“
Why on earth would you buy a car like this if you can't drive a stick? There are dozens of cars--new cars--that have automatic transmission. It'd be a million times easier."
Adrian shrugged. "I like the color. It matches my living room.
”
”
Richelle Mead (The Golden Lily (Bloodlines, #2))
“
Imagine teaching a fifteen-year-old how to drive a car with manual transmission. First, you have to press down the clutch. Then you have to whisper a secret into one of the cup holders.
”
”
Joseph Fink (Welcome to Night Vale (Welcome to Night Vale, #1))
“
There is nothing better than to be headed into the mountains on a clean fresh day with the sun rising through the trees and good company and good talk and the sense of ease that comes from the knowledge that you are in somebody else's car and it is not your transmission that is going to get torn out on a big rock.
”
”
Patrick F. McManus (They Shoot Canoes, Don't They?)
“
Our television signals leave this planet and go out into space...the signals spread out from the earth in spherical waves, a little like ripples in a pond. They travel at the speed of light, 186,000 miles a second, and essentially go on forever. The better some other civilizations receivers are, the farther away they could be and still pick up our tv signals. Even we could detect a strong tv transmission from a planet going around the nearest star.' President: 'You mean everything? You mean to say all that crap on television - the car crashes, wrestling, the porno channels, the evening news?
”
”
Carl Sagan (Contact)
“
While they waited, Ronan decided to finally take up the task of teaching Adam how to drive a stick shift. For several minutes, it seemed to be going well, as the BMW had an easy clutch, Ronan was brief and to the point with his instruction, and Adam was a quick study with no ego to get in the way.
From a safe vantage point beside the building, Gansey and Noah huddled and watched as Adam began to make ever quicker circles around the parking lot. Every so often their hoots were audible through the open windows of the BMW.
Then—it had to happen eventually—Adam stalled the car. It was a pretty magnificent beast, as far as stalls went, with lots of noise and death spasms on the part of the car. From the passenger seat, Ronan began to swear at Adam. It was a long, involved swear, using every forbidden word possible, often in compound-word form. As Adam stared at his lap, penitent, he mused that there was something musical about Ronan when he swore, a careful and loving precision to the way he fit the words together, a black-painted poetry. It was far less hateful sounding than when he didn’t swear.
Ronan finished with, “For the love of . . . Parrish, take some care, this is not your mother’s 1971 Honda Civic.”
Adam lifted his head and said, “They didn’t start making the Civic until ’73.”
There was a flash of fangs from the passenger seat, but before Ronan truly had time to strike, they both heard Gansey call warmly, “Jane! I thought you’d never show up. Ronan is tutoring Adam in the ways of manual transmissions.”
Blue, her hair pulled every which way by the wind, stuck her head in the driver’s side window. The scent of wildflowers accompanied her presence. As Adam catalogued the scent in the mental file of things that made Blue attractive, she said brightly, “Looks like it’s going well. Is that what that smell is?”
Without replying, Ronan climbed out of the car and slammed the door.
Noah appeared beside Blue. He looked joyful and adoring, like a Labrador retriever. Noah had decided almost immediately that he would do anything for Blue, a fact that would’ve needled Adam if it had been anyone other than Noah.
Blue permitted Noah to pet the crazy tufts of her hair, something Adam would have also liked to do, but felt would mean something far different coming from him.
”
”
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
“
When buying a used car, punch the buttons on the radio. If all the stations are rock and roll, there's a good chance the transmission is shot.
”
”
Larry Lujack
“
Susannah’s memory had become distressingly spotty, unreliable, like the half-stripped transmission of an old car.
”
”
Stephen King (Song of Susannah (The Dark Tower, #6))
“
Poetic Terrorism
WEIRD DANCING IN ALL-NIGHT computer-banking lobbies. Unauthorized pyrotechnic displays. Land-art, earth-works as bizarre alien artifacts strewn in State Parks. Burglarize houses but instead of stealing, leave Poetic-Terrorist objects. Kidnap someone & make them happy. Pick someone at random & convince them they're the heir to an enormous, useless & amazing fortune--say 5000 square miles of Antarctica, or an aging circus elephant, or an orphanage in Bombay, or a collection of alchemical mss. ...
Bolt up brass commemorative plaques in places (public or private) where you have experienced a revelation or had a particularly fulfilling sexual experience, etc.
Go naked for a sign.
Organize a strike in your school or workplace on the grounds that it does not satisfy your need for indolence & spiritual beauty.
Graffiti-art loaned some grace to ugly subways & rigid public monuments--PT-art can also be created for public places: poems scrawled in courthouse lavatories, small fetishes abandoned in parks & restaurants, Xerox-art under windshield-wipers of parked cars, Big Character Slogans pasted on playground walls, anonymous letters mailed to random or chosen recipients (mail fraud), pirate radio transmissions, wet cement...
