Capture The Moon Quotes

What's the point of wandering? to find a better place? a home? But the loneliness will always capture me in its claws of no tomorrow

Everything here at St. Aggie's is upside down and inside out. It's our job not to get moon blinked and to stand right side up in an upside down world. If we don't do that we'll never be able to escape. We'll never be able to think. And thinking is the only way we'll be able to plan an escape." -Gylfie

Forty years ago my mother died," he said. "She captured by Comanches, nine years old. Love Indian and wild life so well, no want to go back to white folks. All same people anyway, God say. I love my mother.

What the hell was he carrying this shit around for?” the second vamp demanded. “It’s useful in making captures, subduing difficult prisoners.” Pritkin shrugged. “Then . . . this is a weapon.” “Yes.” “But he was going on a date.” Pritkin looked confused.

First, I had no idea you were married. Somehow, I don't think Trillian knows, either." "I married Smoky and Morio to forge a soul bond so I could use their powers to search for Trillian, since we thought he was captured and in danger." She stopped, blanching. "You mean I got married for no reason?" Smoky cleared his throat. "I think we've just been insulted," he said. Morio sniggered. "Sounds like it.

But I look up above and see the sky With the moon and stars capturing my eye I know that you can see it too Cuz no matter where you are the sky remains true

No beast of reality, or creature of imagination, is as terrible as mankind. Or as loving. It’s a contradiction. I’ve always liked contradictions. Today I see both sides of the coin unveiled in gruesome and beautiful imagery, captured by my eyes and filed away in my mind, like still shots taken by a world-renowned photographer.

The flames of the luau bonfire burned brightly. Sparks flew into the sky and disappeared before they reached the stars above. Near the horizon, the moon was large and round and flawless as porcelain.

We're all someone's hero and another's villain. It's all a matter of perspective. And that changes as frequently as the cycles of the moon.

An Endless Moon only occurs when the winter solstice coincides with a bright moon in all its fullness. This is the only night when the great gods are forced to take their beastly forms. Enormous. Powerful. Almost impossible to catch. But if you should be lucky enough, or skilled enough to capture such a prize, the god will be forced to grant a wish.

I’ll teach you to dance.” She smiled. “Right here?” “Absolutely.” “Are you going to sing for me as well?” He sighed. “Have you ever heard a dog howl at the moon?” “That bad, is it?” “I’m probably insulting the dog.

Stephen had been put to sleep in his usual room, far from children and noise, away in that corner of the house which looked down to the orchard and the bowling-green, and in spite of his long absence it was so familiar to him that when he woke at about three he made his way to the window almost as quickly as if dawn had already broken, opened it and walked out onto the balcony. The moon had set: there was barely a star to be seen. The still air was delightfully fresh with falling dew, and a late nightingale, in an indifferent voice, was uttering a routine jug-jug far down in Jack's plantations; closer at hand and more agreeable by far, nightjars churred in the orchard, two of them, or perhaps three, the sound rising and falling, intertwining so that the source could not be made out for sure. There were few birds that he preferred to nightjars, but it was not they that had brought him out of bed: he stood leaning on the balcony rail and presently Jack Aubrey, in a summer-house by the bowling-green, began again, playing very gently in the darkness, improvising wholly for himself, dreaming away on his violin with a mastery that Stephen had never heard equalled, though they had played together for years and years. Like many other sailors Jack Aubrey had long dreamed of lying in his warm bed all night long; yet although he could now do so with a clear conscience he often rose at unChristian hours, particularly if he were moved by strong emotion, and crept from his bedroom in a watch-coat, to walk about the house or into the stables or to pace the bowling-green. Sometimes he took his fiddle with him. He was in fact a better player than Stephen, and now that he was using his precious Guarnieri rather than a robust sea-going fiddle the difference was still more evident: but the Guarnieri did not account for the whole of it, nor anything like. Jack certainly concealed his excellence when they were playing together, keeping to Stephen's mediocre level: this had become perfectly clear when Stephen's hands were at last recovered from the thumb-screws and other implements applied by French counter-intelligence officers in Minorca; but on reflexion Stephen thought it had been the case much earlier, since quite apart from his delicacy at that period, Jack hated showing away. Now, in the warm night, there was no one to be comforted, kept in countenance, no one could scorn him for virtuosity, and he could let himself go entirely; and as the grave and subtle music wound on and on, Stephen once more contemplated on the apparent contradiction between the big, cheerful, florid sea-officer whom most people liked on sight but who would have never been described as subtle or capable of subtlety by any one of them (except perhaps his surviving opponents in battle) and the intricate, reflective music he was now creating. So utterly unlike his limited vocabulary in words, at times verging upon the inarticulate. 'My hands have now regained the moderate ability they possessed before I was captured,' observed Maturin, 'but his have gone on to a point I never thought he could reach: his hands and his mind. I am amazed. In his own way he is the secret man of the world.

That which is most precious in a human life is indeed found in such an irreplaceable moment of ecstasy. To hurl a single wave into a void of depravity, as dark as a nocturnal sea, and capture in the foam the light of a not-yet-risen moon . . . It is such a life that is worth living.

Words, when they've been captured and imprisoned on paper, become a barrier against the world, one best left unerected. Everything that happens is fluid, changeable. After they've passed, events are only as your memory makes them, and they shift shapes over time. Writing a thing down fixes it in place as surely as a rattlesnake skin strippd from the meat and stretched and tacked to a barn wall. Every bit as stationary, and every bit as false to the original thing. Flat and still and harmless.

Beauty isn’t just outer appearance. Beauty isn’t just what your hair looks like, what your body looks like, how full your lips are, or how smooth your skin is. Beauty is so much more than people think. What really makes you beautiful is your inner beauty, Selena. You shine with your attitude, with your actions, yours words, and with your behavior. Outer beauty only gets attention, but inner beauty captures the heart. Remember: Beauty is ephemeral, but inner beauty remains forever.

Few Westerners understand the post-Soviet soul like Lawrence Sheets. Whether it is his hair-raising stories of the region’s myriad armed conflicts or the black humor with which he captures the moral and physical impoverishment of a collapsing empire, Sheets brilliantly condenses twenty tumultuous years into an eminently readable tale.

Even wolves let their guard down from time to time and become a hunter’s favorite game. Hunted. Captured. Deceived. Betrayed.

And Lang heartily wished he could capture the afternoon and keep it in a bottle so he could have the day stashed away forever.

The outermost—Jupiter XXVII—moved backwards in an unstable path nineteen million miles from its temporary master. It was the prize in a perpetual tug-of-war between Jupiter and the Sun, for the planet was constantly capturing short-lived moons from the asteroid belt, and losing them again after a few million years. Only the inner satellites were its permanent property; the Sun could never wrest them from its grasp.

He was a dark and stormy knight. A latter-day rake with eyes the color of emeralds worth a queen's ransom. His smile promised voyages to the moon. And heaven alone knew how many females lay littered in his wake. To a rousing burst of Rachmaninoff, he swept into my London flat one January evening and, with the hauteur of his greeting, captured my virgin heart forever and a day. 'Miss Ellie Simons? My car awaits. Shall we splurge on dinner or parking tickets?

Everything in all the books I once pored over is finished for me now. Penelope Leach. T. Berry Brazelton. Dr. Spock. The ones on sibling rivalry and sleeping through the night and early-childhood education, all grown obsolete. Along with ‘Goodnight Moon’ and ‘Where the Wild Things Are,’ they are battered, spotted, well used. But I suspect that if you flipped the pages dust would rise like memories. . . . The biggest mistake I made is the one that most of us make. . . .I did not live in the moment enough. This is particularly clear now that the moment is gone, captured only in photographs. There is one picture of the three of [my children] sitting in the grass on a quilt in the shadow of the swing set on a summer day, ages 6, 4, and 1. And I wish I could remember what we ate, and what we talked about, and how they sounded, and how they looked when they slept that night. I wish I had not been in such a hurry to get on to the next thing: dinner, bath, book bed. I wish I had treasured the doing a little more and the getting it done a little less.

But She Does She loves him as though he were the moon, Capturing her attention, Filling her with awe. Reflection of something brighter, he lights her favorite time of night. She loves him, far away and nestled between the stars, but she does. She loves him as though he were a fern, Gentle and soft, Curled by the edge of a path. Hidden between those which are far more impressive, but she sees. She loves him, small and quiet, but she does. She loves him as though he were the storm, Loud and unrelenting, Covering the sun, Misunderstood for anger and for wrath, but she sees. She loves him, impulsive and quick, but she does. She loves him as though he were hers, Close and loving, Surrounding her with affection. And though he may be distant, she sees. She loves him, silly and sorrowful, but she does.

Blended Text You have captured: pinned upon my heart: the wall of my heart is your love with one glance: as one with one bead: as an exile of the kings of royalty of your eyes: my heart you have something of mine: a torn thing again the moon: now the rule: (who knows)

I used to think printing things made them permanent, but that seems so silly now. Everything will be destroyed no matter how hard we work to create it. The idea terrifies me. I want tiny permanents. I want gigantic permanents! I want what I think and who I am captured in an anthology of indulgence I can comfortingly tuck into a shelf in some labyrinthine library. Everyone thinks they’re special—my grandma for her Marlboro commercials, my parents for discos and the moon. You can be anything, they tell us. No one else is quite like you. But I searched my name on Facebook and got eight tiny pictures staring back. The Marina Keegans with their little hometowns and relationship statuses. When we die, our gravestones will match. HERE LIES MARINA KEEGAN, they will say. Numbers one, two, three, four, five, six, seven, eight.

