Car Polish Quotes

Barack intrigued me. He was not like anyone I’d dated before, mainly because he seemed so secure. He was openly affectionate. He told me I was beautiful. He made me feel good. To me, he was sort of like a unicorn—unusual to the point of seeming almost unreal. He never talked about material things, like buying a house or a car or even new shoes. His money went largely toward books, which to him were like sacred objects, providing ballast for his mind. He read late into the night, often long after I’d fallen asleep, plowing through history and biographies and Toni Morrison, too. He read several newspapers daily, cover to cover. He kept tabs on the latest book reviews, the American League standings, and what the South Side aldermen were up to. He could speak with equal passion about the Polish elections and which movies Roger Ebert had panned and why.

Beautiful is another word we tossed around too casually, slopping it over everything from cars to nail polish until the word collapsed under the weight of all the banality. But the world is beautiful. I hope they never forget that. The world is beautiful.

Authors of light pieces have, nobody knows why, a genius for getting into minor difficulties: they walk into the wrong apartments, they drink furniture polish for stomach bitters, they drive their cars into the prize tulip beds of haughty neighbors, they playfully slap gangsters, mistaking them for old school friends.

The Deliverator's car has enough potential energy packed into its batteries to fire a pound of bacon into the Asteroid Belt. Unlike a bimbo box or a Burb beater, the Deliverator's car unloads that power through gaping, gleaming, polished, sphincters. When the Deliverator puts the hammer down, shit happens.

Case shuffled into the nearest door and watched the other passengers as he rode. A pair of predatory-looking Christian Scientists were edging toward a trio of young office techs who wore idealized holographic vaginas on their wrists, wet pink glittering under the harsh lighting. The techs licked their perfect lips nervously and eyed the Christian Scientists from beneath lowered metallic lids. The girls looked like tall, exotic grazing animals, swaying gracefully and unconsciously with the movement of the train, their high heels like polished hooves against the gray metal of the car’s floor. Before they could stampede, take flight from the missionaries, the train reached Case’s station.

But Siegfried held up a restraining hand. “Just one moment,” he slurred. “The windscreen is very dirty. I’ll give it a rub for you.” The ladies watched him silently as he weaved round to the back of the car and began to rummage in the boot. The love light had died from their eyes. I don’t know why he took the trouble; possibly it was because, through the whisky mists, he felt he must re-establish himself as a competent and helpful member of the party. But the effort fell flat; the effect was entirely spoiled. He was polishing the glass with a dead hen.

I've been thinking a lot about the word "everything." Whenever something horrible happens, you hear people say they "lost everything." They lost their house or their car or their stuff or whatever, and to them it feels like everything. But they have no idea what it's like to lose everything. I thought I knew, but now I realize even I haven't lost everything, because I still have that polka-dot swimsuit in my memory. I still have those ice cream nights and the scorpion that scared Marin and the Barking Bulldogs sweatshirt and the robins-egg-blue nail polish. Somehow having those things makes the other things matter less. I'm wondering if it's even possible to lose "everything" or if you just have to keep redefining what "everything" is.

Just bought a vintage Pontiac GTO,” he said. “Fine car. I put polished headers on it, big bore pipes. Goes like shit off a shiny shovel.” I said nothing. “You like muscle cars?” “No,” I said. “I like to take the bus.” “That’s not much fun.” “OK, let me put it another way. I’m happy with the size of my penis. I don’t need compensation.” He

Conor's grandma wasn't like other grandmas. He'd met Lily's grandma loads of times, and she was how grandmas were supposed to be: crinkly and smiley, with white hair and the whole lot. She cooked meals where she made three separate eternally boiled vegetable portions for everybody and would giggle in the corner at Christmas with a small glass of sherry and a paper crown on her head. Conor's grandma wore tailored trouser suits, dyed her hair to keep out the grey, and said things that made no sense at all, like "Sixty is the new fifty" or "Classic cars need the most expensive polish." What did that even mean? She emailed birthday cards, would argue with waiters over wine, and still had a job. Her house was even worse, filled with expensive old things you could never touch, like a clock she wouldn't even let the cleaning lady dust. Which was another thing. What kind of grandma had a cleaning lady?

The American really loves nothing but his automobile: not his wife his child nor his country nor even his bank-account first (in fact he doesn't really love that bank-account nearly as much as foreigners like to think because he will spend almost any or all of it for almost anything provided it is valueless enough) but his motor-car. Because the automobile has become our national sex symbol. We cannot really enjoy anything unless we can go up an alley for it. Yet our whole background and raising and training forbids the sub rosa and surreptitious. So we have to divorce our wife today in order to remove from our mistress the odium of mistress in order to divorce our wife tomorrow in order to remove from our mistress and so on. As a result of which the American woman has become cold and and undersexed; she has projected her libido on to the automobile not only because its glitter and gadgets and mobility pander to her vanity and incapacity (because of the dress decreed upon her by the national retailers association) to walk but because it will not maul her and tousle her, get her all sweaty and disarranged. So in order to capture and master anything at all of her anymore the American man has got to make that car his own. Which is why let him live in a rented rathole though he must he will not only own one but renew it each year in pristine virginity, lending it to no one, letting no other hand ever know the last secret forever chaste forever wanton intimacy of its pedals and levers, having nowhere to go in it himself and even if he did he would not go where scratch or blemish might deface it, spending all Sunday morning washing and polishing and waxing it because in doing that he is caressing the body of the woman who has long since now denied him her bed.

I offered her the flowers, which she took with a delightful laugh. She pulled my head down and kissed me on the cheek. She smelled of cigars and new car seats, horses and furniture polish, Stilton, Belgian chocolate and, behind it all, the hemp and the crowd and the last drop into oblivion.” (Tyburn)

It seemed longer and redder than any car could be. It had a long gleaming bonnet of polished metal.

Do you remember the fundraiser buffet for the senator at the Yacht Club?” ... “I’d forgotten something in my car so I was outside when you arrived. I saw you driving too fast with the top down and the music too loud. You were belting out the lyrics like you didn’t care who was listening. Then I watched you use the rearview mirror to fix yourself up so you’d look respectable, and when you were all spit-polished and perfect, you gave the mirror the finger.” She remembered. “You asked me out on our first date that night.

I like to have my morning newspaper ironed before I read it. I like to have my shoes boned before they are polished. I like to sit in the back of the car and be driven. I like beds to be made, dishes to be washed, grass to be cut, drinks to be served, telephones to be answered, and common tasks to be dealt with invisibly and efficiently so that I can devote my time to major decisions like the choice of wines for dinner and who to vote for in the next election for the mayor of my village. That is life as it should be lived, and all it takes is money and servants.

Our story ends happily ever after. It has to. We escape Battle Creek, pile into the car, and burn a strip of rubber down the highway. Fly away west, to the promised land. Our rooms will be lit by lava lamps and Christmas lights. Our lives will glow. Consciousness will rise and minds will expand, and beautiful boys in flannel shirts will make snow angels on our floor and write love letters on our ceiling with black polish and red lipstick. We will be their muses, and they will strum their guitars beneath our window, calling to us with a siren song. Come down come away with me. We will lean out of our tower, our hair swinging like Rapunzel's, and laugh, because nothing will carry us away from each other.