The audience reaction or aesthetic-shock produced by PT ought to be at least as strong as the emotion of terror-- powerful disgust, sexual arousal, superstitious awe, sudden intuitive breakthrough, dada-esque angst--no matter whether the PT is aimed at one person or many, no matter whether it is "signed" or anonymous, if it does not change someone's life (aside from the artist) it fails.
PT is an act in a Theater of Cruelty which has no stage, no rows of seats, no tickets & no walls. In order to work at all, PT must categorically be divorced from all conventional structures for art consumption (galleries, publications, media). Even the guerilla Situationist tactics of street theater are perhaps too well known & expected now.
An exquisite seduction carried out not only in the cause of mutual satisfaction but also as a conscious act in a deliberately beautiful life--may be the ultimate PT. The PTerrorist behaves like a confidence-trickster whose aim is not money but CHANGE.
Don't do PT for other artists, do it for people who will not realize (at least for a few moments) that what you have done is art. Avoid recognizable art-categories, avoid politics, don't stick around to argue, don't be sentimental; be ruthless, take risks, vandalize only what must be defaced, do something children will remember all their lives--but don't be spontaneous unless the PT Muse has possessed you.
Dress up. Leave a false name. Be legendary. The best PT is against the law, but don't get caught. Art as crime; crime as art.
”
”
Hakim Bey (TAZ: The Temporary Autonomous Zone (New Autonomy))
“
I think most people live in a fiction. I’m no exception. Think of it in terms of a car’s transmission. It’s like a transmission that stands between you and the harsh realities of life. You take the raw power from outside and use gears to adjust it so everything’s all nicely in sync. That’s how you keep your fragile body intact. Does this make any sense?
”
”
Haruki Murakami (Sputnik Sweetheart)
“
Imagine teaching a fifteen-year-old how to drive a car with mutual transmission. First, you have to press down the clutch. Then you have to whisper a secret into one of the cup holders. In Diane's case, this was easy, as she was not a very social or public person, and most any mundane thing in her life could be a secret. In Josh's case this was hard, because for teenagers most every mundane thing in their lives is a secret that they do not like sharing in front of their parents.
”
”
Joseph Fink (Welcome to Night Vale (Welcome to Night Vale, #1))
“
What kind of transmission?” he quizzed her.
“S-Six speed manual.”
“Good girl. Did you notice the tires?” he asked as he stroked her clit and pressed her G-spot simultaneously.
“Pirelli’s,” she groaned.
”
”
Armada West (Alpha Males in Uniforms)
“
Iacocca made his pitch: He wanted Ford to build the Fiesta, but with a Honda engine and transmission in it. Honda was delighted: He would like nothing better than this joint production with an American company, whose very name he revered. The price of the Japanese parts would be only $711. He could deliver 300,000 and do it quickly. Iacocca was even more delighted; he had an instant car and an unbeatable one at that. It could be in the dealers’ showrooms in only eighteen months.
”
”
David Halberstam (The Reckoning)
“
With green envy, she watched Henry’s effortless mastery of the automobile. Cars are his servants, she thought. “Power steering? Automatic transmission?” she said. “You bet,” he said. “Well, what if everything shuts off and you don’t have any gears to shift. You’d be in trouble then, wouldn’t you?” “But everything won’t shut off.” “How do you know?” “That’s what faith is. Come here.
”
”
Harper Lee (Go Set a Watchman (To Kill a Mockingbird))
“
If I promised you a new car, would you say, “If it’s new, it probably won’t have an engine, a transmission, doors, wheels, or windows”? No, you’d never make such assumptions. Why? Because if a new car didn’t have these things, it wouldn’t be a car. Likewise, when Scripture speaks of a new Earth (2 Peter 3, and Revelation 21), we can expect that it will be a far better version of the old Earth, but it will truly be Earth.
”
”
Randy Alcorn (Seeing the Unseen: A Daily Dose of Eternal Perspective)
“
Imagine teaching a fifteen-year-old how to drive a car with manual transmission. First, you have to press down the clutch. Then you have to whisper a secret into one of the cup holders. In Diane’s case, this was easy, as she was not a very social or public person, and most any mundane thing in her life could be a secret. In Josh’s case this was hard, because for teenagers most every mundane thing in their lives is a secret that they do not like sharing in front of their parents. Then, after the clutch and the secret, the driver has to grab the stick shift, which is a splintered wood stake wedged into the dashboard, and shake it until something happens—anything really—and then simultaneously type a series of code numbers into a keyboard on the steering wheel. All this while sunglasses-wearing agents from a vague yet menacing government agency sit in a heavily tinted black sedan across the street taking pictures (and occasionally waving). This is a lot of pressure on a first-time driver.
