Capture Your Memories Quotes

You should always be taking pictures, if not with a camera then with your mind. Memories you capture on purpose are always more vivid than the ones you pick up by accident.

You can't stop time. You can't capture light. You can only turn your face up and let it rain down.

Sometimes moments in life are so perfect you want to freeze frame them; capture them within your soul forever so they never fade away—they burn themselves into your being until they’re a part of who you are.

They may be nothing more than scraps of paper, but they capture something profound. Light and wind and air, the tenderness or joy of the photographer, the bashfulness or pleasure of the subject. You have to guard these things forever in your heart. That’s why photographs are taken in the first place.

Memory is the grid of meaning we impose on the random and bewildering flux of the world. Memory is the line we pay out behind us as we travel through time--it is the clue, like Ariadne's, which means we do not lose our way. Memory is the lasso with which we capture the past and haul it from chaos towards us in nicely ordered sequences, like those of baroque keyboard music.

When the surface of your soul begins to stir, I imagine you want to capture the sensation in writing.

I've always had a good memory a good head for facts although when something is behind you it changes when you try to capture it in words. The past is slippery that way. I know all about that. And even the present is hard to pin down. You think you know everything that's happening around you. But you can't always see clearly when you're standing right there in the picture.

I cannot decide whether it is an illness or a sin, the need to write things down and fix the flowing world in one rigid form. Bear believed writing dulled the spirit, stilled some holy breath. Smothered it. Words, when they’ve been captured and imprisoned on paper, become a barrier against the world, one best left unerected. Everything that happens is fluid, changeable. After they’ve passed, events are only as your memory makes them, and they shift shapes over time. Writing a thing down fixes it in place as surely as a rattlesnake skin stripped from the meat and stretched and tacked to a barn wall. Every bit as stationary, and every bit as false to the original thing. Flat and still and harmless. Bear recognized that all writing memorializes a momentary line of thought as if it were final. But I was always word-smitten.

And you’d correct him, but the thing is, you’re not sure you remember it a hundred percent accurately yourself. It turns out your memory isn’t the precise court stenographer you think it is, getting every word down just so. It’s more like the sketch artist way at the back of the courtroom who is doing his level best to capture images that no longer are.

Sometimes, all you can take are memories But if you’re lucky enough to capture the moment, it lives forever, immortally fixed.

If I could capture the rays of the sun in a can, I'd paint a canvas with it and have you look at my work until the memory of my work was burned in your mind and your retinas burned out.

There’ll be moments in life, sweet pea, that stand out in your memories like a photograph. Scenes captured perfectly in your mind, frozen in time with each detail as colorful as it was that first time you saw it. ‘Flashbulb memories,’ some people call them,” she’d told me, her eyes crinkling up and nearly disappearing in a face etched with too many laugh lines to count. “Most people don’t recognize those moments as they happen. They look back fifty years later, and realize that those were the most important parts of their entire life. But at the time, they’re so busy looking ahead to what’s coming down the line or worrying about their future, they don’t enjoy their present. Don’t be like them, sweet pea. Don’t get so caught up in chasing your dreams that you forget to live them.

Accept the pain of the past. Learn the lessons of the past. Embrace the nostalgic memories of the past. Then dream big dreams of the future and start chasing them!

Capture the moment. It is your only sacred-memory.

Dreams are good at playing with your memory. They love leaving no trace behind and hate to show up once again in the morning.

Technology allowed us to share our photos with more people now than ever before, but where would these captured moments in time be in twenty years? On some outdated piece of hardware at the bottom of a landfill site? What happened to memories you couldn’t hold between your thumb and forefinger?

Words, when they've been captured and imprisoned on paper, become a barrier against the world, one best left unerected. Everything that happens is fluid, changeable. After they've passed, events are only as your memory makes them, and they shift shapes over time. Writing a thing down fixes it in place as surely as a rattlesnake skin strippd from the meat and stretched and tacked to a barn wall. Every bit as stationary, and every bit as false to the original thing. Flat and still and harmless.

The still air smelled of sweetgrass hanging from the rafters. What words can capture that smell? The fragrance of your mother’s newly washed hair as she holds you close, the melancholy smell of summer slipping into fall, the smell of memory that makes you close your eyes for a moment, and then a moment longer.

Sometimes I have a good idea, something I wish I could remember, and instead of writing it down, commit it to my memory only to disappear when I needed it. Write your ideas as they come, if you wait it will be too long and you may not recover it. It may get destroyed as it is to seed to and fro in the ever rushing river of our thoughts

Time and tide waits for no man, to capture time, treasure every moment in your life and let the time that slowly slips away memorable and worthy to be kept as sweet memories

You should always be taking pictures, if not with a camera then with your mind. Memories you capture on purpose are always more vivid than the ones you pick up by accident.

Please accept this fan with indulgence. If one of the ghosts that have alighted here after flitting through my memory made you weep long ago, while it was still partaking of life, then recognize that ghost without bitterness and remember that it is a mere shadow and that it will never make you suffer again. I could quite innocently capture these ghosts on the frail paper to which your hand will lend wings, for those ghosts are too unreal and too flimsy to cause any harm. . . .

Perfection should only exist for fleeting moments. In the face of a newborn, or a perfect summer’s evening; a moment in time you captured in your heart and your memories, to be treasured and taken out again when things were less than flawless.

When I suggested capturing you as well as your pathetic boyfriend, and only giving you half doses of the memory loss drug so that you could remember how great life used to be and what a terrible situation you’re in now, they agreed it would be good entertainment.

For when the world one knew began to crumble away bit by bit, when not only your memories but the memories that others might have of you grew dim with time and distance, when, indeed, you began to fade into a nothingness in the minds of the owls that you loved best, well, perhaps that was when legends could become real.

Oh, Cole,” she said, “the jewelry box is lovely—” “It’s not for jewelry.” She gazed up at him, surprised by his somber tone. “Then what—” “It’s a memory box, Devon. Something in which to store all those memories you collect, so you’ll never lose a single one.” He paused, looking both tender and serious at once. “Unlike the wedding gift you gave me, this one comes with strings attached. If you accept it, I expect the next fifty years of your life in return to help fill it up.” Devon bit her lip to hide a wayward, trembling smile. “Only the next fifty?” He shrugged. “We can negotiate after that.” She nodded, swallowing past the tight knot in her throat. “That sounds like a pretty fair deal to me.

9. Your Photo Album Many people have a photo album. In it they keep memories of the happiest of times. There may be a photo of them playing by the beach when they were very young. There may be the picture with their proud parents at their graduation ceremony. There will be many shots of their wedding that captures their love at one of its highest points. And there will be holiday snapshots too. But you will never find in your album any photographs of miserable moments of your life. Absent is the photo of you outside the principal’s office at school. Missing is any photo of you studying hard late into the night for your exams. No one that I know has a picture of their divorce in their album, nor one of them in a hospital bed terribly sick, nor stuck in busy traffic on the way to work on a Monday morning! Such depressing shots never find their way into anyone’s photo album. Yet there is another photo album that we keep in our heads called our memory. In that album, we include so many negative photographs. There you find so many snapshots of insulting arguments, many pictures of the times when you were so badly let down, and several montages of the occasions where you were treated cruelly. There are surprisingly few photos in that album of happy moments. This is crazy! So let’s do a purge of the photo album in our head. Delete the uninspiring memories. Trash them. They do not belong in this album. In their place, put the same sort of memories that you have in a real photo album. Paste in the happiness of when you made up with your partner, when there was that unexpected moment of real kindness, or whenever the clouds parted and the sun shone with extraordinary beauty. Keep those photos in your memory. Then when you have a few spare moments, you will find yourself turning its pages with a smile, or even with laughter.

I CANNOT DECIDE WHETHER IT IS AN ILLNESS OR A SIN, THE NEED TO write things down and fix the flowing world in one rigid form. Bear believed writing dulled the spirit, stilled some holy breath. Smothered it. Words, when they’ve been captured and imprisoned on paper, become a barrier against the world, one best left unerected. Everything that happens is fluid, changeable. After they’ve passed, events are only as your memory makes them, and they shift shapes over time. Writing a thing down fixes it in place as surely as a rattlesnake skin stripped from the meat and stretched and tacked to a barn wall. Every bit as stationary, and every bit as false to the original thing. Flat and still and harmless. Bear recognized that all writing memorializes a momentary line of thought as if

He imagined the future that awaited him. A wife and three children. A life he was meant to have. Love once, and you can love again. Open your heart, open your eyes, be grateful for what you’ve had. Nothing was promised in this world, nothing lasted, yet what truly mattered always remained. What was eternal could not be captured, yet it flickered in the dark there beside you, the memory of all that had been.