Symbolism in our waking Jungian dream was a two-way mirror. We were symbols for our American neighbors, but out neighbors- with their polished cars, grand homes, backyard swing sets- they symbolized something for us, too. They glittered as goals, mirages toward which we endlessly stumbled.

Slavery is not a horror safely confined to the past; it continues to exist throughout the world, even in developed countries like France and the United States. Across the world slaves work and sweat and build and suffer. Slaves in Pakistan may have made the shoes you are wearing and the carpet you stand on. Slaves in the Caribbean may have put sugar in your kitchen and toys in the hands of your children. In India they may have sewn the shirt on your back and polished the ring on your finger. They are paid nothing. Slaves touch your life indirectly as well. They made the bricks for the factory that made the TV you watch. In Brazil slaves made the charcoal that tempered the steel that made the springs in your car and the blade on your lawnmower. Slaves grew the rice that fed the woman that wove the lovely cloth you've put up as curtains. Your investment portfolio and your mutual fund pension own stock in companies using slave labor in the developing world. Slaves keep your costs low and returns on your investments high.

There seemed to be a limitless number of objects in the world that had no practical use but that people wanted to preserve: cell phones with their delicate buttons, iPads, Tyler’s Nintendo console, a selection of laptops. There were a number of impractical shoes, stilettos mostly, beautiful and strange. There were three car engines in a row, cleaned and polished, a motorcycle composed mostly of gleaming chrome. Traders brought things for Clark sometimes, objects of no real value that they knew he would like: magazines and newspapers, a stamp collection, coins. There were the passports or the driver’s licenses or sometimes the credit cards of people who had lived at the airport and then died. Clark kept impeccable records.

What's Toraf's favorite color?" She shrugs. "Whatever I tell him it is." I raise a brow at her. "Don't know, huh?" She crosses her arms. "Who cares anyway? We're not painting his toenails." "I think what's she's trying to say, honey bunches, is that maybe you should paint your nails his favorite color, to show him you're thinking about him," Rachel says, seasoning her words with tact. Rayna sets her chin. "Emma doesn't paint her nails Galen's favorite color." Startled that Galen has a favorite color and I don't know it, I say, "Uh, well, he doesn't like nail polish." That is to say, he's never mentioned it before. When a brilliant smile lights up her whole face, I know I've been busted. "You don't know his favorite color!" she says, actually pointing at me. "Yes, I do," I say, searching Rachel's face for the answer. She shrugs. Rayna's smirk is the epitome of I know something you don't know. Smacking it off her face is my first reflex, but I hold back, as I always do, because of the kiss I shared with Toraf and the way it hurt her. Sometimes I catch her looking at me with that same expression she had on the beach, and I feel like fungus, even though she deserved it at the time. Refusing to fold, I eye the buffet of nail polish scattered before me. Letting my fingers roam over the bottles, I shop the paints, hoping one of them stands out to me. To save my life, I can't think of any one color he wears more often. He doesn't have a favorite sport, so team colors are a no-go. Rachel picked his cars for him, so that's no help either. Biting my lip, I decide on an ocean blue. "Emma! Now I'm just ashamed of myself," he says from the doorway. "How could you not know my favorite color?" Startled, I drop the bottle back on the table. Since he's back so soon, I have to assume he didn't find what or who he wanted-and that he didn't hunt them for very long. Toraf materializes behind him, but Galen's shoulders are too broad to allow them both to stand in the doorway. Clearing my throat, I say, "I was just moving that bottle to get to the color I wanted." Rayna is all but doing a victory dance with her eyes. "Which is?" she asks, full of vicious glee. Toraf pushes past Galen and plops down next to his tiny mate. She leans into him, eager for his kiss. "I missed you," she whispers. "Not as much as I missed you," he tells her. Galen and I exchange eye rolls as he walks around to prop himself on the table beside me, his wet shorts making a butt-shaped puddle on the expensive wood. "Go ahead, angelfish," he says, nodding toward the pile of polish. If he's trying to give me a clue, he sucks at it. "Go" could mean green, I guess. "Ahead" could mean...I have no idea what that could mean. And angelfish come in all sorts of colors. Deciding he didn't encode any messages for me, I sigh and push away from the table to stand. "I don't know. We've never talked about it before." Rayna slaps her knee in triumph. "Ha!" Before I can pass by him, Galen grabs my wrist and pulls me to him, corralling me between his legs. Crushing his mouth to mine, he moves his hand to the small of my back and presses me into him. Since he's still shirtless and I'm in my bikini, there's a lot of bare flesh touching, which is a little more intimate than I'm used to with an audience. Still, the fire sears through me, scorching a path to the furthest, deepest parts of me. It takes every bit of grit I have not to wrap my arms around his neck. Gently, I push my hands against his chest to end the kiss, which is something I never thought I'd do. Giving him a look that I hope conveys "inappropriate," I step back. I've spent enough time in their company to know without looking that Rayna's eyes are bugging out of their sockets and Toraf is grinning like a nutcracker doll. With any luck, Rachel didn't even see the kiss. Stealing a peek at her, she meets my gaze with openmouthed shock. Okay, it looked as bad as I thought it did.

To Himself" So you've come to me now without knowing why; Nor why you sit in the ruby plush of an ugly chair, the sly Revealing angle of light turning your hair a silver gray; Nor why you have chosen this moment to set the writing of years Against the writing of nothing; you who narrowed your eyes, Peering into the polished air of the hallway mirror, and said You were mine, all mine; who begged me to write, but always Of course to you, without ever saying what it was for; Who used to whisper in my ear only the things You wanted to hear; who comes to me now and says That it's late, that the trees are bending under the wind, That night will fall; as if there were something You wanted to know, but for years had forgotten to ask, Something to do with sunlight slanting over a table And chair, an arm rising, a face turning, and far In the distance a car disappearing over the hill. Mark Strand, Collected Poems. (Knopf; First Edition edition September 30, 2014)

Lines that seemed unconnected gradually becomes part of a confession that had at its center rooms in the burning heat of August, where something has taken place, clearly sexual, but it is also the vacant streets of rural Texas, roads, forgotten friends, the slap of hands of rifle slings and forked pennants limp at parades. There are condoms, sun-faded cars, soiled menus with misspellings, a kind of pyre on which he had laid his life. That was why he seemed so pure – he had given all. Everyone lies about their lives, but he had not lied about his. He had made of it a noble lament, through it always running this thing you have had, that you will always have, but can never have. (There stood Erechteus, polished limbs and greaves....come to me, Hellas, I love for your touch.) I had met him at a party and only managed to say, – I read your beautiful poem.