”
”
Joseph Fink (Welcome to Night Vale (Welcome to Night Vale, #1))
“
He stared down at her for a moment, wanting to heal every
cut on her soft skin. But he couldn’t, not yet. He needed to get her,
and her car, far from this place so neither he nor Kate would be
implicated in any way with the gruesome murder site.
It also meant he would have to drive.
In all his years, he had never driven an automobile. The closest he
had come was watching various assistants through the years as they
chauffeured him. He wasn’t sure he could even remember how to
start the car, but right now he had no choice.
Grudgingly, he got into the driver’s seat, and finding the lever
underneath, he pushed it back so he sat comfortably behind the
wheel. After trying three different keys, he found one that slipped into
the ignition.
From what he had seen over the past hundred years, driving was
not a complex operation, and he was an immortal with reflexes far
more keen than a human man.
How difficult could it be?
He turned the key and nearly jerked the wheel off the steering
column when the car surprised him by lurching forward. The car went
silent. The engine wasn’t running. What was he doing wrong?
He stared at the gearshift, wondering if he should move it. His
frustration reared up, but his agitation would not make the car drive
itself. He had to keep a cool head.
Not knowing what else to try, he pushed one of the pedals at his
feet to the floor and turned the key again. This time the car didn’t
move, and it roared to life. Grasping the gearshift, he jammed it into
the first position and glanced over at Kate.
Why couldn’t she have owned a car with an automatic
transmission?
Shaking his head, he put some pressure on the gas pedal and
slowly released the clutch. Thankfully the car rolled a few feet, but
without warning it jumped forward. He pressed the clutch back to the
floor before the engine lost power again.
Calisto slammed his hand against the wheel, muttering under his
breath in Spanish. At this rate it would take him all night to drive her
home.
The faded yellow convertible pitched forward again, threatening
to stall as he continued out of the parking lot, thankful it was late. The
streets were fairly empty. At least he wouldn’t get into an accident
with another car. Her car staggered ahead, lurching each time he
tried to release the clutch, bouncing and jostling them both until Kate
finally stirred and woke up.
§
“Are we out of gas or something?”
Calisto watched her with a tight smile. “Not exactly.”
Kate winced in pain when she laughed. “You can’t drive a stickshift,
can you?”
“Does it show?” Calisto pulled over, finally allowing the engine to
stall.
She nodded her head slowly to avoid more pain. “Just a little.
What happened?”
“You don’t remember?”
“I remember being mugged. And I remember seeing you, but
everything after that is blank.” She watched his eyes as Calisto
reached over to brush her hair back from her face, and his touch sent
shivers through her body. This wasn’t how she had hoped she would
run into him, but she learned a long time ago fate didn’t always work
out the way you expected.
”
”
Lisa Kessler (Night Walker (Night, #1))
“
checked the load, and slipped it under my belt behind my right hip. “Are you supposed to be wearing a bulletproof vest, are you supposed to be carrying a gun?” a guard asked. “Isn’t that against the rules?” “What rules?” I said. He didn’t have an answer for that. I put on my leather coat. The money was still packed in the gym bags, the gym bags strapped to the dolly in the center of my living room. I grabbed the handle and started wheeling it to the back door of my house. I had a remote control hanging from the lock on the window overlooking my unattached garage. I used it to open the garage door. “There’s no reason for you guys to hang around anymore,” I said. The guards followed me out of my back door, across the driveway, and into the garage just the same. They stood by and watched while I loaded the dolly and the gym bags into the trunk of the Audi. “Nice car,” one of them said. If he had offered me ten bucks, I would have sold the Audi and all of its contents to him right then and there. Because he didn’t, I unlocked the driver’s door and slid behind the wheel. “Good luck,” the guard said and closed the door for me. He smiled like I was a patient about to be wheeled into surgery; smiled like he felt sorry for me. I put the key in the ignition, started up the car, depressed the clutch, put the transmission in reverse, and—sat there for five seconds, ten, fifteen … Why are you doing this? my inner voice asked. Are you crazy? The guard watched me through the window, an expression of concern mixed with puzzlement on his face. “McKenzie, are you okay?” he asked. “Never better,” I said. I slowly released the clutch and backed the Audi out of my driveway
”
”
David Housewright (Curse of the Jade Lily (Mac McKenzie, #9))
“
Moore’s Law, the rule of thumb in the technology industry, tells us that processor chips—the small circuit boards that form the backbone of every computing device—double in speed every eighteen months. That means a computer in 2025 will be sixty-four times faster than it is in 2013. Another predictive law, this one of photonics (regarding the transmission of information), tells us that the amount of data coming out of fiber-optic cables, the fastest form of connectivity, doubles roughly every nine months. Even if these laws have natural limits, the promise of exponential growth unleashes possibilities in graphics and virtual reality that will make the online experience as real as real life, or perhaps even better. Imagine having the holodeck from the world of Star Trek, which was a fully immersive virtual-reality environment for those aboard a ship, but this one is able to both project a beach landscape and re-create a famous Elvis Presley performance in front of your eyes. Indeed, the next moments in our technological evolution promise to turn a host of popular science-fiction concepts into science facts: driverless cars, thought-controlled robotic motion, artificial intelligence (AI) and fully integrated augmented reality, which promises a visual overlay of digital information onto our physical environment. Such developments will join with and enhance elements of our natural world. This is our future, and these remarkable things are already beginning to take shape. That is what makes working in the technology industry so exciting today. It’s not just because we have a chance to invent and build amazing new devices or because of the scale of technological and intellectual challenges we will try to conquer; it’s because of what these developments will mean for the world.
