Caramel Quotes

We've searched our database for all the quotes and captions related to Caramel. Here they are! All 200 of them:

There is nothing particularly wrong with salmon, of course, but like caramel candy, strawberry yogurt, or liquid carpet cleaner, if you eat too much of it you are not going to enjoy your meal.
Lemony Snicket
Anyone who thinks they're too grown up or too sophisticated to eat caramel corn, is not invited to my house for dinner
Ruth Reichl
Once, I believed in you like a poem, turned your heart into a metaphor for my heart, turned our mouths into honey and caramel lozenges. But metaphors come and metaphors go, and not even seasons have the courtesy to stay till dawn.
Shinji Moon (The Anatomy of Being)
You can't just casually tell someone you carry caramel sauce around and walk away like thats a normal thing
Emma Lord (Tweet Cute)
The circus looks abandoned and empty. But you think perhaps you can smell caramel wafting through the evening breeze, beneath the crisp scent of the autumn leaves. A subtle sweetness at the edges of the cold.
Erin Morgenstern (The Night Circus)
F**k!" he exploded, chocolate and caramel flying out of his mouth. My heart seized. He looked like he was going to have a chocolate-caramel-layer-square-induced heart attack. ... "These are unbe-f**king-lievable. I think I've finally fallen in love, with a f**kin' brownie!
Kristen Ashley (Rock Chick Rescue (Rock Chick, #2))
He got a tan over break. I used to tell him he was so pale he looked like a marshmallow. He hated that I compared him to food. I told him that's what he got for calling me caramel. It shut him up.
Angie Thomas (The Hate U Give (The Hate U Give, #1))
Julie swallowed. "Flat Finn is on Facebook?" She'd love to see those status updates. 'Got strapped to the roof of the car today for a trip to Starbucks. Would have loved to taste caramel mocha, but can't move arms and so was forced to stare longingly at delicious hot beverage. Will the taunting never end?
Jessica Park (Flat-Out Love (Flat-Out Love, #1))
Conall,” “Aye, Alexia?” He looked up at her. Was that fear in his caramel eyes? “I am going to take advantage of you,” she said
Gail Carriger (Soulless (Parasol Protectorate, #1))
…kissing George was a little like rolling in caramel after spending years surviving off rice sticks.
Aimee Bender (The Particular Sadness of Lemon Cake)
Men often described the girl as having hair the color of wheat. Others called it the color of caramel, or occasionally the color of honey. The girl wondered why men so often used food to describe women’s features. There was a hunger to such men that was best avoided.
Brandon Sanderson (Tress of the Emerald Sea (Hoid's Travails, #1))
Heartache often drives us to consume things we wouldn't otherwise, such as an entire pint of Caramel Pecan Perfection high-fat ice cream, covered in ganache, the crack cocaine of frozed dairy. Twelve hundred calories per pint, six hundred and eighty of which are fat calories, but is only dulls the pain for the moment, there's that carb fog while you're standing at the sink shoving it in your face, and then it's over and you feel...used. Like a cheap pickup the Dove people seduced and abandoned in your kitchen, leaving you with sticky hands and an empty cup and a still-broken heart, except now you're mad at Dove, too.
Jennifer Crusie
I am plenty romantic. Just this morning while he slept, I had left Carter a box of his favorite candy next to his pillow - Globs: piles of white chocolate covered, crushed potato chips and pretzels drizzled with caramel. I figured it would soften him up to the note I placed next to the box telling him if he left the toilet seat up one more time and my ass got an involuntary bath at six in the morning, I would put super glue on the head of his penis while he slept. I had even signed the note with a couple of Xs and Os. Who says romance is dead?
Tara Sivec (Futures and Frosting (Chocolate Lovers, #2))
Martin, at my age, eroticism is reduced to enjoying caramel custard and looking at widows' necks.
Carlos Ruiz Zafón (The Angel's Game (The Cemetery of Forgotten Books, #2))
Eighteen luscuios scrumpitous flavors, Chocolate,Lime and Cherry Coffee,Pumpkin, Fudge-Banana, Caramel Cream and boysenberry. Rocky Road and Toasted Almond, Butterscotch,Vanilla Dip, Butter Brinkle, Apple Ripple,Coconut,and Mocha Chip, Brandy Peach and Lemon Custard. Each scoop lovely.smooth and round. Tallest cream cone in town lying there on the ground.
Shel Silverstein (Where the Sidewalk Ends)
Piper leaned toward [Jason], her caramel braid falling over her shoulder. Her multicolored eyes made it hard for him to think straight. “And where is this place?” she asked. “A . . . uh, a town called Split.” “Split.” She smelled really good—like blooming honeysuckle. “Um, yeah.” Jason wondered if Piper was working some sort of Aphrodite magic on him—like maybe every time he mentioned Reyna’s name, she would befuddle him so much he couldn’t think about anything but Piper. He supposed it wasn’t the worst sort of revenge.
Rick Riordan (The House of Hades (The Heroes of Olympus, #4))
Instantly, her eyes widen into caramel marbles, and her face pales about five shades lighter. I’m ready to squirt some spray tan lotion on her if it means she doesn’t make it so damn obvious that she’s not happy to see me.
H.D. Carlton (Haunting Adeline (Cat and Mouse, #1))
Her caramel skin and curly beach sand hair spreads in wavy chops like the choppy storm waves on the ocean. Her fluffy rose colored lips glisten with eyes emerald green and almond shaped set deep into her face and yet when she looks at you with those same deep set eyes, it feels like they jump out, speaking to you.
Ami Blackwelder
I learned to find equal meaning in the repeated rituals of domestic life. Setting the table. Lighting the candles. Building the fire. Cooking. All those soufflés, all that crème caramel, all those daubes and albóndigas and gumbos. Clean sheets, stacks of clean towels, hurricane lamps for storms, enough water and food to see us through whatever geological event came our way. These fragments I have shored against my ruins, were the words that came to mind then. These fragments mattered to me. I believed in them. That I could find meaning in the intensely personal nature of life as a wife and mother did not seem inconsistent with finding meaning in the vast indifference of geology and the test shots.
Joan Didion (The Year of Magical Thinking)
Hey, Red.” Josh looked me over, his eyes heating. “Nice to see you looking presentable for once.” “Nice to see you looking human for once.” I gave him an equally deliberate once-over. “How much did you pay for the skin suit to cover up your devil's horns and reptile skin?” “It was free. I'm just that charming,” he drawled. “I think the seller was just scared you'll suffocate him with your giant ego if you didn't leave soon.” His laugh rolled through me like molten caramel, rich and sweet. “I fucking missed you.
Ana Huang (Twisted Hate (Twisted, #3))
Mr Willy Wonka can make marshmallows that taste of violets, and rich caramels that change colour every ten seconds as you suck them, and little feathery sweets that melt away deliciously the moment you put them between your lips. He can make chewing-gum that never loses its taste, and sugar balloons that you can blow up to enormous sizes before you pop them with a pin and gobble them up. And, by a most secret method, he can make lovely blue birds' eggs with black spots on them, and when you put one of these in your mouth, it gradually gets smaller and smaller until suddenly there is nothing left except a tiny little DARKRED sugary baby bird sitting on the tip of your tongue.
Roald Dahl (Charlie and the Chocolate Factory (Charlie Bucket, #1))
He's so empty. They tried to stitch him back together, but too much already fell out. Stars and buttons and caramel truffles.
C.G. Drews (The Boy Who Steals Houses (The Boy Who Steals Houses, #1))
I think love is caramel. Sweet and fragant; always welcome. It is the gentle golden colour of a setting harvest sun; the warmth of a squeezed embrace; the easy melting of two souls into one and a taste that lingers even when everything else has melted away. Once tasted it is never forgotten.
Jenny Colgan (Welcome to Rosie Hopkins' Sweet Shop of Dreams (Rosie Hopkins' Sweet Shop, #1))
During the night he'd kicked off a sock; his toes were plump as early peas; it was all she could do not to taste his caramel skin. So much of the language of love was like that: you devoured someone with your eyes, you drank in the sight of him,you swallowed him whole. Love was sustenance, broken down and beating through your bloodstream.
Jodi Picoult (Nineteen Minutes)
I feel like I’m sugar under a blowtorch, like he’s caramelizing my blood.
Emily Henry (Book Lovers)
Love isn’t roses. It’s those little square caramels and a root beer from the gas station because he knows that’s your favorite snack. It’s watching a musical with you without groaning. It’s handing you your glasses at night because he knows you’re too blind to find your way to the bathroom without them. Love is awkward.
R.K. Ryals (The Story of Awkward)
Thank you for my surprise. Now, I won't be able to eat a caramel without thinking about being balls deep inside your sweet, warm pussy.
Ella Frank (Edible (Exquisite, #3))
I was in love with her. I could feel it, deep in the soft, chewy caramel center of my being. And
Ernest Cline (Ready Player One)
Aimery’s cheek seemed to twitch, as though he was on the verge of laughing, yet his voice remained as smooth as caramel when he spoke.
Marissa Meyer (Cress (The Lunar Chronicles, #3))
He can't be an invisible boy when she can see him. He can't steal houses or the girl inside them, but he can build a bridge of moons and caramel cakes to get back to her.
C.G. Drews (The Boy Who Steals Houses (The Boy Who Steals Houses, #1))
Chocolate family meets vanilla family in the artificial reality that is a mall. Caramel daughter caught helplessly between the two.
Sharon M. Draper (Blended)
I make jewelry. I drink caramel machiattos. I wear Hello Kitty to bed. Of course I love romantic comedies,' I said with a smile as we neared my house. But I didn’t just love them. I wanted to live within them. I wanted a love like in the movies.
Lauren Blakely (Caught Up in Us (Caught Up in Love, #1))
Ladies,” I said, using the term loosely, “I may not look like Apollo, but I assure you it’s me, trapped in this mortal body. Otherwise, how could I know so much about you?” “Like what?” demanded Tempest. “Your favorite nectar flavor is caramel crème,” I said. “Your favorite Beatle is Ringo. For centuries, all three of you had a massive crush on Ganymede, but now you like—” “He’s Apollo!” Wasp yelped. “Definitely Apollo!” Tempest wailed. “Annoying! Knows things!” “Let me in,” I said, “and I’ll shut up.
Rick Riordan (The Tower of Nero (The Trials of Apollo, #5))
He had a nice laugh, rich and almost melodious. It made me think of warm caramel, dripping from a spoon.
Richelle Mead (Frostbite (Vampire Academy, #2))
He looks exotic. Maybe Hawaiian or Cuban. He has light caramel skin, jet black hair and eyes to match. And the smile he turns on me? Holy shit. What is this? The land of misfit models?
M. Leighton (Down to You (The Bad Boys, #1))
You can’t just casually tell someone you carry caramel sauce around and walk away like that’s a normal thing,” I call at her retreating back. “What other emergency dessert condiments do you have stashed in your bag?
Emma Lord
I can never decide if Tom’s hair is the color of caramel fudge or chocolate. Either way, yum. The texture is like a romance novel that’s fallen into the bath, then dried: vaguely sexual crinkle waves with the occasional curled edge and dog-ear. I want to jam my hand in it and make a gentle fist.
Sally Thorne (99 Percent Mine)
Jules hated it when I used "delicious" to describe anything but food, but that day he was nothing if not a sugar cone of melting sea salt and caramel gelato.
Leila Howland (Nantucket Blue (Nantucket, #1))
Nash picked up a cupcake and took a bite out of it like it was an apple. "For what it's worth, I vote for red velvet next." Libby turned back to me. "Salted caramel it is.
Jennifer Lynn Barnes (The Inheritance Games (The Inheritance Games, #1))
Ron, I didn't really know how to ask for just an instant coffee, so I got us Caramel Frappuccinos.
Richard Osman (The Thursday Murder Club (Thursday Murder Club, #1))
His caramel-colored hair was brushed back, and he walked with his hands in his pockets, as if he’d strolled down these halls before. His demeanor actually threw me for a second. Was he here to meet me, or was I here to meet him?
Kiera Cass (The Heir (The Selection, #4))
But in the end, all wars are more or less the same. If you dig down through the layers of caramel corn and peanuts and choking, burning death, you’ll find the prize at the bottom and the prize is a question and the question is this: Which of us are people and which of us are meat?
Catherynne M. Valente (Space Opera (Space Opera, #1))
But Celaena had stood in front of the that wooden door to the bedroom, listening to Yrene wash her clothes in the nearby kitchen. She found herself unable to turn away, unable to stop thinking about the would-be healer with the brown-gold hair and caramel eyes, of what Yrene had lost and how helpless she'd become. There were so many of them now—the children who had lost everything to Adarlan. Children who had now grown into assassins and barmaids, without a true place to call home, their native kingdoms left to ruin and ash. Magic had been gone all these years. And the gods were dead, or simply didn't care anymore. Yet there, deep in her gut, was a small but insistent tug. A tug on a strand of some invisible web. So Celaena decided to tug back, just to see how far and wide the reverberations would go.
Sarah J. Maas (The Assassin's Blade (Throne of Glass, #0.1-0.5))
When the guy turned around, Amy began stuttering. Silently. It was a feat only Amy could manage, and only Dan could notice. And it only happened in front of boys who looked like this one. He had brown hair and caramel-colored eyes, like Dan's friend Nick Santos, who made all the sixth-grade girls turn into blithering idiots when he looked their way--in fact, would even say Watch, lean make them turn into blithering idiots, and then he'd do it. Only older. "He. Is. Hot," Nellie said under her breath. "You too?" Dan hissed.
Peter Lerangis (The Viper's Nest (The 39 Clues, #7))
You know shit just got serious when you refuse gooey caramel cupcakes which taste like heaven.
Belle Aurora (Friend-Zoned (Friend-Zoned, #1))
A beige cat came down the stairs like caramel seeping out of a Caramilk bar.
Heather O'Neill (The Girl Who Was Saturday Night)
Oh that voice, so sweet. Rich, like the taste of vanilla ice cream, vowels like flute music, warm caramel consonants. She could float in that voice forever and not miss a thing.
Suki Michelle (The Apocalypse Gene)
The powdered sugar had caramelized and blackened into a sucking tar pit in which my ladyfingers languished like so many sunk mastadons.
Julie Powell (Julie and Julia: 365 Days, 524 Recipes, 1 Tiny Apartment Kitchen)
you think perhaps you can smell caramel wafting through the evening breeze, beneath the crisp scent of the autumn leaves. A subtle sweetness at the edges of the cold. The
Erin Morgenstern (The Night Circus)
I can't describe the feeling when I go down – it's down down down and there's never going to be an up again. And whatever was good isn't good any more; white becomes grey, music becomes dictionaries, honey becomes beer and the sky a curdled lemon. There's no caramel anymore.
John Marsden (So Much to Tell You)
They saw even more ungodly things—the first zipper; the first-ever all-electric kitchen, which included an automatic dishwasher; and a box purporting to contain everything a cook would need to make pancakes, under the brand name Aunt Jemima’s. They sampled a new, oddly flavored gum called Juicy Fruit, and caramel-coated popcorn called Cracker Jack. A new cereal, Shredded Wheat, seemed unlikely to succeed—“shredded doormat,” some called it—but a new beer did well, winning the exposition’s top beer award. Forever afterward, its brewer called it Pabst Blue Ribbon.
Erik Larson (The Devil in the White City)
Kate picked up the carafe and poured some coffee into a cup. She added sugar and cream until it was the color of caramel. Her mom used to take her coffee like this. 'So sweet it could kiss you,' she used to say.
Sarah Addison Allen (Lost Lake (Lost Lake, #1))
I opened the school's booklet, found the recipes from the examination — oeufs mollets with sauce béarnaise, côtelettes de veau en surprise and crème renversée au caramel — and whipped them all up in a cold, clean fury. Then I ate them.
Julia Child (My Life in France)
Noah is the crème de la crème of fuckable men. He’s the hot caramel sauce on a Sundae. The frosting on the cake. The… dammit, now I want my first dessert.
V. Theia (Forever Love: A Taboo Love Companion)
He grew out his hair," June says. "He looks amazing." "He looks like a giant caramel with some carpet lint stuck to the top of it.
