“
The car goes where the eyes go.
”
”
Garth Stein (The Art of Racing in the Rain)
“
Normal is getting dressed in clothes that you buy for work and driving through traffic in a car that you are still paying for—in order to get to the job you need to pay for the clothes and the car, and the house you leave vacant all day so you can afford to live in it.
”
”
Ellen Goodman
“
Where is my chance to be somebody's Peter Van Houten?' He hit the steering wheel weakly, the car honking as he cried. He leaned his head back, looking up. 'I hate myself I hate myself I hate this I hate this I disgust myself I hate it I hate it I hate it just let me fucking die.
”
”
John Green (The Fault in Our Stars)
“
Sam came around the side of the car and stopped dead when he saw me. “Oh my God, what is THAT?” I used my thumb and middle finger to flick the multicolored pom-pom on top of my head. “In my language, we call it a HAT. It keeps my ears warm.” “Oh my God,” Sam said again, and closed the distance between us. He cupped my face in his hands and studied me. “It’s horribly cute.” He kissed me, looked at the hat, and then he kissed me again. I vowed never to lose the pom-pom hat.
”
”
Maggie Stiefvater (Shiver (The Wolves of Mercy Falls, #1))
“
He crouched at the car window and looked in. 'What a lovely family you have. What a charming family. They're all lovely. Except for that one.' His finger jabbed the glass. 'That one's a bit ugly.
”
”
Derek Landy (Death Bringer (Skulduggery Pleasant, #6))
“
One morning, about four o'clock, I was driving my car just about as fast as I could. I thought, 'Why am I out on the highway this time of night?' I was miserable, and it all came to me: 'I'm falling in love with somebody I have no right to fall in love with. I can't fall in love with this man, but it's just like a ring of fire.
”
”
June Carter Cash
“
We go downstairs and in the hall, he takes my coat from the cupboard and holds it open while I slip my arms into it. In the drive outside, he holds the car door for me and waits until I’m in. As he closes it behind me, I can’t help thinking it’s a shame he’s such a sadistic bastard, because he has wonderful manners.
”
”
B.A. Paris (Behind Closed Doors)
“
Did you know that the average American spends six months of his or her life waiting for red lights to turn green? Six months wasted, waiting for permission to move on. Think of all the other stuff you could do with that time.”
I was totally confused. “In the car?”
“In your life,” he said.
”
”
Megan McCafferty (Sloppy Firsts (Jessica Darling, #1))
“
Don’t you read?” I asked Nicholas, disgusted. “If you leave me here now that you’ve got Solange all safe, they’ll grab me to get to her.”
Solange opened the back door and I leaped in. The car sped off . Shadows flitted beside us, menacing, hungry. I shivered. Then I smacked the back of Nicholas’s head.
“Idiot.
”
”
Alyxandra Harvey (My Love Lies Bleeding (Drake Chronicles, #1))
“
Roarke: "I'll drop you."
Eve: "No, better I catch a cab or take the underground. This guy sees me show up in a hot car with a fancy piece behind the wheel, he's not going to like me."
Roarke: "You know how I love being referred. to as your fancy piece."
Eve: "Sometimes you're my love muffin.
He managed a strangled laugh.She could, at the oddest times, surprise him.
”
”
J.D. Robb (Imitation in Death (In Death, #17))
“
Since we’re opening up with our feelings and all, I feel the need to tell you that this is the gayest car I’ve ever been in,
”
”
Abigail Roux (Caught Running)
“
Ten feet from the car, a man stepped directly into our path. We came to a screeching halt, and I jerked Lissa back by her arm. It was him, the guy I’d seen across the street watching me. He was older than us, maybe mid-twenties, and as tall as I’d figured, probably six-six or six-seven. And under different circumstances–say, when he wasn’t holding up our desperate escape–I would have thought he was hot. Shoulder-length brown hair, tied back in a short ponytail. Dark brown eyes. A long brown coat–a duster, I thought it was called.
But his hotness was irrelevant now. He was only an obstacle keeping Lissa and me away from the car and our freedom. The footsteps behind us slowed, and I knew our pursuers had caught up. Off to the sides, I detected more movement, more people closing in. God. They’d almost sent a dozen guardians to retrieve us. I couldn’t believe it. The queen herself didn’t travel with that many.
”
”
Richelle Mead (Vampire Academy (Vampire Academy, #1))
“
I like storms. Thunder torrential rain, puddles, wet shoes. When the clouds roll in, I get filled with this giddy expectation. Everything is more beautiful in the rain. Don't ask me why. But it’s like this whole other realm of opportunity. I used to feel like a superhero, riding my bike over the dangerously slick roads, or maybe an Olympic athlete enduring rough trials to make it to the finish line. On sunny days, as a girl, I could still wake up to that thrilled feeling. You made me giddy with expectation, just like a symphonic rainstorm. You were a tempest in the sun, the thunder in a boring, cloudless sky. I remember I’d shovel in my breakfast as fast as I could, so I could go knock on your door. We’d play all day, only coming back for food and sleep. We played hide and seek, you’d push me on the swing, or we’d climb trees. Being your sidekick gave me a sense of home again. You see, when I was ten, my mom died. She had cancer, and I lost her before I really knew her. My world felt so insecure, and I was scared. You were the person that turned things right again. With you, I became courageous and free. It was like the part of me that died with my mom came back when I met you, and I didn’t hurt if I knew I had you. Then one day, out of the blue, I lost you, too. The hurt returned, and I felt sick when I saw you hating me. My rainstorm was gone, and you became cruel. There was no explanation. You were just gone. And my heart was ripped open. I missed you. I missed my mom. What was worse than losing you, was when you started to hurt me. Your words and actions made me hate coming to school. They made me uncomfortable in my own home. Everything still hurts, but I know none of it is my fault. There are a lot of words that I could use to describe you, but the only one that includes sad, angry, miserable, and pitiful is “coward.” I a year, I’ll be gone, and you’ll be nothing but some washout whose height of existence was in high school. You were my tempest, my thunder cloud, my tree in the downpour. I loved all those things, and I loved you. But now? You’re a fucking drought. I thought that all the assholes drove German cars, but it turns out that pricks in Mustangs can still leave scars.
”
”
Penelope Douglas (Bully (Fall Away, #1))
“
That’s a ‘Fuck Me’ car and you know it.” ~ Dallas
“Well, yeah. Maybe. But it’s got to be fast.” ~ Peabody
”
”
J.D. Robb (Vengeance in Death (In Death, #6))
“
So what are you doing next Friday night?"
"What have you got in mind?"
"We could try hitting each other with cars," she suggested cheerfully.
"Did that last weekend with Jase," he said with mock regret.
"Go to the zoo and throw ourselves to the lions?" she fired back quickly, desperate to keep him focused on her rather than his caved-in chest.
"The Romans sort of wore that one out. Got anything original?"
"I'll think of something," she warned him.
"Can't wait!
”
”
Josephine Angelini (Starcrossed (Starcrossed, #1))
“
This place is packed," Vee complained. "Where am I supposed to park?" She steered down an alley and slowed to a stop behind a bookstore. "This looks good. Lots of parking back here."
"The sign says employee parking only."
"How are they going to know that we aren't employees? The Neon blends right in. All these cars speak low class."
"The sign says violators will be towed."
"They just say that to scare people like you and me away. It's an empty threat. Nothing to worry about."
.......
Vee came to a halt. "What is THAT?"
We were standing in the parking lot behind the bookstore, a few feet from the Neon, and we were staring at a large piece of metal attached to the left rear tire.
"I think it's a car boot," I said.
"I can see that. What's it doing on my car?"
"I guess when they say all violators will be towed, they mean it.
”
”
Becca Fitzpatrick (Crescendo (Hush, Hush, #2))
“
Will I see you again?”
His grin had lost its wild flair. Instead, it was limp and very small. “Sure you will.” A pause. “In my next movie.” With one last look, he climbed in his car and drove away.
”
”
Willowy Whisper (Angel Gate)
“
But it is just two lovers, holding hands and in a hurry to reach their car, their locked hands a starfish leaping through the dark.
”
”
John Updike (Rabbit, Run)
“
Keys," she repeated, and slowly stepped back. "What do you mean, keys?"
"Car keys. As in, give them up. Now." Shane had that look -- hard, and no bullshit. "We don't have time for your drama, Monica. Nobody does.
”
”
Rachel Caine (Last Breath (The Morganville Vampires, #11))
“
Ma'am,' Augustus said, nodding toward her, 'your daughter's car has just been deservedly egged by a blind man. Please close the door and go back inside or we'll be forced to call the police.' After wavering for a moment, Monica's mom closed the door and disappeared.
”
”
John Green (The Fault in Our Stars)
“
Why do you give me cars?"
"It's fun," Ranger said."And it keeps you safe. Do you want to know why keeping you safe is important to me?"
"You love me?"
"Yes."
A sigh inadvertently escaped. "We're really screwed up, aren't we?"
"In a very large way," Ranger said.
”
”
Janet Evanovich (Sizzling Sixteen (Stephanie Plum, #16))
“
But...surely you know where your nephew is going?' she asked, looking bewildered.
'Certainly we know,' said Vernon Dursley. 'He's off with some of your lot, isn't he?
Right, Dudley, let's get in the car, you heard the man, we're in a hurry.'
Again, Vernon Dursley marched as far as the front door, but Dudley did not follow.
'Off with some of our lot?'
Hestia looked outraged. Harry had met the attitude before: witches and wizards seemed stunned that his closest living family took so little interest in the famous Harry Potter.