But you kissed me!” He wished she’d quit reminding him of that. It just made him want to do it all over again. “Devon, I give you my word, all I intend to do now is sleep.” She studied him through narrowed eyes. “How do I know that once we’re in bed you won’t… won’t…” “Turn into a wild, rutting beast who’s unable to control himself?” he supplied. “Exactly,” she breathed, looking supremely relieved that he’d said it and not she. “That’s very flattering, but I can assure you that you’re quite safe.” He waited until he saw her relax to add casually, “That only happens when the moon is full.

Upon moving to Cornwall in 1991, I became bewitched by its enchanting timeless beauty, which captured my heart and holds me still. Brooding and mysterious, the south-eastern edge of Bodmin Moor provided the wild backdrop against which the introduction to my magical training and love of nature began.

The sun set and the moon rose parchment yellow, the marks on its surface like traces of lead someone had tried to rub away. Li Du walked alone on the path to the mountain. A painter could have captured it well: a defeated curve of shoulders at odds with a determined stride against a mountain that filled the sky.” - p 83

Her wide eyes beheld him in the darkness. Like lamps, they captured the glow of the rising crescent moon. Hope filled his breast. Every rushing breath fired him with strength and courage. She was here. Safe. He'd found her. If she would come with him, he could conquer all enemies. If she would be his, their souls together would enter paradise.

I CANNOT DECIDE WHETHER IT IS AN ILLNESS OR A SIN, THE NEED TO write things down and fix the flowing world in one rigid form. Bear believed writing dulled the spirit, stilled some holy breath. Smothered it. Words, when they’ve been captured and imprisoned on paper, become a barrier against the world, one best left unerected. Everything that happens is fluid, changeable. After they’ve passed, events are only as your memory makes them, and they shift shapes over time. Writing a thing down fixes it in place as surely as a rattlesnake skin stripped from the meat and stretched and tacked to a barn wall. Every bit as stationary, and every bit as false to the original thing. Flat and still and harmless. Bear recognized that all writing memorializes a momentary line of thought as if

It’s a long story,” he said, taking a sip of Mr. Braeburn’s whiskey, “so I will tell only a very condensed version of it. “Mrs. Marsden and I grew up on adjacent properties in the Cotswold. But the Cotswold, as fair as it is, plays almost no part in this tale. Because it was not in the green, unpolluted countryside that we fell in love, but in gray, sooty London. Love at first sight, of course, a hunger of the soul that could not be denied.” Bryony trembled somewhere inside. This was not their story, but her story, the determined spinster felled by the magnificence and charm of the gorgeous young thing. He glanced at her. “You were the moon of my existence; your moods dictated the tides of my heart.” The tides of her own heart surged at his words, even though his words were nothing but lies. “I don’t believe I had moods,” she said severely. “No, of course not. ‘Thou art more lovely and more temperate’—and the tides of my heart only rose ever higher to crash against the levee of my self-possession. For I loved you most intemperately, my dear Mrs. Marsden.” Beside her Mrs. Braeburn blushed, her eyes bright. Bryony was furious at Leo, for his facile words, and even more so at herself, for the painful pleasure that trickled into her drop by drop. “Our wedding was the happiest hour of my life, that we would belong to each other always. The church was filled with hyacinths and camellias, and the crowd overflowed to the steps, for the whole world wanted to see who had at last captured your lofty heart. “But alas, I had not truly captured your lofty heart, had I? I but held it for a moment. And soon there was trouble in Paradise. One day, you said to me, ‘My hair has turned white. It is a sign I must wander far and away. Find me then, if you can. Then and only then will I be yours again.’” Her heart pounded again. How did he know that she had indeed taken her hair turning white as a sign that the time had come for her to leave? No, he did not know. He’d made it up out of whole cloth. But even Mr. Braeburn was spellbound by this ridiculous tale. She had forgotten how hypnotic Leo could be, when he wished to beguile a crowd. “And so I have searched. From the poles to the tropics, from the shores of China to the shores of Nova Scotia. Our wedding photograph in hand, I have asked crowds pale, red, brown, and black, ‘I seek an English lady doctor, my lost beloved. Have you seen her?’” He looked into her eyes, and she could not look away, as mesmerized as the hapless Braeburns. “And now I have found you at last.” He raised his glass. “To the beginning of the rest of our lives.

Is life a boon? If so, it must befall That Death, whene'er he call, Must call too soon. Though fourscore years he give, Yet one would pray to live Another moon! What kind of plaint have I, Who perish in July? I might have had to die, Perchance, in June! Is life a thorn? Then count it not a whit! Man is well done with it; Soon as he's born He should all means essay To put the plague away; And I, war-worn, Poor captured fugitive, My life most gladly give - I might have had to live, Another morn!

Their softness stuns me. I press my lips to hers, and we test new waters together. A kiss. A tilt and turn of the head. A release. Deeper this time. She captures my eyes once more before we dive into the depths of our mouths, sharing the mutual fire we hold for one another. We slow, release, and breathe. My air exchanged with hers. “Come back to me, Niin-mawin, or you will have another woman crying for you.” “I will,” I promise. Her words have made me think of a scenario I hadn’t thought of before: Maybe Maang-ikwe didn’t want to give me up.

The amount of energy stored in all the fossil fuel on earth is negligible compared to the amount that the sun dispenses every day, free of charge. Only a tiny proportion of the sun’s energy reaches us, yet it amounts to 3,766,800 exajoules of energy each year (a joule is a unit of energy in the metric system, about the amount you expend to lift a small apple one yard straight up; an exajoule is a billion billion joules – that’s a lot of apples).2 All the world’s plants capture only about 3,000 of those solar exajoules through the process of photosynthesis.3 All human activities and industries put together consume about 500 exajoules annually, equivalent to the amount of energy earth receives from the sun in just ninety minutes.4 And that’s only solar energy. In addition, we are surrounded by other enormous sources of energy, such as nuclear energy and gravitational energy, the latter most evident in the power of the ocean tides caused by the moon’s pull on the earth.

You fool of a jinni! LET ME OUT! Startled from my thoughts, I pull Zhian’s jar from my sleeve and turn it over. I can easily imagine him swirling inside, a cloud of smoke and fury. Be silent, Zhian. I’ll decide when you’re let out, and right now, you’re not inspiring my merciful side. He howls and hurls insults, which I try to ignore as I trail after Aladdin. I have Zhian at last. At any moment I could break open the jar and free him, fulfilling my end of the bargain and claiming my freedom. But what happens next? The humiliation of being captured by the humans will have made Zhian furious. He’s had two moons to feed his hatred of humans, and by now it is ravenous, destructive. If I let him out now, Parthenia will not stand a chance. He’ll destroy the city from the inside out, regardless of my deal with his father. I have to release him outside the city walls and trust that the wards will protect everyone inside from his inevitable wrath. Aladdin heads back toward his rooms, and I follow at a distance, my chest feeling emptier than ever. It’s time to say goodbye.

Please. Do this for me one more time and I’ll give you…” A thought struck her and she let out an exalted laugh. “I’ll give you my firstborn child!” He balked. “What?” She gave him a chagrined smile, a helpless shrug. And though the words had been said in jest, she was already beginning to wonder. Her firstborn child. The likelihood that she would ever conceive a child was so minuscule. Ever since the fiasco with Thomas Lindbeck, she’d felt resigned to a future of solitude. And given that the only other boy who had captured her interest was dead… What did it matter if she promised away a nonexistent child? “Assuming I live long enough to birth any children,” she said. “Even you have to admit that’s a good deal. What could possibly be more valuable than a child?” He held her gaze, his expression intense and, she thought, just the tiniest bit saddened. Under the soft fabric of his sleeves, she imagined that she could feel his pulse. But no, it was only her own heartbeat, fluttering in her fingers. And in the sudden silence, she caught the tremulous rhythm of her own shallow breaths. The moments ticking by, too fast. The candle flickering in the corner. The spinning wheel, waiting. Gild shivered and tore his gaze from her face. He looked down at her hands, the pried his arms away. Serilda released him, heart sinking. But in the next moment, he’d taken her fingers into his. His head lowered, avoiding her gaze, as he wrapped his fingers around hers. “You are very persuasive.” Hope skittered inside her. “You’ll do it? You’ll accept that offer?” He sighed, the sound long and drawn out, as if it physically pained him to agree to this. “Yes. I will do this in exchange for…your firstborn child. But” —his grip tightened, squashing the jolt of euphoria that threatened to have her throwing her arms around him— “this bargain is binding and unbreakable, and I fully expect you to stay alive long enough to fulfill your end of it. Do you understand me?” She gulped, feeling the magical pull of the bargain. The air pressing in around her. Stifling, squeezing in against her chest. A magical bargain, binding and unbreakable. A deal struck beneath the Chaste Moon, with a ghostly thing, and unliving thing. A prisoner of the veil. She knew she couldn’t really promise to stay alive. The Erlking would have her killed as soon as it pleased him to do so. And yet, she heard her own words as if whispered from a distant place. “You have my word.” The air shuddered and released. It was done.

