“
I'd like to repeat the advice that I gave you before, in that I think you really should make a radical change in your lifestyle and begin to boldly do things which you may previously never have thought of doing, or been too hesitant to attempt. So many people live within unhappy circumstances and yet will not take the initiative to change their situation because they are conditioned to a life of security, conformity, and conservatism, all of which may appear to give one peace of mind, but in reality nothing is more damaging to the adventurous spirit within a man than a secure future. The very basic core of a man's living spirit is his passion for adventure. The joy of life comes from our encounters with new experiences, and hence there is no greater joy than to have an endlessly changing horizon, for each day to have a new and different sun.
If you want to get more out of life, Ron, you must lose your inclination for monotonous security and adopt a helter-skelter style of life that will at first appear to you to be crazy. But once you become accustomed to such a life you will see its full meaning and its incredible beauty. And so, Ron, in short, get out of Salton City and hit the Road. I guarantee you will be very glad you did. But I fear that you will ignore my advice. You think that I am stubborn, but you are even more stubborn than me. You had a wonderful chance on your drive back to see one of the greatest sights on earth, the Grand Canyon, something every American should see at least once in his life. But for some reason incomprehensible to me you wanted nothing but to bolt for home as quickly as possible, right back to the same situation which you see day after day after day. I fear you will follow this same inclination in the future and thus fail to discover all the wonderful things that God has placed around us to discover.
Don't settle down and sit in one place. Move around, be nomadic, make each day a new horizon. You are still going to live a long time, Ron, and it would be a shame if you did not take the opportunity to revolutionize your life and move into an entirely new realm of experience.
You are wrong if you think Joy emanates only or principally from human relationships. God has placed it all around us. It is in everything and anything we might experience. We just have to have the courage to turn against our habitual lifestyle and engage in unconventional living.
My point is that you do not need me or anyone else around to bring this new kind of light in your life. It is simply waiting out there for you to grasp it, and all you have to do is reach for it. The only person you are fighting is yourself and your stubbornness to engage in new circumstances.
”
”
Jon Krakauer (Into the Wild)
“
No more cars in national parks. Let the people walk. Or ride horses, bicycles, mules, wild pigs--anything--but keep the automobiles and the motorcycles and all their motorized relatives out. We have agreed not to drive our automobiles into cathedrals, concert halls, art museums, legislative assemblies, private bedrooms and the other sanctums of our culture; we should treat our national parks with the same deference, for they, too, are holy places. An increasingly pagan and hedonistic people (thank God!), we are learning finally that the forests and mountains and desert canyons are holier than our churches. Therefore let us behave accordingly.
”
”
Edward Abbey (Desert Solitaire)
“
8 A.M., Winifred Chapman got off the bus at the intersection of Santa Monica and Canyon Drive. A light-skinned black in her mid-fifties, Mrs. Chapman was the housekeeper at 10050 Cielo, and she was upset because, thanks
”
”
Vincent Bugliosi (Helter Skelter)
“
You think that I am stubborn, but you are even more stubborn than me. You had a wonderful chance on your drive back to see one of the greatest sights on earth, the Grand Canyon, something every American should see at least once in his life. But for some reason incomprehensible to me you wanted nothing but to bolt for home as quickly as possible, right back to the same situation which you see day after day after day. I fear you will follow this same inclination in the future and thus fail to discover all the wonderful things that God has placed around us to discover. Don't settle down and sit in one place. Move around, be nomadic, make each day a new horizon.
”
”
Christopher McCandless
“
We have agreed not to drive our automobiles into cathedrals, concert halls, art museums, legislative assemblies, private bedrooms and the other sanctums of our culture; we should treat our national parks with the same deference, for they, too, are holy places. An increasingly pagan and hedonistic people (thank God!), we are learning finally that the forests and mountains and desert canyons are holier than our churches. Therefore let us behave accordingly.
”
”
Edward Abbey (Desert Solitaire)
“
In a society that is essentially designed to organize, direct, and gratify mass impulses, what is there to minister to the silent zones of man as an individual? Religion? Art? Nature? No, the church has turned religion into standardized public spectacle, and the museum has done the same for art. The Grand Canyon and Niagara Falls have been looked at so much that they've become effete, sucked empty by too many stupid eyes. What is there to minister to the silent zones of man as an individual? How about a cold chicken bone on a paper plate at midnight, how about a lurid lipstick lengthening or shortening at your command, how about a Styrofoam nest abandoned by a 'bird' you've never known, how about a pair of windshield wipers pursuing one another futilely while you drive home alone through a downpour, how about something beneath a seat touched by your shoe at the movies, how about worn pencils, cute forks, fat little radios, boxes of bow ties, and bubbles on the side of a bathtub? Yes, these are the things, these kite strings and olive oil cans and Valentine hearts stuffed with nougat, that form the bond between the autistic vision and the experiential world, it is to show these things in their true mysterious light that is the purpose of the moon.
”
”
Tom Robbins
“
From the molten basements of the world, two hundred miles down, it comes. One crystal in a seam of others. Pure carbon, each atom linked to four equidistant neighbors, perfectly knit, octahedral, unsurpassed in hardness. Already it is old: unfathomably so. Incalculable eons tumble past. The earth shifts, shrugs, stretches. One year, one day, one hour, a great upflow of magma gathers a seam of crystals and drives it toward the surface, mile after burning mile; it cools inside a huge, smoking xenolith of kimberlite, and there it waits. Century after century. Rain, wind, cubic miles of ice. Bedrock becomes boulders, boulders become stones; the ice retreats, a lake forms, and galaxies of freshwater clams flap their million shells at the sun and close and die and the lake seeps away. Stands of prehistoric trees rise and fall and rise again in succession. Until another year, another day, another hour, when a storm claws one particular stone out of a canyon and sends it into a clattering flow of alluvium, where eventually it finds, one evening, the attention of a prince who knows what he is looking for.