Psychologists call missing information in plain sight inattentional blindness. You believe with confidence your eyes capture everything before them and your memories are recorded versions of those captured images. The truth, though, is you see only a small portion of your environment at any one moment. Your attention is like a spotlight, and only the illuminated portions of the world appear in your perception.

How the intelligent young do fight shy of the mention of God! It makes them feel both bored and superior.” I tried to explain: “Well, once you stop believing in an old gentleman with a beard … It’s only the word God, you know — it makes such a conventional noise.” “It’s merely shorthand for where we come from, where we’re going, and what it’s all about.” “And do religious people find out what it’s all about? Do they really get the answer to the riddle?” “They get just a whiff of an answer sometimes.” He smiled at me and I smiled back and we both drank our madeira. Then he went on: “I suppose church services make a conventional noise to you, too — and I rather understand it. Oh, they’re all right for the old hands and they make for sociability, but I sometimes think their main use is to help weather churches — like smoking pipes to colour them, you know. If any — well, unreligious person, needed consolation from religion, I’d advise him or her to sit in an empty church. Sit, not kneel. And listen, not pray. Prayer’s a very tricky business.” “Goodness, is it?” “Well, for inexperienced pray-ers it sometimes is. You see, they’re apt to think of God as a slot-machine. If nothing comes out they say ‘I knew dashed well it was empty’ — when the whole secret of prayer is knowing the machine’s full.” “But how can one know?” “By filling it oneself.” “With faith?” “With faith. I expect you find that another boring word. And I warn you this slot-machine metaphor is going to break down at any moment. But if ever you’re feeling very unhappy — which you obviously aren’t at present, after all the good fortune that’s come to your family recently — well, try sitting in an empty church.” “And listening for a whiff?” We both laughed and then he said that it was just as reasonable to talk of smelling or tasting God as of seeing or hearing Him. “If one ever has any luck, one will know with all one’s senses — and none of them. Probably as good a way as any of describing it is that we shall ‘come over all queer.’” “But haven’t you already?” He sighed and said the whiffs were few and far between. “But the memory of them everlasting,” he added softly.

If you don’t do anything to capture and draw your memories—no matter whether you choose words, pencil, photography, or filming—the only place where they have a chance to exist is in your head, which can’t be called the most reliable place to store them; soon, they’d be lost forever… leaving no trace, like they never existed… like YOU never existed… same as those billions and billions of lives that had already disappeared from the world.

If asked about Carlos, Less always calls him “one of my oldest friends.” The date of their first encounter can be pinpointed precisely: Memorial Day, 1987. Less can even remember what each of them wore: he, a green Speedo, Carlos, the same in bright banana. Each with a white-wine spritzer in hand, like a pistol, eyeing the other from across the deck. A song was playing, Whitney Houston wanting to dance with somebody. Shadow of a sequoia falling between them. With somebody who loved her. Oh, to have a time machine and a video camera! To capture thin pink-gold Arthur Less and brawny nut-brown Carlos Pelu in their youth, when your narrator was only a child! But who needs a camera? Surely, for each of them, that scene replays itself whenever the other’s name is mentioned. Memorial Day, spritzer, sequoia, somebody. And each smiles and says the other is “one of my oldest friends.” When of course they hated each other on sight.

He had a particular facination with the I Ching, that art of tossing three coins three times and divining a pattern out of heads and tails. Pete would begin with questions: What determined the pattern? Was it random? Was it a higher power? Was is mathematical? Wasn't poker based on mathematical probability and not just luck? Did that mean randomness was actually mathematical? And if the I Ching was governed by mathematics, hey, wouldn't that mean the I Ching was actually predictable, a prescribed answer? And if it was prescribed, did that mean that your life followed the I Ching, like some sort of equation? Or did the I Ching simply capture correctly what had already been determined as the next series of events in your life?

But it wasn't their separation that was consuming my mind just then; it was Evelyn's garden. Bee had taken us there when we were children, and it was all rushing back: a magical world of hydrangeas, roses, and dahlias, and lemon shortbread cookies on Evelyn's patio. It seemed like only yesterday that my sister and I sat on the little bench under the trellis while Bee hovered over her easel, capturing on her canvas whatever flower was in bloom in the lush beds. "Your garden," I said, "I remember your garden." "Yes," Evelyn said, smiling. I nodded, a little astonished that this memory, buried so deep in my mind, had risen to the surface just then like a lost file from my subconscious. It was as if the island had unlocked it somehow.

I do love you.” He said it suddenly, raising his head so his black eyes could meet her startled green ones. “I mean it, Shea. I do not just need you, I love you. I know everything about you, I have been in your head, shared your memories, shared your dreams and your ideas. I know you think I need you and that is why I am with you, but it is much more than that. I love you.” He grinned unexpectedly, traced her lower lip with the tip of a finger. “What is more, I know you love me. You hide it from yourself, but I found it in a little corner, tucked away in your mind.” Shea stared up at the teasing smile on his face, then pushed at the solid wall of his chest. “You’re making that up.” Jacques moved off her, then reached down to pull her to her feet. His clothes were scattered everywhere, and he made no move to retrieve them. Shea’s shirt was still hanging open, and her jeans were down around her ankles. Blushing, she pulled them up. His hands stayed hers, preventing her from fastening them. “Do not bother, Shea. The pools are just ahead.” He walked a few feet, then looked back over his shoulder. “I did not make it up, and I know you are staring at my backside.” Shea tossed her mane of red hair so that it flew in all directions. “Any woman in her right mind would stare at your particular backside, so you don’t need to add that to your arrogant list of virtues. And stay out of my mind unless you’re invited.” She was staring, but she couldn’t help it. He was so beautifully masculine. Jacques reached behind him and captured her hand, lacing their fingers together. “But I find the most interesting things in your mind, my love. Things you do not have any intention of telling me.

One of the most remarkable aspects of awe is its ability to help us feel more connected to others. Find a place where you can be alone and then use the A.W.E. Method while thinking of a person who has been most dear to you in your life. They may be living or passed away. Take time to create a clear picture of that person, maybe a particular memory or scene that captures their essence. Hold the image in your mind, give it your full attention. Wait the length of a full inhalation or maybe more than one, while you take time to appreciate this person. Imagine looking into their eyes. Consider what they mean to you, what you learned from them or how you grew as a result of knowing them. We can be in the moment while remembering. While you remember and feel, just remember and feel. Then, when you're ready, exhale fully and allow yourself a moment of awe.

At last they came to the lower slopes of the great mountains. Here she met a wild and bedraggled boy. He stumbled across her when she had stopped to rest and suckle the baby. The boy stared at the unlikely pair for a moment, then seated himself on the ground at a respectful distance, obviously preparing to converse. He was the strangest looking boy she had ever seen. Evidently a changeling like herself, for he was tall and straight with long slender limbs, but his hair was golden like the sun and his eyes a deep blue like the sky. He looked to be about fifteen years old, not quite a man, yet man enough to survive. She guessed he must have originated from the fabled district of Shor, in the far south, where it was rumoured that all the people were changelings, and all golden-haired. Astelle tensed, fully expecting Torking to deliver one of his pain bolts to the curious boy, but the child seemed unperturbed, and simply carried on suckling. This boy's attention was obviously not deemed as a threat. She relaxed and smiled at the youth. He returned the smile, white teeth startling against his tanned and dirty face. ‘Why are you travelling all alone?’ he asked. Encouraged by Torking's mindwhispers, Astelle managed to concoct a story very close to the truth. ‘As you can see, my child is rather unusual,’ she explained. ‘I could not bear to raise him among mortals who would constantly deride and insult him – and his father has left me, so I had no choice but to run from my tribe.’ Sympathy appeared in the deep blue eyes. ‘I understand that very well,’ he said. ‘I am an escaped slave. I was captured in infancy, and have no memory of my own people, but all my life I have been mocked and abused because I am different. My name is Bren. I would like to travel with you, if you don't mind. I could take care of you both.’ ‘Keep him,’ Torking mindwhispered. ‘He will be useful to fish and hunt for us. But do not tell him that I speak to you.’ Astelle smiled. ‘Thank you Bren,’ she said. ‘I will be glad of your company. I am called Astelle.’ ‘A Faen name...’ he said wonderingly. They began to climb the mountains of Clor.