'It's fine,' Harry assured her. 'It doesn't matter, honestly.'
'Doesn't matter?' repeated Hestia, her voice rising ominously.
'Don't these people realise what you've been through? What danger you are in? The unique position you hold in the hearts of the anti-Voldemort movement?
'Er - no, they don't,' said Harry. 'They think I'm a waste of space, actually, but I'm used to -'
'I don't think you're a waste of space.'
If Harry had not seen Dudley's lips move, he might not have believed it.
”
”
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
“
…"It was fun tonight. But you know what would be even more fun?" "What's that?" she asks. "Making out with you in my car when we get back to your place. You know, to see how foggy we can get the glass?" "That does sounds like fun. Count me in." By the time I walked her to her door, I couldn't see anything outside of my windows.
”
”
Sawyer Bennett (Off Sides (Off, #1))
“
I don't really know if it's the right thing to do, making new life. Kids grow up, generations take their place. What does it all come to? More hills bulldozed and more ocean fronts filled in? Faster cars and more cats run over? Who needs it?
”
”
Haruki Murakami (A Wild Sheep Chase (The Rat, #3))
“
Goddamn Summerset. I've told him to leave my car when I park it."
"I think he did." Peabody flipped on her sunshades, pointed. "It's blocking the drive, see?"
"Oh, yeah." Eve cleared her throat. The car was just as she'd left it, and fluttering in the mild breeze were a few torn articles of clothing. "Don't ask," she muttered and started to hoof it down the drive.
"I wasn't going to." Peabody's voice was smooth as silk, "Speculation's more interesting.
”
”
J.D. Robb (Rapture in Death (In Death, #4))
“
Were they aware, in the intensity of their embrace, of something slightly ridiculous about this tableau, something almost comical, as someone nearby sneezed violently into a crumpled tissue; as a dirty discarded plastic bottle scuttled along the platform under a breath of wind; as a mechanised billboard on the station wall rotated from an advertisement for hair products to an advertisement for car insurance; as life in its ordinariness and even ugly vulgarity imposed itself everywhere all around them? Or were they in this moment unaware, or something more than unaware—were they somehow invulnerable to, untouched by, vulgarity and ugliness, glancing for a moment into something deeper, something concealed beneath the surface of life, not unreality but a hidden reality: the presence at all times, in all places, of a beautiful world?
”
”
Sally Rooney (Beautiful World, Where Are You)
“
I wondered how long it took for a baby to become yours, for familiarity to set in. Maybe as long as it took a new car to lose that scent, or a brand-new house to gather dust. Maybe that was the process more commonly described as bonding: the act of learning your child as well as you know yourself.
”
”
Jodi Picoult (Handle with Care)
“
When I was in college, a teacher once said that all women live by a ‘rape schedule.’ I was baffled by the term, but as she went on to explain, I got really freaked out. Because I realized that I knew exactly what she was talking about. And you do too. Because of their constant fear of rape (conscious or not), women do things throughout the day to protect themselves. Whether it’s carrying our keys in our hands as we walk home, locking our car doors as soon as we get in, or not walking down certain streets, we take precautions. While taking precautions is certainly not a bad idea, the fact that certain things women do are so ingrained into our daily routines is truly disturbing. It’s essentially like living in a prison – all the time. We can’t assume that we’re safe anywhere: not on the streets, not in our homes. And we’re so used to feeling unsafe that we don’t even see that there’s something seriously fucked up about it.
”
”
Jessica Valenti (Full Frontal Feminism)
“
Okay, it's like this. You wake up, you watch TV, and you get in the car and you listen to the radio. You go to your little job or your little school, but you're not going to hear about that on the 6:00 news, since guess what. Nothing is really happening. You read the paper, or if you're into that sort of thing you read a book, which is just the same as watching only even more boring. You watch TV all night, or maybe you go out so you can watch a movie, and maybe you'll get a phone call so you can tell your friends what you've been watching. And you know, it's got so bad that I've started to notice, the people on TV? Inside the TV? Half the time they're watching TV. Or if you've got some romance in a movie? What to they do but go to a movie? All those people, Marlin," he invited the interviewer in with a nod. "What are they watching?"
After an awkward silence, Marlin filled in, "You tell us, Kevin."
"People like me.
”
”
Lionel Shriver (We Need to Talk About Kevin)
“
So when I watch trains, it makes me think about how much movement there is in the world. How every train has dozens of cars and every car has hundreds of parts, and all those parts and cars work day after day. And then there are all these other motions. People are born and die. Seasons change. Rivers flow to the sea. Earth circles the sun and the moon circles Earth. Everything whirring and spinning toward something. And I get to be part of it for a little while, the way I get to watch a train for a minute or two, and then it's gone.
”
”
Jeff Zentner (The Serpent King)
“
I tell you this not as aimless revelation but because I want you to know, as you read me, precisely who I am and where I am and what is on my mind. I want you to understand exactly what you are getting: you are getting a woman who for some time now has felt radically separated from most of the ideas that seem to interest people. You are getting a woman who somewhere along the line misplaced whatever slight faith she ever had in the social contract, in the meliorative principle, in the whole grand pattern of human endeavor. Quite often during the past several years I have felt myself a sleepwalker, moving through the world unconscious of the moment’s high issues, oblivious to its data, alert only to the stuff of bad dreams, the children burning in the locked car in the supermarket parking lot, the bike boys stripping down stolen cars on the captive cripple’s ranch, the freeway sniper who feels “real bad” about picking off the family of five, the hustlers, the insane, the cunning Okie faces that turn up in military investigations, the sullen lurkers in doorways, the lost children, all the ignorant armies jostling in the night. Acquaintances read The New York Times, and try to tell me the news of the world. I listen to call-in shows.
”
”
Joan Didion (The White Album)
“
Roarke had to force himself not to snatch her up as she swept through the hallowed Senate halls. Members of the media were already leaping toward her, but she cut through them as if they weren’t there. “I like your style, Lieutenant Dallas,” he said when they’d fought their way to the car. “I like it a lot. And by the way, I don’t think I’m in love with you anymore. I know I am.
”
”
J.D. Robb (Naked in Death (In Death, #1))
“
I draw a line down the middle of a chalkboard, sketching a male symbol on one side and a female symbol on the other. Then I ask just the men: What steps do you guys take, on a daily basis, to prevent yourselves from being sexually assaulted? At first there is a kind of awkward silence as the men try to figure out if they've been asked a trick question. The silence gives way to a smattering of nervous laughter. Occasionally, a young a guy will raise his hand and say, 'I stay out of prison.' This is typically followed by another moment of laughter, before someone finally raises his hand and soberly states, 'Nothing. I don't think about it.' Then I ask women the same question. What steps do you take on a daily basis to prevent yourselves from being sexually assaulted? Women throughout the audience immediately start raising their hands. As the men sit in stunned silence, the women recount safety precautions they take as part of their daily routine. Here are some of their answers: Hold my keys as a potential weapon. Look in the back seat of the car before getting in. Carry a cell phone. Don't go jogging at night. Lock all the windows when I sleep, even on hot summer nights. Be careful not to drink too much. Don't put my drink down and come back to it; make sure I see it being poured. Own a big dog. Carry Mace or pepper spray. Have an unlisted phone number. Have a man's voice on my answering machine. Park in well-lit areas. Don't use parking garages. Don't get on elevators with only one man, or with a group of men. Vary my route home from work. Watch what I wear. Don't use highway rest areas. Use a home alarm system. Don't wear headphones when jogging. Avoid forests or wooded areas, even in the daytime. Don't take a first-floor apartment. Go out in groups. Own a firearm. Meet men on first dates in public places. Make sure to have a car or cab fare. Don't make eye contact with men on the street. Make assertive eye contact with men on the street.
”
”
Jackson Katz (The Macho Paradox: Why Some Men Hurt Women and How All Men Can Help (How to End Domestic Violence, Mental and Emotional Abuse, and Sexual Harassment))
“
I see how it is,” I snapped. “You were all in favor of me breaking the tattoo and thinking on my own—but that’s only okay if it’s convenient for you, huh? Just like your ‘loving from afar’ only works if you don’t have an opportunity to get your hands all over me. And your lips. And . . . stuff.”
Adrian rarely got mad, and I wouldn’t quite say he was now. But he was definitely exasperated. “Are you seriously in this much self-denial, Sydney? Like do you actually believe yourself when you say you don’t feel anything? Especially after what’s been happening between us?”
“Nothing’s happening between us,” I said automatically. “Physical attraction isn’t the same as love. You of all people should know that.”
“Ouch,” he said. His expression hadn’t changed, but I saw hurt in his eyes. I’d wounded him. “Is that what bothers you? My past? That maybe I’m an expert in an area you aren’t?”
“One I’m sure you’d just love to educate me in. One more girl to add to your list of conquests.”
He was speechless for a few moments and then held up one finger. “First, I don’t have a list.” Another finger, “Second, if I did have a list, I could find someone a hell of lot less frustrating to add to it.” For the third finger, he leaned toward me. “And finally, I know that you know you’re no conquest, so don’t act like you seriously think that. You and I have been through too much together. We’re too close, too connected. I wasn’t that crazy on spirit when I said you’re my flame in the dark. We chase away the shadows around each other. Our backgrounds don’t matter. What we have is bigger than that. I love you, and beneath all that logic, calculation, and superstition, I know you love me too. Running away and fleeing all your problems isn’t going to change that. You’re just going to end up scared and confused.”