Hoover fed the story to sympathetic reporters—so-called friends of the bureau. One article about the case, which was syndicated by William Randolph Hearst’s company, blared, NEVER TOLD BEFORE! —How the Government with the Most Gigantic Fingerprint System on Earth Fights Crime with Unheard-of Science Refinements; Revealing How Clever Sleuths Ended a Reign of Murder and Terror in the Lonely Hills of the Osage Indian Country, and Then Rounded Up the Nation’s Most Desperate Gang In 1932, the bureau began working with the radio program The Lucky Strike Hour to dramatize its cases. One of the first episodes was based on the murders of the Osage. At Hoover’s request, Agent Burger had even written up fictional scenes, which were shared with the program’s producers. In one of these scenes, Ramsey shows Ernest Burkhart the gun he plans to use to kill Roan, saying, “Look at her, ain’t she a dandy?” The broadcasted radio program concluded, “So another story ends and the moral is identical with that set forth in all the others of this series….[ The criminal] was no match for the Federal Agent of Washington in a battle of wits.” Though Hoover privately commended White and his men for capturing Hale and his gang and gave the agents a slight pay increase—“ a small way at least to recognize their efficiency and application to duty”—he never mentioned them by name as he promoted the case. They did not quite fit the profile of college-educated recruits that became part of Hoover’s mythology. Plus, Hoover never wanted his men to overshadow him.

Beauty Void lay the world, in nothingness concealed, Without a trace of light or life revealed, Save one existence which second knew- Unknown the pleasant words of We and You. Then Beauty shone, from stranger glances free, Seen of herself, with naught beside to see, With garments pure of stain, the fairest flower Of virgin loveliness in bridal bower. No combing hand had smoothed a flowing tress, No mirror shown her eyes their loveliness No surma dust those cloudless orbs had known, To the bright rose her cheek no bulbul flown. No heightening hand had decked the rose with green, No patch or spot upon that cheek was seen. No zephyr from her brow had fliched a hair, No eye in thought had seen the splendour there. Her witching snares in solitude she laid, And love's sweet game without a partner played. But when bright Beauty reigns and knows her power She springs indignant from her curtained bower. She scorns seclusion and eludes the guard, And from the window looks if doors be barred. See how the tulip on the mountain grown Soon as the breath of genial Spring has blown, Bursts from the rock, impatient to display Her nascent beauty to the eye of day. When sudden to thy soul reflection brings The precious meaning of mysterious things, Thou canst not drive the thought from out thy brain; Speak, hear thou must, for silence is such pain. So beauty ne'er will quit the urgent claim Whose motive first from heavenly beauty came When from her blessed bower she fondly strayed, And to the world and man her charms displayed. In every mirror then her face was shown, Her praise in every place was heard and known. Touched by her light, the hearts of angels burned, And, like the circling spheres, their heads were turned, While saintly bands, whom purest at the sight of her, And those who bathe them in the ocean sky Cries out enraptured, "Laud to God on high!" Rays of her splendour lit the rose's breast And stirred the bulbul's heart with sweet unrest. From her bright glow its cheek the flambeau fired, And myriad moths around the flame expired. Her glory lent the very sun the ray Which wakes the lotus on the flood to-day. Her loveliness made Laila's face look fair To Majnún, fettered by her every hair. She opened Shírín's sugared lips, and stole From Parvíz' breast and brave Farhád's the soul. Through her his head the Moon of Canaan raised, And fond Zulaikha perished as she gazed. Yes, though she shrinks from earthly lovers' call, Eternal Beauty is the queen of all; In every curtained bower the screen she holds, About each captured heart her bonds enfolds. Through her sweet love the heart its life retains, The soul through love of her its object gains. The heart which maidens' gentle witcheries stir Is, though unconscious, fired with love of her. Refrain from idle speech; mistake no more: She brings her chains and we, her slaves, adore. Fair and approved of Love, thou still must own That gift of beauty comes from her alone. Thou art concealed: she meets all lifted eyes; Thou art the mirror which she beautifies. She is that mirror, if we closely view The truth- the treasure and the treasury too. But thou and I- our serious work is naught; We waste our days unmoved by earnest thought. Cease, or my task will never end, for her Sweet beauties lack a meet interpreter. Then let us still the slaves of love remain For without love we live in vain, in vain. Jámí, "Yúsuf and Zulaikha". trans. Ralph T. H. Griffith. Ballantyne Press 1882. London. p.19-22

The sixty acres of the estate were dotted with old and new summer houses and many fountains and white benches that came suddenly into sight from foliage-hung hiding-places; there was a great and constantly increasing family of white cats that prowled the many flower-beds and were silhouetted suddenly at night against the darkening trees. It was on one of the shadowy paths that Beatrice at last captured Amory, after Mr. Blaine had, as usual, retired for the evening to his private library. After reproving him for avoiding her, she took him for a long tête-a-tête in the moonlight. He could not reconcile himself to her beauty, that was mother to his own, the exquisite neck and shoulders, the grace of a fortunate woman of thirty. "Amory, dear," she crooned softly, "I had such a strange, weird time after I left you." "Did you, Beatrice?" "When I had my last breakdown"—she spoke of it as a sturdy, gallant feat. "The doctors told me"—her voice sang on a confidential note—"that if any many alive had done the consistent drinking that I have, he would have been physically shattered, my dear, and in his grave—long in his grave." Amory winced, and wondered how this would have sounded to Froggy Parker. "Yes," continued Beatrice tragically, "I had dreams—wonderful visions." She pressed the palms of her hands into her eyes. "I saw bronze rivers lapping marble shores, and great birds that soared through the air, parti-colored birds with iridescent plumage. I heard strange music and the flare of barbaric trumpets—what?" Amory had snickered. "What, Amory?" "I said go on, Beatrice." "That was all—it merely recurred and recurred—gardens that flaunted coloring against which this would be quite dull, moons that whirled and swayed, paler than winter moons, more golden than harvest moons——" "Are you quite well now, Beatrice?" "Quite well—as well as I will ever be. I am not understood, Amory. I know that can't express it to you, Amory, but—I am not understood." Amory was quite moved. He put his arm around his mother, rubbing his head gently against her shoulder.

All the many successes and extraordinary accomplishments of the Gemini still left NASA’s leadership in a quandary. The question voiced in various expressions cut to the heart of the problem: “How can we send men to the moon, no matter how well they fly their ships, if they’re pretty helpless when they get there? We’ve racked up rendezvous, docking, double-teaming the spacecraft, starting, stopping, and restarting engines; we’ve done all that. But these guys simply cannot work outside their ships without exhausting themselves and risking both their lives and their mission. We’ve got to come up with a solution, and quick!” One manned Gemini mission remained on the flight schedule. Veteran Jim Lovell would command the Gemini 12, and his space-walking pilot would be Buzz Aldrin, who built on the experience of the others to address all problems with incredible depth and finesse. He took along with him on his mission special devices like a wrist tether and a tether constructed in the same fashion as one that window washers use to keep from falling off ledges. The ruby slippers of Dorothy of Oz couldn’t compare with the “golden slippers” Aldrin wore in space—foot restraints, resembling wooden Dutch shoes, that he could bolt to a work station in the Gemini equipment bay. One of his neatest tricks was to bring along portable handholds he could slap onto either the Gemini or the Agena to keep his body under control. A variety of space tools went into his pressure suit to go along with him once he exited the cabin. On November 11, 1966, the Gemini 12, the last of its breed, left earth and captured its Agena quarry. Then Buzz Aldrin, once and for all, banished the gremlins of spacewalking. He proved so much a master at it that he seemed more to be taking a leisurely stroll through space than attacking the problems that had frustrated, endangered, and maddened three previous astronauts and brought grave doubts to NASA leadership about the possible success of the manned lunar program. Aldrin moved down the nose of the Gemini to the Agena like a weightless swimmer, working his way almost effortlessly along a six-foot rail he had locked into place once he was outside. Next came looping the end of a hundred-foot line from the Agena to the Gemini for a later experiment, the job that had left Dick Gordon in a sweatbox of exhaustion. Aldrin didn’t show even a hint of heavy breathing, perspiration, or an increased heartbeat. When he spoke, his voice was crisp, sharp, clear. What he did seemed incredibly easy, but it was the direct result of his incisive study of the problems and the equipment he’d brought from earth. He also made sure to move in carefully timed periods, resting between major tasks, and keeping his physical exertion to a minimum. When he reached the workstation in the rear of the Gemini, he mounted his feet and secured his body to the ship with the waist tether. He hooked different equipment to the ship, dismounted other equipment, shifted them about, and reattached them. He used a unique “space wrench” to loosen and tighten bolts with effortless skill. He snipped wires, reconnected wires, and connected a series of tubes. Mission Control hung on every word exchanged between the two astronauts high above earth. “Buzz, how do those slippers work?” Aldrin’s enthusiastic voice came back like music. “They’re great. Great! I don’t have any trouble positioning my body at all.” And so it went, a monumental achievement right at the end of the Gemini program. Project planners had reached all the way to the last inch with one crucial problem still unsolved, and the man named Aldrin had whipped it in spectacular fashion on the final flight. Project Gemini was

She’d had plenty of time to mould dream-Herren into the perfect man. But she’d never been able to finish the job of falling in love with him. It wasn’t just that Voracity periodically destroyed her favorite figment. It was that Herren, like the rag doll, had no choice in his actions. If she told him to capture the moon for her, he got a net and fished it out of the sky. If she wanted him to kiss her, he pressed his lips to hers as gently or urgently as she preferred. But it was a kiss without a spark, as self-referential as kissing a pillow. She could create her figments with any appearance, but she could not give them wills of their own. Without that, love was only the fondness the artist had for her favorite sketch.

now. They were spirits in their purest forms. Some called them orbs, and sometimes they showed up on photographs. Many non-believers assumed such orbs were dust on the lens. But the camera could never fully capture what I could see. To my eyes, the balls of light were alive with energy, endlessly forming and reforming, gathering smaller particles of energy around them like mini-black holes in outer space.