To Harry James Potter,’” he read, and Harry’s insides contracted with a sudden excitement, “‘I leave the Snitch he caught in his first Quidditch match at Hogwarts, as a reminder of the rewards of perseverance and skill.’” As Scrimgeour pulled out the tiny, walnut-sized golden ball, its silver wings fluttered rather feebly, and Harry could not help feeling a definite sense of anticlimax. “Why did Dumbledore leave you this Snitch?” asked Scrimgeour. “No idea,” said Harry. “For the reasons you just read out, I supposed . . . to remind me what you can get if you . . . persevere and whatever it was.” “You think this a mere symbolic keepsake, then?” “I suppose so,” said Harry. “What else could it be?” “I’m asking the questions,” said Scrimgeour, shifting his chair a little closer to the sofa. Dusk was really falling outside now; the marquee beyond the windows towered ghostly white over the hedge. “I notice that your birthday cake is in the shape of a Snitch,” Scrimgeour said to Harry. “Why is that?” Hermione laughed derisively. “Oh, it can’t be a reference to the fact Harry’s a great Seeker, that’s way too obvious,” she said. “There must be a secret message from Dumbledore hidden in the icing!” “I don’t think there’s anything hidden in the icing,” said Scrimgeour, “but a Snitch would be a very good hiding place for a small object. You know why, I’m sure?” Harry shrugged. Hermione, however, answered: Harry thought that answering questions correctly was such a deeply ingrained habit she could not suppress the urge. “Because Snitches have flesh memories,” she said. “What?” said Harry and Ron together; both considered Hermione’s Quidditch knowledge negligible. “Correct,” said Scrimgeour. “A Snitch is not touched by bare skin before it is released, not even by the maker, who wears gloves. It carries an enchantment by which it can identify the first human to lay hands upon it, in case of a disputed capture. This Snitch”—he held up the tiny golden ball—“will remember your touch, Potter. It occurs to me that Dumbledore, who had prodigious magical skill, whatever his other faults, might have enchanted this Snitch so that it will open only for you.” Harry’s heart was beating rather fast. He was sure that Scrimgeour was right. How could he avoid taking the Snitch with his bare hand in front of the Minister? “You don’t say anything,” said Scrimgeour. “Perhaps you already know what the Snitch contains?” “No,” said Harry, still wondering how he could appear to touch the Snitch without really doing so. If only he knew Legilimency, really knew it, and could read Hermione’s mind; he could practically hear her brain whirring beside him. “Take it,” said Scrimgeour quietly. Harry met the Minister’s yellow eyes and knew he had no option but to obey. He held out his hand, and Scrimgeour leaned forward again and placed the Snitch, slowly and deliberately, into Harry’s palm. Nothing happened. As Harry’s fingers closed around the Snitch, its tired wings fluttered and were still. Scrimgeour, Ron, and Hermione continued to gaze avidly at the now partially concealed ball, as if still hoping it might transform in some way. “That was dramatic,” said Harry coolly. Both Ron and Hermione laughed. “That’s all, then, is it?” asked Hermione, making to prise herself off the sofa. “Not quite,” said Scrimgeour, who looked bad-tempered now. “Dumbledore left you a second bequest, Potter.” “What is it?” asked Harry, excitement rekindling. Scrimgeour did not bother to read from the will this time. “The sword of Godric Gryffindor,” he said. Hermione and Ron both stiffened. Harry looked around for a sign of the ruby-encrusted hilt, but Scrimgeour did not pull the sword from the leather pouch, which in any case looked much too small to contain it.

How would you describe their relationship? How does it differ from Billy and Daisy’s relationship? Camila says about Daisy and Billy, “The two of you think you’re lost souls, but you’re what everybody is looking for.” What does she mean by this? As you read the lyrics to Aurora, are there any songs or passages that lead you to believe Daisy or Billy was intimating things within their work that they wouldn’t admit to each other or themselves? What do you think of Karen’s decision about her pregnancy and Graham’s reaction to the news? What part do gender roles play in their situation? Were you surprised to discover who the “author” was? How did you react to learning the “author’s” reason for writing this book? What role does the reliability of memory play in the novel? Were there instances in which you believed one person’s account of an event more than another’s? What does the “author” mean when she states at the beginning, “The truth often lies, unclaimed, in the middle”? What did you think of the songs written by Daisy Jones & The Six? How did you imagine they would sound? If you are old enough to have your own memories of the 1970s, do you feel the author captured that time period well? If you didn’t experience the seventies yourself, what did this fictional depiction of the time evoke for you?

Several of the peculiarities of WEIRD culture can be captured in this simple generalization: The WEIRDer you are, the more you see a world full of separate objects, rather than relationships. It has long been reported that Westerners have a more independent and autonomous concept of the self than do East Asians.3 For example, when asked to write twenty statements beginning with the words “I am …,” Americans are likely to list their own internal psychological characteristics (happy, outgoing, interested in jazz), whereas East Asians are more likely to list their roles and relationships (a son, a husband, an employee of Fujitsu). The differences run deep; even visual perception is affected. In what’s known as the framed-line task, you are shown a square with a line drawn inside it. You then turn the page and see an empty square that is larger or smaller than the original square. Your task is to draw a line that is the same as the line you saw on the previous page, either in absolute terms (same number of centimeters; ignore the new frame) or in relative terms (same proportion relative to the frame). Westerners, and particularly Americans, excel at the absolute task, because they saw the line as an independent object in the first place and stored it separately in memory. East Asians, in contrast, outperform Americans at the relative task, because they automatically perceived and remembered the relationship among the parts.4

Four Years Since Today I remember the day but to be honest it is everyday That day then, the moment then, when you left us all here More than just a father I call, a gem I treasure, that day I lost We four girls, my mom’s other half, my brothers best bud, our first love, we lost Holding the key to the future called You, I stand still facing the gate of the past Why I keep on asking the same question? Why you? Why out of all those people? Why too soon? Why? It has been years, 4 years exact, it seems like yesterday yes You were taken too soon, words aren’t enough to express It’s not fair, but who I am to blame, who Am I to question? My eyes express longing you cannot fathom From my open mouth my broken heart pours Words that try to capture that image so faint He is the picture I could not ever paint Yet our memories is in the solid bowl being kept Spare me even just 5 or 10 minutes of your presence To build up this longing I feel, I am asking I want to hear your nag; I want to hear your laugh In my dreams please see me there I won’t get afraid nor get frightened Like a waterfalls my tears keeps on flowing Like a bubble your voice keeps on vanishing He, his shadow, he himself starts from fading I don’t want to forget you please stop time from ticking I don’t want to open my eyes don’t wake me from dreaming You are the art of my painting, the muse of my poem My strength, my inspiration why I’m still holding on My king, my superman, name them all, you are my only one I miss the old golden days when you used to carry us one by one Look papa, how I am now, hoping always, you’ll be proud It pains me to know this inevitable truth, yes That I can’t see you for now yes it’s the truth, but My father’s love undeniable not easily obtained Something that few, many people rather don’t have But I’m blessed and proud I have mine claimed.