“I already feel that way,” I said quietly.
Adrian moved back and leaned into his seat, looking tired. “Well, that’s the most accurate thing you’ve said so far.”
I grabbed the basket and jerked open the car door. Without another word, I stormed off, refusing to look back in case he saw the tears that had inexplicably appeared in my eyes. Only, I wasn’t sure exactly which part of our conversation I was most upset about.
”
”
Richelle Mead (The Indigo Spell (Bloodlines, #3))
“
Where are you going?"
"Nowhere special. I just have some... things to do."
"Why did you pause?'
"I'm sorry?"
"You paused. You have 'some... things to do.'
"No reason, I just--"
"You're up to something."
"No--"
"Then why'd you pause?"
"Get in the car."
She got in. He got in.
"Seat belt," he said.
Why'd you pause?"
His head drooped. "Because I'm up to somthing."
"And why can't I come with you?"
"Because it's something sneaky."
"Do you promise to tell me later?"
"I do."
"Well all right then." She clicked her seat belt into place. "Let's go.
”
”
Derek Landy (Playing with Fire (Skulduggery Pleasant, #2))
“
I like your style, Lieutenant Dallas," he said when they'd fought their way to the car. "I like it a lot. And by the way, I don't think I'm in love with you anymore. I know I am."-Roarke
”
”
J.D. Robb (Naked in Death (In Death, #1))
“
Lawyers are alright, I guess — but it doesn't appeal to me", I said. "I mean they're alright if they go around saving innocent guys' lives all the time, and like that, but you don't do that kind of stuff if you're a lawyer. All you do is make a lot of dough and play golf and play bridge and buy cars and drink Martinis and look like a hot-shot. And besides, even if you did go around saving guys' lives and all, how would you know if you did it because you really wanted to save guys' lives, or because you did it because what you really wanted to do was be a terrific lawyer, with everybody slapping you on the back and congratulating you in court when the goddam trial was over, the reporters and everybody, the way it is in the dirty movies? How would you know you weren't being a phony? The trouble is you wouldn't.
”
”
J.D. Salinger (The Catcher in the Rye)
“
A pity it was so early in the day and I couldn't treat myself to the roller coaster. we'll have to come back, you and I, and make up for it."
"Sure, when I've lost my mind and want to rush screaming through the air in a little car.
”
”
J.D. Robb (Promises in Death (In Death, #28))
“
I rolled my eyes. “I feel like a zoo animal.”
Travis watched me for a moment, noted those staring, and then stood up. “I CAN’T!” he yelled. I stared in awe as the entire room jerked their heads in his direction. Travis bobbed his head a couple of times to a beat in his head.
Shepley closed his eyes. “Oh, no.”
Travis smiled. “get no….sa…tis…faction,” he sang, “I can’t get no….sat-is-fac-tion. ‘Cuz I’ve tried…and I’ve tried…and I’ve tried…and I’ve tried…,” he climbed onto the table as everyone stared, “I CAN’T GET NO!”
He pointed to the football players at the end of the table and they smiled, “I CAN’T GET NO!” they yelled in unison. The whole room clapped to the beat, then.
Travis’ sang into his fist, “When I’m drivin’ in my car, and a man comes on the…ra-di-o…he’s tellin’ me more and more…about some useless in-for-ma-tion! Supposed to fire my im-agin-a-tion! I CAN’T GET NO!
”
”
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
“
What did she say?" Eve asked when they got into the car. "Here's love, she said, to hold until next we meet and I give you more.
”
”
J.D. Robb (Indulgence in Death (In Death, #31))
“
But there are weak men who can lift cars if their wives are pinned underneath. The brain, Garraty." McVries's voice had dropped to a hoarse whisper. "It isn’t man or God. It’s something...in the brain.
”
”
Stephen King (The Long Walk)
“
And then . . . we’re going to get in my car.”
I waited for him to elaborate on a destination. “And?”
He gently kissed the nape of my neck. “What do you think?”
I couldn’t help a small gasp of delight. “Oh, wow.”
“I know, right? I was racking my brain for the best present ever, and then I realized that nothing was going to rock your world more than you and me in your favorite place in the entire world.”
I swallowed. “I’m kind of embarrassed at how excited I am about that.” Never had I guessed my love of cars would play a role in my sex life. Eddie was right. Something had happened to me.
“It’s okay, Sage. We’ve all got our turn-ons.”
“You kind of ruined the surprise, though.”
“Nah. It’s part of the gift: you getting to think about it for the next three days.
”
”
Richelle Mead (The Fiery Heart (Bloodlines, #4))
“
Nope.' He sat back. 'Just been there, done that. Done that getting hauled to the police station thing because of it, too.I appreciate your quest and everything, but I have to draw the line somewhere.'
'Wait,' I said, holding up my hand. 'My quest?'
He turned to look at me. We were at a red light, no other cars were anywhere in sight. 'Yeah,' he said. 'You know, like in Lord of the Rings, or Star Wars. You're searching for something you lost or need. It's a quest.'
I just looked at him.
'Maybe it's a guy thing,' he said. 'Fine, don't call it a quest. Call it chicken salad, I don't care. My point is, I'm in, but within reason. That's all I'm saying.
”
”
Sarah Dessen (Along for the Ride)
“
Where's your car? Miles asks, glancing at him as he slams his door shut and slings his backpack over his shoulder. "And whats up with your hand?"
"I got rid of it," Damen says, gaze fixed on mine. Then glancing at Miles and seeing his expression he adds, "The car, not the hand."
"Did you trade it in?" I ask, but only because Miles is listening. [...]
He shakes his head and walks me to the gate, smiling as he says, "No, I just dropped off on the side of the road, key in the ignition, engine running."
"Excuse me?!" Miles yelps. "You mean to tell me that you left your shiny, black, BMW M6 Coupe—by the side of the road?"
Damen nods.
But thats a hundred-thousand-dollar car!" Miles gasps as his face turns bright red.
"A hundreds and ten." Damen laughs. "Don't forget, it was fully customized and loaded with options."
Miles stares at him, eyes practically bugging out of his head, unable to comprehend how anyone could do such a thing—why anyone would do such a thing. "Um, okay, so let me get this straight—you just woke up and decided—Hey, what the hell? I think I'll just dump my ridiculously expensive luxury car by the side of the road—WHERE JUST ANYONE CAN TAKE IT?"
Damen shrugs. "Pretty much."
"Because in case you haven't noticed," Miles says, practically hyperventilating now. "Some of us are a little car deprived. Some of us were born with parents so cruel and unusual they're forced to rely on the kindness of friends for the rest of their lives!"
"Sorry." Damen shrugs. "Guess I hadn't thought about that. Though if it makes you feel any better, it was all for a very good cause.
”
”
Alyson Noel (Shadowland (The Immortals, #3))
“
There were moments - when Jeopardy came on, in the car during radio trivia challenges, or for practically any question I couldn't answer in any subject - that Rogerson simply amazed me. I started to seek out facts, just to stump him, but it never worked. He was that sharp.
"In physics," I sprung on him as we sat in the Taco Bell drive-through, "what does the capital letter W stand for?"
"Energy," he said, handing me my burrito.
Sitting in front of my parents' house as he kissed me goodnight: "Which two planets are almost identical in size?"
"Duh," he said, smoothing my hair back, "Venus and Earth."
"Rogerson," I asked him sweetly as we sat watching a video in the pool house, "where would I find the pelagic zone?"
"In the open sea," he said. "Now shut up and eat your Junior Mints.
”
”
Sarah Dessen (Dreamland)
“
Lane himself lit a cigarette as the train pulled in. Then, like so many people, who, perhaps, ought to be issued only a very probational pass to meet trains, he tried to empty his face of all expression that might quite simply, perhaps even beautifully, reveal how he felt about the arriving person.
Franny was among the first of the girls to get off the train, from a car at the far, northern end of the platform. Lane spotted her immediately, and despite whatever it was he was trying to do with his face, his arm that shot up into the air was the whole truth.
”
”
J.D. Salinger (Franny and Zooey)
“
If you love home—and even if you don’t—there is nothing quite as cozy, as comfortable, as delightful, as that first week back. That week, even the things that would irritate you—the alarm waahing from some car at three in the morning; the pigeons who come to clutter and cluck on the windowsill behind your bed when you’re trying to sleep in—seem instead reminders of your own permanence, of how life, your life, will always graciously allow you to step back inside of it, no matter how far you have gone away from it or how long you have left it.
”
”
Hanya Yanagihara (A Little Life)
“
Sam came around the back of the car and stopped dead when he saw me. "Oh my God, what is that?"
I used my thumb and middle finger to flick the multicoloured pom-pom on top of my head. "In my language, we call it a hat. It keeps my ears warm."
"Oh my God," Sam said again, and closed the distance between us. He cupped my face in his hands and studied me. "It's horribly cute." He kissed me, looked at the hat, and then he kissed me again.
”
”
Maggie Stiefvater (Shiver (The Wolves of Mercy Falls, #1))
“
This car was speically ordered for you, Mr. Flamel." There was a pause and the voice added, "The author of one of the most boring books I have ever read, The Philosophic Summary."
Boring?" Nicholas yanked the door open and pushed the twins into the gloom. "It's been acknowledged for centuires as a work of a genius!" Climbing in, he slammed the door.
Franis probably told you to say that."
You'd better buckel up," the driver commanded. "We've got all sorts of company heading this way, none of it friendly and all of it unpleasant.