Laura Ruby (Bad Apple)
In the old pre-technology days, it would have been almost impossible to replicate Facebook or Twitter. The closest you could get would be to mail dozens of postcards a day to everybody you know, each with a brief message about yourself like: "Finally got that haircut I've been putting off." Or: "Just had a caramel frappuccino. Yum!" The people receiving these postcards would have naturally assumed you were a moron with a narcissism disorder. But today, thanks to Facebook and Twitter, you are seen as a person engaging in 'social networking'.
Dave Barry (I'll Mature When I'm Dead: Dave Barry's Amazing Tales of Adulthood)
Her skin tastes like salted caramel. Sweet, but with a tart little bite to it. A candy I can no longer avoid. A taste that I now know is something I won’t deny myself, even if she fights me.
Jescie Hall (That Sik Luv)
Sodas use “caramel coloring” to give them that dark, delicious look. Not to be confused with real caramel, caramel color is the single most used food coloring in the world. It is created by heating ammonia and sulfites under high pressure—a process that produces a cancerous substance called 4-methylimidazole (4-MEI).
Vani Hari (The Food Babe Way: Break Free from the Hidden Toxins in Your Food and Lose Weight, Look Years Younger, and Get Healthy in Just 21 Days!)
You’re stunning,' he said, eyeing her up and down. His irises weren’t watery blue like most redheads, but a warm caramel brown. Ash’s lady areas tingled, as though they too craved a cigarette.
Eve Dangerfield (Open Hearts (Bennett Sisters, #2))
Don’t forget to be specific…Details. Put in all the details. The boys appreciate all that detailed daily life sh*t they don’t get anymore. If you’ve got a teacher you’re hot for, tell ‘em what her hair looks like, what her legs look like, what she eats for lunch. If she’s teaching you geometry, tell ‘em how she draws a bloody triangle on the blackboard. If you went down the shop for a bag of sweets yesterday, did you ride your pushee? Did you go by foot? Did you see a rainbow along the way? Did you buy gobstoppers or clinkers or caramels? If you had a good meat pie last week was it steak and peas or curry or mushroom and beef? You catchin’ my drift? Details.
Trent Dalton (Boy Swallows Universe)
And sometimes, when Alexander talked, Tatiana found her lower jaw drifting down and was suddenly and awkwardly aware that she had been staring at him so long that her mouth had dropped open. She didn’t know what to look at when he talked—his caramel eyes that blinked and smiled and shined and were grim or his vibrant mouth that moved and opened and breathed and spoke. Her eyes darted from his eyes to his lips and circled from his hair to his jaw as if they were afraid she would miss something if she didn’t stare at everything all at once.
Paullina Simons (The Bronze Horseman (The Bronze Horseman, #1))
Isaac stared at Laurent and searched his warm eyes, which were just the color of melted chocolate. Maybe with bits of caramel. Great. He was thinking about Laurent’s eyes like candy. Was he hungry or horny? Hard to tell.
Avon Gale (Empty Net (Scoring Chances, #4))
I was thinking about painting you. Painting your hair. That I'd have to use titanium white to get the color right, the way it catches light and almost glows. But that wouldn't work, would it? It's not all one color, you hair, it's not just gold: It's amber and tawny and caramel and wheat and honey.
Cassandra Clare (Lady Midnight (The Dark Artifices, #1))
From black-rimmed plates they ate turtle soup and eaten Russian rye bread, ripe Turkish olives, caviar, salted mullet-roe, smoked Frankfurt black puddings, game in gravies the colour of liquorice and boot-blacking truffled sauces, chocolate caramel creams, plum puddings, nectarines, preserved fruits, mulberries and heart-cherries; from dark coloured glasses they drank the wines of Limagne and Rousillon, of Tenedoes, Val de Peñas and Oporto, and, after the coffee and the walnut cordial they enjoyed kvass, porters and stouts.
Joris-Karl Huysmans (Against Nature)
if he were a pony I would offer him food, stroke his ears and scratch his neck; but he curls his lip at the idea of cake and I am seriously not going to stroke him. That would be just gross.
Cathy Cassidy (Coco Caramel (Chocolate Box Girls, #4))
There’s lots of sticky things here,” he said. “I see blackstrap molasses, wild clover honey, corn syrup, aged balsamic vinegar, apple butter, strawberry jam, caramel sauce, maple syrup, butterscotch topping, maraschino liqueur, virgin and extra-virgin olive oil, lemon curd, dried apricots, mango chutney, crema di noci, tamarind paste, hot mustard, marshmallows, creamed corn, peanut butter, grape preserves, salt water taffy, condensed milk, pumpkin pie filling, and glue.
Lemony Snicket (The Slippery Slope (A Series of Unfortunate Events, #10))
It would be easier if they named jeans for celebrities so you'd know exactly what you were getting without even having to try them on. 'Mary-Kate' for itty-bitty jeans that come with a cartoonishly oversized caramel latte cup; 'Angelina Jolie' for jeans that are sold with two tiny Cambodian orphans stitched right into the back pockets; 'Katie Holmes', jeans which spell out 'help me!' in the fabric if you look very closesly; and 'Dina Lohan', self-promoting stage mom of Lindsay, for jeans that look OK from a distance, but when you get closer, are actually transparent. For men, there could be 'David Hasselhoff' jeans, made entirely of cheese, and 'John Mayer' jeans which, when removed, become instantly bored and walk themselves to to the house of next 'it' girl in Hollywood.
Celia Rivenbark (You Can't Drink All Day If You Don't Start in the Morning)
His voice was luscious caramel, wrapped in dark chocolate and rolled in sugar. She had the unconscionable craving to lick him and find out if he tasted as good as he sounded
Helena Hunting (The Librarian Principle)
Yeah, but no one uses half-dollars,” I pointed out. “Except great-grandpas, and then they have caramels stuck to them.” -Alice
Elisa Ludwig (Coin Heist)
Too bad I prefer caramel to toffee! 
J.M. Witt (Trust (Blind Vows Book 1))
A babe whose feet smell of fresh butter, of bodily smells of pancakes and milky goodness and “where the hair makes a cowlick” smells like caramel, so sweet.
Patrick Süskind (Perfume: The Story of a Murderer)
He tastes like salted caramel and sunshine. Or what I think salted caramel and sunshine taste like. He tastes like nothing I've ever experienced, like hope and possibility and future
Nicola Yoon
I'm here, I said, but I knew, increasingly, I wasn't here, and I felt that able-to-weep-and-be-seen version of myself that I'd been with Ruth hardening again, like warm caramel left to cool.
Catherine Lacey (Nobody Is Ever Missing)
Dante watched Tess eat the thick, caramel-laced brownie, feeling her pleasure radiate across the small space that separated them on the river-walk bench. She’d offered him a bite, and although his kind could not consume crude human food in anything more than a mouthful, he accepted a small taste of the sticky chocolate confection if only to share in Tess’s unabashed enjoyment. He swallowed the heavy, pretty much revolting bit of pasty sweetness with a tight smile. “Good, huh?” Tess licked her chocolate-coated fingers, slipping one after the other into her mouth and sucking them clean. “Delicious,” Dante said, watching her with his own brand of hunger. “You can have some more if you want it.” “No.” He drew back, shaking his head. “No, it’s all yours. Please. Enjoy it.
Lara Adrian (Kiss of Crimson (Midnight Breed, #2))
Henry was diabetic,” continued Whiskey Jack. “It happens. Too much. You people came to America, you take our sugar cane, potatoes, and corn, then you sell us potato chips and caramel popcorn, and we’re the ones who get sick.
Neil Gaiman (American Gods)
Daryl sat next to Daquan and gently kissed his slumbering son on the forhead.He admired his features on the thick eyebrows they both shared.The boy had Mayc's nose and a mixture of his caramel complexion and Macy's hershey hue.
C-Murder
I lived in a world of magic and color then—my mother’s voice a sapphire stream flecked with emeralds, my father’s a soft caramel. In summer I ran barefoot through the valleys with my cousins and kin and saw their voices rise up in vibrant wisps of yellow and gold. The wind was sometimes fierce pink, and the sound of the waterfall on rocks glistened silver.
Laurie Lico Albanese (Hester)
Experienced professionals? They have dragged out their life in stupor and semi-sleep, they have married hastily, out of impatience, they have made children at random. They have met other men in cafés, at weddings and funerals. Sometimes, caught in the tide, they have struggled against it without understanding what was happening to them. All that has happened around them has eluded them; long, obscure shapes, events from afar, brushed by them rapidly and when they turned to look all had vanished. And then, around forty, they christen their small obstinacies and a few proverbs with the name of experience, they begin to simulate slot machines: put a coin in the left hand slot and you get tales wrapped in silver paper, put a coin in the slot on the right and you get precious bits of advice that stick to your teeth like caramels.
Jean-Paul Sartre (Nausea)
His eyes were that curious shade of hazel that made her think of sunshine and toffee, caramel and whiskey, sweetness and sin all at once, and they were fixed on her with so much heat. So much intent. And she knew he was right. This was her moment, here and now....
Megan Crane (Tempt Me, Cowboy (75th Copper Mountain Rodeo #1; The Montana Millionaires #1))
My mom’s smile is genuine, A lilac beaming In the presence of her Sun. Indentions in the sand prove Time’s linear progression, Her hair yet unblighted, Carrying midnight’s consistency. Clear tracks fading as the Movement slips further In the past. Cheekbones High, soft, In summer’s hue, Hopeful. Each step’s unknown impact, A future looking back. My father’s strength: One whose Life is in his arms. Squinting past the camera, He rests upon a rock Like caramel corn half eaten, Just to the left Of man-made concrete convention Daylight’s eraser Removing color to his right. Dustin sits In my father’s lap, Open mouth of a drooling Big mouth bass; Muscle tone Of a well exercised Jelly fish, He looks at me Half aware; His wheelchair Perched at the edge Of parking lot gravel grafted Like a scar on nature’s beach, Opening to the ironic splendor Of a bitter tasting lake. I took the picture. Age 11. Capturing the pinnacle arc Of a son To my lilac Who Outlived him and weeps, Still. Their sky has staple holes – Maybe that’s how the Light Leaked out.
Darcy Leech (From My Mother)
'Venti caramel macchiato, please,' he said. 'Hold the snobbery.' The barista laughed and hit buttons on his register. 'You sure? We're having a sale on social mobility. The longer your coffee order takes to place, the more you have to pay.' 'Perfect. Reverse consumerism.'
S.W. Vaughn (Skin Deep (Fae, #1))
I think how heavenly it must be to nibble on tiny cakes and swirled caramels and plum ginger puffs all day. Tea with lemon petit fours in the afternoon; after-dinner mint truffles with butterscotch coffee in the evening. My mind swims with the notion of it. The easy, sugar-induced lull that would follow me into candy-tinted dreams each night. Life here, in Valentine's Town, would surely be simple and uncomplicated.
Shea Ernshaw (Long Live the Pumpkin Queen (Pumpkin Queen, #1))
He takes a kitchen chair and sits in the yard and all the ducks come around. He holds up the cheese curls in one hand and caramel popcorn in the other and his audience looks up and he tells them a joke. He says: So one day a duck come into this bar and ordered a whiskey and a bump and the bartender was pretty surprised, he says, "You know we don't get many of you ducks in here." The duck says, "At these prices I'm not surprised.* And he tosses out the popcorn and they laugh. 'Wak wak wak wak wak. I was shot in the leg in the war.' Have a scar? 'No thanks, I don't smoke.
Garrison Keillor (Truckstop and Other Lake Wobegon Stories)
Boxes of fireworks - she remembered them filling her childhood, at every occasion she could think of, gods, where had the Popisho fireworks gone? Mad swirls of silver-blue lightning and crimson stars. A whole sky of melting yellow moons that trickled into their hair and faces and turned into caramel.
Leone Ross (Popisho)
Under the mellowing influence of good food and good music, Adam relaxed, and I discovered that underneath that overbearing, hot-tempered Alpha disguise he usually wore was a charming, over-bearing, hot-tempered man. He seemed to enjoy finding out that I was as stubborn and disrespectful of authority as he’d always suspected. He ordered dessert without consulting me. I’d have been angrier, but it was something I could never have ordered for myself: chocolate, caramel, nuts, ice cream, real whipped cream, and cake so rich it might as well have been a brownie. “So,” he said, as I finished the last bit, “I’m forgiven?” “You are arrogant and overstep your bounds,” I told him, pointing my clean fork at him. “I try,” he said with false modesty. Then his eyes darkened and he reached across the table and ran his thumb over my bottom lip. He watched me as he licked the caramel from his skin. I thumped my hands down on the table and leaned forward. “That is not fair. I’ll eat your dessert and like it—but you can’t use sex to keep me from getting mad.” He laughed, one of those soft laughs that start in the belly and rise up through the chest: a relaxed, happy sort of laugh. To change the subject, because matters were heating up faster than I was comfortable with, I said, “So Bran tells me that he ordered you to keep an eye out for me.” He stopped laughing and raised both eyebrows. “Yes. Now ask me if I was watching you for Bran.” It was a trick question. I could see the amusement in his eyes. I hesitated, but decided I wanted to know anyway. “Okay, I’ll bite. Were you watching me for Bran?” “Honey,” he drawled, pulling on his Southern roots. “When a wolf watches a lamb, he’s not thinking of the lamb’s mommy.” I grinned. I couldn’t help it. The idea of Bran as a lamb’s mommy was too funny. “I’m not much of a lamb,” I said. He just smiled.
Patricia Briggs (Moon Called (Mercy Thompson, #1))
Idiot!" he cried, "that from you! Here I sit, young Anthony, as I'll sit for a generation or more and watch such gay souls as you and Dick and Gloria Gilbery go past me, dancing and singing and loving and hating one another and being moved, being eternally moved. And I am moved only by my lack of emotion. I shall sit and the snow will come--oh, for a Caramel to take notes--and another winter and I shall be thirty and you and Dick and Gloria will go on being eternally moved and dancing by me and singing. But after you've all gone I'll be saying things for new Dicks to write down, and listening to the disillusions and cynicisms and emotions of new Anthonys--yes, and talking to new Glorias about the tans of summers yet to come." The firelight flurried up on the hearth. Maury left the window, stirred the blaze with a poker, and dropped a log upon the andirons. Then he sat back in his chair and the remnants of his voice faded in the new fire that spit red and yellow along the bark. "After all, Anthony, it's you who are very romantic and young. It's you who are infinitely more susceptible and afraid of your calm being broken. It's me who tries again and again to be moved--let myself go a thousand times and I'm always me. Nothing--quite--stirs me. "Yet," he murmured after another long pause, "there was something about that little girl with her absurd tan that was eternally old--like me.
F. Scott Fitzgerald (The Beautiful and Damned)
Paul says, “All things were created for him.” Let these four words rest on your heart: All / things / for / him. Paul’s point is so clear, you’ll miss it if you don’t slow down. Jupiter exists for Jesus. Incredible! Clownfish, caramel macchiatos, volcanoes, deoxyribonucleic acid—it’s all his. All for his enjoyment.
J.A. Medders (Gospel Formed: Living a Grace-Addicted, Truth-Filled, Jesus-Exalting Life)
My point is, being that ‘magic free spirit’ you think is this mythical perfect woman? It comes with its own problems. Just because not everyone gets you doesn’t mean you’re wrong. You’re someone people can count on. Really count on. And that doesn’t make you cold or boring. It makes you the most . . .” He trails off, shakes his head. “You and your sister might have your differences, and she might not totally understand you, but you’re never going to lose her, Nora. You don’t have to worry about that.” “How can you be so sure?” I ask. Now his eyes are all liquid caramel, his hands tender, moving back and forth over my hips, a tide that draws us together, apart, together, each brush more intense than the last. “Because,” he says quietly, “Libby’s smart enough to know what she has.
Emily Henry (Book Lovers)
It was evenings like that when beneath dim light and relaxing in a sultry bath that she missed him the most. A flicker of candlelight, wind breathing snow against the window and the soothing scent of creme caramel – all were a comfort to her as she closed her eyes, summoned memories and many a tender thought. She didn't feel deserving of the devotion bestowed upon her, but she had finally learned to accept its wondrous gift, knowing that love was the source of existence and its only end.