”
”
Anthony Doerr (All the Light We Cannot See)
“
Follow the loglo outward, to where the growth is enfolded into the valleys and the canyons, and you find the land of the refugees. They have fled from the true America, the America of atomic bombs, scalpings, hip-hop, chaos theory, cement overshoes, snake handlers, spree killers, space walks, buffalo jumps, drive-bys, cruise missiles; Sherman's March, gridlock, motorcycle gangs, and bungee jumping. They have parallel-parked their bimbo boxes in identical computer-designed Burbclave street patterns and secreted themselves in symmetrical sheetrock shitholes with vinyl floors and ill-fitting woodwork and no sidewalks, vast house farms out in the loglo wilderness, a culture medium for a medium culture.
”
”
Neal Stephenson (Snow Crash)
“
You can’t sum it up, my mother says as we are driving and the electronic voice repeats, Turn Left onto Wildwood Canyon Road,
so I turn left, happy for the mundane instructions. Let us robot at once.
Tell me where to go. Tell me how to get there.
She means a life, of course. You cannot sum it up.
”
”
Ada Limon (The Hurting Kind: Poems)
“
New Mexico is my favorite state,” I declared as we pulled onto I-40.
“I'm waiting to see it all before I decide. And by the way, your driving isn't half bad. I expected to be terrified.”
“Why?”
“I imagined a timid, overly cautious little angel, but you've got an impressive lead foot.”
Whoops.
“Your car drives so quietly,” I said, "I don't realize how fast I'm going. I'll set the cruise control from now on.”
“Don't worry. I'll keep an ear out for cops,” he told me.
“Will we be passing the Grand Canyon?” I asked. “I've always wanted to see it.”
Kaidan pulled out the map and studied it.
“It's a bit out of the way, more than an hour. But how about this? We can go on the way back, since we won't have a time crunch.”
I didn't know if it was the desert air or what, but I felt at ease. I still had a thousand questions for Kaidan, but I wasn't in the mood for another heavy conversation just yet. I liked talking to him. We were still guarded, and it wasn't nearly as carefree as talking with Jay, but I was beginning to imagine keeping Kaidan in my life as a friend after this trip. Time would help us forget the kiss. My crush on him would fade. If I could stop analyzing every touch and every look, then maybe it could work. I vowed to myself at that moment: No more jealousy. No more flirting. No more lustful longing for the elusive Kaidan Rowe.
”
”
Wendy Higgins (Sweet Evil (Sweet, #1))
“
People have been driving off of the canyon for decades. I don't know of any that were accidental. One Ranger who worked here before I did told me that on several occasions, when cars drove off and folks died, they went down and collected the remains. But there were no helicopters strong enough and affordable enough to haul the cars out. He told me Rangers went down later and sprayed the cars with paint to help them blend in with the rocks.
”
”
Nancy Eileen Muleady-Mecham (Park Ranger Sequel: More True Stories From a Ranger's Career in America's National Parks)
“
I'm tired of people using their cars as biographical information centers, informing the world of their sad-sack lives and boring interests. Keep that shit to yourself. I don't want to know what college you went to, who you intend to vote for or what your plan is for world peace. I don't care if you visited the Grand Canyon, Mount Rushmore or the birthplace of Wink Martindale. And I'm not interested in what radio station you listen to or what bands you like. In fact, I'm not interested in you in any way, except to see you in my rearview mirror.
Furthermore, I can do without your profession of faith in God, Allah, Jehova, Yahweh, Peter Cottonail or whoever the fuck it is you've turned your life over to; please keep your superstitions private. I can't tell how happy it would make me to someday drive up to a flaming auto wreck and see smoke curling up around one of those little fish symbols with Jesus written inside it. And as far as I'm concerned you can include the Darwin/fish-with-feet-evolution symbol too. Far too cute for my taste.
So keep the personal and autobiographical messages to yourself. Here's an idea: maybe you could paste them up inside your car, where you can see them and I can't.
”
”
George Carlin (When Will Jesus Bring the Pork Chops?)
“
No surprises" is the motto of the franchise ghetto, its Good Housekeeping seal, subliminally blazoned on every sign and logo that make up the curves and grids of light that outline the Basin. The people of America, who live in the world's most surprising and terrible country, take comfort in that motto. Follow the loglo outward, to where the growth is enfolded into the valleys and the canyons, and you find the land of the refugees. They have fled from the true America, the America of atomic bombs, scalpings, hip-hop, chaos theory, cement overshoes, snake handlers, spree killers, space walks, buffalo jumps, drive-bys, cruise missiles, Sherman's March, gridlock, motorcycle gangs, and bun-gee jumping. They have parallel-parked their bimbo boxes in identical computer-designed Burbclave street patterns and secreted themselves in symmetrical sheetrock shitholes with vinyl floors and ill-fitting woodwork and no sidewalks, vast house farms out in the loglo wilderness, a culture medium for a medium culture. The only ones left in the city are street people, feeding off debris; immigrants, thrown out like shrapnel from the destruction of the Asian powers; young bohos; and the technomedia priesthood of Mr. Lee's Greater Hong Kong. Young smart people like Da5id and Hiro, who take the risk of living in the city because they like stimulation and they know they can handle it.
”
”
Neal Stephenson (Snow Crash)
“
A year ago, I was at a dinner in Amsterdam when the question came up of whether each of us loved his or her country. The German shuddered, the Dutch were equivocal, the Brit said he was "comfortable" with Britain, the expatriate American said no. And I said yes. Driving across the arid lands, the red lands, I wondered what it was I loved. the places, the sagebrush basins, the rivers digging themselves deep canyons through arid lands, the incomparable cloud formations of summer monsoons, the way the underside of clouds turns the same blue as the underside of a great blue heron's wings when the storm is about to break.