By the time Jessica Buchanan was kidnapped in Somalia on October 25, 2011, the twenty-four boys back in America who had been so young during the 1993 attack on the downed American aid support choppers in Mogadishu had since grown to manhood. Now they were between the ages of twenty-three and thirty-five, and each one had become determined to qualify for the elite U.S. Navy unit called DEVGRU. After enlisting in the U.S. Navy and undergoing their essential basic training, every one of them endured the challenges of BUDS (Basic Underwater Demolition/SEAL) training, where the happy goal is to become “drownproofed” via what amounts to repeated semidrowning, while also learning dozens of ways to deliver explosive death and demolition. This was only the starting point. Once qualification was over and the candidates were sworn in, three-fourths of the qualified Navy SEALS who tried to also qualify for DEVGRU dropped out. Those super-warriors were overcome by the challenges, regardless of their peak physical condition and being in the prime of their lives. This happened because of the intensity of the training. Long study and practice went into developing a program specifically designed to seek out and expose any individual’s weakest points. If the same ordeals were imposed on captured terrorists who were known to be guilty of killing innocent civilians, the officers in charge would get thrown in the brig. Still, no matter how many Herculean physical challenges are presented to a DEVGRU candidate, the brutal training is primarily mental. It reveals each soldier’s principal foe to be himself. His mortal fears and deepest survival instinct emerge time after time as the essential demons he must overcome. Each DEVGRU member must reach beyond mere proficiency at dealing death. He must become two fighters combined: one who is trained to a state of robotic muscle memory in specific dark skills, and a second who is fluidly adaptive, using an array of standard SEAL tactics. Only when he can live and work from within this state of mind will he be trusted to pursue black operations in every form of hostile environment. Therefore the minority candidate who passes into DEVGRU becomes a member of the “Tier One” Special Mission Unit. He will be assigned to reconnaissance or assault, but his greatest specialty will always be to remain lethal in spite of rapidly changing conditions. From the day he is accepted into that elite tribe, he embodies what is delicately called “preemptive and proactive counterterrorist operations.” Or as it might be more bluntly described: Hunt them down and kill them wherever they are - and is possible, blow up something. Each one of that small percentage who makes it through six months of well-intended but malicious torture emerges as a true human predator. If removing you from this world becomes his mission, your only hope of escaping a DEVGRU SEAL is to find a hiding place that isn’t on land, on the sea, or in the air.

Wedding Photographer In Milton Keynes the skills and knowledge to capture your memories with the best quality photographs possible that you enjoy for a lifetime.

UV/IR vision: use AI to make sense of light invisible to humans • Perfect sound memory: every sound you hear is catalogued forever and searchable with a query • Sound triangulation: when you hear a boom or a pop, your visor or glasses will light up and tell you exactly where it is happening • Perfect recall of imagery: when you take a passing glance at a license plate, its numbers and letters will be permanently captured and searchable • Prompting: AI is always in your head suggesting ideas and integrated into a device like a Fitbit to augment physical goals • “God’s Eye” view: satellite imagery and completely autonomous pocket drones that can feed images directly to your headset, effectively giving you a pair of disembodied eyes in motion • LIDAR (light detection and ranging) sensing: remote-sensing methods that can use light in the form of a pulsed laser to measure ranges • Ability to predict exact motion and speed of any object nearby • Ability to see and detect radio waves: pull a radio wave that you perceive out of the ether with the gesture of a swipe and then decode it and catalog it permanently • X-ray vision: Look inside a building through the eyes of your autonomous robotic appendage to see if there is a leak or other technical malfunction

I was going to say, let alone that I might find a mate.” Vic’s heart swelled, and in that moment, he knew his feelings weren’t simply a case of misplaced lust, that Kellan meant something to him, that he had been led to Vale Valley for more than sanctuary. They might not be able to have a family since they couldn’t possibly be fated mates, but that was all right. They’d still have each other. “Kellan, have you ever been kissed?” Kellan blinked up at him as he shook his head. Vic framed Kellan’s face with his hands. “Then I think we should do something about that.” He held Kellan’s gaze for a moment before descending on him, capturing Kellan’s lips with his own, moving them over Kellan’s mouth. He kept his touch slow and gentle, imprinting the memory of their first kiss to hold dear in his heart forever. Kellan melted against his frame and kissed him back, his technique clumsy, but earnest. As their exchange heated, Vic wrapped one hand around Kellan’s nape and grasped his waist with the other. Kellan opened up to him and Vic dipped his tongue into Kellan’s willing mouth, tasting and exploring as much of the sweet man as he could. Vic slowed the kiss before they got too carried away, still mindful of not overwhelming him. When he broke the connection, he framed Kellan’s face again and pressed his lips to Kellan’s forehead to seal his intent. They stared into each other’s eyes in silence as they caught their breath again. Kellan curled his fingers in the fabric of Vic’s flannel shirt, clutching it as if he were scared Vic might run away. “That was… I don’t know how to describe it. Why do you taste so good?” He shivered. “I feel strange, like I’m about to burst out of my skin.” Vic rubbed Kellan’s back, trying to soothe him. “You’ve been through so much in the past twenty-four hours and you’ve just been kissed for the first time.” Vic smiled. “You’re bound to feel on edge.

Filming wildlife documentaries couldn’t have happened without John Stainton, our producer. Steve always referred to John as the genius behind the camera, and that was true. The music orchestration, the editing, the knowledge of what would make good television and what wouldn’t--these were all areas of John’s clear expertise. But on the ground, under the water, or in the bush, while we were actually filming, it was 100 percent Steve. He took care of the crew and eventually his family as well, while filming in some of the most remote, inaccessible, and dangerous areas on earth. Steve kept the cameraman alive by telling him exactly when to shoot and when to run. He orchestrated what to film and where to film, and then located the wildlife. Steve’s first rule, which he repeated to the crew over and over, was a simple one: Film everything, no matter what happens. “If something goes wrong,” he told the crew, “you are not going to be of any use to me lugging a camera and waving your other arm around trying to help. Just keep rolling. Whatever the sticky situation is, I will get out of it.” Just keep rolling. Steve’s mantra. On all of our documentary trips, Steve packed the food, set up camp, fed the crew. He knew to take the extra tires, the extra fuel, the water, the gear. He anticipated the needs of six adults and two kids on every film shoot we ever went on. As I watched him at Lakefield, the situation was no different. Our croc crew came and went, and the park rangers came and went, and Steve wound up organizing anywhere from twenty to thirty people. Everyone did their part to help. But the first night, I watched while one of the crew put up tarps to cover the kitchen area. After a day or two, the tarps slipped, the ropes came undone, and water poured off into our camp kitchen. After a full day of croc capture, Steve came back into camp that evening. He made no big deal about it. He saw what was going on. I watched him wordlessly shimmy up a tree, retie the knots, and resecure the tarps. What was once a collection of saggy, baggy tarps had been transformed into a well-secured roof. Steve had the smooth and steady movements of someone who was self-assured after years of practice. He’d get into the boat, fire up the engine, and start immediately. There was never any hesitation. His physical strength was unsurpassed. He could chop wood, gather water, and build many things with an ease that was awkwardly obvious when anybody else (myself, for example) tried to struggle with the same task. But when I think of all his bush skills, I treasured most his way of delivering up the natural world. On that croc research trip in the winter of 2006, Steve presented me with a series of memories more valuable than any piece of jewelry.

Steve and Bob worked together for several nights, moving one freshie after another out of a section of river that was about to be dammed. On their last night, while Bob wrangled one croc in the boat, Steve caught the red-eye shine of another with his spotlight. He alerted his father. “Get up in front,” Bob said. “Hold him with your spotty.” That’s when Steve realized that this capture was going to be different. He was in the front of the boat--which meant that he would be the one leaping on top of the croc in the water. “Bob and I both thought it was a small one,” Steve recalled. “But it wasn’t,” I said. “It was bigger than I was,” Steve said, shaking his head in disbelief at the memory. Bob made him wait until the last possible moment to jump. Steve kept his light shining into the croc’s eyes. “Okay, I got him,” Bob said. He turned his own torch on and shined the croc. That was Steve’s signal to drop his own spotty and get ready to jump. “Wait, wait, wait,” Bob cautioned, and the dinghy moved closer. Bob could barely contain his son, who was bursting with excitement. “Now!” Steve leaped. As soon as he did, he realized that he had misjudged the croc’s size. It wasn’t a three-footer. It was more like four or five feet long, easily matching his weight. The croc dove. No matter what, I’m not letting go, Steve thought. There was no way he was going to let his dad down. Just as Steve was about to run out of air, he felt his father’s strong arm reach down to bring both Steve and the croc into the boat. Steve told me that when he looked at Bob’s face, he could see both worry and pride. Worry because Steve had actually been out of sight in the murky water for a long moment--and pride because he made a perfect capture, his first time out. “Dad started grinning from ear to ear,” Steve recalled. “I had jumped my first croc. Even though I was only nine, it was one of the biggest moments of my life.