Donna Lynn Hope
I ordered my favorite drink; vanilla iced blended coffee with whipped cream and caramel sauce on top. The whipped cream and caramel sauce were the best. Usually when no one was watching, I would lick the inside of the lid to get every last drop of the addictive syrup. Once, my dad caught me doing this and started laughing. I'd gotten caramel plastered over my nose. If Colt had ever seen me do this, I would never live it down. Glancing around, I indulged shamelessly and grinned." -Cheyenne
Lisa L. Wiedmeier (Cheyenne (Timeless #1))
Unbelievable,” Audrey’s voice squeaked as I pushed past her. “Here we are, talking to you about your freaky little-boy encounter back in Breaux Bridge and how your caramel macchiato tasted like cardboard, and boom! You just zone out like one of the kids from Children of the Corn.” “Um, Aud, babe … I don’t think those kids zone out. They’re just freaky twenty-four-seven. It’s a year-round thing.” Gabe’s response drew a half-hearted laugh from me, but it was quickly reined in when I reached the Book of the Ancients. “Whatever, Gabriel,” Audrey said to him. “My point is, it’s freaky, okay? She gets this glazed-over look in her eyes, like she’s gonna whip out a butcher knife and go all Michael Myers on us or something.” I glanced over my shoulder to cock an eyebrow at her. “Oh, now you pay attention.” She cocked an eyebrow back. “What is it with you and the cheesy horror-movie references?” Gabe muttered. “Hey, now. Halloween is a classic,” Gavin scolded him. “Don’t go hating on the classics.
Rachael Wade (The Tragedy of Knowledge (Resistance, #3))
All Souls’ Eve, when the spirits of the dead will come back to the living, dressed as ballerinas and Coke bottles and spacemen and Mickey Mice, and the living will give them candy to keep them from turning vicious. I can still taste that festival: the tart air, caramel in the mouth, the hope at the door, the belief in something for nothing all children take for granted. They won’t get homemade popcorn balls any more, though, or apples: rumors of razor blades abound, and the possibility of poison. Even by the time of my own children, we worried about the apples. There’s too much loose malice blowing around. In Mexico they do this festival the right way, with no disguises. Bright candy skulls, family picnics on the graves, a plate set for each individual guest, a candle for the soul. Everyone goes away happy, including the dead. We’ve rejected that easy flow between dimensions: we want the dead unmentionable, we refuse to name them, we refuse to feed them. Our dead as a result are thinner, grayer, harder to hear, and hungrier.
Margaret Atwood (Cat's Eye)
Everyone knew about Morvath’s hatred of the Darlington clan, which was equaled only by his hatred of the Bassingthwaite clan, his adopted family the Morvath clan, the Hanoverian clan currently represented by Queen Victoria, the Chapman and Hall publishing clan, and the company that made those caramel cream profiteroles that ended up tasting like fish.
India Holton (The Wisteria Society of Lady Scoundrels (Dangerous Damsels, #1))
She said it was impossible for me not to assume that every new person I met would be kind and reasonable because of my Midwestern heritage. That might be true. I didn’t expect it, but I hoped for it. I didn’t see anything wrong with hoping for kindness in the world.
Amanda Flower (Assaulted Caramel (Amish Candy Shop Mystery #1))
bread pudding recipe when we left, and I’m going to throw it in because it’s the best bread pudding I’ve ever eaten. It tastes like caramelized mush. Cream 2 cups sugar with 2 sticks butter. Then add 2 ½ cups milk, one 13-ounce can evaporated milk, 2 tablespoons nutmeg, 2 tablespoons vanilla, a loaf of wet bread in chunks and pieces (any bread will do, the worse the better) and 1 cup raisins. Stir to mix. Pour into a deep greased casserole and bake at 350° for 2 hours, stirring after the first hour. Serve warm with hard sauce.
Nora Ephron (Heartburn)
Nettie set out a loaf of sourdough bread from Baker's Way Bakers, a wodge of runny Camembert, and a container of leftover lamb, rich with garlic and rosemary, nestled on a bed of spicy arugula from the home garden. She'd plucked two sharp green apples from one of the trees in their tiny orchard, and she placed a waxed bag of caramel shortbread beside them.
Ellen Herrick (The Forbidden Garden)
La vie n'est pas une boîte de chocolats où je peux choisir celui que je préfère ; ou alors, quelqu'un l'a remplacé pendant que j'avais le dos tourné.
Cathy Cassidy (Coco Caramel (Chocolate Box Girls, #4))
Halloween trickster. Spiders on string. Children in costume. Startle and scream. Halloween treater. Apples on sticks. Caramel. Chocolate. Come, take your pick.
Richelle E. Goodrich (Being Bold: Quotes, Poetry, & Motivations for Every Day of the Year)
stuck to him like caramel on a toddler’s tooth
Ireen Chau (The Herbwitch’s Apprentice (Witches of Olderea, #1))
I could smell the caramel and whip cream in the steam that came through the top of the cups, so it really wasn’t a choice on whether or not I was going to let her in.
Stacey Lynn (Point of Return (Nordic Lords MC, #1))
Vowels thicker than caramel on a Granny Smith.
Kathy Reichs (Two Nights)
She was almond-buttery with sweat and sun, her face corrugated with a thousand caramel wrinkles and her hair flour dusted, but the rest of her seemed decades younger.
Sue Monk Kidd
A grande caramel latte might wake me up and wash the Catholic from my mind.
Ellen J. Green (Twist of Faith (Ava Saunders Book 1))
His voice is like caramel right before it hardens, and it does strange things in my belly.
Lilia Moon (Desire: Gabby & Daniel (Fettered, #3))
Madeleine has never had a caramel apple and she wants to taste one more than she wants God's love.
Marie-Helene Bertino (2 A.M. at The Cat's Pajamas)
The reality of this wide-eyed caramel-coloured wonder was arresting. This was the future, alive and kicking in my arms.
Camilla Gibb (Sweetness in the Belly)
Oh, sweet fuck of all fucks that are downright hot, hard and sweaty. I want this man. I want this walking, fuckable man-caramel.
K.M. Golland (Attraction (Temptation, #4))
Pikey Thomas dreamed of plums and caramel apples the night the faery-with-the-peeling-face stole his right eye.
Stefan Bachmann (The Whatnot (The Peculiar, #2))
His voice was like liquid caramel. And I knew exactly what I wanted to do with him. I wanted no holds barred, throw-me-against-a-wall-and-pound-me-within-an-inch-of-my-life-SEX.
A. Meredith Walters (Bad Rep (Bad Rep, #1))
His popcorn exploded with truffle oil and shaved Parmesan, or chopped pretzels and chewy flecks of caramel. Today’s batch smelled like curry and toasted almonds.
Lauren Kate (Teardrop (Teardrop #1))
When the going gets tough, the tough get salted caramel cappuccinos.
Dani Harper (Storm Bound (Grim, #2))
I told you I’d make you caramel sauce one day.” And I told you I’d love you forever if you did, I don’t say back. I’m sure he doesn’t remember.
Sarah Lyons Fleming (All the Stars in the Sky (Until the End of the World, #3))
Time passes slowly, like caramel dripping luxuriously off a silver spoon.
L.H. Cosway (Six of Hearts (Hearts, #1))
Karna himself was dressed in passably aristocratic style in a caramel-brown knee-length coat that he was sweating in. A mark of a fraud, for the truly rich never sweat.
Gourav Mohanty (Sons of Darkness (The Raag of Rta, #1))
Klaus leaned out the window and began to pour the mixture of blackstrap molasses, wild clover honey, corn syrup, aged balsamic vinegar, apple butter, strawberry jam, caramel sauce, maple syrup, butterscotch topping, maraschino liqueur, virgin and extra-virgin olive oil, lemon curd, dried apricots, mango chutney, crema di noci, tamarind paste, hot mustard, marshmallows, creamed corn, peanut butter, grape preserves, salt water taffy, condensed milk, pumpkin pie filling, and glue onto the closest wheels, while his sister tossed the hammocks out of the door, and if you have read anything of the Baudelaire orphans' lives - which I hope you have not - then you will not be surprised to read that Violet's invention worked perfectly.
Lemony Snicket (The Slippery Slope (A Series of Unfortunate Events, #10))
Not one of them fails to ask me the same loaded question ... 'So, where are you from?' A question as mundane as it is predictable. It feels like an obligatory rite-of-passage, before the relationship can develop any further. My skin - the colour of caramel - must explain itself by offering up its pedigree. 'I'm a human being' My answer rankles with them. Not that I'm trying to be provocative. Any more than I want to appear pedantic or philosophical. But when I was just knee-high to a locust, I had already made up my mind never to define myself again.
Gaël Faye (Small Country)
And we get to eat Mrs. Michaelson’s caramel-apple hand pies, which are so good, I think she might actually be a witch, even though Elaine swears she’s not, and it’s just all the butter she uses,
Erin Sterling (The Ex Hex (The Ex Hex, #1))
It takes no time for Dasani and Kali to create their own Hershey inspired system, categorizing skin color by chocolate type. Hershey's lightes kids are "white chocolate". The brown students are "Milk Chocolate". Anyone of a deeper shade is " Dark Chocolate" . "Caramel is reserved for Latinos. I'm basically a Rolo, Dasani tells me. It a candy that's milk chocolate with Caramel on the inside.
Andrea Elliott (Invisible Child: Poverty, Survival & Hope in an American City)
I hunt around in my purse. There are no more caramels or fuzzy Altoids, but I find what might be a cough drop. I hold it out to Henry, and he gives me a scared look, like I've just pulled out a knife.
Deb Caletti (The Last Forever)
At the fairgrounds we saw them in the parking lot inhaling the effluvium of carnival, the smells of fried dough, caramel and cinnamon, the flap-flapping of tents, a carousel plinking out music-box songs, voluptuous sounds bouncing down tent ropes and along the trampled dust of the midway. Wind-curled handbills staple-gunned to telephone poles, the hum of gas-powered generators and the gyro truck, the lemonade truck, pretzels and popcorn, baked potatoes, the American flag, the rumblings of rides and the disconnected screams of riders -- all of it shimmered before them like a mirage, something not quite real.
Anthony Doerr (The Shell Collector)
BAKED CAMEMBERT WITH CARAMELIZED ONIONS Take a wheel of Camembert out of its box and make a shallow X incision through the top skin. Insert slivered garlic and thyme sprigs. Put the cheese back into its wooden box, drizzle with olive oil (or white wine or vermouth), place on baking sheet, and bake in a medium oven until the cheese is runny all the way through. Serve with sliced onions caramelized in butter and balsamic vinegar.
Jason Matthews (Palace of Treason (Red Sparrow Trilogy #2))
Within the fair’s buildings visitors encountered devices and concepts new to them and to the world. They heard live music played by an orchestra in New York and transmitted to the fair by long-distance telephone. They saw the first moving pictures on Edison’s Kinetoscope, and they watched, stunned, as lightning chattered from Nikola Tesla’s body. They saw even more ungodly things—the first zipper; the first-ever all-electric kitchen, which included an automatic dishwasher; and a box purporting to contain everything a cook would need to make pancakes, under the brand name Aunt Jemima’s. They sampled a new, oddly flavored gum called Juicy Fruit, and caramel-coated popcorn called Cracker Jack. A new cereal, Shredded Wheat, seemed unlikely to succeed—“shredded doormat,” some called it—but a new beer did well, winning the exposition’s top beer award. Forever afterward, its brewer called it Pabst Blue Ribbon. Visitors also encountered the latest and arguably most important organizational invention of the century, the vertical file, created by Melvil Dewey, inventor of the Dewey Decimal System. Sprinkled among these exhibits were novelties of all kinds. A locomotive made of spooled silk. A suspension bridge built out of Kirk’s Soap. A giant map of the United States made of pickles. Prune makers sent along a full-scale knight on horseback sculpted out of prunes, and the Avery Salt Mines of Louisiana displayed a copy of the Statue of Liberty carved from a block of salt. Visitors dubbed it “Lot’s Wife.
Erik Larson (The Devil in the White City)
The original study showed that the GI of white bread was 69, while the GI of whole grain bread was 72 and Shredded Wheat cereal was 67, while that of sucrose (table sugar) was 59.5 Yes, the GI of whole grain bread is higher than that of sucrose. Incidentally, the GI of a Mars bar—nougat, chocolate, sugar, caramel, and all—is 68. That’s better than whole grain bread. The GI of a Snickers bar is 41—far better than whole grain bread.
William Davis (Wheat Belly: Lose the Wheat, Lose the Weight, and Find Your Path Back to Health)
He was only five-foot-ten, but people frequently mistook him for being over six feet, at least in part because his gigantic Afro made him appear larger than life. His thin, angular frame, which was shaped like an inverted triangle, furthered this illusion; he had narrow hips, a small waist, but impossibly wide shoulders and arms. His fingers were abnormally long and sinuous, and like the rest of him, they were a rich caramel color. His bandmates jokingly called him “The Bat” because of his preference for covering his windows and sleeping during the day, but the nickname also fit his penchant for wearing capes, which furthered his superhero appearance.
Charles R. Cross (Room Full of Mirrors: A Biography of Jimi Hendrix)
Yubbazubbies, you are yummy, you are succulent and sweet, you are splendidly delicious, quite delectable to eat, how I smack my lips with relish when you bump against my knees, then nuzzle up beside me, chirping, "Eat us if you please!" You are juicy, Yubbazubbies, you are tender, never tough, you are appetizing morsels, I can never get enough, you have captivating flavors and a tantalizing smell, a bit like candied apple, and a bit like caramel. Yubbazubbies, you are luscious, you are soft and smooth as silk, like a dish of chicken dumplings, or a glass of chocolate milk, even when I'm hardly hungry, I am sure to taste a few, and I'm never disappointed, Yubbazubbies, I love you.
Jack Prelutsky (The New Kid on the Block)
[Therapist and friend, with a voice like Raul Julia during his Gomez Adam’s days] Rudy studied my face, “I have a two o’clock open on Tuesday.” I sighed, “Yeah, ok. Tuesday at two.” He nodded, pleased. “Bring Starbucks.” “Sure, what do you want?” “My usual. Iced half-caf ristretto quad grade two-pump raspberry two percent no whip light ice with caramel drizzle three-and-a-half-pump white mocha.” “Is any of that actually coffee?” “More or less.” “And you think I’m damaged …
Jonathan Maberry (Patient Zero (Joe Ledger, #1))
Life,” Max said, spreading his arms wide, “is like a box of chocolates.” I rolled my eyes. “I think I know how this ends.” “You buy the box because you think you want variety, but if you’re really honest with your greedy little self, all you really want are the caramel ones. But they don’t sell chocolates that way, so you do what everyone else does. You follow the crowd and try ones you know you’re going to hate. Why?” I swallowed. “Because you’re trying to find the caramel ones.
Rachel Van Dyken (The Consequence of Seduction (Consequence, #3))
This may have looked like a cookbook, but what it really is is an annotated list of things worth living for: a manifesto of moments worth living for. Dinner parties, and Saturday afternoons in the kitchen, and lazy breakfasts, and picnics on the heath; evenings alone with a bowl of soup, a or a heavy pot of clams for one. The bright clean song of lime and salt, and the smoky hum of caramel-edged onions. Soft goat's cheese and crisp pastry. A six-hour ragù simmering on the stove, a glass of wine in your hand. Moments, hours, mornings, afternoons, days. And days worth living for add up to weeks, and weeks worth living for add up to months, and so on and so on, until you've unexpectedly built yourself a life worth having: a life worth living.
Ella Risbridger (Midnight Chicken: & Other Recipes Worth Living For)
And while she read her cards and muttered to herself, I would leaf through my collection of cookery cards, incanting the names of never-tasted dishes like mantras, like the secret formulae of life. Boeuf en daube. Champignons farcis à la grèque. Escalopes à la Reine. Crème caramel. Schokoladentorte. Tiramisu. In the secret kitchen of my imagination I made them all, tested, tasted them, added to my collection of recipes wherever we went, pasted them into my scrapbook like photographs of old friends. They gave weight to my wanderings, the glossy clippings shining out from between the smeary pages like signposts along our erratic path. I bring them out now like long-lost friends. Soupe de tomates à la gasconne, served with fresh basil and a slice of tartelette méridonale, made on biscuit-thin pâte brisée and lush with the flavors of olive oil and anchovy and the rich local tomatoes, garnished with olives and roasted slowly to produce a concentration of flavors that seems almost impossible.