Beyond that, for anything you can say about the United States, you can also say the opposite: we're rootless except we're also the Hopi, who haven't moved in several centuries; we're violent except we're also the Franciscans nonviolently resisting nucelar weapons out here; we're consumers except the West is studded with visionary environmentalists...and the landscape of the West seems like the stage on which such dramas are played out, a space without boundaries, in which anything can be realized, a moral ground, out here where your shadow can stretch hundreds of feet just before sunset, where you loom large, and lonely.
”
”
Rebecca Solnit (Storming the Gates of Paradise: Landscapes for Politics)
“
We passed the great arid deserts of the West, driving through canyons and beneath rocky outcroppings and over great crevasses. We drove through the Mojave Desert, Owens Valley and Death Valley, and the dust entered our bloodstream and flowed through to every part of our body. The West was both eerie and breathtakingly beautiful, and we wanted to live there forever.
”
”
Karl Wiggins (Wrong Planet - Searching for your Tribe)
“
—
If love wants you; if you’ve been melted
down to stars, you will love
with lungs and gills, with warm blood
and cold. With feathers and scales.
Under the hot gloom of the forest canopy
you’ll want to breathe with the spiral
calls of birds, while your lashing tail
still gropes for the waes. You’ll try
to haul your weight from simple sea
to gravity of land. Caught by the tide,
in the snail-slip of your own path, for moments
suffocating in both water and air.
If love wants you, suddently your past is
obsolete science. Old maps,
disproved theories, a diorama.
The moment our bodies are set to spring open.
The immanence that reassembles matter
passes through us then disperses
into time and place:
the spasm of fur stroked upright; shocked electrons.
The mother who hears her child crying upstairs
and suddenly feels her dress
wet with milk.
Among black branches, oyster-coloured fog
tongues every corner of loneliness we never knew
before we were loved there,
the places left fallow when we’re born,
waiting for experience to find its way
into us. The night crossing, on deck
in the dark car. On the beach wehre
night reshaped your face.
In the lava fields, carbon turned to carpet,
moss like velvet spread over splintered forms.
The instant spray freezes
in air above the falls, a gasp of ice.
We rise, hearing our names
called home through salmon-blue dusk, the royal moon
an escutcheon on the shield of sky.
The current that passes through us, radio waves,
electric lick. The billions of photons that pass
through film emulsion every second, the single
submicroscopic crystal struck
that becomes the phograph.
We look and suddenly the world
looks back.
A jagged tube of ions pins us to the sky.
—
But if, like starlings, we continue to navigate
by the rear-view mirror
of the moon; if we continue to reach
both for salt and for the sweet white
nibs of grass growing closest to earth;
if, in the autumn bog red with sedge we’re also
driving through the canyon at night,
all around us the hidden glow of limestone
erased by darkness; if still we sish
we’d waited for morning,
we will know ourselves
nowhere.
Not in the mirrors of waves
or in the corrading stream,
not in the wavering
glass of an apartment building,
not in the looming light of night lobbies
or on the rainy deck. Not in the autumn kitchen
or in the motel where we watched meteors
from our bed while your slow film, the shutter open,
turned stars to rain.
We will become
indigestible. Afraid
of choking on fur
and armour, animals
will refuse the divided longings
in our foreing blue flesh.
—
In your hands, all you’ve lost,
all you’ve touched.
In the angle of your head,
every vow and
broken vow. In your skin,
every time you were disregarded,
every time you were received.
Sundered, drowsed. A seeded field,
mossy cleft, tidal pool, milky stem.
The branch that’s released when the bird lifts
or lands. In a summer kitchen.
On a white winter morning, sunlight across the bed.
”
”
Anne Michaels
“
You came up this gut-wrenching road yesterday by yourself?" Cassie exclaimed. "You deserve a good cuffing just for driving this goat path on your own."
"It's not so bad once you get used to dodging the ruts."
"You've got some nerve calling these canyons ruts."
"Cassandra Hudson, where is your sense of adventure?"
"I dropped it off going over that last rut-crossing when only two wheels were on the ground."
"Those ones are a bit exhilarating, aren't they?" Alexandra shot Cassie a quick look and wink.
"Keep your eyes on the road!"
"What road?"
"Exactly!
”
”
H.H. Laura (Larkspur (Sensate Nine Moon Saga, #1))
“
I'd like to repeat the advice that I gave you before, in that I think you really should make a radical change in your lifestyle and begin to boldly do things which you may previously never have thought of doing, or been too hesitant to attempt. So many people live within unhappy circumstances and yet will not take the initiative to change their situation because they are conditioned to a life of security, conformity, and conservatism, all of which may appear to give one peace of mind, but in reality nothing is more damaging to the adventurous spirit within a man than a secure future. The very basic core of a man's living spirit is his passion for adventure. The joy of life comes from our encounters with new experiences, and hence there is no greater joy than to have an endlessly changing horizon, for each day to have a new and different sun.
If you want to get more out of life, Ron, you must lose your inclination for monotonous security and adopt a helter-skelter style of life that will at first appear to you to be crazy. But once you become accustomed to such a life you will see its full meaning and its incredible beauty. And so, Ron, in short, get out of Salton City and hit the Road. I guarantee you will be very glad you did. But I fear that you will ignore my advice. You think that I am stubborn, but you are even more stubborn than me. You had a wonderful chance on your drive back to see one of the greatest sights on earth, the Grand Canyon, something every American should see at least once in his life. But for some reason incomprehensible to me you wanted nothing but to bolt for home as quickly as possible, right back to the same situation which you see day after day after day. I fear you will follow this same inclination in the future and thus fail to discover all the wonderful things that God has placed around us to discover.
Don't settle down and sit in one place. Move around, be nomadic, make each day a new horizon. You are still going to live a long time, Ron, and it would be a shame if you did not take the opportunity to revolutionize your life and move into an entirely new realm of experience.
You are wrong if you think Joy emanates only or principally from human relationships. God has placed it all around us. It is in everything and anything we might experience. We just have to have the courage to turn against our habitual lifestyle and engage in unconventional living.
