“
She ran down the street and round the corner and up two more streets and crossed the road. ‘Will I be safe from him?’ the girl had said. And will I be safe from Samuel? She reached her car and threw her bag on the front seat and sat holding the steering wheel. Where to go, where to run to?
”
”
Elizabeth Tebby Germaine (A MAN WHO SEEMED REAL: A story of love, lies, fear and kindness)
“
It is still news to her that passion
could steer her wrong
though she went down, a thousand times
strung out
across railroad tracks, off bridges
under cars, or stiff
glass bottle still in hand, hair soft
on greasy pillows, still it is
news she cannot follow love (his
burning footsteps in blue crystal
snow) & still
come out all right.
”
”
Diane di Prima
“
He will grow up into one of those people who lean back to smile and jump so easily it looks like slow motion and steer cars with their knees and snitch roses from gardens to give to girls and write with their left hand and own two pairs of jeans and one jacket and fall in love from such a height and so hard and so completely that they never quite recover from the drop.
But at least he will have me to look out for him.
”
”
Hilary McKay (Forever Rose (Casson Family, #5))
“
In the rearview mirror I saw Ivan half running behind the car, and I felt despair and envy. Of course he couldn't love me, not when I lived through so many layers, when I was spooked by Montmartre, and wore a seat belt in order to steer a car out of a ditch.
”
”
Elif Batuman (The Idiot)
“
*One clue that there’s something not quite real about sequential time the way you experience it is the various paradoxes of time supposedly passing and of a so-called ‘present’ that’s always unrolling into the future and creating more and more past behind it. As if the present were this car—nice car by the way—and the past is the road we’ve just gone over, and the future is the headlit road up ahead we haven’t yet gotten to, and time is the car’s forward movement, and the precise present is the car’s front bumper as it cuts through the fog of the future, so that it’s now and then a tiny bit later a whole different now, etc. Except if time is really passing, how fast does it go? At what rate does the present change? See? Meaning if we use time to measure motion or rate—which we do, it’s the only way you can—95 miles per hour, 70 heartbeats a minute, etc.—how are you supposed to measure the rate at which time moves? One second per second? It makes no sense. You can’t even talk about time flowing or moving without hitting up against paradox right away. So think for a second: What if there’s really no movement at all? What if this is all unfolding in the one flash you call
the present, this first, infinitely tiny split-second of impact when the speeding car’s front bumper’s just starting to touch the abutment, just before the bumper crumples and displaces the front end and you go violently forward and the steering column comes back at your chest as if shot out of something enormous? Meaning that what if in fact this now is infinite and never really passes in the way your mind is supposedly wired to understand pass, so that not only your whole life but every single humanly conceivable way to describe and account for that life has time to flash like neon shaped into those connected cursive letters that businesses’ signs and windows love so much to use through your mind all at once in the literally immeasurable instant between impact and death, just as you start forward to meet the wheel at a rate no belt ever made could restrain—THE END."
footnote ("Good Old Neon")
”
”
David Foster Wallace (Oblivion: Stories)
“
Get in or you’ll miss the fun.”
Fun? I slid into the seat. The engine purred to life. She floored the accelerator and the car jerked forward. She took a hard right and the tires screeched when she pulled out onto the main road. I gripped the armrest. “Who the f*ck gave you your license?”
“Watch your language, Noah, and the state of Kentucky. Why did you miss your appointment?”
I loved fast driving. Isaiah and I had drag raced all last summer. What I didn’t love was a middle-aged nut job who couldn’t steer straight. “You want to pull over and let me drive?”
Mrs. Collins laughed and cut off a tractor trailer merging onto the freeway. “You’re a riot. Focus, Noah. The appointment.”
”
”
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
“
There is a feeling that I had Friday night after the homecoming game that I don't know if I will ever be able to describe except to say that it is warm. Sam and Patrick drove me to the party that night, and I sat in the middle of Sam's pickup truck. Sam loves her pick up truck because I think it reminds her of her dad.The feeling I had happened when Sam told Patrick to find a station on the radio. And kept getting commercials. And commercials. And a really bad song about love that had the word "baby" in it. And then more commercials. And finally he found this really amazing song about this boy, and we all got quiet.
Sam tapped her hand on the steering wheel. Patrick held his hand outside the car and made air waves. And I just sat between them. After the song finished I said something.
"I feel infinite"
And Sam and Patrick looked at me like I said the greatest thing they ever heard. Because the song was the greatest and we all paid attention to it.Five minutes of a lifetime were truly spent,and we felt young in a good way. I have since bought the record, and I would tell you what it is, but truthfully, it's not the same unless you're driving to your first real part, and you're sitting in the middle seat of a pickup with two nice people when it starts to rain.
”
”
Stephen Chbosky (The Perks of Being a Wallflower)
“
I drummed my fingers on the steering wheel as I looked around the empty lot. I wavered on getting out when a giant lightning bolt painted a jagged streak across the rainy lavender-gray sky. Minutes passed and still he didn’t come out of the Three Hundreds’ building.
Damn it. Before I could talk myself out of it, I jumped out of the car, cursing at myself for not carrying an umbrella for about the billionth time and for not having waterproof shoes, and ran through the parking lot, straight through the double doors. As I stomped my feet on the mat, I looked around the lobby for the big guy. A woman behind the front desk raised her eyebrows at me curiously. “Can I help you with something?” she asked.
“Have you seen Aiden?”
“Aiden?”
Were there really that many Aidens? “Graves.”
“Can I ask what you need him for?”
I bit the inside of my cheek and smiled at the woman who didn’t know me and, therefore, didn’t have an idea that I knew Aiden. “I’m here to pick him up.”
It was obvious she didn’t know what to make of me. I didn’t exactly look like pro-football player girlfriend material in that moment, much less anything else. I’d opted not to put on any makeup since I hadn’t planned on leaving the house. Or real pants. Or even a shirt with the sleeves intact. I had cut-off shorts and a baggy T-shirt with sleeves that I’d taken scissors to. Plus the rain outside hadn’t done my hair any justice. It looked like a cloud of teal.
