Car Garage Quotes

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Anyone who thinks sitting in church can make you a Christian must also think that sitting in a garage can make you a car.
Garrison Keillor
Going to church doesn’t make you a Christian any more than going to a garage makes you an automobile.
Billy Sunday ("Billy" Sunday, the man and his message: with his own words which have won thousands for Christ)
Just because you go to church doesn't mean you're a Christian. I can go sit in the garage all day and it doesn't make me a car
Joyce Meyer
When you are in the final days of your life, what will you want? Will you hug that college degree in the walnut frame? Will you ask to be carried to the garage so you can sit in your car? Will you find comfort in rereading your financial statement? Of course not. What will matter then will be people. If relationships will matter most then, shouldn't they matter most now?
Max Lucado
Standing in a garage no more makes you a car than standing in a church makes you a Christian.
Woody Allen
Over the course of my life I've been to lots of places. Shadowed places where things have gone wrong. Sinister places where things still are. I always hate the sunlit towns, full of newly built developments with double-car garages in shades of pale eggshell, surrounded by green lawns and dotted with laughing children. Those towns aren't any less haunted than the others. They're just better liars.
Kendare Blake (Anna Dressed in Blood (Anna, #1))
Help" is a prayer that is always answered. It doesn't matter how you pray--with your head bowed in silence, or crying out in grief, or dancing. Churches are good for prayer, but so are garages and cars and mountains and showers and dance floors. Years ago I wrote an essay that began, "Some people think that God is in the details, but I have come to believe that God is in the bathroom.
Anne Lamott (Plan B: Further Thoughts on Faith)
How'd you communicate?" "Paper and pen. Amazing inventions. Anyway, once we were in Buffalo, I led him here. We couldn't figure out a way in and he got stressed and apparently that" -- she waved at him--- "is what happens when a werewolf gets stressed. By then, the garage door was open, some staff guy bringing in a car. He took one look at Derek and decided it was time for a new job
Kelley Armstrong (The Reckoning (Darkest Powers, #3))
I’d been raised to be practical and keep my emotions in check, but I loved cars. That was one of the few legacies I’d picked up from my mom. She was a mechanic, and some of my best childhood memories were of working in the garage with her.
Richelle Mead (Bloodlines (Bloodlines, #1))
I've been trying to start a garage band for over a decade now, but father won't move his car.
Jarod Kintz (The Days of Yay are Here! Wake Me Up When They're Over.)
Every time my brain parks the car neatly in the driveway, my mouth drives through the back of the garage.
Dave Eggers (The Circle (The Circle, #1))
And he had a nice home in Ohio with wife, daughter, Christmas tree, two cars, garage, lawn, lawnmower, but he couldn't enjoy any of it because he really wasn't free. It was sadly true.
Jack Kerouac (The Dharma Bums)
When I was sixteen, I had just two things on my mind - girls and cars. I wasn't very good with girls. So I thought about cars. I thought about girls, too, but I had more luck with cars. Let's say that when I turned sixteen, a genie had appeared to me. And that genie said, 'Warren, I'm going to give you the car of your choice. It'll be here tomorrow morning with a big bow tied on it. Brand-new. And it's all yours.' Having heard all the genie stories, I would say, 'What's the catch?' And the genie would answer, 'There's only one catch. This is the last car you're ever going to ge tin your life. So it's got to last a lifetime.' If that had happened, I would have picked out that car. But, can you imagine, knowing it had to last a lifetime, what I would do with it? I would read the manual about five times. I would always keep it garaged. If there was the least little dent or scratch, I'd have it fixed right away because I wouldn't want it rusting. I would baby that car, because it would have to last a lifetime. That's exactly the position you are in concerning your mind and body. You only get one mind and one body. And it's got to last a lifetime. Now, it's very easy to let them ride for many years. But if you don't take care of that mind and that body, they'll be a wreck forty years later, just life the car would be. It's what you do right now, today, that determines how your mind and body will operate ten, twenty, and thirty years from now.
Warren Buffett
Take care of your car in the garage, and the car will take care of you on the road.
Amit Kalantri (Wealth of Words)
I don’t smoke, although it looks fantastic in films. But I light matches on those thinking blank nights when I crawl my route out onto the roof of the garage and the sky while my parents sleep innocent and the lonely cars move sparse on the faraway streets, when the pillow won’t stay cool and the blankets bother my body no matter how I move or lie still. I just sit with my legs dangling and light matches and watch them flicker away.
Daniel Handler (Why We Broke Up)
I draw a line down the middle of a chalkboard, sketching a male symbol on one side and a female symbol on the other. Then I ask just the men: What steps do you guys take, on a daily basis, to prevent yourselves from being sexually assaulted? At first there is a kind of awkward silence as the men try to figure out if they've been asked a trick question. The silence gives way to a smattering of nervous laughter. Occasionally, a young a guy will raise his hand and say, 'I stay out of prison.' This is typically followed by another moment of laughter, before someone finally raises his hand and soberly states, 'Nothing. I don't think about it.' Then I ask women the same question. What steps do you take on a daily basis to prevent yourselves from being sexually assaulted? Women throughout the audience immediately start raising their hands. As the men sit in stunned silence, the women recount safety precautions they take as part of their daily routine. Here are some of their answers: Hold my keys as a potential weapon. Look in the back seat of the car before getting in. Carry a cell phone. Don't go jogging at night. Lock all the windows when I sleep, even on hot summer nights. Be careful not to drink too much. Don't put my drink down and come back to it; make sure I see it being poured. Own a big dog. Carry Mace or pepper spray. Have an unlisted phone number. Have a man's voice on my answering machine. Park in well-lit areas. Don't use parking garages. Don't get on elevators with only one man, or with a group of men. Vary my route home from work. Watch what I wear. Don't use highway rest areas. Use a home alarm system. Don't wear headphones when jogging. Avoid forests or wooded areas, even in the daytime. Don't take a first-floor apartment. Go out in groups. Own a firearm. Meet men on first dates in public places. Make sure to have a car or cab fare. Don't make eye contact with men on the street. Make assertive eye contact with men on the street.
Jackson Katz (The Macho Paradox: Why Some Men Hurt Women and How All Men Can Help (How to End Domestic Violence, Mental and Emotional Abuse, and Sexual Harassment))
Give a man a car of his own and he leaves humility and common sense behind him in the garage.
John Le Carré (Call for the Dead (George Smiley, #1))
Yet for all the depression no one ever quit. When someone quit, we couldn't believe it. 'I'm becoming a rafting instructor on the Colorado River,' they said. 'I'm touring college towns with my garage band.' We were dumbfounded. It was like they were from another planet. Where had they found the derring-do? What would they do about car payments? We got together for going away drinks on their final day and tried to hide our envy while reminding ourselves that we still had the freedom and luxury to shop indiscriminately.
Joshua Ferris (Then We Came to the End)
Better watch out said a second voice from somewhere under the Beetle. Don't park those two kraut cars too close together; it's springtime, and they might decide to mate. then Charlie'll be stuck with a garage full of little orange safety cones
Mercedes Lackey
Help" is a prayer that is always answered. It doesn't matter how you pray--with your head bowed in silence, or crying out in grief, or dancing. Churches are good for prayer, but so are garages and cars and mountains and showers and dance floors.
Ann Lamont
Some made the long drop from the apartment or the office window; some took it quietly in two-car garages with the motor running; some used the native tradition of the Colt or Smith and Wesson; those well-constructed implements that end insomnia, terminate remorse, cure cancer, avoid bankruptcy, and blast an exit from intolerable positions by the pressure of a finger; those admirable American instruments so easily carried, so sure of effect, so well designed to end the American dream when it becomes a nightmare, their only drawback the mess they leave for relatives to clean up.
Ernest Hemingway (To Have and Have Not)
Important thing is not the me that's lying here, but the me that's sitting on the edge of the bed looking back at me, and the me that's downstairs cooking supper, or out in the garage under the car, or in the library reading. All the new parts, they count. I'm not really dying today. No person ever died that had a family.