”
”
Michael Scott (The Sorceress (The Secrets of the Immortal Nicholas Flamel, #3))
“
Lolita: Oh my Carmen, my little Carmen…
Humbert: Charmin’ Carmen. Started garglin’
Lolita: I remember those sultry nights
Humbert: Those pre-raphaelites
Lolita: No, come on. And the stars and the cars and the bars and the barmen.
Humbert: And the bars that sparkled and the cars that parkled…And the curs that barkled and the birds that larkled.
Lolita: And oh my charmin, our dreadful fights
Humbert: Such dreadful blights
Lolita: And the something town where arm in…arm, we went, and our final row, and the gun I killed you with, o my Carmen…the gun I am holding now
”
”
Vladimir Nabokov (Lolita)
“
He had green eyes, so I wanted to sleep with him. Green eyes flecked with yellow, dried leaves on the surface of a pool. You could drown in those eyes, I said. The fact of his pulse, the way he pulled his body in, out of shyness or shame or a desire, not to disturb the air around him. Everyone could see the way his muscles worked, the way we look like animals, his skin barely keeping him inside. I wanted to take him home, and rough him up and get my hands inside him, drive my body into his like a crash test car. I wanted to be wanted, and he was very beautiful, kissed with his eyes closed, and only felt good while moving. You could drown in those eyes, I said, so it's summer, so it's suicide, so we're helpless in sleep and struggling at the bottom of the pool.
”
”
Richard Siken
“
Eve engaged her On Duty sign and stepped out of the car. Immediately her ears were assaulted with a blast of music. Christmas carols pumped, full blast, into the air. She decided that people ran inside, ready to buy anything, just to escape the noise.
”
”
J.D. Robb (Holiday in Death (In Death, #7))
“
Like a lot of people with mental illness, I spend a lot of time fronting. It’s really important to me to not appear crazy, to fit in, to seem normal, to do the things “normal people” do, to blend in.
As a defense mechanism, fronting makes a lot of sense, and you hone that mechanism after years of being crazy. Fronting is what allows you to hold down a job and maintain relationships with people, it’s the thing that sometimes keeps you from falling apart. It’s the thing that allows you to have a burst of tears in the shower or behind the front seat of your car and then coolly collect yourself and stroll into a social engagement…
We are rewarded for hiding ourselves. We become the poster children for “productive” mentally ill people, because we are so organized and together. The fact that we can function, at great cost to ourselves, is used to beat up the people who cannot function.
Because unlike the people who cannot front, or who fronted too hard and fell off the cliff, we are able to “keep it together,” whatever it takes.
”
”
S.E. Smith
“
Gansey despised raising his voice (in his head, his mother said, People shout when they don't have the vocabulary to whisper), but he heard it happening despite himself and so, with effort, he kept his voice even. "Not like this. At least you have a place to go. 'End of the world'... What is your problem, Adam? I mean, is there something about my place that's too repugnant for you to imagine living there? Why is it that everything kind I do is pity to you? Everything is charity. Well, here it is: I'm sick of tiptoeing around your principles."
"God, I'm sick of your condescension, Gansey," Adam said. "Don't try to make me feel stupid. Who whips out repugnant? Don't pretend you're not trying to make me feel stupid."
"This is the way I talk. I'm sorry your father never taught you the meaning of repugnant. He was too busy smashing your head against the wall of your trailer while you apologized for being alive."
Both of them stopped breathing.
Gansey knew he'd gone too far. It was too far, too late, too much.
Adam shoved open the door.
"Fuck you, Gansey. Fuck you," he said, voice low and furious.
Gansey close his eyes.
Adam slammed the door, and then he slammed it again when the latch didn't catch. Gansey didn't open his eyes. He didn't want to see if people were watching some kid fight with a boy in a bright orange Camaro and an Aglionby jumper. Just then he hated his raven-breasted uniform and his loud car and every three- and four-syllable word his parents had used in casual conversation at the dinner table and he hated Adam's hideous father and Adam's permissive mother and most of all, most of all, he hated the sound of Adam's last words, playing over and over.
He couldn't stand it, all of this inside him.
In the end, he was nobody to Adam, he was nobody to Ronan. Adam spit his words back at him and Ronan squandered however many second chances he gave him. Gansey was just a guy with a lot of stuff and a hole inside him that chewed away more of his heart every year.
They were always walking away from him. But he never seemed able to walk away from them.
Gansey opened his eyes. The ambulance was still there, but Adam was gone.
”
”
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
“
I cannot recommend this to you enough: find something that you believe in, right down deep in the depths of your silvery plumage, and then throw your heart at it, blood and valves and veins and all. Because I did this, the world, though brambled and frothing at the mouth, looked more vibrant; blues were bluer, and even the fetid puddles that collected under rusting cars tasted as sweet as summer wine.
”
”
Kira Jane Buxton (Hollow Kingdom (Hollow Kingdom, #1))
“
[I]n the American soul there is a lonely individual standing in a vast landscape.
He is either on a horse or driving a car, depending, and either way he’s carrying a gun.
This is one of the essential images in American mythology.
”
”
Don DeLillo
“
When I die, I want to go peacefully like my grandfather did–in his sleep. Not yelling and screaming like the passengers in his car.
”
”
Bob Monkhouse
“
Don't you like a rather foggy day in a wood in autumn? You'll find we shall be perfectly warm sitting in the car."
Jane said she'd never heard of anyone liking fogs before but she didn't mind trying. All three got in.
"That's why Camilla and I got married, "said Denniston as they drove off. "We both like Weather. Not this or that kind of weather, but just Weather. It's a useful taste if one lives in England."
"How ever did you learn to do that, Mr. Denniston?" said Jane. "I don't think I should ever learn to like rain and snow."
"It's the other way round," said Denniston. "Everyone begins as a child by liking Weather. You learn the art of disliking it as you grow up. Noticed it on a snowy day? The grown-ups are all going about with long faces, but look at the children - and the dogs? They know what snow's made for."
"I'm sure I hated wet days as a child," said Jane.
"That's because the grown-ups kept you in," said Camilla. "Any child loves rain if it's allowed to go out and paddle about in it.
”
”
C.S. Lewis (That Hideous Strength (The Space Trilogy, #3))
“
I don't remember getting out of the elevator and going through the lobby. Everything is becoming increasingly foggy. I just find myself standing in front of the hotel all of a sudden.
A Blue and white car stops in front of me. Numbly, I open the back door and slide into the seat.
"Can I help you" the dark haired driver asks, swiveling his head to look at me.
"I need to get home to Hidden Cove."
"Lady, this isn't a cab"
Oh. Great.
"Sorry', I mutter, quickly sliding back out.
This time I make sure the car says cab on it before I get in.
”
”
Nicole Christie (Falling for the Ghost of You)
“
Today," she told it, "death comes to all your circuits. Will it be slow and systematic or fast and brutal?" Considering, she circled it, "Tough decision. I've waited so long for this moment. Dreamed of it."
Showing her teeth, she began to roll up her sleeves.
"What," Roarke asked from the doorway that connected their work areas, "is that?"
"The former bane of my existence. The Antichrist of technology. Do we have a hammer?"
Studying the pile on the floor, he walked in. "Several, I imagine, of various types."
"I want all of them. Tiny little hammers, big, wallbangers, and everything in between."
"Might one ask why?"
"I'm going to beat this thing apart, byte by byte, until there's nothing left but dust from the last trembling chip."
"Hmmm." Roarke crouched down, examined the pitifully out-of-date system. "When did you haul this mess in here?"
"Just now. I had it in the car. Maybe I should use acid, just stand here and watch it hiss and dissolve. That could be good."
Saying nothing, Roarke took a small case out of his pocket, opened it, and chose a slim tool. With a few deft moves, he had the housing open.
"Hey! Hey! What're you doing?"
"I haven't seen anything like this in a decade. Fascinating. Look at this corrosion. Christ, this is a SOC chip system. And it's cross-wired."
When he began to fiddle, she rushed over and slapped at his hands. "Mine. I get to kill it."
"Get a grip on yourself," he said absently and delved deeper into the guts. "I'll take this into research."
"No. Uh-uh. I have to bust it apart. What if it breeds?
”
”
J.D. Robb (Witness in Death (In Death, #10))
“
Well, good afternoon, sunshine. How are you feeling?"
"Like something the cat dragged in, then dragged back outside to leave in the rain, and mud, then the lightning hit it, and burned it, and the cat came back to tear it into pieces, before burying it.
”
”
Adley Maddox (Racing Outside the Line (A Love Story at 190 mph #1))
“
The scholars who research happiness suggest that more money stops making people happier at a family income of around seventy-five thousand dollars a year. After that, what economists call “diminishing marginal returns” sets in. If your family makes seventy-five thousand and your neighbor makes a hundred thousand, that extra twenty-five thousand a year means that your neighbor can drive a nicer car and go out to eat slightly more often. But it doesn’t make your neighbor happier than you, or better equipped to do the thousands of small and large things that make for being a good parent.
”
”
Malcolm Gladwell (David and Goliath: Underdogs, Misfits, and the Art of Battling Giants)
“
There aren't any rules to running away from your problems. No checklist of things to cross off. No instructions. Eeny, meeny, pick a path and go. That's how my dad does it anyway because apparently there's no age limit to running away, either. He wakes up one day, packs the car with everything we own, and we hit the road. Watch all the pretty colors go by until he finds a town harmless enough to hide in. But his problems always find us. Sometimes quicker than others. Sometimes one month and sometimes six. There's no rule when it comes to that, either. Not about how long it takes for the problems to catch up with us. Just that they will—that much is a given. And then it's time to run again to a new town, a new home, and a new school for me.