Then there was the whole we-don’t-look-anything-alike thing going on, so there was no way we could pass as siblings. Just as I opened my mouth, the doors that connected the front area with the rest of the training facility swung open. The man I was looking for came out with his bag over his shoulder, imposing, massive, and sweaty. Definitely surly too, which really only meant he looked the way he always did.
I couldn’t help but crack a little smile at his grumpiness. “Ready?”
He did his form of a nod, a tip of his chin.
I could feel the receptionist’s eyes on us as he approached, but I was too busy taking in Grumpy Pants to bother looking at anyone else. Those brown eyes shifted to me for a second, and that time, I smirked uncontrollably.
He glared down at me. “What are you smiling at?”
I shrugged my shoulders and shook my head, trying to give him an innocent look. “Oh, nothing, sunshine.”
He mouthed ‘sunshine’ as his gaze strayed to the ceiling.
We ran out of the building side by side toward my car. Throwing the doors open, I pretty much jumped inside and shivered, turning the car and the heater on. Aiden slid in a lot more gracefully than I had, wet but not nearly as soaked.
He eyed me as he buckled in, and I slanted him a look. “What?”
With a shake of his head, he unzipped his duffel, which was sitting on his lap, and pulled out that infamous off-black hoodie he always wore. Then he held it out.
All I could do was stare at it for a second. His beloved, no-name brand, extra-extra-large hoodie. He was offering it to me.
When I first started working for Aiden, I remembered him specifically giving me instructions on how he wanted it washed and dried. On gentle and hung to dry. He loved that thing. He could own a thousand just like it, but he didn’t. He had one black hoodie that he wore all the time and a blue one he occasionally donned.
“For me?” I asked like an idiot.
He shook it, rolling his eyes. “Yes for you. Put it on before you get sick. I would rather not have to take care of you if you get pneumonia.”
Yeah, I was going to ignore his put-out tone and focus on the ‘rather not’ as I took it from him and slipped it on without another word. His hoodie was like holding a gold medal in my hands. Like being given something cherished, a family relic. Aiden’s precious.
”
”
Mariana Zapata (The Wall of Winnipeg and Me)
“
Let’s not go home yet,” I say. “Let’s go somewhere.”
Peter thinks about it for a minute, tapping his fingers on the steering wheel, and then he says, “I know where we can go.”
“Where?”
“Wait and see,” he says, and he puts the windows down, and the crisp night air fills the car.
I lean back into my seat. The streets are empty; the lights are off in most of the houses. “Let me guess. We’re going to the diner because you want blueberry pancakes.”
“Nope.”
“Hmm. It’s too late to go to Starbucks, and Biscuit Soul Food is closed.”
“Hey, food isn’t the only thing I think about,” he objects. Then: “Are there any cookies left in that Tupperware?
”
”
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
“
When she was little she used to pretend to fall asleep in the car so that he would carry her into the house. He always complained when he had to carry both her and the shopping, as well as steer Leo’s stroller, but he secretly loved the way his daughter would cling tight to his neck. That was how he knew she was only pretending, because when she was really asleep it was like carrying a bag of water, but when she was pretending she would bury her nose deep against his neck and wrap her arms around him as if she were afraid of losing him. When she got too big for that, he missed it every day. A year ago she sprained her ankle on a field trip and he had to carry her from the car to the house again. He has never felt more like a bad parent than when he admitted to himself that he wished she could sprain her ankle more often.
”
”
Fredrik Backman (Beartown (Beartown, #1))
“
So, Ryan, back to my Economy model. In motor-vehicle parlance, she's the cloth-seats and plastic-steering-wheel version. But she gets you from A to B.
This model comes only in white.
My sister-in-law's a lovely black woman from Jamaica and she said to me, she said, Ron! Don't you dare do an Economy black woman. And I love women, I do, and I thought, yeah, show respect. Also, Bridget would knock the shit out of me.
”
”
Jeanette Winterson (Frankissstein: A Love Story)
“
But there was one girl who had a big influence over me. Barbie. I worshipped Barbie. In fact, I would say Barbie was my twelve-inch plastic life coach. She had it all, a camper, a dune buggy, even a dream house. Part of why it was a dream house to me was that she was the only one who lived there. Her boyfriend, Ken, came to visit when she--er, I decided. She had a sports car and would bounce from job to job as she--er, I saw fit.Barbie owned zero floral baby-making dresses. I craved that indepence. And her weird-ass boobs? So what? She still reached the steering wheel of her royal blue sports car. Some people thought that the fact that her feet were fucked and she couldn't stand was a problem. But to me, it meant she was free. Free from standing at a stove, or a washing machine, or with a baby hanging off her hip. She has no hip. She has no hips. Plus, she didn't have to walk; she drove her convertible everywhere. God, I loved Barbie. She was free in every way I knew how to define freedom.
”
”
Lizz Winstead (Lizz Free Or Die)
“
A brittle laugh left his lips. “That’s exactly why I can’t be late. See you later, guys.” He strode toward the door briskly, hoping Ryan would leave it alone.
But of course he didn’t. Ryan caught up with him outside before James could reach his car.
“Jamie!”
Suppressing a sigh, James put on a neutral face and turned to Ryan. “I’m really running late—”
“Listen to me, you git,” Ryan said, his eyes dark and hard. “I’m not sure what’s going on in that head of yours lately, but don’t do anything stupid, okay? Don’t agree to Arthur ’s plans only because you think you have to.” Ryan lifted his hands to cradle James’s face. Jamie went still, his heart hammering as Ryan looked him in the eye intently. “You deserve better. You deserve marrying someone you’re crazy about. Someone who would love you for being you—not for your money or your family name, but because you’re the best person I know.” Ryan smiled at him crookedly. “Being in love is pretty fucking great, actually. You deserve to find your Hannah.”
Jamie wondered if it would actually hurt more if Ryan stuck a knife in his gut and twisted it slowly. He thought he smiled. He hoped he was smiling. His face hurt, so he must be.
He said, “Sure I will. Later, mate.” He was surprised by how absolutely normal his voice sounded.
He smiled again and turned away.
He walked to his car.
He got in.
He closed the door.
He put his hands on the steering wheel.
His throat worked as he tried to swallow the painful lump in his throat. He couldn’t. A terrible, choked sound came from his throat. His chest began to heave. He pressed his hands to his eyes and breathed in, breathed out.