”
”
Eric Schmidt (The New Digital Age: Reshaping the Future of People, Nations and Business)
“
Sexual Excitation System (SES). This is the accelerator of your sexual response. It receives information about sexually relevant stimuli in the environment—things you see, hear, smell, touch, taste, or imagine—and sends signals from the brain to the genitals to tell them, “Turn on!” SES is constantly scanning your context (including your own thoughts and feelings) for things that are sexually relevant. It is always at work, far below the level of consciousness. You aren’t aware that it’s there until you find yourself turned on and pursuing sexual pleasure. Sexual Inhibition System (SIS). This is your sexual brake. “Inhibition” here doesn’t mean “shyness” but rather neurological “off” signals. Research has found that there are actually two brakes, reflecting the different functions of an inhibitory system. One brake works in much the same way as the accelerator. It notices all the potential threats in the environment—everything you see, hear, smell, touch, taste, or imagine—and sends signals saying, “Turn off!” It’s like the foot brake in a car, responding to stimuli in the moment. Just as the accelerator scans the environment for turn-ons, the brake scans for anything your brain interprets as a good reason not to be aroused right now—risk of STI transmission, unwanted pregnancy, social consequences, etc. And all day long it sends a steady stream of “Turn off!” messages. This brake is responsible for preventing us from getting inappropriately aroused in the middle of a business meeting or at dinner with our family. It’s also the system that throws the Off switch if, say, in the middle of some nookie, your grandmother walks in the room. The second brake is a little different. It’s more like the hand brake in a car, a chronic, low-level “No thank you” signal. If you try to drive with the hand brake on, you might be able to get where you want to go, but it’ll take longer and use a lot more gas. Where the foot brake is associated with “fear of performance consequences,” the hand brake is associated with “fear of performance failure,” like worry about not having an orgasm.
”
”
Emily Nagoski (Come as You Are: The Surprising New Science that Will Transform Your Sex Life)
“
This book is a compilation of interesting ideas that have strongly influenced my thoughts and I want to share them in a compressed form. That ideas can change your worldview and bring inspiration and the excitement of discovering something new. The emphasis is not on the technology because it is constantly changing. It is much more difficult to change the accompanying circumstances that affect the way technological solutions are realized. The chef did not invent salt, pepper and other spices. He just chooses good ingredients and uses them skilfully, so others can enjoy his art. If I’ve been successful, the book creates a new perspective for which the selection of ingredients is important, as well as the way they are smoothly and efficiently arranged together.
In the first part of the book, we follow the natural flow needed to create the stimulating environment necessary for the survival of a modern company. It begins with challenges that corporations are facing, changes they are, more or less successfully, trying to make, and the culture they are trying to establish. After that, we discuss how to be creative, as well as what to look for in the innovation process.
The book continues with a chapter that talks about importance of inclusion and purpose. This idea of inclusion – across ages, genders, geographies, cultures, sexual orientation, and all the other areas in which new ways of thinking can manifest – is essential for solving new problems as well as integral in finding new solutions to old problems. Purpose motivates people for reaching their full potential. This is The second and third parts of the book describes the areas that are important to support what is expressed in the first part. A flexible organization is based on IT alignment with business strategy. As a result of acceleration in the rate of innovation and technological changes, markets evolve rapidly, products’ life cycles get shorter and innovation becomes the main source of competitive advantage.
Business Process Management (BPM) goes from task-based automation, to process-based automation, so automating a number of tasks in a process, and then to functional automation across multiple processes andeven moves towards automation at the business ecosystem level. Analytics brought us information and insight; AI turns that insight into superhuman knowledge and real-time action, unleashing new business models, new ways to build, dream, and experience the world, and new geniuses to advance humanity faster than ever before.
Companies and industries are transforming our everyday experiences and the services we depend upon, from self-driving cars, to healthcare, to personal assistants. It is a central tenet for the disruptive changes of the 4th Industrial Revolution; a revolution that will likely challenge our ideas about what it means to be a human and just might be more transformative than any other industrial revolution we have seen yet. Another important disruptor is the blockchain - a distributed decentralized digital ledger of transactions with the promise of liberating information and making the economy more democratic.