But if there aren't any rules, I wonder why it feels the same every time. Feels like I leave behind a little bit of who I was in each house we've left empty. Scattering pieces of me in towns all over the place. A trail of crumbs dotting the map from everywhere we've left to everywhere we go. And they don't make any pictures when I connect dots. They are random like the stars littering the sky at night.
”
”
Brian James (Zombie Blondes)
“
Magic can happen in a car, a warm, intimate magic born of being in an enclosed, particular place and, simultaneously, being nowhere, passing throu. No one leaves her troubles behind, not really, but you can believe you have. You can believe you're in an inbetween space where trouble can't find you. . . .
”
”
Marisa de los Santos (Love Walked In (Love Walked In, #1))
“
Have a joke for me Tania," he says, "I could use a joke."
"Hmm." She thinks, looks at him, looks to see where Anthony is. He's far in the back. "Okay, what about this." With a short cough she leans into Alexander and lowers her voice.
"A man and his young girlfriend are driving in a car. The man has never seen his girlfriend naked. She thinks he is driving too slow, so they decide to play a game. For every five miles he goes above 50, she will take off a piece of her clothing. In no time at all, he is flying and she is naked. The man gets so excited that he loses control of the car. It veers off the road and hits a tree. She is unharmed but he is stuck in the car and can’t get out. “Go back on the road and get help,” he tells her. “But I’m naked,” she says. He rummages around and pulls off his shoe. “Here, just put this between your legs to cover yourself.” She does as she is told and runs out to the road. A truck driver, seeing a naked crying woman, stops. “Help me, Help me,” she sobs, “My boyfriend is stuck and I can’t get him out.”
The Truck driver says, “Miss, if he’s that far in, I’m afraid he’s a goner.
”
”
Paullina Simons (The Summer Garden (The Bronze Horseman, #3))
“
This is the tale of Magic Alex, the man who was everywhere: with Leonard Cohen in Hydra; in Crete with Joni Mitchell; in a Paris bathroom when Jimmy Morrison went down; working as a roadie setting up the Beatles last rooftop gig; an assistant to John and Yoko when they had a bed-in at the Amsterdam Hilton; with the Stones when they were charged for pissing against a wall; the first to find and save Dylan after the motorcycle accident; having it off with Mama Cass hours before she choked the big one; arranging the security at Altamont; at Haight-Ashbury with George Harrison and the Grateful Dead; and in the Japanese airport with McCartney after the dope rap. He was the guy Carly Simon was really singing about and the missing slice of ‘Bye, Bye Miss American Pie’.
”
”
Harry F. MacDonald (Magic Alex and the Secret History of Rock and Roll)
“
God: Check out this human I designed.
Angel: Wow, that looks pretty incredible. How does it work?
God: It's pretty complicated. Point to something and I'll tell you what it does.
Angel: Okay. What are these?
God: Teeth. They're for chewing up food.
Angel: How come there are so many of them?
God: I threw in, like, three or four extra. If they don't like them, they can pll them out somehow, I guess.
Angel: What about this weird bag thing?
God: That's the appendix.
Angel: What does it do?
God: It explodes.
Angel: Really? That's all?
God: Pretty much.
Angel: What causes that to happen?
God: It just happens randomly. Like you'll just be walking down the street or driving a car and boom.
Angel: Geez...that's terrifying. Does it kill the person?
God: (shrugs) Sometimes.
”
”
Simon Rich
“
I pulled the MG in beside him at the curb and he got in.
"This thing ain't big enough for either one of us," he said. "When you getting something that fits?"
"It goes with my preppy look," I said. "You get one of these, they let you drive around the north shore, watch polo, anything you want."
I let the clutch in and turned right on Dartmouth.
"How you get laid in one of these?" Hawk said.
"You just don't understand preppy," I said. "I know it's not your fault. You're only a couple generations out of the jungle. I realize that. But if you're preppy you don't get laid in a car."
"Where do you get laid if you preppy?"
I sniffed. "One doesn't," I said.
"Preppies gonna be outnumbered in a while," Hawk said.
”
”
Robert B. Parker
“
Maybe everyone does have a novel in them, perhaps even a great one. I don't believe it, but for the purposes of this argument, let's say it's so. Only a few of us are going to be willing to break our own hearts by trading in the living beauty of imagination for the stark disappointment of words.
”
”
Ann Patchett (The Getaway Car: A Practical Memoir About Writing and Life)
“
We have a bad habit of seeing books as sort of cheaply made movies where the words do nothing but create visual narratives in our heads.
So too often what passes for literary criticism is "I couldn't picture that guy", or "I liked that part", or "this part shouldn't have happened." That is, we've left language so far behind that sometimes we judge quality solely based on a story's actions.
So we can appreciate a novel that constructs its conflicts primarily through plot - the layered ambiguity of a fatal car accident caused by a vehicle owned by Gatsby but driven by someone else, for instance. But in this image-drenched world, sometimes we struggle to appreciate and celebrate books where the quality arises not exclusively from plot but also from the language itself.
”
”
John Green
“
How did your mother die?” asked Delk.
“Car accident,” Katie replied, gazing out over the water. “She’d been to mass. A tire blew on the way home, and she was gone. I was nineteen, Pather’s age, when it happened. My brother was only eleven.” She paused. “I do know what you’re going through.” Katie looked at her.
“Pather told you?” Katie nodded. Delk was glad Pather had told his sister; she was relieved not to have to tell the story again. “Does it ever . . . you know . . . get any better?”
Katie shrugged her narrow shoulders and smiled. “In some ways it does, but it’s a bit like running a long race with a rock in your shoe. You get used to it, but it always hurts a little.
”
”
Suzanne Supplee (When Irish Guys Are Smiling)
“
Jesus is like us in every respect.
Don’t brush this sentence off casually. Let it sink in, deep to the core of who you are. God is like us in every respect. He is like the transgender woman who is worried she’ll be murdered while walking to her car after work. He is like the broken-hearted gay man who can’t attend the church of his childhood. He is like the bisexual intersex person who doesn’t conform to gender norms and endures the snide looks and sniggers of strangers. He is like these people just as much as the heterosexual man who is comfortable performing his gender in a way this society finds acceptable.
”
”
Suzanne DeWitt Hall (Where True Love Is: An Affirming Devotional for LGBTQI+ Individuals and Their Allies)
“
Traffic's not too bad on Sheridan, and I'm cornering the car like it's the Indy 500, and we're listening to my favorite NMH song, "Holland, 1945," and then onto Lake Shore Drive, the waves of Lake Michigan crashing against the boulders by the Drive, the windows cracked to get the car to defrost, the dirty, bracing, cold air rushing in, and I love the way Chicago smells—Chicago is brackish lake water and soot and sweat and grease and I love it, and I love this song, and Tiny's saying I love this song, and he's got the visor down so he can muss up his hair a little more expertly.
”
”
John Green (Will Grayson, Will Grayson)
“
And yet, you didn’t bother telling me yourself,” I snapped, still outraged. “I couldn’t! They made me promise not to.” Somehow, his betrayal hurt worse than all the others. I had come to trust him implicitly. How could he do this to me? “No one believed I’d be able to talk the Warriors down, so everyone just made contingency plans without me.” Never mind that I Hadn’t been able to talk them down. “Someone should have told me. You should have told me.” There was legitimate pain and regret in his voice. “I’m telling you, I wanted to. But I was trapped. You of all people should know what it’s like being caught between groups, Sage. Besides, don’t you remember what I said just before you got in the car with Trey?” I did actually. Almost word for word. No matter what happens, I want you to know that I never doubted what you’re going to do. It’s smart, and it’s brave. I slouched further into my seat and felt like I was on the verge of tears. Adrian was right. I did know what it was like to have your loyalty stretched between different groups. I understood the position he’d been in. It was just, some selfish part of me wished that I’d been the one his loyalty has been strongest to.
”
”
Richelle Mead (The Golden Lily (Bloodlines, #2))
“
The trains [in a country] contain the essential paraphernalia of the culture: Thai trains have the shower jar with the glazed dragon on its side, Ceylonese ones the car reserved for Buddhist monks, Indian ones a vegetarian kitchen and six classes, Iranian ones prayer mats, Malaysian ones a noodle stall, Vietnamese ones bulletproof glass on the locomotive, and on every carriage of a Russian train there is a samovar. The railway bazaar with its gadgets and passengers represented the society so completely that to board it was to be challenged by the national character. At times it was like a leisurely seminar, but I also felt on some occasions that it was like being jailed and then assaulted by the monstrously typical.
”
”
Paul Theroux (The Great Railway Bazaar: By Train Through Asia)
“
Uncle Joe used to spend a fair amount of time in the loony bin. My family wasn't bothered by his regular trips to and from 'the facility'--they'd shrug and say, There goes Joe, and they'd put him in the car and take him in. One day Uncle Frank...was driving Uncle Joe to the crazy place. When they got there, Joe asked Frank to drop him off at the door while Frank went and parked the car. Frank didn't think much of it, and dropped him off.
Joe went inside, smiled at the nurse, and said, 'Hi. I'm Frank Hornbacher. I'm here to drop off Joe. He likes to park the car, so I let him do that. He'll be right in.' The nurses nodded knowingly. The real Frank walked in. The nurse took his arm and guided him away, murmuring the way nurses always do, while Frank hollered in protest, insisting that he was Frank, not Joe. Joe, quite pleased with himself, gave Frank a wave and left.