There is a tendency for people affected by this epidemic to police each other or prescribe what the most important gestures would be for dealing with this experience of loss. I resent that. At the same time, I worry that friends will slowly become professional pallbearers, waiting for each death of their lovers, friends, and neighbors, and polishing their funeral speeches; perfecting their rituals of death rather than a relatively simple ritual of life such as screaming in the streets. I worry because of the urgency of the situations, because of seeing death coming in from the edges of abstraction where those with the luxury of time have cast it. I imagine what it would be like if friends had a demonstration each time a lover or a friend or a stranger died of AIDS. I imagine what it would be like if, each time a lover, friend or stranger died of this disease, their friends, lovers or neighbors would take the dead body and drive with it in a car a hundred miles an hour to washington d.c. and blast through the gates of the white house and come to a screeching halt before the entrance and dump their lifeless form on the front steps. It would be comforting to see those friends, neighbors, lovers and strangers mark time and place and history in such a public way. But, bottom line, this is my own feelings of urgency and need; bottom line, emotionally, even a tiny charcoal scratching done as a gesture to mark a person's response to this epidemic means whole worlds to me if it is hung in public; bottom line, each and every gesture carries a reverberation that is meaningful in its diversity; bottom line, we have to find our own forms of gesture and communication. You can never depend on the mass media to reflect us or our needs or our states of mind; bottom line, with enough gestures we can deafen the satellites and lift the curtains surrounding the control room.

Ellen got off the bus at the corner of Fifth Avenue and Fiftythird Street. Rosy twilight was gushing out of the brilliant west, glittered in brass and nickel, on buttons, in people's eyes. All the windows on the east side of the avenue were aflame. As she stood with set teeth on the curb waiting to cross, a frail tendril of fragrance brushed her face. A skinny lad with towhair stringy under a foreignlooking cap was offering her arbutus in a basket. She bought a bunch and pressed her nose in it. May woods melted like sugar against her palate. The whistle blew, gears ground as cars started to pour out of the side streets, the crossing thronged with people. Ellen felt the lad brush against her as he crossed at her side. She shrank away. Through the smell of the arbutus she caught for a second the unwashed smell of his body, the smell of immigrants, of Ellis Island, of crowded tenements. Under all the nickelplated, goldplated streets enameled with May, uneasily she could feel the huddling smell, spreading in dark slow crouching masses like corruption oozing from broken sewers, like a mob. She walked briskly down the cross-street. She went in a door beside a small immaculately polished brass plate.

Monday ushers in a particularly impressive clientele of red-eyed people properly pressed into dry-cleaned suits in neutral tones. They leave their equally well-buttoned children idling in SUVs while dashing to grab double-Americanos and foamy sweet lattes, before click-clacking hasty escapes in ass-sculpting heels and polished loafers with bowl-shaped haircuts that age every face to 40. My imagination speed evolves their unfortunate offspring from car seat-strapped oxygen-starved fast-blooming locusts, to the knuckle-drag harried downtown troglodytes they’ll inevitably become. One by one I capture their flat-formed heads between index finger and thumb for a little crush-crush-crushing, ever aware that if I’m lucky one day their charitable contributions will fund my frown-faced found art project to baffle someone’s hallway.

When she finally reached it, she bent forward and looked through the peephole. Jay was grinning back at her from outside. Her heart leaped for a completely different reason. She set aside her crutches and quickly unbolted the door to open it. "What took you so long?" Her knee was bent and her ankle pulled up off the ground. She balanced against the doorjamb. "What d'you think, dumbass?" she retorted smartly, keeping her voice down so she wouldn't alert her parents. "You scared the crap out of me, by the way. My parents are already in bed, and I was all alone down here." "Good!" he exclaimed as he reached in and grabbed her around the waist, dragging her up against him and wrapping his arms around her. She giggled while he held her there, enjoying everything about the feel of him against her. "What are you doing here? I thought I wouldn't see you till tomorrow." "I wanted to show you something!" He beamed at her, and his enthusiasm reached out to capture her in its grip. She couldn't help smiling back excitedly. "What is it?" she asked breathlessly. He didn't release her; he just turned, still holding her gently in his arms, so that she could see out into the driveway. The first thing she noticed was the officer in his car, alert now as he kept a watchful eye on the two of them. Violet realized that it was late, already past eleven, and from the look on his face, she thought he must have been hoping for a quiet, uneventful evening out there. And then she saw the car. It was beautiful and sleek, painted a glossy black that, even in the dark, reflected the light like a polished mirror. Violet recognized the Acura insignia on the front of the hood, and even though she could tell it wasn't brand-new, it looked like it had been well taken care of. "Whose is it?" she asked admiringly. It was way better than her crappy little Honda. Jay grinned again, his face glowing with enthusiasm. "It's mine. I got it tonight. That's why I had to go. My mom had the night off, and I wanted to get it before..." He smiled down at her. "I didn't want to borrow your car to take you to the dance." "Really?" she breathed. "How...? I didn't even know you were..." She couldn't seem to find the right words; she was envious and excited for him all at the same time. "I know right?" he answered, as if she'd actually asked coherent questions. "I've been saving for...for forever, really. What do you think?" Violet smiled at him, thinking that he was entirely too perfect for her. "I think it's beautiful," she said with more meaning than he understood. And then she glanced back at the car. "I had no idea that you were getting a car. I love it, Jay," she insisted, wrapping her arms around his neck as he hoisted her up, cradling her like a small child." "I'd offer to take you for a test-drive, but I'm afraid that Supercop over there would probably Taser me with his stun gun. So you'll have to wait until tomorrow," he said, and without waiting for an invitation he carried her inside, dead bolting the door behind him. He settled down on the couch, where she'd been sitting by herself just moments before, without letting her go. There was a movie on the television, but neither of them paid any attention to it as Jay reclined, stretching out and drawing her down into the circle of his arms. They spent the rest of the night like that, cradled together, their bodies fitting each other perfectly, as they kissed and whispered and laughed quietly in the darkness. At some point Violet was aware that she was drifting into sleep, as her thoughts turned dreamlike, becoming disjointed and fuzzy and hard to hold on to. She didn't fight it; she enjoyed the lazy, drifting feeling, along with the warmth created by the cocoon of Jay's body wrapped protectively around her. It was the safest she'd felt in days...maybe weeks... And for the first time since she'd been chased by the man in the woods, her dreams were free from monsters.

The headlights of parked cars shone through the rain, and the sidewalks extended, empty, into the darkness. Underground, the sewers surged like rivers, and a few blocks away, sirens blared. He was no longer aware of his heart or thoughts, only the image of a sunken face staring up from a well, the paleness rising through the water like polished bone. A ringed hand reached toward it, but as the fingers approached, the face would sink away, its eyes opening, closing, and the droplets of red falling like leaves. He was a child running through an autumn cemetery, leaping over cast iron fences, the rain bleeding into the tombstones and the roofs of the mausoleums, his legs following the wings of a crow, flapping to the north. A hedge of withered roses stood between him and his childhood house. He tripped and grazed his cheek on a manhole, his red blooming in the water. The sun set behind the hill; the house turned black—abandoned and derelict—and Chris knew he had to keep running, ahead, into the unknown.

For electric vehicles, the power plant generators alimenting the electrical grind will then produce the GHGs, not the car engine itself. Concerns for GHG emissions would then shift to the source of electric power generation and away from car manufacturers. Currently, there is a wide difference in GHGs emissions in various electrical grids, depending on the source of energy fueling the generators. The low emissions from Swedish and French grids are explained by a combination of nuclear and hydroelectric generation, while the high emissions of the Polish and US grids stem from the use of coal as a fuel in some generators. However, the emissions from the Californian grid are nearly half those of the IS average! The regional differences in emissions in the US grid are also explained by the differences in fuels used for electricity generation: California has a high proportion of hydroelectricity and nuclear plants, while in Michigan generation plants the dominant production fuels are coal and crude oil. Anybody concerned with GHG emissions should certainly switch to electric cars in Sweden, France, and California, but should use gasoline when driving in Michigan or Poland!