Lie on your back and close your eyes. Let me chase your fear away. With nothing to fear, there is no need to die, eh?” “No.” She tried to push him away. “No.” He slipped an arm under her knees and drew her down the bed onto her back. She propped herself up on her elbows, trying to evade his lips as they nibbled their way down her neck to her collarbone. And lower. Panic welled within her. She couldn’t fight him. Not when she trembled like this. Not when the world tipped sideways. He slid the tip of his tongue under the leather to trace wet circles on her chest--just above her breasts. Her nipples sprang taut, sensitized to the soft leather that grazed them when she oved. Never before had Loretta actually felt the blood drain from her face; she did now. Sucking in a draft of air, she tried to twist sideways, but his arm, roped with muscle and tensed against her, blocked her escape. As she shifted position, his lips found her ear and, in unison with his teeth and tongue, learned its texture, its taste, its shape, discovering with unerring accuracy the sensitive places. His warm breath made chills run over her. “Habbe…” Her voice trailed off. She wanted desperately to distract him, but instead it was she who couldn’t seem to concentrate. “Your name, wha--what was it? Habbe what? What does it mean?” “Habbe Esa, Road to the Wolf, Hunter of the Wolf. My brother the wolf showed his face in my name dream.” “Y-your name dream?” She wriggled away and shoved the heel of her hand against his chin so she could sit up. “Wh-what’s a name dream?” His eyes gleamed down at her as he drew back his head. “A dream a man seeks when he becomes a warrior. In the dream, he learns his name. A woman has no need. She is named by others.” He dipped his head and captured her thumb between his teeth. Mesmerized, Loretta felt his tongue flick across her knuckles. Dear God, she was going to faint. And while she was unconscious, he would--he would…She felt herself tip sideways. His arm caught her from falling. He released her thumb. “Blue Eyes?” Loretta licked her bottom lip, trying desperately to right herself, to stay conscious. She couldn’t pass out--she just couldn’t. His face blurred. And his voice seemed distant. “Hah-ich-ka ein, where are you, Blue Eyes?” Loretta blinked, but it did no good. Was this how it felt to die? All floaty and distant from everything? Hah-ich-ka ein, where are you, Blue Eyes? She tried to answer. Couldn’t.

It’s one thing to describe someone as a voice crying in the wilderness, but that doesn’t quite capture Laurence Vance and his work. Vance is a voice crying in a soundproof sarcophagus on the moon.

He pulled on her leg and slid her toward him until she lay on her back. Then he released her ankle to loom over her, planting a hand on each side of her. Loretta stared up at his dark face, her heart pounding, her mouth dry. After struggling with him so many times, she knew how easily he could pin her beneath his weight, how quickly he could capture her hands and render her helpless. The gleam of lust in his eyes terrified her. What was to stop him from taking her? If she screamed, no one would intervene. Where were his mother and her spoon when she needed them?

Suddenly it struck her as hysterically funny. She had been captured by savages and dragged halfway across Texas. Never once, not even when he had just cause, had Hunter hit her with enough force to hurt her, and never in the face. She’d had to come home to receive that kind of abuse. She sank onto the planked bench and started to laugh, a high-pitched, half-mad laughter. Aunt Rachel crossed herself, and that only made her laugh harder.

Knowing what he wanted, he went after it with single-minded intensity, until a hoarse moan ripped from her and she arched toward him, her body jerking with every pass of his tongue. His, at last. Hunter rose over her, his gaze riveted to her flushed face and dazed blue eyes. Skimming his breeches down his hips, he undressed quickly and took off his medicine pouch. Then, positioning himself over her, he seized her hips and drew her toward him. Carefully and with a slowness that was agonizing for him, he pressed himself into her. As he feared, the passage was tight, so tight that he nearly pulled back. His guts clenched, and a tremor crawled up his spine. There wasn’t any way he could spare her pain this first time. She was a slightly built woman, narrow of hip. He was not a small man. Sweat sprang to his brow. She was as ready as he could get her. If he didn’t take her now, he never would. Setting his jaw, Hunter eased farther into her, filled with self-loathing because, even now, though he knew how much he was about to hurt her, fire flared in his belly and his body ached for release. Her eyes widened at the pain, and the color washed from her lips. When he met with the resistance of her maidenhead, he hesitated, then drove forward in one smooth thrust, sheathing himself in liquid heat. She screamed--a shrill, broken cry that cut through him. The next instant she scrambled to escape. Hunter quickly blanketed her body with his and captured her flailing arms. “Toquet, it is well, little one. It is finished, eh?” She panted, tossing her head. “It h-hurts!” “It will pass,” he assured her huskily. “It will pass. It is a promise I make for you.” She went rigid when he began to move within her, her small face drawing tight. Tears sprang to Hunter’s eyes when she reached up to hug his neck, clinging to him even though he was the one hurting her. He had asked her to trust him this one last time. And she had.

I want to go home very badly.” Loretta fixed her gaze on her captor’s medallion. All around her, the smell of his world permeated her senses, leather, dust, smoke, and unidentifiable foods. She was probably out of her mind to trust him. But, oh, how she wanted to. Home. To Aunt Rachel and Amy. It was a fact that he hadn’t lied to her--except for the time he had promised to cut out her tongue and hadn’t. She couldn’t very well hold that against him. She scooped up a handful of nuts and berries, taking a small amount into her mouth. The sweet taste of honey washed over her tongue, activating her salivary glands. Her stomach growled in response. He heard the sound and cocked an eyebrow. “It is good?” “Mm,” she said, taking another bite and brushing her palm clean on her bloomers. “Delicious.” “Dee-lish-us?” For the space of a heartbeat she forgot to be afraid of him, and a smile spread across her lips before she realized it was coming. When he smiled back at her, the strangest feeling swept over her, an inexplicable warmth. He had smiled at her before, of course, but never like this. “Delicious,” she repeated. “That means very good, much better than just good.” His smile didn’t fade, and she found herself fascinated. On a civilized man, that lopsided grin of his could have been heart-stopping. His sharply defined lips lifted lazily at one corner to reveal gleaming white teeth, deep creases bracketing his mouth. Not the face of a killer, surely. The mood shattered when he reached out to touch her cheek. The sudden movement made her recoil, reminding her of who he was and what he was. That he considered her his property. Because she jerked away, he settled for capturing a lock of her hair, twining it through his fingers. “You are dee-lish-us. Like sunshine, eh?” Unnerved by the gleam that had stolen into his eyes, Loretta caught hold of his hand to disentangle it from her hair. Just because there were no scalps in his lodge didn’t mean he was above taking one if the mood struck. “Only things you can taste are delicious.” The moment the words passed her lips, she recalled how he had nibbled at her neck. Heat crept up her nape. As if he guessed her thoughts, his gaze dropped to her throat. She found herself longing for her homespun dress with its mutton sleeves and high neckline. Mischief danced in his eyes. Or was it a trick of the light? “This Comanche is not a Tonkowa, a People Eater.

The joy of Loretta’s homecoming was overshadowed by Henry’s rage. Friends with a murderin’ savage, was she? A Comanche slut, that’s what, kissin’ on him in broad daylight, comin’ home to shame them all with her Injun horse and heathen necklace. His land looked like a bloomin’ pincushion with all them heathen lances pokin’ up. He was gonna get shut of ’em, just like he had those horses. Half of ’em stole from white folks! Some trade that was! Loretta listened to his tirade in stony silence. When he wound down she said, “Are you quite finished?” “No, I ain’t!” He leveled a finger at her. “Just you understand this, young lady. If that bastard planted his seed in that belly of yours, it’ll be hell to pay. The second you throw an Injun brat, I’ll bash its head on a rock!” Loretta flinched. “And we call them animals?” Henry backhanded her, catching her on the cheek with stunning force. Loretta reeled and grabbed the table to keep from falling. Rachel screamed and threw herself between them. Amy’s muffled sobs could be heard coming up through the floor. “For the love of God, Henry, please…” Rachel wrung her hands in her apron. “Get a hold on your temper.” Henry swept Rachel aside. Leveling a finger at Loretta again, he snarled, “Don’t you sass me, girl, or I’ll tan your hide till next Sunday. You’ll show respect, by gawd.” Loretta pressed her fingers to her jaw, staring at him. Respect? Suddenly it struck her as hysterically funny. She had been captured by savages and dragged halfway across Texas. Never once, not even when he had just cause, had Hunter hit her with enough force to hurt her, and never in the face. She’d had to come home to receive that kind of abuse. She sank onto the planked bench and started to laugh, a high-pitched, half-mad laughter. Aunt Rachel crossed herself, and that only made her laugh harder. Henry stormed outside to get “those dad-blamed Indian lances” pulled up before a passing neighbor spied them and started calling them Injun lovers. Loretta laughed harder yet. Maybe she had gone mad. Stark, raving mad.