Ray Bradbury (Dandelion Wine)
Paradise is not the place in which you arrive but the journey toward it. Sometimes I think victories must be temporary or incomplete; what kind of humanity would survive paradise? The industrialized world has tried to approximate paradise in its suburbs, with luxe, calme, volupté, cul-de-sacs, cable television and two-car garages, and it has produced a soft ennui that shades over into despair and a decay of the soul suggesting that Paradise is already a gulag. Countless desperate teenagers will tell you so. For paradise does not require of us courage, selflessness, creativity, passion: paradise in all accounts is passive, is sedative, and if you read carefully, soulless.
Rebecca Solnit (Hope in the Dark: The Untold History of People Power)
The other part of me wanted to get out and stay out, but this was the part I never listened to. Because if I ever had I would have stayed in the town where I was born and worked in the hardware store and married the boss's daughter and had five kids and read them the funny paper on Sunday morning and smacked their heads when they got out of line and squabbled with the wife about how much spending money they were to get and what programs they could have on the radio or TV set. I might even get rich - small-town rich, an eight-room house, two cars in the garage, chicken every Sunday and the Reader's Digest on the living room table, the wife with a cast-iron permanent and me with a brain like a sack of Portland cement. You take it, friend. I'll take the big sordid dirty crooked city.
Raymond Chandler (The Long Goodbye (Philip Marlowe, #6))
Where are we going?” … “Just this place I know with a waterfall and a cave. It’s part of the estate, so no one uses it.” “How nice,” I said … “We have a garage at my house. It holds a car and some of my dad’s tools.” Martin glanced at me, equal parts amused and confused. “Oh?” “Yes. And a hammock in the back yard.” “Is that so…” “Yeah.” “So no waterfalls?” “No. But this one time, when it rained a lot, the gutter broke. That was similar to a waterfall.
Penny Reid (Attraction (Elements of Chemistry, #1; Hypothesis, #1.1))
When you arrive in your driveway and turn off the car, you remain behind the wheel another ten minutes. You fear the night is being locked in and coded on a cellular level and want time to function as a power wash. Sitting there staring at the closed garage door you are reminded that a friend once told you there exists the medical term—John Henryism—for people exposed to stresses stemming from racism. They achieve themselves to death trying to dodge the buildup of erasure. Sherman James, the researcher who came up with the term, claimed the physiological costs were high. You hope by sitting in silence you are bucking the trend.
Claudia Rankine (Citizen: An American Lyric)
What is this place?" "A parking garage. It's like a hotel for cars. Ready?" "For what?" "You've been in New York nearly two hours. It's time for some light breaking and entering.
Leigh Bardugo (Wonder Woman: Warbringer)
It was hard to stay angry when I felt so sad. I would rather have felt angry, but instead, all I could do was sob. Even though people had been coming over all day, the house seemed so lonely that I couldn't stand it. The room grew somewhat dimmer. I didn't move as it grew dimmer still. Then, with a start, I hurried outside and ran to the alley in back of our house. Through a break between the buildings, I saw that the sun hung low over the horizon. I watched it until it started to hide between two trees in the distance. Then I climbed on a car and watched until only half of the sun was visible, and then a quarter, and then I felt a huge sickening panic inside of me and ran as hard as I could to a ladder I saw down the alley. I rushed up the ladder and climbed on the roof of somebody's garage. I saw the sun again, a quarter of it, and then a slice, and then it disappeared, the last time ever that the sun would set on a day my sister had lived.
Cynthia Kadohata (Kira-Kira)
There are two decisions you need to make after you have accepted Jesus into your life. One: You need to make the decision to get over your past. You will not grow unless you make a conscious decision to get over your past. Two: Once you have made that decision, you need to trust God to help you get over your past... You didn’t just automatically become a Christian, did you? You weren’t made a Christian by just going to church. Just like you are not made a car by sitting in a garage all day! You have to make a decision.
Corallie Buchanan (Watch Out! Godly Women on the Loose)
You didn’t just automatically become a Christian, did you? You weren’t made a Christian by just going to church. Just like you are not made a car by sitting in a garage all day! You have to make a decision.
Corallie Buchanan (Watch Out! Godly Women on the Loose)
Once, Gansey had overhead his father saying, Why in the world did he even want that car? and his mother replying, Oh, I know why. One day he would find an opportunity to bring up that conversation with her, because he wanted to know why she thought he had bought it. Analyzing what motivated him to put up with the Camaro made Gansey feel unsettled, but he knew it had something to do with how sitting in this perfectly restored Peugeot made him feel. A car was a wrapper for its contents, he thought, and if he looked on the inside like any of the cars in this garage looked on the outside, he couldn’t live with himself. On the outside, he knew he looked a lot like his father. On the inside, he sort of wished he looked more like the Camaro. Which was to say, more like Adam.
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
car's in the garage because I cleaned it out. Like I said, I couldn't sleep." "What was there to clean?" I ask. "Your car is always pristine." "You haven't seen the trunk." I laugh. "What's in the trunk?" "Nothing now.
J.M. Darhower (Monster in His Eyes (Monster in His Eyes, #1))
Going to church doesn’t make you a Christian, anymore than standing in your garage makes you a car.
Lena Zheng fave quote
Billy Graham has said many times: “Walking into a church doesn’t make you a Christian any more than walking into a garage makes you a car.
Chauncey W. Crandall (Touching Heaven: A Cardiologist's Encounters with Death and Living Proof of an Afterlife)
pulled my car out of the garage to double-check the oil.
Penelope Douglas (Until You (Fall Away, #1.5))
When life gives you lemons, Tessie . . .” He trails off and starts his car, pulling away from his garage. “You squeeze the life out of them and then throw them in the trash, genius,” I scoff. From
Blair Holden (The Bad Boy's Girl (The Bad Boy's Girl #1))
We have more 'things per person' than any other nation in history. Closets are full, storage space is used up, and cars can't fit into garages. Having first imprisoned us with debt. Possessions then take over our houses and occupy our time. This begins to sound like an invasion. Everything I own owns me. Why would I want more?
Richard A. Swenson (Margin: Restoring Emotional, Physical, Financial, and Time Reserves to Overloaded Lives)
Hey, aren’t you that guy who fixes cars?” Katie asked, looking at my grease-covered work pants as if she couldn’t believe I ever left the garage. “Yeah, they let me out every now and then,” I said.
Carolee Dean (Take Me There)
Dad used to say lots of funny things - like he was speaking his own language sometimes. Twenty-three skidoo, salad days, nosey parker, bandbox fresh, the catbird seat, chocolate teapot, and something about Grandma sucking eggs. One of his favourites was 'safe as houses'. Teaching me to ride a bike, my mother worrying in the doorway: "Calm down, Linda, this street is as safe as houses." Convincing Jamie to sleep without his nightlight: "It's as safe as houses in here, son, not a monster for miles." Then overnight the world turned into a hideous nightmare, and the phrase became a black joke to Jamie and me. Houses were the most dangerous places we knew. Hiding in a patch of scrubby pines, watching a car pull out from the garage of a secluded home, deciding whether to make a food run, whether it was too dicey. "Do you think the parasites'll be long gone?" "No way - that place is as safe as houses. Let's get out of here." And now I can sit here and watch TV like it is five years ago and Mom and Dad are in the other room and i've never spent a night hiding in a drainpipe with Jamie and a bunch of rats while bodysnatchers with spotlights search for the thieves who made off with a bag of dried beans and a bowl of cold spaghetti. I know that if Jamie and I survived alone for twenty years we would never find this feeling on our own. The feeling of safety. More than safety, even - happiness. Safe and happy, two things I thought i'd never feel again. Jared made us feel that way without trying, just be being Jared. I breathe in the scent of his skin and feel the warmth of his body under mine. Jared makes everything safe, everything happy. Even houses.