You don’t know who they are? I thought. She looked in their direction and frowned. “No, but that’s not the point. Your only concern is keeping your baby safe.” I looked back at the visitors and saw the man was straightening. Then looking at me with kind eyes. For a moment, he held my gaze as I took in his face. Something about it pulled at my curiosity. A distant memory, something I might have known once and had long forgotten. But it captured me. And then the old memory sharpened, and recognition surged through my mind. “You know him?” Bobbie asked. The round shape of his face, soft jawline and light brown eyes. The same shaggy hair. Wide shoulders, tall and thin, like Jamie. The man before me hadn’t always been a stranger. Ben. My father.

You Have Discovered A Skill! Lessons of the Past (Rare), Level 1 Capture Memories from the Mana of your foes! All Memories are retained perfectly for 30 days, after which retention is increased by Skill level. Chance of capturing a Memory increases with Skill level. Chance of learning Skills from retained Memories increases with Skill level.

Revisiting the places that captured your heart when you were young is always unwise. You hope they remain trapped in time and that their magic is still potent. But invariably they have changed, just as you have, leaving you questioning your memories and wondering if they are wishful thinking or merely imagined.

Capture Criteria #3: Is It Personal? One of the most valuable kinds of information to keep is personal information—your own thoughts, reflections, memories, and mementos. Like the age-old practice of journaling or keeping a diary, we can use notetaking to document our lives and better understand how we became who we are.

Stevie remembers seeing Janis Joplin (when a band she and Lindsey were a part of in San Francisco several years ago opened Joplin’s show). “I walked away from that show saying, ‘Okay, Stevie, there’s your competition. If you ever, ever do anything good, then you’re going to have to try and at least capture the feeling that she gave out.’ I could never be like Janis and I wouldn’t want to be like her. She was her own, unique self, but I do want to capture the charisma she had. And I think maybe I’ve touched the surface of it and I will continue—that is the goal. I want to make films on record. If I say ‘I wish you were mine/I’ll give you up even though I’ll never hold you again’ I want people to go ‘Oh yeah, I know how that feels.’ That’s really all I want to leave behind. A little bit of a good memory in people’s heads so they don’t just write it off as something that went by.

A wealthy man and his son loved to collect works of art. They had in their collection works ranging from Picasso to Raphael and Rembrandt. When the Vietnam War broke out, the son was drafted and sent to fight in ’Nam. He was very courageous and died in battle. The father was notified and grieved deeply for his only son. About a month later, a young lad appeared at the door to his house and said, “Sir, you don’t know me, but I am the soldier for whom your son gave his life that fateful day. He was carrying me to safety when a bullet struck him in the heart. He died instantly. He used to often talk about you and your love for art. Here’s something for you,” he added, holding out a package. “It is something that I drew. I know I am not much of an artist, but I wanted you to have this from me as a small measure of memory and thanks.” It was a portrait of his son, painted by the young man. It captured the personality of his son. The father’s eyes welled up with tears as he thanked the young man for the painting. He offered to pay for the picture, but the man replied, “Oh! No, sir. I could never repay what your son did for me. It is my gift to you.” The father hung the portrait over his mantel and showed it proudly to all his visitors along with all of the great works of art he possessed. Some time later, the old man died. As decreed in his will, his paintings were all to be auctioned. Many influential and rich people gathered together, excited over the prospect of owning one of the masterpieces. On a platform nearby also sat the painting of his son. The auctioneer pounded his gavel. “Let’s start the bidding with the picture of his son. Who will bid for this picture?” There was silence. A voice shouted from the back, “Let’s skip this one. We want the famous masters.” But the auctioneer persisted. “Ten dollars, twenty dollars, what do I hear?” Another voice came back angrily, “We didn’t come here for this. Let’s have the Picassos, the Matisses, the van Goghs.” Still the auctioneer persisted. “The son. Anyone for the son? Who’ll take the son?” Finally a quavering voice came from the back. It was the longtime gardener of the house. “I’ll take the son for ten dollars. I am sorry, but that’s all I have.” “Ten dollars once, ten dollars twice, anybody for twenty dollars? Sold for ten dollars.” “Now let’s get on with the auction,” said a wealthy art aficionado sitting in the front row. The auctioneer laid down his gavel and spoke. “I am sorry, but the auction is over.” “But what about the other paintings? The masters?” “The auction is over,” said the auctioneer. “I was asked to conduct the auction with a stipulation, a secret stipulation that said that only the painting of the son would be auctioned. Whoever bought that painting would inherit the entire estate, paintings and all. The one who took the son gets everything.

God is not a robot. He isn’t a comptroller of an accounting company trying to make things add up or work out. He is a being full of deep emotion, longing, and memories of what it used to be like. The incarnation therefore isn’t about an equation but about remembering what home used to be like and making a plan to get back there. Consider this reboot of the Genesis creation account. It may help you see God’s emotion a little better. First off, nothing … but God. No light, no time, no substance, no matter. Second off, God says the word and WHAP! Stuff everywhere! The cosmos in chaos: no shape, no form, no function—just darkness … total. And floating above it all, God’s Holy Spirit, ready to play. Day one: Then God’s voice booms out, “Lights!” and, from nowhere, light floods the skies and “night” is swept off the scene. God gives it the big thumbs up, calls it “day”. Day two: God says, “I want a dome—call it ‘sky’—right there between the waters above and below.” And it happens. Day three: God says, “Too much water! We need something to walk on, a huge lump of it—call it ‘land’. Let the ‘sea’ lick its edges.” God smiles, says, “Now we’ve got us some definition. But it’s too plain! It needs colour! Vegetation! Loads of it. A million shades. Now!” And the earth goes wild with trees, bushes, plants, flowers and fungi. “Now give it a growth permit.” Seeds appear in every one. “Yesss!” says God. Day four: “We need a schedule: let’s have a ‘sun’ for the day, a ‘moon’ for the night; I want ‘seasons’, ‘years’; and give us ‘stars’, masses of stars—think of a number, add a trillion, then times it by the number of trees and we’re getting there: we’re talking huge! Day five: “OK, animals: amoeba, crustaceans, insects, fish, amphibians, reptiles, birds, mammals … I want the whole caboodle teeming with a million varieties of each—and let’s have some fun with the shapes, sizes, colours, textures!” God tells them all, “You’ve got a growth permit—use it!” He sits back and smiles, says, “Result!” Day six: Then God says, “Let’s make people—like us, but human, with flesh and blood, skin and bone. Give them the job of caretakers of the vegetation, game wardens of all the animals.” So God makes people, like him, but human. He makes male and female.… He smiles at them and gives them their job description: “Make babies! Be parents, grandparents, great-grandparents—fill the earth with your families and run the planet well. You’ve got all the plants to eat from, so have all the animals—plenty for all. Enjoy.” God looks at everything he’s made, and says, “Fantastic. I love it!” Day seven: Job done—the cosmos and the earth complete. God takes a bit of well-earned R&R and just enjoys. He makes an announcement: “Let’s keep this day of the week special, a day off—battery-recharge day: Rest Day.”2 I’m not normally a paraphrase guy, but we always read the creation story like a textbook. I love this rendition because it captures the enthusiastic emotion that God felt about everything He created, especially humans. He loved it all. He loved us. Most of all, He loved the way things were.