Joanne Harris (Chocolat (Chocolat, #1))
You ought to make something for Easter. You know. Eggs and stuff. Chocolate hens, rabbits, things like that. Like the shops in Agen." I remember them from my childhood; the Paris chocolateries with their baskets of foil-wrapped eggs, shelves of rabbits and hens, bells, marzipan fruits and marrons glacés, amourettes and filigree nests filled with petits fours and caramels, and a thousand and one epiphanies of spun-sugar magic carpet rides more suited to an Arabian harem than the solemnities of the Passion. "I remember my mother telling me about the Easter chocolates." There was never enough money to buy those exquisite things, but I always had my own cornet-surprise, a paper cone containing my Easter gifts, coins, paper flowers, hard-boiled eggs painted in bright enamel colors, a box of colored papier-mâché- painted with chickens, bunnies, smiling children among the buttercups, the same every year and stored carefully for the next time- encasing a tiny packet of chocolate raisins wrapped in cellophane, each one to be savored, long and lingeringly, in the lost hours of those strange nights between cities, with the neon glow of hotel signs blink-blinking between the shutters and my mother's breathing, slow and somehow eternal, in the umbrous silence.
Joanne Harris (Chocolat (Chocolat, #1))
We made close to forty boxes today. Fifteen truffles (still selling well), but also a batch of coconut squares, some sour cherry gobstoppers, some bitter-coated orange peel, some violet creams, and a hundred or so lunes de miel, those little discs of chocolate made to look like the waxing moon, with her profile etched in white against the dark face. It's such a delight to choose a box, to linger over the shape- will it be heart shaped, round, or square? To select the chocolates with care; to see them nestled between the folds of crunchy mulberry-colored paper; to smell the mingled perfumes of cream, caramel, vanilla, and dark rum; to choose a ribbon; to pick out a wrapping; to add flowers or paper hearts; to hear the silky whisssh of rice paper against the lid-
Joanne Harris (The Girl with No Shadow (Chocolat, #2))
She’d love to see those status updates. Got strapped to the roof of the car today for a trip to Starbucks. Would have loved to taste caramel mocha, but can’t move arms and so was forced to stare longingly at delicious, hot beverage. Will the taunting never end?
Jessica Park (Flat-Out Love (Flat-Out Love, #1))
He has the skin color of rich brown caramel, and I would do anything to lick the piece of skin just below his throat to see if it tastes the same. Hell, I might need to lick lower than that to ensure the taste is truly heavenly. For research purposes, of course.
Caz Luan (Whiskey Art & Heart: A Romcom of a whiskey drinking artist who experiences a little more suspense than expected. (Whiskey Shots Series Book 1))
I closed my eyes, flared my nostrils, and let the scents flood in. The strongest of them, caramel and brown sugar, smell as yellow-orange as the sun, came first. That one was easy. The one that anyone would notice coming into the shop. And then chocolate of course, the bitter dark and the sugary milk chocolate. I don’t think a normal girl would’ve smelled anything else, and part of me wanted to stop there. But I could feel Sam’s heart pounding behind me, and for once, I gave in. Peppermint swirled into my nostrils, sharp as glass, then raspberry, almost too sweet, like too-ripe fruit. Apple, crisp and pure. Nuts, buttery, warm, earthy, like Sam. The subtle, mild scent of white chocolate. Oh, God, some sort of mocha, rich and dark and sinful. I sighed with pleasure, but there was more. The butter cookies on the shelves added a floury, comforting scent, and the lollipops, a riot of fruit scents too concentrated to be real. The salty bite of pretzels, the bright smell of lemon, the brittle edge of anise. Smells I didn’t even know names for. I groaned.
Maggie Stiefvater (Shiver (The Wolves of Mercy Falls, #1))
At first Alexander could not believe it was his Tania. He blinked and tried to refocus his eyes. She was walking around the table, gesturing, showing, leaning forward, bending over. At one point she straightened out and wiped her forehead. She was wearing a short-sleeved yellow peasant dress. She was barefoot, and her slender legs were exposed above her knee. Her bare arms were lightly tanned. Her blonde hair looked bleached by the sun and was parted into two shoulder-length braids tucked behind her ears. Even from a distance he could see the summer freckles on her nose. She was achingly beautiful. And alive. Alexander closed his eyes, then opened them again. She was still there, bending over the boy’s work. She said something, everyone laughed loudly, and Alexander watched as the boy’s arm touched Tatiana’s back. Tatiana smiled. Her white teeth sparkled like the rest of her. Alexander didn’t know what to do. She was alive, that was obvious. Then why hadn’t she written him? And where was Dasha? Alexander couldn’t very well continue to stand under a lilac tree. He went back out onto the main road, took a deep breath, stubbed out his cigarette, and walked toward the square, never taking his eyes off her braids. His heart was thundering in his chest, as if he were going into battle. Tatiana looked up, saw him, and covered her face with her hands. Alexander watched everyone get up and rush to her, the old ladies showing unexpected agility and speed. She pushed them all away, pushed the table away, pushed the bench away, and ran to him. Alexander was paralyzed by his emotion. He wanted to smile, but he thought any second he was going to fall to his knees and cry. He dropped all his gear, including his rifle. God, he thought, in a second I’m going to feel her. And that’s when he smiled. Tatiana sprang into his open arms, and Alexander, lifting her off her feet with the force of his embrace, couldn’t hug her tight enough, couldn’t breathe in enough of her. She flung her arms around his neck, burying her face in his bearded cheek. Dry sobs racked her entire body. She was heavier than the last time he felt her in all her clothes as he lifted her into the Lake Ladoga truck. She, with her boots, her clothes, coats, and coverings, had not weighed what she weighed now. She smelled incredible. She smelled of soap and sunshine and caramelized sugar. She felt incredible. Holding her to him, Alexander rubbed his face into her braids, murmuring a few pointless words. “Shh, shh…come on, now, shh, Tatia. Please…” His voice broke. “Oh, Alexander,” Tatiana said softly into his neck. She was clutching the back of his head. “You’re alive. Thank God.” “Oh, Tatiana,” Alexander said, hugging her tighter, if that were possible, his arms swaddling her summer body. “You’re alive. Thank God.” His hands ran up to her neck and down to the small of her back. Her dress was made of very thin cotton. He could almost feel her skin through it. She felt very soft. Finally he let her feet touch the ground. Tatiana looked up at him. His hands remained around her little waist. He wasn’t letting go of her. Was she always this tiny, standing barefoot in front of him? “I like your beard,” Tatiana said, smiling shyly and touching his face. “I love your hair,” Alexander said, pulling on a braid and smiling back. “You’re messy…” He looked her over. “And you’re stunning.” He could not take his eyes off her glorious, eager, vivid lips. They were the color of July tomatoes— He bent to her—
Paullina Simons
Eudine did not reply. She was indecipherable, so ageless and immaculate. Her eyes were the same caramel shade as her skin. Her face was a placid lake, such depths. A woman with a face like that could be a confessor, could be told anything, no matter how awful, and remain steady as granite.
Ayana Mathis (The Twelve Tribes of Hattie)
She started to turn around, but I tugged her hand just enough for me to see her profile as she closed her eyes. She felt it as just like I did. There was an undeniable connection between us. I pulled her into my arms and with one hand moved the stray strands of her caramel hair away from her soft skin. I saw her mouth was slightly agape, and I pulled her face towards mine. I was mere centimeters from her lips, the warmth of her breath sliding against my own. “You should go Mylie or you might regret staying,” I said softly. “I don’t want to go,” she said anxiously. Damn.
H.P. Landry (Wrecked)
I had witnessed his pain in motion; the way he had stroked over the sea fueled by something so similar to what fueled me. The agony he couldn’t hide from his caramel-colored eyes. I was drawn to whatever was broken in him, probably in the same way that he was drawn to what was broken in me.
Marni Mann (Pulled Beneath (Bar Harbor, #1))
But there's always time for hot chocolate, made with milk and grated nutmeg, vanilla, chili, brown sugar, cardamom, and 70 percent couverture chocolate- the only chocolate worth buying, she says- and it tastes rich and just slightly bitter on the back of the tongue, like caramel as it begins to turn. The chili gives it a touch of heat- never too much, just a taste- and the spices give it that churchy smell that reminds me of Lansquenet somehow, and of nights above the chocolate shop, just Maman and me, with Pantoufle sitting to one side and candles burning on the orange-box table.
Joanne Harris (The Girl with No Shadow (Chocolat, #2))
Can I offer you a slice of this amazing caramelized white chocolate apricot brioche made by my favorite granddaughter?" "You may indeed." When you slice the rich, buttery bread topped with crunchy bits of pearl sugar, you get a swirl of white chocolate, which now also has hints of caramel flavor from having been roasted, and chunks of apricot. It is a good one. Herman loved it and immediately said we would have it in the rotation all summer and to order more apricots. Bubbles hands me two thick pieces of my bread, lightly toasted and lavished with butter. It is delicious, if I do say so myself.
Stacey Ballis (Wedding Girl)
Julie swallowed. “Flat Finn is on Facebook?” She’d love to see those status updates. Got strapped to the roof of the car today for a trip to Starbucks. Would have loved to taste caramel mocha, but can’t move arms and so was forced to stare longingly at delicious, hot beverage. Will the taunting never end? Celeste
Jessica Park (Flat-Out Love (Flat-Out Love, #1))
According to the Kind & Knox Web site, other products made with cow-bone-and-pigskin-based gelatin include marshmallows, nougat-type candy bar fillings, liquorice, Gummi Bears, caramels, sports drinks, butter, ice cream, vitamin gel caps, suppositories, and that distasteful whitish peel on the outside of salamis.
Mary Roach (Stiff: The Curious Lives of Human Cadavers)
Lately, I usually write at the desk in my living-room or bedroom. From time to time, our red and stripy cat named Foxy decides to be my companion, poking his curious caramel-colored nose to the screen, watching me typing, and making attempts to put his paws on the keyboard despite the fact that he knows he is not allowed to; he also loves to arrange “sunbathing sessions for himself, purring joyfully while lying with his belly up under the lamp placed to the left of my computer; and, of course, the cat can’t wait for when I happen to have a snack, to beg for some treats that seem to him tastiest if eaten from a caring human’s hand.
Sahara Sanders
There will be a cauldron of spiced hot cider, and pumpkin shortbread fingers with caramel and fudge dipping sauces as our freebies, and I've done plenty of special spooky treats. Ladies' fingers, butter cookies the shape of gnarled fingers with almond fingernails and red food coloring on the stump end. I've got meringue ghosts and cups of "graveyard pudding," a dark chocolate pudding layered with dark Oreo cookie crumbs, strewn with gummy worms, and topped with a cookie tombstone. There are chocolate tarantulas, with mini cupcake bodies and legs made out of licorice whips, sitting on spun cotton candy nests. The Pop-Tart flavors of the day are chocolate peanut butter, and pumpkin spice. The chocolate ones are in the shape of bats, and the pumpkin ones in the shape of giant candy corn with orange, yellow, and white icing. And yesterday, after finding a stash of tiny walnut-sized lady apples at the market, I made a huge batch of mini caramel apples.
Stacey Ballis (Wedding Girl)
The city overwhelmed me. Every day I’d walk by hundreds of strangers, compete for space in crowded coffee shops, and stand shoulder to shoulder on packed subway cars. I’d scan profiles, learning that the woman waiting for the N enjoyed thrash-hop, and the barista at my local coffee shop loved salted caramel. I’d had a couple fleeting relationships, but mostly I’d spend weekends going to bars and sleeping with people who knew little more than my username. It all made me want to turn off my layers, go back to the old days, and stay disconnected. But you do that and you become another old guy buried in an e-reader, complaining about how no one sends emails anymore.
Alexander Weinstein (Children of the New World)
Read the sticky note on this personal cup: personal grande sugar-free caramel, caramel affogato caramel blended coffee light. Really? This isn’t a hard beverage to make, but who in their right mind orders a beverage that lists caramel three times? I’m willing to bet this drink was suggested by someone who works here. Bet it was Julie.
J. Lorraine (Coffee Czar)
There was currant toast squishy with butter, caramel-marshmallow squares, strawberry boats oozing custard, chocolate exclairs that exploded with cream when the cats bit into them with their little white teeth and-- a special treat for Pleasant-- a pie made from thick slices of Bramley apple, with just the right amount of tangy in the tangy-sweet.
Anne Michaels (The Adventures of Miss Petitfour)
It's weird not being in our subculture of two any more. There was Jen's culture, her little habits and ways of doing things; the collection of stuff she'd already learnt she loved before we met me. Chorizo and Jonathan Franken and long walks and the Eagles (her dad). Seeing the Christmas lights. Taylor Swift, frying pans in the dishwasher, the works absolutely, arsewipe, heaven. Tracy Chapman and prawn jalfrezi and Muriel Spark and HP sauce in bacon sandwiches. And then there was my culture. Steve Martin and Aston Villa and New York and E.T. Chicken bhuna, strange-looking cats and always having squash or cans of soft drinks in the house. The Cure. Pink Floyd. Kanye West, friend eggs, ten hours' sleep, ketchup in bacon sandwiches. Never missing dental check-ups. Sister Sledge (my mum). Watching TV even if the weather is nice. Cadbury's Caramel. John and Paul and George and Ringo. And then we met and fell in love and we introduced each other to all of it, like children showing each other their favourite toys. The instinct never goes - look at my fire engine, look at my vinyl collection. Look at all these things I've chosen to represent who I am. It was fun to find out about each other's self-made cultures and make our own hybrid in the years of eating, watching, reading, listening, sleeping and living together. Our culture was tea drink from very large mugs. And looking forward to the Glastonbury ticket day and the new season of Game of Thrones and taking the piss out of ourselves for being just like everyone else. Our culture was over-tipping in restaurants because we both used to work in the service industry, salty popcorn at the cinema and afternoon naps. Side-by-side morning sex. Home-made Manhattans. Barmade Manhattans (much better). Otis Redding's "Cigarettes and Coffee" (our song). Discovering a new song we both loved and listening to it over and over again until we couldn't listen to it any more. Period dramas on a Sunday night. That one perfect vibrator that finished her off in seconds when we were in a rush. Gravy. David Hockney. Truffle crisps. Can you believe it? I still can't believe it. A smell indisputably reminiscent of bums. On a crisp. And yet we couldn't get enough of them together - stuffing them in our gobs, her hand on my chest, me trying not to get crumbs in her hair as we watched Sense and Sensibility (1995). But I'm not a member of that club anymore. No one is. It's been disbanded, dissolved, the domain is no longer valid. So what do I do with all its stuff? Where so I put it all? Where do I take all my new discoveries now I'm no longer a tribe of two? And if I start a new sub-genre of love with someone else, am I allowed to bring in all the things I loved from the last one? Or would that be weird? Why do I find this so hard?
Dolly Alderton (Good Material)
Nice,” the clerk said without a smidgeon of judgment in his voice as he rang her up. “I especially like the way you’ve got the entire junk food pyramid represented here. That’s not easy to do.” She had a rack of donuts, two pies—one lemon, one cherry—a pint of caramel delight ice cream, a family-size bag of chips, and now cookies as well. “Bad breakup?” the clerk asked.
Jill Shalvis (Second Chance Summer (Cedar Ridge, #1))
Tucked in the back of one of the shelves is a small bottle, rounded with a short neck and closed with a matching glass stopper. He picks it up carefully. It is heavier than he had expected. Removing the stopper, he is confused, for at first the scent and the sensation do not change. Then comes the aroma of caramel, wafting on the crisp breeze of an autumn wind. The scent of wool and sweat makes him feel as though he is wearing a heavy coat, with the warmth of a scarf around his neck. There is the impression of people wearing masks. The smell of a bonfire mixes with the caramel. And then there is a shift, a movement in front of him. Something grey. A sharp pain in his chest. The sensation of falling. A sound like howling wind, or a screaming girl.
Erin Morgenstern (The Night Circus)
There were some things that hadn't changed about Sydney, like her light-brown hair that had just enough natural curl to make it look like waves of caramel icing on a cake. And her beautiful lightly tanned skin. And the freckles across her nose. She'd lost weight but still had a stunning figure, petite in a way that always made Claire, who was four inches taller, feel heavy and clumsy.
Sarah Addison Allen (Garden Spells (Waverley Family, #1))
What color am I, Thomas?” “About two shades darker than caramel,” answered Thomas. “Damn, Thomas. I’m black. We don’t watch golf. We watch football, basketball and dominoes.” “I can see you at nighttime, Washington, so you’re not black.” “Do you see caramel as an option when you fill out the U.S. Census, Thomas?” “No, I don’t. But there is a place that states other. Check that one next time.