Stephenie Meyer (The Host (The Host, #1))
Deep Throat seemed impressed by the groundwork they had done. Suddenly he walked to the front of one of the cars in the garage and, standing erect, placed his gloved hands authoritatively on the hood as if it were a rostrum. “From this podium, I’m prepared to denounce such questions about gentle Colson and noble Mitchell as innuendo, character assassination, hearsay and shoddy journalism. The questions themselves are fabrication and fiction and a pack of absurdities and cometh from the fountain of misinformation.” Woodward, who was very tired, started laughing and couldn’t stop. Deep Throat “Ziegler” continued the denunciation: “. . . that small Georgetown coterie of self-appointed guardians of public mistrust who seek the destruction of the people’s will—
Carl Bernstein (All the President's Men)
In all honesty, men changed a few rules when they became what was referred to as househusbands. Bill didn't make beds, cook, dust, do laundry, windows or floors, or give birth. What he did do was pay bills, call people to fix the plumbing, handle the investments and taxes, volunteer big time, take papers to the garage, change license plates, get the cars serviced, and pick up the cleaning. If women had had that kind of schedule, who knows, we'd probably still be in the home.
Erma Bombeck (A Marriage Made in Heaven: Or Too Tired for an Affair)
Where'd you learn to do all these funny things?' he laughed. 'And you know I say funny but there's sumpthin so durned sensible about 'em. Here I am killin myself drivin this rig back and forth from Ohio to L.A. and I make more money than you ever had in your whole life as a hobo, but you're the one who enjoys life and not only that but you do it without workin or a whole lot of money. Now who's smart, you or me?' And he had a nice home in Ohio with wife, daughter, Christmas tree, two cars, garage, lawn, lawnmower, but he couldn't enjoy any of it because he really wasn't free.
Jack Kerouac (The Dharma Bums)
He started to engage the gears, and then suddenly paused with a feeling of uneasiness. He did not regret leaving his own car, but still something worried him. In a moment he remembered. He went back to his old car, and took out the hammer. He carries it over to the station wagon and laid it at his feet. Then he drove out of the garage.
George R. Stewart (Earth Abides)
It is an oyster, with small shells clinging to its humped back. Sprawling and uneven, it has the irregularity of something growing. It looks rather like the house of a big family, pushing out one addition after another to hold its teeming life - here a sleeping porch for the children, and there a veranda for the play-pen; here a garage for the extra car and there a shed for the bicycles. It amuses me because it seems so much like my life at the moment, like most women's lives in the middle years of marriage. It is untidy, spread out in all directions, heavily encrusted with accumulations....
Anne Morrow Lindbergh (Gift from the Sea)
I’d like to make the argument that The Cars were the first garage band.
Jarod Kintz (This is the best book I've ever written, and it still sucks (This isn't really my best book))
Denying emotion is not avoiding the high curbs, it's never taking your car out of the garage. It's safe in there, but you'll never go anywhere.
Brené Brown (Rising Strong: The Reckoning. The Rumble. The Revolution.)
Mendel hated motorists. Give a man a car of his own and he leaves humility and common sense behind him in the garage.
John Le Carré (Call for the Dead (George Smiley, #1))
Bond’s car was his only personal hobby. One of the last of the 4½-litre Bentleys with the supercharger by Amherst Villiers, he had bought it almost new in 1933 and had kept it in careful storage through the war. It was still serviced every year and, in London, a former Bentley mechanic, who worked in a garage near Bond’s Chelsea flat, tended it with jealous care.
Ian Fleming (Casino Royale (James Bond, #1))
That one brown house still had that hole in its garage door splintering like a chewed cookie smile, the hole the exact size and height of the car parked on the driveway in front of it.
Tim Kinsella (The Karaoke Singer's Guide to Self-Defense)
I'm driving." Roarke's hand paused as it reached for the car door, and his brow winged up. "It's my car." "It's my deal." They studied each other a minute, crowded together at the driver's side door. "Why are you driving?" "Because." Vaguely embarrassed, she dug her hands in her pockets. "Don't smirk." "I'll try to resist. Why?" "Because," she said again, "I drive when I'm on a case, so if I drive, it'll feel like -- it'll feel official instead of criminal." "I see. Well, that makes perfect sense. You drive." She started to climb in while he circled around to the passenger side. "Are you smirking behind my back?" "Yes, of course." He sat, stretched out his legs. "Now, to make it really official, I should have a uniform. I'll go that far, but I refuse to wear those amazingly ugly cop shoes." "You're a real joker," she muttered and jerked the car into reverse, did a quick, squealing spin, and shot out of the garage. "Too bad this vehicle doesn't have a siren. But we can pretend nothing works on it, so you'll feel official." "Keep it up. Just keep it up." "Maybe I'll call you sir. Could be sexy." He smiled blandly when she glared at him. "Okay, I'm done. How do you want to play this?
J.D. Robb (Conspiracy in Death (In Death, #8))
Ah, the suburbs: that slice of America where we name subdivisions after the trees we've cut down to build them, where we've zoned out any hope of a bookstore or a restaurant within walking distance, where we slave over lawns that we seldom use, where our front porches are too shallow for a porch swing, where we walk the dogs but can't walk to lunch, where we don't really get to know the neighbors because nobody's planning to stick around for more than a few years, where the dominant feature of every house is the two-car garage door, where getting to know people is tougher than it needs to be because there's no village pub, no local bakery, no farmer's market—in other words, no casual gathering point where it's possible to bump into neighbors in an organic way.
Andrew Peterson (The God of the Garden: Thoughts on Creation, Culture, and the Kingdom)
If Mrs. Child's ghost was planting, my father's was building. Half finished, nearly finished, and just started projects which waited throughout the house. In Evie's room, the closet he built swung open with a bang, impatient for a latch. The closet without a door in Rene's room just stared - day and night - like someone gone mad. The garage let in birds that left a mess where planks had been pried off for a second car to rest. Worst of all, the hole that he dug for my mother's patio filled with rainwater and grew grass as tall as in the marsh. Instead of a place to entertain in summer, it became a nature reserve which she could not close down. A holiday park for mosquitos. A rest home for caterpillars and other things that she loathed that squirmed.
Georgia Scott (American Girl: Memories That Made Me)
Since then he had taken these photos out too many times to count, but each time he looked into the face of this woman he had felt something growing inside him. It took him a long time to realize what it was. Only recently had his wounded synapses allowed him to name it. He had been falling in love all over again. He didn't understand how two people who were married, who saw each other every day, could forget what each other looked like, but if he had had to name what had happened- this was it. And the last two photos in the roll provided the key. He had come home from work- I remember trying to keep my mother's attention as Holiday barked when he had heard the car pull into the garage. 'He'll come out,' I said. 'Stay still.' And she did. Part of what I loved about photography was the power it gave me over the people on the other side of the camera, even my own parents. Out of the corner of my eye I saw my father walk through the side door into the yard. He carried his slim briefcase, which, years before, Lindsey and I had heatedly investigated only to find very little of interest to us. As he set it down I snapped the last solitary photo of my mother. Already her eyes had begun to seem distracted and anxious, diving under and up into a mask somehow. In the next photo, the mast was almost, but not quite, in place and in the final photo, where my father was leaning slightly down to give her a kiss on the cheek- there it was. 'Did I do that to you?' he asked her image as he stared at the pictures of my mother, lined up in a row. 'How did that happen?' ~pgs 239-240; Mr. Salmon dealing with the three c's (for families of addicts)- Cause (you didn't cause it), Control (you can't control it), and Cure (you can't cure it)
Alice Sebold (The Lovely Bones)
Okay, please do the memory wipe thing to my parents. That sounds amazing. And while you're at it, there was this time when I was twelve that I crashed my moms car into the garage door..." "Lets not get carried away Mr. Portman.
Ransom Riggs (Library of Souls (Miss Peregrine's Peculiar Children, #3))
It’s your job to be worried,” I said lightly, squeezing his hand. “That’s why we pay you the big bucks. Which you are apparently going to hand over to the NAC in order to keep that car in the garage.” “Never fear, Sentinel. I will still be able to keep you in bacon.” “Damn right,” I said. “You know your priorities.” Ethan rolled his eyes and slapped me on the butt.
Chloe Neill (Biting Bad (Chicagoland Vampires, #8))
Have you really stolen a car?" "I have really stolen many cars before." "Could you steal my car?" "Your midrange car with no theft protection devices that you keep unlocked in your garage that is also unlocked?" Marcos snorted in disbelief. "Yes, I could steal it.
Kele Moon (The Viper (Untamed Hearts, #1))
In the parking area, Ove sees that imbecile Anders backing his Audi out of his garage. It has those new, wave-shaped headlights, Ove notes, presumably designed so that no one at night will be able to avoid the insight that here comes a car driven by an utter shit.