Meredith Etherington-Smith Meredith Etherington-Smith became an editor of Paris Vogue in London and GQ magazine in the United States during the 1970s. During the 1980s, she served as deputy and features editor of Harpers & Queen magazine and has since become a leading art critic. Currently, she is editor in chief of Christie’s magazine. She is also a noted artist biographer; her book on Salvador Dali, The Persistence of Memory, was an international bestseller and was translated into a dozen languages. Her drawing room that morning was much like any comfortable, slightly formal drawing room to be found in country houses throughout England: the paintings, hung on pale yellow walls, were better; the furniture, chintz-covered; the flowers, natural garden bouquets. It was charming. And so was she, as she swooped in from a room beyond. I had never seen pictures of her without any makeup, with just-washed hair and dressed in jeans and a white T-shirt. She looked more vital, more beautiful, than any photograph had ever managed to convey. She was, in a word, staggering; here was the most famous woman in the world up close, relaxed, funny, and warm. The tragic Diana, the royal Diana, the wronged Diana: a clever, interesting person who wasn’t afraid to say she didn’t know how an auction sale worked, and would it be possible to work with me on it? “Of course, ma’am,” I said. “It’s your sale, and if you would like, then we’ll work on it together to make the most money we can for your charities.” “So what do we do next?” she asked me. “First, I think you had better choose the clothes for sale.” The next time I saw her drawing room, Paul Burrell, her butler, had wheeled in rack after rack of jeweled, sequined, embroidered, and lacy dresses, almost all of which I recognized from photographs of the Princess at some state event or gala evening. The visible relics of a royal life that had ended. The Princess, in another pair of immaculately pressed jeans and a stripy shirt, looked so different from these formal meringues that it was almost laughable. I think at that point the germ of an idea entered my mind: that sometime, when I had gotten to know her better and she trusted me, I would like to see photographs of the “new” Princess Diana--a modern woman unencumbered by the protocol of royal dress. Eventually, this idea led to putting together the suite of pictures of this sea-change princess with Mario Testino. I didn’t want her to wear jewels; I wanted virtually no makeup and completely natural hair. “But Meredith, I always have people do my hair and makeup,” she explained. “Yes ma’am, but I think it is time for a change--I want Mario to capture your speed, and electricity, the real you and not the Princess.” She laughed and agreed, but she did turn up at the historic shoot laden with her turquoise leather jewel boxes. We never opened them. Hair and makeup took ten minutes, and she came out of the dressing room looking breathtaking. The pictures are famous now; they caused a sensation at the time. My favorite memory of Princess Diana is when I brought the work prints round to Kensington Palace for her to look at. She was so keen to see them that she raced down the stairs and grabbed them. She went silent for a moment or two as she looked at these vivid, radiant images. Then she turned to me and said, “But these are really me. I’ve been set free and these show it. Don’t you think,” she asked me, “that I look a bit like Marilyn Monroe in some of them?” And laughed.

Practice: Approaching Discernment through Memory Our memories preserve, along with many other things, a personalized record of moments in which God has blessed, supported and guided us throughout our lives. This prayer opens us to recall one or more moments of God’s support and guidance related to our present decision. The connection between then and now may be subtle and require some pondering, so take your time, especially when you get to steps 5 and 6. 1. Prepare yourself to listen to the wisdom brought to you through your memory by becoming still—outside and inside. Gently noticing your breathing may help you come to a deep quiet. Take as much time as necessary to come to this place of quiet. 2. Offer this time of remembering to God. Ask God to speak to you through your memories, and tell God of your desire to be available to God through them. 3. As you think of the decision facing you, allow your memory to surface a particularly graced event or period in your life. The memory may but need not directly resemble the issue you face at this moment. Relive that event or period and remember it in all its textures. 4. Notice how God was “laboring” on your behalf during that time. Notice, too, how you responded. Remember the grace of the moment. Capture in your journal the highlights of the grace and your response. 5. Notice the similarities and contrasts between your experience then and your issue now. Record the salient points in your journal. 6. As you relive that graced moment in your past, examine what it suggests about the decision before you now, thanking God for God’s constancy.

And then you had to go and sing that song! Why did you pick that song?” His head jerked back slightly and his eyes lost some of their fierceness. “You’re mad about me singing the song? You love that song. You play it all the time.” I finally succeeded at freeing my wrist and crossed my arms under my chest. “And how the hell would you know that? I know I’ve never played that song in front of you!” “Seriously? You leave your windows open! We live right across from each other. I can hear it from my apartment.” Oh. “Well, that’s private. It’s for my parents. You don’t understand what it could possibly mean to me for you to sing that song to me.” Confusion crossed his face and he shook his head. “For your parents?” “Yes! And since we’re throwing the shields out, I lied to you, Kash.” “About what?” he said through gritted teeth, and called my name when I turned and dashed into my room. “Damn it, woman, stop running from me!” “I’m not running. I never told my parents about what happened to me like I promised you I would,” I mumbled as I grabbed underneath my mattress for my journal. Turning back to him, I held it up so he could see it and dropped it on the bed. “That is how I told my parents.” His eyes were narrowed again as they bounced between the journal and me. “Why?” “Why did I lie to you? Because you kept telling me I should tell them. And . . . well . . . technically, I did. I wrote it to them, so I guess I wasn’t exactly lying, because this”—I picked the journal back up—“is the only way I can talk to them.” “What are you—” “They’re gone, Kash. My parents died almost four years ago! I told you I couldn’t tell them. But I wasn’t ready for you to know why; no one in Texas other than Candice knows about it. And that’s how I like it.” Kash’s face fell and he took a few steps closer to me. “Rach . . .” “No, Kash. You didn’t want any more shields. Now there aren’t any. That song you sang tonight, my dad used to sing to my mom when they thought no one was watching. He would pull her close and dance with her in the kitchen while he did it, and it’s my favorite memory of them. So I’m sorry if I didn’t know how to react to you singing it to me, but that song means so much to me.” “Rachel, I’m sorry.” I threw my arms up and planted them on his chest so he wouldn’t come any closer. “Is this what you wanted? You know everything now. Are you happy . . . are you glad the shields are gone?” He pulled me into his arms and held me close. “I had no idea, I’m so sorry. I—I’m just sorry. For hurting you, for pushing you to tell me, for upsetting you with the song . . . all of it. I swear to you that isn’t what I wanted.” My anger was quickly fading and I blinked back tears. “I know, I just . . .” “That song is special to you. I get it, Rach.” He tipped my head back and brushed his lips across my forehead before capturing my eyes with his. “You need to know—” “Rach, I’m back!” Candice called. “Time to start this junk-food night!” Kash didn’t let me go, and I didn’t move. We continued to stare at each other, and when we heard Candice messing with the food in the kitchen, he leaned close and whispered in my ear. “You need to know that you’re special to me. I meant every single word I sang to you tonight and I will never regret that kiss.

in or slowly pan across a wide scene, and you can create layers with text and other images appearing and disappearing for unlimited creative effects. This software enables you to express your creativity in ways you never even imagined. If you want to create presentations that truly WOW your viewers, this is the tool for you!

Well then, those folks are judgmental assholes,” Liv spat. “You’re more than a fucking label, Z. You’re an amazing chef, a mediocre bassist, and you’ve got this dorky way of scratching the back of your head whenever you talk about anything personal, which isn’t often, but holy hell is it cute. I know you way better than any of those folks casting stones do, and I adore everything you are, Zane Parata.

His heart stilled at the mere thought of her hurting herself. 'He was a fool.' Of course this debate harkened back to her recent capture. To her near rape. What she must have thought when she'd been kidnapped? When she'd been hooded and dragged before the Lords of Chaos and made to kneel in front of a sacrificial stone? She must have been out of her mind with terror. And yet she'd controlled her fear. More, despite her firsthand near experience, she now passionately argued that a woman ravaged and raped should never give up hope. Should fight to stay alive despite all odds. He was amazed by her perception. Awed by her bravery. He turned his hand over and gripped her fingers. "Your pardon." It wasn't naivete that had driven her argument. It was something far nobler. "I would never blame you, my duchess, if you were thus abused, and I would never wish for you to take your own life." He lifted her hand and pressed his mouth to her palm, and as he did so he had a sharp, visceral memory: He'd kissed her before the fever had overtaken him. Her lips had been soft and yielding to the invasion of his tongue. She'd tasted of tea. He wanted to taste her again. To lick across her prim little lips, make her open her mouth and moan.

Daddy's Little Girl [Verse] I remember when you took your first steps, Tiny shoes dancing in the soft spring grass, I was chasing dreams, didn't see the moments pass, Now all I have are these memories to confess. [Verse 2] Birthday candles lighting up your eyes, I was on the road while you cried your childish cries, Missed your laughter, your hugs, and all your highs, Each mile I traveled was another goodbye. [Chorus] I'm sorry I wasn't there when you needed me the most, I'm sorry I wasn't the father you needed me to be, But you'll always be daddy's little girl, No matter where life leads you, in my heart, you're free. [Verse 3] Years have flown by like a runaway train, Photographs can't capture all the joy and pain, I missed your proms, your fears, your growing pains, But you shined a light that helped me see again. [Verse 4] I see your face in every sunset's hue, Wishing I could turn back and stand beside you, Your forgiveness is a gift that pulls me through, You're the song I sing when the day is anew. [Chorus] I'm sorry I wasn't there when you needed me the most, I'm sorry I wasn't the father you needed me to be, But you'll always be daddy's little girl, No matter where life leads you, in my heart, you're free.