Melinda Pratt rides city bus number twelve to her cello lesson, wearing her mother's jean jacket and only one sock. Hallo, world, says Minna. Minna often addresses the world, sometimes silently, sometimes out loud. Bus number twelve is her favorite place for watching, inside and out. The bus passes cars and bicycles and people walking dogs. It passes store windows, and every so often Minna sees her face reflection, two dark eyes in a face as pale as a winter dawn. There are fourteen people on the bus today. Minna stands up to count them. She likes to count people, telephone poles, hats, umbrellas, and, lately, earrings. One girl, sitting directly in front of Minna, has seven earrings, five in one ear. She has wisps of dyed green hair that lie like forsythia buds against her neck. There are, Minna knows, a king, a past president of the United States, and a beauty queen on the bus. Minna can tell by looking. The king yawns and scratches his ear with his little finger. Scratches, not picks. The beauty queen sleeps, her mouth open, her hair the color of tomatoes not yet ripe. The past preside of the United States reads Teen Love and Body Builder's Annual. Next to Minna, leaning against the seat, is her cello in its zippered canvas case. Next to her cello is her younger brother, McGrew, who is humming. McGrew always hums. Sometimes he hums sentences, though most often it comes out like singing. McGrew's teachers do not enjoy McGrew answering questions in hums or song. Neither does the school principal, Mr. Ripley. McGrew spends lots of time sitting on the bench outside Mr. Ripley's office, humming. Today McGrew is humming the newspaper. First the headlines, then the sports section, then the comics. McGrew only laughs at the headlines. Minna smiles at her brother. He is small and stocky and compact like a suitcase. Minna loves him. McGrew always tells the truth, even when he shouldn't. He is kind. And he lends Minna money from the coffee jar he keeps beneath his mattress. Minna looks out the bus window and thinks about her life. Her one life. She likes artichokes and blue fingernail polish and Mozart played too fast. She loves baseball, and the month of March because no one else much likes March, and every shade of brown she has ever seen. But this is only one life. Someday, she knows, she will have another life. A better one. McGrew knows this, too. McGrew is ten years old. He knows nearly everything. He knows, for instance, that his older sister, Minna Pratt, age eleven, is sitting patiently next to her cello waiting to be a woman.

Jay's downstairs waiting." With her father on one side, and the handrail on the other, Violet descended the stairs as if she were floating. Jay stood at the bottom, watching her, frozen in place like a statue. His black suit looked as if it had been tailored just for him. His jacket fell across his strong shoulders in a perfect line, tapering at his narrow waist. The crisp white linen shirt beneath stood out in contrast against the dark, finely woven wool. He smiled appreciatively as he watched her approach, and Violet felt her breath catch in her throat at the striking image of flawlessness that he presented. "You...are so beautiful," he whispered fervently as he strode toward her, taking her dad's place at her arm. She smiled sheepishly up at him. "So are you." Her mom insisted on taking no fewer than a hundred pictures of the two of them, both alone and together, until Violet felt like her eyes had been permanently damaged by the blinding flash. Finally her father called off her mom, dragging her away into the kitchen so that Violet and Jay could have a moment alone together. "I meant it," he said. "You look amazing." She shook her head, not sure what to say, a little embarrassed by the compliment. "I got you something," he said to her as he reached inside his jacket. "I hope you don't mind, it's not a corsage." Violet couldn't have cared less about having flowers to pin on her dress, but she was curious about what he had brought for her. She watched as he dragged out the moment longer than he needed to, taking his time to reveal his surprise. "I got you this instead." He pulled out a black velvet box, the kind that holds fine jewelry. It was long and narrow. She gasped as she watched him lift the lid. Inside was a delicate silver chain, and on it was the polished outline of a floating silver heart that drifted over the chain that held it. Violet reached out to touch it with her fingertip. "It's beautiful," she sighed. He lifted the necklace from the box and held it out to her. "May I?" he asked. She nodded, her eyes bright with excitement as he clasped the silver chain around her bare throat. "Thank you," she breathed, interlacing her hand into his and squeezing it meaningfully. She reluctantly used the crutches to get out to the car, since there were no handrails for her to hold on to. She left like they ruined the overall effect she was going for. Jay's car was as nice on the inside as it was outside. The interior was rich, smoky gray leather that felt like soft butter as he helped her inside. Aside from a few minor flaws, it could have passed for brand-new. The engine purred to life when he turned the key in the ignition, something that her car had never done. Roar, maybe-purr, never. She was relieved that her uncle hadn't ordered a police escort for the two of them to the dance. She had half expected to see a procession of marked police cars, lights swirling and sirens blaring, in the wake of Jay's sleek black Acura. Despite sitting behind the wheel of his shiny new car, Jay could scarcely take his eyes off her. His admiring gaze found her over and over again, while he barely concentrated on the road ahead of him. Fortunately they didn't have far to go.

The Deliverator's car has enough potential energy packed into its batteries to fire a pound of bacon into the Asteroid Belt. Unlike a bimbo box or a Burb beater, the Deliverator's car unloads that power through gaping, gleaming, polished sphincters. When the Deliverator puts the hammer down, shit happens. You want to talk contact patches? Your car's tires have tiny contact patches, talk to the asphalt in four places the size of your tongue. The Deliverator's car has big sticky tires with contact patches the size of a fat lady's thighs. The Deliverator is in touch with the road, starts like a bad day, stops on a peseta. Why is the Deliverator so equipped? Because people rely on him. He is a role model. This is America. People do whatever the fuck they feel like doing, you got a problem with that? Because they have a right to. And because they have guns and no one can fucking stop them. As a result, this country has one of the worst economies in the world. When it gets down to it -- talking trade balances here -- once we've brain-drained all our technology into other countries, once things have evened out, they're making cars in Bolivia and microwave ovens in Tadzhikistan and selling them here -- once our edge in natural resources has been made irrelevant by giant Hong Kong ships and dirigibles that can ship North Dakota all the way to New Zealand for a nickel -- once the Invisible Hand has taken all those historical inequities and smeared them out into a broad global layer of what a Pakistani brickmaker would consider to be prosperity -- y'know what? There's only four things we do better than anyone else: * music * movies * microcode (software) * high-speed pizza delivery The Deliverator used to make software. Still does, sometimes. But if life were a mellow elementary school run by well-meaning education Ph.D.s, the Deliverator's report card would say: "Hiro is so bright and creative but needs to work harder on his cooperation skills." So now he has this other job. No brightness or creativity involved -- but no cooperation either. Just a single principle: The Deliverator stands tall, your pie in thirty minutes or you can have it free, shoot the driver, take his car, file a class-action suit. The Deliverator has been working this job for six months, a rich and lengthy tenure by his standards, and has never delivered a pizza in more than twenty-one minutes.