”
”
Alessandra Hazard (Just a Bit Confusing (Straight Guys #5))
“
On the drive there, I’m going so slow that Kitty keeps telling me the speed limit. “They give tickets for going under the limit too, you know.”
“Who told you that?”
“No one. I just know it. I bet I’m going to be a better driver than you, Lara Jean.”
I grip the steering wheel tighter. “I bet you are.” Brat. I bet when Kitty starts driving, she’s going to be a speed demon without the slightest concern for those around her. But she’ll still probably be better at it than me. A reckless driver is better than a scared one; ask anybody.
“I’m not scared of things like you are.”
I adjust my rearview mirror. “You sure are proud of yourself.”
“I’m just saying.”
“Is there a car coming? Can I switch lanes?”
Kitty turns her head. “You can go, but hurry.”
“Like how much time do I have?”
“It’s already too late. Wait…now you can go. Go!”
I jerk into the left lane and look in my rearview. “Good job, Kitty. You just keep being my second pair of eyes.
”
”
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
“
Instead, I gave them the only salute I could think of.
Two middle fingers. Held high for emphasis.
The six fiery orbs winked out at once. Hopefully, they’d died from affront.
Ben eyed me sideways as he maneuvered from shore. “What in the world are you doing?”
“Those red-eyed jerks were on the cliff,” I spat, then immediately felt silly. “All I could think of.”
Ben made an odd huffing sound I couldn’t interpret. For a shocked second, I thought he was furious with me.
“Nice work, Victoria.” Ben couldn’t hold the laughter inside. “That oughta do it!”
I flinched, surprised by his reaction. Ben, cracking up at a time like this?
He had such a full, honest laugh—I wished I heard it more. Infectious, too. I couldn’t help joining in, though mine came out in a low Beavis and Butthead cackle. Which made Ben howl even more.
In an instant, we were both in stitches at the absurdity of my one-finger salutes. At the insanity of the evening. At everything. Tears wet my eyes as Sewee bobbed over the surf, circling the southeast corner of the island. It was a release I desperately needed.
Ben ran a hand through his hair, then sighed deeply. “I love it,” he snickered, steering Sewee through the breakers, keeping our speed to a crawl so the engine made less noise. “I love you, sometimes.”
Abruptly, his good humor cut off like a guillotine. Ben’s body went rigid. I felt a wave of panic roll from him, as if he’d accidently triggered a nuclear bomb.
I experienced a parallel stab of distress. My stomach lurched into my throat, and not because of the rolling ocean swells.
Did he just . . . what did he mean when . . .
Oh crap.
Ben’s eyes darted to me, then shot back to open water. Even in the semidarkness, I saw a flush of red steal up his neck and into his cheeks.
I shifted uncomfortably in my seat. Shifted again. Debated going over the side.
Did he really mean to say he . . . loved me? Like, for real?
The awkward moment stretched longer than any event in human history.
He said “sometimes,” which is a definite qualifier. I love Chinese food “sometimes.”
Mouth opened as I searched for words that might defuse the tension. Came up with nothing. I felt trapped in a nightmare. Balanced on a beam a hundred feet off the ground. Sinking underwater in a sealed car with no idea how to get out.
Ben’s lips parted, then worked soundlessly, as if he, too, sought to break the horrible awkwardness. A verbal retreat, or some way to reverse time.
Is that what I want? For Ben to walk it back?
A part of me was astounded by the chaos a single four-word utterance could create.
Ben gulped a breath, seemed to reach a decision. As his mouth opened a second time, all the adrenaline in creation poured into my system.
“I . . . I was just saying that . . .” He trailed off, then smacked the steering wheel with his palm. Ben squeezed his eyes shut, shaking his head sharply as if disgusted by the effort.
Ben turned. Blasted me with his full attention. “I mean it. I’m not going to act—
”
”
Kathy Reichs (Terminal (Virals, #5))
“
Jason, it’s a pleasure.” Instead of being in awe or “fangirling” over one of the best catchers in the country, my dad acts normal and doesn’t even mention the fact that Jason is a major league baseball player. “Going up north with my daughter?”
“Yes, sir.” Jason sticks his hands in his back pockets and all I can focus on is the way his pecs press against the soft fabric of his shirt. “A-plus driver here in case you were wondering. No tickets, I enjoy a comfortable position of ten and two on the steering wheel, and I already established the rule in the car that it’s my playlist we’re listening to so there’s no fighting over music. Also, since it’s my off season, I took a siesta earlier today so I was fresh and alive for the drive tonight. I packed snacks, the tank is full, and there is water in reusable water bottles in the center console for each of us. Oh, and gum, in case I need something to chew if this one falls asleep.” He thumbs toward me. “I know how to use my fists if a bear comes near us, but I’m also not an idiot and know if it’s brown, hit the ground, if it’s black, fight that bastard back.” Oh my God, why is he so adorable? “I plan on teaching your daughter how to cook a proper meal this weekend, something she can make for you and your wife when you’re in town.”
“Now this I like.” My dad chuckles. Chuckles. At Jason. I think I’m in an alternate universe.
“I saw this great place that serves apparently the best pancakes in Illinois, so Sunday morning, I’d like to go there. I’d also like to hike, and when it comes to the sleeping arrangements, I was informed there are two bedrooms, and I plan on using one of them alone. No worries there.”
Oh, I’m worried . . . that he plans on using the other one.
“Well, looks like you’ve covered everything. This is a solid gentleman, Dottie.”
I know. I really know.
“Are you good? Am I allowed to leave now?”
“I don’t know.” My dad scratches the side of his jaw. “Just from how charismatic this man is and his plans, I’m thinking I should take your place instead.”
“I’m up for a bro weekend,” Jason says, his banter and decorum so easy. No wonder he’s loved so much. “Then I wouldn’t have to see the deep eye-roll your daughter gives me on a constant basis.”
My dad leans in and says, “She gets that from me, but I will say this, I can’t possibly see myself eye-rolling with you. Do you have extra clothes packed for me?”
“Do you mind sharing underwear with another man? Because I’m game.”
My dad’s head falls back as he laughs. “I’ve never rubbed another man’s underwear on my junk, but never say never.”