My point is that you do not need me or anyone else around to bring this new kind of light in your life. It is simply waiting out there for you to grasp it, and all you have to do is reach for it. The only person you are fighting is yourself and your stubbornness to engage in new circumstances.
”
”
Jon Krakauer (Into the Wild)
“
In olden times, you'd wander down to Mom's Cafe for a bite to eat and a cup of joe, and you would feel right at home. It worked just fine if you never left your home-own. But if you went to the next town over, everyone would look up and stare at you when you came in the door, and the Blue Plate Special would be something you didn't recognize. If you did enough traveling, you'd never feel at home anywhere. But when a businessman from New Jersey goes to Dubuque, he knows he can walk into a McDonald's and no one will stare at him. He can order without having to look at the menu, and the food will always taste the same. McDonald's is Home, condensed into a three-ring binder and xeroxed. “No surprises” is the motto of the franchise ghetto, its Good Housekeeping seal, subliminally blazoned on every sign and logo that make up the curves and grids of light that outline the Basin. The people of America, who live in the world's most surprising and terrible country, take comfort in that motto. Follow the loglo outward, to where the growth is enfolded into the valleys and the canyons, and you find the land of the refugees. They have fled from the true America, the America of atomic bombs, scalpings, hip-hop, chaos theory, cement overshoes, snake handlers, spree killers, space walks, buffalo jumps, drive-bys, cruise missiles; Sherman's March, gridlock, motorcycle gangs, and bungee jumping. They have parallel-parked their bimbo boxes in identical computer-designed Burbclave street patterns and secreted themselves in symmetrical sheetrock shitholes with vinyl floors and ill-fitting woodwork and no sidewalks, vast house farms out in the loglo wilderness, a culture medium for a medium culture.
”
”
Neal Stephenson (Snow Crash)
“
I can’t help its being gay. I have been a full-time fag for the past five years, I realized the other day. Everyone I know is gay, everything I do is gay, all my fantasies are gay, I am what Gus called those people we used to see in the discos, bars, baths, all the time—remember? Those people we used to see EVERYWHERE, every time we went out, so that you wanted to call the police and have them arrested?—I am a doomed queen.
I would LIKE to be a happily married attorney with a house in the suburbs, 2.6 kids, and a station wagon, in which we would drive every summer to see the Grand Canyon, but I’m not! I am completely, hopelessly gay!
”
”
Andrew Holleran (Dancer from the Dance)
“
Then he said something about how L.A. is dust and exhaust and the hot, dry wind that sets your nerves on edge and pushes fire up the hillsides in ragged lines like tears in the paper that separates us from hell, and it’s towering clouds of smoke, and it’s sunshine that won’t let up and cool ocean fog that gets unrolled at night over the whole basin like a clean white hospital sheet and peeled back again in the morning. It’s a crescent moon in a sky bruised green after the sunset has beaten the shit out of it. It’s a lazy hammock moon rising over power lines, over the skeletal silhouettes of pylons, over shaggy cypress trees and the spiky black lionfish shapes of palm-tree crowns on too-skinny trunks. It’s the Big One that’s coming to turn the city to rubble and set the rubble on fire but not today, hopefully not today. It’s the obviousness of pointing out that the freeway looks like a ruby bracelet stretched alongside a diamond one, looks like a river of lava flowing counter to a river of champagne bubbles. People talk about the sprawl, and, yeah, the city is a drunk, laughing bitch sprawled across the flats in a spangled dress, legs kicked up the canyons, skirt spread over the hills, and she’s shimmering, vibrating, ticklish with light. Don’t buy a star map. Don’t go driving around gawking because you’re already there, man. You’re in it. It’s all one big map of the stars.
”
”
Maggie Shipstead (Great Circle)
“
From the molten basements of the world, two hundred miles down, it comes. One crystal in a seam of others. Pure carbon, each atom linked to four equidistant neighbors, perfectly knit, tetrahedral, unsurpassed in hardness. Already it is old: unfathomably so. Incalculable eons tumble past. The earth shifts, shrugs, stretches. One year, one day, one hour, a great upflow of magma gathers a seam of crystals and drives it toward the surface, mile after burning mile; it cools inside a huge, smoking xenolith of kimberlite, and there it waits. Century after century. Rain, wind, cubic miles of ice. Bedrock becomes boulders, boulders become stones; the ice retreats, a lake forms, and galaxies of freshwater clams flap their million shells at the sun and close and die and the lake seeps away. Stands of prehistoric trees rise and fall and rise again in succession. Until another year, another day, another hour, when a storm claws one particular stone out of a canyon and sends it into a clattering flow of alluvium, where eventually it finds, one evening, the attention of a prince who knows what he is looking for. It is cut, polished; for a breath, it passes between the hands of men. Another hour, another day, another year. Lump of carbon no larger than a chestnut. Mantled with algae, bedecked with barnacles. Crawled over by snails. It stirs among the pebbles.
”
”
Anthony Doerr (All the Light We Cannot See)
“
office into a sauna. She dropped her purse and keys on the credenza right inside the door and flipped the light switch. Nothing happened. The electricity had already gone out. The only light in the house came from the glowing embers of scrub oak and mesquite logs in the fireplace. She held her hands out to warm them, and the rest of the rush from the drive down the slick, winding roads bottomed out, leaving her tired and sleepy. She rubbed her eyes and vowed she would not cry. Didn’t Grand remember that the day she came home from the gallery showings was special? Sage had never cut down a Christmas tree all by herself. She and Grand always went out into the canyon and hauled a nice big cedar back to the house the day after the showing. Then they carried boxes of ornaments and lights from the bunkhouse and decorated the tree, popped the tops on a couple of beers, and sat in the rocking chairs and watched the lights flicker on and off. She went to the kitchen and opened the refrigerator, but it was pitch-black inside. She fumbled around and there wasn’t even a beer in there. She finally located a gallon jar of milk and carried it to the cabinet, poured a glass full, and downed it without coming up for air. It took some fancy maneuvering to get the jar back inside the refrigerator, but she managed and flipped the light switch as she was leaving. “Dammit! Bloody dammit!” she said a second time using the British accent from the man who’d paid top dollar for one of her paintings. One good thing about the blizzard was if that crazy cowboy who thought he was buying the Rockin’ C could see this weather, he’d change his mind in a hurry. As soon as she and Grand got done talking, she’d personally send him an email telling him that the deal had fallen through. But he’d have to wait until they got electricity back to even get that much. Sage had lived in the house all of her twenty-six years and
”
”
Carolyn Brown (Mistletoe Cowboy (Spikes & Spurs, #5))
“
The buffalo will return," Kicking Wolf said. "They have only gone to the north for a while. The buffalo have always returned."
