves, then she took butter and two eggs from the under-the-counter fridge. "Go ahead and take a business card. You can call me here if you want. And the bottom number is my cell." She plopped a pat of butter onto the grill. When the butter melted, she cracked the eggs into it, close enough for their whites to merge. While they sizzled, she buttered two slices of sourdough bread and put them on the grill. "I didn't know this place was called Red's," Josey said, reading the card. Chloe smiled when she thought of her great-grandfather. "Another family tradition. My great-grandfather had red hair. So did my mother." Chloe sprinkled the eggs with salt and pepper and a pinch of dill, then turned them over with her spatula. She flipped the quickly toasting bread too. She'd spent her childhood watching her great-grandfather do this, and here at the shop was the only time she felt him near anymore. "Do you want this for here or to go?" "To go." Chloe sprinkled a little more salt and pepper on the eggs, made sure the yolks had firmed ever so slightly, then topped them with cheese. She let the cheese melt before scooping the eggs up and putting them on the buttered sourdough.
Sarah Addison Allen (The Sugar Queen)
Why are there no queens in the deck?” I asked rather suddenly. “It seems odd.” Suzanne Brantôme, on my left, and Mimi La Salle, on my right, smiled knowingly, and I felt foolish. But Marguerite did not smile. “You have by now read The Book of the City of Ladies, have you not, Anna?” “I have.” “Then you should tell us why the deck has no queens.” “Because…,” I began, but I hesitated, for my mind was racing far ahead of my voice. I wished so very much to please the duchess with my answer. “There has been so little recognition of the contributions of women in every walk of life?” I finally offered, with a woeful lack of confidence in my answer. But Marguerite bade me go on with a subtle nod. “Men have looked down upon our sex,” I said. “They have withheld education and caused us great suffering. They do not see women as fit rulers and…” I stopped and thought about my summary of Christine de Pizan’s work. When I began again, it was slowly, as if the words were falling together into an idea as they were spoken. “So why would men place queens in a deck of cards? It might signify their importance in the world.” Marguerite looked at me with affection and approval. “I have thought the same thoughts many times, as have my ladies at these tables. We all know very well there are no kingdoms without queens.” We sat silent for a moment as we pondered the wisdom of that idea. “Mayhap someday soon there will be queens in the playing cards,” I said hopefully. “If it is left to the men to decide, we shall first see the Second Coming of Christ!” Lady Brantôme declared. Everyone laughed at that. Mimi,
Robin Maxwell (Mademoiselle Boleyn)
Two nights after the Chaworth ball, Gabriel practiced at the billiards table in the private apartments above Jenner's. The luxurious rooms, which had once been occupied by his parents in the earlier days of their marriage, were now reserved for the convenience of the Challon family. Raphael, one of his younger brothers, usually lived at the club, but at the moment was on an overseas trip to America. He'd gone to source and purchase a large quantity of dressed pine timber on behalf of a Challon-owned railway construction company. American pine, for its toughness and elasticity, was used as transom ties for railways, and it was in high demand now that native British timber was in scarce supply. The club wasn't the same without Raphael's carefree presence, but spending time alone here was better than the well-ordered quietness of his terrace at Queen's Gate. Gabriel relished the comfortably masculine atmosphere, spiced with scents of expensive liquor, pipe smoke, oiled Morocco leather upholstery, and the acrid pungency of green baize cloth. The fragrance never failed to remind him of the occasions in his youth when he had accompanied his father to the club. For years, the duke had gone almost weekly to Jenner's to meet with managers and look over the account ledgers. His wife Evie had inherited it from her father, Ivo Jenner, a former professional boxer. The club was an inexhaustible financial engine, its vast profits having enabled the duke to improve his agricultural estates and properties, and accumulate a sprawling empire of investments. Gaming was against the law, of course, but half of Parliament were members of Jenner's, which had made it virtually exempt from prosecution. Visiting Jenner's with his father had been exciting for a sheltered boy. There had always been new things to see and learn, and the men Gabriel had encountered were very different from the respectable servants and tenants on the estate. The patrons and staff at the club had used coarse language and told bawdy jokes, and taught him card tricks and flourishes. Sometimes Gabriel had perched on a tall stool at a circular hazard table to watch high-stakes play, with his father's arm draped casually across his shoulders. Tucked safely against the duke's side, Gabriel had seen men win or lose entire fortunes in a single night, all on the tumble of dice.
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
If I could make my heart hard," said Alvin, "I'd be a worse man, but a happier one.
Orson Scott Card (The Yazoo Queen (Tales of Alvin Maker))
Do you really think cards can tell us future?? No matter how you spread the cards but queen is always king ones..!!