“Ohhh-kay, you two are done.” I reach up and press a kiss to my dad’s cheek. “We are leaving.” I take Jason by the arm and direct him back to the car. From over his shoulder, he mouths to my dad to call him, which my dad replies with a thumbs up.
Ridiculous. Hilarious.
When we’re saddled up in the car, I let out a long breath and shift my head to the side so I can look at him. Sincerely I say, “Sorry about that.”
With the biggest smile on his face, his hand lands on my thigh. He gives it a good squeeze and says, “Don’t apologize, that was fucking awesome.
”
”
Meghan Quinn (The Lineup)
“
Is this a date? Are you on a date with him? And who the hell’s car is this?”
Before I can answer, Genevieve makes a move toward me, which I dodge. I run behind the pillar. “Don’t be such a baby, Lara Jean,” she says. “Just accept that you lose and I win!”
I peek from behind the pillar, and John is giving me a look--a look that says, Get in. Quickly I nod. Then he throws open the passenger door, and I run for it, as fast as I can. I’ve barely got the door closed before he’s driving off, Peter and Gen in our dust.
I turn back to look. Peter is staring after us, his mouth open. He’s jealous, and I’m glad. “Thanks for the save,” I say, still trying to catch my breath. My heart is pounding in my chest so hard.
John is looking straight ahead, a broad smile on his face. “Anytime.”
We stop at a stoplight, and he turns his head and looks at me, and then we’re looking at each other, laughing like crazy, and I’m breathless again.
“Did you see the looks on their faces?” John gasps, dropping his head on the steering wheel.
“It was classic!”
“Like a movie!” He grins at me, jubilant, blue eyes alight.
“Just like a movie,” I agree, leaning my head back against the seat and opening my eyes wide up at the moon, so wide it hurts. I’m in a red Mustang convertible sitting next to a boy in uniform, and the night air feels like cool satin on my skin, and all the stars are out, and I’m happy. The way John is still grinning to himself, I know he is too. We got to play make-believe for the night.
”
”
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
“
Driving alone along the Northway, feeling more haunted than I really had the courage to be, I cried in the car the way one does when leaving someone in a bitter and unbearable way. I don't know why I should have picked that time to grieve, to summon everything before me--my own monsterousness, my two-bit affections, three-bit, four. It could have been sooner, it could have been later, it could have been one of the hot, awkward funerals (my grandmother's, LaRoue's, my father who one morning in Vero Beach clutched his fiery arm and fell dead off his chair mouthing to my mother, "Help. Heart. I love you" --how every death makes the world a lonelier place), it oculd have been some other time when the sun wasn't so bright, and there was no news on the raido, and my arms were not laced in a bird's nest on the steering wheel, my life going well, I believed, pretty well. It could have been any other time. But it was then: I cried for Sils and LaRoue, all that devotion and remorse, stars streaming light a million years after dying; I cried for the boyfriends I was no longer with, the people and places I no longer knew very well, for my parents and grandmother ailing and stuck in Florida, their rough, unchanging forms conjured only in memory; a jewel box kept in the medicine cabinet in the attic of a house on the moon; that's where their unchanging forms were kept. I cried for everyone and for all the scrabbly, funny love one sent out into the world like some hit song that enters space and bounds off to another galaxy, a tune so pretty you think the words are true, you do! There was never any containing a song like that, keeping it. It went off and out, speeding out of earshot or imagining or any reach at all, like a rocket invented in sleep.
”
”
Lorrie Moore (Who Will Run the Frog Hospital?)
“
I turn to see what she’s looking at, and it’s a red convertible Mustang driving down our street, top down--with John McClaren at the wheel.
My jaw drops at the sight of him. He is in full uniform: tan dress shirt with tan tie, tan slacks, tan belt and hat. His hair is parted to the side. He looks dashing, like a real soldier. He grins at me and waves. “Whoa,” I breathe.
“Whoa is right,” Ms. Rothschild says, googly-eyed beside me. Daddy and his Ken Burns DVD are forgotten; we are all staring at John in this uniform, in this car. It’s like I dreamed him up. He parks the car in front of the house, and all of us rush up to it.
“Whose car is this?” Kitty demands.
“It’s my dad’s,” John says. “I borrowed it. I had to promise to park really far away from any other car, though, so I hope your shoes are comfortable, Lara Jean--” He breaks off and looks me up and down. “Wow. You look amazing.” He gestures at my cinnamon bun. “I mean, your hair looks so…real.”
“It is real!” I touch it gingerly, I’m suddenly feeling self-conscious about my cinnamon-bun head and red lipstick.
“I know--I mean, it looks authentic.”
“So do you,” I say.
“Can I sit in it?” Kitty butts in, her hand on the passenger-side door.
“Sure,” John says. He climbs out of the car. “But don’t you want to get in the driver’s seat?”
Kitty nods quickly. Ms. Rothschild gets in too, and Daddy takes a picture of them together. Kitty poses with one arm casually draped over the steering wheel.
John and I stand off to the side, and I ask him, “Where did you ever get that uniform?”
“I ordered it off of eBay.” He frowns. “Am I wearing the hat right? Do you think it’s too small for my head?”
“No way. I think it looks exactly the way it’s supposed to look.” I’m touched that he went to the trouble of ordering a uniform for this. I can’t think of many boys who would do that. “Stormy is going to flip out when she sees you.”
He studies my face. “What about you? Do you like it?”
I flush. “I do. I think you look…super.
”
”
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
“
Miraculously, thirty minutes later I found Marlboro Man’s brother’s house. As I pulled up, I saw Marlboro Man’s familiar white pickup parked next to a very large, imposing semi. He and his brother were sitting inside the cab.
Looking up and smiling, Marlboro Man motioned for me to join them. I waved, getting out of my car and obnoxiously taking my purse with me. To add insult to injury, I pressed the button on my keyless entry to lock my doors and turn on my car alarm, not realizing how out of place the dreadful chirp! chirp! must have sounded amidst all the bucolic silence. As I made my way toward the monster truck to meet my new love’s only brother, I reflected that not only had I never in my life been inside the cab of a semi, but also I wasn’t sure I’d ever been within a hundred feet of one. My armpits were suddenly clammy and moist, my body trembling nervously at the prospect of not only meeting Tim but also climbing into a vehicle nine times the size of my Toyota Camry, which, at the time, was the largest car I’d ever owned. I was nervous. What would I do in there?