The process of receiving teaching depends upon the student giving something in return; some kind of psychological surrender is necessary, a gift of some sort. This is why we must discuss surrendering, opening, giving up expectations, before we can speak of the relationship between teacher and student. It is essential to surrender, to open yourself, to present whatever you are to the guru, rather than trying to present yourself as a worthwhile student. It does not matter how much you are willing to pay, how correctly you behave, how clever you are at saying the right thing to your teacher. It is not like having an interview for a job or buying a new car. Whether or not you will get the job depends upon your credentials, how well you are dressed, how beautifully your shoes are polished, how well you speak, how good your manners are. If you are buying a car, it is a matter of how much money you have and how good your credit is. But when it comes to spirituality, something more is required. It is not a matter of applying for a job, of dressing up to impress our potential employer. Such deception does not apply to an interview with a guru, because he sees right through us. He is amused if we dress up especially for the interview. Making ingratiating gestures is not applicable in this situation; in fact it is futile. We must make a real commitment to being open with our teacher; we must be willing to give up all our preconceptions. Milarepa expected Marpa to be a great scholar and a saintly person, dressed in yogic costume with beads, reciting mantras, meditating. Instead he found Marpa working on his farm, directing the laborers and plowing his land. I am afraid the word guru is overused in the West. It would be better to speak of one’s “spiritual friend,” because the teachings emphasize a mutual meeting of two minds. It is a matter of mutual communication, rather than a master-servant relationship between a highly evolved being and a miserable, confused one. In the master-servant relationship the highly evolved being may appear not even to be sitting on his seat but may seem to be floating, levitating, looking down at us. His voice is penetrating, pervading space. Every word, every cough, every movement that he makes is a gesture of wisdom. But this is a dream. A guru should be a spiritual friend who communicates and presents his qualities to us, as Marpa did with Milarepa and Naropa with Marpa. Marpa presented his quality of being a farmer-yogi. He happened to have seven children and a wife, and he looked after his farm, cultivating the land and supporting himself and his family. But these activities were just an ordinary part of his life. He cared for his students as he cared for his crops and family. He was so thorough, paying attention to every detail of his life, that he was able to be a competent teacher as well as a competent father and farmer. There was no physical or spiritual materialism in Marpa’s lifestyle at all. He did not emphasize spirituality and ignore his family or his physical relationship to the earth. If you are not involved with materialism, either spiritually or physically, then there is no emphasis made on any extreme. Nor is it helpful to choose someone for your guru simply because he is famous, someone who is renowned for having published stacks of books and converted thousands or millions of people. Instead the guideline is whether or not you are able actually to communicate with the person, directly and thoroughly. How much self-deception are you involved in? If you really open yourself to your spiritual friend, then you are bound to work together. Are you able to talk to him thoroughly and properly? Does he know anything about you? Does he know anything about himself, for that matter? Is the guru really able to see through your masks, communicate with you properly, directly? In searching for a teacher, this seems to be the guideline rather than fame or wisdom.

flavourings, and many other assorted pollutants. I got a plain house blend, black, no sugar, in the middle-sized go-cup, not the enormous grande bucket some folks like, and a slab of lemon pound cake to go with it, and I sat alone on a hard wooden chair at a table for two. The cake lasted five minutes and the coffee another five, and eighteen minutes after that Shoemaker’s guy showed up. Which made him navy, because twenty-eight minutes was pretty fast, and the navy is right there in Seattle. And his car was dark blue. It was a low-spec domestic sedan, not very desirable, but polished to a high shine. The guy himself was nearer forty

The low point occurred in July, during Romney’s junior week abroad, in which the press became increasingly frustrated over Romney’s refusal to talk to them. It came to a head in Warsaw during a visit by Romney to the Tomb of the Unknown Soldier there. As the former governor walked to his car, reporters shouted questions at him about his earlier mishaps. “Kiss my ass,” admonished Romney’s traveling press aide, Rick Gorka. “Show some respect. This is a holy site for the Polish people.” Channeling Fonzie, Gorka also instructed Jonathan Martin of Politico to “shove it.” Some in the political echo-system treated this as a major international incident, a skirmish between weary but still potent superpowers—the press, the Romney campaign—that conjured Cold War–like tensions. After Gorka’s unsacred words raced around the world, the jackals rechristened the Polish holy site “Gorka Park.” Ryan, on the other

Chapter FEEDING YOUR ATTENTION HOG I was once at a New Age party and wanted to get the attention of some particularly lovely sari-wearing, belly-dancing women who were floating in and out of the various rooms. I had discovered that I could move past some of my fear and make a connection with people through singing. So I pulled out my guitar and started playing a song I had worked particularly hard to polish, Fleetwood Mac’s “A Crystalline Knowledge of You.” I was able to make it through without too many mistakes and was starting to feel the relief that comes from surviving traumatic experiences. Then one of the belly-dancing goddesses called to me from across the room, “You are some kind of attention hog, aren’t you!” As soon as she said it, my life passed before me. The room started to swirl, as a typhoon of shame began to suck me down the toilet of my soul. “Embarrassment” is an inadequate word, when someone pins the tail on the jackass of what seems to be your most central core defect. I am usually scrupulous about checking with people when I make requests for attention. But this time I was caught with my hand in the cookie jar up to the elbow. I remember slinking away in silent humiliation, putting my guitar back in its case and making a beeline for my car. I just wanted to get back to my lair to lick my wounds, and try to hold my self-hate demons at bay with a little help from my friend Jack Daniels. After that incident I quit playing music in public at all. Several years later I was attending a very intense, emotional workshop with Dr. Marshall Rosenberg. Our group of about twenty people had been baring and healing our souls for several days. The atmosphere of trust, safety and connectedness had dissolved my defenses and left me with a innocent, childlike need to contribute. And then the words popped out of my mouth, “I’d like to share a song with you all.” These words were followed by the thought: “Now I’ve gone and done it. When everyone turns on me and confirms that I have an incurable narcissistic personality disorder, it will be fifty years before I sing in public again.” Dr. Rosenberg responded in a cheerful, inviting voice. “Sure, go get your guitar!” he said, as though he were unaware that I was about to commit hara-kiri. The others in the group nodded agreement. I ran to my car to get my guitar, which I kept well hidden in the trunk. I was also hoping that I would not just jump in my car and leave. I brought the guitar in, sat down, and played my song. Sweating and relieved that I made it through the song, my first public performance in years, I felt relief as I packed my guitar in its case. Then Dr. Rosenberg said, “And now I would like to hear from each group member how they felt about Kelly playing his song.” “Oh my God!” my inner jackals began to howl, “It was a setup! They made me expose my most vulnerable part and now they are going to crucify me, or maybe just take me out to the rock quarry for a well-deserved stoning!

polished, gleaming in the sun. Ali rolled her eyes and was about to say something when a couple kids in swimsuits appeared. They were running between the cars, chasing each other with bright water guns and heavy balloons. A little girl, no more than three or four, followed screaming, “Wait up! Mom said you have to play with me. Stop going so fast!” “Umm, okay. I know I said