Nikhil
poker hand which includes a king, queen and jack, all three face cards that appear to be ‘looking at you’.
Anupama Chopra (100 Films to See before You Die)
Content is your trump card. It's the King and the Queen.
Matthew Capala (SEO Like I’m 5: The Ultimate Beginner’s Guide to Search Engine Optimization (Like I'm 5 Book 1))
Frick was the card palmer and Frak thought he’d perfected a card pass that was undetectable, but was about as subtle as a wet bar rag in the face.  When they cheated the dumb shits didn’t have enough sense to make sure they had the winning hands.  Frick would palm a jack or a couple of queens or Frak would hold back two or three tens.
W.R. Spicer (Sea Stories of a U.S. Marine Book 3 ON HER MAJESTY'S SERVICE)
The Princess was anxious that her sons should also see something of the real world beyond boarding schools and palaces. As she said in a speech on Aids: ‘I am only too aware of the temptation of avoiding harsh reality; not just for myself but for my own children too. Am I doing them a favour if I hide suffering and unpleasantness from them until the last possible minute? The last minutes which I choose for them may be too late. I can only face them with a choice based on what I know. The rest is up to them.’ She felt this was especially important for William, the future King. As she once said: ‘Through learning what I do, and his father to a certain extent, he has got an insight into what’s coming his way. He’s not hidden upstairs with the governess.’ Over the years she has taken both boys on visits to hostels for the homeless and to see seriously ill people in hospital. When she took William on a secret visit to the Passage day centre for the homeless in Central London, accompanied by Cardinal Basil Hume, her pride was evident as she introduced him to what many would consider the flotsam and jetsam of society. ‘He loves it and that really rattles people,’ she proudly told friends. The Catholic Primate of All England was equally effusive. ‘What an extraordinary child,’ he told her. ‘He has such dignity at such a young age.’ This upbringing helped William cope when a group of mentally handicapped children joined fellow school pupils for a Christmas party. Diana watched with delight as the future King gallantly helped these deprived youngsters join in the fun. ‘I was so thrilled and proud. A lot of adults couldn’t handle it,’ she told friends. Again during one Ascot week, a time of Champagne, smoked salmon and fashionable frivolity for High society, the Princess took her boys to the Refuge night shelter for down-and-outs. William played chess while Harry joined in a card school. Two hours later the boys were on their way back to Kensington Palace, a little older and a little wiser. ‘They have a knowledge,’ she once said. ‘They may never use it, but the seed is there, and I hope it will grow because knowledge is power. I want them to have an understanding of people’s emotions, people’s insecurities, people’s distress and people’s hopes and dreams.’ Her quiet endeavors gradually won back many of the doubters who had come to see her as a threat to the monarchy, or as a talentless and embittered woman seeking to make trouble, especially by upstaging or embarrassing her husband and his family. The sight of the woman who was still then technically the future Queen, unadorned and virtually unaccompanied, mixing with society’s poorest and most distressed or most threatened, confounded many of her critics.
Andrew Morton (Diana: Her True Story in Her Own Words)
But I hope that in the lives of Ender Wiggin, Novinha, Miro, Ela, Human, Jane, the hive queen, and so many others in this book, you will find stories worth holding in your memory, perhaps even in your heart. That’s the transaction that counts more than bestseller lists, royalty statements, awards, or reviews. Because in the pages of this book, you and I will meet one-on-one, my mind and yours, and you will enter a world of my making and dwell there, not as a character that I control, but as a person with a mind of your own. You will make of my story what you need it to be, if you can. I hope my tale is true enough and flexible enough that you can make it into a world worth living in. Orson Scott Card Greensboro, North Carolina 29 March 1991
Orson Scott Card (Speaker for the Dead (Ender's Saga, #2))
By the side of her bed there was a card, embossed with the Queen’s cypher, giving the times of meals and table placements as well as a note saying how the various guests would be conveyed to the racecourse, either in open carriages or black Daimler saloons. Even though her family had rubbed shoulders with the royal family for years, Sarah was understandably nervous. She arrived promptly in the Green Drawing Room for pre-lunch drinks and then found herself seated next to Prince Andrew, who was on leave from his Royal Navy flying duties. They discovered an instant rapport. He teased her by trying to feed her chocolate profiteroles. She refused, playfully punching his shoulder and claiming one of her interminable diets as an excuse. “There are always humble beginnings; it’s got to start somewhere”, said Andrew at their engagement interview eight months later. While Diana has been billed as the matchmaker in this royal romance, the truth is that she never noticed the romantic spark between her brother-in-law and one of her best friends.