You no longer need to trust anyone but an algorithm. It brings reliability, transparency, and security to all manner of data exchanges: financial transactions, contractual and legal agreements, changes of ownership, and certifications. A quantum computer can simulate efficiently any physical process that occurs in Nature. Potential (long-term) applications include pharmaceuticals, solar power collection, efficient power transmission, catalysts for nitrogen fixation, carbon capture, etc. Perhaps we can build quantum algorithms for improving computational tasks within artificial intelligence, including sub-fields like machine learning. Perhaps a quantum deep learning network can be trained more efficiently, e.g. using a smaller training set. This is still in conceptual research domain.
”
”
Tomislav Milinović
“
Count on Wright Car Care for top-notch auto repair services in Dunwoody. Our skilled technicians will provide routine maintenance, computer diagnostics, engine performance upgrades, transmission service, A/C and heating repairs, full undercar service, electrical system diagnostics, and reliable roadside assistance. We use original mechanical parts and state-of-the-art technology for accurate diagnosis. Whether it’s a minor inspection or a major upgrade, we’ll make sure your car runs smoothly. Contact us at 770-451-6789 for comprehensive and effective auto repair solutions in Dunwoody that support our commitment to customer satisfaction.
”
”
Wrights Car Care
“
The handful of 1960 300Fs built with the Pont-A-Mousson 4-speed manual transmission (sources claim between 7 and 15) incorporated a highly unconventional means of activating the reverse lamps.
”
”
Steve Magnante (Steve Magnante's 1001 Muscle Car Facts)
“
interlocks as forcing functions to prevent people from opening the door of the oven or disassembling the devices without first turning off the electric power: the interlock disconnects the power the instant the door is opened or the back is removed. In automobiles with automatic transmissions, an interlock prevents the transmission from leaving the Park position unless the car’s brake pedal is depressed.
”
”
Donald A. Norman (The Design of Everyday Things)
“
What exactly is going on?” Resignation clouded Mary Beth’s cute face. “You know men, always looking out for us.” Anger lit like a match inside Maddie as she turned narrowed eyes on Mitch through the windows. She didn’t know what was going on, but she was in the mood for a fight, and this was the perfect excuse to have one. He gave her a sheepish look, and Maddie wanted to throttle him. She turned away. Her veins practically raced with adrenaline. She’d been tamping down her temper so long she’d forgotten how intoxicating it was to let it rise to the surface. How much effort did she spend repressing her emotions? The better question was, why did she continue? She stiffened her spine. Not anymore. Through gritted teeth she said, “Yes, I know.” Mary Beth’s expression turned consoling and she made some motherly “tsk” noises, even though she couldn’t be much older than Maddie. “They can’t help themselves. It’s in their nature, but obviously execution is not their strong suit.” Maddie turned her attention to the woman. She’d deal with Mitch Riley later. “What in the hell is going on in there?” Mitch cursed. This was the worst thought-out plan in the world. Why did he leave the details up to Tommy? He knew better. He scowled at the mechanic. “You can’t lie for shit.” Tommy shot him a droll look. “What about you? You could have jumped in any time, but no, you just stood there like an idiot.” “I hired you to lie to her so I wouldn’t have to, dumbass.” With his jaw clenched, the words came out like a growl. Tommy jabbed a finger in his direction. “Ha! I knew you were pussy-whipped.” “I’m not pussy-whipped.” One had to have sex to be pussy-whipped. Not that Mitch was about to volunteer that information. “I just don’t want to lie to her.” “Same difference, dickhead.” Irrational anger flared hot in his blood. God, he wanted to take someone out. He was so fucked. “If you’d thought of a halfway decent story, this wouldn’t be happening.” “How in the hell was I supposed to know she’d know anything about cars?” “She has brothers.” “Yeah, well, you could have mentioned that.” Through the glass window, Maddie shot him a death glare. Yep, totally fucked. He shouldn’t have told her about his past; it was another strike against him, one he knew from experience couldn’t be overlooked. Between tarnishing his knight-in-shining-armor image and the subterfuge, somehow he didn’t think he’d be granted a third strike. They watched the women. Mitch tried to decipher the expressions playing across Maddie’s features and finally gave up, resigned to his fate. Ten excruciating minutes later, the door opened, and Mitch steeled himself for the fight that was sure to come. He didn’t care how he managed it, but she wasn’t leaving. Maddie walked across the dark gray, grease-stained floor, and unable to stand it any longer, he said, “Now, Maddie, I can explain.” “There’s no need.” Her voice held no trace of emotion. Not good. “But—” he started, but before he could say any more, Maddie flung herself into his arms. Shocked, he caught her and held tight. He raised a questioning eyebrow at Mary Beth, and a satisfied smirk curled over her lips. “I told Maddie how her transmission blew,” Mary Beth said in a pleased tone. “And how it cost twenty-five hundred dollars, but Tommy knows this guy over in Shelby who can trade him for a sixty-five Corvette carburetor so it would only cost her around four hundred. Unfortunately, I had to explain how Tommy was doing you a huge, gigantic favor so you agreed to represent Luke in his legal troubles.” While
”
”
Jennifer Dawson (Take a Chance on Me (Something New, #1))
“
Her dad bought her a new car. One with an automatic transmission. She dubbed it the Stupidmobile.