Michael Edwards (Mr. Always Right, Until Along Came a Woman)
I ordered a salad with smoked salmon. I know that doesn't sound like a particularly decadent repast, but it is. That's because the French long ago mastered the art of serving salad so it doesn't feel like a punishment for something. There are always a few caramel-crusted potatoes on your salade niçoise, or a plump chicken liver or two bedded down in a nest of lamb's lettuce. A lot of this has to do with what is called a tartine- a large thin slice of country bread (Poilâne if you're lucky) topped with anything from melted goat cheese to shrimp and avocado. My lunch arrived, a well-worn wooden planche heaped with pillowy green lettuce, folded in a creamy, cloudy, mustardy vinaigrette. Balanced on top where three half slices of pain Poilâne, spread with the merest millimeter of butter, topped with coral folds of salmon.
Elizabeth Bard (Lunch in Paris: A Love Story, with Recipes)
Autumn used to be our favorite, drinking spiced apple cider between caramel apple kisses. Flannels and new love flickering in candlelight. So, I hoped for a change in us in the fading summer. That we might remember the smells of the cider and the sweet sticky kisses. The warmth of our love, so vibrant and new. But as the seasons changed, I saw a change in us. And, I watched our love wither as the last leaves fell.
Liz Newman
Out under the pepper trees the boys from the Mexican crew sat around sucking caramels, and down the road some of the technical men sat around a place which served a stuffed lobster and a glass of tequila for one dollar American, but it was inside the cavernous empty commissary where the talent sat around, the reasons for the exercise, all sitting around the big table picking at huevos con queso and Carta Blanca beer.
Joan Didion (Slouching Towards Bethlehem: Essays)
Thirty minutes later, Dan is sipping his double something or other frappe latte. His order nearly made me cross my eyes trying to keep up with all the extra stuff he added. I still don’t get what everyone sees in all those overpriced flavored coffees. Don’t get me wrong—I love my caramel macchiato from Starbucks, but even I can’t see paying five dollars every couple of hours for coffee. You’d spend an entire paycheck in
Apryl Baker (The Ghost Files (The Ghost Files, #1))
The question “Which beer do you want, Mary?” went down at the end. When she puts her nose to a glass, though, something switches on. She sits straighter and her words come out faster, lit by interest and focus. “It smells like a campfire to me also. Smokey, like wood, charred wood. Like a cedar chest, like a cigar, tobacco, dark things, smoking jackets.” She sips from the glass. “Now I’m getting the chocolate in the mouth. Caramel, cocoa nibs . . .
Mary Roach (Gulp: Adventures on the Alimentary Canal)
But every single day after work Tatiana brushed her hair and ran outside, thinking, please be there, and every single day after work Alexander was. Though he never asked her to go to the Summer Garden anymore or to sit on the bench under the trees with him, his hat was always in his hands. Exhausted and slow, they meandered from tram to canal to tram, reluctantly parting at Grechesky Prospekt, three blocks away from her apartment building. During their walks sometimes they talked about Alexander’s America or his life in Moscow, and sometimes they talked about Tatiana’s Lake Ilmen and her summers in Luga, and sometimes they chatted about the war, though less and less because of the anxiety over Pasha, and sometimes Alexander taught Tatiana a little English. Sometimes they told jokes, and sometimes they barely spoke at all. A few times Alexander let Tatiana carry his rifle as a balancing stick while she walked a high ledge on the side of Obvodnoy Canal. “Don’t fall into the water, Tania,” he once said, “because I can’t swim.” “Is that true?” she asked incredulously, nearly toppling over. Grabbing the end of his rifle to steady her, Alexander said with a grin, “Let’s not find out, shall we? I don’t want to lose my weapon.” “That’s all right,” Tatiana said, precariously teetering on the ledge and laughing. “I can swim perfectly well. I’ll save your weapon for you. Want to see?” “No, thank you.” And sometimes, when Alexander talked, Tatiana found her lower jaw drifting down and was suddenly and awkwardly aware that she had been staring at him so long that her mouth had dropped open. She didn’t know what to look at when he talked—his caramel eyes that blinked and smiled and shined and were grim or his vibrant mouth that moved and opened and breathed and spoke. Her eyes darted from his eyes to his lips and circled from his hair to his jaw as if they were afraid she would miss something if she didn’t stare at everything all at once. There were some pieces of his fascinating life that Alexander did not wish to talk about—and didn’t. Not about the last time he saw his father, not about how he became Alexander Belov, not about how he received his medal of valor. Tatiana didn’t care and never did more than gently press him. She would take from him what he needed to give her and wait impatiently for the rest.
Paullina Simons (The Bronze Horseman (The Bronze Horseman, #1))
Corn is what feeds the steer that becomes the steak. Corn feeds the chicken and the pig, the turkey, and the lamb, the catfish and the tilapia and, increasingly, even the salmon, a carnivore by nature that the fish farmers are reengineering to tolerate corn. The eggs are made of corn. The milk and cheese and yogurt, which once came from dairy cows that grazed on grass, now typically comes from Holsteins that spend their working lives indoors tethered to machines, eating corn. Head over to the processed foods and you find ever more intricate manifestations of corn. A chicken nugget, for example, piles up corn upon corn: what chicken it contains consists of corn, of course, but so do most of a nugget's other constituents, including the modified corn starch that glues the things together, the corn flour in the batter that coats it, and the corn oil in which it gets fried. Much less obviously, the leavenings and lecithin, the mono-, di-, and triglycerides, the attractive gold coloring, and even the citric acid that keeps the nugget "fresh" can all be derived from corn. To wash down your chicken nuggets with virtually any soft drink in the supermarket is to have some corn with your corn. Since the 1980s virtually all the sodas and most of the fruit drinks sold in the supermarket have been sweetened with high-fructose corn syrup (HFCS) -- after water, corn sweetener is their principal ingredient. Grab a beer for you beverage instead and you'd still be drinking corn, in the form of alcohol fermented from glucose refined from corn. Read the ingredients on the label of any processed food and, provided you know the chemical names it travels under, corn is what you will find. For modified or unmodified starch, for glucose syrup and maltodextrin, for crystalline fructose and ascorbic acid, for lecithin and dextrose, lactic acid and lysine, for maltose and HFCS, for MSG and polyols, for the caramel color and xanthan gum, read: corn. Corn is in the coffee whitener and Cheez Whiz, the frozen yogurt and TV dinner, the canned fruit and ketchup and candies, the soups and snacks and cake mixes, the frosting and candies, the soups and snacks and cake mixes, the frosting and gravy and frozen waffles, the syrups and hot sauces, the mayonnaise and mustard, the hot dogs and the bologna, the margarine and shortening, the salad dressings and the relishes and even the vitamins. (Yes, it's in the Twinkie, too.) There are some forty-five thousand items in the average American supermarket and more than a quarter of them now contain corn. This goes for the nonfood items as well: Everything from the toothpaste and cosmetics to the disposable diapers, trash bags, cleansers, charcoal briquettes, matches, and batteries, right down to the shine on the cover of the magazine that catches your eye by the checkout: corn. Even in Produce on a day when there's ostensibly no corn for sale, you'll nevertheless find plenty of corn: in the vegetable wax that gives the cucumbers their sheen, in the pesticide responsible for the produce's perfection, even in the coating on the cardboard it was shipped in. Indeed, the supermarket itself -- the wallboard and joint compound, the linoleum and fiberglass and adhesives out of which the building itself has been built -- is in no small measure a manifestation of corn.
Michael Pollan (The Omnivore's Dilemma: A Natural History of Four Meals)
SATURDAY AT THE STORE is a nightmare. We are besieged by do-it-yourselfers wanting to spruce up their homes. Mr. and Mrs. Clayton and John and Patrick—the two other part-timers—and I are besieged by customers. But there’s a lull around lunchtime, and Mrs. Clayton asks me to check on some orders while I’m sitting behind the counter at the register discreetly eating my bagel. I’m engrossed in the task, checking catalog numbers against the items we need and the items we’ve ordered, eyes flicking from the order book to the computer screen and back as I make sure the entries match. Then, for some reason, I glance up … and find myself locked in the bold gray gaze of Christian Grey, who’s standing at the counter, staring at me. Heart failure. “Miss Steele. What a pleasant surprise.” His gaze is unwavering and intense. Holy crap. What the hell is he doing here, looking all outdoorsy with his tousled hair and in his cream chunky-knit sweater, jeans, and walking boots? I think my mouth has popped open, and I can’t locate my brain or my voice. “Mr. Grey,” I whisper, because that’s all I can manage. There’s a ghost of a smile on his lips and his eyes are alight with humor, as if he’s enjoying some private joke. “I was in the area,” he says by way of explanation. “I need to stock up on a few things. It’s a pleasure to see you again, Miss Steele.” His voice is warm and husky like dark melted chocolate fudge caramel … or something.
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
I was thrown together with Florence, or 'Florawns' as she was called, a pert girl of nineteen who worked in our kitchen and was sent out to help me. First, I followed her to a butcher where fat sausages hung from the ceiling like aldermen's chains, and I could choose the best of plump ducks, sides of beef, and chops standing guard like sentries on parade. Once the deal was done Florence paid him, gave me a wink and cast a trickle of coins into her apron pocket. So it seemed that serving girls will pay themselves the whole world over. The size of the Paris market made Covent Garden look like a tinker's tray. And I never before saw such neatness; the cakes arranged in pinks and yellows and greens like an embroidery, and the cheeses even prettier, some as tiny as thimbles and others great solid cartwheels. As for the King Cakes the French made for Twelfth Night, the scents of almond and caramelled sugar were to me far sweeter than any perfumed waters.
Martine Bailey (An Appetite for Violets)
Dex crouched down next to her, lips level with her ear. "You know, you were a lot more fun three years ago." It was like he wanted her to kill him. She turned, unfazed that their faces were separated by mere centimeters. So close she could see the pores in his caramel skin, the deep brown of his eyes, and the raised scar that rested near his temple. She'd given him that scar. What she also noticed was how her heart no longer fluttered like it used to when he looked at her. She used to love his eyes, their unspoken words. The feel of his skin against hers during their passionate nights, but now those thoughts made her cringe. She guarded herself against those details scrounged from distant memories. They were no longer part of a blissful reality but a hurtful past. "A lot has changed in three years, Dextro," Andi said calmly. "Now if you don't move, I'll give you a new scar, and this time," she said, pointing to his right temple, "it will be across your neck." He put his arms up in defense before rising, distancing himself from her.
Sasha Alsberg (Zenith Part 1)
Brian orders us both Grandpa's Turtle Sundaes, a classic with vanilla ice cream, hot fudge, caramel sauce, whipped cream and nuts, topped with a house-made turtle candy instead of a cherry. Sigh. So much for getting out of the elastic waistband pants anytime soon. But the thing is, it works. Decadent, insane, over the top, but so freaking delicious. Cold ice cream, fluffy whipped cream, the mingling richness of fudge and caramel, perfectly tempered with the salt and crunch of toasted pecans and peanuts. A weirdly perfect food.
Stacey Ballis (Out to Lunch)
About sexuality of English mice. A warm perfume is growing little by little in the room. An orchard scent, a caramelized sugar scent. Mrs. MOUSE roasts apples in the chimney. The apple fruits smell grass of England and the pastry oven. On a thread drawn in the flames, the apples, from the buried autumn, turn a golden color and grind in tempting bubbles. But I have the feeling that you already worry. Mrs. MOUSE in a Laura Ashley apron, pink and white stripes, with a big purple satin bow on her belt, Mrs. MOUSE is certainly not a free mouse? Certainly she cooks all day long lemon meringue tarts, puddings and cheese pies, in the kitchen of the burrow. She suffocates a bit in the sweet steams, looks with a sigh the patched socks trickling, hanging from the ceiling, between mint leaves and pomegranates. Surely Mrs. MOUSE just knows the inside, and all the evening flavours are just good for Mrs. MOUSE flabbiness. You are totally wrong - we can forgive you – we don’t know enough that the life in the burrow is totally communal. To pick the blackberries, the purplish red elderberries, the beechnuts and the sloes Mr. and Mrs. MOUSE escape in turn, and glean in the bushes the winter gatherings. After, with frozen paws, intoxicated with cold wind, they come back in the burrow, and it’s a good time when the little door, rond little oak wood door brings a yellow ray in the blue of the evening. Mr. and Mrs. MOUSE are from outside and from inside, in the most complete commonality of wealth and climate. While Mrs. MOUSE prepares the hot wine, Mr. MOUSE takes care of the children. On the top of the bunk bed Thimoty is reading a cartoon, Mr. MOUSE helps Benjamin to put a fleece-lined pyjama, one in a very sweet milky blue for snow dreams. That’s it … children are in bed …. Mrs. MOUSE blazes the hot wine near the chimney, it smells lemon, cinnamon, big dry flames, a blue tempest. Mr. and Mrs. MOUSE can wait and watch. They drink slowly, and then .... they will make love ….You didn’t know? It’s true, we need to guess it. Don’t expect me to tell you in details the mice love in patchwork duvets, the deep cherry wood bed. It’s just good enough not to speak about it. Because, to be able to speak about it, it would need all the perfumes, all the silent, all the talent and all the colors of the day. We already make love preparing the blackberries wine, the lemon meringue pie, we already make love going outside in the coldness to earn the wish of warmness and come back. We make love downstream of the day, as we take care of our patiences. It’s a love very warm, very present and yet invisible, mice’s love in the duvets. Imagine, dream a bit ….. Don’t speak too badly about English mice’s sexuality …..
Philippe Delerm
But now be so kind as to tell me: what does a baby smell like when he smells the way you think he ought to smell? Well?’ ‘He smells good,’ said the wet nurse. ‘What do you mean, “good”?’ Terrier bellowed at her. ‘Lots of things smell good. A bouquet of lavender smells good. Stewed meat smells good. The gardens of Arabia smell good. But what does a baby smell like, is what I want to know?’ The wet nurse hesitated. She knew very well how babies smell, she knew precisely – after all she had fed, tended, cradled and kissed dozens of them … She could find them at night with her nose. Why, right at that moment she bore that baby smell clearly in her nose. But never until now had she described it in words. ‘Well?’ barked Terrier, clicking his fingernails impatiently. ‘Well it’s – ’ the wet nurse began, ‘it’s not all that easy to say, because … because they don’t smell the same all over, although they smell good all over, Father, you know what I mean? Their feet for instance, they smell like a smooth warm stone – or no, more like curds … or like butter, like fresh butter, that’s it exactly. They smell like fresh butter. And their bodies smell like … like a pancake that’s been soaked in milk. And their heads, up on top, at the back of the head, where the hair makes a cowlick, there, see where I mean, Father, there where you’ve got nothing left …’ And she tapped the bald spot on the head of the monk who, struck speechless for a moment by this flood of detailed inanity, had obediently bent his head down. ‘There, right there, is where they smell best of all. It smells like caramel, it smells so sweet, so wonderful, Father, you have no idea! Once you’ve smelled them there, you love them whether they’re your own or somebody else’s. And that’s how little children have to smell – and no other way. And if they don’t smell like that, it they don’t have any smell at all up there, even less than cold air does, like that little bastard there, then … you can explain it however you like, Father, but I’ – and she crossed her arms resolutely beneath her bosom and cast a look of disgust towards the basket at her feet as if it contained toads – ‘I, Jeanne Bussie, will not take that thing back!
Patrick Süskind (Perfume: The Story of a Murderer)
The studio was filled with candles. Some Escoffier had brought earlier for their luncheon- they were made from beeswax and filled the air with a sweet caramel scent. The rest were Sarah's. There were exotics such as blood orange oil, frankincense and myrrh. The flowers he had picked- roses, peonies and a spray of lilies- opened into full blossom under the heat of so many flames and joined the heady mix. Like dozens of tiny flickering stars, the candles and their scents made the dark night seem even darker, made the cream of her skin seem incandescent.
N.M. Kelby (White Truffles in Winter)
I looked up to see the sun struggling behind a gray mass of snow clouds. I could relate. And then a beam of sunlight found a way through. A sign? Maybe. But what was this? I gasped. The bakery esters had refracted into visible bands of flavor. Red raspberry, orange, and the yellow of lemon and butter. Pistachio, lime, and mint green. The deepest indigo of a fresh blueberry The violet that blooms when crushed blackberries blend into buttercream. The Roy G. Biv that a baker loves. And then the darkness: chocolate, spice, coffee, and burnt-sugar caramel.