”
”
Marya Hornbacher (Madness: A Bipolar Life)
“
WHAT THE LIVING DO
Johnny, the kitchen sink has been clogged for days, some utensil probably fell down there.
And the Drano won't work but smells dangerous, and the crusty dishes have piled up
waiting for the plumber I still haven't called. This is the everyday we spoke of.
It's winter again: the sky's a deep, headstrong blue, and the sunlight pours through
the open living-room windows because the heat's on too high in here and I can't turn it off.
For weeks now, driving, or dropping a bag of groceries in the street, the bag breaking,
I've been thinking: This is what the living do. And yesterday, hurrying along those
wobbly bricks in the Cambridge sidewalk, spilling my coffee down my wrist and sleeve,
I thought it again, and again later, when buying a hairbrush: This is it.
Parking. Slamming the car door shut in the cold. What you called that yearning.
What you finally gave up. We want the spring to come and the winter to pass. We want
whoever to call or not call, a letter, a kiss--we want more and more and then more of it.
But there are moments, walking, when I catch a glimpse of myself in the window glass,
say, the window of the corner video store, and I'm gripped by a cherishing so deep
for my own blowing hair, chapped face, and unbuttoned coat that I'm speechless:
I am living. I remember you.
”
”
Marie Howe (What the Living Do: Poems)
“
Great way to impress your future brother-in-law, by the way," Kieran continued. "You look like you took a blood bath. The only thing missing is the axe. Would Dallas really let his little sister date a crazed murderer who hacks bodies in the basement? You need to change that shirt pronto. And oh, you're welcome. I just saved you from making a complete and utter fool of yourself, but don't mention it."
I curled my lips into a fake smile. "Thanks. It's so nice to know you've got my back."
Kieran regarded me coolly. "A hobby might help ease all that hunger. Have you ever considered fixing cars, or woodworking, or maybe a DIY project around the house?"
"You're getting a big laugh out of this, aren't you?"
Kieran shrugged. "There's nothing on TV.
”
”
Jayde Scott (A Job From Hell (Ancient Legends, #1))
“
I keep waiting for things to go back to normal," Blue admitted. "But I know now that that's not going to happen, even when Mom comes back." She meant "if", but she said "when"
"I wouldn't have pegged you for a fan of normal," the Gray Man said. He slowed slightly as the headlights illuminated the eyes of three deers standing by the side of the road.
It was warming to be so known. She said, "I'm not, really, but I was used to it, I guess. It's boring, but at least it's not scary. Do you ever get scared? Or are you too badass for that?"
He looked amused, but also like a badass, sitting quietly and efficiently behind the wheel of the car.
"In my experience," the Gray Man said, "the badasses are the most scared. I just avoid being inappropriately frightened."
Blue thought this seemed like a reasonable goal. After a pause, she said, "You know, I like you."
He glanced over at her. "I do, too."
"Like me or like you? The grammar was unspecific."
The two of them enjoyed another laugh and the presence of someone else with their precise sense of humour.
”
”
Maggie Stiefvater (Blue Lily, Lily Blue (The Raven Cycle, #3))
“
I was having dinner…in London…when eventually he got, as the Europeans always do, to the part about “Your country’s never been invaded.” And so I said, “Let me tell you who those bad guys are. They’re us. WE BE BAD. We’re the baddest-assed sons of bitches that ever jogged in Reeboks. We’re three-quarters grizzly bear and two-thirds car wreck and descended from a stock market crash on our mother’s side. You take your Germany, France, and Spain, roll them all together and it wouldn’t give us room to park our cars. We’re the big boys, Jack, the original, giant, economy-sized, new and improved butt kickers of all time. When we snort coke in Houston, people lose their hats in Cap d’Antibes. And we’ve got an American Express card credit limit higher than your piss-ant metric numbers go. You say our country’s never been invaded? You’re right, little buddy. Because I’d like to see the needle-dicked foreigners who’d have the guts to try. We drink napalm to get our hearts started in the morning. A rape and a mugging is our way of saying 'Cheerio.' Hell can’t hold our sock-hops.
We walk taller, talk louder, spit further, fuck longer and buy more things than you know the names of. I’d rather be a junkie in a New York City jail than king, queen, and jack of all Europeans. We eat little countries like this for breakfast and shit them out before lunch.
”
”
P.J. O'Rourke (Holidays in Hell: In Which Our Intrepid Reporter Travels to the World's Worst Places and Asks, "What's Funny about This?")
“
Ultimately, the main reasons why I will be chubby for life are (1) I have virtually no hobbies except dieting. I can’t speak any non-English languages, knit, ski, scrapbook, or cook. I have no pets. I don’t know how to do drugs. I lost my passport three years ago when I moved into my house and never got it renewed. Video games scare me because they all seem to simulate situations I’d hate to be in, like war or stealing cars. So if I ever lost weight I would also lose my only hobby; (2) I have no discipline; I’m like if Private Benjamin had never toughened up but, in fact, got worse; (3) Guys I’ve dated have been into me the way I am; and (4) I’m pretty happy with the way I look, so long as I don’t break a beach chair.
”
”
Mindy Kaling (Is Everyone Hanging Out Without Me? (And Other Concerns))
“
I'm still dropping dishes thinking in slow motion about the GPS woman in Mom's car. I imagine her beckoning me from outside the kitchen window illuminated like some robot-angel calling me forth to the Lexus where she will ferry me off to that planet of monotonous peace that special otherworldly place where all the residents are relaxed and confident and completely numb.
Your life will. Get better in. Six. Point four. Million. Miles.
”
”
Sarah Ockler (Fixing Delilah)
“
It was during that journey to Via Orazio that I began to be made unhappy by my own alienness. I had grown up with those boys, I considered their behavior normal, their violent language was mine. But for six years now I had also been following daily a path that they were completely ignorant of and in the end I had confronted it brilliantly. With them I couldn’t use any of what I learned every day, I had to suppress myself, in some way diminish myself. What I was in school I was there obliged to put aside or use treacherously, to intimidate them. I asked myself what I was doing in that car. They were my friends, of course, my boyfriend was there, we were going to Lila’s wedding celebration. But that very celebration confirmed that Lila, the only person I still felt was essential even though our lives had diverged, no longer belonged to us and, without her, every intermediary between me and those youths, that car racing through the streets, was gone. Why then wasn’t I with Alfonso, with whom I shared both origin and flight? Why, above all, hadn’t I stopped to say to Nino, Stay, come to the reception, tell me when the magazine with my article’s coming out, let’s talk, let’s dig ourselves a cave that can protect us from Pasquale’s driving, from his vulgarity, from the violent tones of Carmela and Enzo, and also—yes, also—of Antonio?
”
”
Elena Ferrante (My Brilliant Friend (My Brilliant Friend, #1))
“
That's the trouble with the world we live in. It's full of people just doing their job and ignoring what's really going on. Care about the rainforest until they get a couple of kids and enough money for a gas guzzling car, or some hardwood dining furniture. Watch all those wildlife programmes and coo over the furry animals, but still eat meat and poultry that was raised in conditions of unbelievable cruelty.
”
”
Robert Muchamore
“
Are you born again?" he asked, as we taxied down the runway. He was rather prim and tense, maybe a little like David Eisenhower with a spastic colon. I did not know how to answer for a moment.
"Yes," I said. "I am."
My friends like to tell each other that I am not really a born-again Christian. They think of me more along the lines of that old Jonathan Miller routine, where he said, "I'm not really a Jew -- I'm Jew-ish." They think I am Christian-ish. But I'm not. I'm just a bad Christian. A bad born-again Christian. And certainly, like the apostle Peter, I am capable of denying it, of presenting myself as a sort of leftist liberation-theology enthusiast and maybe sort of a vaguely Jesusy bon vivant. But it's not true. And I believe that when you get on a plane, if you start lying you are totally doomed.
So I told the truth; that I am a believer, a convert. I'm probably about three months away from slapping an aluminum Jesus-fish on the back of my car, although I first want to see if the application or stickum in any way interferes with my lease agreement. And believe me, all this boggles even *my* mind. But it's true. I could go to a gathering of foot-wash Baptists and, except for my dreadlocks, fit right in. I would wash their feet; I would let them wash mine.
”
”
Anne Lamott
“
Sorry about Bender," Lula said, letting the Trans Am idle at the curb. "Maybe we could tell Vinnie he died. We could say we were all set to bring Bender in, and he died. Bang. Dead as a doorknob."
"Better yet, why don't we just go back and kill him," I said. I opened the door to leave, caught my toe in the floor mat, and fell out of the car, face first. I rolled onto my back and stared up at the stars. "I'm fine," I said to Lula. "Maybe I'll sleep here tonight.
”
”
Janet Evanovich (Hard Eight (Stephanie Plum, #8))
“
The American really loves nothing but his automobile: not his wife his child nor his country nor even his bank-account first (in fact he doesn't really love that bank-account nearly as much as foreigners like to think because he will spend almost any or all of it for almost anything provided it is valueless enough) but his motor-car. Because the automobile has become our national sex symbol. We cannot really enjoy anything unless we can go up an alley for it. Yet our whole background and raising and training forbids the sub rosa and surreptitious. So we have to divorce our wife today in order to remove from our mistress the odium of mistress in order to divorce our wife tomorrow in order to remove from our mistress and so on. As a result of which the American woman has become cold and and undersexed; she has projected her libido on to the automobile not only because its glitter and gadgets and mobility pander to her vanity and incapacity (because of the dress decreed upon her by the national retailers association) to walk but because it will not maul her and tousle her, get her all sweaty and disarranged. So in order to capture and master anything at all of her anymore the American man has got to make that car his own. Which is why let him live in a rented rathole though he must he will not only own one but renew it each year in pristine virginity, lending it to no one, letting no other hand ever know the last secret forever chaste forever wanton intimacy of its pedals and levers, having nowhere to go in it himself and even if he did he would not go where scratch or blemish might deface it, spending all Sunday morning washing and polishing and waxing it because in doing that he is caressing the body of the woman who has long since now denied him her bed.