She watches the wipers wagging back and forth. “A better explanation,” she says, “is that I have not told you why, or dare not tell you. When I think of the words, they seem so outrageous that they are best spoken into a pillow or into a hole in the ground, like King Midas.” “I don’t follow. What is it you can’t say?” “It’s that I no longer know where I am. I seem to move around perfectly easily among people, to have perfectly normal relations with them. Is it possible, I ask myself, that all of them are participants in a crime of stupefying proportions? Am I fantasizing it all? I must be mad! Yet every day I see the evidences. The very people I suspect produce the evidence, exhibit it, offer it to me. Corpses. Fragments of corpses that they have bought for money. “It is as if I were to visit friends, and to make some polite remark about the lamp in their living-room, and they were to say, ‘Yes, it’s nice, isn’t it? Polish-Jewish skin it’s made of, we find that’s best, the skins of young Polish-Jewish virgins.’ And then I go to the bathroom and the soap-wrapper says, ‘Treblinka — lOO% human stearate.’ Am I dreaming, I say to myself? What kind of house is this? “Yet I’m not dreaming. I look into your eyes, into Norma’s [his wife], into the children’s, and I see only kindness, human-kindness. Calm down, I tell myself, you are making a mountain out of a molehill. This is life. Everyone else comes to terms with it, why can’t you? Why can’t you?” She turns on him a tearful face. What does she want, he thinks? Does she want me to answer her question for her? They are not yet on the expressway. He pulls the car over, switches off the engine, takes his mother in his arms. He inhales the smell of cold cream, of old flesh. “There, there,” he whispers in her ear. “There, there. It will soon be over.

CHRISTOPHER CALLAN, Number Twelve, drove across town to Hackney, following his satnav to Victoria Park. It was a hot, sticky night, and he drove with the windows open, the warm breeze blowing onto his face. He looked around distastefully. It was a mongrel area: million-pound houses cheek by jowl with slumlike high-rises. He reversed into a parking space in one of the better streets, locked the car, and set off the rest of the way on foot. His destination was marked on his phone’s map, and he followed it across the southern end of the park, alongside a wide boating lake with a fountain throwing water into the air and Polish immigrants fishing for their dinners from the banks. Finally, he turned onto Grove Road.

He had polished the burled walnut panelling in cars one and two himself last week and even in the dim light the gleam pleased him, like the curve of a raven’s back before a wet dawn.

Reflected briefly in the car’s polished black door, just as his visitor ducked back into the sheltering shadow of the shutters, was not a darkly menacing shadow-shape laced with fire, but the stern, majestic figure of an armored warrior, with a diadem of stars bound across its noble brow and dark pinions sweeping from powerful shoulders to trail rainbows behind. And what its strong hands were cradling against its armored breast was not a radiator mascot but a tiny winged cherub.

Mark and Shane, the team leads, were very conscious of not burning everyone out because of their experience on StarCraft. They had both been associate producers on the project and vowed to avoid pushing Team 2 as hard as the StarCraft devs were pushed. StarCraft’s dev cycle was nightmarish in that the goal posts were always moving. Whenever they crossed the finish line, Allen Adham found room for improvement, saying the game wasn’t polished enough, and asked everyone if they could hunker down for a few weeks longer. Whenever the next deadline was reached, another issue would arise and it was extended again, prolonging the crunch of late hours. The light at the end of the StarCraft tunnel always turned out to be a mirage. Each “final” sprint collided directly into another. And then another. Fans camped out in Blizzard’s parking lot and counted the cars, reporting on websites how many people were working at night. StarCraft’s drop-dead due dates were missed again and again until it was over a year later. Shane reminisced how people slept in sleeping bags on the floor. Showers and meals were skipped. To this day, few people who served on the StarCraft team play the game. Both Shane and Mark agreed that people weren’t as productive when exhausted and it just wasn’t worth it. Allen Adham’s nerves had been so worn out he left the company he founded until Blizzard convinced him to help out on WoW years later. In the wake of StarCraft’s quality-of-life costs, Shane and Mark vowed they’d never push a team like that, and their solution was to start the late nights early.

The team spent several years working on Glitch, but it never caught on with a mainstream audience. The game was shut down in 2012 due to a lack of traction. Butterfield and his team had spent nearly four years working on a failed project. It was a painful setback—but it wasn’t “game over.” While working on Glitch, the team had built an internal productivity tool to streamline communication, and it was very effective. Instead of shutting down Tiny Speck, Butterfield decided to refocus the company around the productivity tool. They would polish and retool their internal app for external distribution, selling it to other companies with a SAAS (Software as a Service) pricing model. They called the new product Slack. The early traction for Slack was outstanding. In 2014, the company (now also known as Slack) raised $42.8 million in a new round of funding from several top tier venture firms. Later that year, they raised another $120 million, valuing the company at over $1 billion.[33] Your project might fail. But if your project fails, you don’t necessarily need to abandon your underlying passion. It’s like driving. When your car stops running, you don’t give up on the prospect of ever driving again—you get a new car so you can get back on the road. Butterfield knew he had a passion for startups, and he knew that startups were tough. When his vehicle broke down, he didn’t stop driving. He took his broken car to the dump, got a new one (with far more horsepower), and slammed his foot back down on the gas pedal.

But Musk had little interest in polishing up Tesla’s assets for the highest bidder. He’d started the company to put a dent in the automotive industry and force people to rethink electric cars.

oan Hilliard could feel the smile on her face as she stepped from her car. Not the best wheels, but they were hers, a token of four years spent working in a brokerage firm. Joan had always wanted to be a teacher, but she had finished college at the wrong time. To her great disappointment, she couldn’t land a teaching position. She had still wanted her own classroom but decided that any job was better than nothing. The brokerage firm paid well, and she felt better for the experience. She had learned about herself, how to work with other adults, and what life at work was all about. Above all, she felt more confident. She had learned to cope in a demanding and stressful adult environment. That experience ought to help in a classroom of kids. She was delighted to get a teaching assignment at Pico School. It looked like a friendly place from the outside. The surrounding neighborhood was in decline, but Pico boasted green lawns, welltrimmed shrubbery, and large, lattice-paned windows. Built in the 1950s, it had the architectural charm that Joan remembered from the schools of her childhood. As she walked through the arched entryway, she noticed the vaguely familiar smells of new wax and summer mustiness. As she turned down the corridor leading to the principal’s office, she ran into a tall, broad-shouldered man with hands on hips, scrutinizing the newly polished sheen on the floor. This had to be the custodian, admiring his work before hundreds of students’feet turned it into a mosaic of scuff marks. As she moved closer, he looked up and smiled as if he had

Two hours later, Paulina, their housekeeper, pulled up in her car. Her job was to clean the house twice a week, not to drive all the way to the outskirts of Cheltenham to pick up forgotten children. Paulina’s English was poor, and she had little to say to Stephen or the people at the school. She was always kind, though, and greeted him with a Twix bar and a sympathetic manner. Stephen tried to make some conversation on the drive back. He didn’t really speak Polish, but had taken the first two levels of an online, self-teaching course in order to try to communicate with her. She always appreciated his efforts and smiled, though it was a wincing smile that suggested he was destroying her language with the dull edge of his tongue.