"You are a fool," Buffalo Hump said. "The buffalo won't return, because they are dead. The whites have killed them. When you go north you will only find their bones."
"The whites have killed many, but not all," Kicking Wolf insisted. "They have only gone to the Missouri River to live. When beaten the whites back we have they will return."
But, as he was speaking, Kicking Wolf suddenly lost heart. He realized that Buffalo Hump was right, and that the words he had just spoken were the words of a fool. The Comanches were not beating the whites, and they were not going to beat them. Only their own band and three or four others were still free Comanches. The bands that were free were the bands that could survive on the least, those who would eat small animals and dig roots from the earth. Already the bluecoat soldiers had come back to Texas and begun to fill up the old forts, places they had abandoned while they fought one another. Even if all the free tribes banded together there would not be enough warriors to defeat the bluecoat soldiers. With the buffalo gone so far north, the white soldiers had only to drive them farther and farther into the llano, until they starved or gave up.
"The whites are not foolish," Buffalo Hump said. "They know that it is easier to kill a buffalo than it is to kill one of us. They know that if they kill all the buffalo we will starve – then they won't have to fight us. Those who don't want to starve will have to go where the whites want to put them."
The two men sat in silence for a while. Some young men were racing their horses a little farther down the canyon. Kicking Wolf usually took a keen interest in such contests. He wanted to know which horses were fastest. But today he didn't care. He felt too sad.
"The medicine men are deceiving the young warriors when they tell them the buffalo will return," Buffalo Hump said. "If any buffalo come back they will only be ghost buffalo. Their ghosts might return because they remember these lands. But that will not help us. We cannot eat their ghosts.
”
”
Larry McMurtry (Comanche Moon (Lonesome Dove, #4))
“
The franchise and the virus work on the same principle: what thrives in one
place will thrive in another. You just have to find a sufficiently virulent
business plan, condense it into a three-ring binder -- its DNA -- Xerox(tm) it,
and embed it in the fertile lining of a well-traveled highway, preferably one
with a left-turn lane. Then the growth will expand until it runs up against its
property lines.
In olden times, you'd wander down to Mom's Cafe for a bite to eat and a cup of
joe, and you would feel right at home. It worked just fine if you never left
your hometown. But if you went to the next town over, everyone would look up
and stare at you when you came in the door, and the Blue Plate Special would be
something you didn't recognize. If you did enough traveling, you'd never feel
at home anywhere.
But when a businessman from New Jersey goes to Dubuque, he knows he can walk
into a McDonald's and no one will stare at him. He can order without having to
look at the menu, and the food will always taste the same. McDonald's is Home,
condensed into a three-ring binder and xeroxed. "No surprises" is the motto of
the franchise ghetto, its Good Housekeeping seal, subliminally blazoned on every
sign and logo that make up the curves and grids of light that outline the Basin.
The people of America, who live in the world's most surprising and terrible
country, take comfort in that motto. Follow the loglo outward, to where the
growth is enfolded into the valleys and the canyons, and you find the land of
the refugees. They have fled from the true America, the America of atomic
bombs, scalpings, hip-hop, chaos theory, cement overshoes, snake handlers, spree
killers, space walks, buffalo jumps, drive-bys, cruise missiles, Sherman's
March, gridlock, motorcycle gangs, and bun-gee jumping. They have parallelparked
their bimbo boxes in identical computer-designed Burbclave street
patterns and secreted themselves in symmetrical sheetrock shitholes with vinyl
floors and ill-fitting woodwork and no sidewalks, vast house farms out in the
loglo wilderness, a culture medium for a medium culture.
The only ones left in the city are street people, feeding off debris;
immigrants, thrown out like shrapnel from the destruction of the Asian powers;
young bohos; and the technomedia priesthood of Mr. Lee's Greater Hong Kong.
Young smart people like Da5id and Hiro, who take the risk of living in the city
because they like stimulation and they know they can handle it.
”
”
Neal Stephenson (Snow Crash)
“
D’you think you might be able to find your way?”
“Of course we can,” Liv told her. “Guess we’ll have to have that lunch and massage some other time.”
“Sure thing.” Dayna promised. She flashed Liv a wicked grin. “I’ll say hi to Temo for you.” She mounted Champagne in one smooth motion and rode away, leading the other horses.
Heading off in the opposite direction, Sophie squirmed in her saddle as if a burr of jealousy was stuck under her jeans. Did Shane just forget about her when he was with Cheyenne and Hailey? She hadn’t had a chance to tell him about the coyote’s attack on Diego’s colt. He could at least have said goodbye instead of speeding off that way in his truck. She’d never seen him drive. Up to now he’d always appeared at the Lucky Star Ranch riding Navajo.
I like him a hundred times better on horseback, Sophie thought.
”
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Sharon Siamon (Coyote Canyon (Wild Horse Creek, #2))
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We follow Daja to a Hellion motor home. It looks less like something your grandparents would drive to the Grand Canyon and more like a Gothic mansion on wheels—one designed by insects and decorated by something with more tentacles than taste. Hellion chic. Daja opens the door and we go in.
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Richard Kadrey (The Kill Society (Sandman Slim, #9))
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For two guys, a dog, and a twenty-seven-year-old truck with no air-conditioning, driving from the Grand Canyon to Los Angeles – about eight hours through the Mojave Desert – is a pilgrimage.