You like?” “I--um, yes, he’s wonderful. His left ear isn’t notched like so many of the others. Why is that?” “The notched ear says a horse is gentled. He is not. If another puts hands upon him, he fights the big fight.” “Then how can I ride him?” “You will be his good friend. Come close.” Loretta stepped back instead. “But he’s wild.” Tightening his hold on her hand, Hunter tugged her forward. “He is friend to me and no other, eh? He carries me because he wishes it. Now, he will carry you.” With that explanation, which fell far short of reassuring her, he reclaimed the line and lifted her onto the stallion’s back. Loretta looked down. “I-I’m not too sure this is a good idea.” “It is good. You will trust, eh? I have said words to him. He accepts. Lie forward along his neck and whisper your heart into his ear. Run your hands over him. Tighten your legs around him.” Heart in her throat, Loretta did as he told her. She whispered, “Please, horse, don’t get mad and kill me.” The stallion nickered and sniffed her bare foot, the whites of his eyes rolling. Hunter chuckled. “He smells your fear and asks if there is danger, eh? He should run like the wind? He should stand? He is sure enough nuhr-vus, like the little blue-eyes is nuhr-vus when she thinks I will eat her and pick my teeth with her bones. You will say to him as I say to you--it is well.” Loretta jerked her foot back, afraid the horse might bite. “He m-may not understand. He’s a Comanche horse, isn’t he?” “Toquet, it is well. Whisper your heart. The words are in your touch. Be easy and make him easy.” She ran her hands over the stallion’s sleek coat, her fingers splaying on the powerful muscles in his neck and shoulders. When she began to believe the horse wouldn’t rear, she relaxed. The stallion lowered his head and began to graze. Hunter handed Loretta his line. “Let him carry you, eh? Whisper to him. Teach him your hands bring no pain--only good things. He will find sweet grass and listen.” “He’s so beautiful, Hunter.” “Say this to him.” Loretta did. The stallion flickered his ears and nickered. While he grazed, she petted him. Just when she began to feel confident, Hunter lifted her off his back. When he took the stallion’s line from her, he captured her hand as well, his long fingers curling warmly around hers. “He is now your good friend.” He looped his free arm over the stallion’s shoulders. “If you share breath with him often, you can paint yourself and wear leaves on your head, and he will still know you. For always.

Thank you for bringing me home. My heart will sing a song of friendship when I think of you, Hunter--for always into the horizon.” He gestured toward the stallion. “You will take him. He is strong and swift. He will carry you back to Comanche land, eh?” “Oh, no! I couldn’t. He’s yours!” “He walks a new way now. You are his good friend.” Tears sprang to her eyes. “I will never return to Comancheria, Hunter. Please, keep your horse.” “You keep. He is my gift to you, Blue Eyes.” Words eluded Loretta. Before she thought it through, she rose on her tiptoes and pressed her lips against his in what she intended to be a quick kiss of farewell. Hunter had heard of this strange tosi tivo custom called kissing. The thought of two people pressing their open mouths together had always disgusted him. Loretta was a different matter, however. Before she could pull away, he captured her face between his hands and tipped her head back to nibble lightly at her mouth. To learn the taste of her. And to remember. As inexpert as he was, when his mouth touched hers, a wave of heat zigzagged through him, pooling like fire low in his belly. Her lips were soft and full, as sweet as warm penende, honey. She gasped, and when she did, he dipped his tongue past her teeth to taste her moistness, which was even sweeter and made him think of other sweet places he would like to taste. Hunter at last understood why the tosi tivo liked kissing. She clutched his wrists and leaned away from him. He drew back and smiled, his palms still framing her face. Her large eyes shone as blue as the sky above them, startled and wary, just as they had so many times those first few days. She was like his mother’s beadwork, beautiful on the outside, a confusing tangle on the inside. Would he never understand her? “Good-bye, Hunter.” Reluctantly he released her and watched her lead the horse down the hill. At the base of the slope she turned and looked back. Their gazes met and held. Then she turned toward home and broke into a trot, the horse trailing behind her. Hunter shook his head. Only a White Eyes would walk when she had a perfectly good horse to ride.

Before she thought it through, she rose on her tiptoes and pressed her lips against his in what she intended to be a quick kiss of farewell. Hunter had heard of this strange tosi tivo custom called kissing. The thought of two people pressing their open mouths together had always disgusted him. Loretta was a different matter, however. Before she could pull away, he captured her face between his hands and tipped her head back to nibble lightly at her mouth. To learn the taste of her. And to remember. As inexpert as he was, when his mouth touched hers, a wave of heat zigzagged through him, pooling like fire low in his belly. Her lips were soft and full, as sweet as warm penende, honey. She gasped, and when she did, he dipped his tongue past her teeth to taste her moistness, which was even sweeter and made him think of other sweet places he would like to taste. Hunter at last understood why the tosi tivo liked kissing.

Let him carry you, eh? Whisper to him. Teach him your hands bring no pain--only good things. He will find sweet grass and listen.” “He’s so beautiful, Hunter.” “Say this to him.” Loretta did. The stallion flickered his ears and nickered. While he grazed, she petted him. Just when she began to feel confident, Hunter lifted her off his back. When he took the stallion’s line from her, he captured her hand as well, his long fingers curling warmly around hers. “He is now your good friend.” He looped his free arm over the stallion’s shoulders. “If you share breath with him often, you can paint yourself and wear leaves on your head, and he will still know you. For always.” “Well, until I get home, at least.” She swallowed. “I am still going home, aren’t I?” Something flickered in his eyes--a dangerous something. Loretta’s legs felt as heavy as wet clay, and she watched helplessly while he pressed her palm to his cheek. “You wish to go?” His jaw felt hard and warm. “I--yes, I wish to go.” He moved her hand from his cheek to his chest, forcing her palm flat against the vibrant muscle of one breast. His eyes held hers, relentless and piercing. Loretta yearned to move away but knew she had little hope of breaking his hold. She could feel his heart thumping, a steady, sturdy beat in contrast with the uneven flutter of hers. “You will walk backward in your footsteps and go forward a new way?

AWARE The great sigh of things. To be aware of aware (pronounced ah-WAH-ray) is to be able to name the previously ineffable sigh of impermanence, the whisper of life flitting by, of time itself, the realization of evanescence. Aware is the shortened version of the crucial Japanese phrase mono-no-aware, which suggested sensitivity or sadness during the Heian period, but with a hint of actually relishing the melancholy of it all. Originally, it was an interjection of surprise, as in the English “Oh!” The reference calls up bittersweet poetic feelings around sunset, long train journeys, looking out at the driving rain, birdsong, the falling of autumn leaves. A held-breath word, it points like a finger to the moon to suggest an unutterable moment, too deep for words to reach. If it can be captured at all, it is by haiku poetry, the brushstroke of calligraphy, the burbling water of the tea ceremony, the slow pull of the bow from the oe. The great 16th-century wandering poet Matsuo Basho caught the sense of aware in his haiku: “By the roadside grew / A rose of Sharon. / My horse / Has just eaten it.” A recent Western equivalent would be the soughing lyric of English poet Henry Shukman, who writes, “This is a day that decides by itself to be beautiful.

After Du was captured fleeing the capital, he wrote a poem during his internment on the night of Mid-autumn Festival, a traditional day for gathering with or remembering family. In the poem, he imagines the following: his children are still too small; so on the night of mid-autumn, only his wife will be looking up at the moon and thinking of him. What would his wife look like at that moment? He writes: “Her hair will be mist scented, her jade-white arms chilled in its clear light.” In just ten characters, he deploys the senses of smell, sight, and touch. Why is his wife’s hair full of damp mist? Because the dew was heavy that night, and she stood out looking up at the moon for a long, long time. So how could her arms not have become chilled? The damp of her hair and the chill of her arms represent his wife, but also the hallucinatory sense of the husband being by her side, feeling her. It is so immediate to the senses.

At some point, we're all someone's hero and another's villain. It's all a matter of perspective. And that changes as frequently as the cycles of the moon.

After Du was captured fleeing the capital, he wrote a poem during his internment on the night of Mid-autumn Festival, a traditional day for gathering with or remembering family. In the poem, he imagines the following: his children are still too small; so on the night of mid-autumn, only his wife will be looking up at the moon and thinking of him. What would his wife look like at that moment? He writes: “Her hair will be mist-scented, her jade-white arms chilled in its clear light.” In just ten characters, he deploys the senses of smell, sight, and touch. Why is his wife’s hair full of damp mist? Because the dew was heavy that night, and she stood out looking up at the moon for a long, long time. So how could her arms not have become chilled? The damp of her hair and the chill of her arms represent his wife, but also the hallucinatory sense of the husband being by her side, feeling her. It is so immediate to the senses.

This, to put it plainly, is what hostile brands do: They refuse to play the game of persuasion in its old-school form. They say the things that other brands won’t say, the things that risk chasing us away. I suppose you could think of the approach as a kind of reverse psychology, but that doesn’t quite capture it, either.

Moonberries grow on the moonberry bush, which blossoms a single berry every full moon. If eaten by an animal, it will give them elemental powers, turning them into a hatchamob.