You don’t remember them happening yourself, but you see them on a television. You see them played out, and later it feels as though you can remember living them. They imprint on your memory. But really, you just see the image that was captured on your behalf. What you actually remember is the last time you remembered it.

Click Less, Live More (The Sonnet) Moments are vessel for memories, Don't waste them on snobbish hypes. A memory cherished with a loved one, Is worth more than a billion likes. The less devices you have to charge, The more charge you have for your mind. The less you obsess over convenience, The more you develop actual insight. Purpose of camera is to capture memory, Not to desecrate the moments seeking attention. Purpose of a picture is to rejuvenate emotions, Even a thousand pictures are useless without emotion. Click less, live more - that is the motto of wellness. Or else, click more, sick more - there is no treatment.

There are moments in time that will stay with you forever. Little snippets of your life that your brain will capture and hang onto. Other moments will slip by in their insignificance, but some will hold so much sense and purpose to you that you can never let them go. The first time you fall in love, the first time your heart is broken, the first time you break a heart. It’s an endless loop of big moments that make up your life and the people you love. It’s those memories that will cling to you on your deathbed when you talk about your regrets.

Now, there is a way for you to get the best of both worlds, and that’s by using niche topics to answer universal questions. For example, an article titled, “How To Be A Better Writer” answers two of our three questions. You know who this article is going to be for, and you know what it’s going to be about. Unfortunately, the PROMISE is a little weak. What does being a “better writer” really mean? What benefits do you receive by becoming a better writer? Why should someone want to become a “better writer” in the first place? Here is where you have a decision to make. You can either make your PROMISE answer a niche question or a broad question—and depending on which you pick will dramatically change the size of your potential Audience. (It will also change the content of the piece.) For example: “How To Be A Better Writer Today, So You Can Start Writing Best-Selling Books Tomorrow” would be a title with a big PROMISE for aspiring authors. If you have no interest in becoming a best-selling author, you probably won’t want to read this piece of writing. It’s more specific, and will resonate more clearly with your target reader, but it won’t reach as many different types of readers. This is the pro/con. “How To Become A Better Writer, Journal More Often, And Live A More Present Life,” on the other hand, has a completely different PROMISE. The question it’s answering is dramatically bigger (“How can I live a more present life?”). The Curiosity Gap here is saying that by becoming a better writer, and using writing as a habit, you can live a more present life. This technique of tying niche topics to universal questions is a powerful way of tapping into new audiences and expanding your reach outside of your particular industry or category. Here are a few more examples: “The Future Of The Biotechnology Industry” is niche (and vague), and can be expanded by changing it to “How The Future Of Biotechnology Is Going To Make All Of Us Happier, Healthier, And Live Longer.” “The Girl Who Ran Away” is good, but it can be clarified and expanded by changing it to, “The Girl Who Ran Away: Family, Loss, And The Power Of Forgiving Those Who Hurt You Most.” “7 Tips For Becoming Smarter” is clear, but a bigger PROMISE can help it reach more people. “7 Tips For Becoming Smarter, Achieving Chess-Master Memory, And Becoming The Most Interesting Person In The Room” To recap: Bigger Questions attract Bigger Audiences Niche Questions attract Niche Audiences Wider Audiences benefit from simple, universal language Niche Audiences benefit from ultra-specific, niche language Titles that only answer 1 of the 3 questions are weak. Titles that answer 2 of the 3 questions are good. Titles that answer all 3 of the questions are exceptional

Because Snitches have flesh memories,” she said. “What?” said Harry and Ron together; both considered Hermione’s Quidditch knowledge negligible. “Correct,” said Scrimgeour. “A Snitch is not touched by bare skin before it is released, not even by the maker, who wears gloves. It carries an enchantment by which it can identify the first human to lay hands upon it, in case of a disputed capture. This Snitch” — he held up the tiny golden ball — “will remember your touch, Potter. It occurs to me that Dumbledore, who had prodigious magical skill, whatever his other faults, might have enchanted this Snitch so that it will open only for you.

We didn’t go through the same shit, but trauma was trauma. It affected everyone differently, but it always affected. I cleared my throat. “I used to tell myself that what was done to me didn’t matter because I’d processed it. Dealt with that shit. But telling myself that proved I hadn’t really dealt with it. Because what I experienced will always matter in some way—sometimes, insignificantly and barely noticeable, and other times, it can ruin your entire fucking day. But that’s okay. And I mean that. Because saying someone chooses to live in the past, rehashing bad shit done to them, is bullshit. You can’t choose that. Things inside you? Parts of your mind and body that you don’t control decide that. And it took a hell of a long time for me to learn that what I can control is how I act in response to those memories—to those emotional wounds. How I treat myself. How I treat others because of it. It’s not as simple as saying that. I know. Nothing is simple.” I inhaled deeply. “Even though my idiotic actions led to my capture, I know what was done to me wasn’t my fault. Took a long time for me to understand that, but I do. How I respond to it? Figuring out a good way to deal with it was my responsibility.” I smiled at her. “But I think you already know that. Because you deal with all you’ve gone through. I just wanted you to know that when you feel like you’re not dealing?” I leaned over, kissing her cheek. “It’s okay.

Adopting the habit of knowledge capture has immediate benefits for our mental health and peace of mind. We can let go of the fear that our memory will fail us at a crucial moment. Instead of jumping at every new headline and notification, we can choose to consume information that adds value to our lives and consciously let go of the rest.

I saw how silly I had been in the early notes about people, back when I tried to capture their identity with a few words. We were all so many things that fit together and then sometimes came apart. When a part was taken away, the other things that remained had to change shape to fill the space, like water. And we couldn't know what parts were the most important until the others fell away. As I went through the notes, I sensed I'd been hollowed out. The camp had made me see the order of the things that we surrender. What goes first? Consideration? Compassion? Friendship? And then it gets down to faith, or maybe it's family and then faith, or maybe even memories. It was only when everything was taken away that you got to see what was at your core. And if you could hold on to that, that singular meaning, you went on; if you couldn't, the collapse was complete.

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I do love you.” He said it suddenly, raising his head so his black eyes could meet her startled green ones. “I mean it, Shea. I do not just need you, I love you. I know everything about you, I have been in your head, shared your memories, shared your dreams and your ideas. I know you think I need you and that is why I am with you, but it is much more than that. I love you.” He grinned unexpectedly, traced her lower lip with the tip of a finger. “What is more, I know you love me. You hide it from yourself, but I found it in a little corner, tucked away in your mind.” Shea stared up at the teasing smile on his face, then pushed at the solid wall of his chest. “You’re making that up.” Jacques moved off her, then reached down to pull her to her feet. His clothes were scattered everywhere, and he made no move to retrieve them. Shea’s shirt was still hanging open, and her jeans were down around her ankles. Blushing, she pulled them up. His hands stayed hers, preventing her from fastening them. “Do not bother, Shea. The pools are just ahead.” He walked a few feet, then looked back over his shoulder. “I did not make it up, and I know you are staring at my backside.” Shea tossed her mane of red hair so that it flew in all directions. “Any woman in her right mind would stare at your particular backside, so you don’t need to add that to your arrogant list of virtues. And stay out of my mind unless you’re invited.” She was staring, but she couldn’t help it. He was so beautifully masculine. Jacques reached behind him and captured her hand, lacing their fingers together. “But I find the most interesting things in your mind, my love. Things you do not have any intention of telling me.