”
”
Paula Garner (Phantom Limbs)
“
Driving a high performance sports car with an automatic transmission is like being a virgin with a big dick.
”
”
Komrade Komura
“
He left the building, fury propelling his steps, and got into his car. Feeling the way he did just then, Ian realized he shouldn’t be driving, but he wasn’t about to sit outside this apartment. Not when Cecilia might think he sat there pining for her. He revved the engine and threw the transmission into drive. The tires squealed as he sped off, burning rubber. He hadn’t gone more than a quarter mile when he saw the red-and-blue lights of a sheriff’s car flashing behind him.
”
”
Debbie Macomber (16 Lighthouse Road (Cedar Cove #1))
“
Les hommes peuvent bien s'entretuer jusqu'au dernier, ils ne tueront jamais la vie. La vie a raison des hommes, elle passe outre. [...] À mon insu je pense aux mères yougoslaves. Je comprends leur obstination à procréer, au milieu des bombes. Je comprends leur volonté de tuer la mort, leur idéalisme farouche. Malgré la guerre, ou grâce à elle. Car la maternité n'est-elle pas aussi devoir de restitution et de transmission, acte de mémoire et de foi?
”
”
Aline Apostolska
“
Once at the mechanic, you find out what the problem is. Busted transmission, engine failure, acute cirrhosis. That knowledge is VITAL. Without it you cannot move forward. But that knowledge doesn’t fix the car. It only makes the fixing of the car possible.
”
”
Moshe Kasher (Subculture Vulture: A Memoir in Six Scenes)
“
So can we arrive at a general principle as to why e-books have flopped in developed markets while audio and video streaming have triumphed? The technology commentator and best-selling author Edward Tenner argues that there are several reasons people are sometimes reluctant to abandon an old technology in favor of a new one. The first involves the potential vulnerabilities of the new thing. For instance, the fax machine is now a museum piece, but for a while people continued to prefer it over emailing scanned documents out of security concerns. Another potential reason involves aesthetics and nostalgia. Although dwarfed by music CDs and streaming, vinyl record sales continue to grow within the niche market of music aficionados. And despite improvements in automatic transmissions, certain car lovers prefer stick shifts. Perhaps the key to understanding format resilience is that technologies rise and fall as part of ecosystems, rarely on their own or by themselves. Those ecosystems need to evolve quickly, through open innovation, in order to appeal to new generations of users, transforming the landscape in the process. E-book platforms have remained fundamentally closed to external innovators, especially on the software side. As a result, the functionality of e-books remains limited. Moreover, research indicates that reading a physical book enables the reader to absorb information more efficiently than reading the same book on an e-reader or a tablet. “The implicit feel of where you are in a physical book turns out to be more important than we realized,” argues Abigail Sellen, a scientist and engineer at Microsoft Research Cambridge in England. “Only when you get an e-book do you start to miss it. I don’t think e-book manufacturers have thought enough about how you might visualize where you are in a book.
”
”
Mauro F. Guillén (2030: How Today's Biggest Trends Will Collide and Reshape the Future of Everything)
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Imagine that you get a car as a birthday present, with the key in the ignition, but you have never heard of cars before and have absolutely no information about how they work. Being an inquisitive person, you get inside and start messing with the various buttons, knobs and levers. Eventually, you figure out how to use it and get quite good at driving. But unbeknownst to you, somebody has removed the letter R by the gearshift and messed with the transmission so that you need to apply a crazy amount of force to shift into Reverse. This means that unless someone tells you, you’ll probably never figure out that the car can drive backwards as well. If asked to describe how the car worked, you’d incorrectly assert that, without exception, as long as the engine is running, the harder you push on the accelerator pedal, the faster the car moves forward. If in a parallel universe, the car had instead required huge force to shift into forward drive mode, you’d have concluded that this strange machine worked differently and only moved backwards. Our Universe is very much like this car. As illustrated in Figure 6.6, it has a bunch of “knobs” that control how it works: the laws according to which things move when you do various things to them and so forth—what we’re told in school are the laws of physics, including so-called constants of nature. Each setting of the knobs corresponds to one of the phases of space, so if there are 500 knobs with 10 possible settings each, there are 10500 different phases. When I was in high school, I was incorrectly taught that these laws and constants were always valid, and never changed either from place to place or from time to time. Why this mistake? Because an enormous amount of energy—much more than we have at our disposal—is required to change the settings of these knobs, just as the gearshift on that car, so we didn’t realize that the settings could be changed. Nor that there even were any settings to change: unlike gearshifts, nature’s knobs are well hidden. They come in the form of so-called high-mass fields and other obscure entities, and huge energy is required not only to alter them, but even to detect that they exist in the first place.