”
”
William Faulkner (Intruder in the Dust)
“
Everybody in!" I said.
Which was when we discovered the final problem.
Little Echos aren't designed to hold six, count them six, larger-than-average-sized children.
And their wings.
And a dog.
"This is like a clown car," Total grumbled front my lap in the front seat.
"Why does the dog get to sit in your lap?'' Gazzy asked plaintively, as we rattled and banged down the dark streets. "How about a kid?"
"Oh. 'The dog.' Very nice," said Total.
"Because you're not allowed to have people on your lap in the front seats," I explained. "It's not safe. If a cop saw us, we'd be stopped for sure. You want Total back there?"
Everyone in the back screamed no at the same time.
”
”
James Patterson (School's Out—Forever (Maximum Ride, #2))
“
Dear Daniel,
How do you break up with your boyfriend in a way that tells him, "I don't want to sleep with you on a regular basis anymore, but please be available for late night booty calls if I run out of other options"?
Lily
Charlotte, NC
Dear Lily,
The story's so old you can't tell it anymore without everyone groaning, even your oldest friends with the last of their drinks shivering around the ice in their dirty glasses. The music playing is the same album everyone has. Those shoes, everybody has the same shoes on. It looked a little like rain so on person brought an umbrella, useless now in the starstruck clouded sky, forgotten on the way home, which is how the umbrella ended up in her place anyway. Everyone gets older on nights like this.
And still it's a fresh slap in the face of everything you had going, that precarious shelf in the shallow closet that will certainly, certainly fall someday. Photographs slipping into a crack to be found by the next tenant, that one squinter third from the left laughing at something your roommate said, the coaster from that place in the city you used to live in, gone now. A letter that seemed important for reasons you can't remember, throw it out, the entry in the address book you won't erase but won't keep when you get a new phone, let it pass and don't worry about it. You don't think about them; "I haven't thought about them in forever," you would say if anybody brought it up, and nobody does."
You think about them all the time.
Close the book but forget to turn off the light, just sit staring in bed until you blink and you're out of it, some noise on the other side of the wall reminding you you're still here. That's it, that's everything. There's no statue in the town square with an inscription with words to live by. The actor got slapped this morning by someone she loved, slapped right across the face, but there's no trace of it on any channel no matter how late you watch. How many people--really, count them up--know where you are? How many will look after you when you don't show up? The churches and train stations are creaky and the street signs, the menus, the writing on the wall, it all feels like the wrong language. Nobody, nobody knows what you're thinking of when you lean your head against the wall.
Put a sweater on when you get cold. Remind yourself, this is the night, because it is. You're free to sing what you want as you walk there, the trees rustling spookily and certainly and quietly and inimitably. Whatever shoes you want, fuck it, you're comfortable. Don't trust anyone's directions. Write what you might forget on the back of your hand, and slam down the cheap stuff and never mind the bad music from the window three floors up or what the boys shouted from the car nine years ago that keeps rattling around in your head, because you're here, you are, for the warmth of someone's wrists where the sleeve stops and the glove doesn't quite begin, and the slant of the voice on the punch line of the joke and the reflection of the moon in the water on the street as you stand still for a moment and gather your courage and take a breath before stealing away through the door. Look at it there. Take a good look. It looks like rain.
Love,
Daniel Handler
”
”
Daniel Handler
“
Christy said. "It's just weird, your seeing him like that. What are you going to do?"
"Nothing. What can I do?"
"Maybe he'll call you to see if you're okay," Katie said.
"No," Christy said, "in the movies he would have told his friend to stop the car, and he would have run back to you with an umbrella and walked you the rest of the way hoe, and you would have made him a pot of tea."
Sierra laughed. "I am drinking tea right now," she said. "Maybe my life is a low budget 'B' movie, and all I get is the tea. No hero. No umbrella."
"Yeah, well then my life is a class 'Z' movie," Katie said. "No tea. No hero. No umbrella. No plot--"
"Yours is more of a mystery," Christy interrupted cheerfully. "The ending will surprise all of us.
”
”
Robin Jones Gunn (In Your Dreams (Sierra Jensen, #2))
“
I made a choice between you and the King, and I chose you," Loki said. "In the garden, we were alone. I could've knocked you out and thrown you over my shoulder, then taken you back to the King. He would've spared me if I had.
"But I didn't." He stepped closer to me, and I could feel the heat radiating from his body. "He told me what he'd do to me if I didn't return you to him, but I couldn't do it."
He lifted his other hand, so he held my face in his hands. His skin was warm against mine, and even if he wasn't holding me, I wouldn't have looked away. There was something in his eyes, a longing and warmth, that took my breath away.
"Do you understand now?" Loki asked, his voice husky. "I would do it again for you, Wendy. I would go through hell and back for you. Even knowing how much you hate me right now."
I was so caught up in the moment I didn't even notice how close the passing SUV had gotten until it squealed to a stop next to us, nearly hitting our Cadillac. Loki moved toward me, and Tove jumped out of the driver's seat. Finn ran around the car and charged at Loki.
”
”
Amanda Hocking (Ascend (Trylle, #3))
“
Would you really fight for him?" I nod.
But the nod isn't enough, so I go on.
"In fact, I would tear through rubble with my bare hands to get to him. I would lift cars. I would wrestle down anyone who said we shouldn't be together. I would stare down life and kick it in the ass if I had to. Because if you want to know the truth -- if you really want to know the truth -- none of that could be nearly as hard as being in love with him and not being able to tell anyone about it. Including him. I have this thing inside me, and it's angry and it's scared and it's uncertain and most of all it's so completely in love with him, and it would do anything to keep him, even if it means things staying the way they are now.
”
”
Nina LaCour (You Know Me Well)
“
Yet at least he had believed in the cars, maybe to excess: how could he not, seeing people poorer than him come in, Negro, Mexican, cracker, a parade seven days a week, bring with them the most godawful of trade-ins: motorized, metal extensions of themselves, of their families and what their whole lives must be like, out there so naked for anybody, a stranger like himself, to look at, frame cockeyed, rusty underneath, fender repainted in a shade just off enough to depress the value, if not Mucho himself, inside smelling hopeless of children, of supermarket booze, or two, sometimes three generations of cigarette smokers, or only of dust--and when the cars were swept out you had to look at the actual residue of these lives, and there was no way of telling what things had been truly refused (when so little he supposed came by that out of fear most of it had to be taken and kept) and what had simply (perhaps tragically) been lost: clipped coupons promising savings of 5 or 10¢, trading stamps, pink flyers advertising specials at the market, butts, tooth-shy combs, help-wanted ads, Yellow Pages torn from the phone book, rags of old underwear or dresses that already were period costumes, for wiping your own breath off the inside of a windshield with so you could see whatever it was, a movie, a woman or car you coveted, a cop who might pull you over just for drill, all the bits and pieces coated uniformly, like a salad of despair, in a grey dressing of ash, condensed exhaust, dust, body wastes--it nauseated him to look, but he had to look.
”
”
Thomas Pynchon (The Crying of Lot 49)
“
The only dream I ever had was the dream of New York itself, and for me, from the minute I touched down in this city, that was enough. It became the best teacher I ever had. If your mother is anything like mine, after all, there are a lot of important things she probably didn't teach you: how to use a vibrator; how to go to a loan shark and pull a loan at 17 percent that's due in thirty days; how to hire your first divorce attorney; what to look for in a doula (a birth coach) should you find yourself alone and pregnant. My mother never taught me how to date three people at the same time or how to interview a nanny or what to wear in an ashram in India or how to meditate. She also failed to mention crotchless underwear, how to make my first down payment on an apartment, the benefits of renting verses owning, and the difference between a slant-6 engine and a V-8 (in case I wanted to get a muscle car), not to mention how to employ a team of people to help me with my life, from trainers to hair colorists to nutritionists to shrinks. (Luckily, New York became one of many other moms I am to have in my lifetime.) So many mothers say they want their daughters to be independent, but what they really hope is that they'll find a well-compensated banker or lawyer and settle down between the ages of twenty-five and twenty-eight in Greenwich, Darien, or That Town, USA, to raise babies, do the grocery shopping, and work out in relative comfort for the rest of their lives. I know this because I employ their daughters. They raise us to think they want us to have careers, and they send us to college, but even they don't really believe women can be autonomous and take care of themselves.
”
”
Kelly Cutrone (If You Have to Cry, Go Outside: And Other Things Your Mother Never Told You)
“
I'm driving."
Roarke's hand paused as it reached for the car door, and his brow winged up. "It's my car."
"It's my deal."
They studied each other a minute, crowded together at the driver's side door. "Why are you driving?"
"Because." Vaguely embarrassed, she dug her hands in her pockets. "Don't smirk."
"I'll try to resist. Why?"
"Because," she said again, "I drive when I'm on a case, so if I drive, it'll feel like -- it'll feel official instead of criminal."
"I see. Well, that makes perfect sense. You drive."
She started to climb in while he circled around to the passenger side. "Are you smirking behind my back?"