Phobos is the innermost moon of Mars, only 16.7 miles (26.9 kilometers) in diameter but the larger of the two moons. Diminutive Deimos is a little over 7 miles (11 kilometers) in breadth. Scientifically, both Martian moons are oddballs. There is continual dispute as to where they came from. Just how did they get there? Conjecture about them being captured asteroids or cogenerated with Mars is debatable. These two objects are a cosmic detective story, and we need more clues to sort out their true nature. Years ago I stirred up a little more than Phobos dust by calling attention to a strange feature spotted on that moon. I termed this oddity a monolith, a very unusual structure. While there are those who view it as a large, rectangular boulder, visiting Phobos can categorize this curious creation, put there by the universe, or God if you prefer.

God is not a robot. He isn’t a comptroller of an accounting company trying to make things add up or work out. He is a being full of deep emotion, longing, and memories of what it used to be like. The incarnation therefore isn’t about an equation but about remembering what home used to be like and making a plan to get back there. Consider this reboot of the Genesis creation account. It may help you see God’s emotion a little better. First off, nothing … but God. No light, no time, no substance, no matter. Second off, God says the word and WHAP! Stuff everywhere! The cosmos in chaos: no shape, no form, no function—just darkness … total. And floating above it all, God’s Holy Spirit, ready to play. Day one: Then God’s voice booms out, “Lights!” and, from nowhere, light floods the skies and “night” is swept off the scene. God gives it the big thumbs up, calls it “day”. Day two: God says, “I want a dome—call it ‘sky’—right there between the waters above and below.” And it happens. Day three: God says, “Too much water! We need something to walk on, a huge lump of it—call it ‘land’. Let the ‘sea’ lick its edges.” God smiles, says, “Now we’ve got us some definition. But it’s too plain! It needs colour! Vegetation! Loads of it. A million shades. Now!” And the earth goes wild with trees, bushes, plants, flowers and fungi. “Now give it a growth permit.” Seeds appear in every one. “Yesss!” says God. Day four: “We need a schedule: let’s have a ‘sun’ for the day, a ‘moon’ for the night; I want ‘seasons’, ‘years’; and give us ‘stars’, masses of stars—think of a number, add a trillion, then times it by the number of trees and we’re getting there: we’re talking huge! Day five: “OK, animals: amoeba, crustaceans, insects, fish, amphibians, reptiles, birds, mammals … I want the whole caboodle teeming with a million varieties of each—and let’s have some fun with the shapes, sizes, colours, textures!” God tells them all, “You’ve got a growth permit—use it!” He sits back and smiles, says, “Result!” Day six: Then God says, “Let’s make people—like us, but human, with flesh and blood, skin and bone. Give them the job of caretakers of the vegetation, game wardens of all the animals.” So God makes people, like him, but human. He makes male and female.… He smiles at them and gives them their job description: “Make babies! Be parents, grandparents, great-grandparents—fill the earth with your families and run the planet well. You’ve got all the plants to eat from, so have all the animals—plenty for all. Enjoy.” God looks at everything he’s made, and says, “Fantastic. I love it!” Day seven: Job done—the cosmos and the earth complete. God takes a bit of well-earned R&R and just enjoys. He makes an announcement: “Let’s keep this day of the week special, a day off—battery-recharge day: Rest Day.”2 I’m not normally a paraphrase guy, but we always read the creation story like a textbook. I love this rendition because it captures the enthusiastic emotion that God felt about everything He created, especially humans. He loved it all. He loved us. Most of all, He loved the way things were.

With his arm back around Gavin's waist, Brad suddenly seemed very determined to get to their destination. Gavin was curious about it until he saw the restaurant. With rainbow flags hanging on either side of the sign mounted on the roof, it sort of looked like home base in a game of gay tag.

When Scripture says that Jesus came at “the fullness of time,” it means it. God designed history—with the rise of this empire and the fall of that one, with this person born here and that person born there, with this event happening now and that one then—to prepare us for Jesus and to give room for faith. God values us too much to treat us like robots, and I’ll add (and maybe I’m bold to do so) that only unimaginative atheists want the Ten Commandments painted on the moon or Jesus captured on videotape.

My only stake was the hook I shot in the moon, trying to capture stardom on my way to heaven. Without bravado. Just footsteps plodding me along till my big show. My showstopper. The one where I landed in a place without gravity.

Speaking of other guys, how does Lock feel about all this?” Olivia asked. “It seems to me that he’s always in the middle of you two—that can’t be easy for him.” “I don’t know.” Kat shook her head. “We didn’t talk on the trip back home at all. None of us. But…I’m pretty sure the two of them were fighting after our argument on Twin Moons.” “Really? How could you tell?” Liv looked interested. “I’d say Deep’s face was a pretty good indication. He looks like he slammed head-first into a concrete wall. And the knuckles on Lock’s right hand are all cut and bruised.” “A fist fight?” Liv shook her head. “Really? Because I was under the impression that Twin Kindred never strike each other—under any circumstances. I think it hurts them just as much to hit their twin as it does to be hit…like they share the pain they inflict or something like that. That’s what Baird told me, anyway.” “Well, I’d say they made an exception to the no-knuckle-sandwich-between-brothers rule,” Kat said dryly but she couldn’t help being troubled. “I guess…I guess they were fighting over me.” “Lock loves you, doesn’t he?” Sophie said sympathetically. Kat nodded. “And I could love him too if—” “If Deep wasn’t in the way,” Olivia finished for her. But Kat shook her head. “No, that’s not what I was going to say. I could love Lock—hell, I could love both of them if there was any chance of my love being returned.” “But what about having their emotions in your head all the time?” Sophie asked. “I thought you hated that.” Kat thought of the warm, happy feelings she’d gotten from both brothers just moments before they were captured by the natives. “It’s not so bad when they’re in a good mood. But Deep…” “Is never in a good mood,” both Liv and Sophie said. Kat nodded sadly.

From the Bridge” by Captain Hank Bracker Pebbles, Rocks & Mountains Rocks can be formed in many different ways and are found in just about every corner of our planet, the Moon, up in space and who knows where else. Now pebbles are the mini-me’s of rocks and generally are about one to three inches in size. Geologists will tell you that they are about 5 millimeters in diameter, but who’s counting? In fact there are two beaches that are made up entirely of pebbles such as the Shingle Beach in Somerset, England. Generally pebbles are found along rivers, streams and creeks whereas mountains are usually a part of a chain that was created along geothermal fault lines. The process of Mountain formation is associated with movements of the earth's crust, which is referred to as plate tectonics. See; now that I looked it up, I know these things! What I’m about to say has absolutely nothing to do with geology and everything to do about human nature. In the course of events we never trip over mountains and seldom over rocks, but tripping over pebbles is another thing. Marilyn French, a writer and feminist scholar is credited with saying, “Men (she should have included Women) stumble over pebbles, never over mountains.” She was the lady (I should have said woman) whose provocative 1977 novel, “The Women's Room” captured the frustration and fury of a generation of women fed up with society's traditional conceptions of their roles (and this is true). However, this has nothing to do with the feminist movement and is simply a metaphor. Of course we’re not going to trip over mountains, not unless we are bigger than the “Jolly Green Giant!” and so it’s usually the little things that trip us up and cause us problems. What comes to mind is found on page 466 of The Exciting Story of Cuba. This is a book that won two awards by the “Florida Authors & Publishers Association” and yet there are small mistakes. They weren’t even caused by me or my team and yet there they are, getting bigger and bigger every time I look at them. Now I’m not about to tell you what they are, since that would take the fun out of it, but if you look hard enough in the book, you’ll succeed in discovering them! I will however tell you that one of these mistakes was caused by a computer program called “Word.” It’s wonderful that this program has a spell check and can even correct my grammar, but it can’t read my mind. In its infernal wisdom, the program was so insistent that it was right and that I was wrong that it changed the spelling of, in this case, the name of a person in the middle of the night. It happened while I was sleeping! I would have seen it if it had been as big as a mountain, however being just a little pebble it escaped my review and even escaped the eagle eyes of Lucy who still remains the best proof reader and copy editor that I know. When you discover what I missed please refrain from emailing me, although, normally, I would really enjoy hearing from you! I unfortunately already know most of the errors in the book, for which I take full responsibility. The truth of it is that my mistakes leave me feeling stupid and frustrated. Now, you may disagree with me however I don’t think that I am really all that stupid, but when you write hundreds of thousands of words, a few of them might just slip between the cracks. None of us are infallible and we all make mistakes. I sometimes like to say that “I once thought that I had made a mistake, but then found out that I was mistaken.” And so it is; if you think about it, it’s the pebbles that create most of our problems, not the rocks and certainly not the mountains. I’ll let you know as soon as my other books, Suppressed I Rise – Revised Edition; Seawater One…. And Words of Wisdom, “From the Bridge” are available. It’s Seawater One that has the naughty bits in it… but that just spices it up. Now with that book you can really tell me what you think….

Richter refused to let Alexander go with Ha Si to capture Moon Lai. “That’s an order. That’s final. No. We have nine other guys who can go. You’re not going. One of the Yards will go. They’re still like death.” Alexander was barely listening to Richter, as he was getting his ammunition ready. “Colonel,” he said, “I’m also still like death.” “You haven’t stopped pacing for five days!” exclaimed Richter. “You can’t sit for five minutes without a cigarette. I said no.” “And yet,” said Alexander, “I managed to survive six days with six men in one foxhole. And months in the woods. And in a cell in isolation for eight months. I’ll be fine.” “That was twenty years ago! And in the meantime, sneaking up and scaring your mouse of a wife half to death on Halloween does not count as honing your recon moves.” “Anthony told you that?” said Alexander, disgusted. “I don’t think that boy can keep his mouth shut about anything,” said Richter, staring at Alexander in a peculiar way that made Alexander look away.