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Craig Grossi (Craig & Fred: A Marine, A Stray Dog, and How They Rescued Each Other)
“
Imagine standing on the very edge of the Grand Canyon. The bloodred gorge stretches as far as you can see in every direction. The canyon floor drops precipitously below your feet. You feel dizzy and step back from the edge. Hawks circle through rock crevasses so barren and stripped of vegetation you could as well be on the moon. You are amazed. You are humbled. You feel elevated. This is awe.
According to psychologists Dacher Keltner and Jonathan Haidt, awe is the sense of wonder and amazement that occurs when someone is inspired by great knowledge, beauty, sublimity, or might. It’s the experience of confronting something greater than yourself. Awe expands one’s frame of reference and drives self-transcendence. It encompasses admiration and inspiration and can be evoked by everything from great works of art or music to religious transformations, from breathtaking natural landscapes to human feats of daring and discovery.
”
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Jonah Berger (Contagious: Why Things Catch On)
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She needed to remember that she’d hitched my star to her wagon about to drive off the cliff and into the canyon below.
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Siena Trap (Frozen Heart Face-Off (Indy Speed Hockey, #2))
“
I don’t know why I love the open spaces in the Southwest or Grand Central Terminal or the fading Atomic Age Googie architecture you see sometimes when driving. I don’t know why merely glimpsing the Statue of Liberty brings tears to my eyes, or why a single phrase on an Etta James or Patsy Cline record does what it does to me. It just does. I have spoken to other immigrants about this, and I have noticed that there is generally a satisfactory explanation — religious freedom, the chance at self-expression, the country’s size — and then there is the wistful stuff that moistens the eyes. Show me a picture of two canyons, and the fact that one of them is American will make all the difference. Just because it is American. Is this so peculiar? Perhaps.
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Charles C.W. Cooke
“
Driving to Pasadena and a trail running up Arroyo Seco Canyon behind Jet Propulsion Laboratory,...I simply want some solitude; a reprieve from raucous car exhausts, slamming doors, loud radios in the neighborhood, barking dogs defending apartment balconies, and boisterous arguments among loving partners... A trail guide suggests parking by the laboratory, but the easily accessible lot conjures anxious thoughts. Is parking permissible for the public? Are cars parking here targets for thieves? Is the lot being watched this very minute by desperados? Welcome to Los Angeles.
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Howard Smith (In the Company of Wild Bears: A Celebration of Backcountry Grizzlies and Black Bears)
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And to say that the citizens of those rival domains did not always see eye to eye was a bit of an understatement, because each represented the antithesis of the other’s deepest values. To the engineers and the technicians who belonged to the world of the dam, Glen was no dead monolith but, rather, a living and breathing thing, a creature that pulsed with energy and dynamism. Perhaps even more important, the dam was also a triumphant capstone of human ingenuity, the culmination of a civil-engineering lineage that had seen its first florescence in the irrigation canals of ancient Mesopotamia and China, then shot like a bold arrow through the Middle Ages, the Renaissance, and the Industrial Revolution to reach its zenith here in the sun-scorched wastelands of the American Southwest. Glen embodied the glittering inspiration and the tenacious drive of the American century—a spirit that in other contexts had been responsible for harnessing the atom and putting men on the moon. As impressive as those other accomplishments may have been, nothing excelled the nobility of transforming one of the harshest deserts on earth into a vibrant garden. In the minds of its engineers and its managers, Glen affirmed everything that was right about America. To Kenton Grua and the river folk who inhabited the world of the canyon, however, the dam was an offense against nature. Thanks to Glen and a host of similar Reclamation projects along the Colorado, one of the greatest rivers in the West, had been reduced to little more than a giant plumbing system, a network of pipes and faucets and catchment tubs whose chief purpose lay in the dubious goal of bringing golf courses to Phoenix, swimming pools to Tucson, and air-conditioned shopping malls to Vegas. A magnificent waterway had been sacrificed on the altar of a technology that enabled people to prosper without limits, without balance, without any connection to the environment in which they lived—and in the process, fostered the delusion that the desert had been conquered. But in the eyes of the river folk, even that wasn’t the real cost. To
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Kevin Fedarko (The Emerald Mile: The Epic Story of the Fastest Ride in History Through the Heart of the Grand Canyon)
“
listening to Joe and after the game warden had dispatched the suffering animal. “I could see them sending someone out here to shut up The Earl once and for all. They came, shot him, and hung him from the windmill, and they were on a plane back to O’Hare by the time you found him.” “It may be what happened,” Joe said, “but it’s speculation at best. Marcus Hand sent two of his investigators east, and they may come back with something before the trial is over. But they may not. What I have trouble with in that scenario is how this Chicago hit man would know to frame Missy.” Nate said, “They had an insider.” “And who would that be?” “The same guy who told Laurie Talich where she could find me.” “Bud?” “Bingo,” Nate said. “It took a while for me to figure it out and there are still some loose ends I’d like closed, but it makes sense. Missy knew vaguely where I was living because she talks to her daughter, and last year she tried to hire me to put the fear of God into Bud, remember? She might have let it slip to her ex-husband that if he didn’t stop pining over her, she’d drive to Hole in the Wall Canyon and pick me up. Somehow, Bud found out where I was. And by happenstance, he meets a woman in the bar who has come west for the single purpose of avenging her husband. Bud has contacts with the National Guard who just returned from Afghanistan, and he was able to help her get a rocket launcher. Then he drew her a map. He must have been pretty smug about how it all worked out. He thought he was able to take me out of the picture without getting his own hands dirty.” “Bud—what’s happened to him?” Joe asked, not sure he was convinced of Nate’s theory. “Why has he gone so crazy on us?” “A man can only take so
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C.J. Box (Cold Wind (Joe Pickett, #11))
“
She smiled at his flirtations. “Have I ever told you how incorrigible you are?”
He chuckled. “Several times. But I do have some redeemable qualities. Don’t you think?”