Falon stared at Del intently, trying to figure out what was different. As usual, Del was impeccably dressed in a lavender dress that revealed her curves. Her nail polish and shoes matched her clothing perfectly. Del’s shoulder-length blond hair looked the same. “Smile at me,” Falon said suddenly, and Del showed her teeth. “You got Botox again.” “Yeah, my dentist does it at his office now. I can get my teeth cleaned and my lines erased at the same time. If I could get him to do collagen injections, I’d be set. I wish these doctors would work together. If my gynecologist worked in the same office as my dentist, I’d look like a race car in the pit. I’d get it all done in one appointment and be back on the road in no time.” Del glanced at her watch. “That reminds me, I’m going to see a plastic surgeon for a consultation tomorrow, so I’ll be late getting here in the morning.” “Would you leave your face alone? Del, you look fine.” “It’s not my face, I’m thinking about having my vagina reshaped. The other day when I was being lasered, I was staring at it in the big mirror. You can really see all your girl junk in it, but it’s kind of magnified, so I wasn’t really sure if things were as out of proportion as they seemed. When I got home, I looked at it with a hand mirror, and it still doesn’t look right to me.” Del stood and began pulling up her dress. “You’ve seen a shitload of vaginas, so I want you to tell me—” “Don’t you dare whip that out in here!” Falon covered her eyes with her hand. “I’m not looking at it, Del. I’m not!” “Come on, really?” Del looked completely taken aback. “You looked at my boobs.” “That’s because you turned them loose before I realized what you were doing.” Falon waved her hand. “Your lady junk is far more personal than boobs.” “How so?” “Cleavage,” Falon blurted out. “You wear shirts that show cleavage, that’s like a little preview. Your lady junk is a total mystery, and I want it to stay that way...

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In my fantasy, I always strangled them as they slept. I don’t know why, but it seemed the most humane way. I knew from my earliest sexual awakenings that I was gay. I was always attracted to men and never really questioned why. I just accepted the fact that I liked men and not women. I was raised Lutheran, and I knew the faith frowned on gays. I saw that openly gay people could have a tough time of it, so I decided to keep this my little secret. This wasn’t hard, since I kept most thoughts to myself. “I don’t know why, but my fantasies always included cutting into the dead bodies of my lovers. I sliced their torso from chin to crotch and pulled out their inner viscera, laying it on their chest. The thought of the warm inner cavity excited me tremendously, and I masturbated thinking about it. The orgasm was always pleasurable and intense. I’m not sure, but I think this was an extension of something I got involved in as a kid. When I was lonely or when my mom and dad fought, I walked the country roads by my house in Bath. I noticed that occasionally there were dead animals along the roadside, hit by cars. I was interested in what they looked like on the inside. At first, I brought them home and cut them up, examining their insides, not telling anyone. But the more interested I became, the less pleasure I got from just cutting into them. “The inner workings of these creatures fascinated me and I wanted to preserve their bones. I remember that I talked to Dad about my interest. I told him that I would like to preserve the bones in some way for future study. Dad was a chemist and knew all about chemicals that could clean off the dead skin. I wanted to sterilize the bones so they could be handled safely. I actually think he was proud of my interest. He helped me by providing various solutions, and even helped me build a little cemetery along the side of our garage to bury my experiments after I was finished studying them. This phase of finding dead animals along the road lasted until I was about fourteen. I actually had the complete set of bones from a large dog I found dead along the side of the road. It was a beagle, and I severed all the flesh from its body, cleaned and polished the bones with various solutions, and reassembled the animal on a large piece of wood. It was just like something in a museum.

the Deliverator’s car unloads that power through gaping, gleaming, polished sphincters. When the Deliverator puts the hammer down, shit happens.

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behind the facades of conformity and mass consumerism, the smart lawns, the polished cars, and the colorful hanging baskets, everyone had their own personal demons to fight. Nobody escaped life. Everyone was screwed up.

Nothing,’ he said. ‘Ask her again. Tell her he has been seen. Tell her he is to go into the army, he will sign the list, he will go.’ Tomasz relayed what Bauer told him. She looked at him in amazement. ‘You are Polish,’ she said. ‘You are. Why are you helping them? My son is young. Why does he have to go and fight? He is not German.’ Before Tomasz could answer, footsteps were behind them, quick, fast across the cobbles – Kacper was escaping. ‘Perfect,’ Bauer said, smiling. Schröder ran first; Bauer walked behind. Kacper was quick, and Schröder could not keep

Poetry. Was there any other worse form of hell? I plopped my sandaled feet up on the picnic table in front of me. Too-bright hot pink nail polish on my toenails claimed my attention, and I squinted, trying for blinders to focus on this stupid assignment. I tuned out the hot summer sun baking me in the staff’s lunch area at the animal shelter. Ignored the country tunes murmuring from my coworker’s car across the lot. Dismissed the distant barking in the building behind me. Focus. Po-et-ry… Nothing. I gnawed on my lower lip and tapped the pencil to the notebook on my thighs.

Why was it that people always got involved in one’s life? If only one could manage things on the principle of the railways! Parallel tracks⁠—that was the thing. For a few miles you’d be running at the same speed. There’d be delightful conversation out of the windows; you’d exchange the omelette in your restaurant car for the vol-au-vent in theirs. And when you’d said all there was to say, you’d put on a little more steam, wave your hand, blow a kiss and away you’d go, forging ahead along the smooth, polished rails. But instead of that, there were these dreadful accidents; the points were wrongly set, the trains came crashing together; or people jumped on as you were passing through the stations and made a nuisance of themselves and wouldn’t allow themselves to be turned off.

I think of hot, crowded, smog-covered Tokyo, of steaming Osaka, of poor fragmented Kyoto, and I know that even there, right now, there are carpenters and stonecutters who take pride in their work, taxi drivers who polish their cars, salesmen who believe in the company, housewives who believe in happiness, disinterested politicians, students who have faith in the future, and waitresses who manage smiles for each of their hundreds of daily customers. And I know that such things have largely vanished elsewhere. And I wondered what depths of humanity the Japanese must contain that, even now, despite everything, they remain civil to each other, remain fond of each other. And so I want to go to the font of that humanity, to this still and backward place where people live better than anywhere else because they live according to their own natures.

In a restaurant, I can’t sit with my back to the door. Not sure if I’m OCD, but I excel at organizational skills. Slightly claustrophobic, not crazy about heights. Love martinis but one is enough. Tend to be opinionated at times but good at reigning it in. Love long-legged women, clueless about cars, love trucks. I read several dozen books a year, cook every night, and am uncomfortable if music isn’t playing. Don’t like scat singing or modulation, jazz is my preferred music, and my favorite colors are black and dark blue. Have no problem eating on my own in a restaurant, have to have a dog, and hate clowns and circuses. I’d never heard a Pink Floyd album until 2015, Penderecki’s “Polish Requiem” can make me cry, love trains, and am a confirmed sushi snob. I’ve never wanted to be anyone else, but if I had to choose I’d be Michael Caine.

A pair of predatory-looking Christian Scientists were edging toward a trio of young office techs who wore idealized holographic vaginas on their wrists, wet pink glittering under the harsh lighting. The techs licked their perfect lips nervously and eyed the Christian Scientists from beneath lowered metallic lids. The girls looked like tall, exotic grazing animals, swaying gracefully and unconsciously with the movement of the train, their high heels like polished hooves against the gray metal of the car’s floor.