Flying saucers aside, a visceral childhood fascination with what’s out there, launched by pop culture and propelled by real-life space missions during NASA’s heyday, is a recurring narrative among SETI researchers. “I’m a child of the Apollo era,” said Mark Showalter, a Sagan Center senior research scientist. “I’m in this room today because of Neil Armstrong. Watching the moonwalk — that was the most exciting thing I’d ever seen in my life.” To date, Showalter has discovered, or co-discovered, six moons in the solar system: Pan (orbiting Saturn); Mab and Cupid (Uranus); Kerberos and Styx (Pluto); and just last year, a Neptune moon, still unnamed. “We could be sending missions to all kinds of fantastic destinations and learning things for decades to come,” he said. But the scheduled NASA voyages to the outer planets appear nearly done.  The New Horizons spacecraft flies by Pluto next year; the probes to Jupiter and Saturn shut down in 2017. Even the much-heralded Clipper mission — the proposed robotic expedition to Europa — isn’t yet a go. So far, with a projected $2 billion cost, only $170 million has been appropriated. At 56, Showalter concedes that his professional career will conclude with these final journeys. “It takes twenty years from the time you start thinking about the project to the time you actually get to the outer planets,” he said. And without new missions, he worries, and wonders, about the new generation. “It’s the missions that capture imaginations. If those aren’t happening, kids might not go into science the way my generation did.

May 1915. The Australians, who were about to go into action for the first time in trying circumstances, were cheerful, quiet and confident. There was no sign of nerves nor of excitement. As the moon waned, the boats were swung out, the Australians received their last instructions, and men who six months ago had been living peaceful civilian lives had begun to disembark on a strange and unknown shore in a strange land to attack an enemy of a different race. The boats had almost reached the beach, when a party of Turks, entrenched ashore, opened a terrible fusillade with rifles and a Maxim. Fortunately, the majority of the bullets went high. The Australians rose to the occasion. Not waiting for orders, or for the boats to reach the shore, they sprang into the sea, and, forming a sort of rough line, rushed at the enemy’s trenches. Their magazines were not charged, so they just went in with cold steel. It was over in a minute. The Turks in the first trench were either bayoneted or they ran away, and their Maxim was captured.

May 1915. The Australians, who were about to go into action for the first time in trying circumstances, were cheerful, quiet and confident. There was no sign of nerves nor of excitement. As the moon waned, the boats were swung out, the Australians received their last instructions, and men who six months ago had been living peaceful civilian lives had begun to disembark on a strange and unknown shore in a strange land to attack an enemy of a different race. The boats had almost reached the beach, when a party of Turks, entrenched ashore, opened a terrible fusillade with rifles and a Maxim. Fortunately, the majority of the bullets went high. The Australians rose to the occasion. Not waiting for orders, or for the boats to reach the shore, they sprang into the sea, and, forming a sort of rough line, rushed at the enemy’s trenches. Their magazines were not charged, so they just went in with cold steel. It was over in a minute. The Turks in the first trench were either bayoneted or they ran away, and their Maxim was captured. Then the Australians found themselves facing an almost perpendicular cliff of loose sandstone, covered with thick shrubbery. Somewhere, half-way up, the enemy had a second trench, strongly held, from which they poured a terrible fire on the troops below and the boats pulling back to the destroyers for the second landing party. Here was a tough proposition to tackle in the darkness, but those colonials, practical above all else, went about it in a practical way. They stopped for a few minutes to pull themselves together, got rid of their packs, and charged their magazines. Then this race of athletes proceeded to scale the cliffs without responding to the enemy’s fire. They lost some men, but did not worry. In less than a quarter of an hour the Turks were out of their second position, either bayoneted or fleeing. But then the Australasians, whose blood was up, instead of entrenching, rushed northwards and eastwards, searching for fresh enemies to bayonet. It was difficult country to entrench. Therefore they preferred to advance.

You will lie on your back? No harm, eh? I will watch.” “Must you?” “Hein?” Hein? Loretta had no inkling what that meant. “Must you watch? It makes me nervous. I can’t run away.” “Nuhr-vus?” “Nervous.” She shrugged one shoulder and then tried to pry his leathery fingers from around her ankle. “Nervous…uneasy.” She gave her leg a shake. His hand moved with her foot, his grip unbreakable. “Would you let go? It’s indecent, you touching me like this.” “In-dee-sent?” “Indecent. Shameful. Would you please let go? It is my foot, you know.” “And you are my woman.” She threw her head back and sighed. He had a grip like an iron vise and outweighed her by a good ninety pounds, every ounce muscle. His woman. For a moment she had lost sight of that and let him lull her into a false sense of security. He pulled on her leg and slid her toward him until she lay on her back. Then he released her ankle to loom over her, planting a hand on each side of her. Loretta stared up at his dark face, her heart pounding, her mouth dry. After struggling with him so many times, she knew how easily he could pin her beneath his weight, how quickly he could capture her hands and render her helpless. The gleam of lust in his eyes terrified her. What was to stop him from taking her? If she screamed, no one would intervene. Where were his mother and her spoon when she needed them? “You will sleep.” The low timbre of his voice vibrated through her. “I will watch.” With that, he left her and sat on his pallet. She heard a rapping sound and glanced over to find that he was chipping flint with a bone punch. On closer inspection she saw two flint arrowheads lying next to him--arrowheads that he would one day use to kill white people, no doubt. She huddled on her side and stared at him. Even from across the lodge he intimidated her. Yet she was completely dependent upon him. She would never relax enough to sleep with him sitting there.

Would you please let go? It is my foot, you know.” “And you are my woman.” She threw her head back and sighed. He had a grip like an iron vise and outweighed her by a good ninety pounds, every ounce muscle. His woman. For a moment she had lost sight of that and let him lull her into a false sense of security. He pulled on her leg and slid her toward him until she lay on her back. Then he released her ankle to loom over her, planting a hand on each side of her. Loretta stared up at his dark face, her heart pounding, her mouth dry. After struggling with him so many times, she knew how easily he could pin her beneath his weight, how quickly he could capture her hands and render her helpless. The gleam of lust in his eyes terrified her. What was to stop him from taking her? If she screamed, no one would intervene. Where were his mother and her spoon when she needed them? “You will sleep.” The low timbre of his voice vibrated through her. “I will watch.

like crying for the moon. Because it’s impossible to capture, impossible to keep.

In those days there were heroes and villains, and darkness walked the earth. There were dragons to be slain, captured Princesses to be saved, and mighty deeds were accomplished by knights in shining armor. Many tales are told of that time, tales of steadfast bravery and derring-do. This isn’t one of them.

If the meek could inherit the earth, maybe the kind could capture the truth.

What I hope to convey with From the Earth to the Moon is what Andy’s captured so well in this book—just how magnificent an undertaking Apollo really was. That going to the moon was not just a technological endeavor, but an artistic one, like Michelangelo’s frescoes on the Sistine Chapel ceiling.

We’d been lucky enough to have this wonderful, amazing woman in our lives, and neither of us ever thought to document her. To capture and keep her moments. And we lost the chance to when we lost her.

She! The gaze of night fell on her, She looked towards the moon, As I walked closer to her, As did the silver brightness of the Moon, Covering her in her silver attire, I stopped to witness the wonder that she was, Wearing the Moon’s silver attire, She looked more graceful than she already was, Then in the distance, the wind kissed few flowers, And bearing their scent it kissed her everywhere too, Now she smelled lovelier than all the flowers, And the most fragrant, wild roses too, The night grew darker and the moon grew brighter, And she shone like the sparkling, silver coloured gem, When she smiled, trust me nothing could look brighter, Than her eyes that bore the brilliance of the most resplendent gem, Sometimes when wind appeared around her to renew her scents, It ruffled her hair like a lover who is little shy, But tonight she shone with the beauty of nature’s bliss and its scents, While I with the night gaze looked at her bewildered, but least shy, So I held her hand, as the birds, for her, their songs of love sang, She looked at me and smiled, while gently winking her eyes, Where I captured the beauty of the skies, and then our hearts together sang, While I dived into her eyes and she finally accepted to forever dwell in my eyes, So I do not sleep now because there is no need to dream, Her dreams, her imaginations and memories bearing her scenes, Because in my eyes she lives like a beautiful sensation, that is missing in a dream, So if you see me awake during the nights, I am somewhere with her in my eyes, discovering her beauty’s endless scenes!

There are mornings in the cabin, even in summer, when the lake seems to have been possessed by a different spirit, the air cold, wind whistling through the screens and whipping the Chinese wind chimes into a frenzy. Instead of blue water, the lake is grey, the islands hunched against the wind, the waves white-capped even in our channel, banging the boat against the dock or heaving it away to strain against its ropes. On days like these, the sounds of other lives are lost in the rush of air and water. Everything seems farther away, and few people venture out if they don’t have to. Yet this is not when drownings occur. The lake captures people when they least expect it.

My mother died on September 22, 2019, just as I was finishing work on this book. As my brother beautifully wrote in his eulogy for her, “She was a true matriarch, a Jupiter in stature, and we were simply the moons lucky enough to orbit her, to be shaped by her gravity, and without her we are left with a space impossible to fill or inhabit.” I could not have captured the immense loss of her any better.