"Yes, of course." He sat, stretched out his legs. "Now, to make it really official, I should have a uniform. I'll go that far, but I refuse to wear those amazingly ugly cop shoes."
"You're a real joker," she muttered and jerked the car into reverse, did a quick, squealing spin, and shot out of the garage.
"Too bad this vehicle doesn't have a siren. But we can pretend nothing works on it, so you'll feel official."
"Keep it up. Just keep it up."
"Maybe I'll call you sir. Could be sexy." He smiled blandly when she glared at him. "Okay, I'm done. How do you want to play this?
”
”
J.D. Robb (Conspiracy in Death (In Death, #8))
“
Let go!” I insisted. He ignored me. I staggered along sideways across the wet sidewalk until we reached the Volvo. Then he finally freed me – I stumbled against the passenger door.
“You are so pushy!” I grumbled
“It’s open,” was all he responded. He got in the driver’s side.
“I am perfectly capable of driving myself home!” I stood by the car, fuming. It was raining harder now, and I’d never put my hood up, so my hair was dripping down my back.
He lowered the automatic window and leaned toward me across the seat. “Get in, Bella.”
I didn’t answer. I was mentally calculating my chances of reaching the truck before he could catch me. I had to admit it, they weren’t good.
“I’ll just drag you back,” he threatened, guessing my plan.
”
”
Stephenie Meyer (Twilight (The Twilight Saga, #1))
“
[I] threw open the door to find Rob sitting on the low stool in front of my bookcase, surrounded by cardboard boxes. He was sealing the last one up with tape and string. There were eight boxes - eight boxes of my books bound up and ready for the basement!
"He looked up and said, 'Hello, darling. Don't mind the mess, the caretaker said he'd help me carry these down to the basement.' He nodded towards my bookshelves and said, 'Don't they look wonderful?'
"Well, there were no words! I was too appalled to speak. Sidney, every single shelf - where my books had stood - was filled with athletic trophies: silver cups, gold cups, blue rosettes, red ribbons. There were awards for every game that could possibly be played with a wooden object: cricket bats, squash racquets, tennis racquets, oars, golf clubs, ping-pong bats, bows and arrows, snooker cues, lacrosse sticks, hockey sticks and polo mallets. There were statues for everything a man could jump over, either by himself or on a horse. Next came the framed certificates - for shooting the most birds on such and such a date, for First Place in running races, for Last Man Standing in some filthy tug of war against Scotland.
"All I could do was scream, 'How dare you! What have you DONE?! Put my books back!'
"Well, that's how it started. Eventually, I said something to the effect that I could never marry a man whose idea of bliss was to strike out at little balls and little birds. Rob countered with remarks about damned bluestockings and shrews. And it all degenerated from there - the only thought we probably had in common was, What the hell have we talked about for the last four months? What, indeed? He huffed and puffed and snorted and left. And I unpacked my books.
”
”
Annie Barrows (The Guernsey Literary and Potato Peel Pie Society)
“
Paul: 'After recording sessions, at two or three in the morning, we'd be careering through the villages on the way to Weybridge, shouting 'weyhey' and driving much too fast. George would perhaps be in his Ferrari - he was quite a fast driver - and John and I would be following in his big Rolls Royce or the Princess. John had a mike in the Rolls with a loudspeaker outside and he'd be shouting to George in the front: 'It is foolish to resist, it is foolish to resist! Pull over!' It was insane. All the lights would go on in the houses as we went past - it must have freaked everybody out.
When John went to make 'How I Won the War' in Spain, he took the same car, which he virtually lived in. It had blacked-out windows and you could never see who was in it, so it was perfect. John didn't come out of it - he just used to talk to the people outside through the microphone: 'Get away from the car! Get away!
”
”
Paul McCartney (The Beatles Anthology)
“
So here we are, in the family planning aisle with a cart full of sports drinks and our hands full of . . . “Trojans, Ramses, Magnum . . . Jeez, these are worse than names for muscle cars,” Jase observes, sliding his finger along the display.
“They do sound sorta, well, forceful.” I flip over the box I’m holding to read the instructions.
Jase glances up to smile at me. “Don’t worry, Sam. It’s just us.”
“I don’t get what half these descriptions mean . . . What’s a vibrating ring?”
“Sounds like the part that breaks on the washing machine. What’s extra-sensitive? That sounds like how we describe George.”
I’m giggling. “Okay, would that be better or worse than ‘ultimate feeling’—and look—there’s ‘shared pleasure’ condoms and ‘her pleasure’ condoms. But there’s no ‘his pleasure.’”
“I’m pretty sure that comes with the territory,” Jase says dryly. “Put down those Technicolor ones. No freaking way.”
“But blue’s my favorite color,” I say, batting my eyelashes at him.
“Put them down. The glow-in-the-dark ones too. Jesus. Why do they even make those?”
“For the visually impaired?” I ask, reshelving the boxes.
We move to the checkout line. “Enjoy the rest of your evening,” the clerk calls as we leave.
“Do you think he knew?” I ask.
“You’re blushing again,” Jase mutters absently. “Did who know what?”
“The sales guy. Why we were buying these?”
A smile pulls at the corners of his mouth. “Of course not. I’m sure it never occurred to him that we were actually buying birth control for ourselves. I bet he thought it was a . . . a . . . housewarming gift.”
Okay, I’m ridiculous.
“Or party favors,” I laugh.
“Or”—he scrutinized the receipt—“supplies for a really expensive water balloon fight.”
“Visual aids for health class?” I slip my hand into the back pocket of Jase’s jeans.
“Or little raincoats for . . .” He pauses, stumped.
“Barbie dolls,” I suggest.
“G.I. Joes,” he corrects, and slips his free hand into the back pocket of my jeans, bumping his hip against mine as we head back to the car.
”
”
Huntley Fitzpatrick (My Life Next Door)
“
The end of this short story could be a rather disturbing thing, if it came true. I hope you like it, and if you do, be sure to COMMENT and SHARE.
Paradoxes of Destiny?
Dani! My boy! Are you all right? Where are you? Have you hurt yourself? Are you all right? Daniiii! Why won’t you answer? It’s so cold and dark here. I can’t see a thing… It’s so silent. Dani? Can you hear me? I shouldn’t have looked at that text message while I was driving… I shouldn’t have done it! I'm so stupid sometimes! Son, are you all right?... We really wrecked the car when we rolled it! I can’t see or hear a thing… Am I in hospital? Am I dead…? Dani? Your silence is killing me… Are you all right?! I can see a glimmer of light. I feel trapped. Dani, are you there? I can’t move. It’s like I’m wrapped in this mossy green translucent plastic. I have to get out of here. The light is getting more and more intense. I think I can tear the wrapping that’s holding me in. I'm almost out. The light is blinding me. What a strange place. I've never seen anything like it. It doesn’t look like Earth. Am I dead? On another planet? Oh God, look at those hideous monsters! They’re so creepy and disgusting! They look like extraterrestrials. They’re aliens! I'm on another planet! I can’t believe it. I need to get the hell out here. Those monsters are going to devour me. I have to get away. I’m so scared. Am I floating? Am I flying? I’m going to go higher to try to escape. I can’t see the aliens anymore and the landscape looks less terrifying. I think I've made it. It’s very windy. Is that a highway? I think I can see some vehicles down there. Could they be the extraterrestrials’ transport? I’m going to go down a bit. I see people! Am I on Earth? Could this be a parallel universe? Where could Dani be? I shouldn’t have looked at that text message while I was driving. I shouldn’t…
That tower down there looks a lot like the water tank in my town… It’s identical. But the water tank in my town doesn’t have that huge tower block next to it. It all looks very similar to my neighborhood, but it isn’t exactly the same: there are a lot of tower blocks here. There’s the river… and the factory. It’s definitely my neighborhood, but it looks kind of different. I must be in a parallel universe…
It’s amazing that I can float. People don’t seem to notice my presence. Am I a ghost?
I have to get back home and see if Dani’s there. God, I hope he’s safe and sound. Gabriela must be out of her mind with the crash.
There’s my house! Home sweet home. And whose are those cars? The front of the house has been painted a different color… This is all so strange! There’s someone in the garden… Those trees I planted in the spring have really grown.
Is… is that… Dani? Yes, yes! It’s Dani. But he looks so different… He looks older, he looks… like a big boy! What’s important is that he’s OK. I need to hug him tight and tell him how much I love him. Can he see me if I’m a ghost? I'll go up to him slowly so I don’t scare him. I need to hold him tight.
He can’t see me, I won’t get any closer. He moved his head, I think he’s started to realize I’m here…
Wow I’m so hungry all of a sudden! I can’t stop! How are you doing, son?! It’s me! Your dad! My dear boy? I can’t stop! I'm too hungry! Ahhhh, so delicious! What a pleasure! Nooo Daniii! Nooooo!.... I’m your daaaad!...
Splat!...
“Mum, bring the insect repellent, the garden’s full of mosquitoes,” grunted Daniel as he wiped the blood from the palm of his hand on his trousers. Gabriela was just coming out. She did an about turn and went back into her house, and shouted “Darling, bring the insect repellent, it’s on the fireplace…”
Absolute cold and silence…
THE END
(1) This note is for those who have read EQUINOX—WHISPERS OF DESTINY. This story is a spin-off of the novel EQUINOX—WHISPERS OF DESTINY and revolves around Letus’s curious theories about the possibility of animal reincarnation.
”
”
Gonzalo Guma (Equinoccio. Susurros del destino)