Fredrik Backman (A Man Called Ove)
felt that he just wanted somebody to keep a house clean for him and do the shopping and the cooking. He was always in the garage with his cars, working on them, doing something. All he wanted was food and sex, and that was it. Any time we did talk, it would end up in arguments.
Ann Rule (Green River, Running Red: The Real Story of the Green River Killer--America's Deadliest Serial Murderer)
There was a low growling sound and the Munstermobile came gliding up out of the parking garage, dripping water from its gleaming surface like some lantern-eyed leviathan rising from the depths. There were still a few dents and dings in it, but the broken glass had all been replaced, and the engine sounded fine. Okay, I'm not like a car fanatic or anything - but the guitar riff from "Bad to the Bone" started playing in my head.
Jim Butcher (Cold Days (The Dresden Files, #14))
The thing I don't understand about the suicide person is the people who try to commit suicide, for some reason they don't die, and that's it. They stop trying. Why don't they just keep trying? What's changed? Is their life any better now? No. In fact. it's worse, because now they've found out here's one more thing you stink at. And that's why these people don't succeed in life to begin with. They give up too easy. I say, pills don't work? Try a rope. Car won't start in the garage? Get a tune-up. There's nothing more rewarding than reaching a goal you've set for yourself.
Jerry Seinfeld (SeinLanguage)
There is a difference between details and clutter. Clutter is the books on your shelf that you’re never going to read, the stacked-up papers that have been untouched for months, the endless flotsam and jetsam in your car, your closet, your garage, your kitchen, your bedroom, and your office. Clutter is all those clothes that you haven’t worn in years filling all those shelves and drawers. Clutter is all those possessions you’ve got piled in the garage just in case you might need them someday. Even though it’s been seven years since you first made those piles and haven’t looked in them since. Details are those pictures that remind you why you do what you do. Details are those books that are filled with underlining and notes. Or the books that you actually will read. Details are those few items of clothing that you actually do wear. Details are those objects you use regularly that help you do better whatever it is you do. Details are the tools of your craft. Details remind you who you are, where you’ve been, and what your path is.
Rob Bell (How to Be Here: A Guide to Creating a Life Worth Living)
robust intelligence may be a liability—especially if by “intelligence” we mean our peculiar self-awareness, all our frantic loops of introspection and messy currents of self-consciousness. We want our self-driving car to be inhumanly focused on the road, not obsessing over an argument it had with the garage.
Kevin Kelly (The Inevitable: Understanding the 12 Technological Forces That Will Shape Our Future)
Leaning against my car after changing the oil, I hold my black hands out and stare into them as if they were the faces of my children looking at the winter moon and thinking of the snow that will erase everything before they wake. In the garage, my wife comes behind me and slides her hands beneath my soiled shirt. Pressing her face between my shoulder blades, she mumbles something, and soon we are laughing, wrestling like children among piles of old rags, towels that unravel endlessly, torn sheets, work shirts from twenty years ago when I stood in the door of a machine shop, grease blackened, and Kansas lay before me blazing with new snow, a future of flat land, white skies, and sunlight. After making love, we lie on the abandoned mattress and stare at our pale winter bodies sprawling in the half-light. She touches her belly, the scar of our last child, and the black prints of my hand along her hips and thighs.
B.H. Fairchild
Just to be clear,” I said, “I do lead a life of quiet desperation. I wouldn’t want to be friends with anyone who doesn’t, or anyone who isn’t filled with ambivalence, because I assume they’d be incredibly shallow. But I'm sure I’d be ten times more quietly desperate if I were living in the suburbs with a two-car garage.
Curtis Sittenfeld (Romantic Comedy)
Once upon a time Sister Mary Margaret had answered a loud knocking at the door of the orphanage. It was very early one morning, before the city was awake. All the pigeons had their heads tucked under their wings and all the rats were curled up tight behind the dustbins. All the cars and lorries were asleep in their garages and depots, and all the trains slumbered on their tracks at Connolly Station. All the boats bobbed gently in the harbor, dreaming of the high seas, and all the bicycles slept leaning along the fences. Even the angels were asleep at the foot of the O’Connell Monument, fluttering their wings as they dreamt, quite forgetting to hold still and pretend to be statues.
Jess Kidd (Himself)
And there were likely people who thought one could not interpret men's feelings by the cars they drove. But when they moved onto the street, Ove drove a Saab 96 and Rune a Volvo 244. After the accident Ove bought a Saab 95 so he'd have space for Sonja's wheelchair. That same year Rune bought a Volvo 245 to have space for a stroller. Three years later Sonja got a more modern wheelchair and Ove bought a hatchback, a Saab 900. Rune bought a Volvo 265 because Anita had started talking about another child. Then Ove bought two more Saab 900s and after that his Saab 9000. Rune bought a Volvo 265 and eventually a Volvo 745 station wagon. But no more children came. One evening Sonja came home and told Ove that Anita had been to the doctor. And a week later a Volvo 740 stood parked in Rune's garage. The sedan model. Ove saw it when he washed his Saab. In the evening Rune found a half bottle of whiskey outside his door. They never spoke about it.
Fredrik Backman (A Man Called Ove)
Maybe I could have done fifty things to avoid the accident. Left the car in the garage that day. Hurried through a yellow light that I'd stopped at. Gone to the beach instead of mini-golf. Been alone, not talking to friends. But I did all those things, and Celine hadn't done the many things she could have to avoid the accident, either. All the things get done and you regret them and then you accept them because there's nothing else to do. Regret doesn't budge things; it seems crazy that the force of all that human want can't amend a moment, can't even stir a pebble.
Darin Strauss (Half a Life)
Bucky's garage was a two-bay cinder block structure that sat like an island in a sea of cars. New cars, old cars, smashed cars, rusted cars, cars that had signed on for the vital organ program,
Janet Evanovich (Three to Get Deadly (Stephanie Plum, #3))
Nineteenth-century liberalism had assumed that man was a rational being who operated naturally according to his own best interests, so that in the end, what was reasonable would prevail. On this principle liberals defended extension of the suffrage toward the goal of one man, one vote. But a rise in literacy and in the right to vote, as the event proved, did nothing to increase common sense in politics. The mob that is moved by waving the bloody shirt, that decides elections in response to slogans—Free Silver, Hang the Kaiser, Two Cars in Every Garage—is not exhibiting any greater political sense than Marie Antoinette, who said, “Let them eat cake,” or Caligula, who made his horse a consul. The common man proved no wiser than the decadent aristocrat. He has not shown in public affairs the innate wisdom which democracy presumed he possessed.
Barbara W. Tuchman (Practicing History: Selected Essays)
True, most married men are convinced that their lives are dedicated to the family, and from a material standpoint this might be true. But it takes more than food in the fridge and two cars in the garage to keep a family going.
Mihály Csíkszentmihályi (Finding Flow: The Psychology of Engagement with Everyday Life)
If I seem to be over-interested in junk, it is because I am, and I have a lot of it, too—half a garage full of bits and broken pieces. I use these things for repairing other things. Recently I stopped my car in front of the display yard of a junk dealer near Sag Harbor. As I was looking courteously at the stock, it suddenly occurred to me that I had more than he had. But it can be seen that I do have a genuine and almost miserly interest in worthless objects. My excuse is that in this era of planned obsolescence, when a thing breaks down I can usually find something in my collection to repair it—a toilet, or a motor, or a lawn mower. But I guess the truth is that I simply like junk.
John Steinbeck (Travels with Charley: In Search of America)
Well, consider then, boy. Any man saves fingernail clippings is a fool. You ever see a snake bother to keep his peeled skin? That's about all you got here today in this bed is fingernails and snake skin. One good breath would send me up in flakes. Important thing is not the me that's lying here, but the me that's sitting on the edge of the bed looking back at me, and the me that's downstairs cooking supper, or out in the garage under the car, or in the library reading. All the new parts, they count. I'm not really dying today. No person ever died that had a family. I'll be around a long time. A thousand years from now a whole township of my offspring will be biting sour apples in the gumwood shade.