She kissed him lightly on the lips. “You sure do.”
“Name one.”
“Well!” Amelia tapped her forehead as if to think. Do you mean besides being so irresponsible that it drives me crazy? Well, I have to say that you’re not bad to look at. That why I keep you around.”
A smile was playing at the corners of Rick’s lips and a mischievous glint appeared in his eyes. Without warning, he pulled her into his arms and gave a kiss to remember.
”
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Linda Weaver Clarke (Her Lost Love (Amelia Moore Detective Series #5))
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First, there’s “San Francisquito Canyon Road,” which weaves down through the mountains for about 20 miles and puts you right at the edge of Valencia. Then there’s “Spunky Canyon Road,” which most of the other streets in the town branch off of as it connects up the neighborhoods. Commuters traveling between the Antelope Valley and the Santa Clarita Valley drive up and down San Francisquito Canyon every day which also provides a quick way for families and teenagers to get to Magic Mountain from Palmdale or Lancaster, if they don’t feel like taking the freeway.
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Anonymous
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It was the drive-in restaurant, a product of the Great Depression’s crimp on the free-wheeling lifestyle that had grown up around movie-happy Hollywood. Drive-ins sprouted in city parking lots and spread along highways and canyon drives.
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Ray Kroc (Grinding It Out: The Making of McDonald's)
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When you know there’s a good chance you’re going into the red room, you have to reach down and find a different place mentally,” he’d tell his squad.I “The thing that distinguishes successful athletes from everybody else is a realization that your limits are not necessarily where you think they are—and that your body is capable of doing more, often far more, than you expect it can.” Although Pete never really tried to make the downhill team, he absorbed many of these ideas, in particular the conviction that any challenge could successfully be met with the right combination of drive, grit, and sunny optimism—and if this proved insufficient, well, it was okay to just wing it.
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Kevin Fedarko (A Walk in the Park: The True Story of a Spectacular Misadventure in the Grand Canyon)
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turned the car around and it floated quietly down Lookout Mountain to Laurel Canyon. He took a right and drove to the canyon market, where he bought a six-pack of Anchor Steam. Then he took his beer and his questions back up the hill to Mulholland. He drove to Woodrow Wilson Drive and then down to his small house that stood on cantilevers and looked out across the Cahuenga Pass.
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Michael Connelly (The Concrete Blonde (Harry Bosch, #3; Harry Bosch Universe, #3))
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Every year five million people from all over the world travel to northern Arizona to see the Grand Canyon. Driving north to the Grand Canyon from Phoenix, Sedona, or Flagstaff, the road gradually climbs to the top of what is called the Colorado Plateau. (A plateau is a large elevated flat area of land.)
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Jim O'Connor (Where Is the Grand Canyon?)
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I looked down at my knees, feet, and legs—overwhelmed by the many places they had taken me, over so many mountains, through rivers and dry canyons, into deep snow, and across jagged lava flows. I’d hurt them, healed them, pushed them . . . and yet they had always rallied. I felt awash with the blessing of having done what I’d done and to still be driving forward into new realms of self-exploration.
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Heather Anish Anderson (Mud, Rocks, Blazes: Letting Go on the Appalachian Trail)
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The boys walked into the gym, where hundreds of Navajo filled the stands, even three hours before their game. Players spotted mothers and grandparents, uncles and aunties and cousins, brothers and sisters and neighbors, folks who’d piled into old pickup trucks and vans and Chevy sedans to make that three-hour drive. There were Chinle stars who graduated last year and the year before that and the decade before that, young men who bathed still in past glory. There was Cecil Henry, a nearly sixty-year-old silversmith with a rakish mustache and an easy smile and a mighty thirst for the bottle, who crafted and sold beautiful jewelry to tourists on the floor of Canyon de Chelly. He once played high school basketball and ran like a deer and was related to a few of the Wildcats. He’d stuck out his thumb and hitchhiked here from Chinle.
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Michael Powell (Canyon Dreams: A Basketball Season on the Navajo Nation)
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Shut up, all of you, or I swear to God I’ll pull a Thelma and Louise and drive us all into the fucking canyon!
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Barbra Annino (The Bitches of Everafter (Everafter, #1))
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In the teeming crowd gathered for a ceremony outside Las Vegas on the afternoon of September 17, 1930, there must have been quite a few people hoping to see the guest of honor look ridiculous. They were not disappointed. Interior Secretary Ray Lyman Wilbur had come west for the formal launch of the Boulder Canyon Project. His role in the ritual was to drive a spike of Nevada-mined silver into a tie at the spot where the Union Pacific’s Salt Lake-Los Angeles trunk line was to branch off toward the future site of Boulder City, which was to be the staging point for the project and the hometown for its workers and their families.
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Michael A. Hiltzik (Colossus: The Turbulent, Thrilling Saga of the Building of the Hoover Dam)
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Hurry-Up Crowe. Yet there was something more, something intangible, that endowed Crowe with the ability to drive his crews at a clip that bowed to almost no obstacle, not a killing cold spell nor suffocating desert heat nor the boundaries of human endurance. Perhaps the secret was his ability to communicate a shared goal. Men choking on gasoline fumes in an underground tunnel nearly a mile long, or suspended on ropes two thousand feet in the air from the rim of a gorge, drills in hand, or sunk to their ankles in wet concrete under a remorseless desert sun might well question from time to time whether the work was worth the four or five dollars they earned for a punishing eight-hour shift. Frank Crowe made them understand the honor of participating in the creation of something eternal. “I’m proud that I had a hand in it,” said Tex Nunley, whose myriad jobs in Boulder Canyon included painting white crosses on solid rock walls to mark the center line of the tunnels the drillers were to drive through them. “Yes I am. I think it was a marvelous piece of work.