Andrew Morton (Diana: Her True Story in Her Own Words)
Does this mean she’s still alive?” Maura asked, tapping on a card in one of the branches – ​the Queen of Swords. “Probably,” Calla grunted. “Does this mean she’s going to leave?” Orla asked, tapping on another card and referring to a different she. “Probably,” Maura sighed. “Does this mean she’s coming back?” Calla demanded, pointing to a third card and meaning a third she. “Probably,” shrieked Gwenllian, leaping
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
the way, when I showed this to Leslie, I used real cards, not a bridge diagram. If you find it difficult to follow the diagrams, try using a real deck. For the first hand, you can also try dealing East the king of spades instead of West, and you will see why the finesse won't work. A finesse is a cool play that allows you to win two tricks with the ace and queen of a suit, even though one of your opponents holds the king. It has a 50 percent chance of success, depending on which one of your opponents holds that king.
Louis Sachar (The Cardturner: A Novel about a King, a Queen, and a Joker)
Wow" said Abra. "But if they could read your mind , why couldn't they beat you? "Because my victories weren't in my mind" said Ender. "That's the weird thing. I thought through the battles, yes, but I didn't see them like Bean did. Instead, I saw the people. The soldiers under me. I knew what these kids were capable of. So I put them in a situation where their decisions would be crucial, told them what I wanted them to do, and then I trusted them to make the decisions that would achieve my objective. I didn't actually know what they'd do. So being inside my head would never show the hive queen what I was planning, because I had no plan, not of a kind they could use against me.
Orson Scott Card (Ender in Exile (Ender's Saga, #5))
Rather, it was a prayer for the queen, that in her current unenlightened bodhisatta state she would learn greater compassion for all sentient beings in the universe. It was a prayer for harmony and kindness, for the injured of the Formic race, that their suffering would be lifted, that their minds would be open and bright and receptive to the kindness of those not of their species.
Orson Scott Card (The Swarm (The Second Formic War, #1))
Who was I? I played so many roles: daughter, friend, babysitter, runner, girlfriend. I'd been proud when I was elected team captain, but now I wondered who my teammates had thought they'd voted for. And who my classmates had thought they'd elected Homecoming Queen. Sam had said that I was someone who smiled at people in the hallways. In my birthday card just a month ago, Vee had thanked me for always being there to listen. My junior yearbook had been full of notes using words like nice and sweet. But if that was who I was, how had people turned on me so quickly? Take away the people around me and who was I? Just another smiling face? There had to be more.
I.W. Gregorio
These three cards represent the past, the present, and the future,” she told Evie. “The first card is the Tower. It means you came from a difficult past. You were trapped and in danger.” “Pretty much. I mean, I am from the Isle of the Lost,” said Evie. “I was exiled to our castle with my mother, the Evil Queen.” “Dangerous indeed,” said Celia. “When I missed our usual Friday face mask, she wanted to murder me,
Melissa de la Cruz (Escape from the Isle of the Lost (Descendants, #4))
Living did not mean one joy piled upon another. It was merely the hope for less pain, hope played like a playing card upon another hope, a wish for kindnesses and mercies to emerge like kings and queens in an unexpected twist in the game. One could hold the cards oneself or not: they would land the same way, regardless. Tenderness did not enter into it, except in a damaged way.
Elizabeth Strout (The Best American Short Stories 2013 (The Best American Series))
Crime and welfare were the major themes of Reagan’s campaign rhetoric. According to the Edsalls, one of Reagan’s favorite and most-often-repeated anecdotes was the story of a Chicago “welfare queen” with “80 names, 30 addresses, 12 Social Security cards,” whose “tax-free income alone is over $150,000.”68 The term welfare queen became a not-so-subtle code for “lazy, greedy, black ghetto mother.” The food stamp program, in turn, was a vehicle to let “some fellow ahead of you buy a T-bone steak,” while “you were standing in a checkout line with your package of hamburger.”69 These highly racialized appeals, targeted to poor and working-class whites, were nearly always accompanied by vehement promises to be tougher on crime and to enhance the federal government’s role in combating it. Reagan portrayed the criminal as “a staring face—a face that belongs to a frightening reality of our time: the face of the human predator.”70 Reagan’s racially coded rhetoric and strategy proved extraordinarily effective, as 22 percent of all Democrats defected from the party to vote for Reagan. The defection rate shot up to 34 percent among those Democrats who believed civil rights leaders were pushing “too fast.”71
Michelle Alexander (The New Jim Crow: Mass Incarceration in the Age of Colorblindness)