Ray Bradbury (Dandelion Wine)
When he grew up, he drove muscle cars (loud and fast) and motorcycles (again, loud and fast) and sat in his Dad’s garage with the door rolled up, lifting weights. I watched this out of my bedroom window and it was better than anything on television, believe you me.
Kristen Ashley (Rock Chick Revenge (Rock Chick, #5))
Many families amass more objects than their houses can hold. The result is garages given over to old furniture and unused sports equipment, home offices cluttered with boxes of stuff that haven’t yet been taken to the garage. Three out of four Americans report their garages are too full to put a car into them. Women’s cortisol levels (the stress hormone) spike when confronted with such clutter (men’s, not so much). Elevated cortisol levels can lead to chronic cognitive impairment, fatigue, and suppression of the body’s immune system.
Daniel J. Levitin (The Organized Mind: Thinking Straight in the Age of Information Overload)
Most shocking of all, a long-standing dispute between the city’s taxi drivers and a local car service called Murray Hill Limousine Service over the right to pick up passengers from the airport exploded into violence, as if the two sides were warring principalities in medieval Europe. The taxi drivers descended on Murray Hill with gasoline bombs. Murray Hill’s security guards opened fire. The taxi drivers then set a bus on fire and sent it crashing through the locked doors of the Murray Hill garage. This is CANADA we’re talking about.
Malcolm Gladwell (David and Goliath: Underdogs, Misfits, and the Art of Battling Giants)
Standing at the foot of the grand staircase, Wrath finished prepping for the meeting with the glymera by drawing a Kevlar vest onto his shoulders. “It’s light.” “Weight doesn’t always do you better,” V said as he fired up a hand-rolled and snapped his gold lighter shut. “You sure about that.” “When it comes to bulletproof vests, I am.” Vishous exhaled, the smoke momentarily shading his face before it floated upward to the ornate ceiling. “But if it’ll make you feel better, we can strap a garage door on your chest. Or a car, for that matter.” -Wrath & Vishous
J.R. Ward (Lover Avenged (Black Dagger Brotherhood, #7))
I had to hide. I couldn’t let him take me to the police station, but I also couldn’t dial 911 to get them help. Maybe if I waited it out, they’d get better on their own? I dashed toward the storage tubs on the other side of the garage, squeezing past the front of Mom’s car. One, maybe two steps more, and I would have jumped inside the closest tub and buried myself under a pile of blankets. The garage door rolled open first. Not all the way—just enough that I could see the snow on the driveway, and grass, and the bottom half of a dark uniform. I squinted, holding a hand up to the blinding blanket of white light that seemed to settle over my vision. My head started pounding, a thousand times worse than before. The man in the dark uniform knelt down in the snow, his eyes hidden by sunglasses. I hadn’t seen him before, but I certainly hadn’t met all the police officers at my dad’s station. This one looked older. Harder, I remembered thinking. He waved me forward again, saying, “We’re here to help you. Please come outside.” I took a tentative step, then another. This man is a police officer, I told myself. Mom and Dad are sick, and they need help. His navy uniform looked darker the closer I got, like it was drenched straight through with rain. “My parents…” The officer didn’t let me finish. “Come out here, honey. You’re safe now.” It wasn’t until my bare toes brushed up against the snow, and the man had wrapped my long hair around his fist and yanked me through the opening, that I even realized his uniform was black.
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
Luz leaned her head against the window. The bus was already on the outskirts of Mexico City and the endless urban landscape had never seemed so gray and or so harsh. Most of the city was nothing like the old money enclave of Lomas Virreyes where the Vegas lived or Polanco where the city’s most expensive restaurants and clubs catered to the wealthy. The bus passed block after block of sooty concrete cut into houses and shops and shanties and parking garages and mercados and schools and more shanties where people lived surrounded by hulks of old cars and plastic things no one bothered to throw away. Sometimes there wasn’t concrete for homes, just sheets of corrugated metal and big pieces of cardboard that would last until the next rainy season. It was the detritus of millions upon millions of people who had nowhere to go and nothing to do and were angry about it. The Reforma newspaper had reported a few weeks ago that the city’s population was in excess of 28 million--more than 25 percent of the country’s entire population--and Luz believed it. All of those people were clawing at each other in a huge fishbowl suspended 7500 feet above sea level, where there was never enough oxygen and the air was thin and dirty. The city was hemmed in by mountains on all sides; mountains like Popocatépetl and Iztaccíhuatl that sometimes spewed smoke and ash and prevented the contaminatión from cars and factories and sewers from escaping. Luz privately thought of it as la sopa--a white soup that often blotted out the stars and prevented the night sky from getting dark. The bus slowed in traffic. As they crept along Luz saw a car stopped on the side of the road, pulled over by a transito traffic cop. As Luz watched, the driver handed the cop a peso bill from his wallet. The transito accepted it but kept talking, gesturing at the car. The motorist handed him another bill. La mordida--the bite--of the traffic cop, right under her nose. Los Hierros was crap.
Carmen Amato (The Hidden Light of Mexico City)
Five minutes in he risked raising his head to check where he was. Which was in a pretty good spot. He had moved around the dial counterclockwise, from the ten to beyond the eight. And he had gotten much closer. And sure enough, the countervailing defenders, being uncertain of their marksmanship, had grouped at a point physically nearest the main threat, but consistent with their own safety. They perceived the main threat to be the backhoe, and the nearest cover was an outbuilding near the fence, about the size of a single-car garage. Three guys were hiding behind it. Which put them exactly side on to Reacher. Clear as day. A classic flanking maneuver. West Point would have been proud.
Lee Child (Make Me (Jack Reacher, #20))
I will say this about the upper echelon in France: they know how to spend money. From what I saw living in America, wealth is dedicated to elevating the individual experience. If you’re a well-off child, you get a car, or a horse. You go to summer camps that cost as much as college. And everything is monogrammed, personalized, and stamped, to make it that much easier for other people to recognize your net worth. …The French bourgeois don’t pine for yachts or garages with multiple cars. They don’t build homes with bowling alleys or spend their weekends trying to meet the quarterly food and beverage limit at their country clubs: they put their savings into a vacation home that all their family can enjoy, and usually it’s in France. They buy nice food, they serve nice wine, and they wear the same cashmere sweaters over and over for years. I think the wealthy French feel comfortable with their money because they do not fear it. It’s the fearful who put money into houses with even bedrooms and fifteen baths. It’s the fearful who drive around in yellow Hummers during high-gas-price months becasue if they’re going to lose their money tomorrow, at least other people will know that they are rich today. The French, as with almost all things, privilege privacy and subtlety and they don’t feel comfortable with excess. This is why one of their favorite admonishments is tu t’es laisse aller. You’ve lost control of yourself. You’ve let yourself go.
Courtney Maum (I Am Having So Much Fun Here Without You)
I still don’t see why I can’t just take the next bus,” said Scott as he buckled himself into the front passenger’s seat. [...] “Because the next bus isn’t for forty-five minutes, and by that time you’ll have missed first period.” Mom backed the car out of the garage and down the driveway. “It’s only English. I already speak English real goodly.” “You’re a laugh riot, Scotto.
Alex Gino (Melissa (previously published as GEORGE))
He never approves of anything I do,” Kusha says from the garage, hiding her frown. She gets all her old cars and tools from places you don’t want your daughters to visit. And Rashad Gaumont certainly doesn’t want her to visit Magic Mama, the not-enough-evolved, middle-aged man from the Old City. “He’s not a citizen! He lives in a bus! So what if he made it himself? So what if he teaches you about machines? Don’t meet him.” “Why?” Kusha used to ask Rashad, and she’d always get the same answer: “The unevolved kind brings chaos and wars.” Kusha didn’t listen. She went again and bought this car, too, from an antique dealer. He almost gave it away, saying it will never run again. It has the old days’ engine, the kind you don’t find in this era. A change of engines and batteries, a new set of all-terrain-tires, some safety trackers, sensors, and, well, a whole list of other things with 300% luck to make it run again through the Junk Land—the land outside the cities where it’s only ruins and rubble. Needs hard work, yes. But Kusha instantly liked the color of its body, the moment she saw it—a sort of green with greyish tint, and a good load of rust.