Other valuable sources of education include seminars at big photography conventions like the annual WPPI convention in Las Vegas, or your state branch of Professional Photographers of America

16.​Hochschild presents Mike and Donny’s argument about the I-10 bridge as dialogue—how does this capture the Great Paradox? If you could enter the conversation, what would you say to Mike and/or Donny? (p. 185) 17.​What role does memory play in Hochschild’s story of the people she meets with regard to the environmental disasters, the development of industry, and the way things used to be? Looking at Hochschild’s visit with Mayor Hardey, how do industry and local government allow the potential disaster and pollution to re-occur in the name of business? What is it about the residents’ deep story that allows them to be susceptible to “structural amnesia”? (pp. 51, 90, 198) 18.​How does Hochschild explain Tea Party members’ identification with Trump and the 1 percent? After reading Strangers in Their Own Land, are there ideas or stories that you can draw from the book that help you understand Trump’s victory? (p. 217) 19.​What does Hochschild mean by the “Northern strategy”—and how does it fit into the historical narrative she provides? She suggests that the Southern legacy of secession has been applied to social class: it’s not that the South is seceding from the North but that the rich are seceding from the poor. What do you make of this point? (p. 220) 20.​By the end of the book, Hochschild expresses admiration for her new Tea Party friends, mentioning their capacity for loyalty, sacrifice, and endurance. Are there other notable traits you became aware of while reading the book? (p. 234) 21.​Many of the people Hochschild meets are worried about jobs and blame government regulations for getting in the way of jobs. Yet the petrochemical companies in Louisiana are for the most part owned by foreign companies, so the money leaves the state and the jobs are often held by temporary workers from the Philippines or Mexico. How do you explain this disconnect? 22.​Did the book make you feel hopeful about climbing the empathy wall and the possibility of bridging the political divide with people in your own community?

Your mind captures each moment of your life with detail. You are capable of recalling each one of them. BING - Brain is Nature’s Google

I thank my two young children for motivating me to write this book. President Trump is the first president they have been able to recognize. One day they’ll ask me what his presidency was like. Knowing this, I felt an urgency to capture the disorienting quality of this election before those memories fade into history. Kids, I pray this book helps guard your generation from falling for any kind of similar con.

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INTRODUCTION 0 to 3 MONTHS 1. Make the most of your hospital stay 2. Take care of your postpartum body 3. Take baby to the pediatrician . . . several times 4. Take newborn photos 5. Figure out breastfeeding 6. Get some sleep! 7. Manage Mom and Dad 8. Celebrate baby’s first milestones 9. Survive baby witching hour 10. Watch out for the blues 11. Get back in the sack 12. Get out of the house 13. Think about babywearing 3 to 6 MONTHS 14. Find your village 15. Prepare to go back to work, or not 16. Start some routines 17. Tame teething 18. Think about sleep training, or not 19. Teach baby sign language 20. Create a photo book 21. Reconnect with your partner 22. Don’t obsess over percentiles 23. Survive baby’s first illness 24. Make “me time” a priority 25. Interview sitters 26. Ready, Set, Eat: Start solid foods 6 to 9 MONTHS 27. Time to babyproof 28. Deal with separation anxiety 29. Work on those motor skills 30. Get back to your workouts 31. Plan a getaway 32. Start brushing teeth 33. Make mom friends 34. Start traditions 9 to 12 MONTHS 35. Get an adjustment 36. Ask for help 37. Think about discipline 38. Think about weaning, or not 39. Sign up for a mommy-and-me (or daddy-and-me) class 40. Take care of your diet 41. Capture your memories 42. Reignite your style 43. Embrace your new body 44. Trust your instincts 45. Book a couple’s getaway 46. Get your affairs in order 47. Do a cake smash photo shoot 48. Find a hobby 49. Learn to save money 50. Celebrate baby’s first birthday

But there are some to-do list essentials that we should all know if we want to help our brains navigate the day, based on the science of working memory, motivation, and goal pursuit. I don’t always see people applying these brain-friendly essentials, so here’s a checklist for you to consider: Write it down as soon as it comes to mind. Never waste your brain’s precious working memory by trying to hold your tasks or ideas in your head. Use your intelligence for getting things done, rather than trying to remember what you need to do. That means having a process for capturing to-dos as soon as they occur to you, even if you then end up transferring them to a master list. Only keep today’s tasks in view. You might have a grand list of tasks you’d like to complete in the coming weeks or months. But once you’ve decided what you really need and want to get done today, work off that list, and hide the rest. As long as your longer-term items are visible, they’ll use up a little of your brain’s processing capacity—and may even depress you a little if your long list is very long. Make it satisfying to check off. If you’re online, give yourself a box to check, and a ping or a swoosh to hear. If you’re working on paper, give yourself the satisfaction of a big bold line through everything you’ve done. The more rewarding it feels to track your progress, the more your brain will tend to spur you toward getting things done. Be realistic about what you can do in a day. Progress feels good to your brain’s reward system; failure doesn’t. Do you have five things you’d like to tackle today, but know you probably only have time for three? It’s better to feel great about nailing three tasks. If you succeed and find you’ve got more time, you’ll be flushed with motivation to seek out one or two more tasks. Include mind-body maintenance. Put exercise, rest, and other physical health goals on your list alongside your other tasks. If you take a moment to put “take a walk” on the list, you’re way more likely to build it into your day rather than let it be crowded out by other demands—just as defining goals for anything makes it more likely you’ll get it done.

It’s getting-up time,” Alessandro declares. “Today is the day.” “What day?” “The release date.” “What are we talking about?” “Daa-add. The new XBOX game. Hunting Old Sammie.” Armand opens his eyes. He looks at his son looking at him. The boy’s eyes are only inches away. “You’re kidding.” “It’s the newest best game. You hunt down terrorists and kill them.” Lifting his voice, “‘Deploy teams of Black Berets into the ancient mountains of Tora Bora. Track implacable terrorists to their cavernous lairs. Rain withering fire down on the homicidal masterminds who planned the horror of September eleven, two-thousand-and-one.’” The kid’s memory is canny. Armand lifts Alex off his chest and sits up. “Who invented it?” “I’m telling you, dad. It’s an XBOX game.” “We can get it today?” “No,” Leah says. “Absolutely not. The last thing he needs is another violent video game.” “Mahhuum!” “How bad can it be?” says Armand. “How would you know? A minute ago you hadn’t heard of it.” “And you had?” “I saw a promo. Helicopter gunships with giant machine guns. Soldiers with flamethrowers, turning bearded men into candles.” “Sounds great.” “Armand, really. How old are you?” “I don’t see what my age has to do with it.” “Dad, it’s totally cool. ‘Uncover mountain strongholds with thermal imaging technology. Call in air-strikes by F-16s. Destroy terrorist cells with laser weaponry. Wage pitched battles against mujahideen. Capture bin Laden alive or kill him on the spot. March down Fifth Avenue with jihadists’ heads on pikes. Make the world safe for democracy.’” Safe for Dick Cheney’s profits, Armand thinks, knowing all about it from his former life, but says nothing. It’s pretty much impossible to explain the complexity of how things work within the greater systemic dysfunction. Instead, he asks the one question that matters. “How much does it cost?” Alessandro’s mouth minces sideways. He holds up fingers, then realizes he needs more than two hands. Armand can see the kid doesn’t want to say. “C’mon. ’Fess up.” Alex sighs. “A one with two zeros.” “One hundred dollars.” Alex’s eyes slide away. Rapid nods, face averted. “Yeah.” “For a video game, Alex.” “Yhep.” “No way.” “Daa-add! It’s the greatest game ever!” The boy is beginning to whine. “Don’t whine,” Armand tells him. “On TV it’s awesome. The army guys are flaming a cave and when the terror guys try to escape, they shoot them.” “Neat.” “Their turbans are on fire.” “Even better.” “Armand,” Leah says. “Dad,” says Alessandro. He will not admit it but Armand is hooked. It would be deeply satisfying in the second-most intimate way imaginable to kill al Qaida terrorists holed up along the Afghanistan-Pakistan border—something the actual U.S. military cannot or will not completely do. But a hundred bucks. It isn’t really the money, although living on interest income Armand has become more frugal. He can boost the C-note but what message would it send? Hunting virtual terrorists in cyberspace is all well and good. But plunking down $100 for a toy seems irresponsible and possibly wrong in a country where tens of thousands are homeless and millions have no health insurance and children continue, incredibly, to go hungry. Fifty million Americans live in poverty and he’s looking to play games.