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Max Tegmark (Our Mathematical Universe: My Quest for the Ultimate Nature of Reality)
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No keys in the ignition. All the keys are locked away in the main building. Part of how they keep the inhabitants “safe.” Same reason all the cars here are manual transmission, another layer of security, because they assume the inmates can’t drive stick. To be fair, the American ones probably can’t. But the South Africans can.
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Lauren Beukes (Afterland)
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cash for cars gold coast
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SALVAGE USED PART
Looking for the best OEM (original equipment manufacturer) parts for your vehicle you are at the right place. There could be instances where your vehicle has faced significant damage, maybe regular wear and tear (which is in most cases), or might be an accident (which we wish could be avoided) there is a need for replacement parts. It is scary to know that each year in the US there occur More than six million car accidents and according to the NHTSA, about 6% of all motor vehicle accidents in the United States result in at least one death. The reasons for these accidents could be many but one of the significant being design defects. It is a well-known fact that automobiles have hundreds of parts, and any of those defective parts can cause a serious car accident. It may sound easy to visit the mechanic and get it done, but in actuality, there are various factors to be considered to claim the insurance in full.
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Salvage Used Parts
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When you place an item in memory, it’s as if you’re sending a message to your future self,” according to Robert Jacobs, a professor of Brain and Cognitive Sciences at the University of Rochester. “This channel has limited capacity, however, and thus it can’t transmit all details of a message. Consequently, a message retrieved from memory at a later time may not be the same as the message placed into memory at the earlier time. That is why memory errors occur.” Jacobs conceives of memory as a kind of communication channel which, like all communication channels, may break down. For instance, the brain is designed to favor filling in details when only the gist of an experience can be recalled. Was the Shelby Mustang I considered buying last month outfitted with a manual or an automatic transmission? If I don’t remember, it’s natural to “mentally fill in the missing details with the most frequent or commonplace properties,” says Jacobs. The car must have been equipped with a manual transmission because I don’t think Shelby ever made a car with an automatic transmission, I conclude, although I’m not all that sure of my memory for this fact and this car could be an exception or a conversion. In J. G. Ballard’s dystopian novel Rushing to Paradise, he writes of the dangers of a “collective amnesia for the future. . . . a willed refusal to face the imminent.” Could this failure in future memory be part of the explanation for our response to the threat of Global Warming?
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Richard Restak (The Complete Guide to Memory: The Science of Strengthening Your Mind)
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The Model T was introduced on October 1, 1908. Its purchase price was $825. Breaking all records, the Model T sold over ten thousand copies in that first year. It had several distinctive features, like having the steering wheel on the left, which every other company soon copied. The entire engine and transmission were enclosed; there were four cylinders cast in a solid block, and two semi-elliptic springs were used for the suspension. Best of all, the car was easy to drive, simple to learn, and inexpensive to repair.
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Hourly History (Henry Ford: A Life From Beginning to End (Biographies of Business Leaders))
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Within days, an independent analysis by German security experts proved decisively that Street View’s cars were extracting unencrypted personal information from homes. Google was forced to concede that it had intercepted and stored “payload data,” personal information grabbed from unencrypted Wi-Fi transmissions. As its apologetic blog post noted, “In some instances entire emails and URLs were captured, as well as passwords.” Technical experts in Canada, France, and the Netherlands discovered that the payload data included names, telephone numbers, credit information, passwords, messages, e-mails, and chat transcripts, as well as records of online dating, pornography, browsing behavior, medical information, location data, photos, and video and audio files. They concluded that such data packets could be stitched together for a detailed profile of an identifiable person.39
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Shoshana Zuboff (The Age of Surveillance Capitalism: The Fight for a Human Future at the New Frontier of Power)
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Jeremy George Lake Charles Sports Car Collector
His collection includes several Lamborghinis, including one from the late 1960s and early 1970s, as well as a number of other rare models. His collection of 40 cars includes a Porsche 911 GT3 RS, a Mercedes-Benz SLS AMG and a Ferrari 458 Italia.
Jeremy George Lake Charles Other cars in his garage include a Ford Mustang, an Aston Martin Vantage, two Porsche 918 Spyders and two Rolls-Royce Phantom IIs. This extraordinary collection of cars included a 1964 Ferrari 488 GTB with Stirling engine and four-speed manual transmission, an original Lotus Elans and an early Ferrari F40.
The Boxster is generally a great sports car, but the 718 badge certainly makes it a classic of the future. This collector's car is always the one I see lined up in front of me, and I have seen the owner pull the car out of the car every weekend with a sense of pride.