”
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Michael A. Hiltzik (Colossus: The Turbulent, Thrilling Saga of the Building of the Hoover Dam)
“
Are you a bigot, Mr. O’Brien?” Joanna asked. The room grew still. Raising his bushy eyebrows, Ernie Carpenter shifted uneasily from one foot to the other. The silence lasted so long that Joanna wondered if perhaps she had gone too far, but David O’Brien didn’t appear to be especially offended by the question. In fact, he seemed to like the idea that Joanna was standing up to him and pushing back. “Are you aware that I’m from here originally?” he asked at last, favoring Joanna with an unexpected but grim smile. She nodded. “Not just from Bisbee,” he continued. “But from right here on the outskirts of Naco. My father, Tom O’Brien, died of a ruptured appendix when I was two. Growing up in a border town makes it tough for kids. On both sides. I didn’t transfer to St. Dominick’s in Old Bisbee until I was in the third grade. Before that I was one of the only Anglo kids in Naco Elementary. The Mexican kids down here used to beat me up every day, Sheriff Brady. Not only that, it was a Mexican driving the truck that killed my first family, smashed my legs to smithereens, and sentenced me to a wheelchair for the rest of my natural life. So believe me, if I’ve got my prejudices, maybe I’m entitled. That’s what I told Brianna, and that’s what I’m telling you.
”
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J.A. Jance (Skeleton Canyon (Joanna Brady, #5))
“
make the drive, skirting the mesa
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Louis L'Amour (Silver Canyon)
“
then a small stream just above the bottom of the canyon. There are good campsites in this area. Cross the bridge over the Middle Fork of the Swan River and go right for 50 feet on Middle Fork Road at mile 17.1 (10,203). The Colorado Trail diverges left into the woods onto a single-track trail. The trail crosses a small stream and curves right in the next 2 miles. Reach the North Fork of the Swan River and marshy bottom at about mile 19.4, crossing on a raised walkway and bridge, beyond which there is good camping. The trail turns right (east) and then curves left as it follows the perimeter of the camping area. Cross a road at mile 19.7 (9,981). Go right at an intersection at mile 20.1 (10,067). From here, the trail begins to climb out of the drainage. Keystone Ski Resort eventually comes into view along the high point of the ridge to the northeast. Where the trail twice intersects the West Ridge Loop Trail (from Keystone Gulch), first at mile 22.6 (11,114) and then at mile 23.8 (11,022), stay left. After a long descent on a series of switchbacks, the trail intersects Red Trail at mile 26.1 (10,035) and goes to the left again. After dropping into a small valley and passing a power line, take a right at the fork at mile 27.5 (9,973). Cross Horseshoe Gulch at mile 28.8 (9,458) and follow the trail as it heads north with camping 0.2 mile ahead. Intersect and go left at Blair Witch Trail at mile 29.4 (9,458). Intersect and go left at Hippo Trail at mile 29.7 (9,700). Descending with Breckenridge coming in view, at a switchback intersect Campion Trail at mile 31.8 (9,240), and go left. Reach neighborhood and pond at mile 31.9 (9,200). Cross Swan River on a bridge, then cross Revette Drive where one could park for a few hours. At mile 32.5 (9,203), cross CO Hwy 9 adjacent to where the free Summit Stage bus stops. Go right (north) on bike path, cross Blue River on a bridge, and reach Gold Hill Trailhead at mile 32.7 (9,197). Follow the bike path for 0.2 mile until reaching the Gold Hill Trailhead on the left and the end of Segment 6 at mile 32.9 (9,197).
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Colorado Trail Foundation (The Colorado Trail)
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You’re eighteen. It’s August brim to brim and your father is at the wheel. He points proudly at distant reactors and spires, sun-baked highway and barbed wire, and offers them to you. You’ve waited all your life. A gate patrolman waves you across the threshold into the Cold War world. You grew up downstream, sugared by these winds, while Dad and Carolyn’s Dad and every father you knew disappeared to fuel the bomb. He drives you past canyon buildings like grounded ocean freighters. A dozen miles more and White Bluffs shimmers into view—a ghost town with your very own eyes, the shell of old Hanford High School, sad remnants of abandoned farms. Dad is pointing, but wind and speed carry his voice away. . . .
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Kathleen Flenniken (Plume: Poems (Pacific Northwest Poetry Series))
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On our way back to Los Angeles, we drove down through Grapevine Canyon on the northern end of Death Valley. This is where Scotty’s Castle is located, with its cooling system and power provided by an underground spring. Everything was so different from anything I had known back East, and very interesting. We continued through Death Valley, with water bags hanging from the car’s front bumper and a water cooler tightly clamped into a window on the passenger side. There were no rest areas in the desert, so we had to make stops alongside the road. Out in the open, in the middle of the day, this was the way to get back to nature! We hadn’t seen a car in hours, so there was no problem regarding modesty. In those days, cars were not as reliable as now. Driving through Death Valley at high noon in the middle of summer wasn’t the brightest idea, but it was an adventure! It was so hot that I watched my urine sizzle and instantly evaporate off the pavement of Badwater Road, which runs the length of the valley. At Stovepipe Wells we turned west on SR 190, heading towards Keeler and Dolomite. On this stretch of road we could look ahead and see Mount Whitney with its summit being 14,505 feet above sea level. It was exciting to see the highest mountain in front of us and look back to the lowest point in the United States at 282 feet below sea level. At that time, Alaska and Hawaii were not yet in the Union. Now Mount McKinley in Alaska tops Mount Whitney by 5,732 feet, being 20,237 feet high.
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Hank Bracker
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I caught a couple of landmarks and knew we were on Benedict Canyon Drive, getting up into the hills. I'd driven here several times before—in happier days—and I knew almost all the road. It was hilly along here and there were steep clifflike drops and sloping ones. Maybe Dutch would let me jump off a cliff. Suicide. I strained at the rope on my wrists, but it was tight.
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Richard S. Prather (Shell Scott PI Mystery Series, Volume One)
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can’t drive off because of the flat tires,
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Delores Fossen (Cowboy Above the Law (The Lawmen of McCall Canyon #1))