Judith M. Fertig (The Cake Therapist)
BULLETPROOF TACO SALAD When I make this, I like to prepare extra meat and save it for another meal or even eat it by itself for a quick lunch the next day. This satisfying meal can easily be eaten for dinner, too. TACO MIX 1 pound grass-fed, organic fatty ground beef 2 tablespoons grass-fed unsalted butter or ghee ½ fresh lime, squeezed 1 to 2 tablespoons cayenne powder (warning: Suspect, don’t use if you’re sensitive!) 1 teaspoon dried oregano Sea salt to taste SALAD 1 cup spring lettuce ¼ cup shredded red cabbage 2 shredded carrots 1 cucumber, cut into slices ½ avocado, sliced “Creamy” Avocado Dressing To make the taco mix: In a medium pan, sauté the beef on medium-low until cooked gently but thoroughly. Your goal is not to brown the meat but to heat it enough that it’s cooked through. Burned, caramelized meat tastes good, but it causes food cravings. Drain the excess liquid. Add the butter or ghee, lime juice, cayenne powder, oregano, and salt. Add more seasoning if you wish and play around with flavors! To make the salad: Lay a bed with all of the salad ingredients, starting with the lettuce. Add a suitable portion of beef on top and then drizzle with dressing.
Dave Asprey (The Bulletproof Diet: Lose Up to a Pound a Day, Reclaim Energy and Focus, Upgrade Your Life)
They have twenty-four one-hour sittings every day with only one table per sitting." Sam groaned as he closed his laptop. "I'd better grab some sandwiches on the way. It sounds like the kind of place you only get two peas and a sliver of asparagus on a piece of butter lettuce that was grown on the highest mountain peak of Nepal and watered with the tears of angels." "Not a fan of haute cuisine?" She followed him down the stairs and out into the bright sunshine. "I like food. Lots of it." He stopped at the nearest café and ordered three Reuben sandwiches, two Cobb salads, and three bottles of water. "Would you like anything?" he asked after he placed his order. Layla looked longingly as the server handed over his feast. "I don't want to ruin my appetite." She pointed to the baked-goods counter. "You forgot dessert." "I don't eat sugar." "Then the meal is wasted." She held open her handbag to reveal her secret stash. "I keep emergency desserts with me at all times- gummy bears, salted caramel chocolate, jelly beans, chocolate-glazed donuts- at least I think that's what they were, and this morning I managed to grab a small container of besan laddu and some gulab jamun.
Sara Desai (The Marriage Game (Marriage Game, #1))
-and the house left its own echos in me. I carry them inside me still. I’m certain I carry my mama and papa in my cells, but also the lavender, the orange blossoms, my mother’s sheets, my grandmother’s calculated footsteps, the toasted pecans, the clunk of the treacherous tile, the sugar caramelizing, the cajeta, the mad cicadas, the smells of old wood, and the polished clay floors. I’m also made of oranges—green, sweet, or rotten; of orange-blossom honey and royal jelly. I’m made of everything that touched my senses during that time and entered the part of my brain where I keep my memories.
Sofía Segovia (The Murmur of Bees)
Loaves of fig and pepper bread, of course. But there was also lasagna cooked in miniature pumpkins, and pumpkin-seed brittle. Roasted red pepper soup, and spiced caramel potato cakes. Corn muffins and brown sugar popcorn balls and a dozen cupcakes, each with a different frosting, because what was first frost without frosting? Pear beer and clove ginger ale in dark bottles sat in the icy beverage tub. They ate well into the afternoon, and the more they ate, the more food there seemed to be. Pretzel buns and cranberry cheese and walnuts appearing, just when they thought they'd tasted everything.
Sarah Addison Allen (First Frost (Waverley Family, #2))
She set butter and sugar to warm in a sauté pan, and then turned to core, peel, and slice the apples, the sluicing sound of the knife against the crisp flesh of the fruit giving her whirling mind finally something to clutch. She dropped the apples into the pan, shaking it gently by the handle to coat the apples until they were slightly caramelized. Then she added a splash of cider and let the buttery, sweet liquid reduce before seasoning with cinnamon and pouring the softened apples into a serving bowl. She leaned over the bowl as she customarily did when making cinnamon apples to breathe the earthy-sweet aroma.
Karen Weinreb (The Summer Kitchen)
They set aside the quills and inspected the roasted pear, which was filled with mascarpone and scattered with pistachios. Leo considered. "The mascarpone's a good idea," he said. "It's not sweet. There's some cardamom in there too." Britt nodded. The tuiles that accompanied the pear were caramelized and sparkling with coarse dark sugar. He took a bite of pear and mascarpone and a bite of tuile and chewed, still nodding. Leo took one more bite. "That's actually really good. I hate a mushy pear, but this is just right." They moved on to the sour cherry cake, which was moist and fragrant with almond and some herbal note that quieted both of them. They sat, tasting and thinking, for several seconds, until Leo said, "Hyssop.
Michelle Wildgen (Bread and Butter)
Celina surveyed her inventory. Candied lemon and orange slices dipped in chocolate, roasted coffee beans enrobed in dark chocolate, and coconut confections enveloped in milk chocolate. Petite Coeurs with a crème fraîche and raspberry liqueur filling, rum-spiked caramels covered in milk chocolate, bittersweet espresso truffles studded with crushed Sicilian pistachios. For her seaside fantasy collection, the antique cast iron molds had yielded whimsical chocolate shells and seahorses. Within clam shells formed from chocolate were nestled pearls of white chocolate. Among the delicacies were her trademark stars: creamy milk chocolate, dark chocolate filled with peppermint-flavored crème fraîche, and white chocolate iced with candied lemon peel.
Jan Moran (The Chocolatier)
Walt's father had been shopping with his son on a Sunday afternoon when he'd wandered into All Saints' Passage and found the bookshop. A silent boy, Walt still hadn't spoken, so there was no reason to think he'd be interested in reading yet. But when Walt snuck through the door, under his father's arm, he let out a gasp of delight. He had stepped into a kingdom: an oak labyrinth of bookshelves, corridors and canyons of literature beckoning him, whispering enchanting words Walt had never heard before. The air was smoky with the scent of leather, ink and paper, caramel-rich and citrus-sharp. Walt stuck out his small tongue to taste this new flavor and grinned, sticky with excitement. And he knew, all of a sudden and deep in his soul, that this was a place he belonged more than any other.
Menna Van Praag (The Dress Shop of Dreams)
Flavors are much more intense for people these days, so some of the old recipes don't stand up the way they used to. Think about what people are eating now, all kinds of hot sauces and spicy foods. Intensely spiced global cuisines. Bitter kale instead of buttery spinach, funky goat cheese instead of mild cheddar." He tilts his head at me, pondering. "So what you are saying is that because people are much more exposed to these things, the original recipes taste different to them?" "Exactly! Sriracha is as common as ketchup in most houses these days, so people's palates are used to more oomph in their flavors. Think about how it all used to be basic caramel, and now salted caramel is everywhere! When I was a kid it was all about milk chocolate, and now the darker and more intense the better.
Stacey Ballis (Wedding Girl)
Beyond doubt, I am a splendid fellow. In the autumn, winter and spring, I execute the duties of a student of divinity; in the summer I disguise myself in my skin and become a lifeguard. My slightly narrow and gingerly hirsute but not necessarily unmanly chest becomes brown. My smooth back turns the colour of caramel, which, in conjunction with the whipped cream of my white pith helmet, gives me, some of my teenage satellites assure me, a delightfully edible appearance. My legs, which I myself can study, cocked as they are before me while I repose on my elevated wooden throne, are dyed a lustreless maple walnut that accentuates their articulate strength. Correspondingly, the hairs of my body are bleached blond, so that my legs have the pointed elegance of, within the flower, umber anthers dusted with pollen.
John Updike (Pigeon Feathers and Other Stories)
GERMAN APPLE PANCAKE ••• 2 tart cooking apples (Granny Smiths are good) 1 lemon ½ stick (4 tablespoons) unsalted butter ¼ cup brown sugar ½ teaspoon cinnamon Small grating of nutmeg 3 eggs ¾ cup flour Pinch of salt 1 tablespoon sugar 1 cup milk Sugar for sprinkling Rum or cognac (optional) Peel the apples, core them, and slice them thinly. Shower them with about 2 tablespoons of lemon juice. Melt half the butter (2 tablespoons) in a medium skillet, and stir in the brown sugar, cinnamon, and nutmeg. Add the apple slices and cook over medium-high heat for about 8 minutes, until they’ve become quite darkly caramelized and smell impossibly delicious. Remove them from the heat. Meanwhile, beat the eggs. Gently whisk in the flour, salt, and sugar. Add the milk. The batter should be thin. Melt a couple of teaspoons of butter in an 8-inch skillet, and when it’s hot, pour in a third of a cup of batter, tilting the pan so that it covers the entire surface, making a thin crepe. Cook just until set, about 2 minutes. Evenly distribute a third of the apples over the crepe, pour another third of a cup of batter over the apples, then turn the pancake (this is easiest if you have two pancake turners) and allow the bottom to brown. Turn out onto a large plate, sprinkle generously with sugar, and roll the pancake up like a jelly roll. Sprinkle with a bit more sugar and, if you like, a splash of lemon juice. Repeat this until you have three plump rolled pancakes. If you want to flame your creations, lightly warm a few tablespoons of rum or cognac for each pancake in a pan, add the pancakes, spoon the liquor over the top, and set the pancakes on fire. Serves 6
Ruth Reichl (Save Me the Plums: My Gourmet Memoir)
He was deeply in love with her. Truly. Madly. A kind of love he'd never dared fathom. It hadn't happened in an instant--- a flash in the pan, quick sear, raw within--- but over time, his initial wallop of attraction so thin and bland beside the concentrated feeling that consumed him now, this love that had simmered slowly, sauce marrying over long, low heat. Maura with the tarot, shuffling his cards, dashing his dreams, telling him to quit in a way that only drove him to think about her: the tartness of tomato, stewing over flame. Maura in the dark, pulling down his mask, kissing him in the stairwell of that strange immersion theater: the heat of hot pepper flakes. Maura in his bed, in his T-shirt, eating grilled cheese in the middle of the night, feeding it to him, crumbs on the comforter, her fingers in his mouth: the sweet emulsion of butter. Maura arguing with him, one hand on her hip, pissed the hell off: basil, torn. Maura working through a problem, her forehead furrowed, eyes in such sharp focus: the concentration of tomato paste. Maura walking into a room, the air shifting, his eyes finding hers: garlic, caramelized. Maura when she said his name, when she whispered it, when she traced it into his shoulder, gasped it, screamed it, held it in her mouth like a secret: pepper--- red and black and white--- grinding in a mill. Maura in the world, living with so much life, so much yearning, so much hunger, that all he ever wanted to do was feed her, satisfy her, love her, make her feel as full as she made him: streams of salt and salt and salt. It had all stirred together inside him until there it was--- love--- and everything else he'd ever tried just fell away, tasteless.
Daria Lavelle (Aftertaste)
Escoffier knew if he could win Sara's heart it would be with a dish made of truffles and pureed foie gras, the one she often doted over. The subtle aroma of truffle, according to the great Brillat-Savarin, was an aphrodisiac. And so, "Let the food speak where words cannot," Escoffier said, making the sign of the cross, and cooking as if his life depended on it, because on some level it did. When the chef finally knocked on the studio door, his small hands shook under the weight of the silver tray and its domed cover. Escoffier had changed into clean clothes and now looked more like a banker than a chef. But he was, most certainly, a chef. Beneath the dome, caramelized sweetbreads, covered with truffles, lay on a bed of golden noodles that were napped in a sauce made from the foie gras of ducks fed on wild raspberries, the 'framboise,' of the countryside. It was a dish of profound simplicity, and yet luxury.
N.M. Kelby (White Truffles in Winter)
YOUR STOVE It may seem inconsequential to consider your stove as a contributor to your beer’s character, but it is. If you use an electric stove and your brewpot is in direct contact with the burner element, then you are scorching malt sugars onto the inside bottom of the pot. Have you noticed that your light ales and light lagers haven’t been as light as you anticipated? Perhaps some of your brews have a discernible burnt flavor. When the hot element of your electric stove (an electric immersion-type heater will also create the same effect) is in direct contact with your pot, it caramelizes sugars during the boil. Caramelizing takes place during any kind of boil, but is exaggerated by the high temperatures of red-hot electric stoves. There is an easy, simple and inexpensive solution. Buy a wire “trivet” and place it between the pot and the stove coil. You also can fashion a simple triangular trivet from a nonlacquered coat hanger. This will greatly reduce the caramelization of your boiling wort.
Charlie Papazian (The Homebrewer's Companion)
Count all these sufferings from here to the end of the endless sky which is no sky and see how many you can add together to make a figure to impress the Boss of Dead Souls in the Meat Manufactory in city City CITY everyone of them in pain and born to die, milling in the streets at 2 A M underneath those imponderable skies”—their enormous endlessness, the sweep of the Mexican plateau away from the Moon—living but to die, the sad song of it I hear sometimes on my roof in the Tejado district, rooftop cell, with candles, waiting for my Nirvana or my Tristessa—neither come, at noon I hear “La Paloma” being played on mental radios in the fallways between the tenement windows—the crazy kid next door sings, the dream is taking place right now, the music is so sad, the French horns ache, the high whiney violins and the deberratarra-rabaratarara of the Indian Spanish announcer. Living but to die, here we wait on this shelf, and up in heaven is all that gold open caramel, ope my door—Diamond Sutra is the sky.
Jack Kerouac (Tristessa)
He carefully poured the juice into a bowl and rinsed the scallops to remove any sand caught between the tender white meat and the firmer coral-colored roe, wrapped around it like a socialite's fur stole. Mayur is the kind of cook (my kind), who thinks the chef should always have a drink in hand. He was making the scallops with champagne custard, so naturally the rest of the bottle would have to disappear before dinner. He poured a cup of champagne into a small pot and set it to reduce on the stove. Then he put a sugar cube in the bottom of a wide champagne coupe (Lalique, service for sixteen, direct from the attic on my mother's last visit). After a bit of a search, he found the crème de violette in one of his shopping bags and poured in just a dash. He topped it up with champagne and gave it a swift stir. "To dinner in Paris," he said, glass aloft. 'To the chef," I answered, dodging swiftly out of the way as he poured the reduced champagne over some egg yolks and began whisking like his life depended on it. "Do you have fish stock?" "Nope." "Chicken?" "Just cubes. Are you sure that will work?" "Sure. This is the Mr. Potato Head School of Cooking," he said. "Interchangeable parts. If you don't have something, think of what that ingredient does, and attach another one." I counted, in addition to the champagne, three other bottles of alcohol open in the kitchen. The boar, rubbed lovingly with a paste of cider vinegar, garlic, thyme, and rosemary, was marinating in olive oil and red wine. It was then to be seared, deglazed with hard cider, roasted with whole apples, and finished with Calvados and a bit of cream. Mayur had his nose in a small glass of the apple liqueur, inhaling like a fugitive breathing the air of the open road. As soon as we were all assembled at the table, Mayur put the raw scallops back in their shells, spooned over some custard, and put them ever so briefly under the broiler- no more than a minute or two. The custard formed a very thin skin with one or two peaks of caramel. It was, quite simply, heaven. The pork was presented neatly sliced, restaurant style, surrounded with the whole apples, baked to juicy, sagging perfection.