Marlboro Man opened the passenger door, and I grabbed the large handlebar on the side of the cab, hoisting myself up onto the spiked metal steps of the semi. “Come on in,” he said as he ushered me into the cab. Tim was in the driver’s seat. “Ree, this is my brother, Tim.”
Tim was handsome. Rugged. Slightly dusty, as if he’d just finished working. I could see a slight resemblance to Marlboro Man, a familiar twinkle in his eye. Tim extended his hand, leaving the other on the steering wheel of what I would learn was a brand-spanking-new cattle truck, just hours old. “So, how do you like this vehicle?” Tim asked, smiling widely. He looked like a kid in a candy shop.
“It’s nice,” I replied, looking around the cab. There were lots of gauges. Lots of controls. I wanted to crawl into the back and see what the sleeping quarters were like, and whether there was a TV. Or a Jacuzzi.
“Want to take it for a spin?” Tim asked.
I wanted to appear capable, strong, prepared for anything. “Sure!” I responded, shrugging my shoulders. I got ready to take the wheel.
Marlboro Man chuckled, and Tim remained in his seat, saying, “Oh, maybe you’d better not. You might break a fingernail.” I looked down at my fresh manicure. It was nice of him to notice. “Plus,” he continued, “I don’t think you’d be able to shift gears.” Was he making fun of me? My armpits were drenched. Thank God I’d work black that night.
After ten more minutes of slightly uncomfortable small talk, Marlboro Man saved my by announcing, “Well, I think we’ll head out, Slim.”
“Okay, Slim,” Tim replied. “Nice meeting you, Ree.” He flashed his nice, familiar smile. He was definitely cute. He was definitely Marlboro Man’s brother.
But he was nothing like the real thing.
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
“
Smiling to myself, I pictured our family one sunny afternoon last fall. It had been a warm day, and we were on our way to the city aquarium. Dad had the car windows rolled down, and I recalled the feel of the wind in my hair and the scent of Mom’s perfume wafting from the seat in front of me. Mom and Dad were chatting and I was scrolling through my Instagram feed. But the moment the song sounded on the radio, I squealed. “Turn it up!” I said, leaning forward in my seat, enough that the belt tightened across my chest. As soon as Dad reached over and turned the knob, I started singing the lyrics aloud. Both Mom and Dad joined in. With the wind in my hair and the music filling the car, a warmth had filled my insides, almost as if I were wrapped in my favorite fuzzy blanket. The memory was fresh in my mind and I could still see Mom’s head bob up and down as she sang while Dad tapped his fingers on the steering wheel. “Come on, Dad!” I said, giggling. “Sing with us.” He glanced over his shoulder at me. “I’m waiting for my favorite part. I don’t want to stretch my singing muscles.” “What singing muscles?” Mom smiled at him. He put a finger in the air for her to wait. “Here we go.” When the chorus of the song began, Dad screeched out the lyrics in a really high voice. He was trying to mimic the singer’s voice but he wasn’t even close and the sound he made was terrible. I burst out laughing. He ignored me and continued to sing, all the while, waving a hand through the air with wide flourishes, as if conducting an orchestra. He tilted his head back and belted out the high notes. When we pulled up at a red traffic light and the car slowed to a stop, Dad was oblivious of the carload of people alongside us watching him. The passengers of the other car had their windows open too and I stared at them in horror. Their eyes were glued to Dad and they shook their heads and rolled their eyes. “Dad!” I called to him. “Those people are watching you.” But he didn’t hear me and continued to sing. I sank into my seat, my cheeks flushing. He finally realized he had an audience but instead of being embarrassed, he waved to them. “Hello, there!” he said. “Did you enjoy my singing?” The light turned green, and the carload of people cracked up laughing as their car lurched forward in their hurry to escape the weird man in the car next to theirs. Dad shrugged. “I guess not.’ Mom and I burst out laughing too, unable to hold it in any longer. Dad waved a dismissive hand. “They wouldn’t know good music if it hit them in the face.” Tears sprang from my eyes because I was laughing so hard. My dad could be so embarrassing sometimes, but that day, it didn’t bother me at all. Dad had always managed to make me laugh at the silliest things. He had a way of making me feel happy, regardless of what mood I was in. Deep down I thought he was a really cool dad. My friends thought so too. He wasn’t boring and super strict like their dads. He was fun to be around and everyone loved him for it, including my friends. Our little family was perfect, and I wouldn’t have changed it for the world.
”
”
Katrina Kahler (The Lost Girl - Part One: Books 1, 2 and 3: Books for Girls Aged 9-12)
“
It was a Sunday at the end of November, which meant summertime in Australia. My water broke at night, and this time I knew what was coming. I remember thinking, There’s no turning back now. Immediately after my water broke, the contractions started. I had been sleeping in Bindi’s room because I was so awkward and uncomfortable that I kept waking everybody up. Plus, Bindi loved being able to snuggle down in bed with her daddy.
I crept into their room quietly. As I stood beside the bed, I leaned in next to Steve’s ear. I could feel his breath. He smelled warm and sweet and familiar. He is going to be a daddy again, I thought, his favorite job in the world.
When I whispered “Steve,” he opened his eyes without moving. Bindi slept on at his side. It was about midnight, and I told Steve that we didn’t have to leave for the hospital yet, but it would be soon. Once he was satisfied that I was okay, I headed back to Bindi’s bed to get some rest.
Throughout our life together, I never knew what Steve was going to say next. True to form, he came to my bedside, not long after I lay down, and said, “I’m putting my foot down.”
“What?”
“The baby is going to be named Robert Clarence Irwin if it’s a boy,” he said. Robert after his dad, Bob, and Clarence after my dad.
“You don’t need to put your foot down,” I whispered to him. “I think it’s a beautiful name.”
When my contractions were four minutes apart, I knew it was time to head to the hospital. It was five o’clock in the morning. Steve got everything organized to take me. Of course, one of the things he grabbed was a camera. He was determined that we would capture everything on film. We called Trevor, our friend and cinematographer who had filmed Bindi’s birth, to meet us at the hospital, and Thelma, Bindi’s nanny, came over to get her off to school.