Misba (The High Auction (Wisdom Revolution, #1))
Isaiah opens my car door and his warm silver eyes smile at me. “Hey.” I sweep my bangs from my eyes. “Hi.” He offers his hand and I accept. His fingers wrap around mine and heat surges up my arm, flushes my neck and settles into a blush on my face. He tugs gently and I slip out. I’m not sure if my body vibrates from the rumbling of the garage door closing or from the blood pounding in my veins. Our fingers lace together, and his other hand smoothly cups my hip. I suck in a breath, surprised that someone touches me so easily and with such care. “You look nice,” he says. “I’m in my school uniform.” White button-down blouse, maroon-and-black plaid skirt, and a pair of white Keds. Nothing spectacular. “I know.” The seductive slide in his voice causes the back of my neck to tickle.
Katie McGarry (Crash into You (Pushing the Limits, #3))
He took a trip ... up to ... Elliott's house, his mansion rather. Awful place, twelve bedrooms and swimming pool and media hall and five car garage, but cheap and shoddy all the same, like the one next door and next door to that. A row of Ikea houses, such wealthy mediocrity. His very own son. His big, bald son. Who could believe it. The bigness, the baldness, the stupidity. In a house designed to bore the daylight out of visitors, no character at all, all blonde wood and fluorescent lighting and clean white machinery. Not to mention his brand new wife, number three, a clean white machine herself. Up from the cookie cutter and into Elliott's life, she might as well have jumped out of the microwave, her skin orange, her teeth pearly white. A trophy wife. But why the word "trophy"? Something to shoot on a safari.
Colum McCann (Thirteen Ways of Looking)
Gene Berdichevsky, one of the members of the solar-powered-car team, lit up the second he heard from Straubel. An undergraduate, Berdichevsky volunteered to quit school, work for free, and sweep the floors at Tesla if that’s what it took to get a job. The founders were impressed with his spirit and hired Berdichevsky after one meeting. This left Berdichevsky in the uncomfortable position of calling his Russian immigrant parents, a pair of nuclear submarine engineers, to tell them that he was giving up on Stanford to join an electric car start-up. As employee No. 7, he spent part of the workday in the Menlo Park office and the rest in Straubel’s living room designing three-dimensional models of the car’s powertrain on a computer and building battery pack prototypes in the garage. “Only now do I realize how insane it was,” Berdichevsky said.
Ashlee Vance (Elon Musk: Inventing the Future)
Consider this claim: as I walk along, time – as measured by my wristwatch or my ageing process – slows down. Also, I shrink in the direction of motion. Also, I get more massive. Who has ever witnessed such a thing? It's easy to dismiss it out of hand. Here's another: matter and antimatter are all the time, throughout the universe, being created from nothing. Here's a third: once in a very great while, your car will spontaneously ooze through the brick wall of your garage and be found the next morning on the street. They're all absurd! But the first is a statement of special relativity, and the other two are consequences of quantum mechanics (vacuum fluctuations and barrier tunnelling, they're called). Like it or not, that's the way the world is. If you insist it's ridiculous, you'll be forever closed to some of the major findings on the rules that govern the Universe.
Carl Sagan (The Demon-Haunted World: Science as a Candle in the Dark)
We take the stairs down to the first level of the parking garage and I lead us toward the area reserved for doctors. She makes her way toward a black Audi, turns, and waits for me to join her. I smirk. “That’s not my car.” She nods. “Right, of course. I see it now.” She goes to a bright yellow Ferrari that belongs to one of the plastic surgeons. The vanity license plate reads: SXY DOC88. “Here we are.” “Not even close.” “Oh, okay. I get it. You aren’t flashy. Maybe that gray Range Rover over there?” I press the unlock button on my key fob and my rear lights flash. There she is, the car I’ve driven since I was in medical school. “You’re kidding. A Prius?! Satan himself drives a Prius?!” She turns around as if hoping to find someone else she can share this moment with. All she’s got is me. I shrug. “It gets good gas mileage.” She blinks exaggeratedly. “I couldn’t be more shocked if you’d hitched a horse to a buggy.” I chuckle and open the back door to toss in her backpack. “Get in. Traffic is going to be hell.” We buckle up in silence, back up and leave the parking garage in silence, pull out into traffic in silence. Finally, I ask, “Where do you live?” “On the west side. Right across from Franklin Park.” “Good. I have an errand I need to run that’s right by there. Mind if I do that before I drop you off?” “Well seeing as how you stole my backpack and forced me into your car, I don’t really think it matters what I want.” I see. She’s still pouting. That’s fine. “Good. Glad we’re on the same page.” She doesn’t think I’m funny.
R.S. Grey (Hotshot Doc)
I want you here. I want you in my home, my bed, my life,” he murmured, the smooth out of his voice, it was low and so rough with sex and emotion, it was abrasive, scoring through me. “Baby –” “I want your clothes in my closet. I wanna hear your voice in my house when you’re talkin’ on the phone. I want you sittin’ beside me when we’re watchin’ TV. I want shit you like in my fridge. I want “your razors in my shower. I want my roof over your head. Your car in my garage. I want to give you what I should have been giving you for sixteen years. As good as you deserve. A showplace. A place where I can make you happy.” God. He was killing me. “Creed, let me –” He didn’t let me finish. He pressed on, driving in, our bodies jolting with his thrusts, his voice harsh in my ear. “Give me that, Sylvie. Give me that and, swear to God, I’ll give you everything.” “I –” His head came up, his cock drove deep and stayed planted and his eyes burned into mine. “All I’ll ask. All I’ll ever ask. You give me that and you got a lifetime of nothin’ but take.
Kristen Ashley (Creed (Unfinished Hero, #2))
Asia is rising against me. I haven't got a chinaman's chance. I'd better consider my national resources. My national resources cousist of two joints of marijuana millions of genitals an unpublishable private literature that goes 1400 miles an hour and twentyfive-thousand mental institutions. I say nothing about my prisons nor the millions of underprivileged who live in my flowerpots under the light of five hundred suns. I have abolished the whorehouses of France, Tangiers is the next to go. My ambition is to be President despite the fact that I'm a Catholic. America how can I write a holy litany in your silly mood? I will continue like Henry Ford my strophes are as individual as his automobiles more so they're all different sexes. America I will sell you strophes $2500 apiece $500 down on your old strophe America free Tom Mooney America save the Spanish Loyalists America Sacco & V anzetti must not die America I am the Scottsboro boys. America when I was seven momma took me to Communist Cell meetings they sold us garbanzos a handful per ticket a ticket costs a nickel and the speeches were free everybody was angelic and sentimental about the workers it was all so sincere you have no idea what a good thing the party was in 1835 Scott Nearing was a grand old man a real mensch Mother Bloor made me cry I once saw Israel Amter plain. Everybody must have been a spy. America you don't really want to go to war. America it's them bad Russians. Them Russians them Russians and them Chinamen. And them Russians. The Russia wants to eat us alive. The Russia's power mad. She wants to take our cars from out our garages. Her wants to grab Chicago. Her needs a Red Readers' Digest. Her wants our auto plants in Siberia. Him big bureaucracy running our fillingstations. That no good. Ugh. Him make Indians learn read. Him need big black niggers. Hah. Her make us all work sixteen hours a day. Help. America this is quite serious. America this is the impression I get from looking in the television set. America is this correct? I'd better get right down to the job. It's true I don't want to join the Army or turn lathes in precision parts factories, I'm nearsighted and psychopathic anyway. America I'm putting my queer shoulder to the wheel.