Elizabeth Bard (Lunch in Paris: A Love Story, with Recipes)
... If I am correct... ... the secret to this sauce is honey and balsamic vinegar ." "Got it one, sir! Both ingredients have a mild sweetness that adds a layer of richness to the dish. The tartness of the vinegar ties it all together, ensuring the sweetness isn't too cloying and giving the overall dish a clean, pure aftertaste. The guide told me that Hokkaido bears really love their honey... ... so I tried all kinds of methods to add it to my recipe!" "Is that how he gave his sauce a rich, clean flavor powerful enough to cause the Gifting? Unbelievable! That's our Master Yukihira!" Something doesn't add up. A little honey and vinegar can't be enough to create that level of aftertaste. There has to be something else to it. But what? "...?! I got it! I know what you did! You caramelized the honey!" CARAMELIZATION Sugars oxidize when heated, giving them a golden brown color and a nutty flavor. Any food that contains sugar can be caramelized, making caramelization an important technique in everything from French cooking to dessert making. "I started out by heating the honey until it was good and caramelized. Then I added some balsamic vinegar to stretch it and give it a little thickness. Once that was done, I poured it over some diced onions and garlic that I'd sautéed in another pan, added some schisandra berries and then let it simmer. After it had reduced, I poured bear stock over it and seasoned it with a little salt... The result was a deep, rich sauce perfect for emphasizing the natural punch of my Bear-Meat Menchi Katsu!" "Oho! You musta come up with that idea while I was relaxing with my cup o' chai! Not bad, Yukihira-chin! Not bad at all! Don'tcha think?" "Y-yes, sir..." Plus, there is no debating how well honey pairs well with bear meat. The Chinese have long considered bear paws a great delicacy... ... because of the common belief that the mellow sweetness of the honey soaks into a bear's paw as it sticks it into beehives and licks the honey off of it. What a splendid idea pairing honey with bear meat, each accentuating the other... ... then using caramelization and balsamic vinegar to mellow it to just the right level. It's a masterful example of using both flavor subtraction and enhancement in the same dish!
Yūto Tsukuda (食戟のソーマ 22 [Shokugeki no Souma 22] (Food Wars: Shokugeki no Soma, #22))
I cooked with so many of the greats: Tom Colicchio, Eric Ripert, Wylie Dufresne, Grant Achatz. Rick Bayless taught me not one but two amazing mole sauces, the whole time bemoaning that he never seemed to know what to cook for his teenage daughter. Jose Andres made me a classic Spanish tortilla, shocking me with the sheer volume of viridian olive oil he put into that simple dish of potatoes, onions, and eggs. Graham Elliot Bowles and I made gourmet Jell-O shots together, and ate leftover cheddar risotto with Cheez-Its crumbled on top right out of the pan. Lucky for me, Maria still includes me in special evenings like this, usually giving me the option of joining the guests at table, or helping in the kitchen. I always choose the kitchen, because passing up the opportunity to see these chefs in action is something only an idiot would do. Susan Spicer flew up from New Orleans shortly after the BP oil spill to do an extraordinary menu of all Gulf seafood for a ten-thousand-dollar-a-plate fund-raising dinner Maria hosted to help the families of Gulf fishermen. Local geniuses Gil Langlois and Top Chef winner Stephanie Izard joined forces with Gale Gand for a seven-course dinner none of us will ever forget, due in no small part to Gil's hoisin oxtail with smoked Gouda mac 'n' cheese, Stephanie's roasted cauliflower with pine nuts and light-as-air chickpea fritters, and Gale's honey panna cotta with rhubarb compote and insane little chocolate cookies. Stephanie and I bonded over hair products, since we have the same thick brown curls with a tendency to frizz, and the general dumbness of boys, and ended up giggling over glasses of bourbon till nearly two in the morning. She is even more awesome, funny, sweet, and genuine in person than she was on her rock-star winning season on Bravo. Plus, her food is spectacular all day. I sort of wish she would go into food television and steal me from Patrick. Allen Sternweiler did a game menu with all local proteins he had hunted himself, including a pheasant breast over caramelized brussels sprouts and mushrooms that melted in your mouth (despite the occasional bit of buckshot). Michelle Bernstein came up from Miami and taught me her white gazpacho, which I have since made a gajillion times, as it is probably one of the world's perfect foods.
Stacey Ballis (Off the Menu)
HERE ARE MY TEN BEEF NOODLE SOUP COMMANDMENTS: 1. Throw out the first: always flash-boil your bones and beef to get the “musk” out. I’ve gone back and forth on this a lot. I would sometimes brown the meat as opposed to boil, but decided in the end that for this soup, you gotta boil. If you brown, it’s overpowering. The lesson that beef noodle soup teaches you is restraint. Sometimes less is more if you want all the flavors in the dish to speak to you. 2. Make sure the oil is medium-high when the aromatics go down and get a slight caramelization. It’s a fine line. Too much caramelization and it becomes too heavy, but no caramelization and your stock is weak. 3. Rice wine can be tricky. Most people like to vaporize it so that all the alcohol is cooked off. I like to leave a little of the alcohol flavor ’cause it tends to cut through the grease a bit. 4. Absolutely no butter, lard, or duck fat. I’ve seen people in America try to “kick it up a notch” with animal fats and it ruins the soup. Peanut oil or die. 5. Don’t burn the chilis and peppercorns, not even a little bit. You want the spice and the numbness, but not the smokiness. 6. After sautéing the chilis/peppercorns, turn off the heat and let them sit in the oil to steep. This is another reason you want to turn the heat off early. 7. Strain your chilis/peppercorns out of the oil, put them in a muslin bag, and set them aside. Then add ginger/garlic/scallions to the oil in that order. Stage them. 8. I use tomatoes in my beef noodle soup, but I add them after the soup is finished and everything is strained. I let them hang out in the soup as it sits on the stove over the course of the day. I cut the tomatoes thin so they give off flavor without having to cook too long and so you can serve them still intact. 9. Always use either shank or chuck flap. Brisket is too tough. If you want to make it interesting, add pig’s foot or oxtail. 10. Do you. I don’t give you measurements with this because I gave you all the ingredients and the technique. The best part about beef noodle soup is that there are no rules. It just has to have beef, noodle, and soup. There are people that do clear broth beef noodle soup. Beef noodle soup with dairy. Beef noodle soup with pig’s blood. It would suck if you looked at my recipe and never made your own, ’cause everyone has a beef noodle soup in them. Show it to me.
Eddie Huang (Fresh Off the Boat)
Laughter greeted Clint’s ears at the open doorway—rich, soft laughter, like the creamy center of a melted caramel. The kind of laughter that made you want to wrap yourself up in it and stay a while. Clint stopped in the doorway, spellbound. The boys sat on different sides of an antique four-poster bed, sunk knee-deep in patchwork quilts, sheets and what he would swear was an old fashioned feather-tick mattress. But it was the vision between the little boys that held Clint’s attention. Emma Lewis had the same rich, dark, burnt-copper hair as her sons, and the burns-if-she’s-out-in-the-sun-longer-than-one-hour skin of most redheads. Beneath the wrinkled T-shirt and jeans she’d fallen asleep in, he could tell she was neither too thin nor too heavy, just the luscious type of figure Clint decided long ago he liked on women. She also possessed that wonderful laughter that had stirred more than his heart to life. But when she raised the deepest cornflower-blue eyes to him, Clint nearly moaned. If he let himself, he could get lost in that open, clear gaze forever. “Can I help you?” The remnants of sleep in her voice brought on visions of hearing her voice after a night of endless passion.
Suzanne Ferrell
Starting with the chocolate version, I swap out some of the cocoa powder with melted bittersweet chocolate and add some sour cream for balance and moistness, as well as some instant espresso powder, my secret ingredient for anything chocolate, which doesn't so much make something taste like coffee, but rather just makes chocolate taste more chocolaty. While the chocolate cupcakes are baking, I turn my attention to the vanilla recipe, adding some vanilla bean paste to amp up the vanilla flavor and show off those awesome little black-speck vanilla seeds, and mixing some buttermilk into the batter to prevent it from being overly sweet and unbalanced. The banana version uses very ripe bananas that I've been stashing in the freezer, as well as a single slice of fresh banana that has been coated in caramel and is pushed halfway into each cup of batter for a surprise in the middle of the cupcakes. Herman's frostings are close to the frostings of my youth, simple faux buttercreams made with softened butter and confectioners' sugar. Nothing fancy. In my newer versions, the chocolate gets melted chocolate and chocolate milk mixed in, the vanilla gets more vanilla bean paste and a tiny hit of lemon zest, and the peanut butter gets a blend of butter and cream cheese for some tang.
Stacey Ballis (Wedding Girl)
You've had hot coffee before, and in the hands of a skilled maker, coffee can be amazing. But the fact is that coffee is one of the hardest things to get right in the world. Even with great beans and a great roast and great equipment, a little too much heat, the wrong grind, or letting things go on too long will produce a cup of bitterness. Coffee's full of different acids, and depending on the grind, temperature, roast, and method, you can "overextract" the acids from the beans, or overheat them and oxidize them, producing that awful taste you get at donut shops and Starbucks. But there is Another Way. If you make coffee in cold water, you only extract the sweetest acids, the highly volatile flavors that hint at chocolate and caramel, the ones that boil away or turn to sourness under imperfect circumstances. Brewing coffee in cold water sounds weird, but in fact, it's just about the easiest way to make a cup (or a jar) of coffee. Just grind coffee -- keep it coarse, with grains about the size of sea salt -- and combine it with twice as much water in an airtight jar. Give it a hard shake and stick it somewhere cool overnight (I used a cooler bag loaded with ice from ice camp and wrapped the whole thing in bubble wrap for insulation). In the morning, strain it through a colander and a paper coffee filter. What you've got now is coffee concentrate, which you can dilute with cold water to taste -- I go about half and half. If you're feeling fancy, serve it over ice.
Anonymous
I know you're a chocolate lover. I can always tell. I'm about to temper the chocolate. I have my own method; want to watch?" "Could I?" Inside my head, a little voice was reminding me that I had to get back to the office, but it was drowned out by the scent of chocolate, which flooded all my senses with a heady froth of cocoa and coffee, passion fruit, cinnamon and clove. I closed my eyes, and for one moment I was back in Aunt Melba's kitchen with Genie. I opened them to find Kim dancing with a molten river of chocolate. I stood hypnotized by the scent and the grace of her motions, which were more beautiful than any ballet. Moving constantly, she caressed the chocolate like a lover, folding it over and over on a slab of white marble, working it to get the texture right. She stopped to feed me a chocolate sprinkled with salt, which had the fierce flavor of the ocean, and another with the resonant intensity of toasted saffron. One chocolate tasted like rain, another of the desert. I tried tracking the flavors, pulling them apart to see how she had done it, but, like a magician, she had hidden her tricks. Each time I followed the trail, it vanished, and after a while I just gave up and allowed the flavors to seduce me. Now the scent changed as Kim began to dip fruit into the chocolate: raspberries, blackberries, tiny strawberries that smelled like violets. She put a chocolate-and-caramel-covered slice of peach into my mouth, and the taste of summer was so intense that I felt the room grow warmer. I lost all sense of time.
Ruth Reichl (Delicious!)
The girls seemed unconcerned and went about their days, each as lovely in their own way as the flowers they tended. Sorrel's black hair became streaked with premature white, which gave her an exotic air, although the elegance was somewhat ruined by the muddy jeans and shorts she practically lived in. Nettie, on the other hand, had a head of baby-fine blonde hair that she wore short, thinking, wrongly, that it would look less childlike. Nettie wouldn't dream of being caught in dirty jeans and was always crisply turned out in khaki capris or a skirt and a white shirt. She considered her legs to be her finest feature. She was not wrong. Patience was the sole Sparrow redhead, although her hair had deepened from its childhood ginger and was now closer to the color of a chestnut. It was heavy and glossy as a horse's mane, and she paid absolutely no attention to it or to much else about her appearance, nor did she have to. In the summer her wide-legged linen trousers and cut-off shorts were speckled with dirt and greenery, her camisoles tatty and damp. The broad-brimmed hat she wore to pick was most often dangling from a cord down her back. As a result, the freckles that feathered across her shoulders and chest were the color of caramel and resistant to her own buttermilk lotion (Nettie smoothed it on Patience whenever she could make her stand still). When it was terribly hot, Patience wore the sundresses she'd found packed away in the attic. She knew they were her mother's, and she liked to imagine how happy Honor had been in them.
Ellen Herrick (The Sparrow Sisters)
Cendrillon specialized in seafood, so we had four fish stations: one for poaching, one for roasting, one for sautéing, and one for sauce. I was the chef de partie for the latter two, which also included making our restaurant's signature soups. O'Shea planned his menu seasonally- depending on what was available at the market. It was fall, my favorite time of the year, bursting with all the savory ingredients I craved like a culinary hedonist, the ingredients that turned my light on. All those varieties of beautiful squashes and root vegetables- the explosion of colors, the ochre yellows, lush greens, vivid reds, and a kaleidoscope of oranges- were just a few of the ingredients that fueled my cooking fantasies. In the summer, on those hot cooking days and nights in New York with rivulets of thick sweat coating my forehead, I'd fantasize about what we'd create in the fall, closing my eyes and cooking in my head. Soon, the waitstaff would arrive to taste tonight's specials, which would be followed by our family meal. I eyed the board on the wall and licked my lips. The amuse-bouche consisted of a pan-seared foie gras served with caramelized pears; the entrée, a boar carpaccio with eggplant caviar, apples, and ginger; the two plats principaux, a cognac-flambéed seared sea scallop and shrimp plate served with deep-fried goat cheese and garnished with licorice-perfumed fennel leaves, which fell under my responsibility, and the chief's version of a beef Wellington served with a celeriac mash, baby carrots, and thin French green beans.
Samantha Verant (The Secret French Recipes of Sophie Valroux (Sophie Valroux #1))
Herman and I have been doing a lot of talking about the cake the past couple of days, and we think we have a good plan for the three tiers. The bottom tier will be the chocolate tier and incorporate the dacquoise component, since that will all provide a good strong structural base. We are doing an homage to the Frango mint, that classic Chicago chocolate that was originally produced at the Marshall Field's department store downtown. We're going to make a deep rich chocolate cake, which will be soaked in fresh-mint simple syrup. The dacquoise will be cocoa based with ground almonds for structure, and will be sandwiched between two layers of a bittersweet chocolate mint ganache, and the whole tier will be enrobed in a mint buttercream. The second tier is an homage to Margie's Candies, an iconic local ice cream parlor famous for its massive sundaes, especially their banana splits. It will be one layer of vanilla cake and one of banana cake, smeared with a thin layer of caramelized pineapple jam and filled with fresh strawberry mousse. We'll cover it in chocolate ganache and then in sweet cream buttercream that will have chopped Luxardo cherries in it for the maraschino-cherry-on-top element. The final layer will be a nod to our own neighborhood, pulling from the traditional flavors that make up classical Jewish baking. The cake will be a walnut cake with hints of cinnamon, and we will do a soaking syrup infused with a little bit of sweet sherry. A thin layer of the thick poppy seed filling we use in our rugelach and hamantaschen, and then a layer of honey-roasted whole apricots and vanilla pastry cream. This will get covered in vanilla buttercream.
Stacey Ballis (Wedding Girl)
Caramel Apple Bundt Cake For people. Cake 1½ cups flour 1 cup pecans 2 teaspoons baking powder ½ teaspoon baking soda 1½ teaspoons cinnamon ¾ teaspoon nutmeg ¾ teaspoon cloves ¼ teaspoon salt 2 medium apples, peeled and cored ½ cup sugar + extra 1¼ sticks (10 tablespoons) butter at room temperature + extra for greasing the pan 1 cup packed dark brown sugar 2 large eggs at room temperature 1 cup applesauce Preheat oven to 350ºF. Place the flour, pecans, baking powder, baking soda, cinnamon, nutmeg, cloves, and salt in a food processor and pulse until the pecans are fine. Transfer the flour mixture to a bowl. Insert the grating disk and grate the apples. Take 1 tablespoon of sugar out of the plain sugar and set it aside. Cream the butter with the sugars. Beat in the eggs. Alternate adding the applesauce and the flour mixture until completely combined. Stir in the grated apples. Grease the Bundt pan liberally. Sprinkle the extra sugar on the butter. You may need another tablespoon of sugar for full coverage. Use a cooking spoon to ladle the batter into the Bundt pan and smooth the top. Bake 40 minutes or until it begins to pull away from the sides and a cake tester comes out clean. Allow to rest on a baking rack about 5 to 10 minutes. Loosen the edges, and flip onto the rack. When cool, top with caramel. Caramel 4 tablespoons unsalted butter 1 cup packed dark brown sugar ¼ cup heavy cream Place the ingredients in a deep microwave-safe dish (I used a 4-cup Pyrex measuring cup). Microwave in short bursts, stirring occasionally, until it bubbles up and the sugar melts. (You may find that you even like it if the sugar doesn’t melt!) Swedish Tea Ring For people.