As we drove in the car, Steve filmed me from the driver’s seat. As he shot, the Ute slowly edged toward the side of the road. He looked up, grabbed the wheel, and corrected the steering. Then he went back to filming and the whole thing happened again. After two or three veers, I had had enough.
“Stop filming,” I yelled. He quickly put the camera down. I think he realized that this was no time to argue with mama bear.
”
”
Terri Irwin (Steve & Me)
“
True,” Fadhili told me. “We were all grateful though. Aunt Vi, we love her, but she can painful.” “Seriously, though. If those ants are being controlled by something or someone, there should be no reason why I can’t break that control,” Veronica said. She closed her eyes and took some deep breaths. She took one very deep breath. She opened her eyes and locked them (and her mind) on the marching ants. “Stop moving!” she ordered. The jeep suddenly veered to the right. I noticed that Frank and Ruby had frozen in place. That meant Fadhili must have too, with his hands locked on the wheel and his foot on the gas. Jumping over the seat to the front of the car, I grabbed the steering wheel and pulled it towards the right. The car straightened on the road. Wow, I was driving for the first time. Well, kind of. Sliding over the seat, I used my foot to kick Fadhili’s foot off the gas. Stretching over his foot with my leg, I pushed down on the brake. The car jammed to a halt. Holding my foot on the brake, I told Veronica, “I hope your mind command worked as well on the ants as it did on our friends.
”
”
Katrina Kahler (NINA The Friendly Vampire - Part 2: Families, Under Attack, Family Ties - 3 Exciting Stories!: Books for Girls aged 9-12)
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I love being inside Nero’s car. It smells like him. It feels like him. The gearshift and steering wheel have been worn by constant contact with his hands. His shape is indented into the driver’s seat.
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Sophie Lark (Savage Lover (Brutal Birthright, #3))
“
Instead he said, “Naked I came from my mother’s womb, and naked I shall return there . . . Blessed be the Name of the LORD” (Job 1:21). That says it all. At birth we all arrived naked. At death we will all leave naked, as we’re prepared for burial. We have nothing as we are birthed; we have nothing as we depart. So everything we have in between is provided for us by the Giver of Life. Get that clearly in your mind. Get it, affluent Americans as we are. Get it when you stroll through your house and see all those wonderful belongings. Get it when you open the door and slip behind the steering wheel of your car. It’s all on loan, every bit of it. Get it when the business falls and fails. It, too, was on loan. When the stocks rise, all that profit is on loan. Face it squarely. You and I arrived in a tiny, naked body (and a not a great-looking one at that!). And what will we have when we depart? A naked body plus a lot of wrinkles. You take nothing because you brought nothing! You own nothing. What a grand revelation. Are you ready to accept it? You don’t even own your children. They’re God’s children, on loan for you to take care of, rear, nurture, love, discipline, encourage, affirm, and then release.
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Charles R. Swindoll (Great Days with the Great Lives: Daily Insight from Great Lives of the Bible (Great Lives from God's Word))
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My teeth clatter in my mouth as everything ripples and shudders in the storm of shells, whining, whizzing. The kid on the bicycle rolls out of sight. Untouched. A miracle. A dream. The shells abruptly cease and there is only the settling creak of the car seat, a scatter of twittering birds in the shrubs and trees.
I could use some gum. Where do you buy gum so early besides the service station? It seems wrong to go there since we don't need any gasoline. We don't drive enough. A tank of gas lasts us forever.
I get behind the wheel and in the mirror I can see my eyelids fluttering. I sit squeezing the steering wheel until I realize I haven't started the engine. The garage conceals me. I don't want to go out into the open. A horse whinnys – are they bringing up the artillery? It's the farm field where old Wallam tills a little garden, his yard is the biggest and runs alongside the back of ours to the farm where his family has their orchards. What's wrong with me? Sounds of explosions, bullets, voices of men. Volleys. I smell smoke. Burning things, festering ruptured corpses with maggots pulsing under horrible skin and the shells, the horse, it's hit, it shrieks, explodes apart – can we pull the gun by hand? The crew is dead too, bullets are making their bodies jump even after they have broken apart like smashed holiday nuts.
I want to scream. Maybe I am?
I begin breathing rapidly. I don't know how long I am there but I hear the screen door open and I key the ignition.
“Car troubles?” Mr. Kincaid calls out to me from the front porch.
“No troubles,” I say setting my arm out the window and holding the mirror to keep my hand steady. “Lovely day.”
The sun was really rising, taking the temperature up with it, hot shards of searing light coming over the treetops to stab at everything that couldn't find the shade. I couldn't find the shade.
”
”
Leonard Mokos (The Bad Canadian)
“
I love the wheels, I mean steering wheel.
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Amit Kalantri (Wealth of Words)
“
stopped after the sirens blared past him. Milo raised his head. Seeing no one, he darted from the garbage heap and raced down the road to his car. As he drove away from the abandoned building, he held tight to the steering wheel to keep his hands from shaking. Lyra had barely escaped being shot by her attackers, and he felt an overwhelming sense of guilt. He had put his love in terrible danger. This was all his fault. He never should have told Mr. Merriam about her. Tears flooded his eyes. Letting her go was the only way Milo could save her. TWENTY-THREE The good news was that the two men trying to kill Sam and Lyra were now in handcuffs. The bad news was that they weren’t the two men who had broken into her apartment. Sam drove her to the police station where the men were being processed. She stood in a tiny room behind a one-way mirror and waited while Sam stepped out into the hall to talk to two other agents. Ed, the man who had delivered the car, saw her and came in. “I looked at the car, and not a single bullet touched it. The perps were either lousy shots or Agent Kincaid was too fast for them.” Shaking his head, he repeated, “Not a single bullet.” Sam walked up behind Lyra and put his hands on her shoulders. “They’re bringing them up. Ready?” “Yes,” she answered. “Have they said anything?” “Yes. They want lawyers.” Two men were led into the interrogation room. They hadn’t even taken their seats when Lyra said, “They aren’t
”
”
Julie Garwood (Sizzle (Buchanan-Renard, #8))
“
The typewriter is neat and compact and sturdy and blue, just the right machine to pound out a missive of love. When you strike the keys it’s a sound that hasn’t been heard in the qorld world for thirty years (we are so far away from a time when typewriters won world wars). When you strike the keys they make a sound like a pistol shot, a sound so definite and sure you feel like a genius, or an orayor orator, or a beat poet. When you strike the keys you just want to keep on fucking writing. You have to wrestle with the thing, like I am doing now, steer it like an old manual car, keep the words together and right and on the page, but the blood and muscle of a typewriter, it is a beautiful thing.