The Type R will probably be a lethal collector's car that we will see for many years to come. He is a collector of cars, which is something I'm not sure what to do. M is for sure it will be in a few years.
Jeremy George Lake Charles Another advantage of owning sports cars is that most eventually become collectibles. For the super-rich, though, there are some amazing car collections on the list of collectibles, but I can't remember all of them for that long.
It should come as no surprise, then, that Sheikh Mohammed bin Rashid Al Maktoum, the owner of the world's largest collection of sports cars, has 7,000 cars, including cars from brands such as Ferrari, Porsche, Mercedes-Benz, Audi, BMW and Porsche. Sheik Mohammed has taken 19 years to sort through his entire collection because he has to drive different cars every day from now on.
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Jeremy George Lake Charles
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There were so many different ways to say “I love you.” As Peyton went back over to Novo and pulled her against him once more, he reflected that those three words were certainly the most common transmission of the sacred emotion between two souls. But there were other ways. Gestures, gifts, the rebuilding of a barn after a fire, the shoveling of a walkway, even something as simple as carrying groceries in from the car. Novo was telling him she loved him by sharing this terrible truth,
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J.R. Ward (Blood Fury (Black Dagger Legacy, #3))
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Nuclear power is probably the clearest case where regulation clobbered the learning curve. Innovation is strongly suppressed when you’re betting a few billion dollars on your ability to get a license to operate the plant. Besides the obvious cost increases due to direct imposition of rules, there was a major side effect of forcing the size of plants up (fewer licenses); fewer plants were built and fewer ideas tried. That also meant a greater cost for transmission (about half the total, according to my itemized bill), since plants are further from the average customer.
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J. Storrs Hall (Where Is My Flying Car?: A Memoir of Future Past)
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Often things happen to race cars in the heat of the race. A square-toothed gear in a transmission may break, suddenly leaving the driver without all of his gears. Or perhaps a clutch fails. Brakes go soft from overheating. Suspensions break. When faced with one of these
problems, the poor driver crashes. The average driver gives up. The great drivers drive through the problem. They figure out a way to continue racing. Like in the Luxembourg Grand Prix in 1989, when the Irish racer Kevin Finnerty York finished the race victoriously and later revealed that he had driven the final twenty laps of the race with only two gears! To be able to possess a machine in such a way is the ultimate show of determination and awareness. It makes one realize that the physicality of our world is a boundary to us only if our will is weak; a true champion can accomplish things that a normal person would think impossible.
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Garth Stein (The Art of Racing in the Rain)
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Jeremy George Lake Charles The Fast Track C3 Corvette chassis is the ultimate aftermarket chassis for the Corvette 68-82.
The development team at Art Morrison Enterprises worked with leading manufacturers to develop the latest addition to the Ames series of GT-Sport bolt-on chassis for C2 applications. In order to simplify assembly, the C3 chassis has been designed to use the factory mounting points for bumpers, core and support bearings.
Jeremy George Lake Charles We offer a C-4 conversion, which includes a tailor-made front frame section that accepts crossbeams from 1984-96. Viper Super 44 / 9 QuickChange IRS diffusers are mounted on custom axles.
If you move the 500-pound V-8 engine 75 feet to the rear and the 300-pound automatic transmission 28 feet to the rear, you get a Corvette with a different weight distribution.
Jeremy George Lake Charles The bearings, in turn, improve acceleration and traction by shortening the braking distance, and all four tires are able to do their share of braking performance.
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Jeremy George Lake Charles
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I love the way Pastor Seth’s faith motivates him to help me in my struggles. I admire his compassion and selflessness. I just wish he were calling to see whether I was returning my mom’s phone calls, or whether I had left good tips at restaurants, or whether I had been nice to everyone I met today. Working on masturbation when I have so many other flaws seems like putting fuzzy dice in a car whose transmission is falling apart.
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Kevin Roose (The Unlikely Disciple: A Sinner's Semester at America's Holiest University)
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when released, neutral in between. Control lever puts clutch in neutral and applies parking brake. Center foot pedal applies reverse. Third (right-hand) pedal is the service brake, applying transmission brake band. Model T Wheels: Standard wheels are wooden spoke with demountable rims, an option beginning in 1919. In 1925, 21 in. wood spoke demountable rim wheels were an option, these became standard in 1926. Beginning January 1926 optional 21 in. wire wheels became available. These became standard on some closed cars in calendar year 1927. In mid-1925 (1926 models) the transmission brake was made about a half-inch wider, and the rear wheel brakes were enlarged to 11 in. with lined shoes. 1909-1925 were seven in. with cast iron shoes (no lining). Springs were transverse semi-elliptic, front and rear. Model T Steering: 3:1 steering gear ratio by planetary gear at top of steering column until mid-1925 when ratio was changed to 5:1.
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John Gunnell (Standard Catalog of Ford, 1903-2002: 100 Years of History, Photos, Technical Data and Pricing)