Krista Davis (Murder Most Howl (A Paws and Claws Mystery, # 3))
The menu is spectacular. Passed hors d'oeuvres include caramelized shallot tartlets topped with Gorgonzola, cubes of crispy pork belly skewered with fresh fig, espresso cups of chilled corn soup topped with spicy popcorn, mini arepas filled with rare skirt steak and chimichurri and pickle onions, and prawn dumplings with a mango serrano salsa. There is a raw bar set up with three kinds of oysters, and a raclette station where we have a whole wheel of the nutty cheese being melted to order, with baby potatoes, chunks of garlic sausage, spears of fresh fennel, lightly pickled Brussels sprouts, and hunks of sourdough bread to pour it over. When we head up for dinner, we will start with a classic Dover sole amandine with a featherlight spinach flan, followed by a choice of seared veal chops or duck breast, both served with creamy polenta, roasted mushrooms, and lacinato kale. Next is a light salad of butter lettuce with a sharp lemon Dijon vinaigrette, then a cheese course with each table receiving a platter of five cheeses with dried fruits and nuts and three kinds of bread, followed by the panna cottas. Then the cake, and coffee and sweets. And at midnight, chorizo tamales served with scrambled eggs, waffle sticks with chicken fingers and spicy maple butter, candied bacon strips, sausage biscuit sandwiches, and vanilla Greek yogurt parfaits with granola and berries on the "breakfast" buffet, plus cheeseburger sliders, mini Chicago hot dogs, little Chinese take-out containers of pork fried rice and spicy sesame noodles, a macaroni-and-cheese bar, and little stuffed pizzas on the "snack food" buffet. There will also be tiny four-ounce milk bottles filled with either vanilla malted milk shakes, root beer floats made with hard root beer, Bloody Marys, or mimosas.
Stacey Ballis (Wedding Girl)
SNAPPY TURTLE PIE   1 chocolate cookie crumb pie shell (chocolate is best, but shortbread or graham cracker will also work just fine) 1 pint vanilla ice cream 4 ounces ( of a 6-ounce jar) caramel ice cream topping (I used Smucker’s) ½ cup salted pecan pieces 4 ounces ( of a 6-ounce jar) chocolate fudge ice cream topping (I used Smucker’s) 1 small container frozen Cool Whip (original, not low-fat, or real whipped cream) Hannah’s Note: If you can’t find salted pecans, buy plain pecans. Measure out ½ cup of pieces, heat them in the microwave or the oven until they’re hot and then toss them with 2 Tablespoons of melted, salted butter. Sprinkle on ¼ teaspoon of salt, toss again, and you have salted pecan pieces. Set your cookie crumb pie shell on the counter along with your ice cream carton. Let the ice cream soften for 5 to 10 minutes. You want it approximately the consistency of soft-serve. Using a rubber spatula, spread out your ice cream in the bottom of the chocolate cookie crumb crust. Smooth the top with the spatula. Working quickly, pour the caramel topping over the ice cream. You can drizzle it, pour it, whatever. Just try to get it as evenly distributed as you can. Sprinkle the salted pecan pieces on top of the caramel layer. Pour or drizzle the chocolate fudge topping over the pecans. Cover the top of your pie with wax paper (don’t push it down—you don’t want it to stick) and put your Snappy Turtle Pie in the freezer overnight. Put your container of Cool Whip in the refrigerator overnight. Then it’ll be spreadable in the morning. In the morning, remove your pie from the freezer and spread Cool Whip over the top. Cover it with wax paper again and stick it back into the freezer for at least 6 hours. If you’re not planning to serve your pie for dinner that night, wait until the 6 hours are up and then put it into a freezer bag and return it to the freezer for storage. It will be fine for about a month. Take your Snappy Turtle Pie out of the freezer and place it on the countertop about 15 minutes before you’re ready to serve it. When it’s time for dessert, cut it into 6 pieces as you would a regular pie, put each piece on a dessert plate, and place one Snappy Turtle Cookie (recipe follows) on the center of each piece, the head of the turtle facing the tip of the pie. Yield: 6 slices of yummy ice cream pie that all of your guests will ooh and ahh over.
Joanne Fluke (Red Velvet Cupcake Murder (Hannah Swensen, #16))
ELEANOR OLSON’S OATMEAL COOKIES Preheat oven to 350 degrees F., rack in the middle position. 1 cup (2 sticks, 8 ounces, ½ pound) salted butter, softened 1 cup brown sugar (pack it down in the cup when you measure it) 1 cup white (granulated) sugar 2 eggs, beaten (just whip them up in a glass with a fork) 1 teaspoon vanilla extract 1 teaspoon salt 1 teaspoon baking soda 1 and ½ cups flour (pack it down in the cup when you measure it) 3 cups quick-cooking oatmeal (I used Quaker Quick 1-Minute) ½ cup chopped nuts (optional) (Eleanor used walnuts) ½ cup raisins or another small, fairly soft sweet treat (optional) Hannah’s 1st Note: The optional fruit or sweet treats are raisins, any dried fruit chopped into pieces, small bites of fruit like pineapple or apple, or small soft candies like M&M’s, Milk Duds, chocolate chips, butterscotch chips, or any other flavored chips. Lisa and I even used Sugar Babies once—they’re chocolate-covered caramel nuggets—and everyone was crazy about them. You can also use larger candies if you push one in the center of each cookie. Here, as in so many recipes, you are only limited by the selection your store has to offer and your own imagination. Hannah’s 2nd Note: These cookies are very quick and easy to make with an electric mixer. Of course you can also mix them by hand. Mix the softened butter, brown sugar, and white sugar in the bowl of an electric mixer. Beat on HIGH speed until they’re light and fluffy. Add the beaten eggs and mix them in on MEDIUM speed. Turn the mixer down to LOW speed and add the vanilla extract, the salt, and the baking soda. Mix well. Add the flour in half-cup increments, beating on MEDIUM speed after each addition. With the mixer on LOW speed, add the oatmeal. Then add the optional nuts, and/or the optional fruit or sweet treat. Scrape down the sides of the bowl, take the bowl out of the mixer, and give the cookie dough a final stir by hand. Let it sit, uncovered, on the counter while you prepare your cookie sheets. Spray your cookie sheets with Pam or another nonstick cooking spray. Alternatively, you can line them with parchment paper and spray that lightly with cooking spray. Get out a tablespoon from your silverware drawer. Wet it under the faucet so that the dough won’t stick to it, and scoop up a rounded Tablespoon of dough. Drop it in mounds on the cookie sheet, 12 mounds to a standard-size sheet. Bake Eleanor Olson’s Oatmeal Cookies at 350 degrees F. for 9 to 11 minutes, or until they’re nice and golden on top. (Mine took 10 minutes.) Yield: Approximately 3 dozen chewy, satisfying oatmeal cookies.
Joanne Fluke (Cinnamon Roll Murder (Hannah Swensen, #15))
The Enchanted Broccoli Forest. Oh, what a pleasure that was! Mollie Katzen's handwritten and illustrated recipes that recalled some glorious time in upstate New York when a girl with an appetite could work at a funky vegetarian restaurant and jot down some tasty favorites between shifts. That one had the Pumpkin Tureen soup that Margo had made so many times when she first got the book. She loved the cheesy onion soup served from a pumpkin with a hot dash of horseradish and rye croutons. And the Cardamom Coffee Cake, full of butter, real vanilla, and rich brown sugar, said to be a favorite at the restaurant, where Margo loved to imagine the patrons picking up extras to take back to their green, grassy, shady farmhouses dotted along winding country roads. Linda's Kitchen by Linda McCartney, Paul's first wife, the vegetarian cookbook that had initially spurred her yearlong attempt at vegetarianism (with cheese and eggs, thank you very much) right after college. Margo used to have to drag Calvin into such phases and had finally lured him in by saying that surely anything Paul would eat was good enough for them. Because of Linda's Kitchen, Margo had dived into the world of textured vegetable protein instead of meat, and tons of soups, including a very good watercress, which she never would have tried without Linda's inspiration. It had also inspired her to get a gorgeous, long marble-topped island for prep work. Sometimes she only cooked for the aesthetic pleasure of the gleaming marble topped with rustic pottery containing bright fresh veggies, chopped to perfection. Then Bistro Cooking by Patricia Wells caught her eye, and she took it down. Some pages were stuck together from previous cooking nights, but the one she turned to, the most splattered of all, was the one for Onion Soup au Gratin, the recipe that had taught her the importance of cheese quality. No mozzarella or broken string cheeses with- maybe- a little lacy Swiss thrown on. And definitely none of the "fat-free" cheese that she'd tried in order to give Calvin a rich dish without the cholesterol. No, for this to be great, you needed a good, aged, nutty Gruyère from what you couldn't help but imagine as the green grassy Alps of Switzerland, where the cows grazed lazily under a cheerful children's-book blue sky with puffy white clouds. Good Gruyère was blocked into rind-covered rounds and aged in caves before being shipped fresh to the USA with a whisper of fairy-tale clouds still lingering over it. There was a cheese shop downtown that sold the best she'd ever had. She'd tried it one afternoon when she was avoiding returning home. A spunky girl in a visor and an apron had perked up as she walked by the counter, saying, "Cheese can change your life!" The charm of her youthful innocence would have been enough to be cheered by, but the sample she handed out really did it. The taste was beyond delicious. It was good alone, but it cried out for ham or turkey or a rich beefy broth with deep caramelized onions for soup.
Beth Harbison (The Cookbook Club: A Novel of Food and Friendship)
TREASURE CHEST COOKIES (Lisa’s Aunt Nancy’s Babysitter’s Cookies) Preheat oven to 350 degrees F., rack in the middle position. The Cookie Dough: ½ cup (1 stick, 4 ounces, ¼ pound) salted butter, room temperature ¾ cup powdered sugar (plus 1 and ½ cups more for rolling the cookies in and making the glaze) ¼ teaspoon salt 2 tablespoons milk (that’s cup) 1 teaspoon vanilla extract 1 and ½ cups all-purpose flour (pack it down when you measure it) The “Treasure”: Well-drained Maraschino cherries, chunks of well-drained canned pineapple, small pieces of chocolate, a walnut or pecan half, ¼ teaspoon of any fruit jam, or any small soft candy or treat that will fit inside your cookie dough balls. The Topping: 1 cup powdered (confectioners) sugar To make the cookie dough: Mix the softened butter and ¾ cup powdered sugar together in a medium-sized mixing bowl. Beat them until the mixture is light and fluffy. Add the salt and mix it in. Add the milk and the vanilla extract. Beat until they’re thoroughly blended. Add the flour in half-cup increments, mixing well after each addition. Divide the dough into 4 equal quarters. (You don’t have to weigh it or measure it, or anything like that. It’s not that critical.) Roll each quarter into a log shape and then cut each log into 6 even pieces. (The easy way to do this is to cut it in half first and then cut each half into thirds.) Roll the pieces into balls about the size of a walnut with its shell on, or a little larger. Flatten each ball with your impeccably clean hands. Wrap the dough around a “treasure” of your choice. If you use jam, don’t use over a quarter-teaspoon as it will leak out if there’s too much jam inside the dough ball. Pat the resulting “package” into a ball shape and place it on an ungreased cookie sheet, 12 balls to a standard-size sheet. Push the dough balls down just slightly so they don’t roll off on their way to your oven. Hannah’s 1st Note: I use baking sheets with sides and line them with parchment paper when I bake these with jam. If part of the jam leaks out, the parchment paper contains it and I don’t have sticky jam on my baking sheets or in the bottom of my oven. Bake the Treasure Chest Cookies at 350° F. for approximately 18 minutes, or until the bottom edge is just beginning to brown when you raise it with a spatula. Remove the cookies from the oven and allow them to cool on the sheets for about 5 minutes. Place ½ cup of powdered sugar in a small bowl. Place wax paper or parchment paper under the wire racks. Roll the still-warm cookies in the powdered sugar. The sugar will stick to the warm cookies. Coat them evenly and then return them to the wire racks to cool completely. (You’ll notice that the powdered sugar will “soak” into the warm cookie balls. That’s okay. You’re going to roll them in powdered sugar again for a final coat when they’re cool.) When the cookies are completely cool, place another ½ cup powdered sugar in your bowl. Roll the cooled cookies in the powdered sugar again. Then transfer them to a cookie jar or another container and store them in a cool, dry place. Hannah’s 2nd Note: I tried putting a couple of miniature marshmallows or half of a regular-size marshmallow in the center of my cookies for the “treasure”. It didn’t work. The marshmallows in the center completely melted away. Lisa’s Note: I’m going to try my Treasure Chest Cookies with a roll of Rollo’s next time I make them. Herb just adores those chocolate covered soft caramels. He wants me to try the miniature Reese’s Pieces, too. Yield: 2 dozen delicious cookies that both kids and adults will love to eat.
Joanne Fluke (Blackberry Pie Murder (Hannah Swensen, #17))
MONKEY BREAD   Preheat oven to 350 degrees F., rack in the middle position. 1 and ¼ cups white (granulated) sugar 1 and ½ teaspoons ground cinnamon 4 cans (7.5 ounce tube) unbaked refrigerated biscuits (I used Pillsbury) 1 cup chopped nuts of your choice (optional) 1 cup chocolate chips (optional) (that’s a 6-ounce size bag) ½ cup salted butter (1 stick, 4 ounces, ¼ pound) Hannah’s 1st Note: If you prefer, you can use 16.3 ounce tubes of Pillsbury Grands. If you do this, buy only 2 tubes. They are larger—you will use half a tube for each layer. Tony’s Note: If you use chocolate chips and/or nuts, place them between each biscuit layer. Spray the inside of a Bundt pan with Pam or another nonstick cooking spray. Set your prepared pan on a drip pan just in case the butter overflows. Then you won’t have to clean your oven. Mix the white sugar and cinnamon together in a mixing bowl. (I used a fork to mix it up so that the cinnamon was evenly distributed.) Open 1 can of biscuits at a time and break or cut them into quarters. You want bite-size pieces. Roll the pieces in the cinnamon and sugar mixture, and place them in the bottom of the Bundt pan. Sprinkle one-third of the chopped nuts and one-third of the chocolate chips on top of the layer, if you decided to use them. Open the second can of biscuits, quarter them, roll them in the cinnamon and sugar, and place them on top of the first layer. (If you used Pillsbury Grands, you’ll do this with the remainder of the first tube.) Sprinkle on half of the remaining nuts and chocolate chips, if you decided to use them. Repeat with the third can of biscuits (or the first half of the second tube of Grands). Sprinkle on the remainder of the nuts and chocolate chips, if you decided to use them. Repeat with the fourth can of biscuits (or the rest of the Grands) to make a top layer in your Bundt pan. Melt the butter and the remaining cinnamon and sugar mixture in a microwave safe bowl on HIGH for 45 seconds. Give it a final stir and pour it over the top of your Bundt pan. Bake your Monkey Bread at 350 degrees F. for 40 to 45 minutes, or until nice and golden on top. Take the Bundt pan out of the oven and let it cool on a cold burner or a wire rack for 10 minutes while you find a plate that will fit over the top of the Bundt pan. Using potholders or oven mitts invert the plate over the top of the Bundt pan and turn it upside down to unmold your delicious Monkey Bread. To serve, you can cut this into slices like Bundt cake, but it’s more fun to just let people pull off pieces with their fingers. Hannah’s 2nd Note: If you’d like to make Caramel Monkey Bread, use only ¾ cup of white sugar. Mix it with the cinnamon the way you’d do if it was the full amount of white sugar. At the very end when you melt the butter with the leftover cinnamon and sugar mixture, add ¾ cup of brown sugar to the bowl before you put it in the microwave. Pour that hot mixture over the top of your Bundt pan before baking and it will form a luscious caramel topping when you unmold your Monkey Bread. Hannah’s 3rd Note: I don’t know why this is called “Monkey Bread”. Norman thinks it has something to do with the old story about the monkey that couldn’t get his hand out of the hole in the tree because he wouldn’t let go of the nut he was holding in his fist. Mike thinks it’s because monkeys eat with their hands and you can pull this bread apart and eat it with your hands. Mother says it’s because monkeys are social animals and you can put this bread in the center of the table and everyone can sit around it and eat. Tracey says it’s because it’s a cute name. Bethie doesn’t care. She just wants to eat it.
Joanne Fluke (Red Velvet Cupcake Murder (Hannah Swensen, #16))