”
”
Yvette Walker (Letters to the End of Love)
“
destiny is like the cruise control systems you have in your car. You set the speed and the momentum carries you through no matter if the road is under construction or freshly paved. As the driver, you decide how smooth the ride is by steering into or around (the road hazards) or even choosing to remain on the road at all. Destiny is a driving force that can be altered by freewill.
”
”
NOT A BOOK (With Love & Light: True Story About an Uncommon Gift)
“
I don’t want to die.” I say, defiantly.
“Bright Side, what?” He’s confused.
Of course he’s confused. No one starts a conversation like that.
I repeat, “I don’t want to fucking die.”
“Oh, shit, Bright Side.” I hear him take a deep breath, a primer for the conversationthat’s about to unfold. “Talk to me. What’s going on?”
“I’m fucking dying, Gus. I don’t want to die. That’s what’s fucking going on.” I hit the steering wheel with my palms. “Goddammit!” I scream... Gus doesn’t deserve this, but I know he’ll deal with it better than anyone else would.
“Calm down, dude. Where are you?”
“I don’t know. I’m sitting in my car in a fucking parking garage in the middle of motherfucking Minneapolis, Minnesota.” That was hostile.
“Are you by yourself?”
“Yes,” I snap.
“You’re not supposed to be driving while you’re on your pain meds.”
I don’t want his fatherly tone. “I know that.”
“Are you in danger or hurt?”
I burst out laughing, surprised that I can’t even laugh without sounding angry. The question is absurd to me though. I’m dying.
“Bright Side, shut up for a second and talk to me. Do I need to call 911? What the fuck is going on?” He sounds scared.
I shake my head like he can see me. “No, no. I’m just ... I’m fucking mad, Gus. That’s all.” And at a loss for words because my mind is jumbled up into this bitter, resentful ball. I don’t know what else to say so I repeat myself. “I’m really fucking mad.”
“Well shit, by all means, there’s plenty of room at my table for anger.” He gets it. That’s why I called him, after all. “I’ve been dishing out heaping servings of fury for the past month. I feel better knowing I’m not the only one in this whole debacle with some rage issues. So fire away. Fucking give it to me.”
I do. An explosive, steady stream of expletives flows out of me. I’m cursing it all, shouting out questions, pounding the steering wheel, and wiping away hot, angry tears. Occasionally Gus joins in, yelling affirmations. Sometimes he waits for a pause on my part and takes his turn and sometimes he just steamrolls over the top of me...
Eventually, my tears stop, and I’m able to take normal breaths. My throat feels tight and my head hurts a little, but I’m calm. On the other end of the line, Gus gets quiet, too. Silence falls between us...
My voice is raspy when I decide to break the silence. “Gus?”
“Yeah, Bright Side.” He sounds like himself again. Calm.
“Thanks.” I feel like a huge weight has been lifted off of me. And now I need to apologize. “Sorry, dude.”
He laughs. “No worries. You feel better?”
I can actually smile now. “Yeah, I really do.”
“Good, me too. I think we should’ve done this weeks ago.”
“I think I should’ve done it months ago.” I mean it. It felt so good to let it all out.
“Bright Side, you know I love you all happy and adorable in your little world of sunshine and rainbows, but you’re kinda hot when you’re angry. I dig aggressive chicks. And that was crazy aggressive.”
He knows I’m going to say it, but I can’t help myself. “Whatever.” I even roll my eyes.
“I think I’m gonna rename you Demon Seed.”
“What? I show you my dark side and now I have to be the fucking antichrist? I don’t like that. Why can’t I just be Angry Bitch?”
He laughs hard and my heart swellsbecause I haven’t heard this laugh out of Gus in a month. And I love this laugh.
“Well dude, since it seems my therapysession has wrapped up, I’d better get going. I need to get home.”
“Sure. Drive slowly and text me when you get there so I know you made it. And no more driving after this trip.”
“Yes sir. I love you, Gus.”
“Love you, too, Angry Bitch,” his voice low and dramatic. He pauses because he knows I’m not going to hang up to that. “I was just trying it out,” he says innocently.
”
”
Kim Holden (Bright Side (Bright Side, #1))
“
I love your car.” I tell him as he starts the engine.
“Thanks. I do too.” He says steering the car to the main road.
“Can I drive it someday?” I ask, willing him to say yes.
“Sure. Someday.” He says, a corner of his lips slightly lifting up.
“I’m serious.” I pout.
He looks at me, "So am I. Someday, you can drive her.” And then adds “Maybe” very quietly, I could barely hear him.
I narrow my eyes at him. “Why are you so against this?”
“I’m not-“ He sighs then as he turns at a corner. “It’s just, this car is my baby-“
“So.” I interrupt him abruptly.
“So, do you even know how to drive, Rose? I don’t think I’ve ever seen you behind the wheels.”
“I’ve never seen you take a shower that doesn’t mean you don’t take a bath, does it?” I try to give him an example than blush furiously as Alex raises an eyebrow at me. How do I always manage to get myself in these situations with him?
“You are welcome to come and see me shower at any given moment.” He says.
“Stop it.” I look out the window so he doesn’t notice just how red my cheeks were.
“No seriously, you don’t even have to ask.”
“How about you just dig a hole at the side of the road, and I’ll jump into it.
”
”
Jannat Bhat (Love Revisited)
“
It is common for one party to a transaction to have better information than another party. In the parlance of economists, such a case is known as an information asymmetry. We accept as a verity of capitalism that someone (usually an expert) knows more than someone else (usually a consumer). But information asymmetries everywhere have in fact been gravely wounded by the Internet.