Allen Ginsberg (Howl: And Other Poems)
He rolled and thrashed in his bed, waiting for the dancing blue shadows to come in his window, waiting for the heavy knock on his door, waiting for some bodiless, Kafkaesque voice to call: Okay, open up in there! And when he finally fell asleep he did it without knowing it, because thought continued without a break, shifting from conscious rumination to the skewed world of dreams with hardly a break, like a car going from drive to low. Even in his dreams he thought he was awake, and in his dreams he committed suicide over and over: burned himself; bludgeoned himself by standing under an anvil and pulling a rope; hanged himself; blew out the stove’s pilot lights and then turned on the oven and all four burners; shot himself; defenestrated himself; stepped in front of a moving Greyhound bus; swallowed pills; swallowed Vanish toilet bowl disinfectant; stuck a can of Glade Pine Fresh aerosol in his mouth, pushed the button, and inhaled until his head floated off into the sky like a child’s balloon; committed hara-kiri while kneeling in a confessional at St. Dom’s, confessing his self-murder to a dumbfounded young priest even as his guts accordioned out onto the bench like beef stew, performing an act of contrition in a fading, bemused voice as he lay in his blood and the steaming sausages of his intestines. But most vividly, over and over, he saw himself behind the wheel of the LTD, racing the engine a little in the closed garage, taking deep breaths and leafing through a copy of National Geographic, examining pictures of life in Tahiti and Aukland and the Mardi Gras in New Orleans, turning the pages ever more slowly, until the sound of the engine faded to a faraway sweet hum and the green waters of the South Pacific inundated him in rocking warmth and took him down to a silver fathom.
Stephen King (Roadwork)
The cache of Christianity is Christ. Not money in the bank or a car in the garage or a healthy body or a better self-image. Secondary and tertiary fruits perhaps. But the Fort Knox of faith is Christ. Fellowship with him. Walking with him. Pondering him. Exploring him. The heart-stopping realization that in him you are part of something ancient, endless, unstoppable, and unfathomable. And that he, who can dig the Grand Canyon with his pinkie, thinks you’re worth his death on Roman timber. Christ is the reward of Christianity. Why else would Paul make him his supreme desire? “I want to know Christ” (Phil. 3:10 NCV).
Max Lucado (Next Door Savior: Near Enough to Touch, Strong Enough to Trust)
Mom?” Then again, louder. “Mom?” She turned around so quickly, she knocked the pan off the stove and nearly dropped the gray paper into the open flame there. I saw her reach back and slap her hand against the knobs, twisting a dial until the smell of gas disappeared. “I don’t feel good. Can I stay home today?” No response, not even a blink. Her jaw was working, grinding, but it took me walking over to the table and sitting down for her to find her voice. “How—how did you get in here?” “I have a bad headache and my stomach hurts,” I told her, putting my elbows up on the table. I knew she hated when I whined, but I didn’t think she hated it enough to come over and grab me by the arm again. “I asked you how you got in here, young lady. What’s your name?” Her voice sounded strange. “Where do you live?” Her grip on my skin only tightened the longer I waited to answer. It had to have been a joke, right? Was she sick, too? Sometimes cold medicine did funny things to her. Funny things, though. Not scary things. “Can you tell me your name?” she repeated. “Ouch!” I yelped, trying to pull my arm away. “Mom, what’s wrong?” She yanked me up from the table, forcing me onto my feet. “Where are your parents? How did you get in this house?” Something tightened in my chest to the point of snapping. “Mom, Mommy, why—” “Stop it,” she hissed, “stop calling me that!” “What are you—?” I think I must have tried to say something else, but she dragged me over to the door that led out into the garage. My feet slid against the wood, skin burning. “Wh-what’s wrong with you?” I cried. I tried twisting out of her grasp, but she wouldn’t even look at me. Not until we were at the door to the garage and she pushed my back up against it. “We can do this the easy way or the hard way. I know you’re confused, but I promise that I’m not your mother. I don’t know how you got into this house, and, frankly, I’m not sure I want to know—” “I live here!” I told her. “I live here! I’m Ruby!” When she looked at me again, I saw none of the things that made Mom my mother. The lines that formed around her eyes when she smiled were smoothed out, and her jaw was clenched around whatever she wanted to say next. When she looked at me, she didn’t see me. I wasn’t invisible, but I wasn’t Ruby. “Mom.” I started to cry. “I’m sorry, I didn’t mean to be bad. I’m so sorry, I’m so sorry! Please, I promise I’ll be good—I’ll go to school today and won’t be sick, and I’ll pick up my room. I’m sorry. Please remember. Please!” She put one hand on my shoulder and the other on the door handle. “My husband is a police officer. He’ll be able to help you get home. Wait in here—and don’t touch anything.” The door opened and I was pushed into a wall of freezing January air. I stumbled down onto the dirty, oil-stained concrete, just managing to catch myself before I slammed into the side of her car. I heard the door shut behind me, and the lock click into place; heard her call Dad’s name as clearly as I heard the birds in the bushes outside the dark garage. She hadn’t even turned on the light for me. I pushed myself up onto my hands and knees, ignoring the bite of the frosty air on my bare skin. I launched myself in the direction of the door, fumbling around until I found it. I tried shaking the handle, jiggling it, still thinking, hoping, praying that this was some big birthday surprise, and that by the time I got back inside, there would be a plate of pancakes at the table and Dad would bring in the presents, and we could—we could—we could pretend like the night before had never happened, even with the evidence in the next room over. The door was locked. “I’m sorry!” I was screaming. Pounding my fists against it. “Mommy, I’m sorry! Please!” Dad appeared a moment later, his stocky shape outlined by the light from inside of the house. I saw Mom’s bright-red face over his shoulder; he turned to wave her off and then reached over to flip on the overhead lights.
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
looked at her profile, and thought back to some moments from my own private cinema. Susan in her green-piped tennis dress, feeding her racket into its press; Susan smiling on an empty beach; Susan crashing the gears of the Austin and laughing. But after a few minutes of this, my mind began to wander. I couldn’t keep it on love and loss, on fun and grief. I found myself wondering how much petrol was left in the car, and how soon I would have to find a garage; then about how sales of cheese rolled in ash were suffering a dip; and then about what was on television that evening. I didn’t feel guilty about any of this; indeed, I think I am now probably done with guilt. But the rest of my life, such as it was, and subsequently would be, was calling me back.
Julian Barnes (The Only Story)
We stand in front of the TV, soaking up news reports that break in between infomercials. At a little after one in the morning, we learn that the girl was taken to a burn center in South Bay. Ten minutes later, we learn she’s in critical condition. At one thirty in the morning, we learn she has suffered fourth-degree burns over thirty percent of her body. At one forty-five, we learn that she is expected to survive, but will undergo extensive reconstructive surgery and rehabilitation. At one fifty, reporters state that the owner of the home admitted to spilling fuel near a car parked outside his garage. Investigators state they have no reason to believe the fire was caused intentionally, but a complete investigation will follow up to corroborate the homeowner’s claims.
Colleen Hoover (November 9)
He’s a sweet guy,” Charlie says quietly. “Anyway, he let the car stuff go and started picking up paperbacks for me every time he stopped by a garage sale, or a new donation box came into Mom’s shop. He has no idea how much erotica he’s given me.” “And you actually read it.” Charlie turns his wineglass one hundred and eighty degrees, eyes boring into me. “I wanted to understand how things worked, remember?” I arch a brow. “How’d that turn out for you?” He sits forward. “I was slightly disappointed when my first serious girlfriend didn’t have three consecutive orgasms, but otherwise okay.” A torrent of laughter rips through me. “So I’ve found the key to Nora Stephens’s joy,” he says. “My sexual humiliation.” “It’s not the humiliation so much as the sheer optimism.