Without You Everything Is Hideous How are you? , sweetheart, here I am writing these letters and your thought does not leave me and here you are still the closest to me since that day, which did not end until now. I scatter my letters in front of your beautiful eyes to tell you that I am wrong and guilty ; Although I have not forgotten you for a moment, even while I am trying to convince myself that everything is finished from your point of view, but I make up for it and say well, this is enough for me to try to snatch her icy heart again, this heart that loved me with all sincerity that innocent childish heart that never hated One even over the one who is because of him has left me for a long time due to false suspicion I remember all your letters, so I read them from time to time How nice it was to call me a childish nickname - capturing like your cheeks a happy nickname. You didn’t know all my reasons, sweetie I indirectly told you about the biggest reason when I told you to read “So Forgive Me ”You are the most beautiful thing that has happened to me since I knew you. My beauty, today I want to tell you that you forgot something one day. You asked me: Have you loved before? So I told you : Yes I did it was a long time ago when I was a teenager; I never thought that I would love again after I was wounded by that deep wound, when I was left alone, the wolves of loneliness and separation scattered me, and no one comes to me to pull me from the bottom of the debris that happened in my heart, And to be honest, I was not afraid for myself as much as I feared for your tender heart; I don’t ever want to be the lover who leaves his lover, especially if it is you. My beautiful woman, I wanted to make sure that my heart never beats for anyone but you It’s not easy, believe me I admire you since we became close, since we started speaking in the innocent language of children, since you used to say to me you are late to respond, even if I was late for a few seconds since night became for us a second day we talk about it until dawn and more Since you were quarreling with others trying to make them understand my point of view. How delicious days were when you looked at me from a distance and smiled, and when I heard your laughter as much as I was jealous, my heart beat with joy All your conditions were beautiful even when you quarreled with me I am not here trying to tell you that I am innocent, I am not I hurt you many times but I swear it was not with intent They were rather fleeting and spontaneous things. I admit that I have hurt your pride and here I am now bearing the consequences of this matter, and I swear it is not an easy thing. But, my flower, when you told me that excuse to stay away from me for three months, it smashed me, how can someone take my moon from me? The one that shone my eyes and melted the ice around my heart after my heart became so attached to her that I became so addicted to her that when I talk to any girl I call her by your name. My little girl I lost my love previously, and I do not want to lose you, because I know that you are a twin of my soul, even if you deny this now, but in the depths of your heart you know the validity of this matter. I apologize for every moment that made you think with pain I just wanted to protect you from fleeting feelings or just those feelings that were attracted to you And I know you crave someone to love you just because you are beautiful I wanted to protect you from the feelings of a teenager And if it was a year or less late to reveal it You know that valuable things no matter how late they are, their value will be better, finer, sincere and thinner, and you deserve strong, sincere feelings that stem from the depths of the heart and from the depths of the soul feelings befitting you I see in you all the beauties in life And without you, everything is Hideous You have all my feelings, beautiful cheeks.

Mathematicians prove all sorts of truths about numbers, truths that often assert the existence of certain numbers (for example, given two rational numbers, there exists a rational number between them) and sometimes the non-existence of certain numbers (for example, there exists no largest prime number). But what does this talk of mathematical existence amount to? Do these proofs really have to do with existence in the same way that tables and chairs, the moon and the sun, and you and me exist? Or is mathematical existence something like saying that a particular move exists in chess—say, when a pawn has moved completely across the board to a square on the opponent’s back row and can be exchanged for any piece, not just a piece that your opponent has captured, which can result in your having, say, two queens on the board?

If life were a river, she’d found her shore. If life were an ocean, she’d found her moon. And if life could go on forever, she’d want to capture this moment and put it in a bottle.

Moon Scalding

Remember when we used to share our secrets?" he asked. The moon captured a handsome face, full of longing. His dark hair brushed his shoulders. "The Stone," she laughed. "I loved you then. I loved you no matter where you came from. No - scratch that." His voice floated up to her. "I loved you because you came from wherever it was. It must have been a magic place, to produce you.

Marcus studied those NASA pictures for hours, the gorgeous Hasselblad pictures of men on the moon and the pictures of Jupiter’s turbulence. Since Newton’s laws apply everywhere, Marcus programmed a computer with a system of fluid equations. To capture Jovian weather meant writing rules for a mass of dense hydrogen and helium, resembling an unlit star. The planet spins fast, each day flashing by in ten earth hours. The spin produces a strong Coriolis force, the sidelong force that shoves against a person walking across a merry-go–round, and the Coriolis force drives the spot. Where Lorenz used his tiny model of the earth’s weather to print crude lines on rolled paper, Marcus used far greater computer power to assemble striking color images. First he made contour plots. He could barely see what was going on. Then he made slides, and then he assembled the images into an animated movie. It was a revelation. In brilliant blues, reds, and yellows, a checkerboard pattern of rotating vortices coalesces into an oval with an uncanny resemblance to the Great Red Spot in NASA’s animated film of the real thing. “You see this large-scale spot, happy as a clam amid the small-scale chaotic flow, and the chaotic flow is soaking up energy like a sponge,” he said. “You see these little tiny filamentary structures in a background sea of chaos.” The spot is a self-organizing system, created and regulated by the same nonlinear twists that create the unpredictable turmoil around it. It is stable chaos.

So if speaking in clichés is problematic, it is because the world itself contains a far broader range of rainfalls, moons, sunshines, and emotions than stock expressions either capture or teach us to expect. Proust’s novel is filled with people who behave in un-stock ways.

The Clock Cell A Poem by Rosa Jamali Something happens to die And the sunlight which has been soaking is wet and obscure If I carry on the lines The frozen object which has been captured in your hands will drop Otherwise, the day has come to an end. Void When I get home; staring at all those cubical shapes; Standstill current of water And the sunlight which is never damp On the blank sheets of writing bursting into tears over old sheets on my bed. The elements Its essence has been painted by my blood The rain of cats and dogs on my field The moon is encompassing the land! Here with the frostbite on the iron post, I left the time on the river bank Time was a whim slipped away from my fingers The moments have been cleaned and cleared. The wall has turned blue Me and the black gown Have taken the flow of the river. It's a calf death breast-fed. What is it? Sediments on a neutral background It could be in a different colour It's been many days since I started walking on the rope The creased moon is hanging down the ceiling. Blizzard A flimsy stone The frostbite on the window glass The bridge has fallen down Silence on a metal tape Ending to a blind full stop. (TRANSLATED FROM ORIGINAL PERSIAN TO ENGLISH BY ROSA JAMALI)

For no one knows what lies under the sands of the world's great deserts. No one knows how many times poor Earth has reeled under blows from comets, has lost or captured moons, has changed its air, its very nature. No one knows what has existed and has vanished beyond recovery, evidence for the number of times man has understood and has forgotten again that his mind and flesh and life and movements are made of star stuff, sun stuff, planet stuff; that the sun's being is his, and what sort of events may be expected, because of the meshings of the planets - and how an intelligent husbanding of humanity's resources may be effected based on the most skilled and sensitive of forecasting, by those whose minds are instruments to record the celestial dance.

The transformative nature of road trips: On the Road (Jack Kerouac, 1957): Heralded as quintessentially American, On the Road captures the restless Beat movement and subsequent 1960s counterculture. Blue Highways (William Least Heat-Moon, 1982): Personal anguish sends the author on a three-month soul-searching road trip through the forgotten corners of America. The Devil’s Highway: A True Story (Luis Alberto Urrea, 2004): Socially engaged in a way that Steinbeck would have endorsed, The Devil’s Highway details the trials of twenty-six men who attempt to cross the Mexican border into southern Arizona. “Go Greyhound” (Bob Hicok, 2004): Hicok’s poem speaks to the feelings of loneliness and exhaustion that often plague travelers, as well as the relief that comes with shedding a turbulent past. Easy Rider (1969): In this classic film, Peter Fonda and Dennis Hopper cross America on bikes. Thelma and Louise (1991): Two working women set out on their own, with unexpected consequences. Bombón: El Perro (2004): A struggling mechanic begins to turn his life around when he adopts a dog, who accompanies him on his escapades.

It would be forty-four years before physicist Donald Olson would discover that D-Day at Tarawa occurred during one of only two days in 1943 when the moon's apogee coincided with a neap tide, resulting in a tidal range of only a few inches rather than several feet. The actions of these Marines trapped on the reef would determine the outcome of the battle for Tarawa. If they hesitated or turned back, their buddies ashore would be decimated. But they didn't hesitate. They were Marines. They jumped from their stranded landing crafts into chest-deep water holding their arms and ammunition above their heads. In one of the bravest scenes in the history of warfare, these Marines slogged through the deep water into sheets of machine-gun bullets. There was nowhere to hide, as Japanese gunners raked the Marines at will. And the Marines, almost wholly submerged and their hands full of equipment, could not defend themselves. But they kept coming. Bullets ripped through their ranks, sending flesh and blood flying as screams pierced the air. Japanese steel killed over 300 Marines in those long minutes as they struggled to the shore. As the survivors stumbled breathlessly onto shore their boots splashed in water that had turned bright red with blood. This type of determination and valor among individual Marines overcame seemingly hopeless odds, and in three days of hellish fighting Tarawa was captured. The Marines suffered a shocking 4,400 casualties in just seventy-two hours of fighting as they wiped out the entire Japanese garrison of 5,000.