Information is the currency of the Internet. As a medium, the Internet is brilliantly efficient at shifting information from the hands of those who have it into the hands of those who do not. Often, as in the case of term life insurance prices, the information existed but in a woefully scattered way. (In such instances, the Internet acts like a gigantic horseshoe magnet waved over an endless sea of haystacks, plucking the needle out of each one.) The Internet has accomplished what even the most fervent consumer advocates usually cannot: it has vastly shrunk the gap between the experts and the public.
The Internet has proven particularly fruitful for situations in which a face-to-face encounter with an expert might actually exacerbate the problem of asymmetrical information—situations in which an expert uses his informational advantage to make us feel stupid or rushed or cheap or ignoble. Consider a scenario in which your loved one has just died and now the funeral director (who knows that you know next to nothing about his business and are under emotional duress to boot) steers you to the $8,000 mahogany casket. Or consider the automobile dealership: a salesman does his best to obscure the car’s base price under a mountain of add-ons and incentives. Later, however, in the cool-headed calm of your home, you can use the Internet to find out exactly how much the dealer paid the manufacturer for that car. Or you might just log on to TributeDirect.com and buy that mahogany casket yourself for only $3,595, delivered overnight.
”
”
Steven D. Levitt
“
I turn my body toward her, resting my elbow on the steering wheel. “You have two options—” her eyes snap to mine as I hold up my fingers “—I rip him outta his car and choke him or I take you home. I’m leaning toward choking, but it’s your call because we can’t sit out here all night.
”
”
A.E. Valdez (A Worthy Love (Rise & Fall Series Book 4))
“
Adding this desk to my car’s steering wheel has been baby-Jesus awesome. I love e-mailing the highway patrol while I drive to let them know the tag numbers of cell-phone-using drivers. Lordy!
”
”
Amazon Reviewers (Did You Read That Review?: A Compilation of Amazon's Funniest Reviews)
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•Alexa and Siri answer your questions •Amazon predicts your next purchase •Apple unlocks the iPhone by scanning your face •Facebook targets you with ads •Gmail finishes your sentences •Google Maps routes you to your destination •LinkedIn curates your homepage and recommends connections •Netflix recommends shows and movies •Spotify learns the music you love •Tesla’s Autopilot steers, accelerates, and brakes your car •YouTube suggests videos •Zoom automatically transcribes your recorded meetings
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Paul Roetzer (Marketing Artificial Intelligence: Ai, Marketing, and the Future of Business)
“
There was a car in the back of the lot, under a fruitful tree. Feet on the steering wheel was a beautiful woman who sought and received harmony. She didn’t measure time by hours or minutes. She measured it by phrases like, “After this glass of red.” She never stopped the car until “the right final song plays.” She didn’t count her days Monday–Friday, but existence to her was checkpointed by the names of people she met last. She didn’t listen to rules about when it was okay to fuck—the first date or third—because when the moments asked for love, she had it. She didn’t sleep when it was dark, she slept when she was fully exhausted, and so worked until drainage, trusting her body was smart enough to solve itself during sleep. She was sleeping right now—aged with the kind of thin wrinkles that told you resveratrol gave a good fight. This was a woman embracing the wild, various interests of the heart. You may have thought freedom was attained by irresponsibility, by the immature seeking the easy, but it took great discipline to be free. You could call her homeless or you could call her earthbound, indecisive or multi-talented, unemployed or honest, spacey or intelligent. What good were words to describe a kind of radiant harmony best explained by her accomplished snoring?
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Kristian Ventura (The Goodbye Song)
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I still enjoyed the quiet, upholstered warmth of the front seat of his min-van. I'd spent so many hours in his car, en route to soccer games, school functions, parties, and dates, comforted by the casual strength of his hands, the dry knuckles of his long fingers spread along the steering wheel. My dad knew every road, every vein and artery in the whole state, and he drove confidently, making intermittent conversation while the radio was on, and then turning it off to gently interview me.
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Nina Renata Aron (Good Morning, Destroyer of Men's Souls: A Memoir of Women, Addiction, and Love)
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Grace was screwed. Royally screwed. As in, her career was over. Finished. Finite.
She turned on the windshield wipers and slowed the car as she drove through the rain in the mountains. With a renewed grip on the steering wheel, she sent a quick prayer that the rain would stop.
A little sprinkle she could handle. A storm...well, that was another matter entirely.
She puffed out her cheeks as she exhaled. If only she was in Scotland for a holiday, but that wasn’t the case at all. In a last-ditch effort to give her muse a good swift kick in the pants, Grace decided to travel to Scotland.
All her friends thought she had lost her mind. Her editor thought it was just one more excuse in a very long line of them as to why she hadn’t turned the book in.
Grace wished she knew the reason the words just stopped coming. One day they were there, and the next...gone, vanished.
Poof!
Writing wasn’t just her career. It was her life. Because within the words and pages she was able to write about heroines who had relationships she would never have. It was the sad truth, but it was the truth.
Grace accepted her lot...in a way. She might realize the string of miserable dates were complete misses and admit that.
However, the stories running through her head allowed her to dream as far as she could, and encounter men and adventures sitting behind a computer never would.
Not being able to find the words anymore was like having someone steal her soul.
She breathed a sigh of relief when the rain stopped and she was able to turn off her windshield wipers. In the two hours since she checked into the B&B, it hadn’t stopped raining.
Rain was a part of being in Scotland, and she was pushing herself with her fear of storms to be out in it as well. It proved how far she would go to find her soul again. She needed to write, to sink into another world where she could find happiness and a love that lasted forever.
Now she was armed with her laptop and steely determination. She would find her muse again. Just as soon as she found the right place. The scenery along the highway was stunning, but the noise of the passing vehicles would be too much.
Grace needed somewhere off the beaten path. Somewhere she could pretend she was the only person left in the world.
”
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Donna Grant (Dragon King (Dark Kings, #6.5))
“
Earlier in my life, when I was around your age, I thought the things that mattered were the things that you could see, like your car, your house, your wealth, your property, your office. As I’ve grown older, I’ve learned that the things that matter most are the things that you can’t see—the love you share with others, your inner purpose, your faith, your comfort with who you are, and your commitment to doing what is good and what is right.” That was one of the most beautiful and life-steering
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Ken Dychtwald (Radical Curiosity: One Man's Search for Cosmic Magic and a Purposeful Life)