THE OLD CAR WAS SUNK TO THE BUMPERS WHEN I DISCOVERED IT, but my first thought was how good it would be to sleep in there and hear the rain drumming on steel rather than splattering against our tattered old tarp. I was Maggie back then. Maggie, the name my parents gave me. A nice name. But these weren’t nice times. We were tired and hungry, and the GreyDevil bonfires were burning brighter and the solar bear howls were getting closer, and every morning as I strapped my SpitStick across my back and set out to scavenge, I found myself thinking I needed a better name. A stronger name. I mean, the name Maggie was fine, it just seemed kinda underpowered. So when I scrubbed the moss from the side of that old car overlooking Goldmine Gully and saw the chrome letters—Ford Falcon—I climbed up on the hood and stood there with my steel-toed boots planted wide and I wedged my fists on my hips and I announced that Maggie was yesterday, and from this day forward I would answer only to Ford Falcon. Ford, because we had a lot of rivers to cross. Falcon, because, well, if you have a lot of rivers to cross, a pair of wings can’t hurt, and then once you get across the river it’s likely you will need sharp eyes and an even sharper beak. Yes. I know. I named myself after an old dead car. Worse yet, it’s not even a cool car. It’s a station wagon. Station wagons were how parents hauled kids around during the time between covered wagons and minivans. These days you won’t see a minivan unless it’s being pulled by a horse, and even horses are hard to come by. But if you see me you will know me because I wear a vest made from the hide of a beast that tried to kill me and lost. I skinned that beast myself, and also I skinned the lettering from that old dead car and stitched it to the vest across my shoulder blades using copper wire so that in polished chrome the world can read my name and know it: Ford Falcon.

At that point in time, Gokul Rajaram was a legendary éminence grise in the ad-tech world. The so-called godfather of AdSense, Google’s secondary gold mine after AdWords, Gokul was a constant presence on the conference circuit, and an omnipresent adviser or investor in just about every advertising technology company worth talking about. He too had come to Facebook via a small acqui-hire, though really that had been just a career breather between his time at Google and his hiring at Facebook. University at the Indian Institute of Technology (IIT), followed by an American MBA, he was your standard-issue Indian techie, and probably that country’s most valuable export after steel and Tata Motors. “What’s the first thing you would change about Facebook Ads if we hired you?” There was about as much polish and prologue to Gokul as that of a North Korean diplomat. “I’d build a conversion-tracking system. It’s unbelievable you don’t have one yet.” A conversion-tracking system is software that tells you if an advertisement has worked in driving a conversion (or “sale” in marketing-speak), and lets you retweak your marketing campaigns based on performance. An ads system without conversion tracking is like a car without rearview mirrors; nay, it’s like a car without even rear or side windows. All you can see is forward, merrily driving along, not even understanding what’s behind you or what you just ran over. It’s a danger to yourself and others, and it was a sign of just how out-of-touch Facebook Ads management was that this somehow never got prioritized. From Gokul’s smile the conclusion was clearly . . . right answer! And so the conversation went, traversing various potential aspects of the Facebook Ads system, and what the company needed to build. It was a giddy Gokul—I’d soon learn he was almost always giddy—who escorted me out the door. The boys and I had arrived separately, assuming we’d get out at different times, and separately did we go back to the GrokPad. There, we compared notes. MRM and Argyris weren’t exactly rousing in their reviews of the experience. In fact, it was clear that the fascist vibe the company gave off had very much rubbed them the wrong way. They had never really liked Facebook, as either product or company, going back to our visits to their developer events. The daylong hazing had done nothing to charm them.

He never talked about material things, like buying a house or a car or even new shoes. His money went largely toward books, which to him were like sacred objects, providing ballast for his mind. He read late into the night, often long after I’d fallen asleep, plowing through history and biographies and Toni Morrison, too. He read several newspapers daily, cover to cover. He kept tabs on the latest book reviews, the American League standings, and what the South Side aldermen were up to. He could speak with equal passion about the Polish elections and which movies Roger Ebert had panned and why.

Another time, we got caught in a riot in Paris. My dad found the nearest parked car, pushed me into the backseat, and told me to stay down. I pressed myself against the floorboards and kept my eyes shut tight. I could hear Dad in the driver’s seat, rummaging in his bag, mumbling something to himself while the mob yelled and destroyed things outside. A few minutes later he told me it was safe to get up. Every other car on the block had been overturned and set on fire. Our car had been freshly washed and polished, and several twenty-euro notes had been tucked under the windshield wipers.

At noon one day Will Hamilton came roaring and bumping up the road in a new Ford. The engine raced in its low gear, and the high top swayed like a storm-driven ship. The brass radiator and the Prestolite tank on the running board were blinding with brass polish. Will pulled up the brake lever, turned the switch straight down, and sat back in the leather seat. The car backfired several times without ignition because it was overheated. “Here she is!” Will called with a false enthusiasm. He hated Fords with a deadly hatred, but they were daily building his fortune. Adam and Lee hung over the exposed insides of the car while Will Hamilton, puffing under the burden of his new fat, explained the workings of a mechanism he did not understand himself. It is hard now to imagine the difficulty of learning to start, drive, and maintain an automobile. Not only was the whole process complicated, but one had to start from scratch. Today’s children breathe in the theory, habits, and idiosyncracies of the internal combustion engine in their cradles, but then you started with the blank belief that it would not run at all, and sometimes you were right. Also, to start the engine of a modern car you do just two things, turn a key and touch the starter. Everything else is automatic. The process used to be more complicated. It required not only a good memory, a strong arm, an angelic temper, and a blind hope, but also a certain amount of practice of magic, so that a man about to turn the crank of a Model T might be seen to spit on the ground and whisper a spell. Will Hamilton explained the car and went back and explained it again. His customers were wide-eyed, interested as terriers, cooperative, and did not interrupt, but as he began for the third time Will saw that he was getting no place. “Tell you what!” he said brightly. “You see, this isn’t my line. I wanted you to see her and listen to her before I made delivery. Now, I’ll go back to town and tomorrow I’ll send out this car with an expert, and he’ll tell you more in a few minutes than I could in a week. But I just wanted you to see her.” Will had forgotten some of his own instructions. He cranked for a while and then borrowed a buggy and a horse from Adam and drove to town, but he promised to have a mechanic out the next day.

A brief snapshot of Race Maggad III: rangy and blond, with a smooth plump-looking chin, narrow green eyes and a tan as smooth as peanut butter. His long aquiline nose has a permanent hump where he once whacked himself accidentally with a polo mallet. Twice weekly his fingernails are professionally polished to a porcelain sheen, and the tooth whitener of his preference is imported at no small expense from Marseille. He calls his wife 'Casey-Coo' and they own four neutered Golden Retrievers, in lieu of children. They tend homes in Wellington, Florida; East Hampton, Long Island; and San Diego, California, where Maggad-Feist has its corporate headquarters. The man of the house loves sports cars, particularly those of German pedigree. Recently he turned forty-one, the same age at which Bebe the bottle-nosed dolphin (one of seven who played Flipper on TV) passed away.