Emily Henry (Book Lovers)
I want a love like me thinking of you thinking of me thinking of you type love or me telling my friends more than I've ever admitted to myself about how I feel about you type love or hating how jealous you are but loving how much you want me all to yourself type love or seeing how your first name just sounds so good next to my last name. and shit- I wanted to see how far I could get without calling you and I barely made it out of my garage. See, I want a love that makes me wait until she falls asleep then wonder if she's dreaming about us being in love type love or who loves the other more or what she's doing at this exact moment or slow dancing in the middle of our apartment to the music of our hearts. Closing my eyes and imagining how a love so good could just hurt so much when she's not there and shit I love not knowing where this love is headed type love. And check this- I wanna place those little post-it notes all around the house so she never forgets how much I love her type love then not have enough ink in my pen to write all the love type love and hope I make her feel as good as she makes me feel and I wanna deal with my friends making fun of me the way I made fun of them when they went through the same kind of love type love. The only difference is this is one of those real type loves and just like in high school I wanna spend hours on the phone not saying shit and then fall asleep and then wake up with her right next to me and smell her all up in my covers type love and I wanna try counting the ways I love her then lose count in the middle just so I could start all over again and I wanna celebrate one of those one-month anniversaries even though they ain't really anniversaries but doing it just 'cause it makes her happy type love and check this- I wanna fall in love with the melody the phone plays when our numbers dial in type love and talk to you until I lose my breath, she leaves me breathless, but with the expanding of my lungs I inhale all of her back into me. I want a love that makes me need to change my cell phone calling plan to something that allows me to talk to her longer 'cause in all honesty, I want to avoid one of them high cell phone bill type loves and I don't want a love that makes me regret how small my hands are I mean the lines on my palms don't give me enough time to love you as long as I'd like to type love and I want a love that makes me st-st-st-stutter just thinking about how strong this love is type love and I want a love that makes me want to cut off all my hair. Well maybe not all of the hair, maybe like I'd cut the split ends and trim the mustache but it would still be a symbol of how strong my love is for her. I kind of feel comfortable now so I even be fantasize about walking out on a green light just dying to get hit by a car just so I could lose my memory, get transported to some third world country just to get treated and somehow meet up again with you so I could fall in love with you in a different language and see if it still feels the same type love. I want a love that's as unexplainable as she is, but I'm married so she is gonna be the one I share this love with.
Saul Williams
From Tomorrow to Yesterday The tree trunks move in time with the rhythm of her rubber soles on the wet path, where the air is still cool after the night rain. The woodland floor is white with anemones; in one place, growing close to the roots of an ancient tree, they make her think of an old, wrinkled hand. She could go on and on without getting tired, without meeting anyone or thinking of anything in particular, and without coming to the edge of the woods. As if the town did not begin just behind the trees, the leafy suburb with its peaceful roads and its houses hidden behind close-trimmed hedges. She doesn't want to think about anything, and almost succeeds; her body is no more than a porous, pulsating machine. The sun breaks through the clouds as she runs back, its light diffused on the gravel drive and the magnolia in front of the kitchen window. His car is no longer parked beside hers, he must have left while she was in the woods. He hadn't stirred when she rose, and she'd already been in bed when he came home late last night. She lay with her back turned, eyes closed, as he undressed, taking care not to wake her. She leans against one of the pillars of the garage and stretches, before emptying the mailbox and letting herself into the house. She puts the mail on the kitchen table. The little light on the coffeemaker is on; she switches it off. Not so long ago, she would have felt a stab of irritation or a touch of tenderness, depending on her mood. He always forgets to turn off that machine. She puts the kettle on, sprinkles tea leaves into the pot, and goes over to the kitchen window. She observes the magnolia blossoms, already starting to open. They'll have to talk about it, of course, but neither of them seems able to find the right words, the right moment. She pauses on her way through the sitting room. She stands amid her furniture looking out over the lawn and the pond at the end of the garden. The canopies of the trees are dimly reflected in the shining water. She goes into the bathroom. The shower door is still spotted with little drops. As time went on they have come to make contact during the day only briefly, like passing strangers. But that's the way it has been since the children left home, nothing unusual in that. She takes off her clothes and stands in front of the mirror where a little while ago he stood shaving. She greets her reflection with a wry smile. She has never been able to view herself in a mirror without this moue, as if demonstrating a certain guardedness about what she sees. The dark green eyes and wavy black hair, the angularity of her features. She dyes her hair exactly the color it would have been if she hadn't begun to go gray in her thirties, but that's her only protest against age.
Jens Christian Grøndahl (An Altered Light)
checked the load, and slipped it under my belt behind my right hip. “Are you supposed to be wearing a bulletproof vest, are you supposed to be carrying a gun?” a guard asked. “Isn’t that against the rules?” “What rules?” I said. He didn’t have an answer for that. I put on my leather coat. The money was still packed in the gym bags, the gym bags strapped to the dolly in the center of my living room. I grabbed the handle and started wheeling it to the back door of my house. I had a remote control hanging from the lock on the window overlooking my unattached garage. I used it to open the garage door. “There’s no reason for you guys to hang around anymore,” I said. The guards followed me out of my back door, across the driveway, and into the garage just the same. They stood by and watched while I loaded the dolly and the gym bags into the trunk of the Audi. “Nice car,” one of them said. If he had offered me ten bucks, I would have sold the Audi and all of its contents to him right then and there. Because he didn’t, I unlocked the driver’s door and slid behind the wheel. “Good luck,” the guard said and closed the door for me. He smiled like I was a patient about to be wheeled into surgery; smiled like he felt sorry for me. I put the key in the ignition, started up the car, depressed the clutch, put the transmission in reverse, and—sat there for five seconds, ten, fifteen … Why are you doing this? my inner voice asked. Are you crazy? The guard watched me through the window, an expression of concern mixed with puzzlement on his face. “McKenzie, are you okay?” he asked. “Never better,” I said. I slowly released the clutch and backed the Audi out of my driveway
David Housewright (Curse of the Jade Lily (Mac McKenzie, #9))
Kyle eased back in his chair, rubbing his jaw thoughtfully. “This is an interesting situation, Jordo . . . What’s it worth to you to keep this information under wraps? Because I’m going to need some income when I get out of this place, and I hear that wine business of yours is really taking off.” “Get real. You owe me.” Kyle sat up, indignant at that. “For what?” Jordan folded her arms on the table. “Sophomore year. You took Mom’s car out of the garage in the middle of the night—without a license—to drive over to Amanda Carroll’s. Dad thought he heard a noise when you tried to sneak back in, so I distracted him by saying that I’d seen a strange person in the backyard. While he was looking out my bedroom window, you crept by and mouthed, ‘I owe you.’ Well, now I want to collect.” “That was seventeen years ago,” Kyle said. “I’m pretty sure there’s a statute of limitations on IOUs.” “I don’t recall hearing any disclaimers, expirations, or caveats at the time.” “I was a minor. The contract’s not valid.” “If you want to weasel your way out of this, I suppose that’s true.” Jordan waited, knowing she had him. Despite the impression one might get from the orange jumpsuit, her brother was quite honorable. And he always kept his word. “Fine,” he grumbled. “I finally get some dirt on you, Ms. Perfect, for the first time in thirty-three years, and it’s wasted.” He grinned. “Good thing that trip to Amanda Carroll’s was worth it, or I’d be pretty pissed about this.” Jordan made a face. Way too much information. “I’m hardly perfect. I’m just a lot better at not getting caught than you.” She took in their surroundings. “Maybe I should’ve given you a few pointers.” Kyle nodded approvingly. “Nice one.
Julie James (A Lot like Love (FBI/US Attorney, #2))
Once a young man with a black beard asked if he could have Roger’s parking space in a car park, and Roger waited twenty minutes before he moved the car. Out of principle! ... He waited twenty minutes before he moved the car out of principle. Because on the news that morning there was a man, a politician, who said we ought to stop helping immigrants. That they just come here thinking they can get everything for free, and that a society can’t work like that. He swore a lot, and said they’re all the same, people like that. And Roger had voted for the party that man belonged to, you see. Roger has very firm ideas about the economy and fuel taxes and things like that, he doesn’t like it when Stockholmers turn up and decide how everyone outside Stockholm should live. And he can be very sensitive. Sometimes he expresses himself a bit harshly, I’ll admit that, but he has his principles. No one can say he hasn’t got principles. And that particular day, after he’d heard that politician say that, we were in a shopping mall, it was just before Christmas so the car park was completely full when we got back to the car. Long, long queues. And that young man with the black beard, he saw us walking back to our car and wound his window down and asked if we were leaving, and if he could have our space if we were. ... There were so many cars there that it took the young man twenty minutes to get to the part of the garage where we were parked. Roger refused to move the car until he got there. He had two little children in the back of the car, I hadn’t noticed, but Roger had. When we drove away I told Roger I was proud of him, and he replied that it didn’t mean he’d changed his mind about the economy or fuel taxes or Stockholmers. But then he said that he realized that in that young man’s eyes, Roger must look just like that politician on television, they were the same age, had the same color hair, the same dialect, and everything. And Roger didn’t want the man with the beard to think that meant they were all exactly the same.
Fredrik Backman (Anxious People)